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Index
Andrew Hemingway
Description: Landscape Imagery and Urban Culture in Early Nineteenth-Century Britain
Landscape Imagery and Urban Culture in Early Nineteenth-Century Britain
Index
Author
Andrew Hemingway
PublisherYale University Press
Copyright© Cambridge University Press 1992
https://doi.org/10.37862/aaeportal.00073.017
Stable URL: https://aaeportal.com/?id=-18011
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Index
academic theory, 10, 69, 75–6, 79–104
academy see Royal Academy
Ackermann, Rudolf, 142–3, 167, 222
Addison, Joseph, 63
Aders, Karl, collection of, 250
Adorno, Theodor W., 191
aesthetics see philosophical criticism
Alison, Revd Archibald, 48, 60, 96, 128
Essays on Taste, 49, 54–6, 64–6, 76
Allston, Washington, 120, 143
Angerstein, John Julius, 45, 135, 310 n. 72
Annals of the Fine Arts, 5, 139, 209,
and naturalism, 325–6 n. 92
Ansley, Mrs, 44, 310 n. 67
aquatint, 164–7, 222–3
Artist, The, 88–9, 138–9
aristocracy, 28–34, 45–7, 118–19, 125
art criticism, 2, 10–11, 105–54, 195
association of ideas, 52, 54–7, 65–6, 69, 71–8, 83–4, 140, 142, 251, 265–6
Austen, Jane, 21, 156
autonomy, artistic, 34
Ayton, Richard, Voyage around Great Britain, Plates 9 & 10, 158, 164–5, 172
Bacon, Richard, N., 207, 260
Barrell, John, 21, 91, 229, 302 no. 4, 317 n. 13, 338 n. 102
Barry, James, 41, 89, 92–3, 98, 131, 205
on landscape, 295
Lectures on Painting, 83, 88
Bartell, Edmund, Cromer as a Watering Place, 202, 265–6
Hints for Picturesque Improvements, 262
Baudelaire, Charles, 128, 191
Beatniffe, Richard, Norfolk Tour, 199–200
Beaumont, Sir George, 39, 45, 197
Beechey, William, 163
Benthamism, 6, 7, 12, 31–3, 73, 100, 116, 125, 126–7, 132–3, 148, 296, 298
Bermingham Ann, 304 n. 33, 305 n. 50, 338 n. 102
Bernard, Sir Thomas, 163, 310 n. 71
Bird, Edward, 114, 143
Bristol, patrons at, 46
Bourdieu, Pierre, 14, 34, 41
on ideology, 303 n. 19
bourgeoisie see middle class
Boydell, Josiah, 36
Boydell’s History of the River Thames see Combe
Brayley, E. W., Sketches of Brighthelmston, Plate 29, 166, 186
breadth, 69–70, 88–9, 97–8, 129, 205–6, 251–2, 319–20 n. 73, 333 n. 145
Brighton, 155–63 passim, 166–7, 181–96, 198
chain pier at, 160, 166, 185–7, 190–1, 194, 203–4, 331 n. 97
map of, 187
Brightwen, John, 266
British Institution, 2–6, 35, 38, 40, 42, 45, 60, 110–11, 119–21, 125–6, 134–5, 139–41, 143
Britton, John, 107, 141
Burke, Edmund, 48, 58, 67–72, 82, 92
on the sublime, 63, 85
Burnet, John, treatises on art, 88
Burnet, Bishop Thomas, Sacred Theory of the Earth, 62–3
Butcher, J., View of the Jetty at Yarmouth, Plate 33, 202
Butler, Bishop Joseph, Analogy of Religion, 63–4
Byron, George Gordon, Lord, 296
Cabinet, The, 207
Camden, William, Britannia, 231
Canaletto (Giovanni Antonio Canal), 220, 236
canals, 217, 248–9, 255
Capelle, Jan van de, 170, 195
Carey, G. S., 198
Carey, William Paulet, 107, 143, 321 n. 12
Callcott, Augustus Wall, 26, 115, 123, 143, 145, 178, 190, 192–3, 292
WORKS:
A Calm, 170–1, 183, 204
The Cottager’s Relief, 171
Entry to the Pool of London, 212, 239, 281, 290
Little Hampton Pier, Plate 18, 171
Mouth of the Tyne, 253
Rotterdam, 212
A Sea Coast, 170–1, 183, 204–6
Champion, The, 5, 6, 117, 121, 125, 255, 280, 323 n. 44
Chalon, John James, 330 n. 67
View of Hastings, Plate 21, 176–7, 185, 214
Clark, Timothy J., 196
classes, 9
and class consciousness, 29–34
and ideology, 12–15
