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Richard R. Brettell, Steven Starling
Description: The Art of the Edge: European Frames 1300–1900
The Art of the Edge: European Frames 1300–1900
Bibliography
Author
Richard R. Brettell, Steven Starling
PublisherArt Institute of Chicago
Copyright© 1986 by The Art Institute of Chicago
https://doi.org/10.37862/aaeportal.00128.009
Stable URL: https://aaeportal.com/?id=-15719
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Bibliography
The History of Picture Frames
Bock, Elfried. Florentinische und Venezianische Bilderrahmen aus der Zeit der Gotik und Renaissance. Munich: F. Bruckmann, 1902.
Bode, Wilhelm von. “Bilderrahmen in alter und neuer Zeit.” Pan 4 (1898), pp. 243–56.
Collection de cadres sculptés des tableaux du Musée du Louvre et du Musée de l’Union Centrale des Arts Décoratifs. Paris: Armand Guerinet, n.d.
De Ricci, Seymour. Louis XIV and Regency Furniture and Decoration. Translated by W. E. Walz. New York: William Hellburn, 1929.
Dollmayr, Hermann. “Alte Bilderrahmen.” Die Kunst für Alle (1897–98), pp. 165–73.
Grimm, Claus. Alte Bilderrahmen. Munich: Georg D. W. Callwey, 1978.
———. The Book of Picture Frames. Translated by Nancy M. Gordon and Walter L. Strauss. New York: Abaris Books, 1981.
Guggenheim, Michel Angelo. Le cornici italiane dalla metà de secolo XV allo scorcio del XVI. Milan: Ulrico Hoepli, 1897.
Hauptmann, Moritz. Der Tondo. Frankfurt-am-Main: Vittorio Klostermann, 1936.
Heydenryk, Henry. The Art and History of Frames: An Inquiry into the Enhancement of Paintings. New York: James H. Heineman, 1963.
Lizzani, Goffredo. Il mobile Romano. Milan: Gorlich Editore, 1970.
Mitchell, Paul. “Italian Picture Frames 1500-1825: A Brief Survey.” Furniture History: The Journal of the Furniture History Society 20 (1984), pp. 18–47.
Mitchell, Paul. “A Signed Frame by Jean Chérin.” The International Journal of Museum Management and Curatorship 4, no. 2 (June 1985), pp. 147–54.
Morazzoni, Giuseppe. Le cornici Veneziane. Milan: Luigi Alfieri, n.d.
________. Le cornici Bolognesi. Milan: Luigi Alfieri, 1953.
Newbery, Timothy. “Towards an Agreed Nomenclature for Italian Picture Frames.” The International Journal of Museum Management and Curatorship 4, no. 2 (June 1985), pp. 119–28.
Roche, Serge. Cadres français et étrangers du XV siècle au XVIII siècle. Paris: Etienne Bignou, 1931.
Sandwith, Hermione, “National Trust Picture Frame Survey.” The International Journal of Museum Management and Curatorship 4, no. 2 (June 1985), pp. 173–78.
Stange, Alfred, and Leo Cremer. Alte Bilderrahmen. Darmstadt: Franz Schneekluth, 1958.
Tomlin, Maurice. “Picture Frames at Ham House.” The International Journal of Museum Management and Curatorship 4, no. 2 (June 1985), pp. 129–40.
Van Asperen de Boer, J. R. J. “A technical examination of the frame of Engebrechtsz’s ‘Crucifixion’ and some other 16th-century frames.” Nederlands Kunsthistorisch Jaarboek no. 26 (1975).
Frame Exhibition Catalogues
Alte Pinakothek. Italienische Bilderrahmen des 14.–18. Jahrhunderts. Munich, 1976.
Bode, Wilhelm von. Katalog der Ausstellung Antike Rahmen im Künstlerhaus. Berlin: Pygmalion, 1929.
Van Thiel, P. J. J., and C. J. de Bruyn Kops. Prijst de Lijst. Amsterdam: Rijksmuseum, 1984.
Wadsworth Atheneum. Framing Art: Frames in the Collection of the Wadsworth Atheneum. Hartford, 1982.
Fabrication Techniques
Adair, William. The Frame in America, 1700–1900: A Survey of Fabrication Techniques and Styles. Washington, D.C.: American Institute of Architects Foundation, 1983.
Cennini, Cennino d’Andrea. Il Libro dell’Arte. Translated by D. V. Thompson, under the title The Craftsman’s Handbook. New York: Dover Publications, 1960.
