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Index
Marnin Young
Description: Realism in the Age of Impressionism: Painting and the Politics of Time
Realism in the Age of Impressionism: Painting and the Politics of Time
Index
Author
Marnin Young
PublisherYale University Press
Copyright© 2015 by Marnin Young
https://doi.org/10.37862/aaeportal.00100.010
Stable URL: https://aaeportal.com/?id=-18603
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Index
absinthe, 128, 134, 148–53, 160
absorption, 5–6, 31, 39, 135, 148, 186, 188, 214
Adorno, Theodor, 193
d’Aghonne, Mie: Mémoires d’un chiffonnier, 155
alcohol consumption, 117, 148–53
anarchists, 118, 123, 124, 131, 160, 200, 202
Andrée, Ellen, 148–49
d’Anglemont, Alexandre Privat, 158
antitheatricality, 18, 39, 93, 185–86
Armstrong, Carol, 73
Art Nouveau, 193
Baedeker, Karl, 141
Baillargeon, Camille, 123
banlieue: of Paris, 13, 139, 141–48
in Raffaëlli’s works, 31, 129–31, 133–35, 150–51, 156, 159, 160, 177, 206, 214
Barr, Alfred, 165
Barrows, Susanna, 151
Bashkirtseff, Marie, 40, 49
Bastien-Lepage, Jules, 57, 80, 178, 205, 206, 214
Angels Appearing to the Shepherds, 18
Haymaking, 12, 15–51, 16, 127, 165
Joan of Arc, 99, 100
October, 49–51, 50
Priam at the Feet of Achilles, 18
Reapers at Damvillers, Meuse, 25, 27
Return from the Fields, 25, 26
Sketch for Haymaking, 19, 19
Summer Landscape, 19, 20
Woman Seated in the Grass near a Sleeping Man, 19, 19
Baudelaire, Charles, 155, 205
Beaulieu, Jill, 148
Benjamin, Walter, 4, 193, 194, 212
Béraud, Jean, 80, 96
The Bal Élysée-Ménilmontant, 105, 105
Sunday at the Church of Saint-Philippe-du-Roule, Paris, 79, 79
Bergerat, Émile, 108, 120
Bergson, Henri, 86
Bernard, Daniel, 108
Bernard, Émile, 146, 147
Bertall, 42, 43
The Burial at Ornans, by Courbet, master painter, 104, 105
Bertin, Paul, 72
Bertrand, Louis, 200
Binant, Alfred-Louis, 41
black flag, 122–25
Blanc, Charles, 83, 115
Boch, Anna, 200, 202
Boch, Eugène, 202
Boisvert, Raymond, 38
Bonnard, Pierre, 198
Bonnat, Léon, 78, 96
Borodin, Alexander, 200
Bouguereau, William-Adolphe, 1
The Flagellation of Christ, 97, 97
bourgeoisie, 10, 88, 117, 118, 137, 147, 152, 158, 175, 190–99
Breton, Jules: The Siesta, 30, 31
Burty, Philippe, 24, 180, 208–9
Cabanel, Alexandre, 18
Cabanel, Pierre: The Harvesters, 30, 32
Caillebotte, Alfred, 68
Caillebotte, Gustave, 31, 180, 214
After Luncheon, 74
Bathers, 55, 59, 60
Decorative Triptych, 12, 53–89, 54–56
Fishing, 54, 59, 60
The Floor-Scrapers, 20, 57, 58, 73, 78, 206
À la Grenouillère, 66, 67
Interior, Woman at the Window, 87, 191–92, 191
Luncheon, 74
Paris Street, Rainy Day, 75, 76, 78, 89
Père Magloire, 86
Périssoires, 56, 59, 60
photograph of, 60
The Pont de l’Europe, 75–77, 77, 78
The Yerres, Effect of Rain, 88, 89
Young Man at His Window, 74, 74, 78, 87, 88
Young Man at the Piano, 74
Caillebotte, Martial (father of Gustave), 68
Caillebotte, Martial (brother of Gustave), 68, 78, 180
Caillebotte, René, 68
Callen, Anthea, 21
Callimachi-Catargi, Emma, 185
Camp, Maxime du, 152
