Save
Save chapter to my Bookmarks
Cite
Cite this chapter
Print this chapter
Share
Share a link to this chapter
Free
Description: Rethinking Art History: Meditations on a Coy Science
Bibliography
PublisherYale University Press
https://doi.org/10.37862/aaeportal.00103.011
View chapters with similar subject tags
Bibliography
Aarsleff, Hans. From Locke to Saussure (Essay on the Study of Language and Intellectual History). Minneapolis: University of Minnesota Press, 1982.
Abrams, M. H. “The Deconstructive Angel.” Critical Inquiry 3 (Spring 1977): 426.
Alberti, Leon Battista. On Painting. New Haven: Yale University Press, 1966.
Allison, David, ed. The New Nietzsche: Contemporary Styles of Interpretation. New York: Delta, 1979.
Alpers, Svetlana. The Art of Describing. Chicago: University of Chicago Press, 1983.
———. “Ekphrasis and Aesthetic Attitudes in Vasari’s Lives.” Journal of the Warburg and Courtauld Institutes 23 (1960): 190–215.
———. “Interpretation Without Representation, or the Viewing of Las Meninas.” Representations 1, no. 1 (1983): 31–42.
———. “Is Art History?” Daedalus (1977): 1–13.
Alpers, S., and P. Alpers. “Ut Pictura Noesis?: Criticism in Literary Studies and Art History.” New Literary History 3 (Spring 1972): 437–58.
Alsop, Joseph. The Rare Art Traditions: The History of Art Collecting and Its Linked Phenomena. New York: Harper and Row, 1982.
Althusser, Louis. Eléments d’autocritique. Paris: Hachette, 1974.
Anderson, Perry. In the Tracks of Historical Materialism. Chicago: University of Chicago Press, 1984.
Antal, Frederick. Classicism and Romanticism, with Other Studies in Art History. New York: Basic Books, 1966.
Argan, Giulio Carlo. “Ideology and Iconology.” In The Language of Images, edited by W. J. T. Mitchell, 15–24. Chicago: University of Chicago Press, 1980.
Argyros, Alex. “The Warp of the World: Deconstruction and Hermeneutics.” Diacritics 16, no. 3 (Fall 1987): 47–55.
Arnauld, A., and C. Lancelot. Grammaire générale et raisonée de Port-Royal. Paris: Bossange et Masson, 1809 (original edition 1660).
Arnauld, A., and P. Nicole. La Logique ou l’art de penser. 6th ed. Paris: G. Desprez, 1724.
Arnheim, Rudolf. “Gestalt and Art.” Journal of Aesthetics and Art Criticism 2 (1943): 71–75.
———. “The Gestalt Theory of Expression.” Psychological Review 56 (1949): 156–71.
———. “A Plea for Visual Thinking.” Critical Inquiry 6 (Spring 1980): 489–97.
Arns, Evaristo. La Technique du livre d’après Saint Jérôme. Paris: Editions de Minuit, 1953.
Ashmole, B. Architect and Sculptor in Classical Greece. London: Phaidon, 1972.
———. The Classical Ideal in Greek Sculpture. Semple Memorial Lecture. Cincinnati: University of Cincinnati Press, 1964.
Aubrey, John. Brief Lives, edited by O. L. Dick. Ann Arbor: University of Michigan Press, 1962.
Baldick, Chris. The Social Mission of English Criticism. Oxford: Oxford University Press, 1983.
Bandi, H. G. “Quelques réflexions sur la nouvelle hypothèse de A. Leroi-Gourhan concernant la signification de l’art quartenaire.” In Actas del Symposium Internacional de Arte Prehistórico, edited by M. A. Basch and M. A. Garcia Guinea, 309–19. Santander: Patronato de las Cuevas Prehistóricas, 1972.
Barthes, Roland. Mythologies. Paris: Seuil, 1957.
Bate, W. J. “The Crisis in English Studies.” Harvard Magazine (Sept./Oct. 1982): 41–45.
Bätschmann, Oskar. “Logos in der Geschichte: Erwin Panofskys Ikonologie.” In Kategorien und Methoden der deutschen Kunstgeschichte 1900–1930, edited by L. Dittman, 89–112. Stuttgart: Franz Steiner, 1985.
Baudrillard, Jean. L’Effet Baubourg. Paris: Galilée, 1977.
———. For a Critique of the Political Economy of the Sign. Translated by C. Levin. St. Louis: Telos Press, 1981. Originally published as Pour une critique de l’économie politique du signe (Paris: Gallimard, 1972).
Baxandall, M. Giotto and the Orators. Oxford: Claredon Press, 1971.
———. Painting and Experience in Fifteenth Century Italy. Oxford: Oxford University Press, 1972.
Belsey, Catherine. Critical Practice. London and New York: Methuen, 1980.
Belting, Hans. The End of Art History? Chicago: University of Chicago Press, 1987.
Benjamin, Walter. “The Work of Art in the Age of Mechanical Reproduction.” In Illuminations, edited by H. Arendt. New York: Schocken, 1969.
Bennett, Tony. Formalism and Marxism. London and New York: Methuen, 1979.
Bennett, William. “The Shattered Humanities.” The Wall Street Journal (Dec. 31, 1982): 1.
———. “To Reclaim a Legacy: Report on Humanities in Education.” The Chronicle of Higher Education (Nov. 28, 1984): A4–A8.
Bentham, Jeremy. Le Panoptique. Paris: Belfond, 1977. Originally published as Panopticon (London: T. Payne, 1791).
Benveniste, Emile. “The Correlations of Tense in the French Verb.” In Problems in General Linguistics. Coral Gables, Fla.: University of Miami Press, 1971.
———. Problems in General Linguistics. Vol. 1. Coral Gables, Fla.: University of Miami Press, 1971.
Berenson, Bernard. Three Essays in Method. Oxford: Oxford University Press, 1972.
Berve, H., G. Gruben, and M. Hirmer. Greek Temples, Theatres and Shrines. New York: Abrams, 1962.
Biocca, Frank. “Sampling from the Museum of Forms: Photography and Visual Thinking in the Rise of Modern Statistics.” Communication Yearbook 10 (1987): 684–708.
Bloch, Jules. Indo-Aryan, From the Vedas to Modern Times. Paris: Adrien-Maissonneuve, 1965.
Bois, Yve-Alain. “Panofsky Early and Late.” Art in America (July 1985): 9–15.
Bonnet, J., ed. Erwin Panofsky: Cahiers pour un temps. Paris: Pandora, 1983.
Bordes, E “Os percé moustérien et os gravé acheuléen du Pech de l’Azé 11.” Quartemaria 2 (1960): 1–6.
Bourdieu, Pierre. Outline of a Theory of Practice. Cambridge: Cambridge University Press, 1977.
Bourdieu, Pierre, and Alain Darbel. L’Amour de l’art: Les musées d’art européens et leur public. Paris: Editions du Seuil, 1969.
Breitbart, Eric. “The Painted Mirror.” In Presenting the Past: History Museums in the United States, edited by S. Benson, S. Brier, and R. Rosenzweig. Philadelphia: Temple University Press, 1986.
Breuil, Henri. Four Hundred Centuries of Cave Art. Montignac: Centre des études et de documentation préhistorique, 1952.
Brooks, Cleanth, and Robert Penn Warren. Understanding Poetry. New York: Holt and Co., 1938.
Brown, Harold I. Perception, Theory and Commitment: The New Philosophy of Science. Chicago: University of Chicago Press, 1979.
Brown, Jonathan. Images and Ideas of Seventeenth Century Spanish Painting. Princeton: Princeton University Press, 1978.
