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Bibliography (A-L)
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
Robert Motherwell: Paintings and Collages (A Catalogue Raisonné, 1941–1991)
Bibliography, Writings by the Artist, and Filmography (Part 1)
Author
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
PublisherYale University Press
Copyright© 2012 by The Dedalus Foundation, Inc., and Yale University
https://doi.org/10.37862/aaeportal.00105.020
Stable URL: https://aaeportal.com/?id=-18278
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Bibliography (A-L)
BIBLIOGRAPHY
The Bibliography is organized alphabetically, by author’s last name. Preceding each entry is an abbreviated form giving the author’s name and the year of publication, which identifies how the publication is referred to throughout the catalogue raisonné. When more than one text by the same author was published in the same year, a letter is added to differentiate the two entries (for example, Ashton 1957a and Ashton 1957b).
Reviews of exhibitions direct the reader to the corresponding entry in the List of Exhibitions. Important essays from exhibition catalogues are listed here under the author’s name.
Publications often contain excerpts from Motherwell’s letters, interviews, and writings, which are indicated by the phrase “includes artist’s statements.” In the catalogue raisonné entries, Motherwell’s discussions of specific works are listed in abbreviated form (for example, Motherwell in Janis 1944). The abbreviated form used in the catalogue raisonné entries appears both here and in the “Writings by the Artist.”
Incomplete references, based on magazine and newspaper clippings in the Dedalus Foundation Archives, are indicated as such.
ABC 1980
“ ‘Es muy arriesgado decir que Nueva York ha desbancado artisticamente a Europa’ ” (text in Spanish). ABC (Madrid), April 17, 1980, p. 21. Review of the traveling exhibition at Fundación Juan March, Madrid, April 1980 (see Centro Cultural de la Caixa de Pensions, Barcelona, 1980).
ABEL 1981
Abel, Lionel. “The Surrealists in New York.” Commentary (American Jewish Committee) 72, no. 4 (October 1981): pp. 44–54. Reprinted in Lionel Abel, The Intellectual Follies: A Memoir of the Literary Venture in New York and Paris (New York: W. W. Norton, 1984).
ACHA 1975
Acha, Juan. “Robert Motherwell” (text in Spanish). Plural (Universidad Nacional Autónoma de México) 4, no. 8 (May 6, 1975): pp. 81–82. Review of Museo de Arte Moderno, Mexico City, 1975.
ACKERMAN 1969
Ackerman, James S. “The Demise of the Avant Garde: Notes on the Sociology of Recent American Art.” Comparative Studies in Society and History 11, no. 4 (October 1969): pp. 371–84.
ADES 1997
Ades, Dawn. Surrealist Art: The Lindy and Edwin Bergman Collection at the Art Institute of Chicago. Edited by Margherita Andreotti, with contributions by Margherita Andreotti and Adam Jolles. Chicago: Art Institute of Chicago; New York: Thames and Hudson, 1997.
ADVOCATE SUMMER GUIDE 1978
“Days’ Retrospective Show Opens: Chronicling 55 Years of Provincetown Art History.” Advocate Summer Guide (Provincetown Advocate magazine), August 31, 1978, pp. 3, 21. Review of Provincetown Art Association and Museum, Mass., 1978.
ADVOCATE SUMMER GUIDE 1983A
“Art Openings.” Advocate Summer Guide (Provincetown Advocate magazine), August 4, 1983, p. 6. Review of the traveling exhibition at Long Point Gallery, Provincetown, Mass., August 1983 (see Provincetown Art Association and Museum, Mass., 1983); and of Long Point Gallery, Provincetown, Mass., Thirteen Ways of Looking at a Blackbird, August 1983.
ADVOCATE SUMMER GUIDE 1983B
“Motherwell Pays Tribute to Joyce” (includes artist’s statements). Advocate Summer Guide (Provincetown Advocate magazine), June 16, 1983, p. 3. Review of the traveling exhibition at Long Point Gallery, Provincetown, Mass., August 1983 (see Provincetown Art Association and Museum, Mass., 1983).
ADVOCATE SUMMERY 1973
“Art.” Advocate Summery (Provincetown Advocate magazine), August 2, 1973, pp. 10–11. Review of Tirca Karlis Gallery, Provincetown, Mass., 1973.
ALBERTI 1983
Alberti, Rafael. Robert Motherwell: El Negro. Preface by Jack Flam. Bedford Village, N.Y.: Tyler Graphics, 1983.
ALBRIGHT 1968
Albright, Thomas. “Spare Magic in ‘Lyric Suite.’ ” San Francisco Chronicle, October 11, 1968, p. 47. Review of San Francisco Museum of Art, October 1968.
ALBRIGHT 1975
Albright, Thomas. “The Motherwell Collage.” San Francisco Chronicle, May 27, 1975, p. 38. Review of John Berggruen Gallery, San Francisco, 1975.
ALBRIGHT-KNOX ART GALLERY CALENDAR 1983
“Robert Motherwell.” Albright-Knox Art Gallery Calendar, October 1983, pp. 1–5.
ALDAN 1960
Aldan, Daisy, ed. A New Folder; Americans: Poems and Drawings. Foreword by Wallace Fowlie. New York: Folder Editions, 1960.
ALFORD 1952
Alford, John. “The Prophet and the Playboy: ‘Dada Was Not a Farce’ ” (includes artist’s statements). College Art Journal 11, no. 4 (summer 1952): pp. 269–76.
ALLEN 1972
Allen, Henry. “Motherwell: Palate-Pleasing” (interview with the artist). Washington Post, November 8, 1972, sec. D, p. 3. Review of Fendrick Gallery, Washington, D.C., 1972.
ALLEN MEMORIAL ART MUSEUM BULLETIN 1952
“Robert Motherwell” (includes artist’s statements). Allen Memorial Art Museum Bulletin (Oberlin College) 9, no. 3 (spring 1952): pp. 110–12.
ALLEY 1984
 
Alley, Ronald. “Arnason, Ashton, Diamonstein: Robert Motherwell” (book review). Art International 27, no. 2 (April–June 1984): pp. 56–58.
ALLOWAY 1960
 
Alloway, Lawrence. “Sign and Surface: Notes on Black and White Painting in New York.” Quadrum: Revue internationale d’art moderne 9 (summer 1960): pp. 49–62.
ALLOWAY 1961
 
Alloway, Lawrence. “Easel Painting at the Guggenheim.” Art International 5, no. 10 (Christmas 1961): pp. 26–34. Review of Solomon R. Guggenheim Museum, New York, 1961.
ALLOWAY 1970–71
 
Alloway, Lawrence. “The Spectrum of Monochrome.” Arts Magazine 45, no. 3 (December 1970–January 1971): pp. 30–33.
ALLOWAY 1975
 
Alloway, Lawrence. “Art.” Nation 220, no. 20 (May 24, 1975): pp. 635–36. Review of Whitney Museum of American Art, Downtown Branch, New York, 1975.
ALLOWAY 1978
 
Alloway, Lawrence. “Art.” Nation 226, no. 1 (January 14, 1978): pp. 29–30.
ALMANSI 1977
 
Almansi, Guido. “Una Mostra parigina di Robert Motherwell al Museo di Arte Moderna: Dietro l’icona, il sesso” (text in Italian). La Repubblica (Rome), August 10, 1977, sec. Cultura, pp. 8–9. Review of Musée de l’Art Moderne de la Ville de Paris, 1977.
AMEPNKA 1986
 
“Petpocrektnba Kknborncn Cobpemehhoro Mactepa” (text in Russian). Amepnka, no. 360 (November 1986): pp. 45–48.
AMERICAN ABSTRACT ARTISTS 1957
 
American Abstract Artists, eds. The World of Abstract Art. New York: George Wittenborn, 1957.
AMERICAN ART 1991
 
“American Archives: From the Peter A. Juley and Son Collection, National Museum of American Art.” American Art (Smithsonian Institution) 5, no. 4 (fall 1991): p. 70.
AMERICAN ART BOOK 1999
 
The American Art Book. London: Phaidon Press, 1999.
AMERICAN SELECTIVE BIOGRAPHICAL REFERENCE 1947
 
“The Monthly Supplement and International Who’s Who.” American Selective Biographical Reference 8, no. 11 (November 1947): p. 286.
ANDERSON 1981
 
Anderson, Janet Tracy. “Eluding the A Priori: A Hermeneutic of Process Based upon Robert Motherwell’s Superordinant Concepts on the Making of Art” (includes artist’s statements). Ph.D. diss., Pennsylvania State University, 1981.
ANDERSON AND WHITNEY MUSEUM OF AMERICAN ART 2002
 
Anderson, Maxwell L., and Whitney Museum of American Art. American Visionaries: Selections from the Whitney Museum of American Art. Entry “Robert Motherwell,” p. 213. New York: Whitney Museum of American Art, 2002.
ANDRE 1976
 
Andre, Michael. “New York Reviews.” Artnews 75, no. 4 (April 1976): p. 119. Review of Knoedler & Company, New York, 1976.
ANDREAE 1968
 
Andreae, Christopher. “ ‘A Delight to the Eyes’: Motherwell’s Collages.” Christian Science Monitor, November 9, 1968, p. 14. Review of Whitney Museum of American Art, New York, 1968.
ANDREAE 1969
 
Andreae, Christopher. “One Thing after Another” (includes artist’s statements). Christian Science Monitor, June 23, 1969, p. 8. Review of Marlborough-Gerson Gallery, New York, 1969.
ANFAM 1997
 
Anfam, David. “Madrid and New York: Robert Motherwell.” Burlington Magazine 139, no. 1132 (July 1997): pp. 504–5.
ANFAM 1998
 
ANFAM 2002
 
Anfam, David. Abstract Expressionism. New York: Thames and Hudson, 2002.
ANNAS 2003
 
Annas, Teresa. “Robert Motherwell.” Virginian-Pilot (Norfolk), November 25, 2003, sec. E, pp. 1, 7. Review of Contemporary Art Center of Virginia, Virginia Beach, 2003.
APOLLO 1969A
 
“Art Across the U.S.A.” Apollo 90, no. 91 (September 1969): p. 263. Review of Marlborough-Gerson Gallery, New York, 1969.
APOLLO 1969B
 
“Art Across the U.S.A.” Apollo 90, no. 92 (October 1969): pp. 345–46. Review of Museum of Modern Art, New York, June 1969.
APOLLO 1972
 
“Art Across the U.S.A.” Apollo 96, no. 129 (November 1972): p. 450. Review of Museum of Fine Arts, Houston, November 1972.
APOLLONIO ET AL. 1958
 
Apollonio, Umbro, G. C. Argan, Oto Bihalji-Merin, Marcel Brion, Will Grohmann, J. P. Hodin, Sam Hunter, H.L.C. Jaffé, and Herbert Read. Art since 1945. Essay “USA,” by Sam Hunter. New York: Harry N. Abrams, 1958.
APOLLONIO ET AL. 1962
 
Apollonio, Umbro, G. C. Argan, Nello Ponente, Oto Bihalji-Merin, Marcel Brion, Will Grohmann, J. P. Hodin, Sam Hunter, H.L.C. Jaffé, and Herbert Read. Art since 1945. Essay “The United States,” by Sam Hunter. New York: Washington Square Press, 1962.
APPELLA 1989
 
Appella, Giuseppe. “Nella osmosi tra pittura e poesia le radici dell’arte come coscienza etica” (text in Italian). L’Osservatore Romano (Vatican City), November 27–28, 1989, p. 3. Review of Padiglione d’Arte Contemporanea, Milan, 1989.
ARCHITECTURAL DIGEST 1996
 
“Before and After: Born Again Neutra.” Architectural Digest 53, no. 7 (July 1996): pp. 88–93.
ARCHITECTURAL DIGEST 2006A
 
“Breathing Lessons on Fifth Avenue: A Fresh Approach for an Apartment in a McKim, Mead & White Building.” Architectural Digest 63, no. 11 (November 2006): pp. 185–91, 261.
ARCHITECTURAL DIGEST 2006B
 
“A Not-So-Simple Plan: Based on a Pinwheel, a Contemporary Palo Alto Residence Offers a Unique Outlook on California Living.” Architectural Digest 63, no. 11 (November 2006): pp. 192–99, 261.
ARCHITECTURAL FORUM 1953
 
“Two Small Religious Buildings.” Architectural Forum 99, no. 1 (July 1953): pp. 118–23.
ARCHITECTURAL FORUM 1954
 
“Sculpture and Tapestry Used Architecturally.” Architectural Forum 100, no. 4 (April 1954): pp. 140–45.
L’ARCHITECTURE D’AUJOURD’HUI 1950
 
“Maison d’été pour un peintre a Long Island” (text in French). L’architecture d’aujourd’hui, no. 30 (July 1950): p. 51.
ARNASON 1966A
 
Arnason, H. H. “On Robert Motherwell and His Early Work.” Art International 10, no. 1 (January 20, 1966): pp. 17–35.
ARNASON 1966B
 
Arnason, H. H. “Robert Motherwell: The Years 1948 to 1965.” Art International 10, no. 4 (April 20, 1966): pp. 19–45.
ARNASON 1968
 
Arnason, H. H. History of Modern Art: Painting, Sculpture, Architecture. Entry “Robert Motherwell,” pp. 507–8. New York: Harry N. Abrams, 1968.
ARNASON 1969
 
Arnason, H. H. “Motherwell: The Window and the Wall.” Artnews 68, no. 4 (summer 1969): pp. 48–52, 61–68.
ARNASON 1976
 
Arnason, H. H. “Robert Motherwell: 1966–1976.” Art International 20, nos. 9–10 (October–November 1976): pp. 9–25, 55–57.
ARNASON 1977A
 
Arnason, H. H. History of Modern Art: Painting, Sculpture, Architecture. Entry “Robert Motherwell,” pp. 535–36. 2nd ed. New York: Harry N. Abrams, 1977.
ARNASON 1977B
 
Arnason, H. H. Robert Motherwell. Notes to the plates by Robert Motherwell. Preface by Bryan Robertson. 1st ed. New York: Harry N. Abrams, 1977.
ARNASON 1982
 
Arnason, H. H. Robert Motherwell (includes a reprinted 1977 interview with the artist at the New School for Social Research). Introduction by Dore Ashton; notes to the plates by Robert Motherwell; interview by Barbaralee Diamonstein. 2nd ed. New York: Harry N. Abrams, 1982.
ARNASON 1986
 
Arnason, H. H. History of Modern Art: Painting, Sculpture, Architecture, Photography. Revisions and updates by Daniel Wheeler. 3rd ed. New York: Harry N. Abrams, 1986.
ARNASON 1998
 
Arnason, H. H. History of Modern Art: Painting, Sculpture, Architecture, Photography. Contributions by Marla F. Prather (revising author of the 4th ed.), and Daniel Wheeler (revising author of the 3rd ed.). 4th ed. New York: Harry N. Abrams, 1998.
ARNAUD 1989
 
Arnaud, John-Robert. “Gabriella Drudi: Robert Motherwell” (book review). Cimaise 36, nos. 200–201 (June–July–August 1989): p. 58.
ARNHEIM 1954
 
Arnheim, Rudolf. “The Psychologist Who Came to Dinner.” College Art Journal 13, no. 2 (winter 1954): pp. 107–12.
ART & ANTIQUES 1988
 
“Charting the Course: Mapping Familiar Territory—from Country Lawns to Urban Landscapes.” Art & Antiques, April 1988, pp. 37–38. Review of Knoedler & Company, New York, 1988.
ART ENTERPRISES 2000
 
Art Enterprises. Art Enterprises: Selections from the Collection. Introduction by Richard Francis; compiled by Stacey Skold. Entry “Robert Motherwell,” by Grace Glueck, pp. 120–21; and entry “Robert Motherwell,” by Robert Hughes, pp. 122–23. Chicago: Art Enterprises, 2000.
ART GALLERY 1964
 
“The National Institute of Arts and Letters.” Art Gallery 7, no. 8 (May 1964): pp. 20–21, 35.
ART GALLERY MAGAZINE 1968
 
Art Gallery Magazine 11, no. 8 (May 1968): p. 39.
ART GALLERY OF ONTARIO ANNUAL REPORT 2004
 
“Acquisition Highlights.” In Art Gallery of Ontario Annual Report, 2003–2004, pp. 11–16. Toronto: Art Gallery of Ontario, 2004.
ARTICS 1986
 
Artics (Barcelona), September–October–November 1986, cover.
ART IN EMBASSIES 1966
 
Artă în Ambasade (text in Romanian). Introduction by John Farr Simmons. Bucharest, Romania: United States Embassy, 1966. Published in conjunction with a loan to the United States Embassy, Bucharest, Romania.
ART IN EMBASSIES 1977
 
Eighteen Contemporary Masters. Introduction by Gaetana Enders. Ottawa, Ontario, Canada: United States Embassy, 1977. Published in conjunction with a loan to the United States Embassy, Ottawa.
ART IN EMBASSIES 1979
 
Arte en la Embajada (text in Spanish). Introduction by William H. Luers. Caracas, Venezuela: Embajada de los Estados Unidos de América, 1979. Published in conjunction with a loan to the American ambassador’s residence, Caracas, Venezuela.
ART IN EMBASSIES 1980
 
Art in Embassies. Introduction by Warren D. Manshel. Copenhagen: United States Embassy, 1980. Published in conjunction with a loan to the American ambassador’s residence, Rydhave, Copenhagen.
ART IN EMBASSIES 1985
 
Contemporary American Art (text in English and Czech). Introduction by William H. Luers. Prague: United States Embassy, 1985. Published in conjunction with a loan to the United States Embassy, Prague.
ART IN EMBASSIES 1999
 
Artists in the Residence (text in English and Korean). Introduction by Stephen W. Bosworth and Christine Bosworth. Seoul, South Korea: United States Department of State, Art in Embassies Program, 1999. Published in conjunction with a loan to Habib House, residence of the United States ambassador to the Republic of Korea, Seoul.
ART IN EMBASSIES 2001
 
Art in Embassies (text in English and Spanish). Introduction by Jeffrey Davidow and Joan Davidow. Washington, D.C., and Mexico City: Art in Embassies Program, 2001. Published in conjunction with a loan to the United States Embassy, Mexico City.
ART IN EMBASSIES 2002A
 
A New Look at Common Ground (text in English and Chinese). Introduction by Clark T. Randt Jr. Washington, D.C.: Art in Embassies Program, 2002. Published in conjunction with a loan to the United States Embassy, Beijing.
ART IN EMBASSIES 2002B
 
An Exhibition of American Art in the Residence of the U.S. Ambassador to the Netherlands. Introduction by Robert Rosenblum; introductory essay by Nicholas Fox Weber. Washington, D.C.: Art in Embassies Program, 2002. Published in conjunction with a loan to the United States ambassador to the Netherlands, The Hague.
ART IN EMBASSIES 2008
 
Art in Embassies Exhibition. Introduction by Nicholas F. Taubman, Jenny Taubman, and Lara Taubman. Washington, D.C.: United States Department of State, 2008. Published in conjunction with a loan to the United States Embassy, Bucharest, Romania.
ART INTERNATIONAL 1961
 
Art International 5, no. 1 (February 1, 1961): cover, index.
ART INTERNATIONAL 1974
 
Art International 18, no. 7 (September 20, 1974): cover.
ART LETTER 1975
 
“ ‘War Conference’ Planned by David Smith Estate Executors” (includes artist’s statements). Art Letter 4, no. 2 (February 1975): p. 3.
ART MARKET REPORT 2003A
 
“From the Chicago Gallery.” Art Market Report (Hollis Taggart Galleries), fall–winter 2003, p. 2.
ART MARKET REPORT 2003B
 
“Recent Acquisitions.” Art Market Report (Hollis Taggart Galleries), spring–summer 2003, pp. 6–21.
ARTNER 1997
 
Artner, Alan G. “2 Chicago Museums Hit Art Jackpot.” Chicago Tribune, February 26, 1997, sec. 1, pp. 1, 18.
ARTNEWS 1944
 
“The Passing Shows.” Artnews 43, no. 14 (November 1–14, 1944): p. 26. Review of Art of This Century, New York, October 1944.
ARTNEWS 1945
 
“The Passing Shows.” Artnews 45, no. 10 (August 1–31, 1945): pp. 24–25. Review of Samuel M. Kootz Gallery, New York, April 1945.
ARTNEWS 1946A
 
“The Passing Shows.” Artnews 44, no. 19 (January 15–31, 1946): p. 21. Review of Samuel M. Kootz Gallery, New York, January 1946.
ARTNEWS 1946B
 
“The Passing Shows.” Artnews 45, no. 1 (March 1946): p. 54. Review of Samuel M. Kootz Gallery, New York, March 1946.
ARTNEWS 1947A
 
“Reviews and Previews.” Artnews 46, no. 8 (October 1947): p. 45. Review of Samuel M. Kootz Gallery, New York, 8 Paintings, September 1947.
ARTNEWS 1947B
 
“Reviews and Previews.” Artnews 46, no. 3 (May 1947): pp. 47–48. Review of Samuel M. Kootz Gallery, New York, April 1947.
ARTNEWS 1947C
 
“Reviews & Previews.” Artnews 46, no. 7 (September 1947): p. 39. Review of Samuel M. Kootz Gallery, Women, New York, September 1947.
ARTNEWS 1948
 
“Reviews and Previews.” Artnews 47, no. 4 (June–July–August 1948): p. 49. Review of Samuel M. Kootz Gallery, New York, May 1948.
ARTNEWS 1953
 
“The Year’s Best: 1952.” Artnews 51, no. 9 (January 1953): pp. 42–43.
ARTNEWS 1998
 
“Art Market: Early Motherwell Does Well; Krasner Gets Her Due: Whitney Acquires Nadelmans, Lewitts.” Artnews 97, no. 4 (April 1998): p. 58.
ARTNEWSLETTER 1983
 
“Robert Motherwell’s Market.” Artnewsletter 8, no. 14 (March 8, 1983): pp. 3–5.
ARTNEWSLETTER 1991
 
“Limited Supply May Boost Motherwell’s Market.” Artnewsletter 17, no. 4 (October 15, 1991): pp. 1–2.
ART NOW GALLERY GUIDE 1976
 
“Special Events.” Art Now Gallery Guide 6, no. 5 (January 1976): pp. 20–24.
ART NOW GALLERY GUIDE 1992A
 
“Robert Motherwell at Modern Art Museum, Fort Worth.” Art Now Gallery Guide (international edition) 11, no. 6 (February 1992): sec. SW, p. 7.
ART NOW GALLERY GUIDE 1992B
 
“ ‘Robert Motherwell: The Spanish Elegies’ at the Walker Art Center.” Art Now Gallery Guide 13, no. 3 (November 1992): sec. MW, p. 11.
ART PRÉSENT 1975
 
“Entretien avec Marcelin Pleynet” (text in French). Art Présent (Paris), no. 1 (September–October 1975): n.p.
ARTS & ARCHITECTURE 1951
 
“The Muralist and the Modern Architect.” Arts & Architecture 68, no. 4 (April 1951): pp. 18–19.
ARTSINDIANA 1998
 
“From Ancient Burial Customs to Abstract Expressionism.” Artsindiana 20, no. 2 (March–April 1998): p. 9.
ARTS YEARBOOK 1964
 
“A Color Portfolio of Recent Painting.” Arts Yearbook 7 (1964): pp. 60–76.
ASHBERY 1961
 
Ashbery, John. “Savage Splendor in Paris Persian Art Show.” New York Herald Tribune (Paris), October 18, 1961, p. 6. Review of Galerie Heinz Berggruen, Paris, 1961.
ASHBERY 1968A
 
Ashbery, John. “Dada & Surrealism.” New Republic 158, no. 22 (June 1, 1968): pp. 35–36, 38. Review of Museum of Modern Art, New York, March 1968.
ASHBERY 1968B
 
Ashbery, John. “Growing Up Surreal.” Artnews 67, no. 3 (May 1968): pp. 40–44, 65. Review of Museum of Modern Art, New York, March 1968.
A[SHTON] 1956
 
A[shton], D[ore]. “About Art and Artists: Contemporary Works Open 2 Galleries.” New York Times, October 4, 1956, p. 67. Review of Martha Jackson Gallery, New York, 1956.
ASHTON 1957A
 
Ashton, Dore. “Art.” Arts & Architecture 74, no. 7 (July 1957): pp. 4, 33. Review of Sidney Janis Gallery, New York, May 1957.
ASHTON 1957B
 
Ashton, Dore. “Art: A Local Anthology: New York Annual, at the Stable Gallery Offers Many Works of Merit.” New York Times, May 8, 1957, p. 75. Review of Stable Gallery, New York, 1957.
ASHTON 1957C
 
Ashton, Dore. “Reveries in Paint.” New York Times, May 19, 1957, sec. 2, p. 14. Review of Sidney Janis Gallery, New York, May 1957.
ASHTON 1958
 
Ashton, Dore. “Art: Downtown Shows.” New York Times, May 23, 1958, p. 26. Review of James Gallery, New York, 1958.
ASHTON 1959A
 
Ashton, Dore. “Art.” Arts & Architecture 76, no. 5 (May 1959): pp. 6–8. Review of Sidney Janis Gallery, New York, March 1959.
ASHTON 1959B
 
Ashton, Dore. “Art: Collages Are Shown in Exhibition; ‘Beyond Painting’ Is at Alan Gallery.” New York Times, January 1, 1959, p. 29. Review of Alan Gallery, New York, 1958.
ASHTON 1959C
 
Ashton, Dore. “Moderns in Baltimore.” New York Times, July 26, 1959, sec. 2, p. 12. Review of Baltimore Museum of Art, July 1959.
ASHTON 1959D
 
