Save
Save chapter to my Bookmarks
Cite
Cite this chapter
Print this chapter
Share
Share a link to this chapter
Free
Description: Sculptural Seeing: Relief, Optics, and the Rise of Perspective in Medieval Italy
Bibliography
PublisherYale University Press
https://doi.org/10.37862/aaeportal.00109.010
View chapters with similar subject tags
Bibliography
¬
PRIMARY SOURCES AND TRANSLATIONS
Adelard of Bath. Conversations with His Nephew: On the Same and the Different, Questions on Natural Science, and on Birds. Edited and translated by Charles Burnett. Cambridge: Cambridge University Press, 1998.
Alan of Lille. Distinctiones dictionum theologicalium. PL 210.
Alberti, Leon Battista. On Painting and On Sculpture: The Latin Texts of De pictura and De statua. Edited and translated by Cecil Grayson. London: Phaidon, 1972.
——. Della pittura. Edited by Luigi Mallè. Florence: Sansoni, 1950.
——. Il nuovo De pictura di Leon Battista Alberti. Translated by Rocco Sinisgalli. Rome: Edizioni Kappa, 2006.
Albertus Magnus. Mineralium libri quinque. Opera omnia, vol. 5. Edited by August Borgnet. Paris: Vivès, 1890.
——. Liber de memoria et reminiscentia, Parva naturalia. Opera omnia, vol. 9. Edited by August Borgnet. Paris: Vivès, 1890.
——. Book of Minerals. Translated by Dorothy Wyckoff. Oxford: Clarendon, 1967.
——. “Commentary on Aristotle, On Memory and Recollection.” Translated by Jan M. Ziolkowski. In The Medieval Craft of Memory: An Anthology of Texts and Pictures, 118–152. Edited by Mary Carruthers and Jan M. Ziolkowski. Philadelphia: University of Pennsylvania Press, 2002.
Alhacen (Ibn al-Haytham). De aspectibus: The Optics of Ibn al-Haytham. Books I–III: On Direct Vision. Translated by A. I. Sabra. 2 vols. London: Warburg Institute, 1989.
——. Alhacen on Image-Formation and Distortion in Mirrors: A Critical Edition, with English Translation and Commentary, of Book 6 of Alhacen’s De aspectibus. Edited and translated by A. Mark Smith. Philadelphia: American Philosophical Society, 2008.
——. Alhacen on the Principles of Reflection: A Critical Edition, with English Translation and Commentary, of Books 4 and 5 of Alhacen’s De aspectibus. Edited and translated by A. Mark Smith. Philadelphia: American Philosophical Society, 2006.
——. Alhacen’s Theory of Visual Perception: A Critical Edition, with English Translation and Commentary, of the First Three Books of Alhacen’s De aspectibus. Edited and translated by A. Mark Smith. Philadelphia: American Philosophical Society, 2001.
Ambrose of Milan. Hexameron. In Sancti Ambrosii opera: Part 1, Qua continetur libri. Edited by Karl Schenkl. Leipzig: G. Freytag, 1896.
——. Hexameron, Paradise, and Cain and Abel. Translated by John Savage. New York: Fathers of the Church, 1961.
Angelomus Luxovensis. Commentarius in Genesin. PL 115.
Annales ferrarienses. Edited by Philippus Jaffé. MGH SS 18 (1863).
Aristotle. De anima; De memoria et reminiscentia. LCL 288. Translated by W. S. Hett. Cambridge, MA: Harvard University Press, 1986.
——. De anima. In The Basic Works of Aristotle. Translated by J. A. Smith. Edited by Richard McKeon. New York: Random House, 1941.
——. De memoria et reminiscentia. In Aristotle on Memory and Recollection: Text, Translation, and Reception in Western Scholasticism. Edited and translated by David Bloch. Leiden: Brill, 2007.
Augustine (Augustinus Hipponensis). Contra Adimantum. CSEL 25. Edited by J. Zycha. Vienna: F. Tempsky, 1891.
——. De doctrina Christiana. PL 34.
——. De Genesi ad litteram libri duodecim. Œuvres de Saint Augustin, vols. 48–49. Edited by B. Roland-Gosselin. Paris: Desclée, De Brouwer, 1949.
——. The Literal Meaning of Genesis. Translated by John Hammond Taylor. 2 vols. New York: Newman Press, 1982.
——. De quantitate animate: On the Measure of the Soul. Edited by Francis E. Tauscher. Philadelphia: Peter Reilly; London: B. Herder, 1933.
——. De trinitate. CCSL 50.
——. On the Holy Trinity. Edited by Philip Schaff. Edinburgh: T & T Clark, 1979.
——. Soliloquiorum libri duo. PL 32.
——. Soliloquies: Augustine’s Interior Dialogue. Translated by Kim Paffenroth. Hyde Park, NY: New City, 2008.
——. Sermones de tempore. PL 38.
——. Sermons on the Liturgical Seasons. Translated by Edmund Hill. New Rochelle, NY: New City Press, 1993.
Aureol, Peter. Scriptum super primum Sententiarium. Edited by E. M. Buytaert. 2 vols. St. Bonaventure, NY: Franciscan Institute, 1952–56.
Ausonius Decimus. Epistolarum liber. PL 19.
Bacon, Roger. Perspectiva. In Roger Bacon and the Origins of ‘Perspectiva’ in the Middle Ages: A Critical Edition and English Translation of Bacon’s Perspectiva, with Introduction and Notes. Edited and translated by David C. Lindberg. Oxford: Clarendon, 1996.
Bede. Libri quatuor in principium Genesis usque ad nativitatem Isaac et eiectionem Ismahelis adnotationum. Edited by C. Jones. CCSL 118A.
——. On Genesis. Translated by Calvin B. Kendall. Liverpool: Liverpool University Press, 2008.
Bernard of Clairvaux. De consideratione libri quinque ad Eugenium Tertium. PL 182.
Bradwardine, Thomas. “De memoria artificiali.” Reprinted in Mary Carruthers, The Book of Memory (1990), 281–288.
——. “Thomas Bradwardine, ‘De memorie artificiale adquirenda.’ ” Edited and translated by Mary Carruthers. Journal of Medieval Latin 2 (1992): 25–43.
——. Thomas Bradwardine, Geometria speculativa. Edited and translated by Gregory Molland. Stuttgart: F. Steiner Verlag, 1989.
——. Thomas of Bradwardine, His Tractus de proportionibus: Its Significance for the Development of Mathematical Physics. Edited and translated by H. Lamar Crosby, Jr. Madison: University of Wisconsin Press, 1955.
Bruno of Segni. Expositio in Genesim. PL 164.
——. Expositio in Pentateuchum. PL 164.
——. Commentaria in Joannem. PL 165.
——. De laudibus ecclesiae. PL 165.
——. Sententiarum. PL 165.
Calcidius. On Plato’s Timaeus. Edited and translated by John Magee. Washington, DC: Dumbarton Oaks, 2016.
——. Commentaire au Timée de Platon. Edited by Béatrice Bakhouche. Paris: Librairie Philosophique J. Vrin, 2011.
——. Plato latinus. Edited by J. H. Waszink. 4 vols. London: Warburg Institute, 1975.
Cennini, Cennino. Il libro dell’arte. Edited by Fabio Frezzato. Vicenza: Neri Pozza Editore, 2003.
——. The Craftsman’s Handbook. Translated by Daniel V. Thompson. New York: Dover, 1933.
Chronicon mutinense. RIS 15.
Cicero. Letter to Atticus. LCL 7. Translated by D. R. Shackleton Bailey. Cambridge, MA: Harvard University Press, 1999.
——. De oratore. LCL 348. Translated by E. W. Sutton. Cambridge, MA: Harvard University Press, 1992.
——. M. Tulli Ciceronis scripta quae manserunt mnia, Fasc. 46: De divination, De fato, Timaeus. Leipzig: Teubner, 1975.
[Cicero]. Rhetorica ad Herennium. LCL 403. Translated by Harry Caplan. Cambridge, MA: Harvard University Press, 1999.
Constantine the African. Liber de oculis: Galieni littere ad corisium de morbis oculorum et eorum curis. Paris: J.B. Baillière et fils, 1909–33.
——. Der Liber de oculis des Constantinus Africanus: Übersetzung und Kommentar. Edited by Dominique Haefeli-Till. Zurich: Juris-Verlag, 1977.
Dante Alighieri. La divina commedia. Edited by Natalino Sapegno. Florence: La Nuova Italia Editrice, 1956.
——. The Divine Comedy. Translated by Dorothy L. Sayers. London: Penguin, 1955.
Eriugena. Periphyseon (The Division of Nature). Translated by I. P. Sheldon-Williams and John J. O’Mear. Washington, DC: Dumbarton Oaks, 1987.
Euclid. Euclidis opera omnia, vol. 7. Edited by J. L. Heilberg. Leipzig: In Aedibus B. G. Teubneri, 1883–1916.
——. “The Optics of Euclid.” Translated by Harry Burton and James Barnes. Journal of the Optical Society of America 35 (1945): 357–372.
Fulcher of Chartres. Gesta Francorum. In Recueil des historiens des Croisades, vol. 3. Edited by Alexandre Hase and E. Miller. Paris: Impr. Royale, 1844–95.
Galen. De placitis Hippocratis et Platonis. CMG 4.1.2. Edited and translated by Philip De Lacy.
——. Galen on the Usefulness of the Parts of the Body (Peri chreias moriōn: De usu partium). Translated by Margaret Tallmadge May. New York: Classics of Medicine Library Division of Gryphon Editions, 1966.
Gellius. Attic Nights. LCL 195. Translated by J. C. Rolfe. Cambridge, MA: Harvard University Press, 1927.
Gerbert of Aurillac. De geometria (Isagoge geometriae). In Gerberti, postea Silvestri II, papae, Opera mathematica (972–1003). Edited by Nicolaus Bubnov. Hildesheim: Georg Olms, 1963.
Ghiberti, Lorenzo. I commentarii: Biblioteca nazionale centrale di Firenze, II, I, 333. Edited by Lorenzo Bartoli. Florence: Giunti, 1998.
Glossa ordinaria. PL 113.
Grassus, Benvenutus. De oculis eorumque egritudinibus et curis. Edited by Casey A. Wood. Birmingham, AL: Classics of Ophthalmology Library, 1985.
——. The Wonderful Art of the Eye: A Critical Edition of the Middle English Translation of His De probatissimo arte oculorum. Edited by L. M. Eldredge. East Lansing: Michigan State University Press, 2012.
Gregory the Great. Registrum epistolarum. Edited by D. Norberg. CCSL 140A.
——. Moralia in Job. Edited by M. Adriaen. CCSL 143.
——. Morals on the Book of Job. Translated by James Bliss. Eugene, OR: Wipf and Stock, 2013.
Gregory of Tours. De gloria martyrum. PL 171.
Grosseteste, Robert. “De luce: A Critical Edition.” Translated by Cecilia Panti. In Robert Grosseteste and His Intellectual Milieu: New Editions and Studies, 193–238. Edited by J. Flood et al. Toronto: Pontifical Institute of Mediaeval Studies, 2003.
——. “Robert Grosseteste’s On Light: An English Translation.” Translated by Neil Lewis. In Robert Grosseteste and His Intellectual Milieu: New Editions and Studies, 239–247. Edited by J. Flood et al. Toronto: Pontifical Institute of Mediaeval Studies, 2003.
——. Hexaëmeron. Edited by Richard C. Dales and Servus Gieben. Oxford: Oxford University Press, 1990.
——. On the Six Days of Creation: A Translation of the Hexaëmeron. Translated by C. F. J. Martin. Oxford: Oxford University Press, 1999.
Guarini, Marcantonio. Compendio historico dell’origine, accrescimento, e prerogatiue delle chiese, e luoghi pij della città e diocesi di Ferrara. Ferrara: Baldini, 1621.
Guilelmus Durandus. Rationale divinorum officiorum. Vol. 1: I–IV. CCCM 140.
——. The Rationale divinorum officiorum: The Foundational Symbolism of the Early Church, Its Structure, Decoration, Sacraments and Vestments. Books I, III, and IV. Louisville, KY: Fons Vitae, 2007.
Hildegard of Bingen, Physica. PL 197.
——. Hildegard von Bingen’s Physica: The Complete English Translation of Her Classic Work on Health and Healing. Translated by Priscilla Throop. Rochester, VT: Healing Arts Press, 1998.
Honorius Augustodunensis. Clavis physicae. Edited by Paolo Lucentini. Rome: Edizioni de Storia e Letteratura, 1974.
——. L’elucidarium et les lucidaires. Edited by Yves Lefèvre. Paris: E. de Boccard, 1954.
——. Cognitio vitae. PL 040.
Horace. Ars poetica. LCL 194. Translated by H. Rushton Fairclough. Cambridge, MA: Harvard University Press, 2014.
Hrabanus Maurus. De rerum naturis (De universo). PL 111.
Hugh of St. Victor. Hugonis de Sancto Victore opera propaedeutica: Practica geometriae, de grammatical epitome dindimi in philosophum. Edited by Roger Baron. South Bend, IN: Notre Dame University Press, 1966.