Brown, Spencer G. Laws of Form. London: Allen and Unwin, 1969.
Bruno, Vincent J., ed. The Parthenon. Norton Critical Studies in Art History. New York: W. W. Norton, 1974.
Bryson, Norman. Vision in Painting: The Logic of the Gaze. New Haven: Yale University Press, 1983.
Bühler, Karl. Sprachtheorie. Jena: Fischer, 1934.
Bundgaard, J. A. Mnesikles, A Greek Architect at Work. Copenhagen: Gyldendal, 1957.
Burbank, J., and Peter Steiner, eds. Structure, Sign and Function: Selected Writings of Jan Mukařovský. New Haven: Yale University Press, 1978.
Burks, A. A., ed. The Collected Papers of Charles Sanders Peirce. Vols. 7 and 8. Cambridge: Harvard University Press, 1958.
Cachin, F. “The Impressionists on Trial.” New York Review of Books (May 30, 1985): 30.
Callinicos, Alex. “Postmodernism, Post-Structuralism and Post-Marxism.” Theory, Culture and Society 2, no. 3 (1985): 85–102.
Calvino, Italo. Invisible Cities. Translated by William Weaver. New York: Harcourt Brace Jovanovich, 1974.
Campbell, Colin. “The Tyranny of the Yale Critics.” New York Times Magazine (Feb. 9, 1986): 20–48.
Carlyle, Thomas. Critical and Miscellaneous Essays. Vols. 1–5. New York: P. F. Collier, 1899.
———. “Signs of the Times” Edinburgh Review 49 (June 1829): 439–59.
Carrier, D. Artwriting. Amherst: University of Massachusetts Press, 1987.
Carroll, David. The Subject in Question: The Languages of Theory and the Strategies of Fiction. Chicago and London: University of Chicago Press, 1982.
Cassirer, Ernst. Philosophic der symbolischen Formen. Berlin: B. Cassirer, 1923–29.
Chase, George H. “The Fine Arts 1874–1929.” In The Development of Harvard University (Since the Inauguration of President Eliot) 1869–1929, edited by S. E. Morison, 130–45. Cambridge: Harvard University Press, 1930.
Claire, Jean. “Seven Prolegomenae to a Brief Treatise on Magrittian Topics.” October 8 (Spring 1979): 89–110.
Clark, Timothy J. The Absolute Bourgeois: Artists and Politics in France, 1848–1851. Princeton: Princeton University Press, 1982.
———. “Arguments About Modernism: A Reply to Michael Fried.” In The Politics of Interpretation, edited by W. J. T. Mitchell, 7–32. Chicago: University of Chicago Press, 1983.
———. “Clement Greenberg’s Theory of Art.” In The Politics of Interpretation, edited by W. J. T. Mitchell, 203–20. Chicago: University of Chicago Press, 1983.
———. Image of the People: Gustave Courbet and the 1848 Revolution. 2d ed. Princeton: Princeton University Press, 1982.
———. The Painting of Modern Life. New York: Knopf, 1985.
———. “Preliminaries to a Possible Treatment of Manet’s Olympia in 1865.” Screen 21 (1980): 18–41.
Cohen, Sande. Historical Culture: On the Reading of an Academic Discipline. Berkeley, Los Angeles, and London: University of California Press, 1986.
Collins, D., and J. Onians. “The Origins of Art.” Art History 1, no. 1 (1978): 1–25.
Conkey, Margaret W. “Context, Structure and Efficacy in Paleolithic Art and Design.” In Symbol as Sense, edited by M. L. Foster and S. Brandes, 225–48. New York: Academic Press, 1980.
———. “On the Origins of Palaeolithic Art: A Review and Some Critical Thoughts.” In The Mousterian Legacy, edited by E. Trinkhaus. Oxford: BAR International Series 164, 1983.
———. “Ritual Communication, Social Elaboration, and the Variable Trajectories of Palaeolithic Material Culture.” In Prehistoric Hunter-Gatherers, edited by T. D. Price and J. A. Brown, 299–323. New York: Academic Press, 1985.
———. “Style and Information in Cultural Evolution: Toward a Predictive Model for the Paleolithic.” In Social Anthropology, edited by C. Redman et al., 61–85. New York: Academic Press, 1978.
———. “To Find Ourselves: Art and Social Geography of Prehistoric Hunter Gatherers.” In Past and Present in Hunter-Gatherer Studies, edited by C. Shire, 253–76. New York: Academic Press, 1984.
Cousin, Victor. Course of the History of Modern Philosophy. 2 vols. Translated by O. W. Wright. New York: D. Appleton, 1852. Originally published as Cours de l’histoire de la philosophic (Paris: Pichon et Didier, 1829).
Coward, Rosalind, and John Ellis. Language and Materialism: Developments in Semiology and the Theory of the Subject. London: Routledge and Kegan Paul, 1977.
Crimp, Douglas. “The End of Painting.” October 16 (Spring 1981): 69–86.
———. “On the Museum’s Ruins.” October 13 (1980): 41–57.
Croce, Benedetto. La critica e la storica delle arti figurative; questioni di metodo. Bari: Laterza, 1946.
Crow, T. “The Oath of the Horatii in 1785.” Art History 1, no. 4 (Dec. 1978): 424–71.
Damisch, Hubert. Actes du colloque Roland Barthes. Cerisy-la-Salle: Editions du Seuil, 1977.
———. L’Origine de la perspective. Paris: Flammarion, 1987.
———. “Semiotics and Iconology.” In The Tell-Tale Sign: A Survey of Semiotics, edited by T. A. Sebeok, 27–36. Lisse, The Netherlands: Peter de Ridder Press, 1975
———. Théorie du nuage. Paris: Seuil, 1972.
Danto, Arthur. “Dürer and the Art of Nuremburg.” The Nation (June 21, 1986): 865–68.
———. The Transfiguration of the Commonplace. Cambridge: Harvard University Press, 1981.
Davis, Whitney. “Canonical Representation in Egyptian Art.” RES 4 (1982): 21–46.
———. “Representation and Knowledge in the Prehistoric Rock Art of Africa.” African Archaeological Review 2 (1984): 7–35.
Deely, John. “Semiotic as Framework and Direction.” In Frontiers in Semiotics, edited by J. Deely, B. Williams, and F. Kruse, 264–71. Bloomington: Indiana University Press, 1986.
———. “The Coalescence of Semiotic Consciousness.” In Frontiers in Semiotics, edited by J. Deely, B. Williams, and F. Kruse, 5–34. Bloomington: Indiana University Press, 1986.
Deleuze, Gilles. Foucault. Paris: Minuit, 1986. English translation forthcoming.
Delporte, Henri. L’Image de la femme dans l’art préhistorique. Paris: Picard, 1979.
de Lumley, Henri. “Les Fouilles de Terra Amata à Nice.” Bulletin du Musée d’Anthropologie préhistorique de Monaco 13 (1966): 29–51.
———. “A Palaeolithic Camp at Nice.” Scientific American (May 1969): 42.
de Man, Paul. “The Resistance to Theory.” Yale French Studies 63 (1982): 3–20.
Derrida, Jacques. Dissemination. Translated by Barbara Johnson. Chicago and London: University of Chicago Press, 1981. Originally published as La Dissemination (Paris: Editions du Seuil, 1972).
———. “Economimesis.” Diacritics 2, no. 2 (Summer 1981): 3–25.
———. Margins of Philosophy. Translated by Alan Bass. Chicago and London: University of Chicago Press, 1982. Originally published as Marges de la philosophie (Paris: Editions de Minuit, 1972).
