Index

Hornstein, Katie

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Index

Katie Hornstein

Picturing War in France, 1792–1856

Index

Author

Katie Hornstein

PublisherYale University Press

https://doi.org/10.37862/aaeportal.00094.010

Stable URL: https://aaeportal.com/?id=-18325

Index

Page numbers followed by f indicate illustrations.

actuality and painting, 109–125

Adorno, Theodor, 5

Alexandre, Arsène, 106

allegory, 13, 165, 189n70

Anderson, Benedict, 175n3

aquatints, 70–72, 80f, 81, 154f, 172, 181n38, 189n6

Are You Serious? (Charlet), 70f

Arnault, Antoine-Vincent, 76–78, 81, 96, 181n47, 182n56

artist-officers, 23–41, 105

An Assistant of Charles Nègre Examining a Proof in the Courtyard of the Studio (Nègre), 166–167f

Atelier of Horace, The Vernet (Vernet), 104f, 105

Atget, Eugène, 12, 174, 187n25

“The Author as Producer” (Benjamin), 91

Bacler d’Albe, Louis-Albert Guislain, 23–26, 105, 133, 177n40

Balzac, Honoré de, 122

Bann, Stephen, 175–176n10, 175n4, 181n29, 181n31, 189n6, 189n67, 190n10

Barker, Robert, 22, 105

Barthes, Roland, 19

Battle of Aboukir, The (Denon), 42f, 51f

Battle of Aboukir, The (Gros), 30, 32, 32f, 36

Battle of Aboukir, The (Lejeune), 30, 32, 33f, 35–36f, 36–39, 41, 42f, 178n65

Battle of Austerlitz (Gérard), 30, 31f, 57, 88

Battle of Friedland, The (Vernet), 93f, 94–95

Battle of Hanau, The (Vernet), 62–63, 66f

Battle of Jemappes, The, (Vernet), 62–63, 66f, 72, 89, 94, 180n23

Battle of Jemappes Fought and Won by the French over the Austrians, The (anonymous), 17f

Battle of Jena, The (Vernet), 92f, 94–95

Battle of Marengo, The (Lejeune), 27, 29f, 39

Battle of Montmirail, The (Vernet), 62–64, 64f, 67f, 180n26

Battle of Mont Thabor, The (Lejeune), 32, 41, 43, 178n65

Battle of Moskova, The (Langlois), 184n31

Battle of Nazareth (Gros), 26–28, 26f, 28f, 177n43

Battle of Somosierra, The (Vernet), 60, 61f, 63f

Battle of Taillebourg (Delacroix), 96, 97f

Battle of the Pyramids, The (Hennequin), 30, 32f

Battle of the Pyramids, The (Langlois), 111

Battle of the Pyramids, The (Lejeune), 30, 32, 34f, 39, 41

Battle of Tolbiac (Scheffer), 96, 97f

Battle of Tolosa, The (Vernet), 57–60, 58f

Battle of Wagram, The (Vernet), 93f, 94–95

Baudelaire, Charles, 4–5, 64, 85, 122, 125, 130–132, 172, 174, 175n6, 186n11, 186nn13–14, 190n8