Canning, Susan, 174
Cassagnac, Paul de, 125
Cassatt, Mary, 131
The Tea, 197–98, 198
Castagnary, Jules-Antoine, 4, 15, 16, 205, 210, 211–12
Castelain, Jean-Christophe, 102
Cère, Paul: Populations dangereuses et les misères sociales, 152
Cézanne, Paul, 180
Cham: Memories and Regrets, 137, 137
Champier, Victor, 79, 99, 115
Charry, Paul de, 106
Chennevières, Philippe de, 98, 106, 107
Chéret, Jules: Faucheuse 1876, 46, 46
Chéron, Eugène, 206, 208–9, 211
Chesneau, Ernest, 34, 42, 85, 92, 95, 96, 115, 125
Claretie, Jules, 141, 142, 158
Clark, T. J., 10, 11, 42, 180, 193
Clemenceau, Georges, 160
Comptoir National d’Escompte de Paris, 70
Convert, François, 46–47
Corbin, Alain, 37, 192
Corday, Charlotte, 93
coulissiers (outside bankers), 71
Courbet, Gustave, 57, 93, 138, 148, 177, 178, 207–13
After Dinner at Ornans, 6, 7, 9, 105, 137, 183, 193, 205
The Burial at Ornans, 81, 104, 105, 205, 208
Firemen Running to a Blaze, 95
The Peasants of Flagey, 210
Portrait of Urbain Cuenot, 104
Siesta at Haymaking Time, 24, 25, 32
The Stonebreakers, 41, 41, 43, 44, 57, 104, 206–8
The Stream, 4, 5
Study for a Portrait of Hector Berlioz, 104–5
The Wave, 1–13, 2, 41, 211, 212
The Wrestlers, 210
Young Ladies of the Village, 41, 42
Young Ladies on the Banks of the Seine, 41, 42, 205
Cros, Charles, 81
Cuenot, Urbain, 6, 105, 137
Dagnan-Bouveret, Pascal-Adolphe-Jean, 51, 178
An Accident, 99, 100, 101
Dalligny, Auguste, 100, 123
Daubigny, Charles-François: The Departure Breakfast at Asnières, 141, 141
Daumier, Honoré, 123, 151, 178
The Drinkers, 151, 153
Parliamentary Trains, 121, 124
David, Jacques-Louis, 93
The Intervention of the Sabine Women, 114, 114
Davis, Whitney, 8
déclassé, 131, 137–38, 142, 153–59, 160, 162, 214
Degas, Achille, 72
Degas, Edgar, 61, 85, 148, 179, 180
In a Café, 148–49, 149
Little Dancer Aged Fourteen, 131
Monsieur and Madame Manet, 181, 182
Portraits at the Stock Exchange, 70, 71, 71, 72, 73
De Jonghe, Gustave, 197, 198
Lullaby of Chopin, 196
A Melody by Schubert, 196, 196
Delacroix, Eugène, 4, 36
Liberty Leading the People, 95
De Nittis, Giuseppe, 80, 83, 96
Derfler, Leslie, 118
Desboutin, Marcellin, 149
Destrée, Jules, 188, 203
Diderot, Denis, 148
Dillon, Georges, 151
Distel, Anne, 61
Dombrowski, André, 181
Draguet, Michel, 177
Draner: Chez MM, Les Peintres impressionnistes, 53, 57
Drumont, Édouard, 120
Ducos du Haron, Louis, 81, 82
Dumas, François-Guillaume, 178, 195, 196
Dupré, Julien: Sheaf-Binders, 30, 32
Durand-Gréville, Émile, 211
Durand-Ruel galleries, 37, 41
Duranty, Edmond, 3, 31, 79, 120, 127, 178, 190
duration: in Bastien-Lepage’s works, 35, 36, 40, 214
in Caillebotte’s works, 86, 87, 89
in Courbet’s works, 6, 210
in Ensor’s work, 13, 183, 190, 199
in Raffaëlli’s works, 131, 134–35, 148, 157, 159, 160
Realism’s use of, 5, 6–8, 13, 39, 57, 93, 96, 122, 206, 213
Dutry, Albert, 188
Eakins, Thomas, 79, 181
Singing a Pathetic Song, 181, 190
École des Beaux-Arts, 12, 13, 84, 96, 105, 205, 207, 208, 212
Elsig, Frédéric, 43
Engels, Friedrich, 117, 120
