Abbreviated References and Selected Bibliography

Walker, Rosyln A.

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Abbreviated References and Selected Bibliography

Rosyln A. Walker

The Arts of Africa: At the Dallas Museum of Art

Abbreviated References and Selected Bibliography

Author

Rosyln A. Walker

PublisherDallas Museum of Art

PublisherYale University Press

Stable URL: https://aaeportal.com/?id=-19802

Abbreviated References and Selected Bibliography

Abiodun, Drewal, and Pemberton 1991
Abiodun, Rowland, Henry John Drewal, and John Pemberton III. Yoruba: Art and Aesthetics. Edited by Lorenz Homberger. Zurich: Rietberg Museum; New York: Center for African Art, 1991.

Abiodun, Drewal, and Pemberton 1994
Abiodun, Rowland, Henry J. Drewal, and John Pemberton III, eds. The Yoruba Artist. Washington and London: Smithsonian Institution Press, 1994.

Allison 1944
Allison, Philip A. “A Yoruba Carver.” Nigeria 22 (1944): 49–50.

Anderson and Peek 2002
Anderson, Martha G., and Philip M. Peek, eds. Ways of the Rivers: Art and Environment of the Niger Delta. Los Angeles: University of California, Fowler Museum of Cultural History, 2002.

Awolalu 1979
Awolalu, J. A. Yoruba Beliefs and Sacrificial Rituals. London: Longmans, 1979.

Barbier 1993
Barbier, Jean-Paul, ed. Art of Côte d’Ivoire from the Collection of the Barbier-Mueller Museum. 2 vols. Geneva: Barbier-Mueller Museum, 1993.

Barley 1994
Barley, Nigel. Smashing Pots: Works of Clay from Africa. Washington, D.C.: Smithsonian Institution Press, 1994.

Bascom 1969
Bascom, William R. Ifa Divination: Communication between Gods and Men in West Africa. Bloomington: Indiana University Press, 1969.

Basden [1921] 1966
Basden, G. T. Among the Ibos of Nigeria. 1921. Repr. London: Frank Cass, 1966.

Bassani 1977
Bassani, Ezio. “Kongo Nail Fetishes from the Chiloango River Area.” African Arts 10, no. 3 (April 1977): 36–40, 98.

Bassani 1998
Bassani, Ezio. “A Superb Kongo Figure.” In Important African and Oceanic Art. Auction catalogue, lot no. 328, November 22, 1998. New York: Sotheby’s.

Bassani and Fagg 1988
Bassani, Ezio, and William Fagg. Africa and the Renaissance: Art in Ivory. Edited by Susan Vogel. New York: Museum for African Art, 1988.

Bastin 1982
Bastin, Marie-Louise. La Sculpture Tshokwe. Trans. by J. B. Donne. Meudon, France: Chaffin, 1982.

Beier 1970
Bieir, Ulli, comp. and transl. Yoruba Poetry: An Anthology of Traditional Poems. Cambridge: Cambridge University Press, 1970.

Ben-Amos 1995
Ben-Amos, Paula Girshick. The Art of Benin. Rev. ed. Washington, D.C.: Smithsonian Institution Press, 1995.

Ben-Amos and Rubin 1983
Ben-Amos, Paula Girshick, and Arnold Rubin, eds. The Art of Power, the Power of Art: Studies in Benin Iconography. Monograph series no. 19. Los Angeles: University of California, Museum of Cultural History, 1983.

Berzok 2005
Berzok, Kathleen Bickford. For Hearth and Altar: African Ceramics from the Keith Achepohl Collection. Chicago: Art Institute of Chicago; New Haven, Conn.: Yale University Press, 2005.

Biebuyck 1969
Biebuyck, Daniel P., ed. Tradition and Creativity in Tribal Art. Los Angeles: University of California Press, 1969.

Biebuyck 1973
Biebuyck, Daniel. Lega Culture: Art, Inspiration, and Moral Philosophy among a Central African People. Berkeley: University of California Press, 1973.

Biebuyck 1985
Biebuyck, Daniel. The Arts of Zaire. Vol. 1, Southwestern Zaire. Berkeley: University of California Press, 1985.

Biebuyck and Abbeele 1984
Biebuyck, Daniel, and Nelly van den Abbeele. The Power of Headdresses: A Cross-cultural Study of Forms and Functions. Brussels: Tendl S.A., 1984.