Becquet, 89–90

Bell, David, 13, 176n10

Benjamin, Walter, 98, 105, 125, 173–174

Béraldi, Henri, 172

Bertall, Charles Albert d’Arnoux, 100–101

Berthier, Alexandre, 26–27, 36

Bingham, Robert Jefferson, 162–165, 164–165f

Bisson Frères, 142

Black, Jeremy, 176n12

Blanc, Charles, 122

Blanc, Louis, 91, 183n8

Blanqui, Jérôme-Adolphe, 99, 183n20

Boilly, Louis-Léopold, 19–23

Boizot, Antoine-Honoré, 18f

Bonaparte, Commander in Chief of the Army of Egypt (Raffet), 95f, 96

Bonaparte, Napoleon: and Bacler d’Albe, 23

defeat at Waterloo, 47

and Disasters of War (Goya), 51

Egyptian campaign paintings of, 30, 39–40

historical memory of, 51–57, 76–80, 95–99

history paintings as propaganda for, 25–26, 38–40

on panoramas, 23

overview, 9–13

return of ashes from St. Helena, 91

Russian campaign of, 44

Bonaparte on the Bridge of Arcole (Gros), 11, 11f, 74–75, 74f, 77, 84

Bonaparte on the Bridge of Arcole (Longhi), 11f, 21f

Bonaparte Visiting the Plague Victims at Jaffa (Gros), 37–39, 38f, 178n59

border crossings, 4, 7

borders, 6, 9–10, 43–44

Bosséno, Christian-Marc, 181n45

Bourbon Restoration war imagery, 51–85

battle of Arcole’s narrative ambiguity, 77–80

battle painting at salon exhibitions, 57–68

overview, 6, 51–57

patronage and liberal politics of, 80–85

print cultures and the representation of war, 68–77

Bourgeois, Amédée, 83

Bouterwerk, Friedrich, 106f

Capture of the Malakoff Tower (Vernet), 188n61

Capture of the Malakoff Tower, The (Bingham after Yvon), 164f

Capture of the Malakoff Tower, The (Lefman after Yvon), 163f

Capture of the Malakoff Tower, The (Marthe after Yvon), 163f

Capture of the Malakoff Tower, The (Nègre after Yvon), 164f

Capture of the Malakoff Tower, The (Soulange-Tessier after Yvon), 163f

Capture of the Malakoff Tower, The (Yvon), 156–158, 158f, 160–165, 161f, 170

Capture of the Smalah of Abd-el-Kader, The (Vernet), 7, 91, 110f, 111–112, 118–121f, 118–125, 142, 171, 185n59

Capture of the Trocadero (Delaroche), 62, 63f

caricature, 44, 88–90, 90f, 100, 179n4

Charge of the Light Brigade, The (Guys), 131f

Charles X, 56, 62, 83, 180n9

Charles X Reviewing His Troops on the Champ de Mars (Vernet), 56

Charlet, Nicolas-Toussaint, 68–70, 96, 171, 179n4

Are You Serious? 70f

Look at Austerlitz at the Moment When It Trembled! 70f

Merchant of Lithographic Drawings, 69f

Charterhouse of Parma, The (Stendhal), 127

Charton, Édouard, 185n69

Chastenay, Victorine de, 44, 179n75

Chaudonneret, Marie-Claude, 180n23

Clark, T. J., 172

Clausewitz, Carl von, 12

Clichy Gate, The (Vernet), 62, 66f, 72, 89, 180n23

Clock Tower, The (Durand-Brager), 143, 150f

communicative spaces, 3, 175n3

community, 175n3

Courbet, Gustave, 4, 172–173

Craiutu, Aurelian, 181n40, 1812n4

Crary, Jonathan, 105, 175n10

Crimean War, war imagery of, 127–167

death toll from, 186n8

early military photography of, 136–143

and Henri Durand-Brager, 133–134, 137–139, 142–154, 187n25, 187n28, 187nn35–36

historical overview of, 3, 7, 127–130

and illustrated newspaper reportage, 130–136

Orlando Figes on, 186n7, 188n52

Crossing of the Arcole Bridge, The (Feuchère), 75f

Crossing of the Arcole Bridge, The (Jazet after Vernet), 80f

Crossing of the Arcole Bridge, The (Vernet), 56, 72–85, 72f, 77–79f, 94, 116, 181n43