Ashton, Dore. “Nueva York: Expresionismo Abstracto” (text in Spanish). Arquitectura México 21, no. 15 (March 1959): pp. 51–56.
ASHTON 1960A
 
Ashton, Dore. “Art: 9 Abstract Leaders; Sidney Janis Gallery Shows Works by Major Figures in the Movement.” New York Times, April 5, 1960, p. 44. Review of Sidney Janis Gallery, New York, 1960.
ASHTON 1960B
 
Ashton, Dore. “Art: Double Anniversary Celebrated at Exhibition.” New York Times, February 5, 1960, p. 24. Review of Trabia Gallery, New York, 1960.
ASHTON 1960C
 
Ashton, Dore. “Perspective de la Peinture Américaine” (text in French). Cahiers d’art, nos. 33–35 (1960): pp. 203–20.
ASHTON 1962
 
Ashton, Dore. The Unknown Shore: A View of Contemporary Art. Boston: Little, Brown, 1962.
ASHTON 1963A
 
Ashton, Dore. “Art.” Arts & Architecture 80, no. 2 (February 1963): pp. 8–9. Review of Sidney Janis Gallery, New York, December 1962.
ASHTON 1963B
 
Ashton, Dore. “Motherwell Loves and Believes.” Studio International 165, no. 839 (March 1963): pp. 116–19. Review of Sidney Janis Gallery, New York, December 1962.
ASHTON 1964A
 
Ashton, Dore. “La Voix du Tourbillon dans l’Amérique de Kafka” (text in French). XXe Siècle (Paris) 26, no. 23 (May 1964): pp. 92–96.
ASHTON 1964B
 
Ashton, Dore. “Robert Motherwell: Passion and Transfiguration” (includes artist’s statements). Studio International 167, no. 851 (March 1964): pp. 100–105.
ASHTON 1967
 
Ashton, Dore. “Gli inizi dell’espressionismo astratto in America” (text in Italian). L’Arte Moderna (Milan) 13, no. 109 (1967): pp. 1–40.
ASHTON 1969A
 
Ashton, Dore. “New York Commentary.” Studio International 178, no. 913 (July–August 1969): pp. 28–29. Review of Marlborough-Gerson Gallery, New York, 1969.
ASHTON 1969B
 
Ashton, Dore. “Response to Crisis in American Art.” Art in America 57, no. 1 (January–February 1969): pp. 24–35.
ASHTON 1970
 
Ashton, Dore. Modern American Painting. New York: New American Library, 1970.
ASHTON 1971
 
Ashton, Dore. “A Fusion of Modern Assumptions.” Chap. 13 in A Reading of Modern Art (includes artist’s statements). Rev. ed. New York: Harper and Row, 1971.
ASHTON 1972
 
Ashton, Dore. The New York School: A Cultural Reckoning (includes artist’s statements). New York: Viking Press, 1972.
ASHTON 1980
 
Ashton, Dore. “Robert Motherwell” (includes artist’s statements). Flash Art, no. 100 (November 1980): pp. 4–8.
ASHTON 1983
 
Ashton, Dore. “On Motherwell.” In Robert Motherwell (exhibition catalogue), by Dore Ashton and Jack Flam, pp. 29–51. Buffalo: Albright-Knox Art Gallery; New York: Abbeville Press, 1983. See entry in List of Exhibitions.
ASHTON 1987
 
Ashton, Dore. “Mallarmé, Friend of Artists.” Chap. 48 in Out of the Whirlwind: Three Decades of Arts Commentary, edited by Donald Kuspit. Contemporary American Art Critics 8. Ann Arbor, Mich.: UMI Research Press, 1987.
ASHTON 1989
 
Ashton, Dore. “Robert Motherwell.” In Robert Motherwell (exhibition catalogue, text in English and Italian), by Dore Ashton and Paolo Sega Serra Zanetti, pp. 6–25. Milan: Arnoldo Mondadori Editore Arte, 1989. See entry in List of Exhibitions.
ASHTON AND BANACH 2007
 
Ashton, Dore, and Joan Banach, eds. The Writings of Robert Motherwell. Introduction by Dore Ashton. Berkeley and Los Angeles: University of California Press, 2007. Referred to in Writings by the Artist as Motherwell 2007.
ASPEN MUSIC FESTIVAL AND SCHOOL 1997
 
Aspen Music Festival and School, summer 1997, cover.
ATLANTIC 1992
 
“Arts & Entertainment Preview.” Atlantic 270, no. 6 (December 1992): p. 39.
AT THE MODERN 1993
 
“Preserving a Modern Masterpiece: The Conservation of a Motherwell Elegy.” At the Modern (San Francisco Museum of Modern Art), November–December 1993, p. 6.
AT THE MUSEUM 1995–96A
 
“The Collectors Committee.” At the Museum (Los Angeles County Museum of Art), December 1995–January 1996, p. 6.
AT THE MUSEUM 1995–96B
 
“Motherwell.” At the Museum (Los Angeles County Museum of Art), December 1995–January 1996, cover, pp. 4–5.
AT THE ROSE ART MUSEUM 1999
 
“Abstract Expressionism from the Brandeis University Art Collection.” At the Rose Art Museum (Brandeis University), spring 1999, n.p.
AYARS AND DEGATINA 1984
 
Ayars, Mike, and John Degatina. “The Motherwell Lode” (letters to the editor). Los Angeles Times, February 5, 1984, sec. Calendar, p. 103.
BABY 1977A
 
Baby, Yvonne. “Robert Motherwell: Order Out of Chaos” (includes interview with the artist reprinted from Baby 1977b). Guardian (Manchester), July 31, 1977, p. 14.
BABY 1977B
 
Baby, Yvonne. “Un Ordre visuel arraché au chaos: Un Entretien avec le peinture Robert Motherwell” (text in French; interview with the artist). Le Monde, June 30, 1977, p. 11.
BAIGELL 1966
 
Baigell, Matthew. “American Abstract Expressionism and Hard Edge: Some Comparisons.” Studio International 171, no. 873 (January 1966): pp. 10–15.
BAILLIE 1977
 
Baillie, Martin. “Excess and Discipline Evident in American School Collection.” Glasgow Herald, October 31, 1977, p. 8. Review of Royal Scottish Academy, Edinburgh, 1977.
BAITZ 1984
 
Baitz, J. R. “Art: Robert Motherwell’s Endless Instant.” Publication unknown [California], January 27, 1984, sec. Reader’s Guide, p. 15. Review of the traveling exhibition at Los Angeles County Museum of Art, January 1984 (see Albright-Knox Art Gallery, Buffalo, 1983).
BAKER 1961
 
Baker, Richard Brown. “Notes on the Formation of My Collection.” Art International 5, no. 7 (September 20, 1961): pp. 40–47.
BAKER 1973
 
Baker, Kenneth. “Motherwell, Metaphor, and the Thing Itself.” Boston Phoenix, June 5, 1973, sec. 2, p. 12. Review of traveling exhibition at the Museum of Fine Arts, Boston, 1973 (see Museum of Fine Arts, Houston, November 1972).
BAKER 2003
 
Baker, Kenneth. “S.F. Museums’ Collection Beefed Up by Bequest: Multimillion-Dollar Gift of 5 Prominent Paintings from Morris Estate.” San Francisco Chronicle, August 29, 2003, sec. D, pp. 1, 3.
BAKER-CARR 1975
 
Baker-Carr, Janet. “A Conversation with Robert Motherwell, Painter” (interview with the artist). Harvard Magazine 78, no. 2 (October 1975): pp. 34–41.
BALDWIN 1978
 
Baldwin, Nick. “Rescue!” (includes artist’s statements). Des Moines Register, July 30, 1978, sec. B, p. 5.
BALKEN 2005
 
Balken, Debra Bricker. Movements in Modern Art: Abstract Expressionism. London: Tate, 2005.
BALTIMORE SUN 1943
 
“Sadie May Collection.” Baltimore Sun, July 4, 1943, sec. 1, p. 12. Review of Baltimore Museum of Art, 1943.
BANACH 1996
 
Banach, Joan. Robert Motherwell: A Painter’s Album. Barcelona: Fundació Antoni Tàpies, 1996. Published in conjunction with the catalogue for the exhibition at Fundació Antoni Tàpies, Barcelona, 1996.
BANHAM 1966
 
Banham, Reyner. “Motherwell & Others.” Architectural Review 140, no. 833 (July 1966): pp. 59–62.
BANN 1970
 
Bann, Stephen. Experimental Painting: Construction, Abstraction, Destruction, Reduction. London: Studio Vista, 1970.
BANNON 1983A
 
Bannon, Anthony. “Gallery to Unveil Historic Robert Motherwell Show.” Buffalo News, September 25, 1983, sec. E, pp. 1, 4. Review of Albright-Knox Art Gallery, Buffalo, 1983.
BANNON 1983B
 
Bannon, Anthony. “Passion and Intelligence Sweep through Four Decades of Robert Motherwell’s Art.” Buffalo Times, [October] 1983, sec. Art. Review of Albright-Knox Art Gallery, Buffalo, 1983.
BANNON 1983C
 
Bannon, Anthony. “The Motherwell Secret to Creating or Appreciating Art: A Good Eye” (interview with the artist). Buffalo News, November 13, 1983, sec. E, pp. 1, 5.
BANNON 1984A
 
Bannon, Anthony. “The Main Event: Thoroughly Modernist Motherwell” (includes artist’s statements). Continental 2, no. 3 (March 1984): cover, pp. 36–39, 99–100.
BANNON 1984B
 
Bannon, Anthony. “The Motherwell Experiment” (includes artist’s statements). Connoisseur, May 1984, pp. 24, 31. Review of the traveling exhibition at San Francisco Museum of Art, April 1984 (see Albright-Knox Art Gallery, Buffalo, 1983).
BARKER 1965
 
Barker, Walter. “Painter of the Indomitable Gesture: Robert Motherwell Retrospective at the Modern.” St. Louis-Post Dispatch, November 21, 1965, sec. B, p. 5. Review of Museum of Modern Art, New York, Robert Motherwell, September 1965.
BARNES 1997
 
Barnes, Jim. “From Picasso to Warhol: DIA Loans 20th Century Masterworks to Dennos Museum Center.” Traverse City Record-Eagle, November 7, 1997, sec. D, pp. 1, 6. Review of Dennos Museum Center, Northwestern Michigan College, Traverse City, 1997.
BARNIER 2000
 
Barnier, Aurélie. “Une Revue de l’expressionnisme abstrait américain: Possibilities (1947–1948)” (text in French; includes artist’s statements). Les Cahiers du Musée National d’Art Moderne 71 (spring 2000): pp. 104–21.
BARO 1966A
 
Baro, Gene. “Robert Motherwell: Order in Freedom.” Art and Artists 1, no. 1 (April 1966): pp. 36–37.
BARO 1966B
 
Baro, Gene. “The Ethics of Risk” (includes artist’s statements). Arts Magazine 40, no. 3 (January 1966): pp. 36–41.
BARO 1981
 
Baro, Gene. “New York Letter.” Art International 24, nos. 9–10 (August–September 1981): pp. 117–18. Review of Knoedler & Company, New York, February 1981.
BARON AND PECK 2005
 
Baron, Cynthia L., and Daniel Peck. Digital Photography Field Guide. Berkeley, Calif.: Peachpit Press, 2005.
BARR 1948
 
Barr, Alfred H., Jr., ed. Painting and Sculpture in the Museum of Modern Art. New York: Museum of Modern Art, 1948.
BARR 1986
 
Barr, Alfred H., Jr. Defining Modern Art: Selected Writings of Alfred H. Barr, Jr. (includes artist’s statements). Edited by Irving Sandler and Amy Newman; introduction by Irving Sandler. New York: Harry N. Abrams, 1986.
BARR 1999
 
Barr, Pamela T., ed. New Britain Museum of American Art. Vol. 1, Highlights of the Collection. Entry “Robert Motherwell,” by L[eesa] F[anning], pp. 116–17. New Britain, Conn.: New Britain Museum of American Art; New York: Prestel Verlag, 1999.
BARRETT 1952
 
Barrett, William. “High-Jinks Wasn’t All” (book review). New York Times, February 3, 1952, sec. Book Review, pp. 7, 25.
BARTON 2004
 
Barton, Peter. “The Motherwell Code.” Country and Abroad 9, no. 6 (November 2004): pp. 60–61.
BASS 1982
 
Bass, Ruth. “New York Reviews.” Artnews 81, no. 5 (May 1982): p. 168. Review of Knoedler & Company, New York, 1982.
BATES 1973
 
Bates, Catherine. “Getting Up to Date.” Montreal Star, November 10, 1973, sec. D, p. 12. Review of Musée d’Art Contemporain, Montreal, 1973.
BATTERBERRY 1973
 
Batterberry, Michael. Twentieth Century Art. Foreword by Howard Conant. New York: McGraw-Hill, 1973.
BAUM ET AL. 2003
 
Baum, Kelly, Monique M. Desormeau, Melissa Miller Farr, John B. Henry III, Melina Kervandjian, Valerie Ann Leeds, Akella Reason, R. Sarah Richardson, Sue Scott, and Kristie Everett Zamora. American Art at the Flint Institute of Arts. Introduction by William H. Gerdts. Entry “Robert Motherwell,” by Sue Scott, pp. 180–81. New York and Manchester, Vt.: Hudson Hills Press and Flint Institute of Arts, 2003.
BAUR 1951A
 
Baur, John I. H. “American Art After 25 Years: A Richer Diversity Than Ever Before.” Art Digest 26, no. 3 (November 1, 1951): pp. 14–19.
BAUR 1951B
 
Baur, John I. H. Revolution and Tradition in Modern American Art (includes artist’s statements). Cambridge, Mass.: Harvard University Press, 1951.
BAUR 1967
 
Baur, John I. H. “The Rich Turmoil of Contemporary Art: Today’s Art and How It Got that Way.” Chicago Tribune, April 23, 1967, sec. Magazine, pp. 42–45, 66, 69, 71.
BEALS 1982
 
Beals, Kathie. “Abstract Expressionism Still Lives.” Gannett Westchester Newspapers, October 22, 1982, sec. Weekend, p. 1. Review of Stamford Museum & Nature Center, Conn., 1982.
BEALS 1984
 
Beals, Kathie. “Motherwell Retrospective Spans Four Decades of Artist’s Work.” Gannett Westchester Newspapers, December 6, 1984, sec. C, pp. 1–3. Review of Solomon R. Guggenheim Museum, New York, 1984.
BEARDEN AND HOLTY 1969
 
Bearden, Romare, and Carl Holty. The Painter’s Mind: A Study of the Relations of Structure and Space in Painting. New York: Crown, 1969.
BELGRAD 1994
 
Belgrad, Daniel Mark. “The Social Meanings of Spontaneity in American Arts and Literature, 1940–1960” (includes artist’s statements). Ph.D. diss., Yale University, 1994.
BELGRAD 1998
 
Belgrad, Daniel. The Culture of Spontaneity: Improvisation and the Arts in Postwar America (includes artist’s statements). Chicago: University of Chicago Press, 1998.
BELL 1961
 
Bell, Gilbert. “New Trends: Modern Art Exhibit.” Concordiensis 91, no. 18 (March 17, 1961): p. 4. Review of Union College, N.Y., 1961.
BELLEVUE GAZETTE 1969
 
“Motherwell Art Exhibit Opens.” Bellevue Gazette (Ohio), October 24, 1969, p. 4.
BELSER KUNST QUARTAL 2004
 
Belser Kunst Quartal 4 (October–December 2004): cover.
BELTING 1983
 
Belting, Hans. “Bericht aus München” (text in German). Art International 26, no. 2 (April–June 1983): pp. 60–63, 66–67, 76.
BENNETT 2003
 
Bennett, Lennie. “Bits and Pieces.” St. Petersburg Times (Florida), October 12, 2003, sec. F, pp. 4, 12. Review of Everson Museum of Art, Syracuse, N.Y., 2002.
BENSON 1951A
 
Benson, Gertrude. “Striking Camera Studies at Art Museum” (includes artist’s statements). Philadelphia Inquirer, October 7, 1951, sec. Society, pp. 19, 28.
BENSON 1951B
 
Benson, Gertrude. “Synagogue Goes Modern” (includes artist’s statements). Today (Philadelphia Inquirer magazine), November 18, 1951, p. 30.
BERKMAN 1962
 
Berkman, Florence. “Motherwell Opens Art Lecture Series” (includes artist’s statements). Hartford Times, March 24, 1962, p. 26.
BERKMAN 1965
 
Berkman, Florence. “25 Years Art Leader: Motherwell Honored with Show” (includes artist’s statements). Hartford Times, October 30, 1965, p. 36. Review of Museum of Modern Art, New York, Robert Motherwell, September 1965.
BERKMAN 1971
 
Berkman, Florence. “Motherwell—Painting Entering ‘Temporary’ Decline” (interview with the artist). Hartford Times, March 28, 1971, sec. D, p. 13.
B[ERKSON] 1965
 
B[erkson], W[illiam]. “In the Museums: Recent Exhibitions.” Arts Magazine 40, no. 2 (December 1965): pp. 42–43. Review of Museum of Modern Art, New York, Robert Motherwell, September 1965.
BERMAN 1985
 
Berman, Avis. “The Triumph of Abstract Expressionism” (includes artist’s statements). Modern Maturity 28, no. 2 (April–May 1985): pp. 58–65, 108.
BERMAN 1991
 
Berman, Ann E. “Designing Man: With an Artist’s Eye, Jay Crawford Composes a Dramatic Mix of Objects and Pictures in His Manhattan Town House.” Art & Auction, November 1991, pp. 140–45.
BERNARDI 1966
 
Bernardi, Marziano. “L’Artista americano Motherwell in una grande mostra a Torino” (text in Italian). La Stampa (Turin, Italy), September 27, 1966, p. 5. Review of traveling exhibition at Galleria Civica d’Arte Moderna (see Museum of Modern Art, New York, Robert Motherwell, September 1965).
B[ERNIER] 1955
 
B[ernier], R[osamond]. “Coup d’oeil sur l’art américain” (text in French). L’Oeil, no. 3 (March 15, 1955): pp. 40–43. Review of the circulating exhibition at Musée Nationale d’Art Moderne, March 1955 (see Museum of Modern Art, New York, 1955).
BERNSTEIN 1996
 
Bernstein, Jay. “The Death of Sensuous Particulars: Adorno and Abstract Expressionism.” Radical Philosophy 76 (March–April 1996): cover, pp. 7–18.
BERTENS AND NATOLI 2002
 
Bertens, Hans, and Joseph Natoli, eds. Postmodernism: The Key Figures. Malden, Mass.: Blackwell, 2002.
BETTI AND SALE 1980
 
Betti, Claudia, and Teel Sale. Drawing: A Contemporary Approach. 1st ed. New York: Holt, Rinehart, and Winston, 1980.
BETTI AND SALE 1997
 
Betti, Claudia, and Teel Sale. Drawing: A Contemporary Approach. 4th ed. Fort Worth, Tex.: Harcourt Brace College, 1997.
BETTI AND SALE 2008
 
Sale, Teel, and Claudia Betti. Drawing: A Contemporary Approach. 6th ed. Boston: Thomson Wadsworth, 2008.
BETTS 1952
 
Betts, Edward. “Dada: The Last Word” (book review). Art Digest 26, no. 15 (May 1, 1952): p. 23.
BIER 1952A
 
Bier, Justus. “Art: Paintings from Abstract Movement Are on Exhibit at Speed.” Courier-Journal (Louisville, Ky.), March 2, 1952, sec. 5, p. 4. Review of J. B. Speed Art Museum, Louisville, Ky., 1952; and of Library Rotunda, University of Louisville, Ky., 1952.
BIER 1952B
 
Bier, Justus. “Art: Speed Museum Exhibits Selections from Chicago Show.” Courier-Journal (Louisville, Ky.), May 25, 1952, p. 4. Review of J. B. Speed Art Museum, Louisville, Ky., 1952.
BINKIEWICZ 2004
 
Binkiewicz, Donna M. Federalizing the Muse: United States Arts Policy and the National Endowment for the Arts, 1965–1980. Chapel Hill: University of North Carolina Press, 2004.
B[IRD] 1951
 
B[ird], P[aul]. “Motherwell: A Profile” (interview with the artist). Art Digest 26, no. 1 (October 1, 1951): pp. 6, 23.
BISHOP ET AL. 2005
 
Bishop, Janet, Michael Auping, Jonathan Weinberg, and Charles Ray. Robert Bechtle: A Retrospective. Berkeley and Los Angeles: University of California Press, 2005.
BJONE 2002
 
Bjone, Christian. First House: The Grid, the Figure, and the Void. Chichester, West Sussex, England: Wiley-Academy, 2002.
BLESH 1956
 
Blesh, Rudi. Modern Art USA: Men, Rebellion, Conquest, 1900–1956. New York: Alfred A. Knopf, 1956.
BLOOMFIELD 1968
 
Bloomfield, Arthur. “A Remarkable Gift to the S.F. Museum.” Publication unknown [California], [October 1968]. Review of San Francisco Museum of Art, October 1968.
BOCOLA 2001
 
Bocola, Sandro. Timelines: The Art of Modernism, 1870–2000. Cologne, Germany: Taschen, 2001.
BODE 1981
 
Bode, Peter M. “Ich liebe die Malerei wie den Körper einer Frau” (text in German). Publication unknown [Munich], [November] 1981. Review of Haus der Kunst, Munich, 1981.
BOEHS 1971
 
Boehs, Clydene Lillian. “Robert Motherwell: Neo-Academician” (includes artist’s statements). M.A. thesis, University of Oklahoma, 1971.
BOEING WORLD HEADQUARTERS 2003
 
Boeing World Headquarters. Our Home in Chicago. Chicago: Boeing, 2003.
BOETTGER 1984
 
Boettger, Suzaan. “Action Painting: ‘Elegies,’ ‘Opens’ and Other Motherwellian Form.” City Arts, April 1984, p. 19. Review of the traveling exhibition at San Francisco Museum of Modern Art, April 1984 (see Albright-Knox Art Gallery, Buffalo, 1983).
BOHIGAS ET AL. 1986
 
Bohigas, Oriol, Victoria Combalia, Jacques Dupin, Michel Leiris, Barbara Rose, and Margit Rowell. A Joan Miró: Col-lecció permanent d’art contemporani en homenatge a Joan Miro (text in English and Catalan; includes artist’s statements). Barcelona: Fundació Joan Miró, 1986.
BONET 1978
 
Bonet, Juan Manuel. “El Esplendor Motherwell” (text in Spanish). El Pais (Madrid), November 5, 1978, p. 6.
BONET 1980
 
Bonet, Juan Manuel. Robert Motherwell Vino a Madrid (text in Spanish). Boletín Informativo (Fundación Juan March) 94 (June 1980): pp. 15–21.
BONET 1982
 
Bonet, Juan Manuel. “Campano” (text in French). Art Press International (Paris) 56 (February 1982): p. 21.
BONET 1983
 
Bonet, Juan Manuel. “Americanos en Paris: Los Años cincuenta” (text in Spanish). Goya: Revista de Arte (Madrid), no. 177 (November–December 1983): pp. 132–37.
BONET 1996
 
Bonet, Juan Manuel. “Motherwell en el Recuerdo” (text in Spanish). Arte y Parte, no. 5 (October–November 1996): pp. 6–12.
BONET 2002
 
Bonet, Juan Manuel. 200 Obras de la colección del Museo Nacional Centro de Arte Reina Sofía (text in English and Spanish). Madrid: Ediciones Aldaesa, 2002.
BONETTI 1987
 
Bonetti, David. “Art: The First Resort.” Boston Phoenix, September 4, 1987, sec. 3, pp. 9, 14. Review of Long Point Gallery, Provincetown, Mass., 1987.
BORGER 1988
 
Borger, Irene. “Knossos Moderne: Refined Lines for Palm Springs.” Architectural Digest 45, no. 12 (December 1988): pp. 126–33.
BORGES 1986
 
Borges, Jorge Luis. Enquêtes suivi de Entretiens (text in French). Paris: Éditions Gallimard, 1986, cover.
BOSTON GLOBE 1966A
 
“Abstract Painting of JFK Death Scene Stirs Furor.” Boston Globe, August 12, 1966, p. 26.
BOSTON GLOBE 1966B
 
“JFK Painting Furor Fulfills a Purpose?” (includes artist’s statements). Boston Globe, August 12, 1966, pp. 1, 19.
BOSTON TRAVELER 1966
 
“Ted to Inspect Mural Depicting JFK’s Slaying.” Boston Traveler, August 12, 1966, pp. 1, 4.
BOSTON UNIVERSITY JOURNAL 1973
 
“Drawing.” Boston University Journal 21, no. 2 (spring 1973): p. 43.
BOSWELL 1950
 
Boswell, Peyton. “Modern Manifesto Repercussions.” Art Digest 24, no. 14 (April 15, 1950): p. 5.
B[OSWELL] 1952
 
B[oswell], P[eyton]. “Fifty-seventh Street in Review.” Art Digest 26, no. 7 (January 1, 1952): p. 20. Review of Samuel M. Kootz Gallery, New York, December 1951.
BOUISSET 1977
 
Bouisset, Maiten. “La Peinture de Robert Motherwell: Une Grande aventure de l’esprit” (text in French). Le Matin (Paris), July 7, 1977, p. 22. Review of Musée de l’Art Moderne de la Ville de Paris, 1977.
BOURDON 1965
 
Bourdon, David. “Elephantine Doodling.” Village Voice, November 11, 1965, p. 13. Review of Museum of Modern Art, New York, Robert Motherwell, September 1965.
BOWEN 1966
 