——. Practical Geometry. Edited and translated by Frederick A. Homann, S.J. Milwaukee, WI: Marquette University Press, 1991.
——. Eruditionis didascalicae. PL 176.
——. Didascalicon: A Medieval Guide to the Arts. Translated by Jerome Taylor. New York: Columbia University Press, 1961.
——. De institutione novitiorum. PL 176.
Ḥunayn ibn Isḥāq (Johannitius). The Book of the Ten Treatises of the Eye. Translated by Max Meyerhof. Cairo: Government Press, 1928.
—— . “Johannicius: Isagoge ad techne galieni.” Translated by Gregor Maurach. Sudhoffs Archiv 62 (1978): 148–174.
Isidore of Seville (Isidorus Hispalensis). Etymologiae VII. Edited and translated by Jean-Yves Guillaumin. Paris: Les Belles Lettres, 2012.
——. Etymologiae XI. Edited and translated by F. Gasti. Paris: Les Belles Lettres, 2010.
——. The Etymologies of Isidore of Seville. Translated by Stephen A. Barney et al. Cambridge: Cambridge University Press, 2006.
——. De differentiis rerum. PL 83.
Itinerarium burdigalense (Itinerarium hierosolymitanum). Edited by Otto Cuntz. Leipzig: B. G. Teubner, 1929. Translated as Itinerary from Bordeaux to Jerusalem / The Bordeaux Pilgrim (333 A.D.). Translated by Aubrey Stewart. London: Committee of the Palestine Exploration Fund, 1887.
Jacobus de Voragine. Legenda aurea vulgo historia lombardica dicta. Edited by Theodor Grasse. Leipzig: Impensis Librariae Arnoldianae, 1850.
——. The Golden Legend: Readings on the Saints. Translated by William Granger Ryan. 2 vols. Princeton: Princeton University Press, 1993.
Jerome. Epistolae. PL 030.
Le jeu d’Adam. Edited by Wolfgang van Emden. Edinburgh: Société Rencesvals British Branch, 1996.
Le jeu d’Adam (Ordo representacionis Ade). Edited by W. Noomen. Paris: Librairie Honoré Champion, 1971.
[Le jeu d’Adam]. The Play of Adam (Ordo representacionis Ade). Edited by C. Odenkirchen. Brookline, MA: Classical Folia, 1976.
Liber Sancti Jacobi. In Guide du pèlerin de Saint Jacques de Compostelle: Texte latin du XIIe siècle, édité et traduit en français d’après les manuscrits de Compostelle et de Ripoll. Edited by Jeanne Vielliard. 5th ed. Paris: Librairie Philosophique J. Vrin, 2004.
——. The Pilgrim’s Guide to Santiago de Compostela. Edited and translated by William Melczer. New York: Italica, 1993.
Macrobius. The Saturnalia. Translated by Percival Vaughan Davies. New York: Columbia University Press, 1969.
——. Commentary on the Dream of Scipio. Translated by William Harris Stahl. New York: Columbia University Press, 1952.
Nemesius of Emesa. De natura hominis. In Némésius d’Émèse, De natura hominis traduction de Burgundio de Pise. Edited by G. Verbeke and J. R. Moncho. Leiden: Brill, 1975.
——. Nemesii emeseni de natura hominis. Edited by Moreno Morani. Leipzig: Teubner, 1987.
——. On the Nature of Man. Translated by R. W. Sharples and P. J. van der Eijk. Liverpool: Liverpool University Press, 2008.
Nicholas of Cusa. De visione Dei. Nicolai de Cusa Opera omnia, vol. 6. Edited by Johann Gerhard Senger. Hamburg: In Aedibus Felicis Meiner, 1988.
Olivi, Peter. Quaestiones in secundum librum sententiarum. Edited by Bernard Jansen. 3 vols. Ad Claras Aquas (Quaracchi) prope Florentiam, ex typographia: Collegii S. Bonaventurae, 1922–26.
Opticae thesaurus: Alhazen arabis libri septem, nuncprimùm editi. Edited by David C. Lindberg. New York: Johnson Reprint, 1972.
Origen. On First Principles: Being Koetschau’s Text of the De principiis. Translated and introduction by G. W. Butterworth. Gloucester, MA: Peter Smith, 1973.
Panziera, Ugo. Trattato della perfezione. In Mistici del duecento e del trecento. Milan: Rizzoli, 1935.
Papias. Elementarium doctrinae rudimentum. Venice: Mombritius/Boninus, 1496.
Paulinus of Nola. Carmina. CSEL 30, pt. 2. Edited by Guilelmus de Hartel. Vienna: Hoelder-Pichler-Tempsky, 1894.
Pecham, John. Tractatus de perspectiva. Edited by David C. Lindberg. St. Bonaventure, NY: Franciscan Institute, 1972.
——. Perspectiva communis: John Pecham and the Science of Optics. Edited and translated by David C. Lindberg. Madison: University of Wisconsin Press, 1970.
Peter Damian. Die Briefe des Petrus Damiani. Edited by Kurt Reindel. 4 vols. Munich: MGH, 1983.
Peter of Limoges. The Moral Treatise of the Eye. Translated by Richard Newhauser. Toronto: Pontifical Institute of Mediaeval Studies, 2012.
Peter the Venerable. Epistola sive tractatus adversus petrobrusiano haereticos. PL 189.
Petrus Hispanus (Peter of Spain). Die Ophthalmologie (Liber de oculo). Munich: Lehmann, 1899.
——. “The Eye Book of Master Peter of Spain: A Glimpse of Diagnosis and Treatment of Eye Disease in the Middle Ages.” Edited by W. J. Daly and R. D. Yee. Documenta ophthalmologica: Advances in Ophthalmology 103.2 (2001): 119–153.
Plato. Republic. LCL 217. Translated by Paul Shorey. Cambridge, MA: Harvard University Press, 1982.
——. Sophist. LCL 123. Translated by Harold North Fowler. Cambridge, MA: Harvard University Press, 1987.
——. Timaeus. LCL 234. Translated by R. G. Burry. Cambridge, MA: Harvard University Press, 1929.
Pliny the Elder. Natural History, vol. 9. LCL 394. Translated by J. Rackman. Cambridge, MA: Harvard University Press, 1938.
Ptolemy. L’optique de Claude Ptolémée dans la version latine d’après l’arab de l’émir Eugène de Sicile. Edited by Albert Lejeune. Louvain: Bibliothèque de l’Université, 1956.
——. Ptolemy’s Theory of Visual Perception: An English Translation of the “Optics” with Introduction and Commentary. Translated by A. Mark Smith. Philadelphia: American Philosophical Society, 1996.
Regesta pontificum romanorum. Edited by Philippus Jaffé. Graz: Akademische Druck, 1956–57.
Relatio translationis corporis Sancti Geminiani (1099–1106). Edited by Giulio Bertoni. Città di Castello: Lapi, 1907.
Robert the Monk’s History of the First Crusade. Translated by Carol Sweetenham. Aldershot, UK: Ashgate, 2005.
Sicardus, Bishop of Cremona. Mitralis de officiis. CCCM 228. Edited by Gábor Sarbak and Lorenz Winrich. Turnhout, Belgium: Brepols, 2008.
Theophilus. De diversis artibus: The Various Arts. Edited and translated by C. R. Dodwell. Oxford: Oxford University Press, 1986.
Thierry of Chartres. The Latin Rhetorical Commentaries of Thierry of Chartres. Edited by K. M. Fredborg. Toronto: Pontifical Institute of Mediaeval Studies, 1988.
Thomas Aquinas. A Commentary on Aristotle’s “De anima.” Edited and translated by Robert Pasnau. New Haven: Yale University Press, 1999.
——. Quaestiones de anima: A Newly Established Edition of the Latin Text with an Introduction and Notes. Edited by James H. Robb. Toronto: Pontifical Institute of Mediaeval Studies, 1968.
——. Summa theologiae. Blackfriars Edition. 60 vols. New York: McGraw-Hill, 1964–68.
Virgil. Aeneid, vol. 2. LCL 63, 64. Translated by H. Rushton Fairclough. Cambridge, MA: Harvard University Press, 1916.
——. Georgics. LCL 63. Translated by H. Rushton Fairclough. Cambridge, MA: Harvard University Press, 1916.
Vitruvius. Ten Books on Architecture. Translated by Ingrid Rowland. Cambridge: Cambridge University Press, 1999.
——. De architectura. 2 vols. LCL 251, 280. Translated by Frank Granger. Cambridge, MA: Harvard University Press, 1931–34.
Walafrid Strabo. Vita Sancti Galli. PL 114.
William of Conches. Guillelmi de Conchis opera omnia: Glosae super Platonem. CCCM 203. Edited by Édouard Jeauneau. Turnhout, Belgium: Brepols, 2006.
——. Guillelmi de Conchis opera omnia: Dragmaticon philosophiae. CCCM 152. Edited by E. Jeauneau and Italo Ronca. Turnhout, Belgium: Brepols, 1997.
——. A Dialogue on Natural Philosophy (Dragmaticon Philosophy). Translated by Italo Ronca. Notre Dame, IN: University of Notre Dame Press, 1997.
Witelo. Perspectiva. In Carl J. Kelso, Jr., “Witelonis Perspectivae liber quartus / Book IV of Witelo’s Perspectiva: A Critical Edition and English Translation.” Ph.D. diss., University of Missouri–Columbia, 2003.
SECONDARY SOURCES
Ackerman, James. “Alberti’s Light.” In Studies in Late Medieval and Renaissance Painting in Honor of Millard Meiss, 1: 1–27. Edited by Irving Lavin and John Plummer. New York: New York University Press, 1977.
Addiss, James. “Measure and Proportion in Romanesque Architecture.” In Ad quadratum: The Practical Application of Geometry in Medieval Architecture, 57–81. Edited by Nancy Wu. Aldershot, UK: Ashgate, 2002.
Agnelli, Giuseppe. Ferrara: Porte di chiese, di palazzi, di case. Bergamo: Istituto Italiano d’Arte Grafice, 1909.
Akbari, Suzanne Conklin. Seeing Through the Veil: Optical Theory and Medieval Allegory. Toronto: University of Toronto Press, 2004.
Alessio, Franco. “Per uno studio sull’ottica del trecento.” Studi Medievale 2 (1961): 444–504.
Al Kalak, Matteo. Relatio de innovatione ecclesie Sancti Geminiani: Storia di una cattedrale. Modena: Poligrafico Mucchi, 2004.
Alumni, Patrizia. “Le sculture del protiro della Cattedrale di Ferrara in alcune fotografie del fondo Ragazzi.” In C’era due volte: Fondi fotografici e patrimonio artistico, 45–49. Edited by Corinna Giudici. Bologna: Minerva Edizioni, 2004.
Ambrose, Kirk. “Eyes Dim with Age at Vézelay.” Studies in Iconography 38 (2017): 1–17.
—— . The Marvellous and the Monstrous in the Sculpture of Twelfth-Century Europe. Woodbridge, UK: Boydell, 2013.
——. The Nave Sculpture of Vézelay: The Art of Monastic Viewing. Turnhout, Belgium: Brepols, 2007.
Andrée, Alexander. “Peter Comestor’s Lectures on the Glossa ‘ordinaria’ on the Gospel of John: The Bible and Theology in the Twelfth-Century Classroom.” Traditio 71 (2016): 203–234.
——. “Anselm of Laon Unveiled: The Glosae super Iohannem and the Origins of the Glossa ordinaria on the Bible.” Mediaeval Studies 73 (2011): 217–240.
Angenendt, Arnold. “Relics and Their Veneration.” In Treasures of Heaven: Saints, Heaven, and Devotio in Medieval Europe, 19–28. Edited by Martina Bagnoli, Holger A. Klein, C. Griffith Mann, and James Robinson. London: British Museum Press, 2011.
Angiola, Eloise M. “Nicola Pisano, Federigo Visconti, and the Classical Style in Pisa.” Art Bulletin 59.1 (1977): 1–27.
Antonova, Clemena, and Martin Kemp. “ ‘Reverse Perspective’: Historical Fallacies and an Alternative View.” In The Visual Mind II, 99–431. Edited by Michele Emmer. Cambridge, MA: MIT Press, 2005.
Arasse, Daniel. L’annonciation italienne: Une histoire de perspective. Paris: Éditions Hazan, 1999.
Argan, Giulio Carlo. “Ideology and Iconology.” Critical Inquiry 2.2 (1975): 297–305.
Arnheim, Rudolf. Art and Visual Perception: A Psychology of the Creative Eye. Berkeley: University of California Press, 1971.
Auerbach, Eric. Mimesis: The Representation of Reality in Western Literature. Princeton: Princeton University Press, 1953.
Bacchi, Teresa. “Terra e società in età carolingia e postcarolingia.” In Storia di Ferrara, 4: 140–161.
Bagnoli, Martina, ed. A Feast for the Senses: Art and Experience in Medieval Europe. Baltimore: Walters Art Museum, 2016.
Bakhouche, Béatrice. “La théorie de la vision chez Calcidius (IVe siècle) entre géométrie, médecine et philosophie.” Revue d’Historie des Sciences 66 (2013): 5–42.
