Photograph Credits

Pointon, Marcia

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Photograph Credits

Marcia Pointon

Hanging the Head: Portraiture and Social Formation in Eighteenth-Century England

Photograph Credits

Author

Marcia Pointon

PublisherPaul Mellon Centre

PublisherYale University Press

https://doi.org/10.37862/aaeportal.00062.016

Stable URL: https://aaeportal.com/?id=-19094

Photograph Credits

In most cases the illustrations have been made from photographs and transparencies provided by the owners or custodians of the works. Those plates for which further credit is due are listed below:

Author: 8, 26, 69, 70, 71, 75, 101, 107, 148, 149, 150, 171, 212, 217, 218, 231, 239, 279, 280

Richard Carafelli: 206

Country Life: 28

Courtauld Institute of Art, Conway Library: 29, 76, 98

Courtauld Institute of Art, Witt Library: 36, 65, 162, 170, 189, 210, 233

A.C. Cooper: 166, 192

Prudence Cuming Associates: 261

J. Arthur Dixon: 49

English Heritage: 37, 174

FSIA: 10

Robin Laurence: 9

Paul Mellon Centre for Studies in British Art: 4, 5, 6, 7, 56, 63, 68, 91, 92, 93, 94, 96

National Trust Photographic Library/A.C. Cooper: 186, 226

Phaidon Press Ltd: 265

Royal Academy of Arts, London: 164, 165, 184, 213, 261

Royal Commission on the Historical Monuments of England: 15, 16, 23, 24, 25, 31, 33, 45

Sotheby’s, London: 22

Stowe School Archives, Buckingham: 30

John Webb: 214, 215

Rodney Todd White: 77, 190

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Book details

BOOKHanging the Head: Portraiture and Social Formation in Eighteenth-Century England

Marcia Pointon

https://doi.org/10.37862/aaeportal.00062

Stable URL: https://aaeportal.com/?id=-19078

Eighteenth-century England possessed a thriving portrait culture: likenesses of particular individuals exhibited at the Royal Academy or in the interiors of public institutions, such as guildhalls and charity foundations, as well as in private houses, were part of a network of visual communication that encompassed print-collecting, popular performance, and figurative acts of speech.

In this original and stimulating book, Marcia Pointon demonstrates how portraiture provided mechanisms both for constructing and accessing a national past and for controlling a present that appeared increasingly unruly. Through detailed historical analyses of particular aspects of portrait representation – images of criminals, the fashions and rituals around the masculine culture of hair and wigs, the gendering of childhood in celebrated paintings like Penelope with or 'Pinkie' – Pointon establishes the rich and complex ways in which portraiture reflected eighteenth-century England. How 'the head' was hung – whether it be a matter of the disposition of an actual body or the image of that body – was determined by social rules of posture and decorum, by artistic convention and commercial practice, and literally by the ways in which patrons chose to arrange particular portraits on walls – paintings that served ritual and symbolic as well as decorative functions.

Hanging the Head makes a major contribution to our understanding of portraiture as a cultural and political phenomenon in eighteenth-century Britain. It will be of great interest to art historians and to those concerned with the history of material culture, to museums specialists and to all concerned with literature, politics, and visual culture in eighteenth-century England.

*This eBook is available exclusively on the A&AePortal*

Author

Marcia Pointon

PublisherPaul Mellon Centre

Yale University Press

Print publication date January 1998 (out of print)

Print ISBN 9780300073683

EISBN 9780300249798

Illustrations 291

Print Status out of print

Publisher (out of print)

WorldCat

Google Books

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