Index

Potts, Alex

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Index

Alex Potts

Flesh and the Ideal: Winckelmann and the Origins of Art History

Index

Author

Alex Potts

PublisherYale University Press

https://doi.org/10.37862/aaeportal.00050.013

Stable URL: https://aaeportal.com/?id=-14703

Index

Adorno, T. W. 276, 270–1

Adrogyny 131

Aeschylus 99

Albani, Cardinal A. 17, 189–94, 197, 199, 209, 219, 278

Alexander the Great 56, 85

Althusser, L. 260

Ancient Art see antique art, Egyptian art, Etruscan art, Greek art

Andre, C. 268

Anhalt Dessau, Prince of see Friedrich Franz

Antique Art see also antique sculpture

classic phase 19, 24

coins 84, 85–9

decline of 24, 32, 38

Greek originals and Roman copies 18, 29, 31, 37, 64, 95

implications for contemporary art 29–33

Antique Sculpture

Antinous relief 64

Apollo Barberini 94, 95

Apollo Belvedere 4–5, 16,18, 30, 61, 64, 118–32, 136, 146, 227

Apollo Sauroktonos 92–3

Athena Farnese 83, 89, 132

Belvedere Antinous 16, 60–4, 84, 95, 129, 131, 146, 151, 152, 153, 167, 179, 234

Belvedere Torso 59, 61, 131, 171, 174, 179, 234

Hercules Farnese 15, 117–18, 135, 151

Laocoön 4, 16, 38, 61, 82–3, 90, 103–8, 111, 113, 131,136–44, 146, 171, 179, 234, 246

Niobe 2, 61, 82–3, 103–8, 84, 89–90, 113, 136–44, 179, 235

Parthenon Marbles 30, 125

Venus de’ Medici 18, 117, 129, 131, 227

Apelles 99

Apollo Barberini see antique sculpture

Apollo Belvedere see antique sculpture

Apollo Sauroktonos see antique sculpture

Arcangeli, F. 17

Aristotle 100

and history 51

Arscott, C. 286

Art History see history of art

Ashton, R. 285

Athena Farnese see antique sculpture Athenagoras 97

Augustus 19, 56

Baldwin, J.

Another Country 131

Barrell, J. 264,271

Barthélemy, J. J. 34, 76, 89, 267

Barthes, R. 265,275

Bartholdi, F.-A. 272

Basedow, J. B. 274

Baudrillard, J. 273

Baumecker, F. 274

Baxandall, M. 268

Beauty see ideal beauty

Beauvoir, S. de 276

Beger, L. 267

Bell, C. 271

Bellori, G. P. 157–8, 261, 274

The Idea of the Painter, Sculptor and Architect, Superior to Nature by Selection from Natural Beauties 157

Belvedere Antinous see antique sculpture

Belvedere Torso see antique sculpture

Benoit, F. 259, 284

Berendis, H. D. 189, 208–9, 277, 285

Berg, F. R. von 195, 205, 215, 218, 280

relationship with Winckelmann 202–7

Bernal, M. 274–5

Bernini, G. L.

Ecstasy of St Teresa 234

Bianconi, G. L. 209, 215

Bloom, C. 264, 280

Bois, Y. A. 265

Bouchardon, E. 275

Brandt, P. 273

Braunschweig, Prince of 197–8

Buffon, G. L. L. 76, 274

Bünau, Count H. von 16, 35, 185–6, 190, 196, 210

Bungay, S. 269

Burckhardt, J. 70

Burke, E. 114–7, 127, 132, 135

A Philosphical Enquiry unto the Origin of our Ideas of the Sublime and the Beautiful 114

Burke, P. 258, 261, 263, 270

Byron, G. G.

Childe Harold’s Pilgrimage 125

Canova, A. 268

Carpenter, R. 261

Casanova, G. C. (also J. Casanova de Seingalt) 212

Cassirer, E. 274

Castellani, N. 214–15

Caylus, A.-C.-P. de Tubières, Comte de 34, 38, 73, 82, 102, 264, 266, 269, 282

and main schools of ancient art 78, 78–80

and Winckelmann 76, 76–81

Collection of Antiquities 76, 77

Chaussard, P. 228–30

Cicero 72, 98, 103, 266

Cicognara, L. 257

Cleland, J. J. 280

Memoirs of a Woman of Pleasure 210–11

Clement XIII, Pope 189, 193, 199

Clement XIV, Pope 200

Clérisseau, C. L. 194

Condillac, E. B. 34, 260, 263, 269

Contour

and fetishism 170

and ideal beauty 155

and the Greek ideal 167–73

Crompton, L. 271, 281

Crow, T. E. 283

Darnton, R. 280

David, J. L.