Bakker, Paul, and Johannes Thijssen. Mind, Cognition and Representation: The Tradition of Commentaries on Aristotle’s De anima. Aldershot, UK: Ashgate, 2008.
Barasch, Moshe. Blindness: The History of a Mental Image in Western Thought. New York: Routledge, 2001.
Barberi, Sandra. Il chiostro di S. Orso ad Aosta. Rome: L’Erma di Bretschneider, 1988.
Baschet, Jérôme. “Iconography Beyond Iconography: Relational Meanings and Figures of Authority in the Reliefs of Souillac.” In Current Directions in Eleventh and Twelfth-Century Sculpture Studies, 23–45. Edited by Robert A. Maxwell and Kirk Ambrose. Turnhout, Belgium: Brepols, 2010.
——. L’iconographie médiévale. Paris: Gallimard, 2008.
Basile, Giuseppe. Giotto nella Cappella Scrovegni: Materiali per la tenica pittorica. Bollettino d’Arte, special issue (2005).
——. The Limewood Sculptors of Renaissance Germany. New Haven: Yale University Press, 1980.
——. Painting and Experience in Fifteenth-Century Italy. Oxford: Clarendon, 1972.
Becker, Gustav. Catalogi bibliothecarum antiqui. Bonn: Apud M. Cohen et Filium, 1855.
Belting, Hans. Florence and Baghdad: Renaissance Art and Arab Science. Translated by Deborah Lucas Schneider. Cambridge, MA: Harvard University Press, 2011. Originally published as Florenz und Bagdad: Eine westöstliche Geschichte des Blicks. Munich: Beck, 2008.
Benati, Amedeo. “Città e territorio fra Bizantini e Longobardi.” In Storia di Ferrara, 4: 108–137.
Benson, Robert, ed. Renaissance and Renewal in the Twelfth Century. Toronto: University of Toronto Press, 1999.
Berenson, Bernard. Italian Painters of the Renaissance. London: Phaidon, 1952.
Berton, Robert. I capitelli del chiostro di Sant’Orso: Un gioiello d’arte romanica in Val d’Aosta. Aosta: Tipografia Valdostana, 1996.
Betancourt, Roland. “Why Sight Is Not Touch: Reconsidering the Tactility of Sight in Byzantium.” Dumbarton Oaks Papers 70 (2016): 1–23.
Betz, Dieter Hans. “Matthew vi.22f and Ancient Greek Theories of Vision.” In Text and Interpretation: Studies in the New Testament Presented to Matthew Black, 43–56. Edited by Matthew Black et al. Cambridge: Cambridge University Press, 1979.
Biernoff, Suzannah. Sight and Embodiment in the Middle Ages. New York: Palgrave Macmillan, 2002.
Billanovich, Giuseppe, and Mirella Ferrari. “La tradizione Milanese delle opera di sant’Ambrogio.” In Ambrosius episcopus, 1: 5–35. Edited by Giuseppe Lazzati. Milan: Vita e Pensiero, 1976.
Black, Robert. Humanism and Education in Medieval and Renaissance Italy: Tradition and Innovation in Latin Schools from the Twelfth to the Fifteenth Century. Cambridge: Cambridge University Press, 2007.
Bloch, David. Aristotle on Memory and Recollection: Text, Translation, and Reception in Western Scholasticism. Leiden: Brill, 2007.
Bloch, Herbert. Monte Cassino in the Middle Ages. 2 vols. Rome: Edizioni di Storia e Letteratura, 1986.
Bois, Yve-Alain, Denis Hollier, and Rosalind Krauss. “A Conversation with Hubert Damisch.” October 85 (Summer 1998): 3–17.
Bondanini, A. “Il rilievo del duomo di Ferrara di G. B. Aleotti e G. Roscello.” In Contributi per la storia della cartografia ferrarese, 91–110. Atti e Memorie della Deputazione Provinciale Ferrarese di Storia Patria, serie III, XXIX, 1981.
Boudon-Millot, Véronique. “Vision and Vision Disorders: Galen’s Physiology of Sight.” In Blood, Sweat and Tears: The Changing Concepts of Physiology from Antiquity into Early Modern Europe, 549–567. Edited by Manfred Horstmanshoff. Leiden: Brill, 2012.
Braga, Gabriella. “Genesi e fortuna del ‘De rerum naturis’ di Rabano Mauro.” In Rabano Mauro, De rerum naturis. Cod. Casin. 132. Commentaria, 25–63. Edited by G. Cavallo. Turin: Priuli e Verlucca, 1994.
Branchi, Mariapia. Lo scriptorium e la biblioteca di Nonantola. Modena: Centro Studi Storici Nonantolani, 2011.
Brown, T. S. “Byzantine Italy (680–876).” In The Cambridge History of the Byzantine Empire, 443–464. Edited by Jonathan Shepard. Cambridge: Cambridge University Press, 2008.
Brugnoli, Pierpaolo. La Cattedrale di Verona nelle sue vicende dal secolo IV al secolo XVI. Venice: Arsenale, 1987.
Bruzelius, Caroline. “From Empire to Commune to Kingdom: Notes on the Revival of Monumental Sculpture in Italy.” In Gothic Art and Thought in the Later Medieval Period, 134–155. Edited by C. Hourihane. Princeton: Princeton University Press, 2011.
Burnett, Charles. “William of Conches and Adelard of Bath.” In Guillaume de Conches: Philosophie et science au XII. siècle, 67–77. Edited by Barbara Obrist. Florence: SISMEL, 2011.
——. “Arabic into Latin: The Reception of Arabic Philosophy into Western Europe.” In The Cambridge Companion to Arabic Philosophy, 370–404. Edited by Peter Adamson and Richard C. Taylor. Cambridge: Cambridge University Press, 2005.
——. “The Coherence of the Arabic-Latin Translation Program in Toledo in the Twelfth Century.” Science in Context 14 (2001): 249–288.
——. “The Institutional Context of Arabic-Latin Translations of the Middle Ages: A Reassessment of the School of Toledo.” In The Vocabulary of Teaching and Research Between the Middle Ages and Renaissance, 214–235, Edited by Olga Weijers. Turnhout, Belgium: Brepols, 1995.
Burnett, Charles, and Danielle Jacquart, eds. Constantine the African and ‘Alī ibn al-‘Abbās al-Magūsī: The Pantegni and Related Texts. Leiden: Brill, 1994.
Bussi, Rolando. “Il Duomo com’era.” In Frugoni, Il Duomo di Modena, 3: 145–192.
Byers, Sarah Catherine. Perception, Sensibility, and Moral Motivation in Augustine: A Stoic-Platonic Synthesis. Cambridge: Cambridge University Press, 2013.
Bynum, Caroline Walker. Jesus as Mother: Studies in the Spirituality of the High Middle Ages. Berkeley: University of California Press, 1982.
Byron, John. Cain and Abel in Text and Tradition: Jewish and Christian Interpretations of the First Sibling Rivalry. Leiden: Brill, 2011.
Caffaro, Adriano. Scrivere in oro: Ricettari medievali e artigianato, secoli 9.–11.: Codici di Lucca e Ivrea. Naples: Liguori, 2003.
Calzona, Arturo. Il cantiere medievale della cattedrale di Cremona. Cinisello Balsamo, Milan: Silvana, 2009.
Camille, Michael. “Before the Gaze: The Internal Senses and Late Medieval Practices of Seeing.” In Nelson, Visuality Before and Beyond the Renaissance, 197–223.
——. Gothic Art: Glorious Visions. Upper Saddle River, NJ: Prentice Hall, 1996.
——. “ ‘How New York Stole the Idea of Romanesque Art’: Medieval, Modern, and Postmodern in Meyer Schapiro.” Oxford Art Journal 17.1 (1994): 65–75.
Campbell, Brian. The Writings of the Roman Land Surveyors. London: Society for the Promotion of Roman Studies, 2000.
Canton, Fernandez. Las etimologias en la tradicion manuscrita medieval. León: Centro de Estudios e Investigaciones Científicas ‘San Isidro,’ 1966.
Capitani, Ovidio. “Tensioni riformatrici e cultura ecclesiastica tra Ferrara, Pomposa e Ravenna dal X al XII secolo.” In Storia di Ferrara, 4: 299–333.
Carmassi, Patrizia. “Processioni a Milano nel medioevo.” In Art, cérémonial et liturgie au Moyen Âge, 397–414. Edited by Nicolas Bock. Rome: Viella, 2002.
Carruthers, Mary. “Moving Images in the Mind’s Eye.” In Hamburger and Bouché, The Mind’s Eye, 287–305.
——. The Book of Memory: A Study of Memory in Medieval Culture. Cambridge: Cambridge University Press, 1990.
Castagnoli, Guido. Il Duomo di Ferrara. Ferrara: Antonio Taddei e Figli, 1895.
Castelnuovo-Tedesco, Lisbeth, and Jack Soultanian, eds. Italian Medieval Sculpture in the Metropolitan Museum of Art and the Cloisters. New Haven: Yale University Press, 2010.
La Cattedrale di Ferrara, 1135–1935: Nella recorrenza delle manifestazioni celebrative dell’VIII centenario della cattedrale. Verona: A. Mondadori, 1937.
Cavedoni, Celestino. Aimone canonico, maestro di scuola in Modena, al declinare del secolo XI e in sul principio del XII. Modena, 1865.
Caviness, Madeline. “The Politics of Taste: An Historiography of ‘Romanesque.’ ” In Romanesque Art and Thought in the Twelfth Century, 57–81. Edited by Colum Hourihane. Princeton: Princeton University Press, 2008.
Cecchini, Francesca. “Ambiti di diffusione del sapere ottico nel duecento: Tracce per uno studio sulle conoscenze scientifiche degli artisti italiani del XIII secolo.” In L’artiste et l’oeuvre à l’épreuve de la perspective, 19–42. Edited by Marianne Cojannot-Le Blanc, Marisa Dalai Emiliani, and Pascal Dubourg Glatigny. Rome: École Française de Rome, 2006.
——. “ ‘Le misure secondo l’apparenza,’ ottica e illusionismo nella scultura del duecento: Tracce figurative e testimoniaze letterarie.” In La visione e lo sguardo nel Medioevo, 2: 167–186. Edited by Jean-Claude Schmitt. Florence: SISMEL, 1998.
Cenacchi, Giuseppe. “Cultura ecclesiastica e scuola cattedrale a Ferrara nel secolo XII.” In La Cattedrale di Ferrara, 311–327. Ferrara: Belriguardo, 1982.
Cilliers, Louise. “The Contribution of the 4th Century North African Physician, Helvius Vindicianus.” In Medicine and Healing in the Ancient Mediterranean World, 122–128. Edited by Demetrios Michaelides. Oxford: Oxbow, 2014.
Cizewski, Wanda. “The Doctrine of Creation in the First Half of the Twelfth Century.” Ph.D. diss, University of Toronto, 1983.
Clark, David L. “Optics for Preachers.” Michigan Academician (Winter 1977): 329–343.
Cohen, Jeremy. Living Letters of the Law: Ideas of the Jew in Medieval Christianity. Berkeley: University of California Press, 1999.
Cole, Andrew, and D. Vance Smith. “Introduction: Outside Modernity.” In The Legitimacy of the Middle Ages: On the Unwritten History of Theory, 1–36. Edited by Cole and Smith. Durham, NC: Duke University Press, 2010.
Collareta, Marco. “Visibile parlare.” Prospettiva 86 (1997): 102–104.
Contessa, Andreina. “Between Art, Faith and Science: The Concept of Creation in the Catalan Romanesque Bibles.” Iconographica 6 (2007): 19–43.
Copeland, Rita, and Ineke Sluiter. “Thierry of Chartres, Commentaries on the De Inventione and Rhetorica ad Herennium.” In Medieval Grammar and Rhetoric: Language Arts and Literary Theory, AD 300–1475, 406–411. Edited by Copeland and Sluiter. Oxford: Oxford University Press, 2009.
Cranz, F. E. “The Renaissance Reading of the De anima.” In Platon et Aristote à la Renaissance, 359–376. Paris: Vrin, 1976.
Crichton, G. H. Romanesque Sculpture in Italy. London: Routledge and Kegan Paul, 1954.
Crow, Thomas. The Intelligence of Art. Chapel Hill: University of North Carolina Press, 2000.
Cunningham, Dawn. “One Pontile, Two Pontile: The Choir Screens of Modena Cathedral.” Renaissance Studies 19.5 (2005): 673–685.
Dale, Thomas. “The Nude at Moissac: Vision, Phantasia, and the Experience of Romanesque Sculpture.” In Current Directions in Eleventh and Twelfth-Century Sculpture Studies, 61–76. Edited by Robert A. Maxwell and Kirk Ambrose. Turnhout, Belgium: Brepols, 2010.
——. “Romanesque Sculpted Portraits: Convention, Vision, and Real Presence.” Gesta 46.2 (2008): 101–119.
——. “The Individual, the Resurrected Body, and Romanesque Portraiture: The Tomb of Rudolf von Schwaben in Merseburg.” Speculum 77 (2007): 707–743.
Dahan, Gilbert. “Éléments philosophiques dans l’Elementarium de Papias.” In From Athens to Chartres: Neoplatonism and Medieval Thought: Essays in Honor of Edouard Jeauneau, 225–245. Edited by Haijo Jan Westra. Leiden: Brill, 1992.