———. Of Grammatology. Translated by G. C. Spivak. Baltimore and London: Johns Hopkins University Press, 1976. Originally published as De la grammatologie (Paris: Editions du Seuil, 1967).
———. “The Principles of Reason: The University in the Eyes of its Pupils.” Diacritics 13, no. 3 (Fall 1983): 3–20.
———. “The retrait of metaphor.” Enclitic 2 (1978): 5–34.
———. “Semiology and Grammatology.” In Positions, translated by A. Bass, 17–36. Chicago: University of Chicago Press, 1981. Originally published in Information sur les sciences sociales 7 (June 3, 1968).
———. “Structure, Sign and Play in the Discourse of the Human Sciences.” In Writing and Difference, translated by A. Bass, 278–93. Chicago: University of Chicago Press, 1978.
———. The Truth in Painting, translated by Geoff Bennington and Ian McLeod. Chicago: University of Chicago Press, 1987. Originally published as La Vérité en peinture (Paris: Flammarion, 1978).
———. Writing and Difference, translated by A. Bass. Chicago: University of Chicago Press, 1978. Originally published as L’Ecriture et la difference (Paris: Seuil, 1967).
Dilly, Heinrich. Kunstgeschichte als Institution: Studien zur Geschichte einer Disziplin. Frankfurt am Main: Suhrkamp, 1979.
Dinsmoor, W. B. “The Design and Building Techniques of the Parthenon.” In The Parthenon, edited by V. J. Bruno, 171–98. Norton Critical Studies in Art History. New York: W. W. Norton, 1974.
Dittman, L. Stil/Symbol/Struktur: Studien zu Kategorien der Kunstgeschichte. Munich: Wilhelm Frank, 1967.
Dreyfus, H., and P. Rabinow, eds. Michel Foucault: Beyond Structuralism and Hermeneutics. Chicago: University of Chicago Press, 1983.
Donzelot, Jacques. The Policing of Families. New York: Pantheon, 1979.
Doueihi, Milad. “Traps of Representation.” Diacritics 14, no. 1 (Spring 1984): 66–77.
Duncan, Carol, and Alan Wallach. “The Museum of Modern Art as Late Capitalist Ritual: An Iconographic Analysis.” Marxist Perspectives (Winter 1978): 28–51.
Durkheim, Emile. Revue Blanche. Vol. 13, 1897.
Eagleton, Terry. Criticism and Ideology: A Study in Marxist Literary Theory. London: Verso, 1978.
———. Literary Theory: An Introduction. Minneapolis: University of Minnesota Press, 1983.
Eco, Umberto. A Theory of Semiotics. Bloomington and London: Indiana University Press, 1976.
———. “On Symbols.” In Frontiers in Semiotics, edited by J. Deely, B. Williams, and F. Kruse, 153–80. Bloomington: Indiana University Press, 1986.
Ehrlich, Victor. Russian Formalism: History, Doctrine. The Hague: Mouton, 1955.
Elkins, J. “Art History Without Theory.” Critical Inquiry 14 (Winter 1988): 354–78.
Ellis, John. Visible Fictions. London and Boston: Routledge and Kegan Paul, 1982.
Fairservis, W. The Threshold of Civilization: An Experiment in Prehistory. New York: Scribner’s, 1975.
Finley, M. I. The Ancient Greeks. Harmondsworth: Pelican Books, 1977.
Forster, Kurt. “Aby Warburg’s History of Art: Collective Memory and the Social Mediation of Images.” Daedalus 105 (1976): 169–76.
———. “Critical History of Art, or Transfiguration of Values?” New Literary History 3 (Spring 1972): 465.
———. “Stagecraft and Statecraft.” Oppositions (Summer 1979): 63–87.
Foster, Hal. Recodings: Art, Spectacle, Cultural Politics. Port Townsend, Wash.: Bay Press, 1985.
Foster, Hal, ed. The Anti-Aesthetic: Essays on Postmodern Culture. Port Townsend, Wash.: Bay Press, 1983.
Foucault, Michel. Archaeology of Knowledge, translated by A. Smith. New York: Harper and Row, 1972. Originally published as L’Archéologie du savoir (Paris: Gallimard, 1969).
———. Discipline and Punish, translated by A. Smith. New York: Pantheon, 1977. Originally published as Surveiller et punir (Paris: Gallimard, 1975).
———. “The Eye of Power.” In Power/Knowledge: Selected Interviews and Other Writings 1972–1977, edited by C. Gordon, 146–65. New York: Pantheon, 1980.
———. “The Father’s ‘No’.” In Language, Counter-Memory, Practice: Selected Essays and Interviews by Michel Foucault, edited by D. F. Bouchard, 68–86. Ithaca: Cornell University Press, 1977. Originally published in Critique 178 (1962): 195–209.
———. “Of Other Spaces.” Diacritics 16, no. 1 (Spring 1986): 22–28. Originally published as “Des Espaces Autres.” Architecture-Mouvement-Continuité 73 (October 1984): 6–9.
———. The Order of Things, translated by A. Smith. New York: Random House, 1973. Originally published as Les Mots et les choses (Paris: Gallimard, 1966).
———. “What Is an Author?” In Language, Counter-Memory, Practice: Selected Essays and Interviews by Michel Foucault, edited by D. F. Bouchard. Ithaca: Cornell University Press, 1977.
Fried, Michael. Absorption and Theatricality: Painting and Beholder in the Age of Diderot. Berkeley, Los Angeles, and London: University of California Press, 1980.
———. “How Modernism Works: A Response to T. J. Clark.” In The Politics of Interpretation, edited by W. J. T. Mitchell, 221–38. Chicago: University of Chicago Press, 1983.
Frolov, B. A. “Numbers in Paleolithic Graphics.” Institute of History, Philology and Philosophy. Novosibirsk: Nauka (Siberian Division), 1977.
Gablik, S. Has Modernism Failed? New York: Thames and Hudson, 1984.
Gaboriau, Emile. Monsieur Lecoq. Vol. 1, L’Enquête. Paris: Fayard, 1869.
Galileo, Galilei. “Discourse on the Comets [1619].” In The Controversy of the Comets of 1618. Philadelphia: University of Pennsylvania Press, 1960.
———. Opere. Vol. 9, edited by A. Favaro. Florence: Edizione Nazionale, 1929.
Gallop, Jane. Reading Lacan. Ithaca and London: Cornell University Press, 1985.
Gamble, Clive. “Interaction and Alliance in Palaeolithic Society.” Man (n.s.) 17 (1982): 92–107.
Gardner, Howard. Artful Scribbles; The Significance of Children’s Drawing. New York: Basic Books, 1980.
Garner, Philip. Rube Goldberg: A Retrospective. New York: Delilah Books/Putnam Group, 1983.
Gamier, Jean. Le Problème de la vérité dans la philosophie de Nietzsche. Paris: Seuil, 1966.
Geertz, Clifford. “Art as a Cultural System.” Modern Language Notes 91, no. 6 (Dec. 1976): 1473–99.
———. “The Growth of Culture and the Evolution of Mind.” In Theories of the Mind, edited by J. Sher, 713–40. New York: Free Press of Glencoe, 1962.
———. “The Transition to Humanity.” In Horizons of Anthropology, edited by S. Tax, 37–48. Chicago: University of Chicago Press, 1964.
Geist, V. Mountain Sheep: A Study in Behavior and Evolution. Chicago: University of Chicago Press, 1971.
Giedion, Siegfried. The Eternal Present: The Beginnings of Art. Bollingen Series 35. New York: Pantheon, 1962.
Gilbert, Neal. Renaissance Concepts of Method. New York: Columbia University Press, 1960.