Claude Lorraine, 97–8, 129, 168–9, 173, 175, 195, 214, 229, 232, 236, 239, 250, 319 n. 64
Cliveden, 220, 231
Cobbett, William, 29, 161–2, 247
Coke, Thomas, 276
family of, 279
Coleridge, Samuel Taylor, 6, 48
Biographia Literaria, 73, 147
critique of rustic idealism, 327 n. 122
on rivers, 335 n. 9
Collins, William, 37, 42, 145, 151–2, 178–81, 190, 192–3, 196, 211, 214
WORKS:
Bird-catchers – morning, 178
Buying Fish, 181
Capstern at Work, Drawing up Fishing Boats, 179
Disposal of a Favourite Lamb, 150
Fishermen Coming Ashore before Sunrise, 178
Morning, Fishermen on the Look Out, 181
Prawn Fishers at Hastings, 181
Prawn Catchers, Plate 25, 180
The Reluctant Departure, Plate 8, 151–2
A Scene on the Coast of Norfolk, 41
Shrimp Boys at Cromer, Plate 24, 179
Cook, Jonathan, 147–8
Cooke, Edward William, Twelve Plates of Coast Sketches, Plate 30, 186
Yarmouth Norfolk, Plate 36, 203
Cooke, William Bernard, The Thames, Plates 31, 52, 33, 67, 222, 226, 231–2, 239–40, 248
and George Cooke, Southern Coast, Plates 11, 12, 13, 31, 37, 165–6, 170, 172, 184, 194
River Scenery of England, 271
Combe, William, 21
Boydell’s History of the River Thames, 220–2; 226, 228–9, 231, 234–6, 238–40, 247–8
Constable, John, 8, 20, 26–7, 39, 43, 46, 66, 115, 120, 123–4, 130, 133, 137, 150–1, 153–4, 157, 160–3, 178, 181–96, 211, 216–17, 226, 228, 232, 294, 331 n. 109, 338 n. 89
on Alison, 314 n. 16
English Landscape Scenery of, 96, 99, 182, 199–200
Lectures of, 17, 69, 94–9
Stour paintings of, 216, 245–57, 275–6
WORKS:
Beach at Brighton, Chain Pier in the Distance, Plate 27, 133, 155, 184–93, 208, 214–15
Boat Passing a Lock, Plate 88, 246, 253–6
Boat-Building at Flatford Mill, 98, 245–6, 256
Brighton Beach with Colliers, 184
Dedham Lock and Mill, Plate 79, 245–7, 250, 255
Dedham Vale, Morning, 245, 256
Flatford Mill, Plate 82, 245, 250, 252–3, 295
Harwich Light-house, 183
Haywain, 124, 246, 253–5, 275
Hove Beach, 188
Landscape-Boys Fishing, 245, 250
Landscape, Ploughing Scene in Suffolk, 230, 245
Leaping Horse, Plate 89, 246, 254–6
Osmington Shore, near Weymouth, 182
Osmington and Weymouth Bays, 182
Stratford Mill, 246, 253–4, 265
View of Dedham, Plate 3, 72, 89, 103, 245, 256, 295
View on the Stour, near Dedham, Plate 87, 246, 253
A Water-Mill, Plate 83, 123, 183, 232, 245, 250, 266
Weymouth Bay, 182
Whitehall Stairs, June 18th, 1817, 189, 192, 278
White Horse, 246, 253–5
Wivenhoe Park, 251
Yarmouth Jetty, Plate 26, 182–3
Correggio, Antonio, 59
Corrigan, Philip, 306 n. 1
Cotman, Francis, poem by, 276
Cotman, John Sell, 23, 26, 39, 41–2, 199, 204, 268
Greta drawings of, 268
WORKS:
Kett’s Castle, 268
Mousehold Heath, 265
Norwich Market Place, Plate 96, 262, 268
The Ploughed Field, Plate 2, 23, 265
Road to Capel Curig, 268
St Luke’s Chapel, 268
A Sea View (Fishing Boats), 205
Trowse Hythe, 268
Cowper, William, 75
Cox, David, 46, 77, 123, 171, 177
Scene on the Beach, Hastings, 178
Treatise on Landscape Painting, 177, 316 n. 53
Cozens, John Robert, London from Greenwich Hill, Plate 76, 238
Cristall, Joshua, 151–3, 162, 172–5, 177, 196, 213–14
WORKS:
Coast of Sussex, 173
Fish-market at Hastings, Plate 19, 171, 173–4
Fleet Sailing up Channel, off Hastings, Plate 20, 174–5
Gleaners, 153
Crome, John, 23, 41–2, 73–4, 89, 179, 196–7, 199, 204–8, 211–12, 274, 309 n. 59
as a social type, 207–8, 258–9
paintings of River Wensum, 257–67
patrons of, 207, 266
WORKS:
Back of the New Mills, Plate 95, 89, 261–2, 266