Bowen, Denis. “Robert Motherwell at the Whitechapel.” Arts Review (London) 18, no. 6 (April 2, 1966): p. 132. Review of the traveling exhibition at Whitechapel Art Gallery, London, March 1966 (see Museum of Modern Art, New York, Robert Motherwell, September 1965).
BOWNESS 1967
 
Bowness, Alan. “The American Invasion and the British Response.” Studio International 173, no. 890 (June 1967): pp. 285–93.
BOWNESS 1978
 
Bowness, Alan. “Image of the Week’s Search for Expression.” Sunday Times (London), [February 1978].
BOWNESS 1989
 
Bowness, Alan. The Conditions of Success: How the Modern Artist Rises to Fame. London: Thames and Hudson, 1989.
BOWYER 1966
 
Bowyer, A. W. “Art.” Belfast Telegraph, April 15, 1966, p. 12. Review of the traveling exhibition at Whitechapel Art Gallery, London, March 1966 (see Museum of Modern Art, New York, Robert Motherwell, September 1965).
B[RACH] 1953
 
B[rach], P[aul]. “Fifty-seventh Street in Review.” Art Digest 27, no. 12 (March 15, 1953): p. 20. Review of Samuel M. Kootz Gallery, New York, March 1953.
BRAUN 1979
 
Braun, Elisabeth. “Motherwell’s New Oils Use Black and White as Colors.” Greenwich Time, April 6, 1979, p. 16. Review of William Benton Museum of Art, University of Connecticut, Storrs, 1979.
BRAUN-MUNK 1991
 
Braun-Munk, E. C. “Unfettered Art.” Vogue Decoration, no. 30 (February–March 1991): pp. 70–79.
BREERETTE 1977
 
Breerette, Genevieve. “La Rétrospective Motherwell a l’Arc: Exprimer l’homme dans sa totalité” (text in French). Le Monde, June 24, 1977, pp. 1, 32. Review of Musée d’Art Moderne de la Ville de Paris, 1977.
BRENSON 1982
 
Brenson, Michael. “Motherwell in Munich.” New York Times, September 10, 1982, sec. C, p. 16.
BRENSON 1983A
 
Brenson, Michael. “Art People: U.S. Selects Miss Tucker.” New York Times, November 25, 1983, sec. C, p. 22.
BRENSON 1983B
 
Brenson, Michael. “Why Robert Motherwell Provokes Diverse Opinions” (includes artist’s statements). New York Times, October 30, 1983, sec. 2, pp. 29, 35. Review of Albright-Knox Art Gallery, Buffalo, 1983.
BRENSON 1987
 
Brenson, Michael. “When America Put Its Stamp on World Painting.” New York Times, October 18, 1987, sec. 2, pp. 39, 40. Review of Albright-Knox Art Gallery, Buffalo, September 1987.
BRESLIN 1993
 
Breslin, James E. B. Mark Rothko: A Biography (includes artist’s statements). Chicago: University of Chicago Press, 1993.
BRESLIN 1995
 
Breslin, James E. B. “Robert Motherwell: From WASPism to Modernism” (includes artist’s statements). Threepenny Review, no. 61 (spring 1995): pp. 24–25.
[BRETT] 1966
 
[Brett, Guy]. “Robert Motherwell Retrospective in London.” Times (London), March 24, 1966, p. 16. Review of the traveling exhibition at Whitechapel Art Gallery, London, March 1966 (see Museum of Modern Art, New York, Robert Motherwell, September 1965).
B[REUNING] 1950A
 
B[reuning], M[argaret]. “Fifty-seventh Street in Review.” Art Digest 24, no. 20 (September 15, 1950): p. 18. Review of Samuel M. Kootz Gallery, New York, [September] 1950.
B[REUNING] 1950B
 
B[reuning], M[argaret]. “Fifty-seventh Street in Review.” Art Digest 24, no. 17 (June 1, 1950): p. 16. Review of Samuel M. Kootz Gallery, New York, June 1950.
B[REUNING] 1951
 
B[reuning], M[argaret]. In “Fifty-seventh Street in Review.” Art Digest 25, no. 16 (May 15, 1951): p. 22. Review of Samuel M. Kootz Gallery, New York, May 1951.
BRIAN 1950
 
Brian, Doris. “Dealers Help Artists Help Themselves.” Art Digest 25, no. 1 (October 1, 1950): pp. 11, 29. Review of Samuel M. Kootz Gallery, New York, October 1950.
BRIOT 1981
 
Briot, Marie-Odile, and Danielle Molinari. “Musée d’Art moderne de la Ville de Paris” (text in French). La Revue du Louvre 31 (April 1981): pp. 300–302.
BRITANNICA ENCYCLOPEDIA OF AMERICAN ART 1973
 
The Britannica Encyclopedia of American Art. Entry “Robert Motherwell,” by H. H. Arnason, pp. 380–83. Chicago: Encyclopaedia Britannica Educational Corporation, 1973.
BROMBERG 1983
 
Bromberg, Anne R. Dallas Museum of Art: Selected Works. Dallas: Dallas Museum of Art, 1983.
BROMMER 2007
 
Brommer, Gerald F. “Abstract Expressionism.” Chap. 17.1 in Discovering Art History. 4th ed. Worcester, Mass.: Davis, 2007.
BROOKE 1985
 
Brooke, James. “Trend-Setting Quonset Hut Is Demolished on L.I.” (includes artist’s statements). New York Times, August 3, 1985, p. 26.
BROOKER 1989
 
Brooker, Alice S. “Was There a Myth in the Making?—A Structuralist Approach to Robert Motherwell’s Elegies to the Spanish Republic” (includes artist’s statements). Athanor (Florida State University) 7 (March 1989): pp. 63–69.
BROWN 1951–52
 
Brown, Gordon. “New Tendencies in American Art” (includes artist’s statements). College Art Journal 11, no. 2 (winter 1951–52): pp. 103–10.
BROWN 1976
 
Brown, Gordon. “Arts Reviews.” Arts Magazine 51, no. 3 (November 1976): p. 18. Review of Gruenebaum Gallery, New York, 1976.
BROWN 1985
 
Brown, Kenneth. “Brooklyn’s Beauty Is Highlighted in a New Exhibition.” Flatbush Life 29, no. 19 (May 13, 1985): sec. 2, p. 11B. Review of Museum of the Borough of Brooklyn at Brooklyn College, 1985.
BRUNEL 1987
 
Brunel, Nathalie. “L’Art ne s’est pas arrêté en 1900” (text in French). L’Express Style, January 16–February 12, 1987, pp. 60–65.
BRUNER 1969
 
Bruner, Louise. “See Motherwell Now, Ask About Show Later.” Toledo Blade (Ohio), November 7, 1969, pp. 1, 4. Review of Toledo Museum of Art, Ohio, 1969.
BRUNET-WEINMANN 1987
 
Brunet-Weinmann, Monique. “Robert Motherwell a Provincetown: Une interview avec Monique Brunet-Weinmann” (text in French; interview with the artist). Vie Des Arts 32, no. 128 (September–autumn 1987): pp. 40–41.
BRUNET-WEINMANN 1991
 
Brunet-Weinmann, Monique. “Élégie pour Motherwell” (text in French, obituary). Le Devoir, August 3, 1991, sec. B, pp. [1], 2.
BRUSTEIN 1958
 
Brustein, Robert. “The Cult of the Unthink.” Horizon 1, no. 1 (September 1958): pp. 38–44, 134–35.
BUETTNER 1973
 
Buettner, William Stewart. “American Art Theory: 1940–1960” (includes artist’s statements). Ph.D. diss., Northwestern University, 1973.
BUETTNER 1981
 
Buettner, Stewart. American Art Theory: 1945–1970 (includes artist’s statements). Ann Arbor, Mich.: UMI Research Press, 1981.
BUJESE 1982
 
Bujese, Alene, ed. Twenty-five Artists. Foreword by Thomas M. Messer; photographs by Hans Namuth. Frederick, Md.: University Publications of America, 1982.
BULLETIN 1967
 
“American Painting 1952–1966: The Largest Exhibition of U.S. Paintings to Come to this Country, Currently in Sydney.” Bulletin (Sydney) 89, no. 4561 (August 5, 1967): pp. 10–12.
BULLETIN OF THE RHODE ISLAND SCHOOL OF DESIGN 1973
 
“Section III: Contemporary Graphics from the Museum’s Collection.” Bulletin of the Rhode Island School of Design 59, no. 6 (April 1973).
BÜRCKLIN 1974
 
Bürcklin, Heidi. “Oden für einen Maler: Motherwells Zyklus A La Pintura in der Galerie Wentzel” (text in German). Die Welt 79 (April 3, 1974): p. 24.
BURG ET AL. 1995
 
Burg, Detlev von der, Martin Schawe, et al. Pinakothek der Moderne: Eine Vision des Museums für Kunst, Architektur und Design des 20. Jahrhunderts in München (text in German). Entry “Robert Motherwell,” p. 169. New York and Munich: Prestel, 1995.
BURKHART 1984
 
Burkhart, Dorothy. “Motherwell: Elegance Is His Signature.” Mercury News (San Jose, Calif.), April 20, 1984, sec. D, pp. 1, 5. Review of the traveling exhibition at San Francisco Museum of Modern Art, April 1984 (see Albright-Knox Art Gallery, Buffalo, 1983).
BURLINGTON MAGAZINE 1999
 
“Supplement: Twentieth-Century Works of Art Recently Acquired by American Museums.” Burlington Magazine 141, no. 1150 (January 1999): pp. 68–72.
BURNHAM 1973
 
Burnham, Sophy. The Art Crowd: The Inside Story of How a Few Rich and/or Powerful Figures Control the World’s Art Market. New York: David McKay, 1973.
BURR 1966
 
Burr, James. “Totems and Techniques.” Apollo 83, no. 50 (April 1966): pp. 299–300. Review of the traveling exhibition at Whitechapel Art Gallery, London, March 1966 (see Museum of Modern Art, New York, Robert Motherwell, September 1965).
BURR 1978
 
Burr, James. “The Immediacy of America.” Apollo 107, no. 191 (January 1978): p. 64. Review of Royal Academy of Arts, London, 1978.
BURROWS 1949
 
Burrows, Carlyle. “Modern Museum Exhibit Features Works by Chagall.” New York Herald Tribune, December 26, 1949. Review of Museum of Modern Art, New York, 1949.
BURROWS 1950A
 
Burrows, Carlyle. “Art Review: A New Glance at the Summer Offerings.” New York Herald Tribune, June 18, 1950, sec. 5, p. 5. Review of Samuel M. Kootz Gallery, New York, June 1950.
BURROWS 1950B
 
Burrows, Carlyle. “Purchase Show on at Museum of Modern Art: Work by DeChirico, Masson, Modigliani and Picasso Among 13 Acquisitions.” New York Herald Tribune, February 1, 1950. Review of Museum of Modern Art, New York, 1950.
BURROWS 1950C
 
Burrows, Carlyle. “Varied Art Openings Here Anticipate a New Season.” New York Herald Tribune, September 10, 1950, sec. 5, p. 6. Review of Samuel M. Kootz Gallery, New York, [September] 1950.
BURROWS 1951A
 
Burrows, Carlyle. “Art Review: Among the Modern Groups; Progress Indicated By Group Shows.” New York Herald Tribune, June 10, 1951, sec. 4, p. 6. Review of Samuel M. Kootz Gallery, New York, June 1951.
BURROWS 1951B
 
Burrows, Carlyle. “Art: Vanguard Works Selected for Exhibition.” New York Herald Tribune, December 30, 1951, sec. 4, p. 7. Review of Sidney Janis Gallery, New York, 1951.
BURROWS 1952A
 
Burrows, Carlyle. “Art Review: The Holiday Groups, Other Exhibitors.” New York Herald Tribune, November 30, 1952, sec. 4, p. 4. Review of Samuel M. Kootz Gallery, New York, November 1952.
BURROWS 1952B
 
Burrows, Carlyle. “Rouault, on the Circus; American Period Survey.” New York Herald Tribune, April 6, 1952, sec. 4, p. 10. Review of Samuel M. Kootz Gallery, New York, Robert Motherwell: Paintings, Drawings, and Collages, April 1952.
BURTON ET AL. 2007
 
Burton, Johanna, Kevin Hatch, Suzanne Hudson, Alex Kitnick, Julia E. Robinson, and Diana K. Tuite. Pop Art: Contemporary Perspectives (exhibition catalogue). Preface by John Wilmerding; introduction by Hal Foster. New Haven, Conn.: Yale University Press, 2007.
BUSA 1988
 
Busa, Christopher, ed. “The Painter and the Printer: Robert Motherwell & Catherine Mosley” (interview with the artist). Provincetown Arts 4 (1988): pp. 10–15.
BUSA 1991
 
Busa, Christopher. “Long Point Gallery: Thirteen Ways of Looking at an Artist” (includes artist’s statements). Provincetown Arts 7 (1991): pp. 4–15, 143–47.
C. 1977
 
P. C. “Exposition Motherwell l’humain” (text in French). Elle (Paris), August 2, 1977, p. 18. Review of Musée d’Art Moderne de la Ville de Paris, 1977.
C. 1980
 
R.M.C. “Motherwell, un filosofo de la pintura” (text in Spanish). La Vanguardia, February 26, 1980, p. 55.
CAHIERS D’ART 1947
 
“Exposition de peintres Américains a Paris” (text in French). Cahiers d’art, no. 22 (1947): pp. 330, 333. Review of Galerie Maeght, Paris, 1947.
CALDERONE 1996
 
Calderone, Joe. “PA Stash Is a Work of Art: Hidden Treasures Appraised at 26M.” Daily News (New York), February 12, 1996, pp. 5, 28.
CALNEK 1989
 
Calnek, Anthony. “New York.” Contemporanea, May 1989, pp. 14–15. Review of Marisa del Re Gallery, New York, February 1989.
CAMERON 1978
 
Cameron, Alan. “Art of the State.” New Haven Advocate 3, no. 23 (January 25, 1978): sec. 2, pp. 22–23. Review of Carlson Gallery, University of Bridgeport, Conn., 1978.
C[AMPBELL] 1953
 
C[ampbell], L[arry]. “Reviews and Previews.” Artnews 52, no. 3 (May 1953): p. 52. Review of Samuel M. Kootz Gallery, New York, April 1953.
CAMPBELL 1975
 
Campbell, R. M. “In SF’s ‘Garden.’ ” Seattle Post-Intelligencer, July 8, 1975, sec. A, p. 15. Review of John Berggruen Gallery, San Francisco, 1975.
CAMPBELL 1993
 
Campbell, Peter. “To Hell with the Lyrics” (book review; includes artist’s statements). London Review of Books, March 25, 1993, pp. 19–20.
CAMPOY 1987
 
Campoy, A. M. “La Exposicion de la semana: Robert Motherwell” (text in Spanish). ABC (Madrid), March 19, 1987, p. 101. Review of the traveling exhibition at Galería Juana Mordó, Madrid, March 1987 (see Galería Joan Prats, Barcelona, 1986).
CANADAY 1960
 
Canaday, John. “Word of Mouth: Four Abstract Painters Make a Brave Try at Explaining Their Ideas” (includes artist’s statements). New York Times, April 3, 1960, sec. 2, p. 13.
CANADAY 1964A
 
Canaday, John. “Art: Two Exhibitions Begin Guggenheim’s Season.” New York Times, September 17, 1964, p. 50. Review of Solomon R. Guggenheim Museum, New York, September 1964.
CANADAY 1964B
 
Canaday, John. “Re Conscience: An Exhibition Traces the Persistence of Social Awareness in Our Art” (includes artist’s writings). New York Times, March 1, 1964, sec. 2, p. 23. Review of Wollman Hall, New School of Art Center, New York, 1964.
C[ANADAY] 1965
 
C[anaday], J[ohn]. “Each Man to His Own Cup of Tea.” New York Times, October 17, 1965, sec. 2, p. 33. Review of Museum of Modern Art, New York, Robert Motherwell, September 1965.
CANADAY 1969
 
Canaday, John. Culture Gulch: Notes on Art and Its Public in the 1960’s. Essay “Out of Patience with Robert Motherwell,” pp. 82–83. New York: Farrar, Straus, and Giroux, 1969. Essay originally published as “Each Man to His Own Cup of Tea”; see C[anaday] 1965.
CANADAY 1973
 
Canaday, John. “National Gallery Samples Some Moderns.” New York Times, November 2, 1973, p. 52. Review of National Gallery of Art, Washington, D.C., 1973.
CANADAY 1978
 
Canaday, John. “John Canaday on Art: This One We’ll Keep.” New Republic, July 8 and 15, 1978, pp. 30–31. Review of National Gallery of Art, Washington, D.C., 1978.
CAPE CODDER 1977
 
“Art.” Cape Codder, August 23, 1977, sec. 2, p. 8.
CAPE COD STANDARD-TIMES 1963
 
“Cape-tip Colonist Exhibits Art in Cambridge Gallery.” Cape Cod Standard-Times, February 25, 1963, p. 3.
CARERI 1992
 
Careri, Giovanni. “Le Vertige du Mélange: Architecture, Sculpture, Peinture” (text in French; includes artist’s statements). Les Cahiers du Musée National d’Art Moderne 39 (spring 1992): pp. 6–23.
CARLIN 1976
 
Carlin, Margie. “Abstract Artistry Grows, Robert Motherwell Says” (includes artist’s statements). Pittsburgh Press, February 19, 1976, sec. Living, p. 18.
CARLSEN 1979
 
Carlsen, Peter. “New York Simplicity: A Sleek Contemporary Design for the Olympic Tower.” Architectural Digest 36, no. 1 (January–February 1979): pp. 84–91.
CARLSEN 1982
 
Carlsen, Peter. “Tradition Redefined: A New Direction for Designer Jay Spectre in Washington, D.C.” Architectural Digest 39, no. 4 (April 1982): pp. 114–21.
CARMEAN 1972
 
Carmean, E. A., Jr. “The Collages of Robert Motherwell.” In The Collages of Robert Motherwell (exhibition catalogue; includes artist’s statements), pp. 11–42. Houston: Museum of Fine Arts, Houston, 1972. See entry in List of Exhibitions.
C[ARMEAN] 1974A
 
C[armean], E. A. “Four Prints by Robert Motherwell.” Museum of Fine Arts, Houston, Bulletin 5, no. 1 (spring 1974): pp. 91–93.
CARMEAN 1974B
 
Carmean, E. A., Jr. “Modernist Art 1960 to 1970.” Studio International 188, no. 968 (July–August 1974): pp. 9–13.
CARMEAN 1976
 
Carmean, E. A., Jr. “Robert Motherwell’s Spanish Elegies” (includes artist’s statements). Arts Magazine 50, no. 10 (June 1976): pp. 94–97.
CARMEAN 1978
 
Carmean, E. A., Jr. “Robert Motherwell: The Elegies to the Spanish Republic.” In American Art at Mid-Century: The Subjects of the Artist (exhibition catalogue; includes artist’s statements), by E. A. Carmean Jr., Eliza E. Rathbone, and Thomas B. Hess, pp. 92–122. Washington, D.C.: National Gallery of Art, 1978. See entry in List of Exhibitions.
CARMEAN 1980
 
Carmean, E. A., Jr. Reconciliation Elegy. Contributions by Robert Motherwell, Robert Bigelow, and John E. Scofield. Geneva: Editions d’Art Albert Skira S.A.; New York: Rizzoli International, 1980.
CARMEAN 1981
 
Carmean, E. A., Jr. “The Sandwiches of the Artist.” October 16 (spring 1981): pp. 87–101.
CARROLL 1985
 
Carroll, Maurice. “Vandal Slashes 8 Big Paintings at Albany Mall.” New York Times, May 4, 1985, pp. 1, 32.
CARVER 1965
 
Carver, Mabel MacDonald. “Local Art.” Villager (New York) 33, no. 26 (October 7, 1965): pp. 6, 12. Review of Museum of Modern Art, New York, Robert Motherwell, September 1965.
CASSOU 1947
 
Cassou, Jean. “Paris in July: Sculpture in the Open, Picasso, Severini.” Artnews 46, no. 5 (July 1947): pp. 24, 39. Review of Galerie Maeght, Paris, 1947.
CATEFORIS 2000–2001
 
Cateforis, David. “Robert Motherwell’s ‘Figure Before Blackness’ ” (includes artist’s statements). Spencer Museum of Art Register 7, no. 3 (July 1, 2000–June 30, 2001): pp. 2–11.
CATOIR 1976A
 
Catoir, Barbara. “Robert Motherwell oder die Überwindung des Weisen” (text in German). Feuilleton, October 2, 1976, p. 23.
CATOIR 1976B
 
Catoir, Barbara. “Uberwindung der weisen Fläche: Ein Gespräch mit Robert Motherwell” (text in German; interview with the artist). Das Kunstwerk 6, no. 24 (November 1976): pp. 7–8, 14–15, 43.
CATOIR 1980
 
Catoir, Barbara. “The Artist as a ‘Walking Eye’: Fragen an Robert Motherwell” (text in English and German; interview with the artist). Pantheon 38, no. 3 (July–August–September 1980): pp. 281–89, 304.
CAVALIERE 1979A
 
Cavaliere, Barbara. “Early Abstract Expressionism: The 1940s” (text in English and Italian; includes artist’s statements). Flash Art, nos. 86–87 (January–February 1979): pp. 26–32.
CAVALIERE 1979B
 
Cavaliere, Barbara. “Arts Review.” Arts Magazine 54, no. 3 (November 1979): p. 21. Review of Pace Gallery, New York, 1979.
CAVALIERE AND HOBBS 1977
 
Cavaliere, Barbara, and Robert C. Hobbs. “Against A Newer Laocoon” (includes artist’s statements). Arts Magazine 51, no. 8 (April 1977): pp. 110–17.
CAWS 1996A
 
Caws, Mary Ann. “End Paper: A Passion for Process” (includes interview with the artist). Chronicle of Higher Education 42, no. 42 (June 28, 1996): sec. 2, pp. 1, 48. Excerpted from Caws 1996b.
CAWS 1996B
 
Caws, Mary Ann. Robert Motherwell: What Art Holds (includes artist’s statements). New York: Columbia University Press, 1996.
CAWS 2003
 
Caws, Mary Ann. Robert Motherwell: With Pen and Brush (includes artist’s statements). London: Reaktion Books, 2003.
CAWS 2004
 
Caws, Mary Ann. “Looking: Literature’s Other.” PMLA (Modern Language Association of America) 119, no. 5 (October 2004): pp. 1293–1314.
CAWS 2006
 
Caws, Mary Ann. “Robert Motherwell and the Modern Painter’s World.” In Artists, Intellectuals, and World War II: The Pontigny Encounters at Mount Holyoke College, 1942–1944, edited by Christopher Benfey and Karen Remmler, pp. 114–21. Amherst: University of Massachusetts Press, 2006.
CELENTANO 1957
 
Celentano, Francis M. “The Origins and Development of Abstract Expressionism in the United States” (includes interview with the artist). M.A. thesis, New York University, 1957.
CERNUSCHI 1997
 
Cernuschi, Claude. “Not an Illustration but the Equivalent”: A Cognitive Approach to Abstract Expressionism (includes artist’s statements). Madison, N.J.: Fairleigh Dickinson University Press; Teaneck, N.J.: Associated University Presses, 1997.
CHALUMEAU 1984
 
Chalumeau, Jean-Luc. “L’Abstraction Farouche de Corine Ferté” (text in French). Opus International, no. 93 (spring 1984): pp. 35–36.
CHALUMEAU 1998
 
Chalumeau, Jean-Luc. Motherwell, 1915–1991 (text in French). Paris: Cercle d’Art, 1998.
CHAMORRO 1986
 
Chamorro, Eduardo. “Ida y vuelta de Robert Motherwell” (text in Spanish). Cambio, no. 780 (November 10, 1986): p. 214. Review of Galería Joan Prats, Barcelona, 1986.
CHANDLER 1971
 
Chandler, John Noel. “The Colors of Monochrome: An Introduction to the Seduction of Reduction” (includes artist’s statements). Artscanada 28, no. 5 (October–November 1971): pp. 18–31.
CHANDLER 2001A
 
Chandler, Mary Voelz. “Contemporary Art Evolution on Wazee.” Rocky Mountain News (Denver), January 21, 2001, sec. D, p. 4. Review of Robischon Gallery, Denver, 2001.
CHANDLER 2001B
 
Chandler, Mary Voelz. “Critics’ Choice.” Rocky Mountain News (Denver), February 18, 2001, sec. Sunday Spotlight, p. 3D. Review of Robischon Gallery, Denver, 2001.
CHANIN 1951
 
Chanin, A. L. “Abstract Art in a Synagogue, a Revolutionary Innovation.” Compass, October 7, 1951, p. 24. Review of Samuel M. Kootz Gallery, New York, October 1951.
CHAPMAN 1980
 
Chapman, George. “Painterly Painting—Into the Seventies: Robert Motherwell, Robert Ryman, and Jake Berthot” (includes artist’s statements). Rutgers Art Review 1 (January 1980): pp. 49–66.
CHARMET 1965
 
Charmet, Raymond. Concise Encyclopedia of Modern Art. Edited by Roger Brunyate. Chicago: Follett, 1965.
CHASLIN 1992
 
Chaslin, François. “Architectes en désir des arts” (text in French). Les Cahiers du Musée National d’Art Moderne 39 (spring 1992): pp. 44–59.
CHICAGO TRIBUNE 1967
 
“Notes about Art.” Chicago Tribune, December 3, 1967, sec. 5, p. 2.
CHICAGO TRIBUNE 1968
 