Ensor, James, 12, 75, 206, 214
Afternoon in Ostend, 170–71, 172, 173, 176, 183, 197
A Bourgeois Salon, 170, 171, 172, 183, 197
The Colorist, 183–85, 184
The Drunkards, 177, 178, 189
The Lady in Distress, 173, 173
The Lamp-Lighter, 177, 177
Lively and Radiant: The Entry of Christ into Jerusalem, 201, 201
Man Having Just Painted His Fence, 178, 179
A Passionate Song, 195, 195
Portrait of the Artist’s Father, 174, 174
Russian Music, 13, 165–203, 166
Scandalized Masks, 188, 189
The Sister of Ensor at the Piano, 169, 170
The Somber Lady, 173
Willy Finch Writing at a Table, Three Studies, a Dog, and a Silhouette, 169, 170
Ensor, Mariette “Mitche,” 169, 170, 174, 184–85
Ephrussi, Charles, 3
Exposition Universelle: of 1867, 37
of 1878, 1–2, 4, 18, 29, 30, 41, 43, 78, 108, 120
of 1889, 91, 127
faneuse (haymaker), 24–27, 35, 44, 46, 72
Fantin-Latour, Henri, 185, 188
The Drawing Lesson, 185–86, 186
Fechner, Gustav, 35
Federated Socialist Workers Party, 117, 160
Feldman, William, 49
Fénéon, Félix, 9, 85, 127, 129, 130, 144, 145, 150
Ferry, Jules, 84, 91
finance capitalism, 70–73
Finch, Alfred William “Willy,” 169, 170, 174
flâneurs, 75–76, 193
Flaubert, Gustave, 15, 36
Fleury, Robert, 205
Flor, Charles, 114, 123
Fonsmark, Anne-Birgitte, 54
Font-Réaulx, Dominique de, 4
Fourcaud, Louis de: on Bastien-Lepage, 18, 24, 34
on Lhermitte, 48
on Caillebotte, 57, 80
on Roll, 92–93, 104, 116, 123, 124, 125
Fournel, Victor: Les Rues du vieux Paris, 155
Fournier, M., 47
Franco-Egyptian Bank, 70
Franco-Prussian War (1870–71), 136, 200
Freycinet, Charles de, 94
Fried, Michael: on absorption, 5, 39, 185, 186, 188, 189–90
on Caillebotte, 31, 55, 75, 89
on Courbet, 4, 5, 6, 11, 138, 148
on Géricault, 96
on Manet, 5, 6
on Raffaëlli, 31, 135
Frizot, Michel, 83
fugitive image, 2, 3, 8, 9, 13, 22, 40, 57, 59, 85
Galassi, Peter, 78
Galifot, Thomas, 4
Gambetta, Léon, 28–29, 39, 45, 101
Gauguin, Paul, 72–73
Flowers, Still Life, 180, 181
Gautier, Émile, 118, 119, 161
Gautier, Théophile, 154
Geffroy, Gustave, 130, 134–35, 154, 162–63, 205
Geimer, Peter, 5
Géricault, Théodore, 96
The Raft of the Medusa, 95
Gérôme, Jean-Léon, 1, 96, 132
Goncourt, Edmond & Jules, 148
Germinie Lacerteux, 147
Maison de l’artiste, 192
Renée Mauperin, 147
Gonzague-Privat, 107
Gotlieb, Marc, 84
Grassin, Charles: Study of a Wave, 212, 213
Greenberg, Clement, 86
Greuze, Jean-Baptiste, 5
Gros, Antoine-Jean: The Plague-House at Jaffa, 95
Guesde, Jules, 117
Guillaume, Eugène, 84, 86, 100
Guillaumin, Armand, 144, 146
Gunthert, André, 80
Guyot, Yves, 108, 110
Haesaerts, Paul, 169
Halévy, Daniel, 28
Hannon, Théo, 175, 177
Haro, Étienne-François, 1, 4, 205
Hauron, Louis Ducos du, 82, 82
Havard, Henry, 53, 61
Helmholtz, Hermann Von, 35
Herbert, Robert, 70
Herold, Ferdinand, 104
Herschel, William, 80
Hoschedé, Ernest, 62, 70
Hugo, Victor: Les Misérables, 147
Huysmans, Joris-Karl: on Bastien-Lepage, 16, 39, 99
on Caillebotte, 88, 191–92
Croquis parisiens, 139
on de Jonghe, 197
on Fantin-Latour, 185
on Manet, 98
on Raffaëlli, 139, 145, 156