Damisch, Hubert. The Origin of Perspective. Translated by John Goodman. Cambridge, MA: MIT Press, 1994. Originally published as L’origine de la perspective. Paris: Flammarion, 1987.
Davis, Whitney. Visuality and Virtuality. Princeton: Princeton University Press, 2017.
——. A General Theory of Visual Culture. Princeton: Princeton University Press, 2011.
Dean, Trevor. Land and Power in Late Medieval Ferrara: The Rule of the Este, 1350–1450. Cambridge: Cambridge University Press, 1988.
De Angelis, Violetta. “Papia, Elementarium. Tradizione manoscritta ed edizione del testo: Alcuni problemi.” In Bandhu: Scritti in onore di Carlo Della Casa, 2: 696–715. Edited by Renato Arena et al. Turin: Edizioni dell’Orso, 1997.
De Blaauw, Sible. “Contrasts in Processional Liturgy: A Typology of Outdoor Processions in Twelfth-Century Rome.” In Art, cérémonial et liturgie au Moyen Âge, 357–396. Edited by Nicolas Bock. Rome: Viella, 2002.
De Certeau, Michel. “The Gaze: Nicholas of Cusa.” Diacritics 17.3 (1987): 2–38.
De’ Maffei, Fernanda, ed. Mostra di sculture lignee medioevali, Museo Poldi-Pezzoli. Milan: Edizioni dell’Ente Manifestazione Milanesi, 1957.
Demus, Otto. Byzantine Mosaic Decoration: Aspects of Monumental Art in Byzantium. London: Routledge, 1948.
Denery, Dallas G., II. Seeing and Being Seen in the Later Medieval World: Optics, Theology, and Religious Life. Cambridge: Cambridge University Press, 2005.
Dent, Peter. “Laude dei Trini: Observations Towards a Reconstruction of Giovanni Pisano’s Pistoia Pulpit.” Journal of the Warburg and Courtauld Institutes 71 (2008): 121–138.
——. “Contemplative Relief: Mediating Christ Through Sculptural Form in Early Trecento Italy.” In Depth of Field: Relief Sculpture in Renaissance Italy, 41–70. Edited by Donal Cooper and Marika Leino. Bern: Peter Lang, 2007.
Derbes, Anne, and Mark Sandona. “Barren Metal and the Fruitful Womb: The Program of Giotto’s Arena Chapel in Padua.” Art Bulletin 80 (1998): 274–291.
Dietl, Albert. Defensor civitatis: Der Standtpatron in romanischen Reliefzyklen oberitaliens. Munich: Wilhelm Fink, 1998.
Dietz, Elias. “The Cistercians and the Glossa ordinaria: A Status quaestioni.” Cistercian Studies Quarterly 50.2 (2015): 131–144.
Duhem, Pierre. Medieval Cosmology: Theories of Infinity, Place, Time, Void, and the Plurality of Worlds. Chicago: University of Chicago Press, 2011. Originally published as Le système du monde. 10 vols. Paris: Hermann, 1913–15.
——. Les origines de la statique. 2 vols. Paris: A. Hermann, 1905–6.
Dupré, Sven. “The Historiography of Perspective and Reflexy-Const in Netherlandish Art.” Nederlands Kunsthistorisch Jaarboek 61 (2011): 35–60.
Duran-McLure, Michelle Marie. “Pilgrims and Portals in Late Medieval Siena.” In The Art, Science, and Technology of Medieval Travel, 71–82. Edited by Robert Bork and Andrea Kann. London: Routledge, 2017.
Dutton, Paul E. “Material Remains of the Study of the Timaeus in the Later Middle Ages.” In L’enseignement de la philosophie au XIIIe siècle: Autour du “Guide de l’étudiant” du ms. Ripoll 109, 203–230. Edited by C. Lafleur and J. Carrier. Turnhout, Belgium: Brepols, 1997.
Eco, Umberto. Art and Beauty in the Middle Ages. New Haven: Yale University Press, 2002.
Edgerton, Samuel Y. The Mirror, the Window, and the Telescope: How Renaissance Linear Perspective Changed Our Vision of the Universe. Ithaca, NY: Cornell University Press, 2009.
El-Bizri, Nader. “A Philosophical Perspective on Alhazen’s Optics.” Arabic Sciences and Philosophy 15 (2006): 189–218.
Elsner, Jaś, and Katharina Lorenz. “The Genesis of Iconology.” Critical Inquiry 38.3 (2012): 483–512.
Emiliani, Andrea. Il restauro del protiro della Cattedrale di Ferrara. Bologna: Alfa, 1982.
Evans, Gillian R. “Alan of Lille’s Distinctiones and the Problem of Theological Language.” Sacris Erudiri 24 (1980): 67–86.
Fernie, Eric. “A Beginner’s Guide to the Study of Gothic Architectural Proportions and Systems of Length.” In Medieval Architecture and Its Intellectual Context: Studies in Honor of Peter Kidson, 229–237. Edited by E. Fernie and Paul Crossley. London: Hambledon, 1990.
——. “Notes on the Sculpture of Modena Cathedral.” Arte Lombarda 14 (1969): 88–93.
Fischer-Lichte, Erika. “Performative Spaces and Imagined Spaces: How Bodily Movement Sets the Imagination in Motion.” In Dynamics and Performativity of Imagination: The Image Between the Visible and the Invisible, 178–187. Edited by Bernd Hüppauf and Christoph Wulf. New York: Routledge, 2009.
——. “The Medieval Religious Play—Ritual or Theater.” In Visualizing Medieval Performance: Perspectives, Histories, Contexts. Edited by Elina Gertsman, 249–262. Burlington, VT: Ashgate, 2008.
Fluke, Meredith. “Building Across Sacred Landscape: The Romanesque Churches of Verona in Their Urban Context.” Ph.D. diss., Columbia University, 2012.
Focillon, Henri. The Art of the West, Part Two: Gothic. London: Phaidon, 1963.
Folkerts, Menso. Euclid in Medieval Europe. Winnipeg: Benjamin Center for the History of Science, 1989.
——. “Boethius” Geometrie II: Ein mathematisches Lehrbuch des Mittelalters. Wiesbaden: Steiner, 1970.
Forsyth, Ilene H. The Throne of Wisdom: Wood Sculptures of the Madonna in Romanesque France. Princeton: Princeton University Press, 1972.
Fox-Friedman, Jeanne. “Messianic Visions: Modena Cathedral and the Crusades.” Res: Anthropology and Aesthetics 25 (1994): 77–95.
Frank, Georgia. “ ‘Taste and See’: The Eucharist and the Eyes of Faith in the Fourth Century.” Church History 70 (2001): 619–643.
Frank, Grace. “The Genesis and Staging of the Jeu d’Adam.” PMLA 59.1 (1944): 7–17.
Fredborg K. M. “The Ars Poetica in the Eleventh and Twelfth Centuries: From the Vienna Scholia to the Materia Commentary.” Aevum 88 (2014): 399–442.
Frede, Dorothea. “Aquinas on Phantasia.” In Perler, Ancient and Medieval Theories of Intentionality, 155–185.
Freedman, Luba. “Rilievo as an Artistic Term in Renaissance Art Theory.” Rinascimento 75.2 (1989): 217–247.
Freni, Giovanni. “Space, Images, and the Public at the Duomo of Fidenza: Movement as Semiotic Code.” In Meaning in Motion: The Semantics of Movement in Medieval Art, 95–130. Edited by Nino Zcholmelidse and Giovanni Freni. Princeton: Princeton University Press, 2011.
Fricke, Beate. “Complicity in Spectatorship: Bystanders and Beholders in the Massacre of the Innocents of Giotto and Giovanni Pisano.” In Fricke and Krass, The Public in the Picture, 113–136.
——. Ecce Fides: Die Statue von Conques, Götzendienst und Bildkultur im Westen. Munich: Fink, 2007.
Fricke, Beate, and Urte Krass, eds. The Public in the Picture: Involving the Beholder in Antique, Islamic, Byzantine, and Western Medieval and Renaissance Art. Zurich: Diaphanes, 2015.
——. “The Public in the Picture: An Introduction.” In Fricke and Krass, The Public in the Picture, 7–22.
Friedberg, Anne. The Virtual Window: From Alberti to Microsoft. Cambridge, MA: MIT Press, 2009.
Frizzi, Antonio. Memorie per la storia di Ferrara. 2 vols. Forni: Sala Bolognese, 1975.
Frugoni, Chiara, ed. Il Duomo di Modena. 3 vols. Modena: Panini, 1999.
——. “La facciata, le porte, le metope: Una programma coerente.” In Frugoni, Il Duomo di Modena, 3: 9–38.
Gage, John. Color and Culture: Practice and Meaning from Antiquity to Abstraction. Berkeley: University of California Press, 1993.
Gandolfo, Francesco. “La Cattedrale nel Medioevo: I cicli sultorei.” In La Cattedrale di Cremona, 59–62. Edited by Alessandro Tomei. Milan: Silvana Editorale, 2001.
——. “Il Romanico a Ferrara e nel territorio: Momenti e aspetti per un essenziale itinerario architettonico e scultoreo.” In Storia di Ferrara, 5: 323–373.
——. “Note per una interpretazione iconologie delle Storie del Genesi di Wiligelmo.” In Romanico padano, Romanico europa, 323–337. Edited by A. C. Quintavalle. Parma: Universita degli Studi, 1982.
Ganz, David. Medien der Offenbarung: Visionsdarstellungen im Mittelalter. Berlin: Reimer, 2008.
Garber, Joseph. Wirkungen der frühchristlichen Gemäldezyklen der alten Peters- und Pauls-Basiliken in Rom. Berlin: Bard, 1924.
García Ballester, Luis. Practical Medicine from Salerno to the Black Death. Cambridge: Cambridge University Press, 2010.
Gardner, Julian. The Tomb and the Tiara: Curial Tomb Sculpture in Rome and Avignon in the Later Middle Ages. Oxford: Clarendon, 1992.
——. “San Paolo fuori le Mura, Nicholas III and Pietro Cavallini.” Zeitschrift für Kunstgeschichte 34 (1971): 240–248.
Gavrilyuk, Paul L., and Sarah Coakley, eds. The Spiritual Senses: Perceiving God in Western Christianity. Cambridge: Cambridge University Press, 2012.
Geary, Patrick. Furta sacra: Thefts of Relics in the Central Middle Ages. Princeton: Princeton University Press, 1978.
Gersh, Stephen. “The Medieval Legacy from Ancient Platonism.” In The Platonic Tradition in the Middle Ages: A Doxographic Approach, 3–30. Edited by Gersh and Maarten Hoenen. Berlin: Walter de Gruyter, 2002.
——. Middle Platonism and Neoplatonism: The Latin Tradition, vol. 1. Notre Dame, IN: University of Notre Dame Press, 1986.
Gertsman, Elina, ed. Visualizing Medieval Performance: Perspectives, Histories, Contexts. Burlington, VT: Ashgate, 2008.
Gillerman, David. “Cosmopolitanism and Campanilismo: Gothic and Romanesque in the Siena Duomo Façade.” Art Bulletin 81.3 (1999): 437–455.
Giovanni, Mercanti. “Il catalogo della biblioteca di Pomposa.” Studi e Documenti di Storia e Diritto 17 (1896): 143–177.
Glass, Dorothy. “The Sculpture of the Baptistery of Parma: Context and Meaning.” Mitteilungen des Kunsthistorischen Institutes in Florenz 57 (2016): 255–291.
——. The Sculpture of Reform in North Italy, ca. 1095– 1130: History and Patronage of Romanesque Facades. Burlington, VT: Ashgate, 2010.
——. “Revisiting the ‘Gregorian Reform.’ ” In Romanesque Art and Thought in the Twelfth Century, 200–218. Edited by Colum Hourihane. Princeton: Princeton University Press, 2008.
——. “The Bishops of Piacenza, Their Cathedral, and the Reform of the Church.” In Studies of Episcopal Power and Culture in the Central Middle Ages, 219–236. Edited by John S. Ott and Anna Trumbore Jones. Aldershot, UK: Ashgate, 2007.
——. “Otage de l’historiographie: L’ordo prophetarum en Italie.” Cahiers de Civilisation Médiévale 44 (2001): 259–273.
——. “Prophecy and Priesthood at Modena.” Zeitschrift für Kunstgeschichte 63.3 (2000): 326–338.
Godoli, Antonio. Il restauro del tabernacolo di Nanni di Banco: I Quattro Santi Coronati. Florence: Edizioni Polistampa, 2015.
Goetz, Georg. “Papias und seine Quellen.” Sitzungsberichte der Philosophisch-Philologischen und der historischen Klasse der K. B. Akademie der Wissenschaften zu München (1903): 267–286.
——. “Ch. 16, 49. Papaie quod dicitur . . .” Corpus glossariorum latinorum. 1, De glossariorum latinorum origine et fatis (1923): 172–184.
Goldschmidt, Rudolf Carel. Paulinus’ Churches at Nola: Texts, Translations and Commentary. Amster dam: Noord-Hollandsche Uitgevers, 1940.