Crow, Tom, 67–68

The Crowd in the French Revolution (Rudé), 59

culture industry, 5

Daguerre, Jacques-Mandé, 62, 127

daguerreotypes, 1–2, 2f, 62, 127, 189n67

d’Angoulême, duc, 60, 62, 94–95, 94f

Daston, Lorraine, 18

Daumier, Honoré, 84–85

David, Jacques-Louis, 4, 67–68, 175n5

Intervention of the Sabine Women, 56, 64, 182n63

Le Sacre de Napoléon, 178n59, 180n17

Napoleon Crossing the Alps, 11, 11f

Death of Poniatowski, The (Vernet), 69–70, 181nn32–33

Debord, Guy, 5

Debucourt, Philibert-Louis, 70

Decamps, Alexandre-Gabriel, 160

Delaborde, Henri, 171–172

Delacroix, Eugène, 4, 96–97, 97f, 100, 160

Delaroche, Paul, 62–63, 160

Delavigne, Casimir, 84

Delécluze, Étienne-Jean, 46–49, 62, 107–108, 121–122, 154, 179n6, 179n77, 179n80, 184n35, 185n60, 188n48

Delécluze, Étienne-Jean, works by: The Encampment of Allied Russian and English Troops in Paris in 1815, 47f

Russian Prisoners Marching on the Boulevard Saint-Martin after the Battle of Montmirail, 46f

Wounded French Soldiers Entering Paris after the Battle of Montmirail, 46–47f

Delessert, Gabriel, 72

Delpech, François, 68

de Man, Paul, 189n70

Denon, Dominique-Vivant, 41–44, 42f, 178n73

Dépôt de la guerre, 22–23, 27, 87, 177n32, 177n36, 186n23

Detaille, Édouard, 169–172

dioramas, 62, 108

Disasters of War (Goya), 51

Disdéri, Eugène, 137, 186n23

Dix, Otto, 152, 154f

d’Onquaire, Cléon Galoppe, 144, 187n38

Doudan, Ximénès, 99

Dream, The (Detaille), 170–172, 170f

Duparc, Marie-Alexandre, 18f

Duplessi-Bertaux, Jean, 18

Durand-Brager, Jean-Baptiste Henri: artistic style of, 4

and Crimean War, 133–134, 137–139, 142–154, 187n25, 187n28, 187nn35–36

and emergent reproductive media, 143–154

and modern panoramic landscape painting, 155–156

and Napoleon III, 188n49

woodblock engraving after, 134f, 146f

Durand-Brager, Jean-Baptiste Henri, works by: The Clock Tower, 143, 150f

Kamiesch: Panorama of the City and of the Port, 143, 147f

The St. Nicolas Fort, 142, 144–145f

Siege of Sebastopol. See Siege of Sebastopol (Durand-Brager)

Edwards, Steve, 137, 176n4, 188n62, 189n70

el-Kader, Abd, 111, 120–121, 124. See also Capture of the Smalah of Abd-el-Kader, The (Vernet)

Encampment of Allied Russian and English Troops in Paris in 1815, The (Delécluze), 47f

engraving: and Bourbon Restoration military subjects, 53, 62, 68–71, 75–76, 81

and the Crimean War, 128, 132–136, 152–154, 161–165

and French Revolution and First Empire military subjects, 9–11, 14–16, 22–25, 39

Henri Béraldi on, 172

and July Monarchy military subjects, 123–125

Stephen Bann on, 189n6, 189n76

Entry of Henri IV into Paris, The (Gérard), 57, 59f

Episode of the Battle of Navarino (Bouterwerk, after Langlois), 106, 106f

Essarts, Alfred des, 184n23

Exposition Universelle of 1855, 132, 138–139, 160, 187n40

Exposition Universelle of 1889, 170

Favret, Mary, 178n71, 183n18

February Revolution of 1848, 91, 129

Febvre, Lucien, 9, 161–162

Félibien, André, 13

Fenton, Roger, 128, 137–139, 142, 165, 187n25, 187n29

Feuchère, Jean-Jacques, 75, 181n44

Fialin, Jean-Gilbert, 130

Figes, Orlando, 186nn7–8, 188n52

Fire of Moscow, The (Langlois), 102–103f, 107, 184n31

First Empire war imagery. See French Revolution and First Empire war imagery

First View of the Battle of Jemappes (Boizot, Duparc, and Gerbel, engraved by Duplessi-Bertaux), 18f