À rebours, 140, 175, 192
on Roll, 91–92
Impressionism, 3, 8, 58–61, 85–87, 98, 160
Impressionist exhibit: of 1876, 20, 180
of 1877, 63, 75, 76, 148
of 1879, 12, 53, 56, 59, 70
of 1880, 85, 88, 131, 139, 156, 191
of 1881, 15, 127, 131, 137, 154, 156, 161
of 1882, 180, 206
instantaneity: in Caillebotte’s works, 58, 80, 82–87, 89, 206
in Courbet’s works, 13
in Ensor’s works, 180, 214
Impressionism’s use of, 8–9, 12, 13, 131, 160, 213
in Manet’s works, 6, 9, 98
instantaneousness, 5, 6, 10, 51, 84, 85, 181, 183, 190, 212
James, William, 17
Jameson, Fredric, 8
Janssen, Jules, 212
Jonas, Lucien: Ruffians: Strike Scene, Anzin, 113, 113
journaliers (day laborers), 45–47, 49, 113, 214
Kessler, Marni, 76
Khnopff, Fernand: Listening to Schumann, 165, 167, 180, 182
Knight, Daniel Ridgway: Harvest Scene, 30, 30
Kreutzberger, Charles: Les Foins, 21, 22
Kropotkin, Peter, 118
La Bedollière, Émile de, 158
labor politics, 116–20, 201
labor time, 95, 120–22, 159, 206
Lacambre, Geneviève, 49
Lafargue, Paul, 13, 117, 118, 160
Lafenestre, Georges, 99
Lafosse, G.: Swimming, 60, 60
Lantier, Claude, 105–6
Larousse, Pierre, 131, 193
Lassalle, Ferdinand, 118
Lavieille, Jacques-Adrien: Mid-Day, 34, 34
Lay, Howard, 103
Lecomte, Georges, 136
Lecoq de Boisbaudran, Horace, 79, 102
Le Gray, Gustave, 3–4
Legros, Alphonse, 185
Lemonnier, Camille, 3, 78, 177, 179, 187
Leonard, Anne, 182
Leroy, Louis, 53, 105
Lessing, Gotthold Ephraim, 36
Laocoön, 5, 209
Levine, Steven, 85
Lhermitte, Léon: The Harvest, 30, 30
Paying the Harvesters, 47, 48
Lichtenstein, Jacqueline, 35
Littré, Émile, 124
Lobstein, Dominique, 19
Londe, Albert, 83
Lostalot, Alfred de, 4, 207, 210
Loudun, Eugène, 100–101
Lukkarinen, Ville, 50
MacMahon, Patrice de, 2, 28
McWilliam, Neil, 42
Mallarmé, Stéphane, 127, 165
Manet, Édouard, 5, 54, 97, 148, 178–80, 205
Bar at the Folies-Bergère, 187
Chez le Père Lathuille, 98, 98, 177, 187
The Execution of Maximilian, 6, 7, 9
Madame Manet at the Piano, 182, 182
Mantz, Paul: on Bastien-Lepage, 12, 18, 27, 37, 43–45, 48, 49, 104
on Courbet, 3, 44–45, 205, 207
on Impressionism, 2, 57, 85
on Realism, 4, 211–12
on Roll, 107
Marat, Jean-Paul, 93
Marcus, Sharon, 193
Marest, Azar du, 119
Marlet, Adolphe, 6, 137
Marrinan, Michael, 68, 80
Mars: An Impressionist Working on a Painting, Saint-Ouen, 133, 134
Marx, Karl, 117, 159
Capital, 119
Maus, Octave, 165
May, Ernest, 70
Mayer, Arno, 8
Meissonier, Ernst, 30, 84, 133, 137, 212
Melot, Michel, 70
Ménard, René, 93, 104
Menzel, Adolph: The Iron Rolling Mill, 120–22, 121
Michel, Louise, 124
Millet, Jean-François, 4, 5, 17, 33–34, 38, 132, 137, 178, 205
The Angelus, 37, 38, 39, 41, 44
Mid-Day, 34, 34
Vineyard Laborer Resting, 34, 35
Mirbeau, Octave, 21, 85, 129–30, 131, 135, 161
Le Calvaire, 155
Mitchell, Robert, 93, 94, 97
Monet, Claude, 8, 53, 54, 61, 66, 131, 199, 213
Boulevard des Capucines, 85
Corner of the Garden at Montgeron, 62
Gare Saint-Lazare, 63, 64, 86
The Hunt, 62
The Luncheon, 62
The Pond at Montgeron, 62
Seine at Lavacourt, 98