Blacksmith’s Shop, 23, 261
Boulevard des Italiens, 208, 212–13, 333 n. 155
Houses and Wherries on the Wensum, Plate 104, 270
Carrow Abbey, 261
Marlingford Grove, 340 n. 132
Mousehold Heath, 199, 265
New Mills
Men Wading, Plate 94, 261–2, 264, 269
Norwich River: Afternoon, Plate 100, 261, 265
Poringland Oak, 265
Scene on the River at Norwich, Plate 99, 261, 265
View of St Martin’s Gate, Plate 92, 261–2, 264, 269
Wensum, Norwich, Plate 97, 261, 264, 269
Wherries on the Yare, 273
Yarmouth Beach and Mill, Looking North, 207
Yarmouth Beach from the Pier, Plate 40, 206
Yarmouth Jetty, Plate 39, 204–8
Yarmouth Water Frolic, 281
Crome, John Berney, 73, 104, 204, 212, 257–8
Lecture on Paining and Poetry, 281, 319 n. 72; 333 n. 145, 342 n. 173
WORKS:
Rouen from Mount Catherine, 273, 281
The Steam Packet, 342 n. 174
View on the River at Yarmouth, 199
Yarmouth Water Frolic, Plate 116, 278, 281–4, 288–90
Cromer, 179, 197
Cromwell, Thomas K., Excursions in the County of Suffolk, 247
Cuyp, Aelbert, 25, 87, 212, 229, 239, 283, 290
Daguerre, Louis Jacques Mandé, Diorama of Holyrood Chapel, 137
Danby, Francis, 27, 180, 292, 296
An Attempt to Illustrate the Opening of the Sixth Seal, 133
Delivery of Israel out of Egypt, 123, 130
An Enchanted Island, 145
Daniell, William, Plates 9 & 10, 164–5
Daniells, Stephen, 314 n. 22
David, Jacques-Louis. 117
Davison, Alexander, 46
Dayes, Edward, 221, 223
de Gray, Countess, 273
Delacroix, Eugène, 117, 191
De Quincey, Thomas, 321 n. 11
De Rouillon, Mrs, 207
De Wint, Peter, 26, 145, 154, 171, 271
A Cornfield, 115, 252, 275, 295
A Corn Field (water-colour), 143, 151
Stockport, 267
Director, The, 138–9
Dixon, Robert, 204, 332 n. 136
Druery, J. H., Notices of Great Yarmouth, 199, 200, 212
Duncan, Carol, 302 n. 32
Dutch School, 25, 59–60, 68, 87–8, 90–1, 144, 181, 250
discourse, 13
Dulwich Picture Gallery, 250
Dyck, Anthony van, 24–5
Dyer, John, The Fleece, 229
Edinburgh Review, 4, 23, 55
Edridge, Henry, 165–6, 172
Beach at Brighton, Sussex, Plate 12, 166
Brighton, Plate 31, 186
Edwards, Edward, 294
Egremont, 3rd Earl of, 35, 39, 45, 193–5, 217, 232
Elmes, James, 107, 139, 321 n. 12
engraving, 36–7, 165–6, 221–2
‘English Landscape’ (essay), 296–8
Esselins, Jacob, 175
etching, soft-ground, 221
Eton College, 230, 232–3
Etty, William, 120, 136–7
Everett, Nigel, 314 n. 22
Examiner, The, 31, 44, 46, 100, 112, 115–25, 147, 174, 177, 179, 181, 190, 210–11, 235, 243, 245, 251, 280
exhibitions, 1–7, 38, 56, 143, 292–3
attendance figures, 3–4, 301 n. 12, n. 14
audience at, 3–7, 301 n. 13, 302 n. 27
Fawkes, Walter Ramsden, 35, 39, 45
Farington, Joseph, 39–40, 46, 157–8, 171
plates to Boydell’s History of the Thames, Plates 43, 46, 47, 80, 220–2, 231, 233–6, 242, 248
Fawcett, Trevor, 278
Félibien, André, des Avaux, 81, 84
Ferguson, Adam, 50–1, 147, 312 n. 14
Fielding, Anthony Vandyke Copley, 42, 130, 187
Fielding, T. H., 222–3
Fisher, John, 161, 178, 181–2, 187–9, 294
Flaxman, John, 318 n. 45
Foucault, Michel, 13, 303 n. 16
Francia, Louis, 184, 186
French art, attitudes to, 117, 129, 131
Fresnoy, Charles du, 81
Fuller, John, 175
Fuseli, Henry, 44, 117, 128, 171
against Alison, 317 n. 18
Lectures on Painting, 80, 84, 89, 100–01
Gage, John, 16–19, 225
Gainsborough, Thomas, 22, 68, 87, 139, 149–50, 163, 176, 246
Cottage Door, 19, 153, 327 n. 114
The Mail, 244
Gear, Josephine, 45
genius, 43–4, 93–4, 98, 132, 319 n. 56
George III, 29, 35, 53, 110, 117–18, 156, 220
