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Dackerman, Susan

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Susan Dackerman (Editor)

Prints and the Pursuit of Knowledge in Early Modern Europe

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Author

Susan Dackerman (Editor)

PublisherHarvard Art Museums

https://doi.org/10.37862/aaeportal.00097.016

Stable URL: https://aaeportal.com/?id=-16370

Bibliography

Citations to catalogues raisonnés are abbreviated as follows:

Bastelaer
René van Bastelaer, The Prints of Pieter Bruegel the Elder: Catalogue Raisonné, New Edition, trans. and rev. Susan Fargo Gilchrist (San Francisco: Alan Wofsy Fine Arts, 1992)

Geisberg
Max Geisberg, The German Single-Leaf Woodcut, 1500–1550, rev. and ed. Walter L. Strauss (New York: Hacker Art Books, 1974)

Hollstein
F. W. H. Hollstein, Dutch & Flemish Engravings, Etchings, and Woodcuts, ca. 1450–1700 (Amsterdam: M. Hertzberger, 1949–2010); see also www.hollstein.com

F. W. H. Hollstein, German Engravings, Etchings, and Woodcuts, ca. 1400–1700 (Amsterdam: M. Hertzberger, 1954–); see also www.hollstein.com

Karrow
Robert W. Karrow, Mapmakers of the Sixteenth Century and Their Maps: Bio-bibliographies of the Cartographers of Abraham Ortelius, 1570, Based on Leo Bagrow’s A. Ortelii Catalogus cartographorum (Chicago: The Newberry Library/Speculum Orbis, 1993)

Meder
Joseph Meder, Dürer-Katalog: Ein Handbuch über Albrecht Dürers Stiche, Radierungen, Holzschnitte, deren Zustände, Ausgaben und Wasserzeichen (Vienna: Gilhofer & Rauschburg, 1932)

Müller
Christian Müller, Hans Holbein d.J.: Die Druckgraphik im Kupferstichkabinett Basel (Basel: Schwabe, 1997)

Pauli
Gustav Pauli, Hans Sebald Beham: Ein kritisches Verzeichniss seiner Kupferstiche, Radirungen und Holzschnitte, 2 vols. (Strasbourg: Heitz, 1901)

New Hollstein
Ger Luijten and Huigen Leeflang, general eds., The New Hollstein: Dutch & Flemish Etchings, Engravings, and Woodcuts, 1450–1700 (Rotterdam: Sound & Vision Interactive, 1993–); see also www.hollstein.com

Giulia Bartrum et al., general eds., The New Hollstein: German Engravings, Etchings and Woodcuts, 1400–1700 (Rotterdam: Sound & Vision Interactive, 1996–); see also www.hollstein.com

Schreiber
Wilhelm Ludwig Schreiber, Manuel de l’amateur de le gravure sur bois et sur métal au XVe siècle, 8 vols. (Berlin and Leipzig: A. Cohn, 1891–1911)

Schwarz
Karl Schwarz, Augustin Hirschvogel, ein deutscher Meister der Renaissance (Berlin: J. Bard, 1917)

• • •

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———. “Science and Visual Art.” In Seventeenth Century Science and the Arts, ed. Hedley H. Rhys, 63–90. Princeton: Princeton University Press, 1961.

Ackley, Clifford S. Printmaking in the Age of Rembrandt. Exh. cat., Museum of Fine Arts, Boston. New York: New York Graphic Society, 1981.

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Andersson, Christiane, and Charles Talbot, eds. From a Mighty Fortress: Prints, Drawings, and Books in the Age of Luther, 1473–1546. Exh. cat. Detroit Institute of Arts, 1983.

Andrew, Laurence, and Noel Hudson. An Early English Version of Hortus Sanitatis. London: B. Quaritch, 1954.

Anzelewsky, Fedja. Dürer: His Art and Life. New York: Alpine Fine Arts Collection, 1980.

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Barton, Samuel G. “Dürer and Early Star Maps.” Sky and Telescope 71 (1947): 6–13.

Bartrum, Giulia. Albrecht Dürer and His Legacy: The Graphic Work of a Renaissance Artist. Exh. cat. London: British Museum, 2002.

———. German Renaissance Prints, 1490–1550. London: British Museum Press, 1995.

Baskins, Cristelle, and Lisa Rosenthal, eds. Early Modern Visual Allegory: Embodying Meaning. Aldershot: Ashgate, 2007.

Bastelaer, René van. The Prints of Peter Bruegel the Elder: Catalogue Raisonné, New Edition, trans. and rev. Susan Fargo Gilchrist. San Francisco: Alan Wofsy Fine Arts, 1992.

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Bedini, Silvio A. “The Perspective Machine of Wentzel Jamnitzer.” Technology and Culture 9, no. 2 (1968): 197–202.

———. The Pope’s Elephant. New York: Penguin, 1997.

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Bemden, J. J. P. van den. De familie Galle: Plaetsnyders van het laetst der XVIe en de eerste helft der XVIIe eeuw. Antwerp: J.-E. Buschmann, 1863.