Bilot et al. 2003
Bilot, Alain, Michel Bohbot, Geneviéve Calame-Griaule, and Francine NDiaye, eds. Serrures du pays Dogon. Paris: Adam Biro, 2003.

Blackmun 1983
Blackmun, Barbara. “Reading a Royal Altar Tusk.” In The Art of Power, The Power of Art: Studies in Benin Iconography, edited by Paula Ben-Amos and Arnold Rubin, 59–70. Los Angeles: University of California, Museum of Cultural History, 1983.

Blackmun 2000
Blackmun, Barbara. “Marshalling the Spirits: An Imperial Icon in Ivory.” Unpublished essay. Dallas: Dallas Museum of Art, 2000.

Blier 1998
Blier, Suzanne Preston. The Royal Arts of Africa: The Majesty of Form. New York: Harry N. Abrams, 1995.

Boone 1986
Boone, Sylvia A. Radiance from the Waters: Ideals of Feminine Beauty in Mende Art. New Haven, Conn.: Yale University Press, 1986.

Borgatti 1979
Borgatti, Jean. From the Hands of Lawrence Ajanaku. University of California at Los Angeles, Museum of Cultural History Pamphlet Series 1, no. 6 (Fall 1979).

Borgatti and Brilliant 1990
Borgatti, Jean M., and Richard Brilliant. Likeness and Beyond: Portraits from Africa and the World. New York: Center for African Art, 1990.

Bourgeois 1982
Bourgeois, Arthur. “Yaka and Suku Leadership Headgear.” African Arts 15, no. 3 (May 1982): 30–35, 92.

Bourgeois 1988
Bourgeois, Arthur. “The Jerome L. Joss Mbala Drummer, Its Relatives and Meaning.” Arts d’Afrique noire 66 (Summer 1988): 19–29.

Boyer, Girard, and Rivière 1997
Boyer, Alain-Michel, Patrick Girard, and Marceau Rivière. Arts premiers de Côte d’Ivoire. Saint-Maur, France: Sepia, 1997.

Bravmann 1983
Bravmann, René A. African Islam. Washington, D.C.: Smithsonian Institution; London: Ethnographica, 1983.

Brincard 1982
Brincard, Marie-Thérèse, ed. The Art of Metal in Africa. New York: African-American Institute, 1982.

Bromberg and Kilinski 1996
Bromberg, Anne R., and Karl Kilinski II. Gods, Men, and Heroes: Ancient Art at the Dallas Museum of Art. Dallas: Dallas Museum of Art in association with the University of Washington Press, 1996.

Brown 1944
Brown, H. D. “The Nkumu of the Tumba: Ritual Chieftainship on the Middle Congo.” Africa 14, no. 8 (1944): 431–47.

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Cache, Jacques, Jean-Louis Paudrat, and Lucien Stéphan. L’Art Africain. Paris: Éditions Mazenod, 1988.

Cameron 1877
Cameron, Vemey Lovett. Across Africa. New York: Harper, 1877.

Cameron 2001
Cameron, Elisabeth L. Art of the Lega. Los Angeles: University of California, Fowler Museum of Cultural History, 2001.

Carroll 1967
Carroll, Kevin. Yoruba Religious Carvings: Pagan and Christian Sculpture in Nigeria and Dahomey. New York: Praeger, 1967.

Casati 1891
Casati, Gaetano. Ten Years in Equatoria and the Return with Emin Pasha. Trans. J. Randolph Clay and I. Walter Savage Landor from the original manuscript. London: Warne, 1891.

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Chemeche, George. Ibeji: The Cult of Yoruba Twins. Milan: 5 Continents Editions, 2003.

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Christie’s. Tribal Art. Auction catalogue. March 24, 1992. London: Christie’s.

Christie’s 2003
Christie’s. The Russel B. Aitken Collection of African, American Indian and Oceanic Art. Auction catalogue. April 3, 2003. New York: Christie’s.

Clarke 2005
Clarke, Christa. Power Dressing: Men’s Fashion and Prestige in Africa. Newark: Newark Museum, 2005.

Cole 1989
Cole, Herbert M. Icons: Ideals and Power in the Art of Africa. Washington, D.C.: Smithsonian Institution Press for the National Museum of African Art, 1989.