as agriculturalist, 226, 228, 230
George IV, 35, 41, 110, 116, 118, 156, 181, 242–3
Géricault, Théodore, 117, 131, 191
Gilpin, William, 19–24, 68–9, 71, 85, 130, 202
Girtin, Thomas, 23, 26, 46, 144, 261, 271
sketching outdoors, 306 n. 58
An Overshot Mill in Devon, Plate 1, 23
White House at Chelsea, 23
Glover, John, 144–5
Gombrich, Ernst H., 15–18, 149
Goodman, Nelson, 18
Gouldsmith, Harriet, 44–5
Goyen, Jan van, 250
Gray, Thomas, 233
Great Yarmouth, 182–3, 197–214
jetty at, 200
map of, 201
Nelson Column at, 203, 208–11, 213
patrons at, 199
quay at, 211–12
water frolic at, 281–3
Green, Nicholas, 302 n. 1
Gurney family, 207, 259, 333 n. 153
Hakewill, James, History of Windsor, 231, 233
Hartley, David, 51, 73
Observations on Man, 54, 57
Harvey, Charles, 340 n. 149
Harvey, Col. John, 284–5, 287–9
Harvey, Thomas, 46, 258
Harvey, Sir Robert, 279
Hassell, John, Tour of the Grand Junction, 217, 248–9
Hastings, 160, 167–8, 171–81, 199, 204
map of, 174
Havell, Richard, 166
Chain Pier from the Sands, Plate 29, 186
Havell, William, 38, 130, 165, 171, 178, 205
Picturesque Views of the River Thames, Plates 33, 56, 57, 58, 81, 223–4, 229, 249
Wallnut Gathering at Petersham 40, 71, 120, 305 n. 55
Haydon, Benjamin Robert, 41, 43, 46, 59, 93, 113, 118–24 passim, 138–41, 311 n. 77
Lectures of, 94–5, 96–7, 102–3
Hayton, George, 35
Hazlitt, William, 5, 24, 48, 59, 73, 94–5, 98–9, 107, 123, 125–6, 129–30, 132, 147–50, 293, 296
Heaphy, Thomas, 150–1, 309 n. 56, 327 n. 117, 329 n. 60
Country Girl being Robbed by Two Boys, Plate 7, 150, 327 n. 117
Heath, Charles, 37
England and Wales, 271
Heathcote, Sir Thomas, 179–80
Herbert, Robert L., 302 n. 1
Hewlett, James, 42, 309 n. 56
hierarchy of genres, 86, 96–8, 122–3, 128–9, 139–44
Hilton, William, 117, 120, 128
Hoare, Prince, 35–6
Hobbema, Meindert, 130, 247, 250, 274, 277
Road on a Dyke, Plate 85, 250
Woody Landscape with Water-Mill, Plate 84, 250
Hodgson, David, 204
Hofland, Thomas Christopher, 41, 111, 115, 120, 292
View of London from Somerset House, 239
View from Richmond Hill, Evening, 241
View of Richmond Hill, Plate 73, 235
Holman, Francis, 162
Homfray, Revd John, 199, 266
Hoogh, Pieter de, 261
Hoppner, John, A Gale of Wind, Plate 22, 176
Horne, Richard Henry, 296
Howard, Henry, Lectures on Painting, 84–5
Hume, David, 49, 52–4, 58, 60–1, 68, 147
Humfrey, Revd John, 279
Hunt, Leigh, 116, 120, 122–5
Hunt, Robert, 44, 46, 107, 116–17, 256, 297 see also Examiner
Hunt, William Henry, 26, 77
ideology, 12–15, 31–3, 146, 154, 206
intelligentsia, 31–4
Ireland, Samuel, Picturesque Views, 220, 247
Jackson, Samuel, 271
Jeffrey, Francis, 55, 66, 71–2
Jerningham, Lady, 157
family, 207
Jukes, Francis, Jukes’s Views on the River Wye, Plates 48, 93, 221, 261
Karnes, Lord (Henry Home), 48–54, 60, 147
Elements of Criticism, 52–4, 64
Sketches of the History of Man, 52–4
Kant, Immanuel, 25
Kauffmann, Angelica, 43–4
Knight, Richard Payne, 6, 22, 24, 41, 67–8, 120, 128, 313 n. 51
Analytical Inquiry, 49, 52, 54, 56–60, 70–1
The Landscape, 60, 70–1
Review of Northcote’s Reynolds, 57
on the urban scene, 315 n. 42
Konincks, Philip, 239
Ladbrooke, Henry, 259
Ladbrooke, Robert, 183, 204
Mackerel Market at Yarmouth, 204–5
View of Yarmouth Jetty, Plate 37, 204
Lamb, Charles, ‘Old Margate Hoy’, 159–60
Lambert, Joseph, 200
Illustrations of Great Yarmouth, Plate 35, 203
landscape garden, 65, 67–70
landscape painting, general significance of, 292–300
