During the 1870s rowing became a tremendously popular sport in the United States. An enthusiastic rower, the young Thomas Eakins painted, sketched, and drew an extraordinary series of rowing pictures that were the most ambitious project of his early career. Eakins' 24 rowing works, which include some of the most celebrated and recognized images in the history of American art, are brought together and examined as a group for the first time in this book. Together they shed light on the artist's creative process and subsequent achievements as well as on social, cultural, and artistic concerns central to nineteenth-century audiences.

Helen A. Cooper, along with essayists Martin A. Berger, Christina Currie, and Amy B. Werbel, discusses various aspects of Eakins' rowing series, explaining his affection for the sport, his adoption of the images of popular culture into the realm of fine art, his commitment to novel, "modern" subjects, his preoccupation with perspective and measurement, and his belief that the most profound artistic truths were best expressed through the human figure—particularly the male figure. A comparison of the rowing pictures reveals that over the four years in which they were created, Eakins moved subtly from the analytic and descriptive toward the more feeling and suggestive. As a group devoted to a single subject, the series is unmatched in the oeuvre of this masterful painter.

Author

PublisherYale University Art Gallery

Print publication date July 1998 (out of print)

Print ISBN 9780300069396

EISBN 9780300232509

Illustrations 72 illus.

Print Status out of print

Publisher (out of print)

WorldCat

Google Books

Base text size -

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