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Bennett, J. A. The Divided Circle: A History of Instruments for Astronomy, Navigation and Surveying. Oxford: Phaidon, 1987.

———. “Knowing and Doing in the Sixteenth Century: What Were Instruments For?” British Journal for the History of Science 36 (2003): 129–50.

———. The Measurers: A Flemish Image of Mathematics in the Sixteenth Century. Oxford: Museum of the History of Science, 1995.

———. “Shopping for Instruments in Paris and London.” In Smith and Findlen, Merchants and Marvels, 370–95.

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———. Walther H. Ryff und sein literarisches Werk: Eine Bibliographie. Hamburg: E. Hauswedell, 1959.

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Biagioli, Mario. Galileo’s Instruments of Credit: Telescopes, Images, Secrecy. Chicago: University of Chicago Press, 2006.

Binding, Paul. Imagined Corners: Exploring the World’s First Atlas. London: Review, 2003.

Bischoff, Bernhard. Aratea: Kommentar zum Aratus des Germanicus, Ms. Voss. Lat. Q. 79, Bibliotheek der Rijksuniversiteit Leiden. Lucerne: Faksimile Verlag, 1989.

Bjurström, Per. German Drawings. Exh. cat. Stockholm: Nationalmuseum, 1972.

Black, Crofton. Transformation of Knowledge: Early Manuscripts from the Collection of Lawrence J. Schoenberg. London: Paul Holberton, 2006.

Bleker, Johanna. “Chemiatrische Vorstellungen und Analogiedenken.” Sudhoffs Archiv 60 (1976): 66–75.

Blonk, Dirk, and Joanna Blonk-van der Wijst. Hollandia comitatus: Een kartobibliografie van Holland. ’T Goy-Houten: Hes & de Graaf, 2000.

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Boerlin, Paul H. Leonhard Thurneysser als Auftraggeber: Kunst im Dienste der Selbstdarstellung zwischen Humanismus und Barock. Basel and Stuttgart: Birkhäuser, 1976.

Böhm, Hans. “Stammbuch des Malers Georg Brentel gefunden.” Der Heimatfreund: Beilage der Donau-Zeitung Dillingen 11, nos. 2–3 (1960).

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Boon, K. G. “De Antwerpse schilder Bernaert de Rijckere en zijn tekeningen-oeuvre.” Oud Holland 91, no. 3 (1977): 109–31.

Bosters, Cassandra, et al. Kunst in kaart: Decoratiev aspecten van de cartografie. Utrecht: Hes Uitgevers, 1989.

Bott, Gerhard. Wenzel Jamnitzer und die Nürnberger Goldschmiedekunst 1500–1700. Munich: Klinkhardt & Biermann, 1985.

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Bowen, Karen L., and Dirk Imhof. Christopher Plantin and Engraved Book Illustrations in Sixteenth-Century Europe. Cambridge: Cambridge University Press, 2008.

Braat, J., J. P. Filedt Kok, J. H. Hofenf de Graaff, and P. Poldervaart. “Restauratie, conservatie en onderzoek van de op Nova Zembla gevonden zestiende-eeuwse prenten.” Bulletin van het Rijksmuseum Amsterdam 28, no. 2 (1980): 43–79.

Braat, J., J. H. G. Gawronski, J. B. Kist, A. E. D. M. van de Put, and J. P. Sigmond. Behouden uit het behouden huys: Catalogus van de voorwerpen van de Barentsexpeditie (1596), gevonden op Nova Zembla; De Rijksmuseumcollectie, aangevuld met Russische en Noorse vondsten. Amsterdam: De Bataafsche Leeuw, 1998.

Brashear, Ronald, and Daniel Lewis. Star Struck: One Thousand Years of the Art and Science of Astronomy. San Marino, CA: Huntington Library, 2001.

Bredekamp, Horst. Galilei der Künstler: Der Mond, die Sonne, die Hand. Berlin: Akademie Verlag, 2007.

———. “Gazing Hands and Blind Spots: Galileo as Draftsman.” In Renn, Galileo in Context, 153–92.

———. “A Neglected Tradition? Art History as Bildwissenschaft.” Critical Inquiry 29, no. 3 (2003): 418–28.

Breen, J. van. “De oudste door Cornelis Anthonisz geteekende stadsplattegrond van Amsterdam.” In Veertigste Jaarboek van Genootschap Amstelodamum, 117–29. Amsterdam: J. H. de Bussy, 1944.

Brenninkmeyer-De Rooij, Beatrijs, and Rudolf E. O. Ekkart. Roots of Seventeenth-Century Flower Painting: Miniatures, Plant Books, Paintings. Leiden: Primavera, 1996.

Brentel, Georg. Sciotericum generale in forma crucis ist: Ein allgemeine Sonnenuhr inn Creutzgestalt gebracht. Lauingen: Senfft, 1614.