Landseer, Edwin, The Stone Breaker, 114
Landseer, John, 36, 139–40, 165, 169–70, 173–4, 222, 224–5, 233–6, 240, 252
Lawrence, Thomas, 35–7, 41, 95–6, 114
Lee, Frederick Richard, 26
Leeds, William Camden, 334 n. 161
Leicester, Sir John Fleming, 35, 45–6, 197, 212
Leslie, Charles Robert, 120, 319 n. 69
Lethière, G. G., 117
Lewis, Frederick Christian, Scenery of the River Dart, 223
Lewis, George Robert, 27
Harvest Scene, Afternoon, Plate 5, 19, 23, 103, 251–2, 275, 295, 338 n. 93
Linnell, John, 26–7, 43, 46, 77, 154, 171, 178, 205, 272
Kensington Gravel Pits, Plate 4, 19, 23, 103, 115, 123, 144, 151, 251, 295
View on the River Kennet, Plate 86, 250–1, 295
Linwood, Mary, 44–5, 310 n. 66
Literary Chronicle, 44, 125, 134–8, 142, 197, 211, 255
Literary Gazette, 4, 107, 256, 281, 321 n. 13
Locke, John, 50, 54
London, 1–7, 33, 74–5, 107–8, 236–9
architecture of, 301 n. 2, n. 8
from a distance, 337 n. 63
London Magazine, 5, 7, 23, 31, 117, 125–34, 137, 146, 148, 159–60, 191, 235, 256, 294, 296
Loutherbourg, Phillippe Jacques de, 141, 163, 176
Romantic and Picturesque Scenery of England and Wales, 164
Mackay, Charles, The Thames and its Tributaries, 241
mannerism, 95, 99, 124–5, 133, 137, 145
Manship, Henry, History of Great Yarmouth, 209
Margate, 155, 265, 169–70, 198–9
Martin, John, 6, 47, 93, 120, 145, 253, 292, 296
Martineau, Philip, 207
marxism, 12
middle class, 30–4, 45–7, 75, 125, 131, 135–6, 153, 156–9, 162, 296, 306 n. 4, n. 9
and progress, 195, 298–9
Mill, John Stuart, 32, 73
Millar, John, 50–2, 147
Modernism, 191
modernity, 11–12, 160, 214–5, 268
Monthly Magazine, 73, 211, 321 n. 12
Morning Chronicle, 5, 110, 189
Morning Herald, 158–9, 243, 274
Morning Post, 3–4, 67, 109–16, 147, 159, 181, 189–90, 195, 242
Morland, George, 162–3, 176
Morton, H., Views of Hastings, 167
Moss, William George, History of Hastings, 168
Mulgrave, Lord, 119
Mulready, William, 26, 44, 120, 122–3, 144, 180
Cottage and Figures, Plate 90, 261
Kensington Gravel Pits, Plate 91, 250, 261
The Mall, Kensington Gravel Pits, 265
The Travelling Druggist, 130
Napoleon, 117–18
natural theology, 27, 54, 62–6, 251
naturalism, 15–28, 138–9, 140–1, 144–5, 149–54, 214, 295–6, 316 n. 1
Nasmyth, Patrick, 125
New Monthly Magazine, 4, 108, 165, 174, 177, 182, 274, 280, 296–7, 321 n. 12
newspapers, growth of, 105–6
Norfolk Chronicle, 266, 279, 281–7, 289
Norwich, 258–60
map of, 263
Norwich and Lowestoft Navigation Bill, 260, 277
Norwich Mercury, 283–4, 286–9
Norwich Philosophical Society, 73, 258, 276
‘Norwich School’, 196–7
Norwich Society of Artists, 73, 202
Observer, The 150
Opie, John, 88–9, 131
Lectures on Painting, 17, 80
Oracle, The 4, 122
Ostade, Adriaen van, 68–9, 83–4, 98, 131, 261, 320 n. 74
outdoor painting, 144
Owen, Samuel, 186, 222, 229, 231–4, 236–7, 242, 248
Cook’s, The Thames, Plate 51, 52, 53, 67
Paget, Samuel, 199
family, 266
Paley, William, Natural Theology, 64
Palmer, Samuel, 304 n. 21
panoramas, 145
Parthenon, The, 109, 150
Patmore, P. G., see Soligny
patronage, 34–7, 308 n. 40, 310 n. 71
Peacock, Thomas Love, 21
The Genius of the Thames, 219, 240
Phillips, Thomas, Lectures on Painting, 25, 80, 84, 101–2
on Payne Knight, 313 n. 58
Philosophic Radicals, see Benthamism
philosophical criticism, 10, 48–73, 79–85
as science, 311 n. 4
picturesque, 19–26, 59, 67–74, 85, 176, 271
of beaches, 202
of canals, 248–9
of rivers, 220–4, 262
topography and, 164–8