“Notes and Exhibits.” Chicago Tribune, July 7, 1968, sec. 5, p. 3.
CHIPP 1968
 
Chipp, Herschel B. Theories of Modern Art: A Source Book by Artists and Critics (includes artist’s statements). Contributions by Peter Selz and Joshua C. Taylor. Berkeley and Los Angeles: University of California Press, 1968.
CHRYSLER MUSEUM OF ART 2007
 
Chrysler Museum of Art. Collecting with Vision: Treasures from the Chrysler Museum of Art. Norfolk, Va.: Chrysler Museum of Art, in association with D Giles, London, 2007.
CIMONS 1977
 
Cimons, Marlene. “Joan Mondale, Expert in Residence: Art Tour at Admiral’s House.” Los Angeles Times, March 25, 1977, sec. F, pp. 1, 13. Review of Admiral’s House, vice presidential residence, Washington, D.C., 1977.
CINCINNATI ENQUIRER 1974
 
“Art Museum Acquires Motherwell Painting” (includes artist’s statements). Cincinnati Enquirer, May 26, 1974, sec. F, p. 6.
CINCO DIAS 1987
 
“Robert Motherwell, sólo pintura” (text in Spanish). Cinco Dias (Montevideo, Uruguay), March 31, 1987.
CINQUALBRE ET AL. 1993
 
Cinqualbre, Olivier, Christian Leprette, Joseph Abram, Gilles Ragot, Marc Bédardia, Philippe Fouquey, Bernard Bauchet, Francis Lamond, Arthur Rüegg, and Marc Vellay. Pierre Chareau architecte, un art intérieur (text in French). Entry “Maison et atelier de Robert Motherwell,” pp. 82–83. Paris: Centre Georges Pompidou, 1993.
CITRON 1947
 
Citron, Minna. “Paris Post: Some Impressions of the French Art Season.” New York Herald Tribune, June 20, 1947. Review of Galerie Maeght, Paris, 1947.
CIVIC NEWS 1985
 
“Brooklyn’s Bounty at Boro Museum.” Civic News (Brooklyn) 48, no. 4 (April 1985): p. 5. Review of Museum of the Borough of Brooklyn at Brooklyn College, 1985.
CLARKE 1983
 
Clarke, Orville O., Jr. “Motherwell Reappraised” (book review). Artweek 14, no. 31 (September 24, 1983): p. 13.
CLARKE 1988
 
Clarke, David James. “The Influence of Oriental Thought on Postwar American Painting and Sculpture.” Ph.D. diss., Courtauld Institute of Art, 1988.
CLAUS 1965
 
Claus, Jurgen. “Robert Motherwell—Grundtypen Seines Werkes” (text in German; includes artist’s statements). Das Kunstwerk 8, no. 18 (February 1965): pp. 3–9.
CLEAVER 1984
 
Cleaver, Dale G. Art: An Introduction. 4th ed. San Diego, Calif.: Harcourt Brace Jovanovich, 1984.
CLOSE 1972A
 
Close, Roy M. “ ‘Elegy’ Series Still Dramatic in Walker Motherwell Exhibit.” Minneapolis Star, June 20, 1972, sec. B, p. 2. Review of Walker Art Center, Minneapolis, 1972.
CLOSE 1972B
 
Close, Roy M. “There’s Hint of Poet in this Artist Exhibiting at Walker.” Minneapolis Star, August 10, 1972. Review of Walker Art Center, Minneapolis, 1972.
CLOTHIER 1990
 
Clothier, Peter. “Jay Chiat: Order and Mystery.” Artnews 89, no. 5 (May 1990): pp. 113–16.
COATES 1943
 
Coates, Robert M. “The Art Galleries: Past and Present.” New Yorker 19, no. 48 (May 29, 1943): pp. 49–50. Review of Art of This Century, New York, May 1943.
COATES 1946
 
Coates, Robert M. “The Art Galleries: Past and Present.” New Yorker 21, no. 48 (January 12, 1946): pp. 49–50. Review of Samuel M. Kootz Gallery, New York, January 1946.
COATES 1950
 
Coates, Robert M. “The Art Galleries: Masters, Mixed.” New Yorker 26, no. 3 (March 11, 1950): pp. 70–73. Review of Samuel M. Kootz Gallery, New York, February 1950.
COATES 1951A
 
Coates, Robert M. “The Art Galleries: Analyzing the Americans.” New Yorker 27, no. 41 (November 24, 1951): pp. 89–91. Review of Brooklyn Museum, November 1951.
COATES 1951B
 
Coates, Robert M. “The Art Galleries: The Abstract Expressionists and Others.” New Yorker 27, no. 46 (December 29, 1951): pp. 58–59. Review of Sidney Janis Gallery, New York, 1951.
COATES 1957
 
Coates, Robert M. “The Art Galleries: Italian and American.” New Yorker 33, no. 15 (June 1, 1957): pp. 85–87. Review of Sidney Janis Gallery, New York, May 1957.
COATES 1958
 
Coates, Robert M. “The Art Galleries: Americans, All Sizes.” New Yorker 34, no. 45 (December 27, 1958): pp. 61–63. Review of United States Pavilion, Brussels World’s Fair, 1958.
COATES 1959
 
Coates, Robert M. “The Art Galleries: Styles and Personalities.” New Yorker 34, no. 48 (January 17, 1959): pp. 77–79. Review of Sidney Janis Gallery, New York, January 1959.
CODOGNATO 1988
 
Codognato, Attilio. Jim Dine (text in Italian). Milan: Gabriele Mazzotta, 1988.
COHEN 1966
 
Cohen, Cathleen. “Artist Says Mural Doesn’t Depict Death of Kennedy.” Boston Globe, August 13, 1966, pp. 1, 12.
COHEN 1971
 
Cohen, George M. A History of American Art (includes artist’s statements). New York: Dell, 1971.
COHEN 1977
 
Cohen, Arthur A. “The Motherwell Atelier: Robert Motherwell’s Country Life as Artist and Artisan.” Vogue 167, no. 3 (March 1977): pp. 230–33, 256.
COLBY 1975
 
Colby, Joy Hakanson. “Motherwell Has Show.” Detroit News, November 23, 1975, sec. F, p. 2. Review of Gertrude Kasle Gallery, Detroit, 1975.
COLLEGE ART JOURNAL 1957
 
“College Art Collections.” College Art Journal 17, no. 1 (fall 1957): pp. 83–84.
COLLEGE EYE 1954
 
“Exhibit Variety of Art Types.” College Eye (Iowa State Teachers College, Cedar Falls) 45, no. 26 (April 9, 1954): p. 1. Review of Department of Art, Iowa State Teachers College, Cedar Falls, 1954.
COLLINS 1970
 
Collins, Gladys. “Pictures to the Editors.” Life 68, no. 14 (April 17, 1970): p. 24.
COLLINS 1984
 
Collins, Bradford R. “The Fundamental Tragedy of the Elegies to the Spanish Republic, or Robert Motherwell’s Dilemma” (includes artist’s statements). Arts Magazine 59, no. 1 (September 1984): pp. 94–97.
COLONY NEWS 1985
 
“ ‘What Animal’s Bones, or Horns, Are Making the Furrow of My Picture?’: Robert Motherwell, Medalist, 1985” (includes artist’s statements). Colony News (MacDowell Colony) 15, no. 1 (fall 1985): pp. 1–4.
COLONY NEWSLETTER 1985
 
“Medal 1985 to Robert Motherwell, August 18th.” Colony Newsletter (MacDowell Colony) 14, no. 3 (spring 1985): n.p.
COLSMAN-FREYBERGER 1974A
 
Colsman-Freyberger, Heidi. “Robert Motherwell: Words and Images” (interview with the artist). Print Collector’s Newsletter 4, no. 6 (January–February 1974): pp. 125–29.
COLSMAN-FREYBERGER 1974B
 
Colsman-Freyberger, Heidi. “Robert Motherwell: Words and Images” (interview with the artist reprinted from Colsman-Freyberger 1974a). Art Journal 34, no. 1 (fall 1974): pp. 19–24.
COLUMBUS MUSEUM 2003
 
American Art in the Columbus Museum: Painting, Sculpture, and Decorative Arts. Columbus, Ga.: Columbus Museum, 2003.
CONANT 1965
 
Conant, Howard. Seminar on Elementary and Secondary School Education in the Visual Arts. New York: New York University, 1965.
CONDON [1951]
 
Condon, Elmore. “Modern Art in St. Louis.” St. Louis Post-Dispatch, 1951. Review of City Art Museum of Saint Louis, 1951.
CONNAISSANCE DES ARTS 1989
 
“Robert Motherwell: Peindre vrai” (text in French). Connaissance des Arts, no. 454 (December 1989): p. 17.
CONNOISSEUR 1981
 
“American Abstract Expressionists.” Connoisseur (London), August 1981, pp. 244–45. Review of City Art Centre and Fruitmarket Gallery, Edinburgh, 1981.
CONNOLLY 1943
 
Connolly, Jean. “Spring Salon for Young Artists.” Nation 156, no. 22 (May 29, 1943): p. 786. Review of Art of This Century, New York, May 1943.
CONROY 1973
 
Conroy, Sarah Booth. “New Home for Abstract.” Washington Post, July 31, 1973, sec. B, p. 3.
CONROY 1977
 
Conroy, William T., Jr. “Columbian Collage: American Art of Assembly.” Arts Magazine 52, no. 4 (December 1977): pp. 86–87. Review of Andrew Crispo Gallery, New York, 1977.
COOK 1956
 
Cook, Jim. “An Incident in Manhattan. …” New York Post, April 9, 1956, pp. 5, 20.
COOK AND OLIVER 2007
 
Cook, Molly Malone, and Mary Oliver. Our World. Boston: Beacon Press, 2007.
COOK ET AL. 1983
 
Cook, John W., Giles Gunn, John Dillenberger, and John W. Dixon Jr. “Religion and the Visual Arts: A Case Study” (includes artist’s statements). Religion & Intellectual Life 1, no. 1 (fall 1983): pp. 11–103.
COOKE 1985
 
Cooke, Lynne. “New York: Contemporary American Exhibitions.” Burlington Magazine 127, no. 984 (March 1985): pp. 190–91, 193. Review of Solomon R. Guggenheim Museum, New York, 1984.
COONEY 1968
 
Cooney, James Patrick. “Robert Burns Motherwell: A Study of the Development of Abstract Expressionism as Seen in His Works” (includes artist’s statements). B.A. thesis, Lake Forest College, 1968.
COOPER AND LUKE 2006
 
Cooper, Harry, and Megan R. Luke. Frank Stella: 1958 (exhibition catalogue). New Haven, Conn.: Yale University Press, 2006.
CORREDÓR-MATHEOS 1980
 
Corredór-Matheos, J. “Gran exposición de Motherwell en Barcelona” (text in Spanish). Triunfo (Madrid) 33, no. 895 (March 22, 1980): pp. 39–40. Review of Centro Cultural de la Caixa de Pensions, Barcelona, 1980.
COSTA 1987
 
Costa, J. M. “Motherwell, un apasionado de España nos devuelve nuestro propio reflejo” (text in Spanish). ABC (Madrid), March 12, 1987.
COTTER 1997
 
Cotter, Holland. “ ‘Robert Motherwell on Paper.’ ” New York Times, March 14, 1997, sec. C, p. 30. Review of Miriam & Ira D. Wallach Art Gallery, Columbia University, New York, 1997.
COURTHION 1970
 
Courthion, Pierre. “Situation de la nouvelle peinture américaine” (text in French). XXe Siècle (Paris) 32, no. 34 (June 1970): pp. 9–17.
CRAFT 1996
 
Craft, Catherine Anne. “A ‘Clearer Image’: Robert Motherwell and The Dada Painters and Poets.” Chap. 1 in “Constellations of Past and Present: (Neo-) Dada, the Avant-Garde, and the New York Art World, 1951–1965.” Ph.D. diss., University of Texas at Austin, 1996.
CRANBROOK JOURNAL 2002
 
“The Shuey Collection: A Transformative Gift.” Cranbrook Journal, spring 2002, n.p.
CRAVEN 1985
 
Craven, David. “Artists Against Apartheid.” Arts Magazine 60, no. 2 (October 1985): pp. 98–100. Review of Fondation Nationale des Arts Graphiques et Plastiques, Paris, 1983.
CRAVEN 1990
 
Craven, David. “Abstract Expressionism, Automatism and the Age of Automation” (includes artist’s statements). Art History 13, no. 1 (March 1990): pp. 72–103.
CRAVEN 1991
 
Craven, David. “Abstract Expressionism and Third World Art: A Post-Colonial Approach to ‘American’ Art” (includes artist’s statements). Oxford Art Journal 14, no. 1 (1991): pp. 44–66.
CRAVEN 1996
 
Craven, David. “Aesthetics as Ethics in the Writings of Robert Motherwell and Meyer Schapiro” (includes artist’s statements). Archives of American Art Journal 36, no. 1 (1996): pp. 25–32.
CRAVEN ET AL. 1998
 
Craven, David, Ann Eden Gibson, Lowery Stokes Sims, and Jorge Daniel Veneciano. Norman Lewis: Black Paintings, 1946–1977. Introduction by Kinshasha Holan Conwill. New York: Studio Museum in Harlem, 1998.
CRAVEN 1999
 
Craven, David. Abstract Expressionism as Cultural Critique: Dissent during the McCarthy Period. Cambridge, England: Cambridge University Press, 1999.
CRESSY 1985
 
Cressy, Judith. “Bultman and Motherwell at Cherry Stone.” Cape Cod Antiques & Arts, August 1985, pp. 10, 23.
CRISPINO 1970
 
Crispino, Luigi. “FC Art Director Writes of Motherwell Paintings.” Republic (Columbus, Ind.), January 29, 1970.
CROSMAN AND MILLER 1979–80
 
Crosman, Christopher B., and Nancy E. Miller. “Speaking of Tomlin” (interview with the artist). Art Journal 39, no. 2 (winter 1979–80): pp. 110–11.
CROSSLEY 1976
 
Crossley, Mimi. “Subject Is Art for Motherwell.” Houston Post, April 13, 1976, sec. A, p. 9. Review of Janie C. Lee Gallery, Houston, 1976.
CROSSLEY 1978
 
Crossley, Mimi. “Review: Robert Motherwell.” Houston Post, March 24, 1978, sec. E, p. 15. Review of Janie C. Lee Gallery, Houston, 1978.
CUDDIHY 1974
 
Cuddihy, John M. Ordeal of Civility: Freud, Marx, Levi-Strauss, and the Jewish Struggle with Modernity. New York: Basic Books, 1974, cover.
CUDDIHY 1978
 
Cuddihy, John Murray. No Offense: Civil Religion and Protestant Taste. New York: Seabury Press, 1978.
CUE 1943
 
“ ‘Adventures in Perspective.’ ” CUE, March 13, 1943. Review of Norlyst Gallery, New York, 1943.
CUMMINGS 2004
 
Cummings, Mary. “Robert Motherwell’s Life in the Hamptons.” http://www.hamptons.com/The-Arts/Main-Articles/255/Robert-Motherwells-Life-in-the-Hamptons.html (accessed May 27, 2011).
CUNNINGHAM AND REICH 1982
 
Cunningham, Lawrence, and John Reich. “The Contemporary Contour.” Chap. 18 in Culture and Values: A Survey of the Western Humanities. New York: CBS College, 1982.
CUNNINGHAM AND REICH 1984
 
Cunningham, Lawrence S., and John J. Reich. Culture and Values: A Survey of the Western Humanities. Fort Worth, Tex.: Harcourt Brace College, 1984.
CURRIER 1966
 
Currier, Ann-Mary. “Reaction: Confused … Appalled.” Boston Globe, August 12, 1966, p. 19.
CURTIS 1984
 
Curtis, Cathy. “Art as a ‘Way of Life.’ ” Artweek, July 29, 1984, p. 12. Review of San Francisco Art Institute, 1984.
DAILY HAMPSHIRE GAZETTE 1963
 
“Interim Artist and Painting” (includes artist’s statements). Daily Hampshire Gazette, January 23, 1963, p. 8.
DAILY TELEGRAPH 1991
 
“Robert Motherwell” (obituary). Daily Telegraph (London), July 20, 1991, p. 15.
D’AMICO 1989
 
D’Amico, Fabrizio. “Splendore nero” (text in Italian). La Repubblica, September 27, 1989, p. 31. Review of Padiglione d’Arte Contemporanea, Milan, 1989.
DAMSKER 1984
 
Damsker, Matt. “A Look at 6 of Kline’s Works.” Los Angeles Times, August 3, 1984, sec. Calendar, pp. 1, 16. Review of Thomas Babeor Gallery, La Jolla, Calif., 1984.
DANIELI 1984
 
Danieli, Fidel. “Robert Motherwell and His Critics.” Artweek 15, no. 7 (February 18, 1984): cover, p. 1. Review of the traveling exhibition at Los Angeles County Museum of Art, January 1984 (see Albright-Knox Art Gallery, Buffalo, 1983).
DANTO 1985
 
Danto, Arthur C. “Art.” Nation 240, no. 2 (January 19, 1985): pp. 58–60. Review of Solomon R. Guggenheim Museum, New York, 1984.
DANTO 1987
 
Danto, Arthur C. “Robert Motherwell.” Chap. 9 in The State of the Art. New York: Prentice Hall, 1987.
DANTO 1991
 
Danto, Arthur C. “Remembering Motherwell” (obituary). Artnews 90, no. 7 (September 1991): pp. 110–11.
DANTO 1993
 
Danto, Arthur C. “Renaissance Man—The Collected Writings of Robert Motherwell” (book review; includes artist’s statements). New Republic 208, no. 3 (January 18, 1993): pp. 36–38.
DANTO 1997
 
Danto, Arthur C. “The ‘Original Creative Principle’: Motherwell and Psychic Automatism.” In Robert Motherwell on Paper: Drawings, Prints, Collages (exhibition catalogue), pp. 39–58. New York: Harry N. Abrams, in association with the Miriam and Ira D. Wallach Art Gallery, Columbia University, 1997. See entry in List of Exhibitions.
DANTO 1999
 
Danto, Arthur C. “The ‘Original Creative Principle’: Motherwell and Psychic Automatism” (includes artist’s statements). Chap. 1 in Philosophizing Art: Selected Essays. Berkeley and Los Angeles: University of California Press, 1999. Chapter reprinted from Danto 1997.
DANTO 2003
 
Danto, Arthur C. The Abuse of Beauty: Aesthetics and the Concept of Art. Paul Carus lecture series 21. Chicago and La Salle, Ill.: Open Court, 2003.
DANVILA 1987
 
Danvila, Jose Ramon. “El Poder y la magia de la pintura” (text in Spanish). El Punto, March 20–26, 1987, p. 9. Review of the traveling exhibition at Galería Juana Mordó, Madrid, March 1987 (see Galería Joan Prats, Barcelona, 1986).
DARLING 1998
 
Darling, Michael. “Robert Motherwell.” Art Issues, no. 51 (January–February 1998): p. 40. Review of Manny Silverman Gallery, Los Angeles, 1997.
DAS KUNSTWERK 1971
 
“Austellungen” (text in German). Das Kunstwerk 5, no. 24 (September 1971): p. 58. Review of Galerie im Erker, St. Gall, Switzerland, 1971.
DAS KUNSTWERK 1980
 
Das Kunstwerk 1, no. 33 (1980): p. 51.
DAVIDSON 1974
 
Davidson, Abraham A. The Story of American Painting. New York: Harry N. Abrams, 1974.
DAVIDSON AND EDITORS OF AMERICAN HERITAGE 1973
 
Davidson, Marshall B., and Editors of American Heritage. The American Heritage: History of the Artists’ America. New York: American Heritage, 1973.
DAVIDSON AND RYLANDS 2004
 
Davidson, Susan, and Philip Rylands, eds. Peggy Guggenheim & Frederick Kiesler: The Story of Art of This Century (exhibition catalogue). Essays by Dieter Bogner, Susan Davidson, Francis V. O’Connor, Don Quaintance, Philip Rylands, Jasper Sharp, and Valentina Sonzogni. New York: Solomon R. Guggenheim Foundation, 2004. See entry in List of Exhibitions.
DAVIS 1965
 
Davis, Douglas M. “It’s Modern Art, But Not in Tune with Popular Trends of the ’60s.” National Observer, October 25, 1965, p. 20. Review of Museum of Modern Art, New York, Robert Motherwell, September 1965.
D[AVIS] 1972
 
D[avis], D[ouglas]. “Opening Up.” Newsweek 80, no. 3 (July 17, 1972): p. 69. Review of Walker Art Center, Minneapolis, 1972.
DAVIS 1975
 
Davis, Nancy K. “Motherwell.” Yale Notes, 1975, p. 7.
DAYDE 1990
 
Dayde, Emmanuel. “Bonheur” (text in French). Muséart, no. 4 (October 1990): p. 19. Review of Artcurial Centre d’Art Plastique Contemporain, Paris, 1990.
DE ANTONIO AND TUCHMAN 1984
 
De Antonio, Emile, and Mitch Tuchman. Painters Painting: A Candid History of the Modern Art Scene, 1940–1970 (interview with the artist from 1970). New York: Abbeville Press, 1984. See Filmography; a collection of interviews based on the transcript of the film Painters Painting from 1972.
DE COPPET AND JONES 1984
 
De Coppet, Laura, and Alan Jones. The Art Dealers: The Powers Behind the Scene Tell How the Art World Really Works. New York: Clarkson N. Potter, 1984.
DECTER 1991
 
Decter, Joshua. “New York in Review.” Arts Magazine 66, no. 2 (October 1991): p. 97. Review of Knoedler & Company, New York, April 1991.
DE EZCURRA CA. 1949
 
De Ezcurra, Enrique. “Pictoria Ortega y Gasset da nombre a una tendencia” (text in Spanish). La Nacion (Buenos Aires), ca. 1949. Review of Samuel M. Kootz, New York, September 1949.
DE GUARDIOLA 2006
 
De Guardiola, Joanne. “Designer Secrets: Joanne de Guardiola.” Architectural Digest 63, no. 1 (January 2006): pp. 106, 109.
DE KOONING 1949
 
De Kooning, Elaine. “Record Exhibit of Paintings Shown.” Cape Cod Standard-Times, July 5, 1949, pp. 1, 2. Review of Gallery 200, Provincetown, Mass., 1949.
DE LAUNAY 1979
 
De Launay, Marc B. “L’Objet en cause” (text in French). Revue d’esthétique, nos. 3–4 (1979): pp. 108–23.
DEL CONDE 1997
 
Del Conde, Teresa. Tres Maestros: Reflexiones sobre Bacon, Motherwell y Tamayo (text in Spanish; includes artist’s statements). Mexico City: Universidad Nacional Autónoma de México, 1997.
DENSON AND MCEVILLEY 1996
 
Denson, G. Roger, and Thomas McEvilley. Capacity: History, the World, and the Self in Contemporary Art and Criticism. Amsterdam, the Netherlands: G + B Arts International, 1996.
DERFNER 1975
 
Derfner, Phyllis. “New York Letter.” Art International 19, no. 1 (January 20, 1975): pp. 44–49.
DERRINGER 1975
 
Derringer, Liz. “Roberto C. Polo.” Andy Warhol’s Interview 5, no. 12 (December 1975): pp. 34–35.
DER SPIEGEL 1976
 
“Kunst: Motherwell gemalte Wollust” (text in German). Der Spiegel, no. 38 (September 13, 1976): p. 169.
DEVADE 1977
 
Devade, [Marc]. “Pour une politique culturelle (entretien avec Marcelin Pleynet)” (text in French). Peinture cahiers theoriques 12 (February 1977): pp. 7–33.
DEVREE 1945
 
Devree, Howard. “Diverse Gallery Events.” New York Times, December 2, 1945, sec. Art, p. 7. Review of Samuel M. Kootz Gallery, New York, November 1945.
DEVREE 1946
 
Devree, Howard. “By Groups and One by One.” New York Times, June 9, 1946, sec. 2, p. 7. Review of Samuel M. Kootz Gallery, New York, June 1946.
DEVREE 1947A
 
Devree, Howard. “By Groups and Singly: Recently Opened Shows Are Modern in Tenor.” New York Times, October 5, 1947, sec. 2, p. 9. Review of Samuel M. Kootz Gallery, New York, 8 Paintings, September 1947.
DEVREE 1947B
 
Devree, Howard. “Groups and Singly: Exhibitions by Four Sculptors—Painting from Traditional to Ultra-Modern.” New York Times, May 4, 1947, sec. 2, p. 10. Review of Samuel M. Kootz Gallery, New York, April 1947.
DEVREE 1948
 
Devree, Howard. “2 Museums Show U.S. Artists’ Work: Exhibitions at Modern Art and Jewish Institution Feature Items by Contemporaries.” New York Times, December 22, 1948, sec. 1, p. 21. Review of Jewish Museum, New York, 1948; and of Museum of Modern Art, New York, December 1948.
DEVREE 1949
 
Devree, Howard. “Out of Our Times: Modern Museum Shows Influence of Art on Daily Life—A Group and Three.” New York Times, October 9, 1949, sec. 2, p. 9. Review of Samuel M. Kootz Gallery, New York, Robert Motherwell Collages, 1943–49, October 1949.
DEVREE 1950A
 
Devree, Howard. “Both Old and New: From the Early Renaissance to Picasso; Range the New Exhibitions.” New York Times, March 5, 1950, sec. C, p. 4. Review of Samuel M. Kootz Gallery, New York, February 1950.
DEVREE 1950B
 
Devree, Howard. “Double Exhibition in Modern Museum: 13 Recently Acquired Paintings Share Honors with Stieglitz and Atget Photographs.” New York Times, March 29, 1950, sec. 1, p. 27. Review of Museum of Modern Art, New York, 1950.
DEVREE 1950C
 