Forbin, Auguste de, 56, 180n21

Forrest, Alan, 59

French Revolution and First Empire war imagery, 9–49

and artist-officers, 23–41

overview, 3, 7, 9–12, 12–23

and proximity, 42–59

In Front of Le Rêve of Detaille (Legrand), 171f

Gaehtgens, Thomas, 92

Galerie des Aquarelles, 87

Gallery of Battles, 57, 88–89, 88f, 94–96

Gautier, Théophile, 11, 123, 125, 144, 146, 151–152, 154–156, 175n1, 185n68, 187n39, 188nn43–45

General Pierre Augereau at the Bridge of Arcole (Thévenin), 75f

Gérard, François, 26, 57, 59, 63, 87–88, 98, 116, 129

Battle of Austerlitz, 30, 31f, 57, 88

The Entry of Henri IV into Paris, 57, 59f

Gerbel, 18f

Géricault, Théodore, 4, 181n47

Germer, Stefan, 182n63

Gervais, Thierry, 185n2

Gill, Hélène, 184n27

Girodet, Anne-Louis Trioson, 30, 59, 87, 181n31

Godlewska, Anne, 22, 177n34, 178n63

Gotlieb, Marc, 76, 181n49

Goupil, 142, 187n29

Goya, Francisco, 51

Greenberg, Clement, 172

Grenville, J. A. S., 186n8

Grigsby, Darcy, 38–39, 178n59

Gros, Antoine-Jean: Antoine Quatremère de Quincy on, 29–30, 101, 178n52

artistic style of, 59, 62–63, 77, 98, 116, 129, 180n21

battle paintings for Musée Historique de Versailles, 87

death of, 30

Gros, Antoine-Jean, works by: The Battle of Aboukir, 30, 32, 32f, 36

Battle of Nazareth, 26–28, 26f, 28f, 177n43

Bonaparte on the Bridge of Arcole, 11, 11f, 74–75, 74f, 77, 84

Bonaparte Visiting the Plague Victims at Jaffa, 37–39, 38f, 178n59

Napoleon on the Battlefield of Eylau, 22, 30, 31f, 59

Guizot, François, 82, 90, 182n4

Guys, Constantin, 130–132, 186n11

Hall, Stuart, 172–173, 190n9

Halperin, Sandra, 183n7

Hazareesingh, Sudhir, 179n4, 182n58

Heim, François Joseph, 88–90

Heine, Heinrich, 91

Hell (Leroux), 152, 154f

Hennequin, Philippe-Auguste, 30, 32f

Hérisson, Eustache, 20–21

Histoire de la peinture militaire en France (Alexandre), 106

Histoire de la révolution française (Thiers), 77, 80

Histoire de l’empereur Napoléon (l’Ardeche), 96

History of Napoleon, The (Norvins), 96

History of the Origins of Representative Government (Guizot), 90

Hoche, Lazare, 9

Huard, Étienne, 104

Hugo, Victor, 129

I Am on Pins and Needles (anonymous), 45f

Illustrated London News, 123, 130, 132

illustrated newspaper reportage, 123–124, 130–136, 142–143

In the Environs of a Ball (Vernet), 69, 70f

ingénieurs-géographes, 22–23, 39, 41, 87, 177nn33–34

Ingres, Jean-Auguste-Dominique, 100, 160, 178n59

Intervention of the Sabine Women (David), 56, 64, 182n63

Jal, Augustin, 62, 72, 106, 108, 184n39

Jaume, Lucien, 74, 181n40

Jazet, Jean-Pierre-Marie, 71–72, 80f, 81, 189n6

Jemmapes, battle of, 16–19, 17f

Joseph Vernet Attached to a Mast during a Storm (Vernet), 71, 180n23

Journal des débats, 62, 132–133

Jouy, Étienne de, 64, 67, 72, 179n2, 180n27, 181n37

July Monarchy war imagery, 87–125

and battle panoramas of Jean-Charles Langlois, 101–109

Horace Vernet and representation of the Algerian campaign, 109–125

for Musée Historique de Versailles, 92–101

overview, 6–7, 87–91

politics of, 84–85

June Revolution of 1848, 129

Kamiesch: Panorama of the City and of the Port (Durand-Brager and Lassimonne), 143, 147f

