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Description: The Société Anonyme: Modernism for America
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Author
PublisherYale University Art Gallery
PublisherYale University Press
https://doi.org/10.37862/aaeportal.00159.018
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Ruth L. Bohan is associate professor of art history at the University of Missouri, St. Louis. She is author of The Société Anonyme’s Brooklyn Exhibition: Katherine Dreier and Modernism in America (UMI Research Press, 1982) and served as contributing editor for The Société Anonyme Collection and the Dreier Bequest at Yale University: A Catalogue Raisonné, edited by Robert L. Herbert, Eleanor S. Apter, and Elise K. Kenney (Yale University Press, 1984). Her forthcoming book is Looking into Walt Whitman, American Art, 1850–1920 (Pennsylvania State University Press, 2006).
 
 
Susan Greenberg is Horace W. Goldsmith Assistant Curator of Modern and Contemporary Art at the Yale University Art Gallery. She has written on Camille Corot for the journal Art History and was a contributor to Edgar Degas: Defining the Modernist Edge, edited by Jennifer R. Gross (Yale University Art Gallery, 2003), as well as author of A Selection of French Impressionist Paintings from the Yale University Art Gallery (Yale University Art Gallery, 2003).
 
 
Jennifer R. Gross is the Seymour H. Knox, Jr., Curator of Modern and Contemporary Art at the Yale University Art Gallery. She is also a lecturer in the art history program and a visiting critic at the Yale School of Art. Among her recent publications are essays in Rachel Whiteread, edited by Chris Townsend (Thames and Hudson, 2005) and Karen Tsujimoto and Jennifer R. Gross, The Way Things Are: The Art of David Ireland (University of California Press, 2004), and she was editor of Edgar Degas: Defining the Modernist Edge (Yale University Art Gallery, 2003).
 
 
David Joselit is professor of art history at Yale University. He is author of Infinite Regress: Marcel Duchamp, 1910–1941 (MIT Press, 1998) and American Art Since 1945 (Thames and Hudson, 2003). He is preparing a book on television, video art, and media activism, and he writes frequently about contemporary art and culture.
 
 
Elise K. Kenney is gallery historian and archivist for the Yale University Art Gallery. She is one of three editors of The Société Anonyme Collection and the Dreier Bequest at Yale University: A Catalogue Raisonné (Yale University Press, 1984).
 
 
Sylvia Plimack Mangold and Robert Mangold are esteemed contemporary artists and alumni of Yale University. They both received B.F.A. degrees from Yale in 1961, and Robert Mangold went on to earn his M.F.A. in 1963. They have been active alumni at the university, Sylvia serving as a senior critic in the School of Art Graduate Program in the Department of Painting, 1994–2002, and Robert as a Governing Board member of the Yale University Art Gallery from 1999 to the present.
 
 
Dickran Tashjian is professor emeritus of art history at the University of California, Irvine. A recipient of a Guggenheim Memorial Fellowship and a National Endowment for the Humanities senior fellowship, he is the author of several books, including, with Ann Tashjian, Memorials for Children of Change: The Art of Early New England Stonecarving (Wesleyan University Press, 1974); Skyscraper Primitives: Dada and the American Avant-Garde, 1910–1925 (Wesleyan University Press, 1975); Joseph Cornell: Gifts of Desire (Grassfield Press, 1992); and A Boatload of Madmen: Surrealism and the American Avant-Garde, 1920–1950 (Thames and Hudson, 1995).
 
 
Kristina Wilson is assistant professor of art history at Clark University. She is the author of Livable Modernism: Interior Decorating and Design During the Great Depression (Yale University Press, 2004).
 
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