Photography

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Description: A.A.E. Disdéri and the Carte de Visite Portrait Photograph
Print publication date September 1985 (out of print)
Print ISBN 9780300031690
EISBN 9780300253337
Illustrations 204
Print Status out of print
Description: The Arab Imago: A Social History of Portrait Photography, 1860–1910
The birth of photography coincided with the expansion of European imperialism in the Middle East, and some of the medium's earliest images are Orientalist pictures taken by Europeans in such places as Cairo and Jerusalem—photographs that have long shaped and distorted the Western visual imagination of the region. But the Middle East had many of its own photographers, collectors, and patrons. In this book, Stephen Sheehi presents a groundbreaking new account of early photography in the Arab world.

The Arab Imago concentrates primarily on studio portraits by Arab and Armenian photographers in the late Ottoman Empire. Examining previously known studios such as Abdullah Frères, Pascal Sébah, Garabed Krikorian, and Khalil Raad, the book also provides the first account of other pioneers such as Georges and Louis Saboungi, the Kova Brothers, Muhammad Sadiq Bey, and Ibrahim Rif'at Pasha—as well as the first detailed look at early photographs of the annual pilgrimage to Mecca. In addition, the book explores indigenous photography manuals and albums, newspapers, scientific journals, and fiction.

Featuring extensive previously unpublished images, The Arab Imago shows how native photography played an essential role in the creation of modern Arab societies in Egypt, Palestine, Syria, and Lebanon before the First World War. At the same time, the book overturns Eurocentric and Orientalist understandings of indigenous photography and challenges previous histories of the medium.
Print publication date January 2016 (in print)
Print ISBN 9780691151328
EISBN 9780300249774
Illustrations 76
Print Status in print
Description: Images of the West: Survey Photography in French Collections, 1860–1880
As American settlement expanded westward in the 1860s, the U.S. government undertook large-scale investigations of its new territories. Images of the West: Survey Photography in French Collections, 1860–1880 presents memorable glass-plate photographs from these federal surveys. The selection includes breathtaking views of such iconic sites as Yosemite, as well as lesser-known ethnographic portraits taken by Timothy H. O'Sullivan, William H. Jackson, and William Bell, among others. The accompanying essays discuss how the photographs were used to promote white settlement, how their distribution at home and abroad contributed to the aggrandizement of the American West, and how the exploitative ideology underlying the use of photography extended to attitudes toward both American landscapes and American Indians.

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Print publication date January 2007 (in print)
Print ISBN 9780932171542
EISBN 9780300260175
Illustrations 97
Print Status in print
Description: Indecent Exposures: Eadweard Muybridge’s Animal Locomotion Nudes
Photographer Eadweard Muybridge (1830–1904), often termed the father of the motion picture, presented his iconic Animal Locomotion series in 1887. Produced under the auspices of the University of Pennsylvania and encompassing thousands of photographs of humans and animals in motion, the series included more than 300 plates of nude men and women engaged in activities such as swinging a baseball bat, playing leapfrog, and performing housework—an astonishing fact given the period’s standards of propriety.

In the first sustained examination of these nudes and the remarkable success of their production, wide circulation, and reception, Indecent Exposures positions this revolutionary enterprise as central to crucial advancements of the modern era. Muybridge’s nudes ushered in new attitudes toward science and progress, including Darwinian ideas about human evolution and hierarchy; quickened debates over the role of photography and scientific investigation in art; and offered innovative perspectives on the human body.
Print publication date October 2015 (in print)
Print ISBN 9780300209488
EISBN 9780300257410
Illustrations 93
Print Status in print
Description: Industrial Madness: Commercial Photography in Paris, 1848–1871
In 1848 there were thirteen commercial photographic studios in the city of Paris. By 1871 this number had expanded to almost 400. This book is the first to analyze the origins of professional photography during the Second Empire and its transformation from a novel curiosity to a vital part of the urban environment.

Drawing on extensive archival documentation, Elizabeth Anne McCauley profiles the people who became commercial photographers—the innovators, entrepreneurs, and "artistes" who tried to earn their fortunes but were beset by bankruptcy and failure. She also discusses the business of photography—the ways studios were formed, products promoted, and financial backers found. In a detailed analysis of five studios that represent different aspects of commercial production, from industrial photographs to art reproductions, McCauley uncovers the social, political, and psychological needs that each type of photography satisfied. For example, in a groundbreaking examination of the market for photographs of female nudes, McCauley documents how the photographs reinforced masculine stereotypes of female sexual passivity, how government responses to such images reflected the precariousness of Napoleon III's political power, and how the photographs were positioned within ongoing arguments about realism as a new literary and artistic movement. Industrial Madness is not only an innovative contribution to the sociology of the arts but also an exploration of the ways ideology and visual representation intersected during the decades that saw the birth of modernism.

The book also includes a comprehensive listing of commercial photographers working in Paris between 1848 and 1871.

*This eBook is available exclusively on the A&AePortal*
Print publication date March 1994 (out of print)
Print ISBN 9780300038545
EISBN 9780300253344
Illustrations 141
Print Status out of print
Description: Jet Age Aesthetic: The Glamour of Media in Motion
Vanessa R. Schwartz engagingly presents the jet plane’s power to define a new age at a critical moment in the mid-20th century, arguing that the craft’s speed and smooth ride allowed people to imagine themselves living in the future. Exploring realms as diverse as airport architecture, theme park design, film, and photography, Schwartz argues that the jet created an aesthetic that circulated on the ground below.