Keller, Urich, 132

Kroen, Sheryl, 179n4

Lafitte, Jacques, 81–83, 182n57, 182n59

Langlois, Jean-Charles: artistic style of, 1, 4

battle paintings for Musée Historique de Versailles, 87

battle panoramas by, 91, 101–111, 114–118, 154, 156–157, 174

photographs by, 138–142, 165

Langlois, Jean-Charles, works by: The Battle of Moskova, 184n31

The Battle of the Pyramids, 111

The Fire of Moscow, 102–103f, 107, 184n31

Panorama of Sebastopol, Taken from the Malakoff Tower, 139, 140–141f

Panorama of the Battle of Navarino, 107–108, 107f, 111, 117, 121–122, 184n29

Panorama of the Capture of Algiers, 111

Langlois, Zoe, 105, 139, 142, 187n34

Lanterne Magique. Bataille de Jemappes (Becquet), 89–90, 90f

l’Ardèche, Paul Mathieu Laurent de, 96

L’Art pendant la guerre, 1914–1918 (Sizeranne), 153, 188n46

Las Cases, Emmanuel, 77–78

Lassimonne, Pierre, 138–139, 142, 151, 154, 187n28

Kamiesch: Panorama of the City and of the Port, 147f

The St. Nicolas Fort, 144f

La Vie politique et militaire de Napoléon (Arnault), 76–78, 81, 96

Le Brun, Charles, 13

Lefebvre, Henri, 161–162

Lefman, Ferdinand, 163f

Legrand, Paul, 170–171

Le Gray, Jean-Baptiste Gustave, 162

Lejeune, Louis-François: artistic style of, 4, 109, 128–129, 174

as artist-officer, 23, 27–43, 105, 109, 116, 133, 178n58, 179n2

and Horace Vernet, compared, 63–64, 68, 116

popularity of, 53–57, 170

Lejeune, Louis-François, works by: The Battle of Aboukir, 30, 32, 33f, 35–36f, 36–39, 41, 42f, 178n65

The Battle of Marengo, 27, 29f, 39

The Battle of Mont Thabor, 32, 41, 43, 178n65

The Battle of the Pyramids, 30, 32, 34f, 39, 41

View of the Attack on the Grand Convoy, near Salinas, 54–56, 54f, 55f, 179n6

View of the Monastery and the Ancient Bulls of Guisando, 51, 52f, 53, 53f, 57, 179n2

Lemercier (lithograph publisher), 154, 162, 187n29

Lenoir, Alexandre, 107

Leroux, George, 152, 154f

Le Sacre de Napoléon (David), 178n59, 180n17

Life of Napoleon (Scott), 77–80

L’Illustration, 123–125, 124f, 125f, 132–134, 134–135f, 136–138, 142, 147f, 151–152, 154, 185n69

lithographs and lithography: after Adolphe Yvon, 161–163

Antoine-Vincent Arnault on, 182n56

by Auguste Raffet, 95–96, 111

by François Joseph Heim, 88–90

history and technique of, 56, 68–70

by Honoré Daumier, 84–85

by Horace Vernet, 69–71, 75–78, 181n47

by Jean-Baptiste Henri Durand-Brager, 133

by Nicolas-Toussaint Charlet, 68–69, 171, 179n4

Stephen Bann on, 181n29, 181n31, 181n67

Walter Benjamin on, 173

Longhi, Giuseppe, 11f

Look at Austerlitz at the Moment When It Trembled! (Charlet), 70f

Louis-Antoine of Artois, Duke of Angoulême, (Vernet), 56, 94f

Louis-Napoleon, 129–130, 139, 154, 156. See also Napoleon III

Louis-Philippe, 57, 63, 81–85, 87–95, 98–100, 105, 109–113, 129–130, 154, 182n59, 184n29. See also duc d’Orléans

