Sources of Illustrations

MacDonald, William L.; Pinto, John A.

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Sources of Illustrations

William L. MacDonald, John A. Pinto

Hadrian’s Villa and Its Legacy

The Getty Center for the Fine Arts and the Humanities supplied the photographs listed below and underwrote a photographic campaign at the Villa; at the Center Jeanne Marty, Susan Wester, and Claire Lyons were most helpful. We are also indebted to Karin Einaudi of the Fototeca Unione at the American Academy in Rome, to Giorgio Vasari of Rome for color images made under our direction, to W. B. Lundberg for advice about early photographers at the Villa, and to the persons and institutions listed …

Author

William L. MacDonald, John A. Pinto

PublisherYale University Press

https://doi.org/10.37862/aaeportal.00061.018

Stable URL: https://aaeportal.com/?id=-13817

Sources of Illustrations

The Getty Center for the Fine Arts and the Humanities supplied the photographs listed below and underwrote a photographic campaign at the Villa; at the Center Jeanne Marty, Susan Wester, and Claire Lyons were most helpful. We are also indebted to Karin Einaudi of the Fototeca Unione at the American Academy in Rome, to Giorgio Vasari of Rome for color images made under our direction, to W. B. Lundberg for advice about early photographers at the Villa, and to the persons and institutions listed below; we took the photographs not otherwise credited. Numbers in parentheses identify items immediately preceding.

The drawings were evolved from our own measurements and observations and from Giuliani, “Piazza d’Oro” (1975), Hoffmann (1980), Kähler (1950), Ligorio-Contini (1751), Lugli (1927), Lund (1982), MacDonald and Boyle (1980), Netzer (1981), F. Piranesi (1781), Reina and Barbieri (1906), Ricotti, “Criptoportici” (1973), Ricotti (1982), Ueblacker (1985), Verduchi (1975), and Winnefeld (1895).

Aereofototeca — ICCD, Rome: 1, 29, 126, 146

Aeronautica Militare, Rome: 6

Alinari / Anderson, New York: 31, 178–180, 364, 365, 375

Lyman Allyn Art Museum, New London: 292 (1953.36)

American School of Classical Studies in Athens, Agora Excavations: 8

Ashmolean Museum, Oxford: 312, 347

Biblioteca Apostolica Vaticana: 163, 246, 252, 276, 284, 287, 383, 396

Biblioteca Civica Angelo Mai, Bergamo: 310, 311

Biblioteca Reale di Torino: 249–251

Bibliotheca Hertziana, Rome: 245, 400, 402

Bernard M. Boyle: 221, 240

George Braziller, Inc.: 164

The British Architectural Library, RIBA, London: 257, 258, 265, 297–299, 301, 302, 304–306, 308, 309, 348, 349

By Permission of the British Library, London: 266–275, 369

British Museum, London, by courtesy of the Trustees: 194, 285, 286

Calcografia, Istituto Nazionale per la Grafica, Rome: 157, 159, 160

Sarah Calkins: 279

Collection Centre Canadien d’Architecture / Canadian Centre for Architecture, Montréal: 357

David Coffin: 261

Courtesy Cooper-Hewitt, National Museum of Design, Smithsonian Institution / Art Resource, New York; photo Ken Pelka: Carlo Marchionni (Italy, 1702–1787), Design for a Doorway in the Villa Albani, Rome, ca. 1756. Pen and brown ink, brown and gray wash, graphite on off-white laid paper, 33.3 × 22.9 cm. Friends of the Museum Fund, 1901-39-1327: 363

Country Life: 366, 371

Deutsches Archäologisches Institut, Rome: 33, 189, 190, 255, 280–282, 392, 404–408

Jesús Escobar: 354

Fitzwilliam Museum, Cambridge: 294–296

Florida Southern College, Lakeland: 413

Courtesy of the Fogg Art Museum, Harvard University Art Museums: 9, 352

Fototeca Unione at the American Academy in Rome: 26 (6443F), 34 (291), 399 (11208F)

Gabinetto Fotografico, Soprintendenza Beni Artistici e Storici di Firenze: 15, 195, 247, 248, 254, 260, 340, 346

Getty Center for the Fine Arts and the Humanities, Resource Collections: 171–173, 209, 210, 212, 256, 321–326, 333, 335, 337–339, 341, 343, 344, 384–390

J. Paul Getty Museum Collection, Malibu, California: Roman work after a 4th-cent. B.C. Greek original (possibly Skopas), “The Lansdowne Herakles,” Pentelic marble, 193.5 cm. high: 391

Istituto Centrale per il Catologo e la Documentazione, Rome: 4, 139, 174–176, 199–201, 202 (two), 203, 204, 238, 244, 290, 303, 320, 334, 336, 355, 361, 362, 378, 381, 382, 397, 398, 409

Wilhelmina F. Jashemski, photograph Stanley A. Jashemski: 234

Kunstakademiets Bibliotek, Copenhagen: 317

Michael Lawrence: 10, 19, 21–25, 27, 63, 69, 76, 77, 81, 87, 91, 95, 103, 106, 111, 114, 124, 125, 135, 138, 145, 147, 154, 156, 239, 414, and the folding plan

National Monuments Record, London RCHME Crown Copyright: 367

Ehud Netzer, The Hebrew University, Jerusalem: 104

Gaetano Pedò: 177

Private Collection, photographs courtesy of Hazlett Gooden & Fox, Ltd., London: 342, 345

Rijksmuseen-Stichtung, Amsterdam: 379

Royal Commission on the Ancient and Historical Monuments of Scotland, Edinburgh: 293, 300, 307

Smith College Museum of Art, Northampton, Mass.: 350

By courtesy of the Trustees of Sir John Soane’s Museum: 313

Soprintendenza di Beni Artistici e Storici, Naples: 328–332

Staatliche Museen, Berlin: 211

The Toledo Museum of Art; purchased with funds from the Libbey Endowment, Gift of Edward Drummond Libbey: 351

Giorgio Vasari, Rome: title page, 37, 85, 129, 165, 182, 183, 205, 206, 214, 216–219, 235, 237, 283, 315, 319

Victoria and Albert Museum, London, Crown Copyright: 374

Robert Wolterstorff: 393

Fikret Yegül: 410

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