Golinelli, Paolo, ed. L’abbazia di Matilde: Arte e storia in un grand monastero dell’Europa benedettina (1007–2007). Bologna: Pàtron Editore, 2008.
Gombrich, Ernst. Art and Illusion: A Study in the Psychology of Pictorial Representation. New York: Pantheon, 1961.
Goodman, Jennifer. “Quidam de sinagoga: The Jew of the Jeu d’Adam.” In Medieval Cultures in Contact, 161–187. Edited by Richard Gyug. New York: Fordham University Press, 2003.
Goodman, Nelson. Languages of Art. Indianapolis: Hackett, 1976.
Gorman, Michael M. “The Commentary on Genesis of Angelomus of Luxeuil and Biblical Studies under Lothar.” Studi Medievali, ser. 3, 40 (1999): 559–632.
——. “From Isidore to Claudius of Turin: The Works of Ambrose on Genesis in the Early Middle Ages.” Revue d’Études Augustiniennes et Patristiques 45.1 (1999): 121–138.
Gossel, Wilhelm. Quibus ex fontibus Ambrosius in describendo corpore humano. Leipzig: Seele, 1908.
Grant, Edward. Science and Religion, 400 B.C. to A.D. 1550: From Aristotle to Copernicus. Baltimore: Johns Hopkins University Press, 2006.
——. The Foundations of Modern Science in the Middle Ages: Their Religious, Institutional, and Intellectual Contexts. Cambridge: Cambridge University Press, 1996.
Green, Monica H. The Trotula: A Medieval Compendium of Women’s Medicine. Philadelphia: University of Pennsylvania, 2001.
——. “A Handlist of the Latin and Vernacular Manuscripts of the So-Called Trotula Texts.” Scriptorium 50 (1996): 137–175.
Greenstein, Jack. The Creation of Eve and Renaissance Naturalism. Cambridge: Cambridge University Press, 2016.
—. “On Alberti’s ‘Sign’: Vision and Composition in Quattrocento Painting.” Art Bulletin 79.4 (1997): 669–698.
Grégoire, Réginald. Bruno de Segni: Exégète médiéval et théologien monastique. Spoleto: Centro Italiano di Studi sull’Alto Medioevo, 1965.
Grudzen, Medical Theory about the Body and the Soul in the Middle Ages: The First Western Medical Curriculum at Monte Cassino. Lewiston, NY: Mellen, 2007.
Guérin, Sarah M. “Meaningful Spectacles: Gothic Ivories Staging the Divine.” Art Bulletin 95.1 (2013): 53–77.
Guidoboni, Emanuela, et al. “The ‘Exceptional’ Earthquake of 3 January 1117 in the Verona Area (Northern Italy).” Journal of Geophysical Research 110 (2005): 1–20.
Hadot, Pierre. Plotinus, or, The Simplicity of Vision. Chicago: University of Chicago Press, 1998.
Hahn, Cynthia. “Vision.” In A Companion to Medieval Art, 44–64. Edited by Conrad Rudolph. London: Blackwell, 2006.
——. “Visio Dei: Changes in Medieval Visuality.” In Nelson, Visuality Before and Beyond the Renaissance, 169–192.
Hahn, Nan L. Medieval Mensuration: Quadrans vetus and Geometrie due sunt partes principales. Philadelphia: American Philosophical Society, 1982.
Halliwell, Stephen. The Aesthetics of Mimesis: Ancient Texts and Modern Problems. Princeton: Princeton University Press, 2009.
Hamburger, Jeffrey. “Mysticism and Visuality.” In Cambridge Companion to Christian Mysticism, 277–293. Edited by Amy Hollywood and Patricia Z. Beckman. Cambridge: Cambridge University Press, 2012.
——. St. John the Divine: The Deified Evangelist in Medieval Art and Theology. Berkeley: University of California Press, 2002.
——. “Seeing and Believing: The Suspicion of Sight and the Authentication of Vision in Late Medieval Art and Devotion.” In Imagination und Wirklichkeit: Zum Verhältnis von mentalen und realen Bildern in der Kunst der frühen Neuzeit, 47–69. Edited by Klaus Krüger and Alessandro Nova. Mainz: Philipp von Zabern, 2000.
Hamburger, Jeffrey, and Anne-Marie Bouché, eds. The Mind’s Eye: Art and Theological Argument in the Middle Ages. Princeton: Princeton University Press, 2006.
Hamill, Sarah, and Megan Luke. Photography and Sculpture: The Art Object in Reproduction (Issues & Debates). Los Angeles: Getty, 2017.
Hamilton, Louis. A Sacred City: Consecrating Churches and Reforming Society in Eleventh-Century Italy. Manchester: Manchester University Press, 2010.
Haskins, Charles Homer. The Renaissance of the Twelfth Century. Cambridge: Cambridge University Press, 1955.
Hauck, R. J. “ ‘Like a Gleaming Flash’: Matthew 6:22–23, Luke 11:34–36, and the Divine Sense of Origen.” Anglican Theological Review 88.4 (2006): 557–574.
Hearn, M. F. Romanesque Sculpture: The Revival of Monumental Stone Sculpture in the 11th and 12th Centuries. Ithaca, NY: Cornell University Press, 1981.
Herbert de la Portbarré-Viard, Gaëlle. Descriptions monumentales et discours sur l’édification chez Paulin de Nole: Le regard et la lumière. Leiden: Brill, 2006.
Herder, Johann Gottfried. Sculpture: Some Observations on Shape and Form from Pygmalion’s Creative Dream. Translated by Jason Gaiger. Chicago: University of Chicago Press, 2002. Originally published as Plastik: Einige Wahrnehmungen über Form und Gestalt aus Pygmalions bildendem Träume. Riga: Johann Friedrich Hartknoch, 1778.
Hetherington, Paul. Pietro Cavallini: A Study in the Art of Late Medieval Rome. London: Sagittarius, 1979.
Hildebrand, Adolf. “The Problem of Form in the Fine Arts.” In Empathy, Form, and Space: Problems in German Aesthetics, 1873–1893, 227–279. Translated by Harry Francis Mallgrave and Eleftherios Ikonomou. Santa Monica, CA: Getty Center for the History of Art and the Humanities, 1994.
Hills, Paul. The Light of Early Italian Painting. New Haven: Yale University Press, 1987.
Hourihane, Colum, ed. Looking Beyond: Visions, Dreams, and Insights in Medieval Art and History. University Park: Penn State University Press, 2010.
Hughes, Andrew. Medieval Manuscripts for Mass and Office: A Guide to Their Organization and Terminology. Toronto: University of Toronto Press, 1982.
Ierodiakono, Katerina. “Empedocles on Colour and Colour Vision.” Oxford Studies in Ancient Philosophy 29 (2005): 1–37.
Jacobus, Laura. Giotto and the Arena Chapel: Art, Architecture and Experience. London: Harvey Miller, 2008.
Jacquart, Danielle. “Les emprunts de Guillaume de Conches aux théories médicales.” In Guillaume de Conches: Philosophie et science au XII. siècle, 79–110. Edited by Barbara Obrist. Florence: SISMEL, 2011.
Jay, Martin. Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought. Berkeley: University of California Press, 1993.
John, Mark D. “The Construction of a Philosophical Medicine: Exegesis and Argument in Salernitan Teaching on the Soul.” Osiris 6 (1990): 42–61.
Jolivet, Régis. Dieu soleil des esprits: Ou la doctrine augustinienne de l’illumination. Paris: Desclée de Brouwer, 1934.
Jones, Lars R. “Visio Divina? Donor Figures and Representations of Imagistic Devotion: The Copy of the ‘Virgin of Bagnolo’ in the Museo dell’Opera del Duomo, Florence.” In Schmidt, Italian Panel Painting of the Duecento and Trecento, 30–55.
Jung, Jacqueline E. “Moving Viewers, Moving Pictures: The Portal as Montage on the Strasbourg South Transept.” In Mouvement. Bewegung: Über die dynamischen Potenziale der Kunst, 23–43. Edited by Andreas Beyer and Guillaume Cassegrain. Berlin: Deutscher Kunstverlag, 2015.
——. “The Kinetics of Gothic Sculpture: Movement and Apprehension in the South Transept of Strasbourg Cathedral and the Chartreuse de Champmol in Dijon.” In Mobile Eyes, 133–173. Edited by David Ganz. Paderborn: Fink, 2013.
——. The Gothic Screen: Space, Sculpture, and Community in Cathedrals of France and Germany, ca. 1200–1400. Cambridge: Cambridge University Press, 2013.
——. “The Tactile and the Visionary: Notes on the Place of Sculpture in the Medieval Religious Imagination.” In Hourihane, Looking Beyond, 203–240.
Justice, Steven. “The Authority of Ritual in the Jeu d’Adam.” Speculum 62.4 (1987): 851–864.
Kain, Evelyn. “The Sculpture of Nicholaus and the Development of a North Italian Romanesque Workshop.” Dissertationen zur Kunstgeschichte 24. Vienna: Böhlau, 1986.
Kay, Richard. “Dante’s Empyrean and the Eye of God.” Speculum 78 (2003): 35–65.
Kemp, Wolfgang. “The Work of Art and Its Beholder: The Methodology of the Aesthetic of Reception.” In The Subjects of Art History: Historical Objects in Contemporary Perspectives, 180–196. Edited by Mark A. Cheetham. Cambridge: Cambridge University Press, 1998.
——. Räume der Maler. Munich: Verlag C. H. Beck, 1996.
Kendall, Calvin. The Allegory of the Church: Romanesque Portals and Their Verse Inscriptions. Toronto: University of Toronto Press, 1998.
Kessler, Herbert. “Filled to the Brim: The Meaning of Perspective in Carolingian Art.” In Ars auro gemmisque prior: Mélanges en homage à Jean-Pierre Caillet, 181–186. Edited by C. Blondeau et al. Zagreb: Motovun, 2013.
——. Seeing Medieval Art. Toronto: University of Toronto Press, 2011.
——. “Image and Object: Christ’s Dual Nature and the Crisis of Early Medieval Art.” In The Long Morning of Medieval Europe, 290–319. Edited by Jennifer R. Davis and Michael McCormick. Aldershot, UK: Ashgate, 2008.
——. “A Gregorian Reform Theory of Art?” In Romano and Encknell, Roma e la riforma gregoriana, 25–49.
——. “Turning a Blind Eye: Medieval Art and the Dynamics of Contemplation.” In Hamburger and Bouché, The Mind’s Eye, 413–439.
——. Spiritual Seeing: Picturing God’s Invisibility in Medieval Art. Philadelphia: University of Pennsylvania Press, 2000.
——. “The Function of Vitrum Vestitum and the Use of Materia Saphirorum in Suger’s St. Denis.” In L’image: Fonctions et usages, 179–203. Edited by Jérôme Baschet and Jean-Claude Schmitt. Paris: Le Léopold d’Or, 1996.
——. “‘Facies bibliothecae revelata’: Carolingian Art as Spiritual Seeing.” Settimane di Studio del Centro Italiano di Studi sull’Alto Medioevo 41.2 (1994): 533–584.
——. “‘Caput et speculum omnium ecclesiarum’: Old St. Peter’s and Church Decoration in Medieval Latium.” In Italian Church Decoration of the Middle Ages and Early Renaissance, 109–146. Edited by William Tronzo. Bologna: Nuova Alfa, 1989.
Kessler, H., and Kurt Weitzmann. The Illustrations in the Manuscripts of the Septuagint, vol. 1. Princeton: Princeton University Press, 1986.
King, Peter. “Rethinking Representation in the Middle Ages: A Vade-Mecum to Medieval Theories of Representation.” In Lagerlund, Representation and Objects of Thought, 81–100.
Klein, Bruno. Die Kathedrale von Piacenza: Architektur und Skulptur der Romanik. Worms am Rhein: Wernersche Verlagsgesellschaft, 1995.
Klein, Holger A. “Sacred Things and Holy Bodies: Collecting Relics from Late Antiquity to Early Renaissance.” In Treasures of Heaven: Saints, Heaven, and Devotio in Medieval Europe, 55–67. Edited by Martina Bagnoli, Klein, C. Griffith Mann, and James Robinson. London: British Museum Press, 2011.
Klemm, Tanja. “Corpus animatum—Imago animata: Shared Image Practices in the Florentine Church SS. Annunziata in the Renaissance.” In Feelings of Being Alive, 259–291. Edited by Jörg Fingerhut and Sabine Marienberg. Berlin: De Gruyter, 2012.
Klemm, Tanja, et al. “Enactive Criticism: Research as Embodiment.” Res: Anthropology and Aesthetics 59–60 (2011): 318–324.
Kojima, Yoshie. Storia di una cattedrale: Il Duomo di San Donnino a Fidenza, il cantiere medievale, le trasformazioni, i restauri. Pisa: Edizioni della Normale, 2006.
Kosegarten, Antje Middeldorf. “Remarks on Some Medieval Descriptions of Sculpture.” In Santa Maria del Fiore: The Cathedral and Its Sources, 19–46. Fiesole: Edizioni Cadmo, 2001.
Krahn, Volker. “Wilhelm von Bode und die italienische Skulptur: Forschen—Sammeln— Präsentieren.” Jahrbuch der berliner Museen, N.F. 24.3 (1992): 105–119.
