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Description: The Academy and French Painting in the Nineteenth Century
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PublisherYale University Press
https://doi.org/10.37862/aaeportal.00116.015
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Supplemental Bibliography
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—. ‘We Don’t Want to Set the World on Fire, We Just Want to Start a Flame in Your Heart’, in Art Pompier: Anti-Impressionism, the Emily Lowe Gallery, Hofstra University, Hempstead, N.Y., 1974.
—. ‘Curriculum Vitae: The Course of Life in the Nineteenth Century’, in Strictly Academic: Life Drawing in the Nineteenth Century, University Art Gallery, State University of New York at Binghamton, 1974.
—. ‘The Teaching Reforms of 1863 and the Origins of Modernism in France’, Art Quarterly, n.s., Vol. I (Autumn 1977), pp. 1–39.
—. Thomas Couture and the Eclectic Vision, New Haven and London, 1980.
—. ‘American Culture and the Revival of the French Academic Tradition’, Arts Magazine, Vol. LVI (May 1982), pp. 95–101.
—. ‘The Prix de Rome: Images of Authority and Threshold of Official Success’, Art Journal (Fall 1984), pp. 281–289.
—. ‘The Teaching of Fine Arts and the Avant-Garde in France During the Second Half of the Nineteenth Century’, Arts Magazine, Vol. LX (December 1985), pp. 46–57.
Brunel, Georges. Correspondance des directeurs de l’Académie de France à Rome, n.s., Vol. I: Répertoires, Rome, 1979.
Grunchec, Philippe. Le grand prix de peinture: les concours des Prix de Rome de 1797 à 1863, Paris, 1983.
Kemp, Wolfgang. ‘. . . Einen wahrhaft bildenden Zeichenunterricht überall einzuführen’: Zeichnen und Zeichenunterricht der Laien, 1300–1870; Ein Handbuch. Frankfurt am Main, 1979.
Labat-Poussin, Brigitte. Archives de l’Ecole Nationale Supérieure des Beaux-Arts et de l’Ecole Nationale Supérieure des Arts Décoratifs, Paris, 1978.
Weinberg, H. Barbara. The American Pupils of Jean-Léon Gérôme, Amon Carter Museum, Fort Worth, Tex., 1984.
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