Piles, Roger de, 80–1, 84, 202
Pope, Alexander, 218–19, 235
Potts, Alex, 299
Preston, John, The Picture of Yarmouth, Plate 34, 203, 212
Price, Uvedale, 2, 24, 140, 268
Essays on the Picturesque, 67–71
Priest, St John, 230
Prince, Hugh, 338 n. 93
Prince Regent, see George IV
print production, 36–7, 163–8
Prout, Samuel, 171, 177–8, 213
The Beach, Hastings, Sussex, Plate 23, 178
public sphere, 106
Pugin, Augustus, 144–5
Pye, John, 36
Pyne, William Henry, 143, 152, 256, 297, 321 n. 12
Ramsgate, 158, 161–2, 164–5, 198
Reid, Thomas, 49, 64–5, 314 n. 11
Reinagle, Richard Ramsay,
on naturalism, 338 n. 94
text to Turner’s Views in Sussex, 76–8
Rembrandt, van Rijn, 24–5, 59, 69, 87, 97–8
The Mill, 232
Repository of Arts, 56, 107, 142–6, 150, 171, 188, 190, 212, 243, 255, 280, 293
Repton, Humphry, 40, 68, 71
Review of Publications of Art, 139–40, 163, 169–70, 173, 195
Reynolds, Joshua, 20–1, 36, 44–5, 59, 69, 94–5, 102, 112–3, 123, 128, 205, 234
Discourses, 17, 79–83, 86–7, 90–2, 97, 98, 129, 262
Idler essays, 81, 83
Ironical Discourse, 91–2, 103
on landscape painting, 86–7, 95
Richardson, Jonathan, 80–1, 85
Richmond, 74, 234–5
Richter, Henry, 114, 305 n. 57
Daylight; A Recent Discovery, 24–6, 102–3, 145, 305 n. 55
The Widow, 136
Rigby, Dr Edward, 207, 258, 276
Rippingille, Edward Villiers, 136
rivers, imagery of 216–91
economic importance of, 217
symbolism of, 216–19
Robberds, John Warden, Rivers of Norfolk, 266–7, 277, 290, 298–9
Roberts, David, 26, 132
Robertson, Andrew, 24
Robertson, Archibald, Topographical Survey, 230
Robinson, William, A Trip to Margate, 158
Robson, George Fennel, 37, 138
Rogers, Samuel, 45
Rosa, Salvator, 20, 59
Rosenthal, Michael, 230, 245–6, 254–5
Rowe, George, Hastings from the Sea, Plate 16, 167
Rowlandson, Thomas, 164
Royal Academy, 3–7, 38, 40–1, 59, 80, 91, 111–2, 118–21, 126–7, 135, 138–9, 211
Romney, George, 131
Robens, Peter Paul, 257
Ruisdael, Jacob van, 97, 169–70, 183, 239, 280
Quay at Rotterdam, 212
Ruskin, John, Modern Painters, 303 n. 11
Russell, Dr Richard, Dissertation Concerning Sea-Water, 156, 197
Ruysdael, Salomon van, 250, 277
Rymer, James, Sketch of Great Yarmouth, 197–8, 211
Sass, Henry, 325 n. 90
Sayer, Derek, 306 n. 1
science of painting, 16, 23, 77, 88, 103
Scott, John, 6, 107, 117, 125–6, 323 n. 44
Scott, Walter, 296
Scott, Williams, View of Brighton, 185
Scottish Enlightenment, 11, 49–56, 147–8
seaside resorts, development of, 156–63
imagery of, 163–215
Select Committee on Arts and Manufactures, 41, 135, 294
Sharples, Rolinda, 310 n. 70
Shee, Martin, Archer, 15–16, 40–1, 93, 99–100, 294
Shoberl, Frederick, 142
Siberchts, Jan, 220
Sickelmore, C. & R., Select Views of Brighton, Plate 14, 167, 185–6
signs, 9–10, 18–19, 27–8, 54, 64–5, 77–8, 303 n. 6
sketching, 16, 18–19, 24, 26, 269
Gilpin on, 320 n. 92
Skrine, Henry, General Account of all the Rivers, 219–20, 247
Smith, Adam, 31, 33, 50–1
Smith, Frederick, 189
Smith, John Thomas, Remarks on Rural Scenery, 22–3
Smollett, Tobias, 156
Society of British Artists, 2–3, 111–12, 120–1, 126, 135–6
Norwich artists and, 341 n. 153
Society of Painters in Water-Colours, 2–3, 76, 124, 133, 136–9, 141–2, 171
Soligny, Victoire Comte de (P. G. Patmore), 151, 160
Somerset House Gazette, 109, 256, 297–8
Southern Henry, 126
Southey, Robert, 1–2, 159
Spenser, Edmund, Faerie Queene, 240
Stacy, J., Historical Account of the City and County of Norfolk, 247
Stafford, 2nd Marquis of, 35, 197