Gilman, Ernest. The Curious Perspective: Literary and Pictorial Wit in the Seventeenth Century. New Haven: Yale University Press, 1978.
Ginzburg, Carlo. “Morelli, Freud and Sherlock Holmes: Clues and Scientific Method.” History Workshop 9 (1980): 5–36. Second version, “Clues: Morelli, Freud and Sherlock Holmes.” In The Sign of Three, edited by T. A. Sebeok and U. Eco, 81–118. Bloomington and London: Indiana University Press, 1983.
———. “Spie. Radici di un paradigm indiziario.” In Crisi della ragione, edited by A. Gargani, 57–106. Turin: Einaudi, 1979.
Gombrich, E. H. Art and Illusion: A Study in the Psychology of Pictorial Representation. 2d ed., rev. Bollingen Series 35.5. Princeton: Princeton University Press, 1961.
———. “Image and Code: Scope and Limits of Conventionalism in Pictorial Representation.” In Image and Code, edited by W. Steiner, 11–42. Studies in the Humanities. Ann Arbor: University of Michigan, 1981.
———. “The Mask and the Face: The Perception of Physiognomic Likeness in Life and Art.” Art, Perception and Reality, edited by E. H. Gombrich, J. Hochberg, and M. Black, 1–46. Baltimore and London: Johns Hopkins University Press, 1972.
———. “The Use of Art for the Study of Symbols.” American Psychologist 20 (1965): 34–50.
Goodman, Nelson. Ways of Worldmaking. Indianapolis and Cambridge: Hackett, 1978.
Goodnow, Jacqueline. Children Drawing. Cambridge: Harvard University Press, 1977.
Gouma-Peterson, T., and P. Mathews. “The Feminist Critique of Art History.” Art Bulletin 39, no. 3 (Sept. 1987): 326–57.
Grabar, Oleg. “On the Universality of the History of Art.” Art Journal 42, no. 4 (Winter 1982): 281–83.
Graham, D. “Theatre, Cinema, Power.” Parachute (Summer 1983): 11–19.
Graziosi, Paolo. Palaeolithic Art. New York: McGraw-Hill, 1960.
Green, Peter. Ancient Greece. New York: Viking Press, 1974.
Gregory, R. L. Concepts and Mechanisms of Perception. London: Duckworth, 1974.
Gruben, Gottfried. Die Tempel der Griechen. Munich: Hirmer, 1966.
Guilbaud, Serge. How New York Stole the Idea of Modern Art: Abstract Expressionism, Freedom and the Cold War. Chicago and London: University of Chicago Press, 1984.
———. “The New Adventures of the Avant-Garde in America.” October 15 (Winter 1980): 61–78.
Hadjinicolaou, Nicos. Art History and Class Struggle. Translated by Louise Asmal. London: Pluto Press, 1978. Originally published as Histoire de l’art et la lutte des classes (Paris: Maspero, 1973).
Hagen, M. A., ed. The Perception of Pictures. Vol. 1, Alberti’s Window. New York: Academic Press, 1980.
Hall, Stuart. “On Postmodernism and Articulation.” Journal of Communication Inquiry 10, no. 2 (Summer 1986): 45–61.
Harlow, Barbara. “Realignment: Alois Riegl’s Image of Late Roman Art Industry.” Glyph 3 (1978): 118–36.
Hart, Joan. “Reinterpreting Wölfflin: Neo-Kantianism and Hermeneutics.” Art Journal 42, no. 4 (Winter 1982): 292–300.
Hartman, Heidi. “The Unhappy Marriage of Marxism and Feminism.” Capital and Class 8 (Summer 1979): 19–26.
Hartshore, Charles, and Paul Weiss, eds. The Collected Papers of Charles Sanders Peirce. Vols. 1–6. Cambridge: Harvard University Press, 1931–35.
Hasenmueller, Christine. “Images and Codes: Implications of the Exegesis of Illusionism for Semiotics.” Semiotica 50, nos. 3–4 (1984): 335–57.
———. “Panofsky, Iconography, and Semiotics.” Journal of Aesthetics and Art Criticism 36 (Spring 1978): 289–301.
Hawkes, Terence. Structuralism and Semiotics. Berkeley: University of California Press, 1977.
Heath, Stephen. Questions of Cinema. Bloomington and London: Indiana University Press, 1981.
Heckscher, William. “Petites Perceptions: An Account of Sortes Warburgianae.” The Journal of Mediaeval and Renaissance Studies 4 (1974): 130–31.
Herington, C. J. Athena Parthenos and Athena Polias. Manchester: Manchester University Press, 1955.
Hills, P. “Art History Textbooks: The Hidden Persuaders.” Artforum 14, no. 10 (Summer 1976): 33–42.
Hochberg, Julian. Perception. Englewood Cliffs, N.J.: Prentice-Hall, 1978.
Holloway, R. “Culture: A Human Domain.” Current Anthropology 10 (1969): 395–407.
Holly, M. Panofsky and the Foundations of Art History. Ithaca and London: Cornell University Press, 1984.
Holt, E.A Documentary History of Art. Vol. 2. New York: Doubleday, 1958.
Hopper, R. J. The Acropolis. London: Weidenfeld and Nicholson, 1971.
Hutton, John. “Left of Center, Against the Grain: T. J. Clark and the Social History of Art.” Radical History Review 38 (Apr. 1987): 59–71.
Huxley, Thomas. “On the Method of Zadig: Retrospective Prophecy as a Function of Science.” In Science and Culture, and Other Essays, edited by T. Huxley. London: Macmillan, 1881.
Innes, Michael. A Private View. London: Gollancz, 1952.
Isaac, Glynn. “Chronology and the Tempo of Cultural Change during the Pleistocene.” In Calibration of Hominid Evolution, edited by W. W. Bishop and J. A. Miller, 381–430. Edinburgh: Scottish Academic Press, 1972.
———. “Stages of Cultural Elaboration in the Pleistocene: Possible Archaeological
Indicators of the Development of Language Capabilities.” In Origins and Evolution of Language and Speech, edited by Stevan Harnad, Horst Steklis, and Jane Lancaster, 275–88. Annals of the New York Academy of Sciences, vol. 280, 1976.
Jakobson, Roman. “Closing Statement: Linguistics and Poetics.” In Style in Language, edited by T. A. Sebeok, 350–77. Cambridge: MIT Press, 1960.
———. Coup d’oeil sur le développement de la sémiotique. Studies in Semiotics, vol. 3. Bloomington: Indiana University Publications, 1975.
———. Essais de linguistique générale. Paris: Minuit, 1963.
———. “Language and Poetics.” In Style in Language, edited by T. A. Sebeok, 350–77. Cambridge: MIT Press, 1960.
———. “Two Aspects of Language and Two Types of Aphasic Disturbances.” In Selected Writings of Roman Jakobson, edited by Stephen J. Rudy. The Hague: Mouton, 1971.
Jakobson, Roman, and Linda Waugh. The Sound Shape of Language. Bloomington: Indiana University Press, 1979.
James, Henry. “The Art of Fiction.” In The House of Fiction, edited by L. Edel. London: Mercury, 1962.
Jameson, Frederic. “Cognitive Mapping.” In Marxism and the Interpretation of Culture, edited by C. Nelson and L. Grossberg, 347–60. Urbana: University of Illinois Press, 1988.
———. The Political Unconscious: Narrative as a Socially Symbolic Act. Ithaca: Cornell University Press, 1981.
———. “The Politics of Theory: Ideological Positions in the Postmodernism Debate.” New German Critique 33 (Fall 1985): 53–60.
———. “Postmodernism, or the Cultural Logic of Late Capitalism.” New Left Review 146 (1985): 53–92.