Louis-Philippe Inaugurates the Gallery of Battles (Heim), 89, 89f

Louis XIV, 13–16, 177n33

Louis XIV Crossing into the Netherlands at Lobith (Van der Meulen), 14, 15f

Louis XV, 22, 71

Louis XVIII, 60, 62, 67, 81

Malakoff Courtine, The (Yvon), 157, 160f

Malakoff Gorge, The (Yvon), 157, 160f

Malte-Brun, Conrad, 19–20

Mantz, Paul, 107

Map of the Kingdom of Prussia, Poland and Lithuania (Hérrison), 21f

Map of the Theater of War in Italy (Bacler d’Albe), 24f

maps and mapmaking, 2, 6, 9–12, 16, 19–24, 27–28, 39–41, 44–45, 176n1, 176n14, 177n28, 177n32, 177n37, 177n40

Marchandiau, Jean-Noel, 132

Marrinan, Michael, 92, 181n49, 183nn10–11, 185n54

Marthe, 162, 163f, 189n66

Marx, Karl, 112, 129

mass culture, 106, 125, 172–173, 175n2, 190n10

Master’s Eye, The (Raffet), 95f, 96

McCauley, Elizabeth Anne, 189n67

Méhédin, Léon, 139–140

Meissonier, Ernest, 169

Mémoirs d’un bourgeois de Paris (Véron), 94

Mémorial de Sainte-Hélène (Las Cases), 77–78

Merchant of Lithographic Drawings (Charlet), 69f

Mercoli, Michelangelo, 25f

Minié rifles, 151, 187n40

Monsaldy, Antoine Maxime, 9–11, 44, 176n1

Moreau, Jean-Victor, 9

Murat, Joachim, 30, 32, 36

Musée Historique de Versailles, 57, 87, 90, 92–101, 105

Music, Painting, and Sculpture (Bertall), 100

Napoleon Crossing the Alps (David), 11, 11f

Napoleon III, 80, 111, 129, 133, 154, 169, 188n49. See also Louis-Napoleon

Napoleon on the Arcole Bridge (Atelier Adrien Dembour), 81

Napoleon on the Battlefield of Eylau (Gros), 22, 30, 31f, 59

Nègre, Charles, 162, 164–167, 164f, 189n69

Nesbit, Molly, 12, 187n25

Neuville, Alphonse de, 169

Norvins, Jacques de, 96

Nouvion, Victor de, 101

O’Mahony, Le Comte, 180n16, 180n27

On War (Clausewitz), 12

Osterhammel, Jurgen, 175n3

Panorama of Sebastopol, Taken from the Malakoff Tower (Langlois and Méhédi), 139, 140–141f

Panorama of the Battle of Eylau (after Langlois), 1–2, 2f

Panorama of the Battle of Navarino (Langlois), 107–108, 107f, 111, 117, 121–122, 184n29

Panorama of the Capture of Algiers (Langlois), 111

panoramas, 1–7, 22–23, 101–118, 121–122, 127–128, 138–157, 169, 173–174. See also specific panoramas

Parrocel, Joseph, 14

Passage of the Po at Plaisance (Bacler d’Albe), 23–24, 25f

Passage of the Po at Plaisance (Mercoli after Bacler d’Albe), 25f

Paulin, Jean-Baptiste Alexandre, 132

Peace and War (Jazet), 72

Peace and War (Vernet), 71–72, 71f

Peninsula of Aboukir, The (Denon), 42f

Perrier, Charles, 160

photography, 25, 127–129, 136–144, 151, 154–157, 161–169, 171, 173–174, 185n2, 186nn22–23, 187n25