Frinta, Mojmir S. “On the Punched Decoration in Mediaeval Panel Painting and Manuscript Illumination.” In Conservation and Restoration of Pictorial Art, edited by Norman Bromelle and Perry Smith, pp. 54-60. London and Boston: Butterworth’s, 1976.
Nicholson, Eric D. “The Ancient Craft of Beating Gold.” Gold Bulletin 12 (October 1979), pp. 161–66.
Thornton, Jonathan. “‘Compo’: The History and Technology of ‘Plastic’ Compositions.” American Institute for Conservation Preprints, 1985, pp. 113–26.
Watin, Jean-Félix. L’Art du Peintre, Doreur, Vernisseur. 3rd ed. Paris: Durand, 1776.
The Practice of Framing
Alexander, Edward Porter. Museums in Motion: An Introduction to the History and Functions of Museums. Nashville: American Association for State and Local History, 1979.
Bazin, Germain. The Museum Age. Translated by Jane van Nuis Cahill. New York: Universe Books, 1967.
Cornforth, John, and John Fowler. English Decoration in the 18th Century. London: Barrie and Jenkins, 1974.
Thornton, Peter. Seventeenth-Century Interior Decoration in England, France, and Holland. New Haven and London: Yale University Press, 1978.
Van Holst, Niels. Creators, Collectors, and Connoisseurs. London: Thames and Hudson, 1967.
Verlet, Pierre. La maison du XVIII siècle en France. Paris: Baschet et Cie, 1966.
History of Ornament
Hamlin, A. D. F. A History of Ornament. 2 vols. New York: Century, 1923.
Meyer, Franz Sales. A Handbook of Ornament. Chicago: Wilcox and Follett, 1945.
Speltz, Alexander. Styles of Ornament. New York: Grosset and Dunlap, 1936.
The Philosophy of Frames
Brunius, Teddy. “Inside and Outside the Frame of a Work of Art.” In Idea and Form: Studies in the History of Art. Stockholm: Almquist and Wiksell, 1959.
Goffman, Erving. Frame Analysis. Cambridge, Mass.: Harvard University Press, 1974.
Heidegger, Martin. “The Question Concerning Technology.” In Basic Writings from Being and Time to the Task of Thinking, edited by David Farrell Krell. New York: Harper and Row, 1977.
Ortega y Gasset, José. “Meditation del Marco.” In Obras de José Ortega y Gasset. 3rd ed. Madrid: Espasa-Calpe, 1943.
Procaccini, Alfonso. “Alberti and the ‘Framing’ of Perspective.” Journal of Aesthetics and Art Criticism 40, no. 1 (Fall 1981), pp. 29–39.
Schapiro, Meyer. “On Some Problems in the Semiotics of Visual Art: Field and Vehicle in Image-Signs.” Semiotica 1, no. 3 (1969), pp. 223-42.
White, John. The Birth and Rebirth of Pictorial Space. London: Faber and Faber, 1957.
Frames and Visual Psychology
Arnheim, Rudolph. The Power of the Center: A Study of Composition in the Visual Arts. Berkeley and Los Angeles: University of California Press, 1982.
Gombrich, Ernst. The Sense of Order. Oxford: Phaidon Press, 1979.
________. Visual Thinking. Berkeley and Los Angeles: University of California Press, 1969.
Ryle, Anthony. Frames and Cages: The Reperatory Grid Approach to Human Understanding. New York: International Universities Press, 1975.
Frames in Literature
Brooks, Peter. Reading for the Plot: Design and Intention in Narrative. New York: Alfred A. Knopf, 1984.
Caplan, Jay. Framed Narratives: Diderot’s Genealogy of the Beholder. Minneapolis: University of Minnesota Press, 1985.
Caws, Mary Ann. Reading Frames in Modern Fiction. Princeton: Princeton University Press, 1985.
Chambers, Ross. Story and Situation: Narrative Seduction and the Power of Fiction. Minneapolis: University of Minnesota Press, 1984.
Metzing, Dieter, ed. Frame Conceptions and Text Understanding. New York: Walter de Gruyter, 1980.
Young, Steven C. The Frame Structure in Tudor and Stuart Drama. Salzburg: Institut für Englische Sprache und Literatur, Universität Salzburg, 1974.
Frames and Cosmology
Durham, Frank. Frame of the Universe: A History of Physical Cosmology. New York: Columbia University Press, 1983.