Cole and Aniakor 1984
Cole, Herbert M., and Chike C. Aniakor. Igbo Arts: Community and Cosmos. Los Angeles: University of California, Museum of Cultural History, 1984.

Cole and Ross 1977
Cole, Herbert M., and Doran H. Ross. The Arts of Ghana. Los Angeles: University of California, Museum of Cultural History, 1977.

Colleyn 2003
Jean-Paul Colleyn, ed. Bamana: The Art of Existence in Mali. New York: Museum for African Art; Zurich: Museum Rietberg; Ghent, Belgium: Snoeck-Ducaju & Zoon, 2003.

Cornet 1971
Cornet, Joseph. Art of Africa: Treasures from the Congo. Trans. Barbara Thompson. London: Phaidon, 1971.

Dallas Museum of Art 1989
Dallas Museum of Art. Black Art—Ancestral Legacy: The African Impulse in African-American Art. Edited by Alvia J. Wardlaw. Dallas: Dallas Museum of Art, 1989.

Dallas Museum of Fine Arts 1969
Dallas Museum of Fine Arts. The Clark and Frances Stillman Collection of Congo Sculpture. Dallas: Dallas Museum of Fine Arts, 1969.

Dallas Museum of Fine Arts 1972
Dallas Museum of Fine Arts. African Art from Dallas Collections. Dallas: Dallas Museum of Fine Arts, 1972.

Dallas Museum of Fine Arts 1975
Dallas Museum of Fine Arts. The Gustave and Franyo Schindler Collection of African Sculpture: Gift of the McDermott Foundation in Honor of Eugene McDermott. Dallas: Dallas Museum of Fine Arts, 1975.

Dapper Museum 1986
Dapper Museum. The Way of the Ancestors: A Tribute to Claude Lévi-Strauss. Paris: Éditions Dapper, 1986. Published with Kota Reliquary Figures: Proceedings of Round-Table held at the Dapper Foundation from the 15th–19th of September 1986, pp. 55–84. Paris: Dapper Museum, 1986.

Darish and Binkley 1995
Darish, Patricia, and David A. Binkley. “Headdresses and Titleholding Among the Kuba.” In Crowning Achievements: African Arts of Dressing the Head, edited by Mary Jo Arnoldi and Christine Mullen Kreamer, 158–69. Los Angeles: University of California, Fowler Museum of Cultural History, 1995.

D’Azevedo 1973
D’Azevedo, Warren L., ed. The Traditional Artist in African Societies. Bloomington: Indiana University Press, 1973.

Dewey 1993
Dewey, William J. Sleeping Beauties: The Jerome L. Joss Collection of African Headrests at UCLA. Los Angeles: University of California, Fowler Museum of Cultural History, 1993.

Drewal 1978
Drewal, Henry John. “The Arts of Egungun among Yoruba Peoples.” African Arts 11, no. 3 (April 1978): 18–19, 97–98.

Drewal and Mason 1998
Drewal, Henry John, and John Mason, with a contribution by Pravina Shukla. Beads, Body and Soul: Art and Light in the Yoruba Universe. Los Angeles: University of California, Fowler Museum of Cultural History, 1998.

Drewal and Pemberton with Abiodun 1989
Drewal, Henry John, and John Pemberton III, with Rowland Abiodun. Yoruba: Nine Centuries of African Art and Thought. Edited by Allen Wardwell. New York: Center for African Art, in association with Harry N. Abrams, 1989.

Egharevba 1968
Egharevba, Jacob. A Short History of Benin. Ibadan, Nigeria: University of Ibadan Press, 1968.

Eicher 1976
Eicher, Joanne Bulboz. Nigerian Handcrafted Textiles. Ile-Ife, Nigeria: University of Ife Press, 1976.

Elsen 1972
Elsen, Albert. Purposes of Art: An Introduction to the History and Appreciation of Art. New York: Holt, Rinehart and Winston, 1972.

Epega and Neimark 1995
Epega, Afolabi A., and Philip John Neimark. The Sacred Ifa Oracle. San Francisco: HarperSanFrancisco, 1995.

Evans-Prichard 1937
Evans-Prichard, E. E. Witchcraft, Oracles and Magic among the Azande. Oxford: Clarendon Press, 1937.

Eyo 1979
Eyo, Ekpo. Nigeria and the Evolution of Money. Lagos, Nigeria: Central Bank of Nigeria, in association with the Federal Department of Antiquities, 1979.

