Dutch and Netherlandish

Publications

Toggle ebook view
Description: Dutch Seventeenth-Century Genre Painting: Its Stylistic and Thematic Evolution
The appealing genre paintings of great seventeenth-century Dutch artists—Vermeer, Steen, de Hooch, Dou, and others—have long enjoyed tremendous popularity. This comprehensive book explores the evolution of genre painting throughout the Dutch Golden Age, beginning in the early 1600s and continuing through the opening years of the next century. Wayne Franits, a well-known scholar of Dutch genre painting, offers a wealth of information about these works as well as about seventeenth-century Dutch culture, its predilections, and its prejudices.

The author approaches genre paintings from a variety of perspectives, examining their reception among contemporary audiences and setting the works in political, cultural, and economic context. The works emerge as distinctly conventional images, Franits shows, as genre artists continually replicated specific styles, motifs, and a surprisingly restricted number of themes over the course of several generations. With a full representation of major artists and cities where genre painting flourished, this book is of great importance to students and scholars, as well as the general museum visitor.
Print publication date July 2004 (in print)
Print ISBN 9780300102376
EISBN 9780300242836
Illustrations 237
Print Status in print
Description: Essays in Context: Unfolding the Netherlandish Diptych
John Oliver Hand (Editor), Ron Spronk (Editor)
With contributions by Marina Belozerskaya, Till-Holger Borchert, Lorne Campbell, Reindert Falkenburg, Ivan Gaskell, Laura D. Gelfand, Peter Klein, Maximiliaan P. J. Martens, Carol J. Purtle, Victor M. Schmidt, Hugo van der Velden, Hélène Verougstraete, and Yvonne Yiu

This book features essays by leading scholars that explore a wide range of topics relating to 15th- and 16th-century Netherlandish diptychs. The text addresses the practical and social uses of the diptych, the history and origins of the format, and the philosophical issues related to the practice of researching these diptychs. It also analyzes the devotional function of these works in the context of contemporary texts and religious practices in northern Europe.

*This eBook is available exclusively on the A&AePortal*
Author
John Oliver Hand (Editor), Ron Spronk (Editor)
Print publication date December 2006 (out of print)
Print ISBN 9780300121407
EISBN 9780300247954
Illustrations 75
Print Status out of print
Description: Henry van de Velde: Designing Modernism
The painter, designer, and architect Henry van de Velde (1863–1957) played a crucial role in expanding modernist aesthetics beyond Paris and beyond painting. Opposing growing nationalism around 1900, he sought to make painting the basis of an aesthetic that transcended boundaries between the arts and between nations through his work in Belgium, France, Germany, and the Netherlands.

Van de Velde’s designs for homes, museums, and theaters received international recognition. The artist, often associated with the Art Nouveau and Jugendstil, developed a style of abstraction that he taught in his School of Applied Arts in Weimar, the immediate precursor of and model for the Bauhaus. As a leading member of the German Werkbund, he helped shaped the fields of modern architecture and design. This long-awaited book, the first major work on van de Velde in English, firmly positions him as one of the twentieth century’s most influential artists and an essential voice within the modern movement.

*This eBook is available exclusively on the A&AePortal*
Print publication date August 2019 (in print)
Print ISBN 9780300226669
EISBN 9780300253351
Illustrations 141
Print Status in print
Description: The Ivory Mirror: The Art of Mortality in Renaissance Europe
We often imagine the Renaissance as an age of exceptional human progress and artistic achievement. But, intriguingly, macabre images proliferated in precisely this period: unsettling depictions of Death personified, of decaying bodies, of young lovers struck down in their prime. These morbid themes run riot in the remarkable array of artworks featured in The Ivory Mirror. Nearly 200 artworks—from ivory prayer beads to gem-encrusted jewelry to exquisitely carved small sculptures—present us with an aspect of this era that is at once darker and more familiar than we might have expected. Focused on the challenge of making choices in an increasingly complex and uncertain world, Renaissance artists turned to poignant, often macabre imagery to address the critical human concern of acknowledging death, while striving to create a personal legacy that might outlast it. The essays gathered here discuss the development and significance of this transformative art of the past, while exploring themes that are still relevant today: how does one navigate the implicit tension between mortality and morality and seek to balance individual pleasure with the pursuit of a greater good?