Stanfield, Clarkson, 26, 132
Stannard, Alfred, 204, 287
Stannard, Joseph, 26, 204, 276, 342 n. 185
River at Thorpe, 314 n. 160
Thorpe Water Frolic, Plate 117, 278, 284–90
Stark, James, 120, 125, 130, 179, 183, 196–7, 204–5, 211, 257, 259, 272
WORKS:
Bishop’s Bridge, Norwich, 272
Lambeth Looking Towards Westminster Bridge, 273
Postwick Reach near Thorpe, Plate 110, 276, 341 n 160
Rivers of Norfolk, Plates 111, 112, 113, 114, 115, 119, 272, 277, 283, 299
Sailing Match at Wroxham, Plate 115, 272, 278–81
steam boats, 191, 213, 242, 281, 283, 342 n. 174
Stendhal (Henri Beyle), 127–8, 191
Stevens, Francis, 153
Stewart, Dugald, 72
Stone, Francis, 207
Stour, River, 216–7, 247
style, 18–19, 26–7, 133, 145, 149
Reynolds on, 86–7
sublime, the, 62–7, 74
Suckling, A., History and Antiquities of Suffolk, 247
Sun, The, 112, 210
taste, standard of, 55–8
Taylor, John, 125–6
Taylor, William, 73–5, 280–2
Thames, River, 216, 218–45
Therborn, Göran, 12–13, 303 n. 14
Thompson, Edward P., 29–31, 148
Thomson, James, 22, 154, 236, 277
Liberty, 217–8
The Seasons, 63, 66, 217–19, 226, 229, 234, 237–8, 241–2, 244
Thelwall, John, 107, 280, 323 n. 44
Thirtle, John, 204, 267–72
WORKS:
Boat-Builder’s Yard, Plate 106, 270
Carrow Bridge, 269
Devil’s Tower, near King Street Gates, 270
Evening River Scene, 269
A Norfolk Church, 269
Rainbow Effect, King Street, Plate 103, 269–70
Sunset Landscape with Thorpe Hospital, 269
Thorpe, Norwich, Plate 101, 269
View of Thorpe with Steam Barge, Plate 102, 269–71
View on the River, near Cow Tower, Plate 103, 269–70
Times, The 43, 157
Titian, 59, 69, 131, 257, 319 n. 59
St Peter Martyr, 87
Todd, John, 235
topography, 19, 164–8, 304 n. 32
Towne, Francis, 309 n. 62
Turner, Charles, 207
Turner, Dawson, 39, 46, 199, 259, 265
Turner, Joseph Mallord William, 26–7, 37, 42–3, 47, 74, 115, 120, 122, 139–40, 143–4, 166, 171
on association, 316 n. 51
Lectures on Perspective, 76, 87, 252
Thames Series, 103, 224–45, 251–2
Turner’s Gallery, 140, 169, 224–5, 252
WORKS:
Bay of Baiae, 211
Brightelmston, Sussex (Southern Coast), Plate 11, 166
Brighton from the Sea, Plate 32, 193–5
Clieveden on Thames, Plate 65, 224, 231
Cologne, the Arrival of a Packet Boat, 237
Confluence of the Thames and Medway, Plate 77, 224, 241–1
Crossing the Brook, 145
Decline of the Carthaginian Empire, 122, 253
Dido and Aeneas, 122
Dido Directing the Equipment of the Fleet, 133
Dorchester Mead, Plate 62, 225, 229, 252
Dort or Dordrecht, 210, 253, 281, 290
Dudley, Worcester, 271
England: Richmond Hill on the Prince Regent’s Birthday, Plate 78, 210, 225, 241–5, 278, 290, 297
Fishermen on a Lee Shore, 169
Frosty Morning, 122, 225
Grand Junction Canal at Southall Mill, Plate 68, 225, 232
Guardship at the Great Nore, Sheerness, 205, 224, 240–1
Harbour of Dieppe, 130, 237
Harlech Castle, 168
Harvest Dinner, Kingston Bank, 224, 231
Hastings – Fishmarket on the Sands, 175
London, Plate 73, 224
Margate, Plate 17, 169, 195
Margate (Southern Coast), Plate 13, 166, 176
Mouth of the Thames, 224, 240
Near the Thames Lock, Windsor, Plate 71, 224, 232
‘Now for the Painter’, 149
Newcastle-on-Tyne, 271
Old Margate Pier, 169
Ploughing up Turnips near Slough, Plate 64, 224, 230, 244, 252
Pope’s Villa at Twickenham, Plate 74, 140, 224, 235, 244
Purfleet and the Essex Shore, 224, 239–40
Regulus, 293
Richmond Hill and Bridge, Plate 72, 224, 232, 234–5, 244
Sheerness as Seen from the Nore, 224