———. The Prison House of Language: A Critical Account of Structuralism and Russian Formalism. Princeton: Princeton University Press, 1972.
Jaspers, Karl. Nietzsche. Chicago: Henry Regnery Company, 1969.
Jones, Carolin. Modern Art at Harvard. New York: Abbeville Press, 1985.
Joston, C. H. “Robert Fludd’s Theory of Geomancy (and His Experiences at Avignon in the Winter of 1601 to 1602).” Journal of the Warburg and Courtauld Institutes 27 (1964): 327–35.
Kant, I. The Critique of Judgment. New York: Hafner Press, 1972.
Kavanagh, James. “Marxism’s Althusser: Toward a Politics of Literary Theory.” Diacritics 12, no. 1 (Spring 1982): 25–45.
Kitahara-Frisch, J. “Symbolizing Technology as Key to Human Evolution.” In Symbol as Sense, edited by M. Foster and S. Brandes, 211–23. New York: Academic Press, 1980.
Klein, Richard. “Kant’s Sunshine.” Diacritics 2, no. 2 (Summer 1981): 26–41.
Klein, Robert. “Vitruve et le théâtre de la Renaissance italienne.” In La Forme et l’intelligible: Ecrits sur la Renaissance et l’art moderne, edited by R. Klein. Paris: Gallimard, 1970.
Kleinbauer, W. E. Modern Perspectives in Western Art History. New York: Holt, Rinehart and Winston, 1971.
Kontoleon, N. To Erechtheion hös oikodomena chthonias latreis (The Erechtheion as a Building of Chthonic Cult). Athens: Athens Archaeological Society, 1949.
Kramer, Hilton. “Does Gerôme Belong with Goya and Monet?” New York Times (Apr. 13, 1980): 35, sect. 2.
———. “T. J. Clark and the Marxist Critique of Modern Painting.” The New Criterion (March 1985): 1–8.
Krampen, Martin. Meaning in the Urban Environment. London: Pion, 1979.
———. Wie Kinder zeichnen. Stuttgart: Design Center, 1980.
Krauss, Rosalind. “Photography’s Discursive Spaces: Landscape/View.” Art Journal 42, no. 4 (Winter 1982): 311–19.
———. “Sculpture in the Expanded Field.” October 8 (Spring 1979): 31–44.
Kris, Ernst. Psychoanalytic Explorations in Art. New York: International Universities Press, 1952.
Kristeva, Julia. La Révolution du langage poétique. Paris: Editions du Seuil, 1974.
———. “The Shape of Time Reconsidered.” Perspecta 19 (1982): 112–21.
Lacan, Jacques. Le Séminaire. Paris: Editions de Seuil, 1973.
Laming, Annette. Lascaux: Paintings and Engravings. Harmondsworth and Baltimore: Penguin Books, 1959.
Laming-Emperaire, Annette. Origines de l’archéologie préhistorique en France. Paris: Picard, 1964.
———. “Pour une nouvelle approche des sociétés préhistoriques.” Annales Economies, Sociétés, Civilisations 5 (Sept.–Oct. 1969): 1261–70.
———. “Système de pensée et organisation sociale dans l’art rupestre paléolithique.” In L’Homme de Cro-Magnon, anthropologie et archéologie 1868–1968 (Paris: Arts et Metiers Graphiques, 1968), 197–212.
Laughlin, C. D., and E. G. d’Aquili. Biogenetic Structuralism. New York: Columbia University Press, 1974.
Lawrence, A. W. Greek Architecture. 4th ed., rev., with additions by R. A. Tomlinson. Harmondsworth: Penguin Books, 1983.
Leakey, R. E., and R. Lewis. Origins. New York: Dutton, 1977.
Lemaire, Anika. Jacques Lacan. London and Boston: Routledge and Kegan Paul, 1977.
Lentricchia, Frank. After the New Criticism. Chicago and London: University of Chicago Press, 1980.
———. Criticism and Social Change. Chicago: University of Chicago Press, 1983.
Leroi-Gourhan, André. “Considérations sur l’organisation spatiale des figures animales dans l’art pariétal paléolithique.” In Actas del Symposium Internacional de Arte Prehistórico, edited by M. A. Basch and M. A. Garcia Guinea, 281–308. Santander: Patronato de las Cuevas Prehistóricas, 1972.
———. The Dawn of European Art. Cambridge: Cambridge University Press, 1982.
———. “The Evolution of Paleolithic Art.” Scientific American (Feb. 1968): 58–74.
———. “La Fonction des signes dans les sanctuaires paléolithiques.” Bulletin de la Société Préhistorique Français 55 (1958): 307–21.
———. Le Geste et la parole. Vol. 1, Technique et langage; vol. 2, La Mémoire et les rythmes. Paris: Editions Albin Michel, 1964–65.
———. “The Hands of Gargas.” October 37 (Summer 1986): 18–40.
———. “The Religion of the Caves: Magic or Metaphysics?” October 37 (Summer 1986): 6–17.
———. “Répartition et groupement des animaux dans l’art pariétal paléolithique.” Bulletin de la Société Préhistorique Français 55 (1958): 515–27.
———. “Le Symbolisme des grands signes dans l’art pariétal paléolithique.” Bulletin de la Société Préhistorique Français 55 (1958): 384–98.
———. Treasures of Prehistoric Art. New York: Abrams, 1967.
Lévi-Strauss, Claude. The Savage Mind. New York: Harper and Row, 1966.
Lewes, George Henry. A Biographical History of Philosophy. London: C. Knight, 1845.
Lewis, Philip. “The Post-structuralist Condition.” Diacritics 12, no. 1 (Spring 1982): 2–24.
Lewis, Thomas E. “Reference and Dissemination: Althusser after Derrida.” Diacritics 15, no. 4 (Winter 1985): 37–56.
Locke, John. An Essay Concerning Human Understanding, edited by A. C. Fraser. New York: Pantheon, 1959.
Longhi, Roberto. Saggi e ricerche: 1925–1928. Florence: Sansoni, 1967.
Lotringer, Sylvère. “Cryptique.” In Claude Simon: Colloque de Cerisy, 316–17. Paris: 1018, 1975.
Lough, John. “Locke’s Reading during his Stay in France (1675–79).” The Library 8, no. 4, 5th ser. (Dec. 1953): 229–58.
Lynch, Kevin. The Image of the City. Cambridge: MIT Press, 1960.
MacCabe, Colin. Tracking the Signifier. Minneapolis: University of Minnesota Press, 1985.
MacCannell, Juliet Flower. Figuring Lacan: Criticism and the Cultural Unconscious. Lincoln: University of Nebraska Press, 1986.
Macherey, Pierre. A Theory of Literary Production. Translated by Geoffrey Wall. London and Boston: Routledge and Kegan Paul, 1978. Originally published as Pour une théorie de la production littéraire (Paris: Librairie François Maspero, 1974).
Mahon, Denis. Studies in Seicento Art and Theory. London: London University-Warburg Institute, 1947.
Mandelbaum, Maurice. History, Man and Reason: A Study in Nineteenth Century Thought. Baltimore: Johns Hopkins University Press, 1971.
Marin, Louis. Détruire la peinture. Paris: Galilée, 1977. Partial translation in Enclitic (1980): 3–38.
———. Portrait of the King. Translated by Martha Houle. Minneapolis: University of Minnesota Press, 1988. Originally published as Le Portrait du roi (Paris: Editions de Minuit, 1981).
Marruchi, A., ed. Considerazioni sulla pittura. Vols. 1 and 2. Rome: Accademia Nazionale dei Lincei, 1956–57.
Marshack, Alexander. “The Baton of Mongaudier.” Natural History 79, no. 3 (March 1970): 56–63.