art and revolutionary politics 223–38

Brutus 224

Death of Bara 224, 228, 230–6

Death of Marat 224, 231

Death of Socrates 224

Intervention of the Sabine Women 224, 228

Leonidas at the Pass of Thermopylae 224, 231, 235, 237, 238

Oath of the Horatii 224

Davis, W. 263, 272, 281 283

De Man, P. 262, 263, 265, 268, 269, 276

Delécluze, E. J. 284

Deleuze, G. 272

Dellamora, R. 273, 285, 287

Demetrius 100,269

Demosthenes 103, 111

Derrida, J. 50

Détournelle, A. 224, 226 284

Diderot, D. 181, 275

Dilly, H. 257–8, 285

Dionysus of Halikarnassus 269

Dollimore, J. 286

Dubos, J. B. 261

Duncan, C. 284

Dupaty, C. 271

Eagleton, T. 270, 273

Egyptian art 34

Eméric-David, T. B. 31, 226 284

Enlightenment see also under freedom, homosexuality, history of art 5, 21, 33

and class difference 159

and freedom 26, 55, 181

and ideals of rationality 6

and masculine identity 144

and race 159–63

and the ideal nude 71, 118

and the sublime 114

Ernst, W. 258

Etruscan art 34

Falconet, E. 266

Fea, C. 256

Félibien, A. 261

Fernow, C. L. 256

Fetishism

and contour 170

Fiorillo, J. D. 257

Flaxman, J. 272

Fontius, M. 258

Forster, J. G. 259

Foucault, M. 258, 274

Freedom

and art 57

and ideal beauty 4, 53, 145, 226

and the French Revolution 55

and the Enlightenment 55

in ancient Greece 48, 54, 60

French Revolution

aesthetic debates during 25

and freedom 55

and the Greek ideal 223

images of republican virtue in 26, 235

Freud, S. 150–3, 172, 276

Fried, M. 258, 266, 283

Friedrich Christian of Saxony, 56, 201

Friedrich Franz of Anhalt Dessau 128, 221

Furtwängler, A. 267, 268

Füssli, H. 201–2

Gearhart, S. 260, 262

German Idealism

and freedom 55

and Greek ideal 29

Gibbon, E. 258

History of the Decline and Fall of the Roman Empire 34

Gilman, S. L. 274

Goethe, J. W. von 19, 24, 239, 260, 276, 283

Gombrich, E. H. 261, 263, 268–9, 272

Goodman, N. 265

Graeco-Roman Art see antique art, Greek Originals and Roman Copies

Greek art see Greek Ideal

Greek Ideal 60–1, 91

and castration 166

and climate 57, 58, 159

and contour 167–73

and fragmentation 65

and freedom 54, 145, 225–6

and French Revolution 222–7, 233

and German Idealist thought 29

and hermaphroditism 166

and homosexuality 214, 241

and narcissism 145–54

and race 159–63

and subjectivity 145, 173–81

and the boyish figure 165

as paradigm of perfect art 18, 23, 25, 28

eroticisation of 49, 114

favourable circumstances of 47, 54

intractability of 48–9, 67

revival of 23, 29–33, 225–6

Greenberg, D. F. 270–1, 273, 277, 281

Gruber, G. M. A. 269

Guasco, O. de 264

Hadrian 19, 56

Halperin, D. 270, 274

Hamann, J. G. 277

Haskell, F. 258, 266, 282

and Penny, N. 257, 259, 267

Hatfield, H. C. 258

Hazlitt, W. 125

Hegel, G. W. F. 19, 24, 110, 271, 286

on Winckelmann and the Greek Ideal 20

Heidrich, E. 257

Herder, J. G. 19, 27–9, 32, 239

Heres, G. 261

Herkma, G. 277

Hercules Farnese see antique sculpture

Hermaphroditism

and the Greek Ideal 166

Herodotus 100

Heyne, C. G. 27–8, 37, 193, 220

High Renaissance 25

Hillis Miller, J. 285

Historical process 7, 52

Historicism 24–5, 29, 32

History see history of art

History of Art

and historical rupture 23

and history of language 52, 96–101

as cultural history 32

as narrative form 22, 47–8

as new paradigm 24

as process of rise and decline 14, 26, 28, 38, 39, 50–4

as process of stylistic development 38, 40, 72

as system 21–2, 33–7

conceptions of in the Enlightenment 22