Krautheimer, Richard. St. Peter’s and Medieval Rome. Rome: Unione Internazionale Degli Istituti di Archeologia, Storia e Storia dell’Arte in Roma, 1986.
——. Corpus basilicarum christianarum Romae, vol. 5. Vatican City: Pontificio Istituto di Archelogia Christiana, 1977.
——. Lorenzo Ghiberti. 2 vols. Princeton: Princeton University Press, 1970.
——. “Introduction to an Iconography of Medieval Architecture.” Journal of the Warburg and Courtauld Institutes 5 (1942): 1–33.
Krautheimer-Hess, Trude. “The Original Porta dei Messi at Ferrara and the Art of Niccolo.” Art Bulletin 26.3 (1944): 152–174.
Kristeller, Paul. “The School of Salerno: Its Development and Its Contribution to the History of Learning.” Bulletin of History of Medicine 17.2 (1945): 138.
Kristeva, Julia. “Giotto’s Joy.” In Calligram: Essays in New Art History from France, 27–52. Edited by Norman Bryson. Cambridge: Cambridge University Press, 1988.
Krois, John Michael. Bildkörper und Körperschema: Schriften zur Verkörperungstheorie ikonischer Formen. Berlin: Akademie Verlag, 2011.
——. “Beginnings of Depiction: Iconic Form and the Body Schema.” In Individualität und Selbstbestimmung, 361–378. Edited by Jan-Christoph Heilinger et al. Berlin: Akademie Verlag, 2009.
Krüger, Klaus. “Medium and Imagination: Aesthetic Aspects of Trecento Panel Painting.” In Schmidt, Italian Panel Painting of the Duecento and Trecento, 56–80.
Kruger, Steven F. Dreaming in the Middle Ages. Cambridge: Cambridge University Press, 2005.
Kugel, James. “Why Was Lamech Blind?” Hebrew Annual Review 12 (1990): 91–104.
Kupfer, Marcia. Art and Optics in the Hereford Map: An English Mappa Mundi, c. 1300. New Haven: Yale University Press, 2016.
Kurmann-Schwarz, Brigitte. Chartres: La cathédrale. Saint-Léger-Vauban: Zodiaque, 2001.
Lagerlund, Henrik, ed. Representation and Objects of Thought in Medieval Philosophy. Aldershot, UK: Ashgate, 2007.
——. “The Terminological and Conceptual Roots of Representation in the Soul in Late Ancient and Medieval Philosophy.” In Lagerlund, Representation and Objects of Thought, 11–32.
Lakey, Christopher R. “Contingencies of Display: Benjamin, Photography, and Imagining the Medieval Pasts.” In Imagined Encounters: Historiographies for a New World, 81–95. Edited by Roland Betancourt. Postmedieval: A Journal of Medieval Cultural Studies, special issue 7.1 (2016).
——. “The Materiality of Light in Medieval Italian Painting.” In Medieval Materiality, 119–136. Edited by Anne E. Lester and Katherine C. Little. English Language Notes, special issue 53.2 (2015).
——. “From Place to Space: ‘Raumkästen’ and the Moving Spectator in Medieval Italy.” In Fricke and Krass, The Public in the Picture, 113–136.
——. “The Curious Case of the Chiarito Tabernacle: A New Interpretation.” Getty Research Journal 4 (2012): 13–30.
——. “The Ritual of Observing.” Oxford Art Journal 34.2 (2011): 289–292.
Le Goff, Jacques. Your Money or Your Life: Economy and Religion in the Middle Ages. Translated by Patricia Ranum. New York: Zone, 2004.
Lehmann, Tomas. Paulinus Nolanus und die Basilica Nova in Cimitile/Nola: Studien zu einem zentralen Denkmal der spätantik-frühchristlichen Architektur. Wiesbaden: Reichert Verlag, 2004.
Lehoux, Daryn. “Observers, Objects, and the Embedded Eye; or, Seeing and Knowing in Ptolemy and Galen.” Isis 98 (2007): 447–467.
Lentes, Thomas. “ ‘As Far as the Eye Can See . . .’: Rituals of Gazing in the Late Middle Ages.” In Hamburger and Bouché, The Mind’s Eye, 360–373.
Lermer, Andrea. “Giotto’s Virtues and Vices in the Arena Chapel.” In Out of the Stream, 291–317. Edited by Luís Urbano Afonso and Vítor Serrao. Newcastle: Cambridge Scholars, 2007.
Lévy, Carlos. “Cicero and Timaeus.” In Plato’s Timaeus as Cultural Icon, 95–110. Edited by Gretchen J. Reydams-Schils. Notre Dame, IN: Notre Dame University Press, 2003.
Lindberg, David C., ed., trans., intro., and notes. Roger Bacon and the Origins of ‘Perspectiva’ in the Middle Ages: A Critical Edition and English Translation of Bacon’s Perspectiva. Oxford: Clarendon Press, 1996.
——. Theories of Vision from al-Kindi to Kepler. Chicago: University of Chicago Press, 1976. Lipton, Sara. Dark Mirror: The Medieval Origins of Anti-Jewish Iconography. New York: Metropolitan, 2014.
——. Images of Intolerance: Representations of Jews and Judaism in the Bible Moralisée. Berkeley: University of California Press, 1999.
Lisca, Alessandro da. La Basilica di San Zeno in Verona. Verona: Edizione di Vita Veronese, 1956.
Lomartire, Saverio. “Niccolò e la cattedrale di Cremona.” In Docta Manus: Studien zur italienischen Skulptur für Joachim Poeschke, 37–58. Edited by Johannes Myssok and Jürgen Wiener. Münster: Rhema Verlag, 2007.
Lootens, Mathew R. “Augustine.” In The Spiritual Senses: Perceiving God in Western Christianity, 56–70. Edited by Paul L. Gavrilyuk and Sarah Coakley. Cambridge: Cambridge University Press, 2012.
Lubbock, Jules. Storytelling in Christian Art from Giotto to Donatello. London: Yale University Press, 2006.
Lugli, Emanuele. “Squarely Built: An Inquiry into the Sources of Ad Quadratum Geometry in Lombard Architecture Between the Eleventh and the Twelfth Centuries.” In Space in the Medieval West: Places, Territories, and Imagined Geographies, 21–36. Edited by Meredith Cohen and Fanny Madeline. Burlington, VT: Ashgate, 2014.
MacKinnery, Loren C. Early Medieval Medicine. Baltimore: Johns Hopkins University Press, 1937.
Malone, Carolyn. Façade as Spectacle: Ritual and Ideology at Wells Cathedral. Leiden: Brill, 2004.
Manaresi, Raffaella Rossi. “Considerazioni tecniche sulla scultura monumentale policromata romanica e gotica.” Bollettino d’Arte, supplement to 14 (1987): 173–186.
Manfredi, A. “Notizie sul catalogo e sui codici di Pomposa nel secolo XI.” In La Biblioteca di Pomposa, 11–67. Edited by Giuseppe Billanovich. Padua: Editrice Antenore, 1994.
Maniaci, Marilena, and Giulia Orofino, eds. Le Bibbie Atlantiche: Il libro delle Scritture tra monumentalità e rappresentazione. Milan: Centro Tibaldi, 2000.
Manini-Ferranti, Giuseppe. Compendio della storia sacra e politica di Ferrara. 2 vols. Ferrara: Socj Bianchi e Negri, 1808–10.
Manitius, M. Geschichte der lateinischen Litterature des Mittelalters. Munich: Beck, 1911–31.
Marconi, Clemente. “The Parthenon Frieze: Degrees of Visibility.” Res: Anthropology and Aesthetics 55/56 (2009): 156–173.
Marie-Odile, Garrigues. “Honorius Augustodunensis et l’Italie.” Mélanges de l’École française de Rome: Moyen Âge, Temps modernes 84.2 (1972): 511–530.
Marina, Areli. The Italian Piazza Transformed: Parma in the Communal Age. University Park: Penn State University Press, 2012.
Maxwell, Robert. “Modern Origins of Romanesque Sculpture.” In A Companion to Romanesque and Gothic Art, 334–356. Edited by Conrad Rudolph. Oxford: Blackwell, 2006.
McCurrach, C. C. “Renovatio Reconsidered: Richard Krautheimer and the Iconography of Architecture.” Gesta 50.1 (2011): 41–70.
McGinnis, Hayden B. J. The World of the Early Sienese Painter. University Park: Penn State University Press, 2001.
McNamee, Megan C. “Picturing as Practice: Placing a Square Above a Square in the Central Middle Ages.” In Canonical Texts and Scholarly Practices: A Global Approach, 200–223. Edited by Anthony Grafton and Glenn Most: Cambridge: Cambridge University Press, 2016.
Mellinkoff, Ruth. The Mark of Cain. Eugene, OR: Wipf and Stock Publishers, 2003.
MerleauPonty, M. Phenomenology of Perception. Translated by Colin Smith. London: Routledge, 1989.
Miles, Margaret. “Vision: The Eye of the Body and the Eye of the Mind in Saint Augustine’s ‘De trinitate’ and ‘Confessions.’ ” Journal of Religion 63.2 (1983): 125–142.
Montecchi, Giorgio. “Scuole, cultura ed università nella Modena medievale.” In Storia illustrata di Modena, 1: 261–280. Edited by Paolo Golinelli. Milan: Nuova Editoriale, 1990.
Moskowitz, Anita Fiderer. “Trecento Classicism and the Campanile Hexagons.” Gesta 22.1 (1983): 49–65.
Moyer, Ann E. “The Quadrivium and the Decline of Boethian Influence.” In A Companion to Boethius in the Middle Ages, 479–518. Edited by Noel Harold Kaylor, Jr., and Philip Edward. Leiden: Brill, 2012.
Munman, Robert. Optical Corrections in the Sculpture of Donatello. Transactions of the American Philosophical Society 75.2. Philadelphia: American Philosophical Society, 1985.
Narducci, Enrico. “Intorno ad una traduzione italiana, fatta nel secolo decimoquarto del trattato d’ottica d’Alhazen, matematico del secolo undecimo, e ad altri lavori di questi scienziato.” Bollettino di Bibliografia e di Storia delle Scienze, Matematiche, e Fisiche 4 (1871): 1–48.
Nash, Ronald H. The Light of the Mind: St. Augustine’s Theory of Knowledge. Lexington: University Press of Kentucky, 2003.
Nelson, Robert S., ed. Visuality Before and Beyond the Renaissance: Seeing as Others Saw. Cambridge: Cambridge University Press, 2000.
——. “Descartes’s Cow and Other Domestications of the Visual.” In Nelson, Visuality Before and Beyond the Renaissance, 1–21.
——. “To Say and To See: Ekphrasis and Vision in Byzantium.” In Nelson, Visuality Before and Beyond the Renaissance, 143–168.
Newman, Barbara. “What Did It Mean to Say ‘I Saw’? The Clash Between Theory and Practice in Medieval Visionary Culture.” Speculum 80.1 (2005): 1–43.
Newton, Francis. The Scriptorium and Library at Monte Cassino, 1058–1105. Cambridge: Cambridge University Press, 2001.
Nisse, Ruth. “Serpent’s Head/Jew’s Hand: Le Jeu d’Adam and Christian-Jewish Debate in Norman England.” In Language and Culture in Medieval Britain: The French of England, c. 1100–1500, 207–219. Edited by Jocelyn Wogan-Browne. London: Boydell and Brewer, 2009.
Oberleitner, Manfred. Die handschriftliche Überlieferung der Werke des heiligen Augustinus. Werkverzeichnis 1/1 Italien. Vienna: H. Böhlaus, 1969.
O’Boyle, Cornelius. The Art of Medicine: Medical Teaching at the University of Paris, 1250–1400. Leiden: Brill, 1998.
——. Thirteenth- and Fourteenth-Century Copies of the “Ars Medicine”: A Checklist and Contents Descriptions of the Manuscripts. Cambridge: Cambridge Wellcome Unit for the History of Medicine, 1998.
O’Neill, Ynez V. “William of Conches’ Description of the Brain.” Clio Medica 3 (1968): 203–223.
Osborne, Robin. “The Viewing and Obscuring of the Parthenon Frieze.” Journal of Hellenic Studies 107 (1987): 98–105.
Ostrow, Steven F. “Playing with the Paragone: The Reliefs of Pietro Bernini.” Zeitschrift für Kunstgeschichte 67.3 (2004): 329–364.
Pächt, Otto, and J. J. G. Alexander. A Catalogue of Illuminated Manuscripts in the Bodleian Library, vol. 3. Oxford: Clarendon, 1973.
Panaccio, Claude. “Aquinas on Intellectual Representation.” In Perler, Ancient and Medieval Theories of Intentionality, 185–202.
Paniconi, Enrico. Monumento al Cardinale Guglielmo de Bray nella chiesa di San Domenico in Orvieto. Rome, 1906.
Panofsky, Erwin. Tomb Sculpture: Its Changing Aspects from Ancient Egypt to Bernini. London: Phaidon, 1992.
——. Renaissance and Renascences in Western Art. New York: Harper & Row, 1960.