———. “Cognitive Aspects of Upper Paleolithic Engraving.” Current Anthropology 13 (1972): 455–77.
———. “The Ecology and Brain of Two-Handed Bipedalism: An Analytic, Cognitive and Evolutionary Assessment.” Paper delivered at Harry Frank Guggenheim Conference on Animal Cognition, Columbia University, June 2–4, 1982.
———. “Lunar Notations on Upper Paleolithic Remains.” Science 146 (Nov. 1964): 743–45
———. “The Meander as System: The Analysis and Recognition of Iconographie Units in Upper Paleolithic Composition.” In Form in Indigenous Art, edited by P. Ucko, 286–317. Canberra: Australian Institute of Aboriginal Studies, 1978.
———. “New Techniques in the Analysis and Interpretation of Mesolithic Notation and Symbolic Art.” Valcamonica Symposium, Actes du symposium international d’art préhistorique, 479–94. Capo di Ponte: Centro Camuno di Studi Preistorici, 1970.
———. Notation dans les gravures du Paléolithique supérieur. Publications de l’Institut de Préhistoire de l’Université de Bordeaux, Mémoire no. 8. Bordeaux: Delmas, 1970.
———. The Roots of Civilization. New York: McGraw-Hill, 1972.
———. “Some Implications of the Symbolic Evidence for the Origin of Language.” In Origins and Evolution of Language and Speech, edited by Steven Harnad, Horst Steklis, and Jane Lancaster, 289–311. Annals of the New York Academy of Sciences, vol. 280, 1976.
———. “Upper Paleolithic Symbol Systems of the Russian Plain: Cognitive and Comparative Analysis.” Current Anthropology 20, no. 2 (June 1979): 271–95.
———. “Upper Paléolithique Notation and Symbol.” Science 178 (1972): 817–28.
Mavrikios, A. “Aesthetic Analysis Concerning the Curvature of the Parthenon.” In The Parthenon, edited by V. J. Bruno, 171–98. Norton Critical Studies in Art History. New York: W. W. Norton, 1974.
Megill, Allan. Prophets of Extremity. Berkeley and Los Angeles: University of California Press, 1985.
Merquior, J. Foucault. London: Fontana, 1985.
Merrill, R. H. “The Calendar Stick of Tshi-zun-hau-kau.” The Cranbrook Institute of Science Bulletin 24 (Oct. 1945).
Messac, Régis. La “Detective Novel” et l’influence dépensée scientifique. Paris: Libraire Ancienne Honore Champion, 1929.
Metz, Christian. The Imaginary Signifier. Bloomington and London: Indiana University Press, 1982.
Michelson, Annette. “Art and the Structuralist Perspective.” In On the Future of Art, 36–60. New York: Viking, 1970.
———. “In Praise of Horizontality: André Leroi-Gourhan 1911–1986.” October 37 (Summer 1986): 3–5.
Mitchell, W. J. T. Iconology: Image, Text, Ideology. Chicago and London: University of Chicago Press, 1986.
———. “The Politics of Genre: Space and Time in Lessing’s Laocoon.” Representations 6 (Spring 1984): 98–115.
———. The Politics of Interpretation. Chicago: University of Chicago Press, 1983.
Mohanty, S. P., ed. “Marx After Derrida.” Diacritics 15, no. 4 (Winter 1985): 1–112.
Morelli, Giovanni. Della pittura italiana: Studii storico critici—Le gallerie Borghese e Doria Pamphili in Roma. Milan: Treves, 1897.
Mosby, Aline. “Prehistory’s Underground Museums.” New York Times Travel Section (Jan. 19, 1986): 15.
Mukařovský, Jan. Aesthetic Function, Norm and Value as Social Facts. 1936. Reprint. Ann Arbor: University of Michigan/Slavic Contributions, 1979.
———. “L’Art comme fait sémiologique.” In The Semiotics of Art, edited by L. Matejka and I. R. Titunik. Cambridge: MIT Press, 1976. Originally published in Actes du huitième Congrès international de philosophie à Prague 2–7 septembre 1934, 1065–73 (Prague, 1936).
———. “On the Problem of Function in Architecture.” In Structure, Sign and Function: Selected Writings of Jan Mukařovský, edited by J. Burbank and P. Steiner. New Haven: Yale University Press, 1978.
Munn, Nancy. “Visual Categories: An Approach to the Study of Representational Systems.” American Anthropologist 68, no. 4 (1966): 939–50.
———. Walbiri Iconography: Graphic Representation and Cultural Symbolism in a Central Australian Society. Ithaca: Cornell University Press, 1973.
Needham, Joseph. Mathematics and the Science of the Heavens and the Earth. Vol. 3, Science and Civilisation in China. Cambridge: Cambridge University Press, 1960.
Neisser, Ulric. Cognition and Reality. San Francisco: W. H. Freeman, 1976.
Nelson, Cary, and Lawrence Grossberg, eds. Marxism and the Interpretation of Culture. Urbana: University of Illinois Press, 1988.
Nichols, Bill. Ideology and the Image: Social Representation in the Cinema and Other Media. Bloomington and London: Indiana University Press, 1981.
Nochlin, Linda. “Why Have There Been No Great Women Artists?” In Art and Sexual Politics, edited by E. Baker and T. Hess, 1–43. New York: Macmillan, 1973.
Nodelman, Sheldon. “Structural Analysis in Art and Anthropology.” Yale French Studies 36–37 (Oct. 1966): 89–103.
Ong, Walter J. Ramus, Method, and the Decay of Dialogue. Cambridge: Harvard University Press, 1958.
Owens, Craig. “Representation, Appropriation and Power.” Art in America (May 1982): 9–21.
Pales, L., and M. Tassin de Saint Péreuse. “Humains superposés de la Marche.” In La Préhistoire, problèmes et tendances, 327–36. Paris: Editions du CNRS, 1968.
Panofsky, Erwin. “Charles Rufus Morey (1877–1955).” American Philosophical Society Year Book. Philadelphia: American Philosophical Society, 1955.
———. “The Concept of Artistic Volition.” Critical Inquiry 8 (Fall 1981): 17–31. Originally published as “Der Begriff des Kunstwollens.” In Zeitschrift für Ästhetik und allgemeine Kunstwissenschaft 14 (1920): 321–39.
———. “The History of Art as a Humanistic Discipline.” In The Meaning of the Humanities, edited by T. M. Greene. Princeton: Princeton University Press, 1940.
———. Meaning in the Visual Arts: Papers In and On Art History. Garden City, N.Y.: Doubleday, 1955.
———. “Die Perspektive als ‘symbolische Form’.” Vorträge der Bibliothek Warburg, 1924–25, Leipzig/Berlin, 258–81.
———. Renaissance and Renascances in Western Art. New York: Harper and Row, 1969.
———. Studies in Iconology: Humanistic Themes in the Art of the Renaissance. 1939. Reprint. New York: Harper and Row, 1962.
Parker, Rozsika, and Griselda Pollock, eds. Framing Feminism: Art and the Women’s Movement 1970–1985. London and New York: Pandora, 1987.
———, eds. Old Mistresses: Women, Art and Ideology. New York: Pantheon, 1982.
Parsons, Kermit. The Cornell Campus: A History of Its Planning and Development. Ithaca and London: Cornell University Press, 1968.
Pausanias. Guide to Greece. Vol. 1, Central Greece. Harmondsworth: Penguin Books, 1971.
Peirce, Charles Sanders. Collected Papers, edited by C. Hartshorne and P. Weiss, vol. 5. Cambridge: Harvard University Press, 1935.