ideal versus real history 48, 51

Homoeroticism 60, 91, 124

Homosexuality

and male friendship 183–4

in the Enlightenment 18, 144

Hunt, L. 272

Ideal Beauty

and political freedom 4, 53, 145, 226

and sexual desire 154

and sexual difference 158

and signification 102

and simplicity 155

and stillness 1, 163–4

contour 170–2

ideal oneness 155

theory of 156–64

Ideal nude

and class difference 71

and the Enlightenment 159

Ingres

Turkish Bath 237

Inquisition 199

Jansen, H. J. 256, 283

Jauss, H. R. 257

Journal Encyclopédique 11

Junius, F. 261, 263

Justi, C. 15, 265, 276

Kant, E. 115, 127, 270

definition of the sublime 117

Kristeva, J. 270

Kuhn, T. 258

La Mettrie, J. O. de 215

The Art of Enjoyment 211

Lamprecht, F.W.P 204–5, 217, 280

Language

and style 96–101

Lanzi, L.

History of Italian Painting 13

Laocoön see antique sculpture

Laplanche, J. 273–4, 276, 283

Lavin, S. 257

Leider, P. 266

Lenoir, A. 284

Leonardo da Vinci, 240

Lepenies, W. 260, 262

Leppman, W. 276

Lessing, G. E. 259, 270

Laokoön 136

Lodge, G. H. 256

Lomazzo, G. 74

Longinus

On Sublimity 103

Lucian 267

Lyotard, J. F. 270

Lysippus 38–9, 73, 91, 99

Mahon, D. 274

Male friendship

and homosexuality 183

Mariette, P. J. 70

Marpurg, F. W. 278

Martin, J.-C. 285

Martinson, S. M. 262

Marx, K. 50

Masculine beauty

and adrogyny 131

and the Apollo Belvedere 118

and the Enlightenment 144

and the sublime 115–17

Masters, J. 281

Mattick, P. 270

Meinecke, F. 257

Meiners, C. 280

Mengs, A. R. 191, 217, 282

on antique art 30

relation with Winckelmann 16, 189, 201

Mengs, M. 208

Meyer, H. 256, 260

Michelangelo 40, 74

Michel, R. 283–4

Mitchell, W. J. T. 268, 270

Momigliano, A. 261

Monk, H. 270

Montesquieu, C L. de S. de 24, 44, 258

and Winckelman 43

On the Spirit of Laws 33, 41–2

Thoughts on the Causes of the Greatness of the Romans and their Decadence 35

Montfaucon, B. de 261

Müller, K. O. 260

Handbook of the Archaeology of Art 33

Mulvey, L. 273

Münchhausen, G.A. von 200

Narcissism

and the Greek ideal 145–54

Neoclassicism

and death 1

and the History of the Art of Antiquity 21

Nero 64

Newman, B.

Vir Heroicus Sublimis 115

Nietzsche, F. 1

Niobe see antique sculpture

Namowicz, T. 258

Nude see ideal nude

Ockman, C. 283

Oeser, A. F. 16

Olander, W. 283–4

Onians, J. B. 269

Outram, D. 276, 284, 285

Panofsky, E. 71, 270, 274, 285

Parthenon marbles see antique sculpture

Pasolini, P. P. 17

Passionei, Cardinal D. 189, 197, 199

Pater, W. 222

and Leonardo 244–5

and the modern 244, 252

on sculpture and the Greek ideal 250–1

on Winckelmann and Greek ideal 20, 238–53

The Renaissance 240, 252

Pelzel, T. 282

Pericles 19

Pfeffer, R. G. 264

Phidias 15, 38–9, 72–3, 91, 99–100

Philip of Macedon 59, 85, 88

Piles, R. de 261

Pindar 99

Plato 99, 269

The Statesman 109

Pliny 38, 39, 57, 72–4, 89–91, 97

Plutarch 2, 59

Pocock, J. G. A. 258, 263–4

Podro, M. 262, 264, 265

Poliakov, L. 274

Political freedom 28, 199 see also freedom

and beauty 53–4

and genius 81

and the Greek classic period 58, 59

Pollitt J. J. 266

Polycleitus 72–3

Pommier, E. 260, 283–4

Pompa, L. 260, 263

Ponce, N. 284

Praxiteles 15, 38–9, 89, 91, 99

Preziosi, D. 257

Quadrata 74

Quatremère de Quincy, A.-C. 13–14, 227, 259

Quintilian 72, 98, 266

Race

and the Greek ideal 159–63

Raphael 73

Rehm, W. 276

Renaissance 25, 32, 35

Reni, G. 74

Rhetoric

and the sublime 103

Richardson, S.

