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4. Michelangelo's Last Judgment and the Failure of the Sacred Image at Midcentury
Marcia B. Hall
Description: The Sacred Image in the Age of Art: Titian, Tintoretto, Barocci, El Greco,...
The Sacred Image in the Age of Art: Titian, Tintoretto, Barocci, El Greco, Caravaggio
When Michelangelo’s fresco (fig. 82) was unveiled late in 1541 the response was wild enthusiasm among cognoscenti and artists. On Michelangelo’s Last Judgment, see the lives by Condivi (1553/1976) and Vasari (1568a/1963 [Eng. edn.], 15686/1966-87 [Ital. edn.]); de...
Author
Marcia B. Hall
PublisherYale University Press
Copyright© 2011 by Marcia B. Hall
Related print edition pages: pp.97-115
https://doi.org/10.37862/aaeportal.00155.007
Stable URL: https://aaeportal.com/?id=-16192
Chapter subject tags:Painting, Renaissance--ItalyCappella Sistina (Vatican Palace, Vatican City)Judgment Day in artCounter-Reformation in art

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4. Michelangelo's Last Judgment and the Failure of the Sacred Image at Midcentury