Turkeys, 62, 62
Monod, Gabriel, 27
Morin, Edmond: Absinthe: Dialogue naturaliste, 151, 152
Morisot, Berthe, 131
Muenier, Jules-Alexis, 51
Mulard: Yerres, Le Lavoir et les Bains, 65, 65
Muybridge, Eadweard, 50, 58, 83, 84, 212
Napoleon III, 28, 29, 142
Naturalism, 9, 13, 15, 40, 80, 91, 98–99, 101, 175, 206, 213
Neoclassicism, 36
Neo-Impressionism, 10, 85, 144, 175
Nordau, Max, 162
optical unconscious, 83
Ostade, Adriaen van, 133, 137
Paf: Le Salon pour rire: A.-P. Roll, 106, 106
Panama Canal Company, 72
panneaux décoratifs (decorative panels), 61–64
Pantazis, Périclès, 177
Paris Commune of 1871, 1, 101, 118, 136, 151–52, 200
Paris Salon: of 1859, 148
of 1869, 32
of 1870, 1, 3, 101
of 1874, 18, 30
of 1875, 79
of 1876, 30
of 1877, 79, 83, 127
of 1878, 12, 15, 23–28, 30
of 1879, 49, 50, 80, 84, 139, 156, 196
of 1880, 13, 16, 91, 92, 95–101
of 1882, 13, 165, 184, 185, 187, 206
of 1889, 127
Parsons, Christopher, 42
Parti Ouvrier Français, 117
peasants, 28–45
Péladan, Joséphin, 16, 139
Perrot, Michelle, 112, 113, 114, 124
photochrome, 78, 80–81, 82, 107
photographicality, 50, 212
photographisme, 80–85, 89, 100, 212
photography: carbon process, 81–82, 107
color, 81–82, 107
heliochrome, 82
instantaneous, 9, 12, 40, 50, 58, 82–83, 213
Naturalism’s emulation of, 9, 10, 40, 50–51, 80, 107
photo-painting, 77, 78–80
Picard, Edmond, 168, 175, 201–2
Picasso, Pablo, 193
Piketty, Thomas, 68, 69
Pippin, Robert, 11, 31
Pissarro, Camille, 54, 131
Peasants Resting, 16, 17
Place de la Concorde, Paris, 81, 82
Poubelle, Eugène, 159
Prime Meridian Conference (1884), 6, 8
Promayet, Alphonse, 6
Proth, Mario, 25, 79, 80–81, 82–83, 86
Proudhon, Pierre-Joseph, 43, 44, 207–8
Pyat, Félix: Le Chiffonnier de Paris, 155
Raffaëlli, Jean-François, 12, 31, 96, 127–63, 206, 214
The Absinthe Drinkers, 13, 127–63, 128, 177, 192
Barrier at Clichy, 142
The Blacksmiths, 142, 143
Cantonnier, Paris 4 k. 1, 129, 131, 160
Commissionnaire de Paris, 136
Le Déclassé, 145, 154
The Family of Jean-le-Boîteux, Peasants from Plougasnou, 33, 79, 127
Garlic Seller, 131, 132, 133
Man Having Just Painted His Fence, 160, 161, 178
Ragpicker Lighting His Pipe, 156, 157
The Ramparts of Northern Paris, 139, 140, 144
The Realist Painter, 138, 138
The Return of the Ragpickers, 156, 156
Route de la Révolte, 142
Sunday at the Cabaret, 142, 143
Les Types de Paris, 127
Wastelands, 130, 130, 133, 144
ragpickers, 155–59
Reclus, Élisée, 175
Regoyos, Dario de, 182–83
Reichan: Belgium: After the fires at Jumet, rioters advance on Roux, 202, 202
Renoir, Pierre-Auguste, 54, 131, 180, 199
Luncheon of the Boating Party, 66, 67
rentiers, 69, 73, 87
Riesener, Louise, 185
Rivière, Georges, 127
Robert, Marie-Adèle, 19
Rodin, Auguste, 130
Roger-Ballu, 30, 97
Roll, Alfred-Philippe, 12, 80, 206
Execution of a Trumpeter during the Commune, 103, 103
Festival of Selinus, 96
The 14th July, 1880, 91, 93
Sketch for The Strike of the Miners, 111, 111
The Strike of the Miners, 13, 91–125, 92, 122, 125, 127, 177, 192, 214
The Wife of the Striker, 110, 111