Eyo 1990
Eyo, Ekpo. Two Thousand Years of Nigerian Art. London: Ethnographica, in association with the National Commission for Museums and Monuments, 1990.

Ezra 1988
Ezra, Kate. Art of the Dogon: Selections from the Lester Wunderman Collection. New York: Metropolitan Museum of Art, 1988.

Fage with Tordoff 2002
Fage, J. D., with William Tordoff. A History of Africa. London and New York: Routledge, 2002.

Fagg 1963
Fagg, William. Nigerian Images. New York: Praeger, 1963.

Fagg 1968
Fagg, William. African Tribal Images: The Katherine White Reswick Collection. Cleveland: Cleveland Museum of Art, 1968.

Fagg 1990
Fagg, Bernard. Nok Terracottas, 2nd ed. Lagos: National Commission for Museums and Monuments; London: Ethnographica, 1990.

Fagg and Pemberton 1982
Fagg, William, and John Pemberton. Yoruba Sculpture of West Africa. Edited by Bryce Holcombe. New York: Knopf, 1982.

Felix 1987
Felix, Marc Leo. 100 Peoples of Zaire and Their Sculpture: The Handbook. Brussels: Zaire Basin Art History Research Foundation, 1987.

Fischer 2008
Fischer, Eberhard. Guro: Masks, Performances, and Master Carvers in Ivory Coast. Zurich: Museum Rietberg, 2008.

Fischer et al. 1993
Fischer, Eberhard, Barbara Fischer, and Hans and Ulrike Himmelheber. Boti: Ein Maskenschnitzer der Guro Elfenbeinküste. Zurich: Museum Rietberg, 1993.

Fischer and Himmelheber 1984
Fischer, Eberhard, and Hans Himmelheber. The Arts of the Dan in West Africa. Zurich: Museum Rietberg, 1984.

Fischer and Homberger 1986
Fischer, Eberhard, and Lorenz Homberger. Masks in Guro Culture, Ivory Coast. Zurich: Museum Rietberg; New York: Center for African Art, 1986.

Flickinger 1885
Flickinger, D. K. Ethiopia, or Thirty Years of Missionary Life in Western Africa; with an Appendix Embracing the Period between 1877 and 1885. Dayton, Ohio: United Brethren Publishing House, 1885.

Förster 2005
Förster, Till. “Smoothing the Way of the Dead: A Senufo Rhythm Pounder.” In Yale University Gallery Bulletin, African Art at Yale issue (2005): 54–67.

Fraser 1972
Fraser, Douglas. African Art and Leadership. Madison: University of Wisconsin Press, 1972.

Garrard 1993
Garrard, Timothy F. “Baule.” In Art of Côte d’Ivoire from the Collection of the Barbier-Mueller Museum. Edited by Jean-Paul Barbier. 2 vols. Geneva: Barbier-Mueller Museum, 1993.

Gathercole and Lowenthal 1990
Gathercole, Peter, and David Lowenthal, eds. The Politics of the Past. London: Unwin Hyman, 1990.

Geary 1983
Geary, Christraud M. Things of the Palace: A Catalogue of the Bamum Palace Museum in Foumban (Cameroon). Wiesbaden: F. Steiner, 1983.

Geary 2000
Geary, Christraud M. “Being Bamileke: An Elephant Mask.” Unpublished essay. Dallas: Dallas Museum of Art, 2000.

Ghent 1994
Ghent, Gregory. African Alchemy: Art for Healing in African Societies. Moraga, California: Saint Mary’s College of California, Hearst Art Gallery, 1994.

Ghysels 2003
Ghysels, Marc. “CT Scans in Art Work Appraisal.” Art Tribal 4 (Winter 2003): 116–31.

Glaze 1981
Glaze, Anita J. Art and Death in a Senufo Village. Bloomington: Indiana University Press, 1981.

Glaze 1993
Glaze, Anita J. “Call and Response: A Senufo Female Caryatid Drum.” In Chicago: Museum Studies (Art Institute of Chicago) 19, no. 2 (1993): 118–33.

Goldwater 1964
Goldwater, Robert. Senufo Sculpture from West Africa. New York: Museum of Primitive Art, 1964.

