When Pop art paintings depicted Campbell’s soup cans or comic-book scenes of teen romance, did they stoop to the level of their mundane sources, or did they instead transmogrify the detritus of consumer culture into high art? In this study, Cécile Whiting declares the issue fundamentally irresolvable and instead takes the question itself, along with the varied answers it has generated, as the object of her analysis. Whiting presents case studies that focus on works by four artists—Tom Wesselmann, Roy Lichtenstein, Andy Warhol, and Marisol Escobar—who are closely associated with the Pop-art movement. Throughout her engaging analyses, Whiting unravels the gendered overtones of their cultural manoeuverings, noting how the connotations of masculinity as attached to the seriousness of high art and the presumed frivolity and caprice of a feminine world of consumption repositioned cultural frontiers and reformulated the relation between sexes.

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Author

PublisherYale University Press

Print publication date May 1997 (out of print)

Print ISBN 9780521450041

EISBN 9780300246087

Illustrations 77

Print Status out of print

Publisher (out of print)

WorldCat

Google Books

Base text size -

Chapter images ()