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Description: Art and the French Commune: Imagining Paris after War and Revolution
~I OWE SO MUCH to my colleagues and students over the years for their work and unfailing encouragement that it is impossible to do them all justice in the short space allotted for acknowledgments. But I would especially like to express gratitude to Sanda Agalidi, Albert Alhadeff, Wayne V. Andersen, Edward Berenson, Jerry Boime, Myra Boime, Elizabeth Broun,...
PublisherPrinceton University Press
https://doi.org/10.37862/aaeportal.00021.003
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Acknowledgments
I owe so much to my colleagues and students over the years for their work and unfailing encouragement that it is impossible to do them all justice in the short space allotted for acknowledgments. But I would especially like to express gratitude to Sanda Agalidi, Albert Alhadeff, Wayne V. Andersen, Edward Berenson, Jerry Boime, Myra Boime, Elizabeth Broun, Petra Chu, Timothy J. Clark, Carrol F. Coates, Carol Duncan, Madeleine Fidell-Beaufort, Lois Fink, Michael Fried, Carlo Ginsburg, George Gurney, Nicos Hadjinicolaou, Robert L. Herbert, Klaus Herding, Patricia Hills, Seymour Howard, Kenneth L. Lindsay, David Lubin, Patricia Mainardi, Régis Michel, Linda Nochlin, Fred Orton, Vincent Pecora, Theodore Reff, John Rewald, Robert Rosenblum, Meyer Schapiro, Richard Shiff, Debora Silverman, Clare Spark, Paul Tucker, Paul Von Blum, Alan Wallach, and Gabriel Weisberg. These are my spiritual and scholarly soul-mates whose work and thought have guided and informed my own, and if I have on occasion improperly neglected, misunderstood, or misrepresented their ideas they have knowingly or not accompanied me on my solitary intellectual vigil under the starlit sky. I would like to express my gratitude to Susanna Barrows, one of the publisher’s readers, whose many constructive suggestions I have incorporated into the text. Special thanks are also due to Elizabeth Powers for her encouragement of the project, and to Timothy Wardell for expertly shepherding the manuscript through to realization.
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