Greenfield 2005
Greenfield, Molly. “Cataloguing a Mystery: A Yoruba Egungun.” Newsletter (University of Wisconsin-Madison, School of Human Ecology) (Fall 2005): 1–8, 18.

Griaule 1965
Griaule, Marcel. Conversations with Ogotemmeli. London: Oxford University Press, 1965.

Grierson 1993
Grierson, Roderick, ed. African Zion: The Sacred Art of Ethiopia. New Haven and London: Yale University Press, in association with Fort Worth: InterCultura; Baltimore: Walters Art Gallery; and Addis Ababa: Institute of Ethiopian Studies, 1993.

Grunne 1998
Grunne, Bernard de. The Birth of Art in Africa: Nok Statuary in Nigeria. Paris: Adam Biro, 1998.

Grunne 2001a
Grunne, Bernard de. Masterhands: Afrikaanse beeldhouwers in de kijker / Mains de Maîtres: À la decouverte des sculpteurs d’Afrique. Brussels: BBL cultuurcentrum, 2001.

Grunne 2001b
Grunne, Bernard de. “Towards a Definition of the Soninke Style.” Arts & Cultures (Geneva), no. 2 (2001): 75–88.

Haight and Fakeye 1987
Haight, Bruce, and Lamidi Olonade Fakeye. Lamidi Olonade Fakeye: African Sculptor of the Twentieth Century. Kalamazoo, Mich.: Western Michigan University, 1987.

Hammer and Hammer 1986
Hammer, Deborah Stokes, and Jeffrey S. Hammer. “The Master of the Owu Shrine.” African Arts 19, no. 2 (February 1986): 70–73, 92.

Hare 1983
Hare, J. N. Itinate and Kwandalowa: Ritual Pottery of the Cham, Mwana and Longuda Peoples of Nigeria. London: Ethnographica, 1983.

Herreman 2003
Herreman, Frank, ed. Material Differences: Art and Identity in Africa. New York: Museum of [sic] African Art; Ghent, Belgium: Snoeck-Ducaju & Zoon, 2003.

Herreman 2005
Herreman, Frank, ed. Resonance from the Past: African Sculpture from the New Orleans Museum of Art. New York: Museum for African Art; New Orleans: New Orleans Museum of Art, 2005.

Heusch 1995
Heusch, Luc de. Objects: Signs of Africa. Ghent, Belgium: Snoeck-Ducaju & Zoon, 1995.

Homberger 1999
Homberger, Lorenz. Entry for cat. no. 75. In Orakel: Der Blick in die Zukunft. Zurich: Museum Rietberg, 1999.

Houlberg 1973
Houlberg, Marilyn Hammersley. “Ibeji Images of the Yoruba.” African Arts 7, no. 1 (Autumn 1973): 20–27, 91–92.

Houlberg 1978
Houlberg, Marilyn Hammersley. “Notes on Egungun Masquerades among the Oyo Yoruba.” African Arts 11, no. 3 (April 1978): 56–61, 99.

Hultgren and Zeidler 1993
Hultgren, Mary Lou, and Jeanne Zeidler. A Taste for the Beautiful: Zairian Art from the Hampton University Museum. Hampton, Va.: University Museum, 1993.

Imperato 1978
Imperato, Pascal James. “Dogon Door Locks.” African Arts 1, no. 4 (July 1978): 54–57, 96.

Institut für Auslandsbeziehungen 1973
Institut für Auslandsbeziehungen. Religiöse Kunst Äthiopiens. Religious Art of Ethiopia. Edited by Walter Raunig. Stuttgart: Bodan AG, 1973.

Jones 1988
Jones, David. Poets with Adzes: An Introduction to Yoruba Religious Art. Ipswich, England: Museums and Galleries, 1988.

Jordan 1998
Jordan, Manuel, ed. Chokwe! Art and Initiation among Chokwe and Related Peoples. Munich, London, and New York: Prestel, 1998.

Kasfir 1982
Kasfir, Sidney Littlefield. “Anjenu: Sculpture for Idoma Water Spirits.” African Arts 15, no. 4 (August 1982): 45–51, 91–92.

Kingdon 1999
Kingdon, Zachary. “Crosscurrents of Subjugation and Defiance: Masquerades and Tattooing among the Makonde.” Paper presented at the Ninth Stanley Conference, Crosscurrents: Art and Power in East Africa. Project for the Advanced Study of Art and Life in Africa, University of Iowa, March 26–28, 1999.