photogravure, 162, 165, 167, 189n69

photomontage, 171, 172f

Pichegru, Jean-Charles, 9

Pichois, Claude, 186n11

Planche, Gustave, 95–96, 100–101, 181n44, 184n22

Poirson, Jean-Baptiste, 9

Politics of Aesthetics, The (Rancière), 7

Porterfield, Todd, 180n17

Portrait of King Charles X (Vernet), 95

Ports de France (Joseph Vernet), 71

Prendergast, Christopher, 175n5

Prévost, Pierre, 22–23

Production of Space, The (Lefebvre), 161–162

Quatremère de Quincy, Antoine, 29–30, 101, 154, 178n52, 184n25

Quinet, Edgar, 112

Raffet, Auguste, 95–96, 111

Rancière, Jacques, 5, 7, 68, 174

Raynaud Frères, 81, 81f

Reading of the Bulletin of the Grande Armée (Boilly), 19, 20f

Regarding the Pain of Others (Sontag), 128

Renaudeau, Claudine, 181n33

Revolt of Cairo (Girodet), 30

Richebourg, Pierre-Ambroise, 162, 164f, 189n67

Robertson, James, 139, 142, 165, 187n34

Robichon, François, 105, 188n53

Rosanvallon, Pierre, 82

Rosenthal, Léon, 179n4, 181n32

Rotunda of the Panorama of the Battle of Navarino (Langlois), 107

Rudé, George, 59

Rue Transnonain (Daumier), 84f

Russian Prisoners Marching on the Boulevard Saint-Martin after the Battle of Montmirail, (Delécluze), 46f

St. Nicolas Fort, The (Durand-Brager and Lassimonne), 142, 144–145f

Salon Carré, 114, 121

Salon of 1801, 26–27, 39

Salon of 1804, 32, 37, 39, 41, 43, 178n57

Salon of 1806, 30, 32, 39, 41

Salon of 1817, 51, 53, 56–57, 59, 60, 70, 181n33

Salon of 1819, 54–56, 70, 179n6, 180n27, 181n33

Salon of 1822, 72, 83, 89, 180n23, 181n38

Salon of 1824, 56, 62–63, 95

Salon of 1827, 56, 62, 72, 76, 81

Salon of 1830, 83

Salon of 1831, 106

Salon of 1834, 74

Salon of 1836, 90, 94–96, 98, 100–101, 183n6

Salon of 1837, 90, 107, 183n6

Salon of 1838, 90, 183n6

Salon of 1839, 113–115, 118

Salon of 1845, 113, 118, 121, 123–125, 185n64, 185n68

Salon of 1846, 5, 174, 190n8

Salon of 1857, 143–144, 151, 156–157, 160, 162, 188n61, 189n67

Salon of 1859, 157, 162

Salon of 1861, 189n67

Salon of 1865, 189n67

Salon of 1888, 170

Samuels, Maurice, 106, 109

Sanson, Nicolas-Antoine, 22, 177n40

Scheffer, Ary, 87, 96–97

Schivelbusch, Wolfgang, 183n20

Schwartz, Vanessa, 106, 175n2

Scott, Walter, 77–80

Senefelder, Aloys, 68

Shell Holes Illuminated by Flares near Dontrien (Dix), 152, 154f

Shiff, Richard, 25, 29

Siege of Besançon by Condé (Van der Meulen), 14, 15f

Siege of Constantine, The (Vernet), 7, 91, 110f, 111–114, 112–117f, 116–118, 122–123, 152, 157

Siege of Rome (Vernet), 160

Siege of Sebastopol (Durand-Brager), 143–144, 147–148, 151–156

Craters in Front of the Bastion du Mat, 152–153, 153f, 188n44

Panorama of the Left Attacks Seen from the Observatory of Marshal Canrobert, 143, 148f, 151