St Mawes at the Pilchard Season, 175, 214
Scarborough Town and Castle, 170
Sheerness and the Isle of Sheppey, 224, 240
Shoeburyness Fisherman Hailing a Whitstable Hoy, 224, 240
Snowstorm, Hannibal and his Army, 122, 145
Sun Rising through Vapour, 169, 204
Tabley, the Seat of Sir John Leicester, 122
Thames at Eton, Plate 70, 224, 232
Thames at Weybridge, 232, 337 n. 57
Thames near Windsor, Plate 69, 224, 232–3
Thomson’s Aeolian Harp, 224, 235, 242
Union of the Thames and Isis, Plate 66, 224, 231
Ulysses Deriding Polyphemus, 115, 133, 293
View of the High Street, Oxford, 225
Views in Sussex, Plate 6, 76–8
Walton Bridges (Loyd Collection), Plate 60, 224, 228, 256
Walton Bridges (Melbourne), Plate 61, 224, 228, 256
Windsor Castle from the Thames, Plate 69, 224, 232–3
Utilitarians, see Benthamism
Uwins, Thomas, 38–9, 40–1, 43, 46, 153
Valpy, Revd Edward, 207, 266
Varley, John, 42, 130
Treatise on Landscape Design, 76–7
Boat-Builder’s Yard on the Thames, 271
Cheyne Walk, Chelsea, 271
Millbank Penitentiary, 271
Velde, Adriaen van de, 175
Velde, William van de, the younger, 169
Vernet, Claude-Joseph, 176
Vincent, George, 74, 104, 120, 196–7, 204, 208–15, 253, 257, 259, 272–7, 292, 340–1 n. 152
WORKS:
Brighton Beach, 204
Distant View of Pevensey Bay, Plate 120, 297–8
Dutch Fair, on Yarmouth Beach, Plate 42, 183, 209–11, 214, 334 n. 161
Fish Auction, Yarmouth, Plate 41, 183, 208–9
London from the Surrey Side of Waterloo Bridge, 212, 239
On the River Yare, Afternoon, Plate 107, 42, 273–4, 280
Trowse Meadows, near Norwich, Plate 109, 273, 275–6
View of Greenwich from Blackwall, 212, 239
View of Yarmouth, Plate 44, 213–14, 334 n. 167
View of Yarmouth Quay, Plate 43, 211–14
View on the River Yare, near Norwich, Plate 108, 273–5
Yarmouth Beach, 183, 208–9
Vlieger, Simon de, 170, 175, 195
Vološinov, Valentin, 9, 315 n. 40
Wadmore, James, 212
Wainewright, Thomas Griffith, 107, 126, 293
Wallach, Alan, 302 n. 32
Walton Bridges, 220, 228
Ward, James, 143, 171
Watts, Frederick William, 26, 132
water frolics, imagery of, 277–90
water-colour, 3, 35, 124, 136, 144, 170, 249–50, 267–9, 272
Watteau, Antoine, 242
Wensum, River, imagery of, 257–72
West, Benjamin, 35, 44, 60, 84, 113, 117, 122, 141
Bathing Place at Ramsgate, 162–3
Westall, Richard, 120, 153
Harvesters in a Storm, 19, 60
Westall, William, Brighton from the Chain Pier, Plate 15, 167
Picturesque Tour of the River Thames, Plate 54, 222
Westminster Review, 31–3, 125, 132
Weymouth, 156, 166, 181–2
Whigs, and the press, 109–10, 126
Whitbread, Samuel, 46
Wiener, Martin, 344 n. 27
Wigstead, Henry, 164
Wilkie, David, 6, 36–7, 39, 43, 46, 93, 114, 139–40, 152
Blind Fiddler, 114
Chelsea Pensioners Reading the Waterloo Dispatch, 130
Distraining for Rent, 114
Penny Wedding, 120
Village Festival, 151
Williams, John (Anthony Pasquin), 159, 161
Williams, Raymond, 16
Wilson, John, 137
Wilson, Richard, 139, 168, 244, 320 n. 78
Windsor, 226–8, 230, 232–4
map of, 227
Wollstonecraft, Mary, 73, 313 n. 61
women, 32, 36, 142
artists, 43–5, 309 n. 64, 310 n. 69
as patrons, 308 n. 40
taste of, 60–1
Wood, John George, Principal Rivers of Wales Illustrated, 221
Woodforde, Revd James, 200
Wordsworth, William, 48, 67
Wroxham, water frolic at, 279
Wyse, Thomas, 132
Yare, River, imagery of, 272–7
Yarmouth, see Great Yarmouth
Yetts, William, 199
York, Duke of, 100, 119, 220, 228
Young, Arthur, 21, 247
Young, Edward, Conjectures on Original Composition, 81, 98