Devree, Howard. “Expanding Horizons: Four Newly Opened Exhibitions Enlarge Our Outlook on Art of Today.” New York Times, June 11, 1950, sec. 2, p. 10. Review of Samuel M. Kootz Gallery, New York, June 1950.
DEVREE 1951A
 
Devree, Howard. “Abstract Export: Controversial ‘Vanguard’ Work to Go to Paris.” New York Times, December 30, 1951, sec. 2, p. 9. Review of Sidney Janis Gallery, New York, 1951.
DEVREE 1951B
 
Devree, Howard. “Annual Round-Up: The Whitney Opens Its Survey for 1951—Recent Work by Knaths and Others.” New York Times, November 11, 1951, sec. 2, p. 9. Review of Whitney Museum of American Art, New York, November 1951.
DEVREE 1951C
 
Devree, Howard. “Modern Outburst: Abstract Work Stressed in Late Season Shows.” New York Times, June 10, 1951, sec. 2, p. 9. Review of Samuel M. Kootz Gallery, New York, June 1951.
DEVREE 1952
 
Devree, Howard. “By Contemporaries: Paintings by Group of Israeli Artists—a Gallery Review—Joseph Floch.” New York Times, November 30, 1952, sec. 2, p. 9. Review of Samuel M. Kootz Gallery, New York, November 1952.
DEVREE 1953
 
Devree, Howard. “New Group Shows: Diverse European and American Artists Represented in Gallery Events.” New York Times, October 11, 1953, sec. 2, p. 12. Review of Samuel M. Kootz Gallery, New York, October 1953.
D[EVREE] 1954
 
D[evree], H[oward]. “About Art and Artists: 2 Galleries Closing with Works of Men Seen There During the Season.” New York Times, May 26, 1954, p. 33. Review of Samuel M. Kootz Gallery, New York, May 1954.
DIALOGUE: THE OHIO ARTS JOURNAL 1983
 
“47th Annual National Midyear Show.” Dialogue: The Ohio Arts Journal 5, no. 6 (July–August 1983): p. 33. Review of Butler Institute of American Art, Youngstown, Ohio, 1983.
DIAMONSTEIN 1974
 
Diamonstein, Barbaralee. “Caro, de Kooning, Indiana, Lichtenstein, Motherwell and Nevelson on Picasso’s Influence” (includes artist’s statements). Artnews 73, no. 4 (April 1974): pp. 44–46.
DIAMONSTEIN 1979A
 
Diamonstein, Barbaralee. Inside New York’s Art World (includes interview with the artist reprinted from Diamonstein 1979b). New York: Rizzoli International, 1979.
DIAMONSTEIN 1979B
 
Diamonstein, Barbaralee. “Inside New York’s Art World: An Interview with Robert Motherwell.” Partisan Review 46, no. 3 (1979): pp. 376–90.
DIARIO DE MALLORCA 1986
 
“Inaugurada la muestra de Motherwell en el Solleric” (text in Spanish). Diario de Mallorca, November 21, 1986, p. 36. Review of traveling exhibition at Palau Solleric, Palma de Mallorca (see Galería Joan Prats, Barcelona, 1986).
DIGBY AND DIGBY 1985
 
Digby, John, and Joan Digby. The Collage Handbook. London: Thames and Hudson, 1985.
DI S. L. 1951
 
G. di S. L. [Spacio–Milano] (text in Italian), no. 6 (December 1951–52): p. 109. Review of Sidney Janis Gallery, New York, 1951.
DINHOFER 1985
 
Dinhofer, Shelly Mehlman. “Brooklyn’s Bounty: Natural Splendor and Domestic Opulence.” Brooklyn Affairs 2, no. 4 (May 1985): pp. 8–9. Review of Museum of the Borough of Brooklyn at Brooklyn College, 1985.
DITTMAR 2005
 
Dittmar, Peter. “Bilder über Bilder” (text in German). Weltkunst 1 (January 2005): p. 98. Review of Museum Morsbroich, Leverkusen, Germany, 2004.
DMFA NEWSLETTER 1967
 
“Museum Activities for October 1967.” DMFA Newsletter, October 1967, n.p.
DOMINO AND HUSSON 1991
 
Domino, Christophe, and Marie-Françoise Husson. L’Art Moderne: Musée National d’Art Moderne, Centre Georges Pompidou (text in French). Paris: Editiona Scala, 1991.
DONNELL 1964
 
Donnell, Radka Zagoroff. “Space in Abstract Expressionism.” Journal of Aesthetics and Art Criticism 23, no. 2 (winter 1964): pp. 239–49.
DORIVAL ET AL. 1964
 
Dorival, Bernard, et al. Peintres Contemporains (text in French; includes artist’s statements). Entry “Robert Motherwell,” pp. 220–21. Paris: Editions d’Art Lucien Mazenod, 1964.
DORTCH 1994
 
Dortch, Virginia M., ed. Peggy Guggenheim and Her Friends (includes artist’s statements). Milan: Berenice Art Books, 1994.
DRISCOLL 1963
 
Driscoll, Edgar J., Jr. “This Week in the Art World: Motherwell at Hayden with ‘Way-Out’ Show.” Boston Globe, February 24, 1963, p. A28. Review of New Gallery, Charles Hayden Memorial Library, Massachusetts Institute of Technology, Cambridge, 1963.
DROHOJOWSKA 1987
 
Drohojowska, Hunter. “Minneapolis: The Interpretive Link.” Artnews 86, no. 2 (February 1987): pp. 29, 31.
DROHOJOWSKA 1988
 
Drohojowska, Hunter. “Art of Living: Fluent Spaces for a Designer’s Beverly Hills House.” Architectural Digest 45, no. 12 (December 1988): pp. 108–17.
DRUDI 1983
 
Drudi, Gabriella. Robert Motherwell Collages. Edited by Gabriele Stocchi. Milan: Multhipla Edizione, 1983.
DRUDI 1984
 
Drudi, Gabriella. Note romane a Robert Motherwell (text in Italian). Milan: Multhipla Edizioni, 1984.
DRUDI 1988A
 
Drudi, Gabriella. “Robert Motherwell: Les Hommes vides” (text in French). Translated from Italian by Alain Degange. Art Press (Paris) 130 (November 1988): pp. 12–13.
DRUDI 1988B
 
Drudi, Gabriella. Robert Motherwell notes romaines (text in French). Translated from Italian by Philippe Di Meo. Paris: Editions de la Différence, 1988.
DUFF 1998
 
Duff, Christina. “In Pay Scales, Life Sometimes Imitates Art.” Wall Street Journal Classroom Edition, September 1998, p. 21.
DUFFY 1975
 
Duffy, Robert. “Motherwell Works Now at Steinberg.” St. Louis Post-Dispatch, March 9, 1975, sec. D, p. 3. Review of Steinberg Hall, Washington University Gallery of Art, Saint Louis, 1975.
DUFFY 1978
 
Duffy, Robert W. “Greenberg on Maryland Plaza.” Saint Louis Post-Dispatch, September 10, 1978, sec. C, p. 5.
DUFFY 1984
 
Duffy, Helen. “Robert Motherwell un art empreint de sensibilité” (text in English and French; includes artist’s statements). Vie des arts 28, no. 114 (March–April–May 1984): pp. 59–61, 92–93. Review of Albright-Knox Art Gallery, Buffalo, 1983.
DUGAN 1952
 
Dugan, James. “The Hamptons.” Park East 12, no. 8 (August 1952): pp. 6–12.
DU JOURNAL 1979
 
“Moderne Kunst aus der Rockefeller-Sammlung” (text in German). Du Journal, no. 5 (May 1979): pp. 60–61.
DU JOURNAL 1980
 
“Bilder und Collagen von Motherwell” (text in German). Du Journal, no. 2 (February 1980): pp. 82–83. Review of Galerie Veith Turske, Cologne, Germany, 1979.
DUMAS 2001
 
Dumas, Timothy. “Motherwell in Greenwich” (includes artist’s statements). Greenwich 54, no. 5 (May 2001): pp. 98–114, 117, 119.
DUNHAM 1975
 
Dunham, Judith L. “Motherwell and Twombly.” Artweek 6, no. 21 (June 14, 1975): pp. 1–2. Review of John Berggruen Gallery, San Francisco, 1975.
DUNLOP 1966
 
Dunlop, Ian. “The Painter Who Gives an Intelligent Man’s Response.” Evening Standard (London), May 1966. Review of the traveling exhibition at Whitechapel Art Gallery, London, March 1966 (see Museum of Modern Art, New York, Robert Motherwell, September 1965).
DUNNE 2009
 
Dunne, Aidan. “A Mixture of the Assertive and Uncertain.” Irish Times (Dublin), April 1, 2009. Review of Hillsboro Fine Art, Dublin, 2009.
DUNNING 2000
 
Dunning, Jennifer. “A Premiere Engagement Is Turned into a Memorial.” New York Times, April 13, 2000, sec. E, p. 5.
DU PLESSIX 1965
 
Du Plessix, Francine, ed. “Painters and Poets.” Art in America 53, no. 5 (October–November 1965): pp. 24–56.
DUROZOI 1998
 
Durozoi, Gérard. Regarder l’art du XXème siècle: 100 chefs-d’oeuvre (text in French). Entry “Robert Motherwell,” pp. 124–25. Paris: Editions Hazan, 1998.
DUTHY 1982
 
Duthy, Robin. “The Investment File: New York School Painting; A Monthly Guide to Art Investment.” Connoisseur (London) 209, no. 839 (January 1982): pp. 49–56.
EAGLE 1967
 
Eagle, Joanna. “Artists as Collectors” (interview with the artist). Art in America 55, no. 6 (November–December 1967): pp. 55–63.
EAST HAMPTON STAR 1952
 
“Prizes Awarded at Guild Hall in Regional Show.” East Hampton Star, July 31, 1952, p. 1. Review of Guild Hall, East Hampton, N.Y., 1952.
EDELSON 1962
 
Edelson, Elihu. “Sarasota Art.” [Sarasota Herald & Tribune], [April 8], 1962, p. 6. Review of John and Mable Ringling Museum of Art, Sarasota, Fla., 1962.
E[DGAR] 1963
 
E[dgar], N[atalie]. “Reviews and Previews.” Artnews 61, no. 9 (January 1963): p. 10. Review of Sidney Janis Gallery, New York, December 1962.
EDGAR 1965
 
Edgar, Natalie. “The Satisfactions of Robert Motherwell.” Artnews 64, no. 6 (October 1965): pp. 38–41, 65–66.
EDITORS OF ART IN AMERICA 1967
 
Editors of Art in America, comps. The Artist in America. Introduction by Lloyd Goodrich. New York: W. W. Norton, 1967.
EDWARDS 1950
 
Edwards, Peter G. “Works Take Many Forms at Center Art Exhibition.” Student Life (Washington University in Saint Louis) 74, no. 24 (January 6, 1950): p. 2. Review of Student Center, Washington University in Saint Louis, 1950.
EDWARDS 1979
 
Edwards, Susan. “Motherwell on Display.” City Choice, June 19, 1979, pp. 8, 21. Review of William Ehrlich Gallery, New York, June 1979.
EGBERT 1967
 
Egbert, Donald Drew. Socialism and American Art: In the Light of European Utopianism, Marxism, and Anarchism. Princeton, N.J.: Princeton University Press, 1967.
ELDERFIELD 1972
 
Elderfield, John. “Abstract Painting in the Seventies.” Art International 16, nos. 6–7 (summer 1972): pp. 92–94. Review of Museum of Fine Arts, Boston, 1972.
ELGER AND KREMPEL 2003
 
Elger, Dietmar, and Ulrich Krempel. Sprengel Museum Hannover: Malerei und Plastik (text in German). Vol. 2, Bestandsverzeichnis. Hannover, Germany: Sprengel Museum Hannover, 2003.
ELIASOPH 1987
 
Eliasoph, Philip. “Elegy to the Object: Motherwell’s Collaged Images.” Advocate and Greenwich Time, May 17, 1987, sec. D, p. 5. Review of the traveling exhibition at Hurlbutt Gallery, Greenwich Library, Conn., May 1987 (see Walker Art Center, Minneapolis, 1985).
ELIOT 1957
 
Eliot, Alexander. Three Hundred Years of American Painting. Introduction by John Walker. New York: Time, 1957.
ELLENZWEIG 1975
 
Ellenzweig, Allen. “Arts Reviews.” Arts Magazine 49, no. 7 (March 1975): p. 21. Review of Knoedler & Company, New York, January 1975.
ELLENZWEIG 1976
 
Ellenzweig, Allen. “Arts Reviews.” Arts Magazine 50, no. 7 (March 1976): p. 22. Review of Rosa Esman Gallery, New York, 1976.
ENGBERG AND BANACH 2003
 
Engberg, Siri, and Joan Banach. Robert Motherwell: The Complete Prints, 1940–1991; Catalogue Raisonné. Minneapolis: Walker Art Center, 2003.
ENRIGHT 1989
 
Enright, Robert. “The Monumental Diarist: An Interview with Robert Motherwell” (interview with the artist). Border Crossings 8, no. 4 (November 1989): pp. 7–17.
ERAUSQUIN 1987
 
Erausquin, S. “Un Histórico del expresionismo abstracto expone en Madrid” (text in Spanish). Expansion, March 20, 1987. Review of Galería Joan Prats, Barcelona, 1987.
EVERITT 1975
 
Everitt, Anthony. Abstract Expressionism. London: Thames and Hudson, 1975.
FABRI 1965
 
Fabri, Ralph. “First Motherwell Retrospective.” Today’s Art, November 1965, pp. 9–10. Review of Museum of Modern Art, New York, Robert Motherwell, September 1965.
FAIRBURN 1984
 
Fairburn, Gordon R. “ ‘The Whiteness of the Whale.’ ” Art/World 9, no. 3 (December 11–January 11, 1984): pp. 1, 4. Review of Solomon R. Guggenheim Museum, New York, 1984.
FAISON 1952A
 
Faison, S. Lane, Jr. “Art.” Nation 174, no. 15 (April 12, 1952): pp. 354–55. Review of Whitney Museum of American Art, New York, March 1952.
FAISON 1952B
 
Faison, S. Lane, Jr. “Art.” Nation 174, no. 16 (April 19, 1952): pp. 391–92. Review of Samuel M. Kootz Gallery, New York, Robert Motherwell: Paintings, Drawings, and Collages, April 1952.
FAISON 1953
 
Faison, S. Lane, Jr. “Art.” Nation 176, no. 16 (April 18, 1953): pp. 333–34. Review of Samuel M. Kootz Gallery, New York, April 1953.
FAISON 1954
 
Faison, S. Lane, Jr. “Art.” Nation 178, no. 24 (June 12, 1954): p. 509. Review of Solomon R. Guggenheim Museum, New York, 1954.
FAISON 1955
 
Faison, S. Lane, Jr. “Art.” Nation 181, no. 27 (December 31, 1955): pp. 582–83. Review of Carnegie Institute, Pittsburgh, 1955.
FAISON 1964
 
Faison, S. Lane, Jr. Art Tours & Detours in New York State. New York: Random House, 1964.
FAISON 1991
 
Faison, S. Lane, Jr. “Homer to Motherwell to Nature.” Berkshire Eagle (Pittsfield, Mass.), July 30, 1991, sec. A, p. 10.
FALGÀS 1995
 
Falgàs, Jordi. “The Art of Robert Motherwell and the Poetry of Federico García Lorca, Rafael Alberti and Octavio Paz” (includes artist’s statements). M.A. thesis, Michigan State University, 1995.
FARBER 1944
 
Farber, Manny. “The Art of Contrast.” New Republic 111, no. 20 (November 13, 1944): p. 626. Review of Art of This Century, New York, October 1944.
FARBER 1951
 
Farber, Manny. “Art.” Nation 173, no. 25 (December 22, 1951): pp. 555–56. Review of Whitney Museum of American Art, New York, November 1951.
FARNSWORTH 1964
 
Farnsworth, Clyde. “Tate Gallery Shows 310 Works Ranging from Matisse to Pop.” New York Times, April 21, 1964, p. 26. Review of Tate Gallery, London, April 1964.
FAY 1961
 
Fay, Jean D. “Vassar Exhibition of Drawings.” Art Journal 20, no. 4 (summer 1961): pp. 234, 236. Review of Vassar College, Poughkeepsie, N.Y., 1961.
FEIGENBAUM 1978
 
Feigenbaum, Joan. “Artist Speaks at Carpenter, Lauds Matisse” (includes artist’s statements). Harvard Crimson, February 24, 1978, p. 1.
FELDMAN 1992
 
Feldman, Edmund Burke. Varieties of Visual Experience. 4th ed. New York: Harry N. Abrams, 1992.
FENTON 1966
 
Fenton, John H. “Abstract Mural Stirs Bostonians: Viewers Link Motherwell Work to Kennedy Death” (includes artist’s statements). New York Times, August 13, 1966, p. 22.
FENTON 1970–71
 
Fenton, Terry. “The David Mirvish Opening Show.” Artscanada 27, nos. 150–51 (December 1970–January 1971): pp. 57–58. Review of David Mirvish Gallery, Toronto, September 1970.
FERLINGHETTI 1990
 
Ferlinghetti, Lawrence. When I Look at Pictures. Salt Lake City: Peregrine Smith Books, 1990.
FIGUEROLA-FERRETTI 1980
 
Figuerola-Ferretti, Luis. “El Arte en Madrid” (text in Spanish). Goya: Revista de arte (Madrid), no. 156 (May–June 1980): p. 360. Review of the traveling exhibition at Fundación Juan March, Madrid, April 1980 (see Centro Cultural de la Caixa de Pensions, Barcelona, 1980).
FINBERG 1956
 
Finberg, Earl. “Students Object to Nonobjective Art.” Duluth News-Tribune, August 16, 1956, pp. 1, 5. Review of Kirby Student Center, University of Minnesota, Duluth, 1956.
FINEBERG 1978
 
Fineberg, Jonathan. “Death and Maternal Love: Psychological Speculations on Robert Motherwell’s Art” (includes artist’s statements). Artforum 17, no. 1 (September 1978): pp. 52–57.
FINEBERG 1995
 
Fineberg, Jonathan. Art since 1940: Strategies of Being. London: Laurence King, 1995.
FINEBERG 2000
 
Fineberg, Jonathan. Art since 1940: Strategies of Being. 2nd ed. Englewood Cliffs, N.J.: Prentice Hall, 2000.
FIRESTONE 1981
 
Firestone, Evan R. “Color in Abstract Expressionism: Sources and Background for Meaning” (includes artist’s statements). Arts Magazine 55, no. 7 (March 1981): pp. 140–43.
FIRESTONE 1982
 
Firestone, Evan R. “James Joyce and the First Generation New York School” (includes artist’s statements). Arts Magazine 56, no. 10 (June 1982): pp. 116–21.
FIRESTONE 1994
 
Firestone, Evan R. “Fritz Bultman: The Case of the Missing ‘Irascible’ ” (includes artist’s statements). Archives of American Art Journal 34, no. 2 (1994): pp. 11–20.
FISCHER [1950]
 
Fischer, Klaus J. “Was ist Tachismus?” (text in German). Das Kunstwerk 5, no. 9 [September 1950]: p. 11.
FISHER 1992
 
Fisher, Allen. “Plurality and the Reproduced: A Selective Approach to American Visual Arts in the 1950s.” In Cracking the Ike Age: Aspects of Fifties America, edited by Dale Carter, pp. 150–78. Aarhus, Denmark: Aarhus University Press, 1992.
FITZSIMMONS 1951
 
Fitzsimmons, James. “Artists Put Faith in New Ecclesiastic Art.” Art Digest 26, no. 2 (October 15, 1951): pp. 15, 23.
FITZSIMMONS 1952A
 
Fitzsimmons, James. “Art for Export: Will It Survive the Voyage?” Art Digest 26, no. 7 (January 1, 1952): p. 9. Review of Sidney Janis Gallery, New York, 1951.
FITZSIMMONS 1952B
 
Fitzsimmons, James. “Illusions of Simplicity.” Art Digest 26, no. 13 (April 1, 1952): p. 18. Review of Samuel M. Kootz Gallery, New York, Robert Motherwell: Paintings, Drawings, and Collages, April 1952.
F[ITZSIMMONS] 1953A
 
F[itzsimmons], J[ames]. “57th Street.” Art Digest 27, no. 17 (June 1953): p. 16. Review of Samuel M. Kootz Gallery, New York, May 1953.
F[ITZSIMMONS] 1953B
 
F[itzsimmons], J[ames]. “57th Street.” Art Digest 27, no. 14 (April 15, 1953): p. 17. Review of Samuel M. Kootz Gallery, New York, April 1953.
FITZSIMMONS 1954
 
Fitzsimmons, James. “Robert Motherwell.” Design Quarterly, no. 29 (1954): pp. 18–22.
FLAM 1983
 
Flam, Jack D. “With Robert Motherwell.” In Robert Motherwell (exhibition catalogue), pp. 9–27. New York: Abbeville Press, in association with Albright-Knox Art Gallery, 1983.
FLAM 1985
 
Flam, Jack. “Robert Motherwell’s Collage Prints.” In Robert Motherwell: The Collaged Image (exhibition catalogue), pp. 7–27. Minneapolis: Walker Art Center, 1985.
FLAM 1991
 
Flam, Jack. Motherwell (includes artist’s statements). Oxford: Phaidon, 1991.
FLASH ART 1977
 
“Robert Motherwell” (text in English and Italian; includes artist’s statements). Flash Art, nos. 70–71 (January–February 1977): pp. 48–49.
FLORES 1968
 
Flores, Margarita García. “Con Robert Motherwell: Expone en el Museo Universitario de Ciencias y Arte” (text in Spanish; interview with the artist). Siempre (1968).
FLORIDA DESIGN 2008
 
Florida Design 17, no. 4 (2008): cover.
FLOWERS AND CURTIS 2000
 
Flowers, Arthur, and Anthony Curtis. The Art of Gambling through the Ages. Foreword by LeRoy Neiman. Las Vegas: Huntington Press, 2000.
FOCILLON AND CEULEERS 2008
 
Focillon, Henri, and Jan Ceuleers. Artists’ Handbook: George Wittenborn’s Guestbook, with 21st Century Additions. Ghent, Belgium: Ludion, 2008.
FOLL 1990
 
Le Foll, Josephine. “Motherwell: Peintures et collages” (text in French). Maison Francaise, no. 441 (November 1990): p. 44. Review of Artcurial Centre d’Art Plastique Contemporain, Paris, 1990.
FOREMAN 1977
 
Foreman, Laura. “ ‘Good Humor’ Rules at Mondale Modern Art Show.” New York Times, March 24, 1977, sec. D, p. 16. Review of Admiral’s House, vice presidential residence, Washington, D.C., 1977.
FORGEY 1972
 
Forgey, Benjamin. “Motherwell’s Miracle.” Evening Star (Washington, D.C.), November 17, 1972, sec. B, p. 1.
FORGEY 1975
 
Forgey, Benjamin. “Corcoran Show Is Mostly Big.” Washington Star, February 21, 1975, sec. B, pp. 1–2. Review of Corcoran Gallery of Art, Washington, D.C., 1975.
FORGEY 1977
 
Forgey, Benjamin. “Mural-Sized Canvas Coming Here from Motherwell?” Washington Star, June 28, 1977, sec. D, p. 2.
FORGEY 1978A
 
Forgey, Benjamin. “Kinetic Spaces: A Competition for the Eye.” Washington Star, May 28, 1978, sec. Calendar, p. 3.
FORGEY 1978B
 
Forgey, Benjamin. “Of Mystery and Beauty at the East Building.” Washington Star, July 30, 1978, sec. E, p. 3. Review of National Gallery of Art, Washington, D.C., 1978.
FORMAN 1979
 
Forman, Debbie. “The Light in Robert Motherwell’s Art: Artist Uses P’town Colors in His Work” (interview with the artist). Cape Cod Times, September 10, 1979, pp. 13, 20.
FORMAN 1980
 
Forman, Deborah. “The Boston Magazine Interview: Robert Motherwell” (interview with the artist). Boston Magazine 72, no. 7 (July 1980): pp. 55–69.
FORMAN 1983
 
Forman, Debbie. “Motherwell Draws on Irish Author” (includes artist’s statements). Cape Cod Times, June 14, 1983, p. 13. Review of Provincetown Art Association and Museum, Mass., 1983.
FORMAN 1991A
 
Forman, Debbie. “A Bright Light Goes Out of Art World” (obituary; includes artist’s statements). Cape Cod Times, July 21, 1991, sec. E, p. 8.
FORMAN 1991B
 
Forman, Debbie. “Friends Remember Artist at His ‘Special Place’ ” (obituary). Cape Cod Times, July 21, 1991, sec. A, pp. 1, 7.
FORMAN 1991C
 
Forman, Debbie. “Motherwell Brings Stature, Colleagues to Museum Exhibit.” Capeweek (Cape Cod Times magazine), June 21, 1991, p. 7. Review of Cape Museum of Fine Arts, Dennis, Mass., 1991.
FORMAN 1991D
 
Forman, Debbie. “Tribute to Motherwell: Long Point Exhibit Small Gem of a Show.” Cape Cod Times, August 31, 1991, sec. C, p. 1. Review of Long Point Gallery, Provincetown, Mass., August 1991.
FORTUNE 1953
 
“Faith Speaking through Modern Art.” Fortune 48, no. 6 (December 1953): pp. 123–29.
FORTUNE 1962
 