Bridson, Gavin D. R., and Donald E. Wendel. Printmaking in the Service of Botany. Exh. cat. Pittsburgh: Hunt Institute for Botanical Documentation, Carnegie Mellon University, 1986.

Brinkhus, Gerd, and Claudine Pachnicke, eds. Leonhart Fuchs (1501–1566) Mediziner und Botaniker. Exh. cat. Stadtmuseum Tübingen, 2001.

Brinkman, Abraham Arthur Anne Marie. De alchemist in de prentkunst. Amsterdam: Rodopi, 1982.

———. “Chemie en kunst XV: Stradanus.” Chemie en techniek 30 (1975): 5–8.

———. Chemie in de kunst. Amsterdam: Rodopi, 1975.

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———. “Art, Astrology, and Astronomy at the Imperial Court of Rudolf II (1576–1612).” In Tycho Brahe and Prague: Crossroads of European Science, ed. John Robert Christianson et al., 256–63. Frankfurt: Harri Deutsch, 2001.

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———, ed. Monarchs, Ministers, and Maps. Chicago: University of Chicago Press, 1992.

Burnham, Patricia. Celestial Images: Astronomical Charts from 1500 to 1900. Exh. cat. Boston University Art Gallery, 1985.

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———. “‘Dürerschüler’ Hans Süss von Kulmbach.” PhD diss., Harvard University, 1985.

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———. Paper Bodies: A Catalogue of Anatomical Fugitive Sheets, 1538–1687, trans. Noga Arikha. London: Wellcome Institute, 1999.

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———. “Die Kunsttheorie der Renaissance und das wissenschaftliche Werk des Kopernikus.” Zeitschrift für Kunstgeschichte 35, no. 4 (1972): 257–81.

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———. The Rhinoceros from Dürer to Stubbs, 1515–1799. London: Philip Wilson/Sotheby’s; New York: Harper and Row, 1986.

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———. “Hans Vredeman de Vries and Scientific Apparatus.” In Hans Vredeman de Vries and the “Artes Mechanicae” Revisited, ed. Piet Lombaerde, 187–95. Turnhout: Brepols, 2005.

———. “Philip II’s Escorial and Its Collection of Scientific Instruments.” In Strano et al., European Collections of Scientific Instruments, 101–27.

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———. “Globes in Renaissance Europe.” In Woodward, History of Cartography, 135–73.

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———. “Christoffel Plantin als prentenhandelaar.” De gulden passer 10 (1932): 1–24.

———. “Nog wat over Jan Mollijns.” Het boek 21, no. 2 (1931): 241–43.

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Doede, Werner. Schön schreiben, eine Kunst: Johann Neudörffer und die Kalligraphie des Barock. Munich: Prestel, 1988.

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Doorly, Patrick. “Dürer’s Melencolia I: Plato’s Abandoned Search for the Beautiful.” The Art Bulletin 86 (2004): 255–76.

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Drake-Brockman, Jennifer. “The Perpetuum Mobile of Cornelis Drebbel.” In Hackmann and Turner, Learning, Language and Invention, 124–47.

Drecker, Josef. “Ein Instrument, eine Karte und eine Schrift des Nuremberger Kartographen und Kompastmachers Erhard Etzlaub.” Annalen der Hydrographie und maritimen Meteorologie 45 (1917): 217–24.

Dubiez, F. J. Cornelis Anthoniszoon van Amsterdam: Zijn level en werken ca. 1507–1553. Amsterdam: H. D. Pfann, 1969.

Dudok van Heel, S. A. C. “Het begin van het damrak en da stadsplattegronden van Cornelis Anthonisz.” Jaarboek van het Genootschap Amstelodamum 83, no. 3 (1996): 75–89.

Dugas de La Boissonny, Christian. “Barthélemy de Chasseneuz (1480–1541).” PhD diss., University of Dijon, n.d.

Dunkelman, Arthur, ed. The Jay I. Kislak Collection at the Library of Congress. Washington, DC: Library of Congress, 2007.

Dunwich, Gerina. Exporing Spellcraft: How to Create and Cast Effective Spells. Franklin Lakes: New Page Books, 2001.

Dupré, Sven.“The Dioptrics of Refractive Dials in the Sixteenth Century.” Nuncius 18: 1 (2003): 39–67.

———. “Trading Luxury Glass, Picturing Collections and Consuming Objects of Knowledge in Early Seventeenth-Century Antwerp.” Intellectual History Review 20 (2010): 53–78.

Dürer, Albrecht. The Literary Remains of Albrecht Dürer, trans. and ed. William Martin Conway. Cambridge: Cambridge University Press, 1889.

———. The Painter’s Manual, trans. and ed. Walter L. Strauss. New York: Abaris Books, 1977.

———. Records of Journeys to Venice and the Low Countries, ed. Roger Fry, trans. Rudolph Tombo. Boston: Merrymount Press, 1913.

———. Schriftlicher Nachlass, ed. Hans Ruppricht. Berlin: Deutscher Verein für Kunstwissenschaft, 1956.

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