——. Gothic Architecture and Scholasticism. Latrobe, PA: Archabbey, 1951.
——. Studies in Iconology (1939). Icon Edition. New York: Harper & Row, 1962.
——. Perspective as Symbolic Form. Translated by Christopher S. Wood. New York: Zone, 1991. Originally published as “Die Perspektive als ‘symbolische Form.’ ” Vorträge der Bibliothek Warburg, 1924–1925 (Leipzig and Berlin): 258–330.
——. Die deutsche Plastik des elften bis dreizehnten Jahrhunderts. Munich: K. Wolff, 1924.
Paravicini-Bagliani, Agostino. The Pope’s Body. Translated by David S. Peterson. Chicago: University of Chicago Press, 2000.
——. Medicina e scienze della natura alla corte dei papi nel duecento. Spoleto: Centro Italiano di Studi sull’Alto Medioevo, 1991.
Parronchi, Alessandro. “La perspettiva dantesca.” Studi Danteschi 36 (1959): 5–103.
Pasnau, Robert. Theories of Cognition in the Later Middle Ages. Cambridge: Cambridge University Press, 1997.
Pentcheva, Bissera V. The Sensual Icon: Space, Ritual, and the Senses in Byzantium. University Park: Penn State University Press, 2010.
Perler, Dominik, ed. Ancient and Medieval Theories of Intentionality. Leiden: Brill, 2001.
Peurari, Alfredo. Il Duomo di Cremona. Milan: Cassa di Risparmio delle Provincie Lombarde, 1971.
Piccinini, Cinzia. “Scoperte e scavi a Ferrara nell’ottocento e nel novecento.” In Ferrara nel medioevo: Topografia storica e archeologica urbana, 75–78. Edited by Anna Maria Visser Travagli. Casalecchio di Reno: Grafis, 1995.
Picnoi, Sergio. “Il restauro della facciata (1973–1984).” In I restauri del Duomo di Modena, 1875–1984. Edited by Cristina Acidini Luchinat et al. Modena: Panini, 1986.
Pistarino, G. “Le iscrizioni ferraresi del 1135.” Studi medievali, ser. 3, 5.1 (1964): 66–160.
Pollitt, J. J. The Ancient View of Greek Art: Criticism, History, and Terminology. New Haven: Yale University Press, 1974.
Pope-Hennessy, John. Italian Gothic Sculpture. London: Phaidon, 1972.
Porter, Arthur Kingsley. “The Development of Sculpture in Lombardy in the Twelfth Century.” American Journal of Archaeology, 2nd ser., 19.2 (1915): 137–154.
Pouillon, Henri. “La beauté, propriété transcendantale, chez les Scolastiques (1220–1270).” Archives d’Histoire Doctrinale et Littéraire du Moyen Âge 15 (1946): 263–328.
Quintavalle, A. C. “Le origini di Nicolò e la riforma gregoriana.” Storia dell’Arte 52 (1984): 63–76.
——. La Cattedrale di Modena: Problemi di romanico emiliano. 2 vols. Modena: Bassi, 1964–65.
Rahner, Karl. “Le début d’une doctrine des cinq sens spirituels chez Origen.” Revue d’Ascétique et de Mystique 13 (1932): 113–145.
Ramírez-Weaver, Eric. “ ‘So That You Can Understand This Better’: Art, Science, and Cosmology for Courtiers in William of Conches’ Dragmaticon Philosophiae.” In Diagramm und Text: Dia-grammatische Strukturen und die Dynamisierung von Wissen und Erfahrung, 319–348. Edited by Eckart Conrad Lutz et al. Wiesbaden: Reichert, 2014.
Ranft, Patricia. The Theology of Peter Damian: “Let Your Life Always Serve as a Witness.” Washington, DC: Catholic University of America Press, 2012.
Raynaud, Dominique. Optics and the Rise of Perspective: A Study in Network Knowledge Diffusion. Oxford: Bardwell, 2014.
——. L’hypothèse d’Oxford: Essai sur les origine de la perspective. Paris: Presses Universitaires de France, 1998.
Recht, Roland. Believing and Seeing: The Art of Gothic Cathedrals. Translated by Mary Whittall. Chicago: University of Chicago Press, 2008.
Reiss, Edmund. “The Story of Lamech and Its Place in Medieval Drama.” Journal of Medieval and Renaissance Studies 2 (1972): 35–48.
Richter, Michael. Bobbio in the Early Middle Ages. Dublin: Four Court, 2008.
Ricklin, Thomas. “Vue et vision chez Guillaume de Conches et Guillaume de Saint-Thierry: Le récit d’une controverse.” In La visione e lo sguardo nel Medioevo, 1: 19–41. Edited by Jean-Claude Schmitt. Florence: SISMEL, 1997.
Riegl, Aloïs. Historical Grammar of the Visual Arts. Translated by Jacqueline E. Jung. New York: Zone, 2004. Originally composed as Historische Grammatik der bildenden Künste between 1897 and 1899.
Robbins, Frank Egleston. The Hexaemeral Literature: A Study of the Greek and Latin Commentaries on Genesis. Chicago: University of Chicago Press, 1912.
Robinson, Ian Stuart. “Reform of the Church, 1073–1122.” In The New Cambridge Medieval History, Volume 4: c. 1024–c. 1198, 268–334. Cambridge: Cambridge University Press, 1995.
Rodnite, Helen. “The Doctrine of the Trinity in Guillaume de Conches’ Glosses on Macrobius: Texts and Studies.” Ph.D. diss., Columbia University, 1974.
Romanini, Angiola Maria. Arnolfo di Cambio: Il monumento del Cardinale Guillaume de Bray dopo il restauro. Bollettino d’Arte, special issue (2009).
——. “Arnolfo Pittore: Pittura e spazio virtuale nel cantiere gotico.” Arte Medievale, 2. ser. 11.1997 (1999): 3–33.
——, ed. Nicholaus e l’arte del suo tempo. 3 vols. Ferrara: Corbo, 1985.
——. “Nuove ipotesi su Arnolfo di Cambio.” Arte Medievale 1 (1983): 157–202.
Romano, Serena, and Julie Enckell, eds. Roma e la riforma gregoriana: Tradizioni e innovazioni artistiche, XI–XII secolo. Rome: Viella, 2007.
Ronca, I. “The Influence of the Pantegni on William of Conches’s Dragmaticon.” In Burnett and Jacquart, Constantine the African, 266–285.
Rosen, S. H. “Thought and Touch: A Note on Aristotle’s ‘De anima.’ ” Phronesis 6.2 (1961): 127–137.
Rosenberg, Charles. The Este Monuments and Urban Development in Renaissance Ferrara. Cambridge: Cambridge University Press, 1997.
Rosenberg, Stanley P. “Nature and the Natural World in Ambrose’s Hexaemeron.” Studia Patristica 69 (2013): 15–24.
Rossi, Paolo. Logic and the Art of Memory: The Quest for a Universal Language. Translated by Stephen Clucas. Chicago: University of Chicago Press, 2000.
Rudolph, Conrad. “In the Beginning: Theories and Images of Creation in Northern Europe in the Twelfth Century.” Art History 22 (1999): 3–55.
Rüffer, Jens. Orbis cisterciensis: Zur Geschichte der monastischen ästhetischen Kultur im 12. Jahrhundert. Berlin: Lukas-Verl, 1999.
Sabra, A. I. “Sensation and Inference in Alhazen’s Theory of Visual Perception.” In Studies in Perception, 160–185. Edited by Peter K. Machamer and Robert G. Turnbull. Columbus: Ohio State University Press, 1978.
Salmón, Fernando. “The Many Galens of the Medieval Commentators on Vision.” Revue d’Histoire des Sciences 50 (1997): 397–419.
Salvini, Roberto. Il Duomo di Modena e il Romanico nel Modenese. Modena: Cassa di Risparmio di Modena, 1966.
——. Wiligelmus e le origini della scultura romanica. Milan: Aldo Martello Editore, 1956.
Saporetti, Claudio. La Chiesa di San Donnino. Fidenza: Edizioni Mattioli, 1973.
Sauerländer, Willibald. “Benedetto Antelami.” In Benedetto Antelami e il Battistero di Parma, 21–36. Edited by Chiara Frugoni. Torino: G. Einaudi, 1995.
——. “Romanesque Sculpture in Its Architectural Context.” In The Romanesque Frieze and Its Spectator, 17–43. Edited by Deborah Kahn. London: Henry Miller, 1992.
——. Gothic Sculpture in France, 1140–1270. London: Thames and Hudson, 1972.
Sciacca, Christine, ed. Florence at the Dawn of the Renaissance: Painting and Illumination, 1300–1350. Los Angeles: Getty, 2012.
Schapiro, Meyer. “The Sculptures of Souillac.” In Medieval Studies in Memory of Arthur Kingsley Porter, 359–387. Edited by W. Köhler. Cambridge, MA: Harvard University Press, 1939. Reprinted in Roman Art: Selected Papers, 102–130. New York: George Braziller, 1977.
——. “On Some Problems in the Semiotics of Visual Art: Field and Vehicle in Image-Signs.” In Theory and Philosophy of Art: Style, Artist, and Society, 1–32. New York: George Braziller, 1994. Originally published in Semiotica 1.3 (1969): 223–242.
Schiller, Gertrud. Ikonographie der christlichen Kunst. 2 vols. Gütersloh: Gütersloher Verlagshaus G. Mohn, 1966.
Schipper, Bill. “Rabanus Maurus and His Sources.” In Schooling and Society: The Ordering and Reordering of Knowledge in the Western Middle Ages, 1–21. Edited by A. MacDonald and Michael Twomey. Leuven: Peeters, 2004.
Schleusener-Eichholz, Gudrun. Das Auge im Mittelalter. 2 vols. Munich: Wilhelm Fink, 1985.
Schlie, Heike. “The Invention of Innovation: Zentralperspektive und Ars Nova als Positionie-rungen des Neuen.” In Das Ursprüngliche und das Neue zur Dynamik ritueller Prozesse in Geschichte und Gegenwart, 227–256. Edited by Burckhardt Dücker and Gerald Schwedler. Berlin: LIT, 2008.
Schmidt, Victor M., ed. Italian Panel Painting of the Duecento and Trecento. Studies in the History of Art 61. Washington, DC: National Gallery of Art, 2002.
——. Painted Piety: Panel Paintings for Personal Devotion in Tuscany, 1250–1400. Florence: Centro Di, 2005.
Schuler, Stefan. Vitruv im Mittelalter: Die Rezeption von “De architectura” von der Antike bis in die frühe Neuzeit. Cologne: Böhlau, 1999.
Schulz, Vera-Simone. “Intricate Letters and the Reification of Light: Prolegomena on the Pseudo-Inscribed Haloes in Giotto’s ‘Madonna di San Giorgio alla Costa’ and Masaccio’s San Giovenale Triptych.” Mitteilungen des Kunsthistorischen Institutes in Florenz 58 (2016): 59–93.
Scott, David W. “A Restoration of the West Portal Decoration of Saint-Sernin of Toulouse.” Art Bulletin 46.3 (1964): 271–282.
Seidel, Linda. “The Moissac Portal and the Rhetoric of Appropriation?” In Studien zur Geschichte der europäischen Skulptur im 12./13. Jahrhundert, 287–302. Edited by Herbert Beck. Frankfurt: Heinrich, 1994.
——. Songs of Glory: The Romanesque Facades of Aquitaine. Chicago: University of Chicago Press, 1981.
Setton, Kenneth M. “Saint George’s Head.” Speculum 48.1 (1973): 1–12.
Sharpe, Richard. “Vocabulary, Word Formation, and Lexicography.” In Medieval Latin: An Introduction and Bibliographical Guide, 93–105. Edited by Frank Anthony Carl Mantello and A. G. Rigg. Toronto: University of Toronto Press, 1996.
Sheppard, C. D. “Classicism in Romanesque Sculpture in Tuscany.” Gesta 15 (1976): 185–192.
Simonelli, Maria Picchio. “On Alberti’s Treatises of Art and Their Chronological Relationship.” Yearbook of Italian Studies (1971): 75–102.
Sirasi, Nancy. Taddeo Alderotti and His Pupils: Two Generations of Italian Medical Learning. Princeton: Princeton University Press, 1981.
Skemer, Don. Medieval and Renaissance Manuscripts in the Princeton Library, vol. 1. Princeton: Princeton University Press, 2013.
Smith, A. Mark. From Sight to Light: The Passage from Ancient to Modern Optics. Chicago: University of Chicago Press, 2015.
——. “Spatial Representation in Medieval Visual Theory.” In Représentations et conceptions de l’espace dans la culture médiévale, 45–66. Edited by Tiziana Suarez-Nani and Martin Rohde. Berlin: De Gruyter, 2011.
——. “The Measure of Vision in the Middle Ages.” In La misura / Measuring, 201–220. Florence: SISMEL, 2011.
——. Ptolemy and the Foundations of Ancient Mathematical Optics: A Source Based Guide. Philadelphia: American Philosophical Society, 1999.
——. “The Psychology of Visual Perception in Ptolemy’s Optics.” Isis 79 (1988): 88–207.
——. “Getting the Big Picture in Perspectivist Optics.” Isis 72.4 (1981): 568–589.