Clarissa 203

Richter, G. M. 257

Richter, S. 256, 269, 273, 275

Riedesel, J. H. 219

Riegl, A. 265

Robertson, M. 264, 267, 286

Robespierre, M. 227, 232–3, 235

Rocheblave, S. 266, 282

Rococo 21

Roger, C. 266

Rothenberg, J. 259

Röttgen, S. 282

Rousseau, J. J. 24, 34, 43–5, 181, 273

Discourse on the Origins and Foundations of Inequality among Men 181

La Nouvelle Héloïse 203

Rousseau, G. 270, 277, 282

Ruggieri, C. 205

Ruskin, J. 22

Sacher–Masoch, L. von 128

Venus in Furs 126

Sade, D. A. Marquis de 5, 281

Saint-Victor, J. B. 259

Saxony, Crown Prince of (see Friedrich Christian)

Schapiro, M. 265

Schiller, F. 262, 268

Schlabbrendorf, F. W. 218, 221

Schlegel, F. C. von 24

and A. W. von 19

Schlosser, J. von 261

Schneider, F. 278

Schwanthaler, L. 272

Schweigerhaeuser, J. G. 259

Scopas 89

Seeba, H. C. 257, 259–60

Sénéchal, P. 258

Seroux d’Agincourt, J. B. L. G. 257

Silverman, K. 273

Skinner, Q. 264

Smithson, R. 268

Société Populaire et Républicaine des Arts 224, 226

Sodomy in the Enlightenment 207, 209–14

Solomon-Godeau, A. 283, 285

Sophocles 99

Spector, J. J. 267

Spence, J. 118

Stafford, B. M. 256, 274–5

Stark, C. B. 261

Starobinksi, J. 276

Stepan, N. 274

Stoll, H. A. 257, 278

Stosch, H. W. M. 194, 197–8, 199–200, 202, 208, 214, 217–19, 221, 281

Stosch, P. von 210, 281

Style

and systems of law 69

as theory of visual signification 68, 70

high and beautiful 62–7, 82–96, 98, 103–11, 132–42

meaning and representation 102, 102–12

systematic theories of 70–1

visual style and rhetoric 96–101

Subjectivity

and the Greek ideal 173–81

Sublime 113–17, 132–5 see also style, high and beautiful

Sweet, D. M. 277, 282

Symonds, J. A. 286

Ten Kate, L. 265

Teyssèdre, B. 270

Thiersch, F. 14, 260

Thomson, J. 118

Thorwaldsen, B. 268

Tibal, A. 257, 260

Trumbach, R. 277, 281

Turnbull, George 261, 264

Usteri, L. 209, 280

Usteri, P. 280

Vasari, G. 100

and Winckelmann 75

Lives of the most famous Architects, Painters and Sculptors 40

Venus de'Medici (see antique sculpture)

Vico, G. 52, 260

New Science 34

Vidler, A. 262

Visconti, E. Q. 14, 30–1, 267

Vivant Denon, D. 227

Voltaire, F.-M. A. 24, 55–6, 261

Essay on Customs 36

Vyverberg, H. 258

Walther, G.C. 196

Warburton, W. 269

Warner, D. 274

Warner, M. 272

Weeks, J. 271

Weisse, C. F. 210

Wellek, R. 259

White, H. 257, 260

Wiesner, J. 262

Wilde, O. 271

Wilkes, J. 185, 199, 200–1, 216, 279

Winckelmann, publications

An Attempt at an Allegory, Particularly for Art 97

History of the Art of Antiquity 3, 4, 6–7, 9–10, 11–15, 48, 51, 56, 59, 67, 85, 95, 109, 138, 145, 160–1, 173, 174, 182, 192, 201, 205, 206, 207, 215, 217, 224, 225, 240, 241, 245

On the Imitation of the Greeks 4, 16, 138, 187

Remarks on the History of the Art of Antiquity 13, 202, 217, 279

Reports on the Most Recent Discoveries at Herculaneum 201

Treatise on the Capacity for the Feeling for Beauty 195, 202, 205, 207

Unpublished Antique Monuments 17, 57, 84, 93, 99, 191, 192, 195, 201

Winckelmann, Johann Joachim

and earlier histories of art 40, 73–81

antiquarian scholarship 15, 27

conversion to Catholicism 17, 186, 192

correspondence 182–8

death of 17

early career in Germany 16

friendship and freedom 184

male friendship 6, 184–8, 201–17

patrons 188–201

political freedom 199–201

posthumous reputation 18, 21, 33, 222–56

Rome 17, 189–201

Wittkower, R. 274

Wolf, F. 14

Wölfflin, H. 265

Principles of Art History 71

the linear vs the painterly 71

Xenophon 99, 269

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