Kloman and Elliott 2004
Kloman, Susan, and Catherine Elliott. “Discovered: A Supremely Rare and Important Yoruba Bowl by Olowe of Ise.” Tribal: The Magazine of Tribal Art 9, no. 35 (Summer 2004): 120–23.

Knight and Priebatsch 1983
Knight, Natalie, and Suzanne Priebatsch. Ndebele Images. Johannesburg: Natalie Knight Gallery; Boston: S. Priebatsch, 1983.

Koloss 2002
Koloss, Hans-Joachim, ed. Africa: Art and Culture. Masterpieces of African Art, Ethnological Museum, Berlin. Munich and New York: Prestel, 2002.

Kosinski 2003
Kosinski, Dorothy. Dallas Museum of Art: 100 Years. Dallas: Dallas Museum of Art, 2003.

Kreamer 2007
Kreamer, Christine Mullen, with Bryna Freyer and Andrea Nicolls. African Vision: The Walt Disney-Tishman African Art Collection. Washington, D.C.: National Museum of African Art, Smithsonian Institution; Munich: Prestel, 2007.

Kreamer et al. 2007
Kreamer, Christine Mullen, Mary Nooter Roberts, Elizabeth Harney, and Allyson Purpura. Inscribing Meaning: Writing and Graphic Systems in African Art. Washington, D.C.: National Museum of African Art, Smithsonian Institution; Milan: 5 Continents Editions, 2007.

LaGamma 2007
LaGamma, Alisa, ed. Eternal Ancestors: The Art of the Central African Reliquary. New York: Metropolitan Museum of Art; New Haven, Conn.: Yale University Press, 2007.

LaGamma 2008
LaGamma, Alisa, “Mangaaka Power Figure (Nkisi N’Kondi).” The Metropolitan Museum of Art Bulletin 66, no. 2 (Fall 2008): 40.

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Lamb, Venice, and Alastair Lamb. The Lamb Collection of West African Narrow-Strip Weaving. Edited by Patricia Fiske. Washington, D.C.: Textile Museum, 1975.

Lamp 2004
Lamp, Frederick, ed. See the Music, Hear the Dance: Rethinking African Art at the Baltimore Museum of Art. New York: Prestel, 2004.

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Laufer, Berthold, Wilfrid D. Hambly, and Ralph Linton. Tobacco and Its Use in Africa. Chicago: Field Museum of Natural History, 1930.

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Lawal, Babatunde. “Yoruba ‘Shango’ Sculpture in Historical Retrospect.” PhD diss., Indiana University, 1970.

Lawal 2002
Lawal, Babatunde. “Orilonise: The Hermeneutics of the Head and Hairstyle among the Yoruba.” World of Tribal Arts 7, no. 2 (Winter 2001–Spring 2002): 80–89.

Lawal 2008
Lawal, Babatunde. “Incarnating the ‘Living Dead’ through Egungun Masquerades. In Embodying the Sacred in Yoruba Art: Featuring the Bernard and Patricia Wagner Collection, 76–81. Atlanta: High Museum of Art; Newark, N.J.: Newark Museum, 2008.

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Leakey, Mary Douglas, and Louis S. B. Leakey. Excavations at the Njoro River Cave. Oxford: Clarendon Press, 1950.

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Lehmann, Arno. Christian Art in Africa and Asia. St. Louis: Concordia, 1966.

Lehuard 1981
Lehuard, Raoul. “Païlès n’est plus.” Arts d’Afrique noire, no. 26 (Summer 1978): 7.

Lehuard 1989
Lehuard, Raoul. Art Bakongo: Les Centres de Style. 4 vols. Arnouville-lès-Gonesse, France: Arts d’Afrique noire, 1989.

Lehuard 1997
Lehuard, Raoul, “Un grand fétiche à dous des Vili au Dallas Museum of Art,” Arts d’Afrique noire, arts premiers, no. 101 (Spring 1997): 22–23.

Leloup 1994
Leloup, Hélène. Dogon Statuary. With William Rubin, Richard Serra, and George Baselitz. Trans. from the French by Brunhilde Biebuyck. Strasbourg: Éditions Amez, 1994.

Leloup 2000
Leloup, Hélène. “A Djennenke Sculpture: Image of an Elite Woman.” Unpublished manuscript. Dallas: Dallas Museum of Art, 2000.