“ ‘Art: USA: Now’: Thanks to a Wax Company.” Fortune 66, no. 3 (September 1962): pp. 132–39. Review of United States Information Agency, Washington, D.C., 1962.
FORT WORTH ART MUSEUM CALENDAR 1985A
 
“Grand Compositions: Selections from the Collection of David Mirvish.” Fort Worth Art Museum Calendar, March–April 1985, front and back cover, pp. 6–7.
FORT WORTH ART MUSEUM CALENDAR 1985B
 
“Robert Motherwell: Stephen’s Iron Crown and Related Works.” Fort Worth Art Museum Calendar, September–October 1985, cover, pp. 1–5, 16.
FOSTER 1980
 
Foster, Stephen C. The Critics of Abstract Expressionism (includes artist’s statements). Studies in the Fine Arts: Criticism 2. Ann Arbor, Mich.: UMI Research Press, 1980.
FOSTER ET AL. 2004
 
Foster, Hal, Rosalind Krauss, Yve-Alain Bois, and Benjamin H. D. Buchloh. Art since 1900: Modernism, Anti-Modernism, Postmodernism. New York: Thames and Hudson, 2004.
FOWLER 1984
 
Fowler, Carol. “Retrospective Honors Motherwell Youngest of the New York School” (includes artist’s statements). Contra Costa Times, April 23, 1984, sec. A, p. 15. Review of the traveling exhibition at San Francisco Museum of Modern Art, April 1984 (see Albright-Knox Art Gallery, Buffalo, 1983).
FRACKMAN 1978
 
Frackman, Noel. “Arts Reviews.” Arts Magazine 53, no. 1 (September 1978): p. 24. Review of Knoedler & Company, New York, 1978.
FRANÇA 1991
 
França, J[osé]-A[ugusto]. “Bibliographia: Robert Motherwell—notes romaines” (text in Portuguese, book review). Colóquio Artes 88, no. 2 (March 1991): p. 74.
FRANCOU 1990
 
Francou, Michel-Marie. “Motherwell et son oeuvre vivante” (text in French). Elle (Neuilly-sur-Seine, France), no. 2334 (October 1990): p. 28. Review of Artcurial Centre d’Art Plastique Contemporain, Paris, 1990.
FRANKENSTEIN 1945
 
Frankenstein, Alfred. “A Critic Reviews the Contemporary American Painting Exhibition.” Bulletin of the California Palace of the Legion of Honor Museum 3, no. 2 (June 1945): pp. 114–27. Review of California Palace of the Legion of Honor, San Francisco, 1945.
FRANKENSTEIN 1946A
 
Frankenstein, Alfred. “Art Exhibits: Posada Prints Reveal a ‘Man of the People.’ ” San Francisco Chronicle, April 7, 1946, p. 7. Review of the traveling exhibition at San Francisco Museum of Art, March 1946 (see Arts Club of Chicago, 1946).
FRANKENSTEIN 1946B
 
Frankenstein, Alfred. “Showings at Local Art Galleries: Spring Annual Due at Legion of Honor.” San Francisco Chronicle, March 31, 1946, p. 9. Review of the traveling exhibition at San Francisco Museum of Art, March 1946 (see Arts Club of Chicago, 1946).
FRANKENSTEIN 1953
 
Frankenstein, Alfred. “A Word of Warning Take the Pittsburgh Art Show Slowly.” San Francisco Chronicle, February 1, 1953, sec. “This World,” pp. 22, 23. Review of the traveling exhibition at California Palace of the Legion of Honor, San Francisco, February 1953 (see Carnegie Institute, Pittsburgh, 1952).
FRANKENSTEIN 1967A
 
Frankenstein, Alfred. “Elegies, Anguish, and Lyric Suites.” San Francisco Sunday Examiner & Chronicle, March 5, 1967, pp. 26–27. Review of the circulating exhibition at San Francisco Museum of Art, February 1967 (see Museum of Modern Art, New York, Robert Motherwell: Works on Paper, September 1965).
FRANKENSTEIN 1967B
 
Frankenstein, Alfred. “The Latest Crop of Endowment Grants.” San Francisco Sunday Examiner & Chronicle, February 19, 1967, pp. 37–38.
FRANKENSTEIN 1977
 
Frankenstein, Alfred. “U.S. Abstract Art since 1945—A Rare Exhibit.” San Francisco Chronicle Examiner, May 1, 1977, p. 49. Review of San Francisco Museum of Modern Art, 1977.
FRANKS 2002
 
Franks, Pamela. The Tiger’s Eye: The Art of a Magazine (exhibition catalogue). New Haven, Conn.: Yale University Art Gallery, 2002.
FRANZKE 1977
 
Franzke, Andreas. “Museen und Galerien” (text in German). Pantheon 35, no. 1 ([January] 1977): pp. 64–66. Review of Städtische Kunsthalle Düsseldorf, 1976.
FRANZKE 1994
 
Franzke, Andreas. “Uber Robert Motherwell: Ausgleich von Gegensatzen” (text in German). Kunstler: Kritische Lexikon der Gegenwartskunst (Verlage Weltkunst und Bruckmann), no. 25 (1994): pp. 1–16.
FRASCINA 1999
 
Frascina, Francis. Art, Politics and Dissent: Aspects of the Art Left in Sixties America. Manchester, England: Manchester University Press, 1999.
FRASER 1985
 
Fraser, C. Gerald. “Exhibition Pays Tribute to Kunitz” (includes artist’s statements). New York Times, July 15, 1985, sec. C, p. 18. Review of Long Point Gallery, Provincetown, Mass., 1985.
FREDERICK R. WEISMAN FOUNDATION 1984
 
Frederick R. Weisman Foundation. Vol. 1. Los Angeles: Frederick R. Weisman Foundation, 1984.
FREDERICK R. WEISMAN FOUNDATION 1985
 
Frederick R. Weisman Foundation of Art. Vol. 2. Los Angeles: Frederick R. Weisman Foundation of Art, 1985.
FREDERICK R. WEISMAN PHILANTHROPIC FOUNDATION 2007
 
The Frederick R. Weisman Art Foundation Collection. Foreword by Richard Koshalek. Entry “Robert Motherwell,” by Rosalind Bickel and Joseph R. Wolin, pp. 242–45. Los Angeles: Frederick R. Weisman Philanthropic Foundation, 2007.
FREED 1972A
 
Freed, Eleanor. “Collages by Motherwell.” Houston Post, November 19, 1972, sec. Spotlight, pp. 8–9. Review of Museum of Fine Arts, Houston, November 1972.
FREED 1972B
 
Freed, Eleanor. “Robert Motherwell Expresses Views on World of Art” (interview with the artist). Houston Post, November 17, 1972, sec. A, p. 22.
FREEDMAN 1985
 
Freedman, Samuel G. “How Inner Torment Feeds the Creative Spirit” (includes interview with the artist). New York Times, November 17, 1985, sec. 2, pp. 1, 22.
FREIREICH 1961
 
Freireich, Paul. “How Jewish Is Jewish Art—If It Is at All?” National Jewish Post and Opinion 17, no. 11 (November 10, 1961): p. 12.
FREUD 1956
 
Freud, Sigmund. Delusion and Dream and Other Essays. Edited and introduction by Philip Rieff. Boston: Beacon Press, 1956, cover.
FREUDENHEIM 1973
 
Freudenheim, Tom L. “The Robert and Jane Meyerhoff Collection.” Baltimore Museum of Art Record 3, no. 5 (January–February 1973): n.p.
FREUDENHEIM 2010
 
Freudenheim, Tom L. “Abstraction in the Synagogue.” Wall Street Journal, April 15, 2010, sec. D, p. 9. Review of Jewish Museum, New York, 2010.
FRIED 1963
 
Fried, Michael. “New York Letter.” Art International 7, no. 1 (January 25, 1963): pp. 68–70, 72. Review of Sidney Janis Gallery, New York, December 1962.
FRIED 1967
 
Fried, Alexander. “In Art, What Counts Is How Your Mind Sees It.” San Francisco Sunday Examiner & Chronicle, March 5, 1967, sec. 2, p. 4. Review of the traveling exhibition at San Francisco Museum of Art, February 1967 (see Museum of Modern Art, New York, Robert Motherwell: Works on Paper, September 1965).
FRIEDMAN 1972
 
Friedman, B. H. Jackson Pollock: Energy Made Visible (includes artist’s statements). New York: McGraw-Hill, 1972.
FRIEDMAN 1986
 
Friedman, B. H. Crosscurrents (exhibition catalogue). East Hampton, N.Y.: Guild Hall of East Hampton; Provincetown, Mass.: Provincetown Art Association and Museum, 1986.
FRIEDMAN 1987
 
Friedman, Dorothy. “American-Scottish Foundation to Honor Robert Motherwell.” Greenwich Time, April 24, 1987, sec. A, p. 8. Review of the traveling exhibition at Hurlbutt Gallery, Greenwich Library, Conn., May 1987 (see Walker Art Center, Minneapolis, 1985).
FRIEDMAN 1992
 
Friedman, B. H. “Robert Motherwell: Excerpts from the Journals of B. H. Friedman” (includes artist’s statements). Provincetown Arts 8 (1992): pp. 35–39.
FRIEND 1973
 
Friend, Miriam. “Art Museum: Major Motherwell Show Opening.” Princeton Packet, January 3, 1973, p. 19. Review of Art Museum, Princeton University, N.J., 1973.
FRIENDS OF ART AND PRESERVATION IN EMBASSIES 2001
 
Friends of Art and Preservation in Embassies. Gift to the Nation. Washington, D.C.: Friends of Art and Preservation in Embassies, 2001.
FRIGERIO 1961
 
Frigerio, Simone. “Les Expositions” (text in French). Aujourd’hui 6, no. 33 (October 1961): p. 30. Review of Galerie Heinz Berggruen, Paris, 1961.
FROOMKIN ET AL. 2000
 
Froomkin, Victoria A., Susan Curtiss, Bruce P. Hayes, Nina Hyams, Patricia A. Keating, Hilda Koopman, Pamela Munro, et al. Linguistics: An Introduction to Linguistic Theory. Edited by Victoria A. Froomkin. Malden, Mass.: Blackwell, 2000, cover.
FUCHS 1990
 
Fuchs, Kenneth. About the Program (brochure to accompany a musical performance at the Merkin Concert Hall, Abraham Goodman House, January 14, 1990). New York: New York Philharmonic Ensembles, 1990.
G. 1949
 
R. G. “Reviews and Previews.” Artnews 47, no. 7, pt. 1 (November 1949): pp. 50–51. Review of Samuel M. Kootz Gallery, New York, Robert Motherwell Collages, 1943–49, October 1949.
GALLERY GUIDE 1977
 
Gallery Guide, January 11–February 5, 1977, p. 29.
GALLERY NOTES 1958
 
“Annual Report 1956–1957.” Gallery Notes (Buffalo Fine Arts Academy, Albright-Knox Art Gallery) 21, no. 1 (April 1958).
GALLERY NOTES 1974
 
“Exhibitions and Acquisitions.” Gallery Notes (Buffalo Fine Arts Academy, Albright-Knox Art Gallery) 38, no. 1 (1974): pp. 13–93.
GAMAREKIAN 1985
 
Gamarekian, Barbara. “National Gallery Assembles a 20th-Century Show.” New York Times, September 8, 1985, sec. 1, p. 76.
GARCIA 1980
 
Garcia, Angel Gonzalez. “El Ultimo de los ‘pintores negros’ ” (text in Spanish). El Pais Artes (Madrid), no. 24 (April 19, 1980): p. 3. Review of the traveling exhibition at Fundación Juan March, Madrid, April 1980 (see Centro Cultural de la Caixa de Pensions, Barcelona, 1980).
GARCIA-HERRAIZ 1982
 
Garcia-Herraiz, Enrique. “Cronica de Nueva York” (text in Spanish). Goya: Revista de Arte (Madrid), no. 166 (January–February 1982): pp. 226–28.
GARCIA-HERRAIZ 1985
 
Garcia-Herraiz, Enrique. “Cronica de Estados Unidos” (text in Spanish). Goya: Revista de Arte (Madrid), no. 185 (March–April 1985): p. 307. Review of Solomon R. Guggenheim Museum, New York, 1984.
GARDNER 1982
 
Gardner, Paul. “Will Success Spoil Bob & Jim, Louise & Larry?” (interview with the artist). Artnews 81, no. 9 (November 1982): pp. 102–9.
GARDNER 1985
 
Gardner, Paul. “When Is a Painting Finished?” (editorial symposium, includes artist’s statements). Artnews 84, no. 9 (November 1985): p. 94.
GARESSE 1987
 
Garesse, Antonio. “Robert Motherwell” (text in Spanish). Formas Plasticas, April 1987, p. 20. Review of the traveling exhibition at Galería Juana Mordó, Madrid, March 1987 (see Galería Joan Prats, Barcelona, 1986).
GAUER 2004
 
Gauer, Walter. “Meister des Abstrakten Expressionismus” (text in German). Luremburger Wort, November 23, 2004. Review of Museum Morsbroich, Leverkusen, Germany, 2004.
GAUGH 1978
 
Gaugh, Harry F. “Monographs” (book review). Art in America 66, no. 2 (March–April 1978): pp. 29, 31.
GAUGH 1985
 
Gaugh, Harry F. “Elegy for an Exhibition” (includes artist’s statements). Artnews 85, no. 3 (March 1985): pp. 71–75. Review of Solomon R. Guggenheim Museum, New York, 1984.
GAUL 1963
 
Gaul, Winifred. “Amerika, Hast du es besser?” (text in German). Das Kunstwerk 9, no. 16 (March 1963): pp. 2–13.
GAUL 2009
 
Gaul, Alma. “Famous Art from the U of Iowa Comes to Figge.” Quad-City Times (Davenport, Iowa), March 19, 2009.
GAY 1976
 
Gay, Peter. Art and Act: On Causes in History—Manet, Gropius, Mondrian (includes artist’s statements). New York: Harper and Row, 1976.
LA GAZETTE DE L’HÔTEL DROUOT 1990
 
“Les Expositions” (text in French). La Gazette de L’Hôtel Drouot (Paris) 99, no. 36 (October 12, 1990): pp. 126–28. Review of Artcurial Centre d’Art Plastique Contemporain, Paris, 1990.
GEESLIN 1958
 
Geeslin, Campbell. “Drawings as Art, or Variety Unlimited.” [Houston Post], November 23, 1958. Review of Contemporary Arts Museum, Houston, 1958.
GEISSLER 2005
 
Geissler, Peter. Nonverbale interaktion in der Psychotherapie: Forschung und Relevanz im therapeutischen Prozess (text in German). Giessen, Germany: Psychosozial-Verlag, 2005, cover.
GELDZAHLER 1965
 
Geldzahler, Henry. American Painting in the 20th Century. New York: Metropolitan Museum of Art, 1965.
GELLES 1984
 
Gelles, George. “Motherwell: Call of the Sea and Window of the Soul” (includes artist’s statements). Arts Line 2, no. 2 (June 1984): cover, pp. 10–11, 37–38.
GENAUER 1946
 
Genauer, Emily. “Under the Hammer.” New York World-Telegram, March 23, 1946, p. 9.
GENAUER 1950A
 
Genauer, Emily. “Art and Artists: Artists under 36, Index to Present Day Painting, Builds Case for Youth.” New York Herald Tribune, March 26, 1950, sec. 5, p. 4. Review of Metropolitan Museum of Art, New York, 1950.
G[ENAUER] 1950B
 
G[enauer], E[mily]. “Art for Summer Viewing in New York Galleries.” New York Herald Tribune, August 13, 1950, sec. 5, p. 5. Review of Samuel M. Kootz Gallery, New York, [August] 1950.
GENAUER 1951A
 
Genauer, Emily. “Art and Artists: Collectors’ Personalities Show Up in Modern Museum Loan Exhibition.” New York Herald Tribune, July 1, 1951, sec. 4, p. 4. Review of Museum of Modern Art, New York, June 1951.
GENAUER 1951B
 
Genauer, Emily. “Art and Artists: U.S. Abstractionists Execute Fine Decor for a New Jersey Synagogue.” New York Herald Tribune, October 7, 1951, sec. 4, p. 9.
GENAUER 1953
 
Genauer, Emily. “Works of Faith.” New York Herald Tribune, May 24, 1953, sec. “This Week” Magazine, p. 12.
GENAUER 1954
 
Genauer, Emily. “Art and Artists: Yale Links Pen, Brush and Chisel” (book review). New York Herald Tribune, June 6, 1954, sec. Book Review, p. 18.
GENAUER 1958
 
Genauer, Emily. “U.S. Art Going to Brussels Called Scandal: Selections Missing Chance to Erase Label of ‘Materialistic’ Culture.” New York Herald Tribune, March 17, 1958, pp. 1, 13. Review of United States Pavilion, Brussels World’s Fair, 1958.
GENAUER 1959A
 
Genauer, Emily. “Art: The Great Void; Now Come ‘Inaction’ Painters Shouting a Significant Silence.” New York Herald Tribune, March 15, 1959, sec. 4, p. 7. Review of Sidney Janis Gallery, New York, March 1959.
GENAUER 1959B
 
Genauer, Emily. “Hours of Art Talk Draw Top Response.” New York Herald Tribune, May 24, 1959, sec. 4, p. 7.
GENAUER 1965A
 
Genauer, Emily. “A Wish at Motherwell Show.” New York Herald Tribune (morning edition), October 1, 1965. Review of Museum of Modern Art, New York, Robert Motherwell, September 1965.
GENAUER 1965B
 
Genauer, Emily. “Motherwell Show: ‘Shut Up and Paint.’ ” New York Herald Tribune (evening edition), October 1, 1965, p. 23. Review of Museum of Modern Art, New York, Robert Motherwell, September 1965.
GEORGE 1955
 
“Contemporary Americans.” Art Digest 29, no. 12 (March 15, 1955): pp. 14–15. Review of College of Fine and Applied Arts, Urbana, Ill., 1955.
GEORGIA O’KEEFFE MUSEUM MEMBER NEWS 2001
 
Georgia O’Keeffe Museum Member News (includes artist’s statements), spring–summer 2001, cover, p. 2.
GERDTS 2003
 
Gerdts, William H. American Art at the Flint Institute of Arts. Contributions by Kelly Baum, Monique M. Desormeau, Melissa Miller Farr, John B. Henry III, Melina Kervandjian, Valerie Ann Leeds, Akella Reason, R. Sarah Richardson, Sue Scott, and Kristie Everett Zamora. Entry 88, “Robert Motherwell,” by Sue Scott, pp. 180–81. Flint, Mich.: Flint Institute of Arts, in association with Hudson Hills Press, New York, 2003.
GESKE AND JANOVY 1988
 
Geske, Norman A., and Karen O. Janovy, eds. The American Painting Collection of the Sheldon Memorial Art Gallery. Lincoln: University of Nebraska Press, 1988.
GIBBS 1945
 
Gibbs, Jo. “Kootz Opens Gallery.” Art Digest 19, no. 14 (April 15, 1945): pp. 11, 31. Review of Samuel M. Kootz Gallery, New York, April 1945.
GIBBS 1946A
 
Gibbs, Jo. “Fourteen Moderns at the Modern.” Art Digest 20, no. 20 (September 15, 1946): pp. 5, 30–31. Review of Museum of Modern Art, New York, September 1946.
GIBBS 1946B
 
Gibbs, Jo. “Sculpture Dominates Whitney Exhibition.” Art Digest 20, no. 10 (February 15, 1946): p. 6. Review of Whitney Museum of American Art, New York, February 1946.
GIBSON 1977
 
Gibson, Michael. “Art in Paris: Robert Motherwell–A Survivor” (interview with the artist). International Herald Tribune, July 9–10, 1977, p. 7.
GIBSON 1984
 
Gibson, Ann. “Theory Undeclared: Avant-Garde Magazines as a Guide to Abstract Expressionist Images and Ideas” (includes artist’s statements). Ph.D. diss., University of Delaware, 1984.
GIBSON 1988
 
Gibson, Ann. “Abstract Expressionism’s Evasion of Language.” Art Journal 47, no. 3 (fall 1988): pp. 208–14.
GIBSON 1990
 
Gibson, Ann Eden. Issues in Abstract Expressionism: The Artist-Run Periodicals (includes artist’s statements). Ann Arbor, Mich.: UMI Research Press, 1990.
GIBSON 1997
 
GILBERT 1998
 
Gilbert, Gregory Mark. “The Alternate Aesthetic: Robert Motherwell’s Early Collages and the Formative Years of Abstract Expressionism” (includes artist’s statements). Ph.D. diss., State University of New Jersey, Rutgers, 1998.
GILBERT 2001
 
Gilbert, Gregory. “The Collected Writings of Robert Motherwell” (book review). Art Journal 60, no. 3 (fall 2001): pp. 107–9.
GILBERT 2004A
 
Gilbert, Gregory. “Robert Motherwell’s Collage and Cutout Aesthetic.” Country and Abroad 9, no. 6 (November 2004): p. 61.
GILBERT 2004B
 
Gilbert, Gregory. “Robert Motherwell’s World War Two Collages: Signifying War as Topical Spectacle in Abstract Expressionist Art.” Oxford Art Journal 27, no. 3 (2004): pp. 311–37.
GILLOOLY 1966
 
Gillooly, Ed. “Painting of JFK Shooting Stirs Up Storm of Protests.” Record American (Boston), August 12, 1966, p. 2.
GLENN 1981
 
Glenn, Constance W. “The Collectors: Contemporary Art; Mr. and Mrs. John Martin Shea in Palm Springs.” Architectural Digest 38, no. 11 (November 1981): pp. 108–15.
GLENN 1982A
 
Glenn, Constance W. “Art: Contemporary Collage; The Mixture of Form and Medium.” Architectural Digest 39, no. 5 (May 1982): pp. 104–9.
GLENN 1982B
 
Glenn, Constance W. “The Collectors: A House Created for Art; Mr. and Mrs. Jimmy J. Younger in Houston.” Architectural Digest 39, no. 4 (April 1982): pp. 100–105.
GLENN 1983
 
Glenn, Constance W. “The Collectors: A Cultivated Vision; Mr. and Mrs. Gifford Phillips in New York City.” Architectural Digest 40, no. 6 (June 1983): pp. 110–17.
GLENN 1984
 
Glenn, Constance W. “Architectural Digest Visits: Mr. and Mrs. Robert Motherwell” (interview with the artist). Architectural Digest 41, no. 1 (January 1984): cover, pp. 84–91.
GLENN AND GLENN 1988
 
Glenn, Constance, and Jack Glenn. Robert Motherwell: The Dedalus Sketchbooks (includes artist’s statements). New York: Harry N. Abrams, 1988.
GLIMCHER 1991
 
Glimcher, Mildred. “ ‘Art of the Forties’ Surveys Cultural Revolution: The Museum of Modern Art Examines Its Own Role in Shaping the Art of Our Time.” Journal of Art, March 1991, p. 11. Review of Museum of Modern Art, New York, 1991.
GLOVER 2009
 
Glover, Michael. “Robert Motherwell: Bernard Jacobson.” Artnews 108, no. 9 (October 2009): pp. 138–39. Review of Bernard Jacobson Gallery, London, June 2009.
GLOWEN 1984
 
Glowen, Ron. “Motherwell’s Exhibit: A Trip into the Abstract.” [Publication unknown] (Seattle), June 21, 1984. Review of the traveling exhibition at Seattle Art Museum, June 1984 (see Albright-Knox Art Gallery, Buffalo, 1983).
GLUBOK 1976
 
Glubok, Shirley. The Art of America since World War II. New York: Macmillan, 1976.
GLUECK 1969
 
Glueck, Grace. “New York Gallery Notes: Like a Beginning.” Art in America 57, no. 3 (May–June 1969): pp. 116–19. Review of Marlborough-Gerson Gallery, New York, 1969.
GLUECK 1976A
 
Glueck, Grace. “Art People.” New York Times, July 30, 1976, sec. C, p. 16.
GLUECK 1976B
 
Glueck, Grace. “Motherwell, at 61, Puts ‘Eternal’ Quality into Art” (interview with the artist). New York Times, February 3, 1976, pp. 33, 52.
GLUECK 1980
 
Glueck, Grace. “Art People: Merge, No. Collaborate, Yes” (includes artist’s statements). New York Times, January 25, 1980, sec. C, p. 18. Review of Centro Cultural de la Caixa de Pensions, Barcelona, 1980.
GLUECK 1981
 
Glueck, Grace. “Motherwell Turns Down Post on U.S. Arts Panel” (includes artist’s statements). New York Times, May 20, 1981, sec. C, p. 25.
GLUECK 1982
 
Glueck, Grace. “In the Arts: Critics’ Choices.” Guide, May 23, 1982, p. 3. Review of CDS Gallery, New York, April 1982.
GLUECK 1984A
 
Glueck, Grace. “ ‘Family’ Revived Art on Cape Cod: 13 Founded Top Gallery 7 Years Ago” (includes artist’s statements). New York Times, August 1, 1984, sec. C, p. 17.
GLUECK 1984B
 
Glueck, Grace. “The Mastery of Robert Motherwell.” New York Times, December 2, 1984, sec. Magazine, pp. 68–72, 74, 76, 78, 80, 82, 86.
GLUECK 1991
 
Glueck, Grace. “Robert Motherwell, Master of Abstract, Dies” (obituary; includes artist’s statements). New York Times, July 18, 1991, sec. A, p. 1, sec. B, p. 9.
GOLDBERGER 1990
 
Goldberger, Paul. “Architecture: Robert A. M. Stern.” Architectural Digest 47, no. 11 (October 1990): pp. 196–205.
GOLDMAN 1981
 