Right View of the Bastion du Mat, 153, 155f, 188n44

View of Kamiesch Taken from the Port, 143, 147f

View of the Central Bastion, 153, 155f, 188n44

Siegfried, Susan, 177n43, 178n59

Silvestre, Théophile, 160

Sizeranne, Robert de la, 153, 188n46

Solomon-Godeau, Abigail, 173, 190n10

Sontag, Susan, 22, 128

Soulange-Teissier, Louis-Emmanuel, 162, 163f

Stendhal, 63–64, 127

Sulkowski, Joseph, 80

Tagg, John, 137

Taws, Richard, 190n12

témoin oculaire, 19, 177n25, 177n41, 178n61

Tencé, Ulysse, 98

Terdiman, Richard, 122

territorial imagination, 6

Thévenin, Charles, 75

Thiers, Adolphe, 77, 80, 82–83, 91

Triumph of Alexander, The (Le Brun), 13, 14f

Triumph of the French Armies, The (Monsaldy), 9–11, 10f, 44, 176n1

Une semaine à Paris (Delavigne), 84

Van der Meulen, Adam Frans, 13–16, 176n15

Vernet, Carle, 71

Vernet, Horace: and actuality painting, 109–125

artistic style and importance of, 4–7, 128–131, 142, 152–153, 160, 170–174

background of, 56

battle paintings for Musée Historique de Versailles, 92–96, 100–101

Charles Baudelaire on, 5

elected to Académie des Beaux-Arts, 180n9

Hélène Gill on, 184n27

as industrial artist, 100–101

and Jean-Charles Langlois, 114–116

lithographs and lithography by, 69–71, 75–78, 181n47

and Louis-François Lejeune, compared, 63–64, 68, 116

and patronage and liberal politics, 80–83

popularity of, 56–57

railroad investments of, 100, 184n21

studio exhibition of 1822, 56, 62, 70–71, 89, 180n23

Vernet, Horace, works by: The Atelier of Horace Vernet, 104f, 105

The Battle of Friedland, 93f, 94–95

The Battle of Hanau, 62–63, 66f

The Battle of Jemappes, 62–63, 66f, 72, 89, 94, 180n23

The Battle of Jena, 92f, 94–95

The Battle of Montmirail, 62–64, 64f, 67f, 180n26

The Battle of Somosierra, 60, 61f, 63f

The Battle of Tolosa, 57–60, 58f

The Battle of Wagram, 93f, 94–95

Capture of the Malakoff Tower, 188n61

The Capture of the Smalah of Abd-el-Kader, 7, 91, 110f, 111–112, 118–121f, 118–125, 142, 171, 185n59

Charles X Reviewing His Troops on the Champ de Mars, 56

The Clichy Gate, 62, 66f, 72, 89, 180n23

The Crossing of the Arcole Bridge, 56, 72–85, 72f, 77–79f, 94, 116, 181n43

The Death of Poniatowski, 69–70, 181nn32–33

In the Environs of a Ball, 69, 70f

Joseph Vernet Attached to a Mast during a Storm, 71, 180n23

Louis-Antoine of Artois, Duke of Angoulême, 56, 94f

Peace and War, 71–72, 71f

Portrait of King Charles X, 95

The Siege of Constantine, 7, 91, 110f, 111–114, 112–117f, 116–118, 122–123, 152, 157

Siege of Rome, 160

Vernet, Joseph, 71

Véron, Louis, 94

Victory of the French at the Battle of Jemappes, The (anonymous), 17f

View of a Room at the Salon of 1857 (Richebourg), 164f

View of the Attack on the Grand Convoy, near Salinas (Lejeune), 54–56, 54f, 55f, 179n6

View of the Monastery and the Ancient Bulls of Guisando (Lejeune), 51–53, 52f, 53f, 57, 179n2

visual economy, 4, 98, 175n4

Voyage dans la basse et haute Égypte (Denon), 41

Watteau, Jean-Antoine, 176n13

Wellington, Robert, 176n15

woodblock prints, 16, 81f, 96, 111, 123–125, 130–131, 133–134, 143, 161–163, 186n21

“The Work of Art in the Ages of Its Technological Reproducibility” (Benjamin), 173

Wounded French Soldiers Entering Paris after the Battle of Montmirail, (Delécluze), 46–47f

Yvon, Adolphe, 156–158, 160–165, 170, 174, 188n53, 188n61, 189n66

Yvon, Adolphe, works by: The Capture of the Malakoff Tower, 158f, 161f

The Malakoff Courtine, 160f

The Malakoff Gorge, 160f

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