———. “Commentary.” The Nation 51 (Sept. 25, 1890): 254–55.
Pleynet, Marcelin. Système de la peinture. Paris: Seuil, 1977.
Podro, Michael. “Art History and the Concept of Art.” In Kategorien und Methoden der deutschen Kunstgeschichte 1900–1930, edited by L. Dittman, 209–18. Stuttgart: Franz Steiner, 1985.
———. The Manifold Perception: Theories of Art from Kant to Hildebrand. Oxford: Oxford University Press, 1972.
Polan, Dana B. “Above All Else to Make You See: Cinema and the Ideology of the Spectacle.” Boundary 2 11, nos. 1–2 (Fall/Winter 1982–83): 129–44.
Pollitt, J. J. Art and Experience in Classical Greece. Cambridge: Cambridge University Press, 1972.
———. The Art of Greece: 1400–31 B.C. Sources and Documents in the History of Art Series. Englewood Cliffs, N.J.: Prentice-Hall, 1965.
Pollock, Griselda. “Vision, Voice and Power: Feminist Art History and Marxism.” Block 6 (1982): 2–20. Originally published in Kvinnovetenskaplig Tdiskrift 4 (Lund).
Pomorska, Krystina. Russian Formalist Theory and Its Poetic Ambiance. The Hague: Mouton, 1968.
Pratt, Mary Louise. “Interpretative Strategies/Strategic Interpretations: On American Reader-Response Criticism.” Boundary 2 11, nos. 1–2 (Fall/Winter 1982–83): 201–31.
Preziosi, Donald. “Architectonic and Linguistic Signs.” In Image and Code, edited by W. Steiner, 167–75. Ann Arbor: University of Michigan Studies in the Humanities, 1981.
———. Architecture, Language and Meaning: The Origins of the Built World and Its Semiotic Organization. The Hague, Paris, and New York: Mouton Publishers, 1979.
———. “Constru(ct)ing the Origins of Art.” Art Journal 42, no. 4 (Winter 1982): 320–25.
———. “On signe ici: Tracing with a Pencil the Shadow of the Tracing Pencil.” Paper presented at conference, L’Amour fou: Photography and Surrealism. Washington, D.C.: Corcoran Gallery of Art, 1985.
———. “Reckoning with the World: Figure, Text and Trace in the Built Environment.” American Journal of Semiotics 4, nos. 1–2 (1986): 1–15.
———. The Semiotics of the Built Environment. Bloomington and London: Indiana University Press, 1979.
———. “Subjects + Objects: The Current State of Visual Semiotics.” In New Directions in Linguistics and Semiotics, edited by James E. Copeland, 179–205. Rice University Studies New Series, no. 2. Houston: Rice University, 1984.
Pribram, Karl. Languages of the Brain. Englewood Cliffs, N.J.: Prentice-Hall, 1971.
Raimondi, Ezio. Il romanzo senza idillio. Turin: Einaudi, 1974.
Rajchman, J. “Foucault, or the Ends of Modernism.” October 24 (Spring 1983): 37–62.
———. “Foucault’s Art of Seeing.” October 44 (Spring 1988): 89–119.
Raubitschek, A. Dedications on the Athenian Acropolis. Cambridge: Harvard University Press, 1949.
Reiss, Timothy J. The Discourse of Modernism. Ithaca and London: Cornell University Press, 1982.
Rees, A. L., and F. Borzello, eds. The New Art History. Atlantic Highlands, N.J.: Humanities Press International, 1988.
Rey, Alain. Théories du signe et du sens. Paris: Editions Klincksieck, 1973.
Rice, Prudence. “Prehistoric Venuses.” Journal of Anthropological Research 37 (1981): 402–19.
Richards, I. A. Speculative Instruments. Chicago: University of Chicago Press, 1955.
Richter, Gisela. Sculpture and Sculptors of the Greeks. 4th ed. New Haven: Yale University Press, 1970.
Rifkin, A. “Marx’s Clarkism.” Art History (Dec. 1985): 488–95.
———. “No Particular Thing to Mean.” Block 8 (1983): 33.
Roskill, M. What is Art History? New York and London: Harper and Row, 1976.
Said, Edward. Beginnings. Baltimore: Johns Hopkins University Press, 1975.
———. “Opponents, Audiences, Constituencies and Community.” In The Politics of Interpretation, edited by W. J. T. Mitchell, 7–32. Chicago: University of Chicago Press, 1983.
Saussure, Ferdinand de. Course in General Linguistics, edited by Charles Bally and Albert Sechehaye with Albert Riedlinger and translated by Wade Baskin. New York: Philosophical Library, 1959. Originally published as Cours de linguistique générale (Paris: Payot, 1916). Edition critique by Rudolf Engler. Vol. 1, fascs. 1–3; vol. 2, fasc. 4 (Wiesbaden: Harrassowitz: 1967–74).
Sauvet, G., and A. Wlodarczyk. “Essai de sémiologie préhistorique.” Bulletin de la Société Préhistorique Français 74 (Etudes et Travaux) (1974): 545–48.
Schapiro, Meyer. “On Some Problems in the Semiotics of Visual Art: Field and Vehicle in Image-Signs.” Semiotica 1/3 (1969): 223–42.
———. “Style.” In Anthropology Today, edited by A. L. Kroeber. Chicago: University of Chicago Press, 1953. Reprinted in Aesthetics Today, edited by M. Philipson and P. J. Gudel. New York: Meridian, 1980.
———. “Words and Pictures.” Social Research 45, no. 1 (Spring 1978): 15–35.
Scruton, Roger. The Aesthetics of Architecture. Princeton: Princeton University Press, 1979.
Searle, John. “Las Meninas and Representation.” Critical Inquiry 7 (1980): 477–88.
Sebeok, Thomas A. “Animal Communication.” Science 147, no. 3661 (Feb. 1965): 1006–14.
———. “Semiotics and Its Congeners.” In Frontiers in Semiotics, edited by J. Deely, B. Williams, and F. Kruse, 255–63. Bloomington: Indiana University Press, 1986.
Sekula, Allan. “The Body and the Archive.” October 39 (Winter 1986): 3–64.
Seltzer, Mark. “Reading Foucault: Cells, Corridors, Novels.” Diacritics 14, no. 1 (Spring 1984): 78–89.
Shapiro, Gary. “Intention and Interpretation in Art: A Semiotic Analysis.” Journal of Aesthetics and Art Criticism 33, no. 1 (1978): 33–42.
Sheridan, Alan. Michel Foucault: The Will to Truth. London and New York: Tavistock, 1980.
Sherman, Claire R. Women as Interpreters of the Visual Arts, 1820–1979. Westport, Conn.: Greenwood Press, 1981.
Siegel, James. “Academic Work: The View from Cornell.” Diacritics 11, no. 1 (Spring 1981): 68–83.
Sieveking, Ann. The Cave Artists. London: Thames and Hudson, 1979.
Smith, Cyril S. A Search for Structure: Selected Essays on Science, Art and History. Cambridge: MIT Press, 1981.
Snyder, Joel. “Picturing Vision.” In The Language of Images, edited by W. J. T. Mitchell, 219–46. Chicago: University of Chicago Press, 1980. Originally published in Critical Inquiry 6 (Spring 1980): 499–526.
Snyder, Joel, and Ted Cohen. “Reflections on Las Meninas: Paradox Lost.” Critical Inquiry 7 (1980): 429–47.
Spanos, William V. “The Uses and Abuses of Certainty.” Boundary 2 12, no. 3; 13, no. 1 (Spring/Fall 1984): 1–17.