Goldman, Judith. “Izdavanje I Stampanje Grafika u Americi” (text in Russian). Pregled 211 (1981): pp. 4–13.
GOLDSTEIN 1989
 
Goldstein, Nathan. Design and Composition. Englewood Cliffs, N.J.: Prentice Hall, 1989.
GOLDWATER 1947
 
Goldwater, Robert. “A Season of Art.” Partisan Review 14, no. 4 (July–August 1947): pp. 414–18.
GOLDWATER 1952
 
Goldwater, Robert. “The Dada Painters and Poets: An Anthology” (book review). Art Bulletin 34, no. 3 (September 1952): pp. 249–51.
GOLDWATER 1960
 
Goldwater, Robert. “Reflections on the New York School.” Quadrum: Revue Internationale d’Art Moderne 8 (1960): pp. 17–36.
GONZALES 1978
 
Gonzales, Shirley. “Moveable Feast of State Artists.” New Haven Register, January 22, 1978, sec. D, pp. 1, 4. Review of Carlson Gallery, University of Bridgeport, Conn., 1978.
GOOCH 1993
 
Gooch, Brad. City Poet: The Life and Times of Frank O’Hara. New York: Alfred A. Knopf, 1993.
GOODMAN 1953
 
Goodman, Percival. “The New Synagogue.” Brooklyn Jewish Center Review, October 1953, pp. 10–11.
G[OODNOUGH] 1951
 
G[oodnough], R[obert]. “Reviews and Previews.” Artnews 50, no. 3 (May 1951): p. 56. Review of Samuel M. Kootz Gallery, New York, May 1951.
GOODNOUGH AND BRACH 1965
 
Goodnough, Robert, and Paul Brach. “Two Postscripts.” Artforum 4, no. 1 (September 1965): p. 32.
GOODRICH ET AL. 1957
 
Goodrich, Lloyd, Dorothy C. Miller, James Thrall Soby, and Frederick S. Wright. New Art in America: Fifty Painters of the 20th Century (includes artist’s statements). Edited by John I. H. Baur. Entry “Robert Motherwell,” by Frederick S. Wright, pp. 247–50. Greenwich, Conn.: New York Graphic Society; New York: Frederick A. Praeger, 1957.
GOODRICH AND BAUR 1961
 
Goodrich, Lloyd, and John I. H. Baur. American Art of Our Century. New York: Frederick A. Praeger, 1961.
GOODYEAR 2003
 
Goodyear, Dana. “The Gardener: For Most of a Century, Stanley Kunitz Has Cultivated Generations of Poems—and Poets.” New Yorker 79, no. 24 (September 1, 2003): pp. 104–11.
GOOSSEN 1959
 
Goossen, E. C. “Robert Motherwell and the Seriousness of Subject.” Art International 3, nos. 1–2 (January–February 1959): pp. 33–35, 38, 51.
GORDON 2001
 
Gordon, Alastair. Weekend Utopia: Modern Living in the Hamptons (includes interview with the artist). New York: Princeton Architectural Press, 2001.
GORDON 2007
 
Gordon, Alastair. “The End of an Era: Recalling Robert Motherwell’s Landmark 1946 East Hampton Quonset Hut” (includes artist’s statements). Architectural Digest, October 2007, pp. 134, 136, 138, 140.
GORNEY 1976–77
 
Gorney, Jay. “Reviews: Drawing Today in New York.” Art Journal 36, no. 2 (winter 1976–77): p. 143. Review of Newcomb College, Tulane University, New Orleans, 1976.
GOSLING 1966
 
Gosling, Nigel. “Straddling Two Worlds of Paint.” Observer (London), March 27, 1966, p. 34. Review of the traveling exhibition at Whitechapel Art Gallery, London, March 1966 (see Museum of Modern Art, New York, Robert Motherwell, September 1965).
GRANATH 1976
 
Granath, Olle. “Motherwell pa Kulturhuset: Ogonblick av passion” (text in Swedish). Dagens Nyheter, December 7, 1976, p. 4. Review of the traveling exhibition Galleriet Kulturhuset, Stockholm, November 1976 (see Städtische Kunsthalle Düsseldorf, 1976).
GRATZ 1973
 
Gratz, Roberta Brandes. “Daily Closeup: Wall-to-Wall Friends.” New York Post, January 12, 1973, sec. Magazine, p. 3.
GRAY 1985
 
Gray, Channing. “An Artist’s Perspective: Motherwell Reflects on a Life’s Work at Degree Ceremony” (includes artist’s statements). Providence Journal, May 3, 1985, sec. C, p. 4.
GREENBERG 1944A
 
Greenberg, Clement. “Art.” Nation 158, no. 22 (May 27, 1944): p. 634. Review of Art of This Century, New York, May 1944.
GREENBERG 1944B
 
Greenberg, Clement. “Art.” Nation 159, no. 20 (November 11, 1944): pp. 598–99. Review of Art of This Century, New York, October 1944.
GREENBERG 1946
 
Greenberg, Clement. “Art.” Nation 162, no. 4 (January 26, 1946): pp. 109–10. Review of Samuel M. Kootz Gallery, New York, January 1946.
GREENBERG 1947
 
Greenberg, Clement. “Art.” Nation 164, no. 22 (May 31, 1947): pp. 664–65. Review of Samuel M. Kootz Gallery, New York, April 1947.
GREENBERG 1948
 
Greenberg, Clement. “Art.” Nation 166, no. 22 (May 29, 1948): pp. 612–13. Review of Samuel M. Kootz Gallery, New York, May 1948.
GREENBERG 1949
 
Greenberg, Clement. “Art.” Nation 168, no. 24 (June 11, 1949): pp. 669–70.
GREENBERG 1955
 
Greenberg, Clement. “ ‘American-Type’ Painting.” Partisan Review 22, no. 2 (spring 1955): pp. 179–96.
GREENBERG 1961
 
Greenberg, Clement. Art and Culture: Critical Essays. Boston: Beacon Press, 1961.
GREENBERG 1964
 
Greenberg, Clement. “A Famous Art Critic’s Collection.” Vogue 143, no. 2 (January 15, 1964): pp. 92–95.
GREENBERG 1965
 
Greenberg, Clement. “The Artist Speaks: Part Six.” Art in America 53, no. 4 (August–September 1965): pp. 110–30.
GREENBERG 1986A
 
Greenberg, Clement. Clement Greenberg: The Collected Essays and Criticism. Vol. 1, Perceptions and Judgments, 1939–1944. Edited by John O’Brian. Chicago: University of Chicago Press, 1986. Essay originally published in Greenberg 1944a.
GREENBERG 1986B
 
Greenberg, Clement. Clement Greenberg: The Collected Essays and Criticism. Vol. 2, Arrogant Purpose, 1945–1949. Edited by John O’Brian. Chicago: University of Chicago Press, 1986. Originally published in Greenberg 1946, Greenberg 1947, and Greenberg 1948.
GREENBERG GALLERY 1989
 
Selected Works. Foreword by Ronald K. Greenberg; introduction by Sissy Thomas. Saint Louis: Greenberg Gallery, 1989.
GREENE 1992
 
Greene, Seth. “Guernsey’s Goes to the Hamptons.” Art & Auction 14, no. 6 (January 1992): p. 100.
G[REENSPAN] 1984
 
G[reenspan], S[tuart]. “Contemporary Art.” Art & Auction 7, no. 1 (July–August 1984): p. 61.
GREENWICH TIME 1976A
 
“Knoedler Contemporary Art Showing Abstract Works by Motherwell.” Greenwich Time, February 2, 1976, p. 9. Review of Knoedler & Company, New York, 1976.
GREENWICH TIME 1976B
 
“Sneak Preview of Art Film Due in April.” Greenwich Time, March 29, 1976, p. 10.
GREENWICH TIME 1987
 
“Collages by Motherwell at Library.” Greenwich Time, May 6, 1987, sec. B, p. 11.
GRIGGS 2006
 
Griggs, Brandon. “Mother Lode from an Abstract Master.” Salt Lake Tribune, February 12, 2006, sec. D, p. 3. Review of the traveling exhibition at Salt Lake Art Center, Salt Lake City, February 2006 (see Thomas McCormick Gallery, Chicago, December 2005).
GRINKE 1966
 
Grinke, Paul. “Motherwell Retrospective.” Financial Times (London), April 9, 1966, p. 7. Review of the traveling exhibition at Whitechapel Art Gallery, London, March 1966 (see Museum of Modern Art, New York, Robert Motherwell, September 1965).
GROSS 2005
 
Gross, Roland. “Abstraktion ohne Kompromisse: Ausstellung; Robert Motherwell im Schloss Morsbroich” (text in German). Ruhr Nachrichten (Dortmund, Germany), January 4, 2005, n.p. Review of Museum Morsbroich, Leverkusen, Germany, 2004.
GRUEN 1969
 
Gruen, John. “Art in New York: Open Window.” New York Magazine 2, no. 19 (May 12, 1969): p. 57. Review of Marlborough-Gerson Gallery, New York, 1969.
GRUEN 1972
 
Gruen, John. The Party’s Over Now: Reminiscences of the Fifties—New York’s Artists, Writers, Musicians, and Their Friends (includes interview with the artist). New York: Viking Press, 1972.
GUGGENHEIM CALENDAR OF EVENTS 1984
 
Solomon R. Guggenheim Museum. “New Exhibition: Robert Motherwell.” Guggenheim Calendar of Events, November–December 1984.
GUGGENHEIM CALENDAR OF EVENTS 1985
 
Solomon R. Guggenheim Museum, “Continuing Exhibitions: Robert Motherwell.” Guggenheim Calendar of Events, January–February 1985.
GUILBAUT 1983
 
Guilbaut, Serge. How New York Stole the Idea of Modern Art: Abstract Expressionism, Freedom, and the Cold War (includes artist’s statements). Translated by Arthur Goldhammer. Chicago: University of Chicago Press, 1983.
GUISASOLA 1980
 
Guisasola, Félix. “La Imagen: Copyright del arte internacional” (text in Spanish; includes artist’s statements). Sábado Grafico (Madrid), May 7, 1980, p. 55. Review of traveling exhibition at Fundación Juan March, Madrid, April 1980 (see Centro Cultural de la Caixa de Pensions, Barcelona, February 1980).
HAASE 1976A
 
Haase, Amine. “Robert Motherwell in der Düsseldorfer Kunsthalle: Die malerische macht Amerikas” (text in German). Feuilleton, September 16, 1976. Review of Städtische Kunsthalle Düsseldorf 1976.
HAASE 1976B
 
Haase, Amine. “Robert Motherwell in der Düsseldorfer Kunsthalle: Die malerische macht Amerikas” (text in German). Rheinische Post, September 16, 1976. Review of Städtische Kunsthalle Düsseldorf 1976.
HACKETT 1984
 
Hackett, Regina. “Motherwell Exhibit Is a Celebration in Paint.” Seattle Post-Intelligencer, June 21, 1984, sec. C, p. 11. Review of the traveling exhibition at Seattle Art Museum, June 1984 (see Albright-Knox Art Gallery, Buffalo, 1983).
HADLER 1977
 
Hadler, Mona. “William Baziotes: A Contemporary Poet-Painter.” Arts Magazine 51, no. 10 (June 1977): pp. 102–110.
HAENLEIN 1990A
 
Haenlein, Joy L. “Subconscious Art: Robert Motherwell” (includes artist’s statements). Advocate and Greenwich Time, January 14, 1990, sec. D, pp. 1–2.
HAENLEIN 1990B
 
Haenlein, Joy L. “Turning 75, Artist Motherwell Looks Back at His Life” (includes artist’s statements). Philadelphia Inquirer, January 21, 1990, sec. I, p. 8.
HAENLEIN 1991
 
Haenlein, Joy L. “Motherwell, Force in American Art, Dies” (obituary; includes artist’s statements). Greenwich Time, July 18, 1991, sec. A, pp. 1, 6.
HAFTMANN 1959
 
Haftmann, Werner. “On the Content of Contemporary Art.” Quadrum: Revue internationale d’art moderne 7 (1959): pp. 5–22.
HAFTMANN 1960
 
Haftmann, Werner. Painting in the Twentieth Century. Vol. 2, A Pictorial Survey. Translated by Ralph Manheim. New York: Frederick A. Praeger, 1960.
HAFTMANN 1965
 
Haftmann, Werner. Painting in the Twentieth Century: An Analysis of the Artists and Their Work (includes artist’s statements). Translated by Ralph Manheim. 2 vols. New York: Frederick A. Praeger, 1965.
HAHN 1982
 
Hahn, Walter H. “Introduction to Chinese Calligraphy.” Focus on Asian Studies 1, no. 3 (spring 1982): pp. 24–29, 43.
HAKANSON 1972
 
Hakanson, Joy. “Motherwell’s Terse ‘Intensity.’ ” Sunday News (Detroit), December 10, 1972, sec. E, p. 4.
HAMILTON 1953
 
Hamilton, George Heard. “Modern Artists in America” (book review). Magazine of Art 46, no. 1 (January 1953): p. 44.
HANKINS 2002
 
Hankins, Evelyn C. The New York Scene: Selections from the Whitney Museum of Art at City Hall. Foreword by Maxwell L. Anderson. New York: Whitney Museum of American Art, 2002.
HANSEN 1965
 
Hansen, Al. A Primer of Happenings & Time/Space Art. New York: Something Else Press, 1965.
HARBISON AND LADERMAN 1992
 
Harbison, John, and Ezra Laderman. “Works by John Harbison and Ezra Laderman.” Conducted by New Jersey Symphony Orchestra. New York: New World Records, 1992. Compact disc, cover.
HARE 1967
 
Hare, David. “Communication.” Artnews 66, no. 8 (December 1967): pp. 8, 10.
HARPER’S BAZAAR 1948
 
“Robert Motherwell’s Quonset House.” Harper’s Bazaar, no. 2838 (June 1948): pp. 86–87.
HARPER’S BAZAAR 1951
 
“Artists on the Island.” Harper’s Bazaar, no. 2876 (July 1951): pp. 50–53.
HARRISON 1973
 
Harrison, Charles. “Abstract Expressionism I.” Studio International 185, no. 951 (January 1973): pp. 9–18.
HARRISON 1980
 
Harrison, Helen A. “Diversity in Abstract Expressionism Apparent in Exhibit of Regional Artists.” Bridgehampton Sun, September 3, 1980, p. 14. Review of Parrish Art Museum, Southampton, N.Y., 1980.
HARRISON 1982
 
Harrison, Helen A. “Five Leading Artists Exert a Powerful Force on Art Today” (interview with the artist). Sunday Advocate (Stamford, Conn.), October 17, 1982, sec. E, pp. 1, 3.
HARRISON 1991
 
Harrison, Helen A. “Black & White: Back to Basics” (includes artist’s statements). Provincetown Arts 7 (1991): pp. 98–99.
HARRISS 1974
 
Harriss, R. P. “Commencement at Mount Royal.” News American (Baltimore), May 13, 1974.
HARTFORD COURANT 1966
 
“Artist Says Painting Is Not JFK Death Scene” (includes artist’s statements). Hartford Courant, August 13, 1966, p. 13.
HARTFORD COURANT 1977
 
Hartford Courant, July 3, 1977, sec. F, p. 14.
HARTFORD COURANT 1991
 
“Robert Motherwell Dies; Abstract Painter was 76” (obituary; includes artist’s statements). Hartford Courant, July 18, 1991, sec. A, pp. 1, 13.
HARTZ ET AL. 1970
 
Hartz, John von, Tony Chiu, Paula Pierce, Suzanne Seixas, and Robert Morton. The World of American Painting, 1900–1970. New York: Time-Life Books, 1970.
HARVARD GAZETTE 1978
 
“Motherwell: ‘An Abstractionist Is Someone Who Understands Structure’ ” (includes artist’s statements). Harvard Gazette, March 3, 1978, p. 5.
HASIOTIS 1983
 
Hasiotis, Georgette, ed. Robert Motherwell: In His Own Words (exhibition brochure; includes artist’s statements). Compiled by Catherine Green. Buffalo: Buffalo Fine Arts Academy, 1983. Published in conjunction with the exhibition at Albright-Knox Art Gallery, Buffalo, 1983.
HASKELL AND PHILLIPS 1999
 
Haskell, Barbara, and Lisa Phillips. The American Century: Art & Culture, 1950–2000 (exhibition catalogue). Vols. 1 and 2. New York: Whitney Museum of American Art, in association with W. W. Norton, New York, 1999.
HAXALL 2009
 
Haxall, David Louis. “Cut and Paste Abstraction: Politics, Form, and Identity in Abstract Expressionist Collage.” Ph.D. diss., Pennsylvania State University, University Park, 2009.
HAYES 1984
 
Hayes, Michael. “Spotlight on Motherwell.” Diversion Vacation Planner, March–April 1984, p. 44. Review of the traveling exhibition at San Francisco Museum of Modern Art, April 1984 (see Albright-Knox Art Gallery, Buffalo, 1983).
HAYES 2004
 
Hayes, Christa-Maria Lerm. Joyce in Art: Visual Art Inspired by James Joyce (exhibition catalogue). Foreword by Fritz Senn. Dublin: Lilliput Press, 2004.
HAYMAN 1989
 
Hayman, David. “ ‘Ulysses’ and Motherwell: Illustrating an Affinity.” James Joyce Quarterly (University of Tulsa, Okla.) 26, no. 4 (summer 1989): pp. 583–605.
HEATHCOTE 1978
 
Heathcote, Graham. “Motherwell’s Abstract Art” (includes artist’s statements). St. Louis Globe Democrat, February 11–12, 1978, sec. F, p. 5. Review of Royal Academy of Arts, London, 1978.
HEGEWISCH 1982
 
Hegewisch, Katherine. “Ein Denkmal für Motherwell—zuviel des Guten?” (text in German). Frankfurter Allgemeine, December 28, 1982, p. 21.
HEMENWAY 1986
 
Hemenway, Gayle. “Robert Motherwell: A Celebration” (interview with the artist). Stanford Magazine (Stanford University Alumni Magazine) 14, no. 2 (summer 1986): pp. 36–43.
HENNING 1960
 
Henning, Edward B. “Exhibition: Paths of Abstract Art.” Bulletin of the Cleveland Museum of Art 47, no. 8 (October 1960): pp. 199–201.
HENNING 1962
 
Henning, Edward B. “Some Contemporary Paintings.” Bulletin of the Cleveland Museum of Art 49, no. 3 (March 1962): pp. 46–54.
HENNING 1964A
 
Henning, Edward B. “The Language of Art.” Bulletin of the Cleveland Museum of Art 51, no. 9 (November 1964): pp. 210–31.
HENNING 1964B
 
Henning, Edward B. “Reports from the Departments.” Bulletin of the Cleveland Museum of Art 51, no. 6 (June 1964): pp. 146–47.
HENNING 1969
 
Henning, Edward B. “Some Modern Paintings.” Bulletin of the Cleveland Museum of Art 56, no. 2 (February 1969): pp. 55–87.
HENNING 1970
 
Henning, Edward B. “The Art Museum and the Avant-Garde.” Art Journal 30, no. 1 (fall 1970): pp. 20–26.
HENRIC 1989
 
Henric, Jacques. Pierre Klossowski. Paris: Editions Adam Biro, 1989.
HENRY 1973
 
Henry, Gerrit. “Reviews and Previews.” Artnews 72, no. 9 (November 1973): p. 104. Review of Rosa Esman Gallery, New York, 1973.
HENRY 1979
 
Henry, Gerrit. “New York Reviews.” Artnews 78, no. 7 (September 1979): p. 181. Review of William Ehrlich Gallery, New York, May 1979; and of William Ehrlich Gallery, New York, June 1979.
HERALD WIRE SERVICES 1991
 
Herald Wire Services. “Robert Motherwell, 76, Abstract Expressionist” (obituary; includes artist’s statements). Boston Herald, July 18, 1991, p. 65.
HERBST 1954
 
Herbst, René. Un Inventeur … L’Architecte Pierre Chareau (text in French). Preface by Francis Jourdain. Paris: Editions du Salon des Arts Ménagers, 1954.
HERNANDEZ 1971
 
Hernandez, Antonio. “St. Gallen: Ausstellungen im Sommer 1971” (text in German). Werk, no. 10 (October 1971): p. 712. Review of Galerie im Erker, St. Gall, Switzerland, 1971.
HERNANDEZ 1980
 
Hernandez, Julio L. “Motherwell” (text in Spanish; includes artist’s statements). Arteguía (Madrid) 7, no. 54 (April 1980): pp. 26–30.
HERNER DE SCHMELZ 1968
 
Herner de Schmelz, Irene. “Gorky and Motherwell Exhibition.” Mexico/This Month 14, no. 2 (June 1968): pp. 12–13. Review of the circulating exhibition at Museo Universitario de Ciencias y Arte, Mexico City, May 1968 (see Museum of Modern Art, New York, 1967).
HERON 1956
 
Heron, Patrick. “The Americans at the Tate Gallery.” Arts 30, no. 6 (March 1956): pp. 15–17. Review of the circulating exhibition at Tate Gallery, London, January 1956 (see Museum of Modern Art, New York, 1955).
HERRERA 1974
 
Herrera, Hayden. “Reviews and Previews.” Artnews 73, no. 6 (summer 1974): pp. 112–13. Review of Knoedler & Company, New York, 1974.
HERSKOVIC 2000
 
Herskovic, Marika, ed. New York School Abstract Expressionists: Artists Choice by Artists; A Complete Documentation of the New York Painting and Sculpture Annuals, 1951–1957 (includes artist’s statements). Entry “Robert Motherwell,” pp. 258–61. New Jersey: New York School Press, 2000.
HERSKOVIC 2003
 
Herskovic, Marika, ed. American Abstract Expressionism of the 1950s: An Illustrated Survey (includes artist’s statements). Entry “Robert Motherwell,” pp. 239–41. Franklin Lakes, N.J.: New York School Press, 2003.
HERWIG 1983
 
Herwig, Carol. “For Contemporary Artists, a Seller’s Market.” USA Today, November 17, 1983, sec. D, p. 5.
H[ESS] 1950A
 
H[ess], T[homas] B. “Reviews and Previews.” Artnews 49, no. 1 (March 1950): p. 45. Review of Samuel M. Kootz Gallery, New York, February 1950.
H[ESS] 1950B
 
H[ess], T[homas] B. “Reviews and Previews.” Artnews 49, no. 6 (October 1950): p. 48. Review of Samuel M. Kootz Gallery, New York, October 1950.
HESS 1951
 
Hess, Thomas B. Abstract Painting: Background and American Phase. New York: Viking Press, 1951.
H[ESS] 1952
 
H[ess], T[homas] B. “Reviews and Previews.” Artnews 51, no. 2 (April 1952): pp. 44–45. Review of Samuel M. Kootz Gallery, New York, Robert Motherwell: Paintings, Drawings and Collages, April 1952.
H[ESS] 1954
 
H[ess], T[homas] B. “Reviews and Previews.” Artnews, [March] 1954: p. 44. Review of Whitney Museum of American Art, New York, March, 1954.
H[ESS] 1957
 
H[ess], T[homas] B. “Reviews and Previews.” Artnews 56, no. 4 (summer [June–July–August] 1957): p. 21. Review of Sidney Janis Gallery, New York, May 1957.
H[ESS] 1963
 
H[ess], T[homas] B. “The Year’s Best: 1962.” Artnews 61, no. 9 (January 1963): p. 8.
HESS 1974
 
Hess, Thomas B. “Vanity Fare.” New York Magazine 7, no. 17 (April 29, 1974): pp. 68–69. Review of Knoedler & Company, New York, 1974.
HESS 1978
 
Hess, Thomas B. “Sketch for a Portrait of the Art Historian among Artists.” Social Research 45, no. 1 (spring 1978): pp. 6–14.
HESS 2006
 
Hess, Barbara. Abstract Expressionism. Edited by Uta Grosenick. Entry “Robert Motherwell,” pp. 70–71. Los Angeles: Taschen, 2006.
HESS AND ASHBERY 1967
 
Hess, Thomas B., and John Ashbery, eds. Avant-Garde Art. London: Collier-Macmillan, 1967.
HESS AND STEINER 2009
 
Hess, Donald, and Myrtha Steiner. Hess Art Collection. Germany: Hatje Cantz, 2009.
HIGHWATER 1979
 
Highwater, Jamake. “Motherwell Retrospective.” [New York Journal of the Arts, no. 15 (August 1979).] Review of William Benton Museum of Art, University of Connecticut, 1979.
HIGHWATER 1986
 
Highwater, Jamake. “Watching Robert Motherwell.” In Shadow Show: An Autobiographical Insinuation (includes artist’s statements), pp. 215–20. New York: Alfred Van Der Marck Editions, 1986.
HILTON 1978
 
Hilton, Tim. “Searching for the Sublime” (book review). Times Literary Supplement (London), January 20, 1978, p. 63.
HIRSCH 2002
 
Hirsch, Edward. “Motherwell’s Black.” In The Demon and the Angel: Searching for the Source of Artistic Inspiration, pp. 184–90. New York: Harcourt Books, 2002.
HOBBS 1975A
 
Hobbs, Jack A. Art in Context. New York: Harcourt Brace Jovanovich, 1975.
HOBBS 1975B
 
Hobbs, Robert C. “Motherwell’s Concern with Death in Painting: An Investigation of His Elegies to the Spanish Republic, Including an Examination of His Philosophical and Methodological Considerations” (includes artist’s statements). Ph.D. diss., University of North Carolina, Chapel Hill, 1975.
HOBBS 1976A
 
Hobbs, Robert C. “Robert Motherwell’s Elegies to the Spanish Republic.” In Robert Motherwell (exhibition catalogue, text in English and German), pp. 21–34. Düsseldorf: Städtische Kunsthalle, 1976. See the entry in List of Exhibitions.
HOBBS 1976B
 