Visual and media culture, including Eero Saarinen’s airports, David Bailey’s photographs of the jet set, and Ernst Haas’s experiments in color photojournalism glamorized the imagery of motion. Drawing on unprecedented access to the archives of The Walt Disney Studios, Schwartz also examines the period’s most successful example of fluid motion meeting media culture: Disneyland. The park’s dedication to “people-moving” defined Walt Disney’s vision, shaping the very identity of the place. The jet age aesthetic laid the groundwork for our contemporary media culture, in which motion is so fluid that we can surf the internet while going nowhere at all.

*This eBook is available exclusively on the A&AePortal*
Print publication date March 2020 (in print)
Print ISBN 9780300247466
EISBN 9780300258882
Illustrations 149
Print Status in print
Description: My Faraway One: Selected Letters of Georgia O’Keeffe and Alfred Stieglitz...
There are few couples in the history of 20th-century American art and culture more prominent than Georgia O'Keeffe (1887–1986) and Alfred Stieglitz (1864–1946). Between 1915, when they first began to write to each other, and 1946, when Stieglitz died, O'Keeffe and Stieglitz exchanged over 5,000 letters (more than 25,000 pages) that describe their daily lives in profoundly rich detail. This long-awaited volume features some 650 letters, carefully selected and annotated by leading photography scholar Sarah Greenough.

In O'Keeffe's sparse and vibrant style and Stieglitz's fervent and lyrical manner, the letters describe how they met and fell in love in the 1910s; how they carved out a life together in the 1920s; how their relationship nearly collapsed during the early years of the Depression; and how it was reconstructed in the late 1930s and early 1940s. At the same time, the correspondence reveals the creative evolution of their art and ideas; their friendships with many of the most influential figures in early American modernism (Charles Demuth, Arthur Dove, Marsden Hartley, John Marin, and Paul Strand, to name a few); and their relationships and conversations with an exceptionally wide range of key figures in American and European art and culture (including Duncan Phillips, Diego Rivera, D. H. Lawrence, Frank Lloyd Wright, and Marcel Duchamp). Furthermore, their often poignant prose reveals insights into the impact of larger cultural forces—World Wars I and II; the booming economy of the 1920s; and the Depression of the 1930s—on two articulate, creative individuals.
Author
Print publication date June 2011 (in print)
Print ISBN 9780300166309
EISBN 9780300247770
Illustrations 26
Print Status in print
Description: Winslow Homer and the Camera: Photography and the Art of Painting
One of the greatest American painters of the 19th century, Winslow Homer (1836–1910) also maintained a deep engagement with photography throughout his career. Focusing on the important, yet often-overlooked, role that photography played in Homer’s art, this volume exposes Homer’s own experiments with the camera (he first bought one in 1882). It also explores how the medium of photography and the larger visual economy influenced his work as a painter, watercolorist, and printmaker at a moment when new print technologies inundated the public with images. Frank Goodyear and Dana Byrd demonstrate that photography offered Homer new ways of seeing and representing the world, from his early commercial engravings sourced from contemporary photographs to the complex relationship between his late-career paintings of life in the Bahamas, Florida, and Cuba and the emergent trend of tourist photography. The authors argue that Homer’s understanding of the camera’s ability to create an image that is simultaneously accurate and capable of deception was vitally important to his artistic practice in all media. Richly illustrated and full of exciting new discoveries, Winslow Homer and the Camera is a long-overdue examination of the ways in which photography shaped the vision of one of America’s most original painters.

Please note: the illustration program in this eBook has been changed slightly from the original print edition.

*This eBook is exclusively available on the A&AePortal*
Print publication date July 2018 (in print)
Print ISBN 9780300214550
EISBN 9780300259766
Illustrations 125
Print Status in print
Description: You Look Beautiful Like That: The Portrait Photographs of Seydou Keïta and...
Seydou Keïta and Malick Sidibé, two important and widely known commercial photographers from Mali, took mesmerizing photographs of members of their communities during the decades before and after the country’s independence from France in 1960. This book presents a range of these portraits, as well as excerpts of recent interviews with the artists and an essay placing the photographers within the context of the history of portrait photography in West Africa since its beginnings in the 1840s.

In contrast to the early photographs of Africans produced by Western colonial powers, Keïta and Sidibé’s photographs represent the work of Africans controlling the camera to create images of African subjects for an African audience. Keïta combined formulas of Western portrait photography with local aesthetics to create images that reflect both his clients’ social identity and status within the community and an enthusiastic embrace of modernity. Later, as portrait conventions and societal roles became more flexible, Sidibé’s subjects took a more active part in constructing the images of themselves that they wanted to convey.

Africans have valued photography for its unique ability to capture a person’s likeness, which, says Sidibé, was regarded as more eternal than the subjects themselves. This book is a striking collection of such likenesses.

*This eBook is available exclusively on the A&AePortal*
Print publication date August 2001 (in print)
Print ISBN 9780300091885
EISBN 9780300243918
Illustrations 87
Print Status in print