Leloup 2005
Leloup, Hélène. “At the Origins of Dogon Sculpture.” In Arts of Africa: 7000 Years of African Art, edited by Ezio Bassani, 168–73. Milan: Skira; Monaco: Grimaldi Forum Monaco, 2005.

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Levenson, Jay A. with contributions by Diogo Ramada Curto and Jack Turner. Encompassing the Globe: Portugal and the World in the 16th and 17th Centuries. Washington, D.C.: Arthur M. Sackler Gallery, Smithsonian Institution, 2007.

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MacGaffey, Wyatt. Kongo Political Culture: The Conceptual Challenge of the Particular. Bloomington: Indiana University Press, 2000.

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Maggs, Tim, and Patricia Davison. “The Lydenburg Heads.” African Arts 14 (2): 28–33, 88.

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Mbiti, John S. African Religions and Philosophy. New York: Praeger, 1970.

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McGuire, Harriet. “Woyo Pot Lids.” African Arts 13, no. 2 (February 1980): 54–56, 88.

McLeod 1981
McLeod, Malcolm. The Asante. London: British Museum Publications, 1981.

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McNaughton, Patrick. Secret Sculptures of Komo: Art and Power in Bamana Initiation and Associations. Philadelphia: Institute for the Study of Human Issues, 1979.

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Murray, Kenneth C. “Ekpu: The Ancestor Figures of Oron, Southern Nigeria.” Burlington Magazine for Connoisseurs 89, no. 536 (November 1947): 310–14.

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Musée des Arts d’Afrique et d’Océanie 1997
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Museum of Contemporary Art. Cosima von Bonin: Roger and Out. Los Angeles: Museum of Contemporary Art, 2007.

Myers 2006
Myers, Jeffrey. Modigliani: A Life. Orlando, Fla.: Harcourt, 2006.

National Museum of African Art 1982
National Museum of African Art. The Stranger Among Us. Exh. broch. Washington, D.C.: National Museum of African Art, Smithsonian Institution, 1982.

National Museum of African Art 1998
National Museum of African Art. “African Forms in the Furniture of Pierre Legrain.” Exh. broch. Washington, D.C.: National Museum of African Art, Smithsonian Institution, 1998.

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National Museum of African Art. “The Artistry of African Currency.” Exh. broch. Washington, D.C.: National Museum of African Art, Smithsonian Institution, 2000.

NDiaye 1995
NDiaye, Francine. De l’art d’Afrique à l’art Moderne: Aux sources de la création. Sisteron, France: Éditions Sepia, 1995.

New Art Circle 1927
New Art Circle. Blondiau-Theatre Arts Collection of Primitive African Art. New York: New Art Circle, 1927.

Neyt 1981
Neyt, François. Arts traditionnelles et histoire au Zaire: Cultures forestières et royaumes de la savane /Traditional Arts and History of Zaire: Forest Cultures and Kingdoms of the Savannah. Trans. Scott Bryson. Brussels: Société d’Arts Primitifs; Louvain-la-Neuve, Belgium: Institut Supérieur d’Archéologie et d’Histoire de l’Art, 1981.

Neyt 2004
Neyt, François. Songye: La Redoutable Statuaire Dongye d’Afrique Centrale. Anvers, France: Fonds mercator; Milan: 5 Continents Editions, 2004.

Nicholls 1984
Nicholls, Robert. “Igede Funeral Masquerades.” African Arts 7, no. 3 (May 1984): 70–76, 92.

Nooter 1984
Nooter, Mary H. “Luba Arts and Leadership.” MA thesis. Columbia University, 1984.

Northern 1984
Northern, Tamara. The Art of Cameroon. Washington, D.C.: Smithsonian Traveling Exhibition Service, 1984.

O’Connor 1993
O’Connor, David B. Ancient Nubia: Egypt’s Rival in Africa. Philadelphia: University of Pennsylvania, 1993.

Ojo 1966
Ojo, G. J. Afolabi. Yoruba Culture: A Geographical Analysis. Ife, Nigeria: University of Ife; and London: University of London, 1966.

Okediji 2000
Okediji, Moyo. “Shango’s Equestrian Figures of Speech and Spectacle.” Unpublished essay. Dallas: Dallas Museum of Art, 2000.

Olbrechts 1946
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