Hobbs, Robert C. “Robert Motherwell’s Open Series.” In Robert Motherwell (exhibition catalogue, text in English and German), pp. 35–54. Düsseldorf: Städtische Kunsthalle, 1976. See the entry in List of Exhibitions.
HOBBS 1979
 
Hobbs, Robert C. “Re-Review: Possibilities.” Art Criticism (State University of New York, Stony Brook) 1, no. 2 (1979): pp. 96–103.
HOBBS 1985
 
Hobbs, Robert C. “Early Abstract Expressionism and Surrealism.” Art Journal 45, no. 4 (winter 1985): pp. 299–302.
HOCHFIELD 1990
 
Hochfield, Sylvia. “The Rubin Years.” Artnews 89, no. 2 (February 1990): pp. 130–33.
HOESTEREY 1976
 
Hoesterey, Ingeborg. “New York” (text in German). Art International 10, nos. 4–5 (April–May 1976): pp. 48–50, 69. Review of Knoedler & Company, New York, 1976.
HOFFMAN 1989
 
Hoffman, Katherine, ed. Collage: Critical Views (includes artist’s statements). Foreword by Kim Levin. Ann Arbor, Mich.: UMI Research Press, 1989.
HOFFMAN 1991
 
Hoffman, Katherine. Explorations: The Visual Arts since 1945 (includes artist’s statements). New York: HarperCollins, 1991.
HOFFMANN 1966
 
Hoffmann, Donald L. “Last Words on That Boston Painting.” Kansas City Star, August 21, 1966, sec. F, p. 8.
H[OLLIDAY] 1951
 
H[olliday], B[etty]. “Reviews and Previews.” Artnews 50, no. 1 (March 1951): p. 48. Review of Samuel M. Kootz Gallery, New York, Male + Female, March 1951.
HOLLWAGER 1964
 
Hollwager, Nikki. “From Tiny Cathedral to Home.” Chicago Tribune, December 2, 1964, sec. B, p. 1.
HOLMES 1954
 
Holmes, Ann. “New Show May Shed a Little Light on Old Bogey, Modern Art.” Houston Chronicle, January 10, 1954, p. 3. Review of Contemporary Arts Museum, Houston, 1954.
HOLMES 1958
 
Holmes, Ann. “The Spotlight: An Art Show to View with Mixed Reactions.” Houston Chronicle, November 1958. Review of Contemporary Arts Museum, Houston, 1958.
HOLMES 1966
 
Holmes, Ann. “CAA’s Bold, Dynamic Motherwell.” Houston Chronicle, May 1, 1966, sec. “Zest,” p. 37. Review of the circulating exhibition at Contemporary Arts Association, Houston, April 1966 (see Museum of Modern Art, New York, Robert Motherwell: Works on Paper, September 1965).
HOLMES 1972
 
Holmes, Ann. “MFA Motherwell Collage Exhibit Very Important.” Houston Chronicle, November 15, 1972, sec. 3, p. 8. Review of Museum of Fine Arts, Houston, November 1972.
HOLMES 1974
 
Holmes, Ann. “Motherwell: Major Works at Nagy.” Houston Chronicle, January 11, 1974, sec. 3, p. 18. Review of Tibor de Nagy Gallery, Houston, 1974.
HOOTON 1982
 
Hooton, Bruce. “How It All Happened: Motherwell Remembers” (first part of an interview with the artist). Art/World 6, no. 6 (February 22–March 22, 1982), pp. 1, 9. “What We Wanted to Do: Motherwell Remembers” (second part of an interview with the artist). Art/World 6, no. 7 (March 22–April 22, 1982): pp. 1, 9.
HOPPS 1991
 
Hopps, Walter. Robert Rauschenberg: The Early 1950s. Houston: Menil Collection, in association with Houston Fine Arts Press, 1991.
HORIZON 1978
 
“Painter Laureate” (interview with the artist). Horizon 21, no. 5 (May 1978): p. 59.
HORNACK 1978
 
Hornack, Richard. “Long Point Exhibit Source of Great Pride.” Advocate Summer Guide, August 24, 1978, pp. 9, 23. Review of Long Point Gallery, Provincetown, Mass., August 1978.
HORYN 2004
 
Horyn, Cathy. “Tom Ford’s Intermission.” New York Times, October 17, 2004, sec. 9, pp. 1, 11.
HOUSE & GARDEN 1951
 
“A New Season … a New Outlook,” House & Garden (October 1951): pp. 124–29.
HOUSE & GARDEN 1969
 
“The Robert Motherwells: ‘It’s All a Question of Light and Air and Whiteness’ ” (includes artist’s statements). House & Garden 136, no. 1 (July 1969): pp. 48–53.
HOUSTON POST 1954
 
“Houstonians Bring Work of 4 American Artists to Town.” Houston Post, January 10, 1954, sec. 5, p. 1. Review of Contemporary Arts Museum, Houston, 1954.
HUDSON 1964
 
Hudson, Andrew. “Canada’s Place in Abstract Art Today.” Canadian Forum 44, no. 520 (January 1964): pp. 27–28. Review of Jewish Museum, New York, 1963.
HUDSON 1965
 
Hudson, Andrew. “Viewpoint on Art: Hanging Dims Motherwell Show.” Washington Post, October 10, 1965, sec. G, p. 7. Review of Museum of Modern Art, New York, Robert Motherwell, September 1965.
HUGHES 1972
 
Hughes, Robert. “A Sense of Exuberance.” Time 100, no. 3 (July 17, 1972): pp. 54–56. Review of Walker Art Center, Minneapolis, 1972.
HUGHES 1977
 
Hughes, Robert. “Paris’ Prodigal Son Returns.” Time 110, no. 3 (July 18, 1977): pp. 50–51.
HUGHES 1981A
 
Hughes, Robert. “Exhibitions: American Abstract Expressionists.” Edinburgh International Festival Official Programme, 1981, p. 58. Partially excerpted from The Shock of the New (London: BBC, 1980).
HUGHES 1981B
 
Hughes, Robert. The Shock of the New: The Hundred-Year History of Modern Art; Its Rise, Its Dazzling Achievement, Its Fall (includes artist’s statements). New York: Alfred A. Knopf, 1981.
HUGHES 1983
 
Hughes, Robert. “Master of Anxiety and Balance: In Buffalo, the Magisterial Abstractions of Robert Motherwell.” Time 122, no. 16 (October 10, 1983): pp. 68–70. Review of Albright-Knox Art Gallery, Buffalo, 1983.
HÜLLENKREMER 1984
 
Hüllenkremer, Marie. “Los Angles: Robert Motherwell” (text in German). Art: Das Kunstmagazin, no. 1 (January 1984): pp. 106–7. Review of the traveling exhibition at Los Angeles County Museum of Art, January 1984 (see Albright-Knox Art Gallery, Buffalo, 1983).
HUME 1998
 
Hume, Christopher. “AGO Acquires World’s Top Motherwell Collection.” Toronto Star, September 30, 1998, sec. E, pp. 1, 2.
HUNTER 1948A
 
Hunter, Sam. “A Group and Singly: Work of Contemporaries in Current Shows.” New York Times, April 4, 1948, sec. 2, p. 11. Review of Samuel M. Kootz Gallery, New York, March 1948.
HUNTER 1948B
 
Hunter, Sam. “Diverse Modernism: New Shows of Painting by Contemporaries.” New York Times, May 16, 1948, sec. 2, p. 8. Review of Samuel M. Kootz Gallery, New York, May 1948.
HUNTER 1959
 
Hunter, Sam. Modern American Painting and Sculpture. New York: Dell, 1959.
HUNTER 1966A
 
Hunter, Sam. Modern American Painting and Sculpture (text in Chinese). Hong Kong: World Today Press, 1966.
HUNTER ET AL. 1966B
 
Hunter, Sam, Alain Jouffroy, Alan Bowness, Nello Ponente, and Maurizio Fagiolo. New Art Around the World: Painting and Sculpture. New York: Harry N. Abrams, 1966.
HUNTER 1970
 
Hunter, Sam. La Pittura Americana del Dopoguerra (text in Italian). Milan: Fratelli Fabri Editori, 1970.
HUNTER 1972
 
Hunter, Sam. American Art of the 20th Century. New York: Harry N. Abrams, 1972.
LA DEPECHE 1990
 
“Expositions en Capitale: Robert Motherwell” (text in French). La Depeche, September 21, 1990. Review of Artcurial Centre d’Art Plastique Contemporain, Paris, 1990.
LADER 1981
 
Lader, Melvin Paul. “Peggy Guggenheim’s Art of This Century: The Surrealist Milieu and the American Avant-Garde, 1942–1947” (includes artist’s statements). Ph.D. diss., University of Delaware, 1981.
LADER 1988
 
Lader, Melvin P. “David Porter’s ‘Personal Statement’: A Painting Prophecy, 1950.” Archives of American Art Journal 28, no. 1 (1988): pp. 17–25.
L[A] F[ARGE] 1952
 
L[a] F[arge], H[enry]. “Reviews and Previews.” Artnews 51, no. 4 (June–July–August 1952): pp. 105, 117. Review of Samuel M. Kootz Gallery, New York, May 1952.
LA FARGE 1953A
 
La Farge, Henry. “Reviews and Previews.” Artnews 52, no. 3 (May 1953): p. 44. Review of Samuel M. Kootz Gallery, New York, May 1953.
LAFARGE 1953B
 
LaFarge, John. “The Church as Instrument and Expression.” Architectural Record 114, no. 6 (December 1953): pp. 122–23.
LAIDMAN 1961
 
Laidman, Hugh. How to Make Abstract Paintings. New York: Viking Press, 1961.
LAMBERT 1971
 
Lambert, Robert. The Tunnel and the Light: Readings in Modern Fiction. Edited by Kenneth S. Lynn. Boston: Houghton Mifflin, 1971.
LANDAU 1980
 
Landau, Ellen G. “Aspects of the Fifties.” Art Journal 40, nos. 1–2 (winter 1980): pp. 387–89. Review of Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C., 1980.
LANDAU 1985
 
Landau, Ellen G. “ ‘Space and Pictorial Life’: Hans Hofmann’s Smaragd Red and Germinating Yellow.” Bulletin of the Cleveland Museum of Art 72, no. 5 (September 1985): pp. 311–23.
LANDAU 1986
 
Landau, Ellen G. “ ‘A Certain Rightness’: Artists for Victory’s ‘America in the War’ Exhibition of 1943” (includes artist’s statements). Arts Magazine 60, no. 6 (February 1986): pp. 43–54.
LANDAU 2005
 
Landau, Ellen G., ed. Reading Abstract Expressionism: Context and Critique (includes artist’s statements). New Haven, Conn.: Yale University Press, 2005.
LANDFIELD 2000
 
Landfield, Ronnie. “The Whitney Museum Ends the American Century.” Linea (Art Students League of New York) 4, no. 1 (winter 2000): pp. 1, 14–18.
LANES 1959
 
Lanes, Jerrold. “Reflections on Post-Cubist Painting.” Arts 33, no. 8 (May 1959): pp. 24–29.
LANGSNER 1962
 
Langsner, Jules. “Art News from Los Angeles.” Artnews 61, no. 3 (May 1962): pp. 46, 68. Review of Pasadena Art Museum, Calif., February 1962.
L[ANSFORD] 1947
 
L[ansford], A[lonzo]. “Eight Who Share the Modern Approach.” Art Digest 22, no. 1 (October 1, 1947): p. 19. Review of Samuel M. Kootz Gallery, New York, 8 Paintings, September 1947.
LARSON 1985
 
Larson, Kay. “The Player and the Game.” New York 18, no. 1 (January 7, 1985): pp. 72–73. Review of Solomon R. Guggenheim Museum, New York, 1984.
LEBEER 1971
 
Lebeer, Irmeline. “Robert Motherwell” (text in French; interview with the artist). Chroniques de l’art vivant, no. 22 (July–August 1971): pp. 10–12.
LECOMBRE 1977
 
Lecombre, Sylvain. “Motherwell: Tableaux d’une exposition” (text in French). [Canal, July 7, 1977], sec. Manifestations Culturelles. Review of Musée d’Art Moderne de la Ville de Paris, 1977.
LEE 1970
 
Lee, Sherman E. “The Water and the Moon in Chinese and Modern Painting.” Art International 14, no. 1 (January 20, 1970): pp. 47–59.
LEEPA 1949
 
Leepa, Allen. The Challenge of Modern Art (includes artist’s statements). Foreword by Herbert Read. New York: Beechhurst Press, 1949.
LEJA 1993
 
Leja, Michael. Reframing Abstract Expressionism: Subjectivity and Painting in the 1940s (includes artist’s statements). New Haven, Conn.: Yale University Press, 1993.
LENOX 1960
 
Lenox, Barbara. “Art & Architecture on Display.” Los Angeles Times, February 21, 1960, sec. H, p. 16.
LEONARD 1991
 
Leonard, Sandy. “Robert Motherwell: Storming the Citadel” (includes artist’s statements). ’GBH (Boston) 5, no. 8 (August 1991): pp. 10–11.
LEVERGEOIS 1993
 
Levergeois, Pierre-Marc. “L’Azur en ses demeures: Azur in Its Dwelling Places” (text in English and French). Cimaise 40, no. 224 (June–July–August 1993): pp. 52–54. Review of Fondation Cartier, Jouy-en-Josas, France, 1993.
LEVIN 1991
 
Levin, Gail. “The Response to Picasso’s Guernica in New York” (includes artist’s statements). Jong Holland (the Netherlands) 7, no. 2 (1991): pp. 2–11.
LEVINE 1971
 
Levine, Edward M. “Abstract Expressionism: The Mystical Experience” (includes artist’s statements). Art Journal 31, no. 1 (fall 1971): pp. 22–25.
LEVINE 1984
 
Levine, Melinda. “Critic’s Choice.” San Francisco Focus, April 1984, p. 16. Review of San Francisco Museum of Modern Art, April 1984 (see Albright-Knox Art Gallery, Buffalo, 1983).
LEWIS 1958
 
Lewis, Linda. “We Hitch Our Wagons” (interview with the artist). Mademoiselle 47, no. 4 (August 1958): p. 242.
LEWIS 1981
 
Lewis, Jo Ann. “Strokes of ’60s Nostalgia.” Washington Post, November 7, 1981, sec. C, p. 3. Review of B. R. Kornblatt Gallery, Washington, D.C., 1981.
LEWIS 1982
 
Lewis, Jo Ann. “Robert Motherwell’s Enthralling Cacophony.” Washington Post, July 9, 1982, sec. D, p. 4. Review of Phillips Collection, Washington, D.C., 1982.
LIFE 1951
 
“Irascible Group of Advanced Artists Led Fight against Show.” Life 30, no. 3 (January 15, 1951): p. 34.
LIFE 1958
 
“A Boom in U.S. Art Abroad.” Life 44, no. 20 (May 19, 1958): pp. 76–80.
LIFE 1963
 
“A Gallery of Expensive Art, Wall-to-Walk.” Life 55, no. 1 (July 5, 1963): sec. NY, pp. 6–7.
LINSENMEYER 1993
 
Linsenmeyer, John. “Book Reviews: The Collected Writings of Robert Motherwell” (book review; includes artist’s statements). Greenwich Time, February 17, 1993, sec. B, p. 8.
LIPMAN AND FRANC 1976
 
Lipman, Jean, and Helen M. Franc. Bright Stars: American Painting and Sculpture since 1776 (includes artist’s statements). Introduction by John I. H. Baur. New York: E. P. Dutton, 1976.
LIPPARD 1965
 
Lippard, Lucy R. “New York Letter: Miró and Motherwell” (includes artist’s statements). Art International 9, no. 9–10 (December 20, 1965): pp. 33–35. Review of Museum of Modern Art, Robert Motherwell, September 1965.
LIPSON 1986
 
Lipson, Karin. “After Matisse: At the Queens Museum, an Exhibit of 37 American Artists Shows the Colorful Legacy of Henri Matisse.” New York Newsday, April 18, 1986, pt. 3, p. 19. Review of Queens Museum, N.Y., 1986.
LIPSON 1991
 
Lipson, Karin. “The Magic and Reality of Circus Life.” New York Newsday, June 7, 1991, sec. 2, p. 101. Review of Heckscher Museum, Huntington, N.Y., 1991.
LIPTON 1965
 
Lipton, E. Trina. “Motherwell: Artist and Intellectual.” Columbia Owl 8, no. 10 (November 24, 1965): pp. 1–2.
LIT TOUT 1977
 
“Motherwell: Fugue Romantique” (text in French). Lit Tout, October 1977. Review of Musée d’Art Moderne de la Ville de Paris, 1977.
LLEÓ 1984
 
Lleó, Vicente. Arte contemporaneo Norteamericano: Coleccion David Mirvish (exhibition catalogue, text in Spanish). Introduction by Gaetana Enders. Madrid: United States Cultural Information Service, 1984. Published in conjunction with an exhibition at the American ambassador’s residence, Madrid.
LLOYD 1987A
 
Lloyd, Ann. “A Display of Objects to Spur Creativity.” Boston Globe, July 10, 1987, p. 92.
LLOYD 1987B
 
Lloyd, Ann. “The Life & Times of Long Point Gallery.” Cape Cod Antiques & Arts, June 1987.
LLOYD 1988A
 
Lloyd, Ann. “Long Point Gallery ‘Opposites.’ ” Cape Cod Antiques & Art, [June 26–July 16, 1988]. Review of Long Point Gallery, Provincetown, Mass., June 1988.
LLOYD 1988B
 
Lloyd, Ann. “On Motherwell.” Cape Cod Antiques & Arts, July 1988, pp. 20–21.
LLOYD 1988C
 
Lloyd, Ann. “One Man and His Art: Robert Motherwell” (interview with the artist). Cape Cod Antiques & Arts, July 1988, pp. 16–19.
LOERCHER-PAZICKY 1981
 
Loercher-Pazicky, Diana. “Une Donation bienvenue” (text in French). Connaissance des Arts, no. 354 (August 1981): pp. 20–21.
LOKALE INFORMATIONEN 2004
 
“Rückkehr ins Schloss: Museum Morsbroich zeigt Robert Motherwell” (text in German). Lokale Informationen, October 27, 2004. Review of Museum Morsbroich, Leverkusen, Germany, 2004.
LONG 1988
 
Long, Robert. “East End Drawing Exhibit at Parrish.” Southampton Press (N.Y.), October 13, 1988. Review of Parrish Art Museum, Southampton, N.Y., 1988.
LOPER 1962
 
Loper, Mary Lou. “Heller Abstracts Previewed.” Los Angeles Times, September 7, 1962, sec. D, pp. 2, 9. Review of the circulating exhibition at Los Angeles County Museum, September 1962 (see Museum of Modern Art, New York, September 1961).
LORBER 1976
 
Lorber, Richard. “Arts Reviews.” Arts Magazine 50, no. 7 (March 1976): p. 21. Review of Rosa Esman Gallery, New York, 1976.
LORING 1980
 
Loring, John. “The Collectors: The Refinements of Art Déco; Andrew Crispo in New York.” Architectural Digest 37, no. 2 (March 1980): pp. 106–13.
LORSCHEIDER 2004
 
Lorscheider, Antje. “In den Farben leuchtet das Unbewusste” (text in German). Westfälische Rundschau, October 21, 2004. Review of Museum Morsbroich, Leverkusen, Germany, 2004.
LOS ANGELES COUNTY MUSEUM OF ART MEMBERS’ CALENDAR 1984
 
Los Angeles County Museum of Art Members’ Calendar 22, no. 1 (January 1984).
LOS ANGELES HERALD EXAMINER 1984
 
“Art Museum’s Ahmanson Gallery Presents Motherwell Retrospective.” Los Angeles Herald Examiner, January 12, 1984. Review of Albright-Knox Art Gallery, Buffalo, 1983.
LOS ANGELES TIMES 1950
 
“Perls Gallery to Open Jan. 24.” Los Angeles Times, January 15, 1950, sec. D, p. 6. Review of Frank Perls Gallery, Beverly Hills, 1950.
LOS ANGELES TIMES 1953
 
“Art Events.” Los Angeles Times, January 4, 1953, sec. D, p. 10.
LOS ANGELES TIMES 1967
 
“Johnson Asked to Act for Peace in Mideast.” Los Angeles Times, September 20, 1967, sec. E, p. 18.
LOS ANGELES TIMES 1968
 
“Hartley Exhibit Slated at USC.” Los Angeles Times, October 27, 1968, sec. C, p. 54. Review of San Francisco Museum of Art, October 1968.
LOS ANGELES TIMES 1983
 
“Rothko Painting Fetches $1.8 Million.” Los Angeles Times, November 11, 1983, sec. 6, p. 4.
LOUCHHEIM 1947
 
Louchheim, Aline B. “On View in Galleries.” New York Times, December 21, 1947, sec. Art, p. 10. Review of Samuel M. Kootz Gallery, New York, December 1947.
LOUCHHEIM 1950
 
Louchheim, Aline B. “Architect, Painter—and the Mural: Five Modernists Present Their Solutions for Projects.” New York Times, October 1, 1950, sec. 2, p. 9. Review of Samuel M. Kootz Gallery, New York, October 1950.
LOUCHHEIM 1951A
 
Louchheim, Aline B. “Six Abstractionists Defend Their Art” (includes artist’s statements). New York Times Magazine, January 21, 1951, pp. 16–17.
LOUCHHEIM 1951B
 
Louchheim, Aline B. “Two Shows with Unusual Themes: Sidelights on Leonardo—Modern Decoration for a Synagogue.” New York Times, October 7, 1951, sec. 2, p. 9. Review of Samuel M. Kootz Gallery, New York, October 1951.
LOUCHHEIM 1953
 
Louchheim, Aline B. “Art for Religion: Collaborative Project for a Synagogue Successfully Employs Modern Design.” New York Times, May 24, 1953, sec. 2, p. 8. Review of Samuel M. Kootz Gallery, New York, May 1953.
LOUDEN 1954
 
Louden, Catherine. “Varied Degrees of Abstract Painting.” Houston Post, January 10, 1954, sec. 6, p. 3. Review of Contemporary Arts Museum, Houston, 1954.
LOUGHERY 1987
 
Loughery, John. “Art Reviews.” Arts 61, no. 10 (summer 1987): p. 111. Review of Solomon R. Guggenheim Museum, New York, March 1987.
LOVEMAN 1945A
 
Loveman, Hilda. “The Armory 1945: The Contemporary and Antique Chosen by Critics and Dealers.” Artnews 44, no. 12 (October 1–14, 1945): p. 18. Review of 17th Regiment Armory, New York, 1945.
LOVEMAN 1945B
 
Loveman, Hilda. “Progress at the Whitney.” Limited Edition 6 (December 1945): p. 5. Review of Whitney Museum of American Art, New York, 1945.
LOWRY 2002
 
Lowry, Glenn D., and Dennis R. Anderson. The Governor Nelson A. Rockefeller Empire State Plaza Art Collection and Plaza Memorials. Entry “Robert Motherwell,” by Tiffany Bell, pp. 130–33. New York: Rizzoli International, 2002.
LUCIE-SMITH 1969
 
Lucie-Smith, Edward. Late Modern: The Visual Arts since 1945. New York: Frederick A. Praeger, 1969.
L[UCIE-]S[MITH] 1978A
 
L[ucie-]S[mith], E[dward]. “Robert Motherwell.” Art & Artists 12, no. 11 (March 1978): p. 52. Review of Royal Academy of Arts, London, 1978.
LUCIE-SMITH 1978B
 
Lucie-Smith, Edward. “The Opulent Puritan.” Evening Standard (London), January 19, 1978, p. 23. Review of Royal Academy of Arts, London, 1978.
LUDDEMANN 2004
 
Luddemann, Stefan. “Mit einer schwarzen Träne” (text in German). Osnabrücker Zeitung 37, no. 270 (November 17, 2004). Review of Museum Morsbroich, Leverkusen, Germany, 2004.
LUERS 1981
 
Luers, William H. “Progenitors of North American Abstract Art on Show.” Daily Journal (Caracas, Venezuela), March 6, 1981.
LYNTON 1966A
 
Lynton, Norbert. “Egghead Frontiersman” (includes statement by the artist). Guardian (Manchester), March 26, 1966, p. 7. Review of the traveling exhibition at Whitechapel Art Gallery, London, March 1966 (see Museum of Modern Art, New York, Robert Motherwell, September 1965).
LYNTON 1966B
 
Lynton, Norbert. “London Letter.” Art International 10, no. 8 (October 20, 1966): pp. 49–53. Review of the traveling exhibition at Whitechapel Art Gallery, London, March 1966 (see Museum of Modern Art, New York, Robert Motherwell, September 1965).
LYNTON 1980
 
Lynton, Norbert. The Story of Modern Art. Ithaca, N.Y.: Cornell University Press, 1980.
LYNTON 1997
 
Lynton, Norbert. “An American in Europe.” Modern Painters, spring 1997, pp. 38–41. Review of Museo Nacional Centro de Arte Reina Sofía, Madrid, 1998.
LYNTON 2001
 
Lynton, Norbert. “Robert Motherwell.” In Writers on Artists: Modern Painters, pp. 174–83. New York: DK, 2001.
LYON 1966
 
Lyon, Ninette. “Helen and Robert Motherwell: A Second Fame; Good Food” (interview with the artist). Vogue 147, no. 7 (April 1, 1966): pp. 194–96.
LYONS 1969
 
Lyons, Leonard. “The Lyons Den.” New York Post, November 18, 1969, sec. Magazine, p. 3.
Bibliography (A-L)
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