Roos, Jane Mayo, 28
Rops, Félicien, 175
Rousseau, Ernest, 175
Rousseau, Mariette, 175
Roux: A Circle of Stockbrokers at the Paris Stock Exchange, 71, 72
Roy, Joseph, 119
Royal Academy of Fine Arts, Brussels, 169, 175, 195
Ruinart, Jules: The Strikes at Reims, 94, 94
Saint-Victor, Paul de, 3, 18, 39, 49, 80
Schapiro, Meyer, 73
Schérer, Léonce: The Man who would one day be called to demolish the Column . . . , 43, 43
Schrader, Kristin, 86
Sébillot, Paul, 64, 78
Sensier, Alfred, 37, 44
Seurat, Georges: Bathers at Asnières, 143, 144
Stone Breaker, Le Raincy, 145–46, 146
A Sunday Afternoon on the Island of La Grande Jatte, 144
Shiff, Richard, 85
Sickert, Walter, 40, 49
Signac, Paul: Gas Tanks at Clichy, 144, 145
Simmel, Georg, 70
Simon, Jules, 28
Sisley, Alfred, 131
Souriau, Étienne, 9
Stevens, Alfred, 197, 198
A Passionate Song, 195, 195
strikes, 107–14, 161
Summers, David, 20
Syène, Frédéric de, 99
Tachisme, 179, 180, 182
Tallon, Eugène, 117
Tardieu, Charles, 39
temporality: in Bastien-Lepage’s works, 18, 22, 39, 45–49, 51
in Caillebotte’s works, 12, 57, 61, 67, 87, 89
in Courbet’s works, 6, 13, 207, 209–10
cultural conception of, 7–9, 10, 38, 48, 70, 119, 120, 161
in Ensor’s works, 183, 190, 199
Impressionism’s use of, 63, 64, 84, 85–87
in Millet’s works, 38–40, 45
in music, 180–83
in photography, 80, 83, 85, 107, 212–13
in Raffaëlli’s works, 135, 139, 148, 159–63, 206
Realism’s use of, 4–5, 8, 37, 96
in Roll’s works, 13, 93, 115–16, 120–22
Theuriet, André, 22–23, 24
Thomson, Richard, 9, 15, 86
Thuillier, Guy, 8
Timbal, Charles, 1
Tissandier, Gustave, 82
Todts, Herwig, 177
Traviès, Charles-Joseph: Liard, the Ragpicker, 155, 156
Trianon, Henry, 136
Turquet, Edmond, 97, 125
Union des Chambres Syndicales Ouvrières, 116
Union Générale bank, 72
Uzanne, Octave, 207
Vachon, Marius, 104
Valmy-Baysse, Jean, 102, 110
Van Gogh, Vincent, 146, 146–47, 200
Van Praet, Jules, 39
Varnedoe, Kirk, 54, 55, 78
Verhaeren, Émile, 85, 165–69, 175, 187–88, 190, 194, 202
Véron, Eugène: on Bastien-Lepage, 34–35, 36–37, 41, 49
on Courbet, 207, 209–10, 211
L’Esthétique, 35–36, 44, 209
on Raffaëlli, 133
on Realism, 45, 79
Véron, Pierre, 91
Véron, Théodore, 123
Vidal, Léon, 107
Cassette de Saint Louis, 81, 81
Le Trésor artistique de la France, 81
Vogels, Guillaume, 177
Vuillard, Édouard, 198
Waddington report (1880), 116, 160
Waller, Max, 168
Wauters, A. J., 199
Weber, Eugen, 48, 69
Weisberg, Gabriel, 50
Whistler, James, 185
Wilson, John W., 39
Wissman, Fronia, 160
Wittmer, Pierre, 65
Wolff, Albert, 132–33, 142, 147, 160
work-time, 18, 45, 47, 95, 116–20, 201
working class, 117–18, 123, 143, 151, 154, 192
World’s Columbian Exposition (1893), 140
Yerres property of Caillebotte, 64–67
Yon: Les Environs de Paris: La Grenouillère, 66, 67
Zimmerman, Michael, 123
Zola, Émile: L’Assommoir, 151
on Bastien-Lepage, 15, 16, 36, 99
on Caillebotte, 78, 84
on Courbet, 1
on Naturalism, 98, 101
L’Oeuvre, 105
Pot-Bouille, 192
on Roll, 97, 100
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