*This eBook is available exclusively on the A&AePortal*
Print publication date September 2017 (in print)
Print ISBN 9780300225952
EISBN 9780300260007
Illustrations 161
Print Status in print
Description: The Power of Color: Five Centuries of European Painting
"This book would make an excellent addition to art history curricula, especially those built to expand students’ interest and knowledge into materials and process. . . . The extensive notes and bibliography will provide specialists with avenues for additional and deeper research."—L. L. Kriner, Berea College

This expansive study of color illuminates the substance, context, and meaning of five centuries of European painting. Between the mid-fifteenth and the mid-nineteenth centuries, the materials of painting remained remarkably unchanged, but innovations in their use flourished. Technical discoveries facilitated new visual effects, political conditions prompted innovations, and economic changes shaped artists’ strategies, especially as trade became global.

Marcia Hall explores how Michelangelo radically broke with his contemporaries’ harmonizing use of color in favor of a highly saturated approach; how the robust art market and demand for affordable pictures in seventeenth-century Netherlands helped popularize subtly colored landscape paintings; how politics and color became entangled during the French Revolution; and how modern artists liberated color from representation as their own role transformed from manipulators of pigments to visionaries celebrated for their individual expression. Using insights from recent conservation studies, Hall captivates readers with fascinating details and developments in magnificent examples—from Botticelli and Titian to Van Gogh and Kandinsky—to weave an engaging analysis. Her insistence on the importance of examining technique and material to understand artistic meaning gives readers the tools to look at these paintings with fresh eyes.

*This eBook is available exclusively on the A&AePortal*
Print publication date May 2019 (in print)
Print ISBN 9780300237191
EISBN 9780300259728
Illustrations 212
Print Status in print
Description: Prints and the Pursuit of Knowledge in Early Modern Europe
An unusual collaboration among distinguished art historians and historians of science, this book demonstrates how printmakers of the Northern Renaissance, far from merely illustrating the ideas of others, contributed to scientific investigations of their time. Hans Holbein, for instance, worked with cosmographers and instrument makers on some of the earliest sundial manuals published; Albrecht Dürer produced the first printed maps of the constellations, which astronomers copied for over a century; and Hendrick Goltzius's depiction of the muscle-bound Hercules served as a study aid for students of anatomy.

Prints and the Pursuit of Knowledge in Early Modern Europe features fascinating reproductions of woodcuts, engravings, and etchings; maps, globe gores, and globes; multilayered anatomical "flap" prints; and paper scientific instruments used for observation and measurement.

*This eBook is available exclusively on the A&AePortal*
Author
Print publication date September 2011 (out of print)
Print ISBN 9780300171075
EISBN 9780300238365
Illustrations 271 Illus.
Print Status out of print
Description: Rembrandt’s Journey: Painter · Draftsman · Etcher
This catalogue surveys the unfolding of Rembrandt van Rijn's art from his early years in Leiden to his later Amsterdam years, using as an organizing framework the artist's extraordinarily diverse and profoundly expressive work in printmaking. The works, which further include paintings and drawings, are grouped by theme, rather than by medium or strict chronology, so as to better illuminate the evolution of Rembrandt's art with regard to style and content. This structure also provides the opportunity to explore certain themes that Rembrandt repeatedly returned to over time, always with a new perspective.

The book also includes a chronology of Rembrandt's life and a useful section on materials and techniques used in seventeenth-century printmaking and painting.

*This eBook is available exclusively on the A&AePortal*
Print publication date January 2003 (out of print)
Print ISBN 9780878466788
EISBN 9780300260502
Illustrations 299
Print Status out of print
Description: The Renaissance Print: 1470–1550
Printmaking matured in western Europe between 1470 and 1550, when the great generation of artists and printmakers brought international recognition to print as an art form. This book examines the technical and aesthetic experimentation that went into printmaking, workshop practices, and the material and social contexts of print production, and it gives the fullest account ever written of the ways in which Renaissance prints were produced, distributed, and acquired.

David Landau and Peter W. Parshall pose a range of practical questions about the production of prints. They investigate, for example, what materials were used, how they were acquired, and how a Renaissance printmaker's workshop operated. They explore the evidence that individual prints were beginning to be esteemed as works of art rather than as inexpensive substitutes for them, and the relationship between prints made to be collected and those of a more ephemeral nature intended for a wider audience. They discuss how prints were valued during the period, including the relative value of woodcuts to engravings, and engravings to etchings. And they investigate how prints evolved in relation to the pictorial arts of the Renaissance generally. Examining documentary evidence and many individual prints, Landau and Parshall provide an integrated view of the Renaissance print as a social and artistic enterprise and reevaluate the achievements of the most influential phase in the history of European printmaking.
Print publication date September 1996 (in print)
Print ISBN 9780300068832
EISBN 9780300222050
Illustrations 383
Print Status in print