Somfai, Anna. “The Eleventh-Century Shift in the Reception of Plato’s ‘Timaeus’ and Calcidius’ ‘Commentary.’ ” Journal of the Warburg and Courtauld Institutes 65 (2002): 1–21.
Southern, Richard. Platonism, Scholastic Method, and the School of Chartres. Reading, UK: University of Reading, 1980.
Staden, Heinrich von. Herophilus: The Art of Medicine in Early Alexandria. Cambridge: Cambridge University Press, 1989.
Stahl, Harvey. Picturing Kingship: History and Painting in the Psalter of Saint Louis. University Park: Penn State University Press, 2008.
Stilwell, Richard. “The Panathenaic Frieze: Optical Relations.” Hesperia 38 (1969): 231–241.
Storia di Ferrara. 7 vols. Ferrara: G. Corbo, 1987–2004.
Summers, David. “The Heritage of Agatharcus: On Naturalism and Theatre in European Painting.” In The Beholder: The Experience of Art in Early Modern Europe, 9–36. Edited by Thomas Frangenberg and Robert Williams. Aldershot, UK: Ashgate: 2006.
——. Real Spaces: World Art History and the Rise of Western Modernism. London: Phaidon, 2003.
——. The Judgment of Sense: Renaissance Naturalism and the Rise of Aesthetics. Cambridge: Cambridge University Press, 1986.
——. Michelangelo and the Language of Art. Princeton: Princeton University Press, 1981.
Swarzenski, Hanns. “Before and after Pisano.” Bulletin: Museum of Fine Arts, Boston 68.353 (1970): 178–196.
Tachau, Katherine. “Seeing as Action and Passion in the Thirteenth and Fourteenth Centuries.” In Hamburger and Bouché, The Mind’s Eye, 336–360.
——. “In the Ambit of Another Faculty: Parisian Theologians and the (Meta)physical Universe.” In Learning Institutionalized: Teaching in the Medieval University, 129–160. Edited by John Van Engen. Notre Dame, IN: University of Notre Dame Press, 2000.
——. Vision and Certitude in the Age of Ockham: Optics, Epistemology, and the Foundations of Semantics, 1250–1345. Leiden: Brill, 1988.
Tarr, Roger. “ ‘Visibile parlare’: The Spoken Word in Fourteenth-Century Central Italian Painting.” Word & Image 13.3 (1997): 223–244.
Taylor, Alfred E. A Commentary on Plato’s Timaeus. Oxford: Clarendon, 1962.
Tcherikover, Anat. “Reflections on the Investiture Controversy at Nonantola and Modena.” Zeit-schrift für Kunstgeschichte 60.2 (1997): 150–165.
Tea, Eva. “Witelo: Prospettico del secolo XIII.” L’Arte: Rivista di Storia dell’Arte Medioevale e Moderna 30 (1927): 3–30.
Testi, Maria Laura Cristiani. Nicola Pisano, architetto, scultore: Dale origini al pulpito del Battistero di Pisa. Pisa: Pacini, 1987.
Theisen, Wilfrid. “The Mediaeval Tradition of Euclid’s Optics.” Archives Internationales d’Histoire des Sciences 32 (1982): 159–176.
Thompson, O. P. Cities of God: The Religion of the Italian Communes, 1125–1325. University Park: Penn State University Press, 2005.
Tiraboschi, Girolamo. Memorie storiche modenesi col codice diplomatico. Modena: Presso la Società Tipografica, 1793.
Toneatto, Lucio. Codices artis mensoriae: I manoscritti degli antichi opuscoli latini d’agrimensura (V–XIX sec). Vol. 1: Tradizione diretta il medioevo. Spoleto: Centro Italiano di Studi sull’Alto Medioevo, 1994.
Tosi, Michele. “Il governo abbaziale di Geberto a Bobbio.” In Gerberto: Scienza, storia e mito, 73–234. Bobbio: Archivum Bobiense Studia, 1985.
Trachtenberg, Marvin. “The Roaring 90s: ‘Arnolfo’ and the Moment of Florentine Art.” In Arnolfo’s Moment, 3–10. Edited by David Friedman, Julian Gardner, and Margaret Haines. Florence: Leo S. Olschki, 2009.
——. Dominion of the Eye: Urbanism, Art, and Power in Early Modern Florence. Cambridge: Cambridge University Press, 1997.
——. “Scénographie urbaine et identité civique: Réflexion sur la Florence du Trecento.” Revue de l’Art 102 (1993): 11–31.
——. “Gothic/Italian Gothic: Towards a Redefinition.” Journal of the Society of Architectural Historians 50 (1991): 22–37.
Tronzo, William. “The Prestige of Saint Peter’s: Observations on the Function of Monumental Narrative Cycles in Italy.” In Pictorial Narrative in Antiquity and the Middle Ages, 93–112. Edited by Herbert Kessler and Marianna Shreve Simpson. Washington, DC: National Gallery of Art, 1985.
Trost, Vera, Andrea Pataki-Hundt, and Enke Huhsmann, eds. Der Stuttgarter Psalter. Stuttgart: Württembergische Landesbibliothek, 2012.
Trout, Dennis E. 2000. Paulinus of Nola: Life, Letters, and Poems. Berkeley: University of California Press, 2000.
Tubi, Carlo. La cattedrale pitagorica: Geometria e simbolismo nel duomo di Ferrara. Ferrara: Corbo Editore, 1989.
Valenzano, Giovanna. La Basilica di San Zeno in Verona: Problemi architettonici. Vicenza: Pozza, 1993.
van Os, Henk, et al. The Way to Heaven: Relic Veneration in the Middle Ages. Baarn: De Prom, 2000.
Vernet, A. “Un remaniement de la ‘Philosophie’ de Guillaume de Conches.” Scriptorium 1 (1947): 243–259.
Verstegen, Ian. Cognitive Iconology. New York: Rodopi, 2014.
Verzár, Christine. “The Artistic Patronage of the Returning Crusaders: The Arm of St. George and Ferrara Cathedral.” Immagine e ideologia: Studi in onore di Arturo Carlo Quintavalle, 240–247. Edited by Aurtura Calzona et al. Milan: Electa, 2007.
——. “Medieval Passageways and Performance Art: Art and Ritual at the Threshold.” Arte Medievale 3.2 (2004): 63–74.
Verzár Bornstein, Christine. Portals and Politics in the Early Italian City-State: The Sculpture of Nicholaus in Context. Parma: Istituto di Storia dell’Arte, 1988.
Vescovini, Graziella Fedrici. “A New Origin of Perspective.” Res: Anthropology and Aesthetics 38 (2000): 73–81.
——. “Contributo per la storia della fortuna di Alhazen in Italia: Il volgarizzamento del Ms. Vat. 4595 e il ‘Commentario Terzo’ del Ghiberti.” Rinascimento, n.s., 5 (1965): 17–49.
——. Studi sulla prospettiva medievale. Turin: G. Giappi chelli, 1965.
Vikan, Gary. “ ‘Guided by Land and Sea’: Pilgrim Art and Pilgrim Travel in Early Byzantium.” In Festschrift für Josef Engemann, 74–92. Münster: Aschendorff, 1991.
——. “Pilgrims in Magi’s Clothing: The Impact of Mimesis on Early Byzantine Pilgrimage Art.” In The Blessings of Pilgrimage, 97–107. Edited by Robert Ousterhout. Urbana: University of Illinois Press, 1990.
Visser Travagli, Anna Maria. Ferrara nel medioevo: Topografia storica e archeologica urbana. Casalecchio di Reno: Grafis, 1995.
Volgers, Annelie. “Damasus’ Request: Why Jerome Needed to (Re)Answer Ambrosiaster’s Questions.” Studia Patristica (2006): 531–536.
van Winden, J. C. M. Calcidius on Matter: His Doctrine and Sources. Leiden: Brill, 1965.
von Hülsen-Esch, Andrea. “Romanesque Sculpture in Italy: Form, Function, and Cultural Practice.” In Current Directions in Eleventh and Twelfth-Century Sculpture Studies, 169–184. Edited by Robert A. Maxwell and Kirk Ambrose.
Turnhout, Belgium: Brepols, 2010. von Simson, Otto. The Gothic Cathedral: Origins of Gothic Architecture and the Medieval Conception of Order. Princeton: Princeton University Press, 1956.
Walker, Alicia. The Emperor and the World: Exotic Elements and the Imaging of Middle Byzantine Imperial Power, Ninth to Thirteenth Centuries C.E. Cambridge: Cambridge University Press, 2015.
Wallis, Faith. Medieval Medicine: A Reader. Toronto: University of Toronto Press, 2010.
Walter, Christopher. The Warrior Saints in Byzantine Art and Tradition. Aldershot, UK: Ashgate, 2003.
——. “The Origins of the Cult of St. George.” Revue des Études Byzantines 53 (1995): 295–326.
Weinryb, Ittai. The Bronze Object in the Middle Ages. Cambridge: Cambridge University Press, 2016.
——. “The Inscribed Image: Negotiating Sculpture on the Coast of the Adriatic Sea.” Word & Image 27.3 (2011): 322–333.
White, John. The Birth and Rebirth of Pictorial Space. 2nd ed. London: Faber and Faber, 1967.
Whittington, Karl. Body-Worlds: Opicinus de Canistris and the Medieval Cartographic Imagination. Toronto: Pontifical Institute of Mediaeval Studies, 2014.
Wijdeveld, Paul. Ludwig Wittgenstein: Architect. Cambridge, MA: MIT Press, 1994.
Willard, Henry M., and Keith Conant. “A Project for the Graphic Reconstruction of the Romanesque Abbey at Monte Cassino.” Speculum 10 (1935): 144–146.
Williamson, Paul. Gothic Sculpture, 1140–1300. New Haven: Yale University Press, 1998.
Wincklemann, Johann Joachim. History of the Art of Antiquity. Translated by Harry Francis Mall-grave. Los Angeles: Getty Research Institute, 2006. Originally published as Geschichte der Kunst des Altertums (Dresden, 1764).
Wirth, Jean. “Peinture et perception visuelle au XIIIe siècle.” In La visione e lo sguardo nel Medioevo, 2: 113–128. Edited by Jean-Claude Schmitt. Florence: SISMEL, 1998.
Witt, Ronald. The Two Latin Cultures and the Foundation of Renaissance Humanism in Medieval Italy. Cambridge: Cambridge University Press, 2012.
Wittgenstein, Ludwig. Remarks on the Philosophy of Psychology, vol. 1. Translated by G. E. M. Anscombe. Chicago: University of Chicago Press, 1980.
Wittkower, Rudolph. Sculpture: Processes and Principles. Harmondsworth, Middlesex: Penguin, 1991.
Wolf, Gerhard. “Dante’s Eyes and the Abysses of Seeing: Poetical Optics and Concepts of Images in the Divine Comedy.” In Vision and Its Instruments: Art, Science, and Technology in Early Modern Europe, 122–137. Edited by Alina Payne. University Park: Penn State University Press, 2015.
Woollcombe, Kenneth J. “The Biblical Origins and Patristic Development of Typology.” In Essays on Typology. Edited by Woollcombe and G. H. W. Lampe. London: SMC, 1957.
Wright, William M. Rhetoric and Theology: Figural Reading of John 9. Berlin: Walter de Gruyter, 2009.
Wulf, Oscar. “Die umgekehrte Perspektive und die Niedersicht.” In Kunstwissenschaftliche Beiträge, August Schmarsow, 1–40. Edited by Heinrich Weizsäcker. Leipzig: Hiersemann, 1907.
Yates, Frances A. The Art of Memory. Chicago: University of Chicago Press, 1984.
Young, Karl. The Drama of the Medieval Church. 2 vols. Oxford: Oxford University Press, 1967.
Yudin, Victor. “Refuting Porphry with Plato: Augustine’s Reading of the Timaeus 41 A-B.” Studia Patristica 43 (2013): 329–338.
Zahlten, Johannes. Creatio mundi: Darstellungen der sechs Schöpfungstage und naturwissenschaftliches Weltbild im Mittelalter. Stuttgart: Klett-Cotta, 1979.
Zaitsev, Eugeny. “The Meaning of Early Medieval Geometry: From Euclid and Surveyor’s Manuals to Christian Philosophy.” Isis 90.3 (1999): 522–553.
Zanichelli, Giuseppa Z. “Lo scriptorium e la biblioteca del monastero di San Benedetto al Polirone.” In Golinelli, L’abbazia di Matilde, 144–163.
——. “La produzione libraria e la sua illustrazione (961–1125).” In Storia di San Benedetto Polirone: Le origini (961–1125), 173–187. Edited by Paolo Golinelli. Bologna: Pàtron Editore, 1998.
Zchomelidse, Nino. Santa Maria Immacolata in Ceri: Pittura sacra al tempo della riforma gregoriana. Rome: Archivio Guido Izzi, 1996.
Zcholmelidse, Nino, and Giovanni Freni, eds. Meaning in Motion: The Semantics of Movement in Medieval Art. Princeton: Princeton University Press, 2011.
Zorach, Rebecca. The Passionate Triangle. Chicago: University of Chicago Press, 2011.
Bibliography
Next chapter