Stafford, Barbara Maria. “Beauty of the Invisible: Winckelmann and the Aesthetics of Imperceptibility.” Zeitschrift für Kunstgeschichte 43 (1980): 65–78.
———. Voyage Into Substance. Cambridge: MIT Press, 1983.
Steinberg, Leo. “Velazquez’ Las Meninas.” October 15 (1981): 45–54.
Steiner, W, ed. Image and Code. Michigan Studies in the Humanities, no. 2. Ann Arbor: University of Michigan Press, 1981.
Stevens, G. P. “The Periclean Entrance Court of the Acropolis of Athens.” Hesperia 5 (1936): 443–520.
Stevens, G. P., and J. M. Paton. The Erechtheum. Cambridge: Harvard University Press, 1927.
Stevens, Wallace. “The Palm at the End of the Mind.” In The Palm at the End of the Mind: Selected Poems, edited by H. Stevens, 398. New York: Random House, 1972.
Summers, David. “The Visual Arts and the Problem of Art Historical Description.” Art Journal 42, no. 4 (Winter 1982): 301–10.
Tafuri, Manfredo. The Sphere and the Labyrinth. Cambridge: MIT Press, 1987. Originally published as La sféra e il labirinto (Turin: Einaudi, 1980).
Tagg, John. “Should Art Historians Know Their Place?” Journal: A Contemporary Art Magazine 46, no. 6 (Winter 1987): 30–33.
Taine, H. De l’idéal dans l’art. 13th ed. Paris: Hachette, 1909.
———. De l’intelligence. Vols. 1 and 2. 13th ed. Paris: Hachette, 1909.
———. Essais de critique et d’histoire. 12th ed. Paris: Hachette, 1911.
———. Histoire de la littérature anglaise. 12th ed. Paris: Hachette, 1911.
Terdiman, Richard. “Deconstructing Memory: On Representing the Past and Theorizing Culture in France since the Revolution.” Diacritics 15, no. 4 (Winter 1985): 13–36.
Tomkins, Calvin. “Thinking in Time.” New Yorker Magazine (April 22, 1974): 109–17.
Tompkins, Jane P. “The Reader in History: The Changing Shape of Literary Response.” In Reader-Response Criticism: From Formalism to Post-Structuralism, edited by J. Tompkins, 201–32. Baltimore and London: Johns Hopkins University Press, 1980.
Toulmin, Stephen. “The Construal of Reality: Criticism in Modern and
Postmodern Science.” In The Politics of Interpretation, edited by W. J. T. Mitchell, 99–117. Chicago and London: University of Chicago Press, 1983.
Travlos, John D. Pictorial Dictionary of Ancient Athens. New York: Praeger, 1971.
———. Poleodomike Exelixis tōn Athenōn. Athens: Athens Archaeological Society, 1960.
Tzakou, Avghi. Propylaia: A Study for the Reconstruction of the Entablature of the East Stoa. Athens: Ministry of Culture, 1981.
Ucko, Peter, and Andrée Rosenfeld. Palaeolithic Cave Art. London: World University Library, 1967.
Vachek, Josef. A Prague School Reader in Linguistics. Bloomington and London: Indiana University Press, 1964.
Valesio, Paolo. Novantiqua: Rhetorics as a Contemporary Theory. Bloomington and London: University of Indiana Press, 1980.
Vasari, Giorgio. Lives of the Most Eminent Painters, Sculptors and Architects. 4 vols. Translated by A. B. Hinds and edited by William Gaunt. New York: Dutton, 1963 (original edition in 1550).
Veltruský, Jiri. “Some Aspects of the Pictorial Sign.” In The Semiotics of Art, edited by L. Matejka and I. R. Titunik, 245–64. Cambridge: MIT Press, 1976.
Vidler, Anthony. “The Idea of Type: The Transformation of the Academic Ideal 1750–1830.” Oppositions 8 (1977): 95–115.
Wallace, Michael. “Visiting the Past: History Museums in the United States.” In Presenting the Past: History Museums in the United States, edited by S. Benson, S. Brier, and R. Rosenzweig. Philadelphia: Temple University Press, 1986.
Wallach, Alan. “Marxism and Art History.” In The Left Academy, edited by B. Oilman and E. Vernoff, 25–53. Praeger Special Studies, vol. 2. New York: Praeger, 1984.
Wallis, Mieczyslaw. Arts and Signs. Bloomington: Indiana University Press, 1975.
Weber, Samuel. “Ambivalence, the Humanities, and the Study of Literature.” Diacritics 15, no. 2 (Summer 1985): 11–25.
———. “Closure and Exclusion.” Diacritics 10, no. 2 (Summer 1980): 35–46.
———. “The Faulty Eye: Remarks on Knowledge and Professionalism.” Forthcoming.
———. “The Limits of Professionalism.” The Oxford Literary Review 5, nos. 1–2 (1982): 59–72.
Wellek, Rene. The Literary Theory and Aesthetics of the Prague School. Ann Arbor: University of Michigan/Slavic Languages, 1969.
Werckmeister, O. K. Idéologie und Kunst bei Marx und andere Essays. Frankfurt am Main: S. Fischer, 1974.
———. “Marx on Ideology and Art.” New Literary History 14 (1973): 500–519.
———. “Radical Art History.” Art Journal 42, no. 4 (Winter 1982): 284–91.
White, Hayden. The Content of the Form: Narrative Discourse and Historical Representation. Baltimore: Johns Hopkins University Press, 1987.
———. “Michel Foucault.” In Structuralism and Since: From Lévi-Strauss to Derrida, edited by J. Sturrock, 81–115. Oxford: Oxford University Press, 1979.
———. “The Politics of Historical Interpretation: Discipline and DeSublimation.” In The Politics of Interpretation, edited by W. J. T. Mitchell, 119–43. Chicago and London: University of Chicago Press, 1983.
———. Tropics of Discourse: Essays in Cultural Criticism. Baltimore and London: Johns Hopkins University Press, 1978.
Whitney, W. D. Sanskrit Grammar. 1889. Reprint. Cambridge: Harvard University Press, 1964.
Williams, Raymond. “Base and Superstructure in Marxist Cultural Theory.” New Left Review 82 (Nov./Dec. 1973): 1–19.
———. Marxism and Literature. Oxford: Oxford University Press, 1977.
Winckelmann, J. J. Briefe, edited by H. Diepolder and W. Rehm. 2 vols. Berlin: Walther de Gruyter, 1952–54.
Wind, Edgar. Art and Anarchy. New York: Knopf, 1964.
Wobst, Martin. “Boundary Conditions for Palaeolithic Social Systems: A Simulation Approach.” American Antiquity 39 (1974): 147–78.
———. “Stylistic Behavior and Information Exchange.” In Papers for the Director: Research Essays in Honor of James B. Griffin, edited by C. E. Cleland, 317–42. Ann Arbor: University of Michigan Museum of Anthropology Anthro-Papers, no. 61, 1977.
Wycherley, R. E. The Stones of Athens. Princeton: Princeton University Press, 1978.
Yates, Frances. Art of Memory. Chicago: University of Chicago Press, 1966.
———. Giordano Bruno and the Hermetic Tradition. Chicago: University of Chicago Press, 1964.
———. Theatre of the World. Chicago: University of Chicago Press, 1969.
Zerner, Henri. “L’Art.” In Faire de l’histoire: Nouveaux problèmes. Vol. 2, edited by J. LeGoff and P. Nora, 186–96. Paris: Gallimard, 1974.
———. “The Crisis in the Discipline.” Art Journal 42, no. 4 (Winter 1982): 279–325
———. “Giovanni Morelli et la science de l’art.” Revue de l’Art (1978): 40–41.
Bibliography
Next chapter