List of Illustrations

Harrison, Charles

Save Cite Share

Free

List of Illustrations

Charles Harrison

English Art and Modernism 1900–1939

List of Illustrations

Author

Charles Harrison

PublisherPaul Mellon Centre

PublisherYale University Press

Stable URL: https://aaeportal.com/?id=-19848

List of Illustrations

1. James McNeill Whistler: Nocturne in Black and Gold: The Falling Rocket, c. 1874. Oil on panel, 23¾ × 18¾ in: 60.3 × 46.6 cm. The Detroit Institute of Arts (Purchase; The Dexter M. Ferry Jr Fund)

2. John Singer Sargent: Monet painting at the Edge of a Wood, 1888. Oil on canvas, 21¼ × 25½ in: 53.9 × 64.7 cm. London, Tate Gallery

3. Philip Wilson Steer: Walberswick, Children Paddling, c. 1889–94. Oil on canvas, 25¼ × 36⅜ in: 64.2 × 92.4 cm. Cambridge, Fitzwilliam Museum

4. Augustus John: The Blue Pool, 1910. Oil on panel, 12½ × 19½ in: 31.8 × 49.5 cm. Aberdeen Art Gallery and Museums

5. William Nicholson: A Downland Scene, 1910. Oil on canvas, 13 × 16 in: 33 × 40.5 cm. London, Marlborough Fine Art Ltd in 1981

6. Walter Sickert: The Juvenile Lead, c. 1907. Oil on canvas, 20 × 18 in: 51 × 45.8 cm. Southampton Art Gallery

7. Walter Sickert: Mamma mia Poveretta, 1903–4. Oil on canvas, 18⅛ × 15 in: 46.1 × 38.2 cm. Manchester City Art Gallery

8. Walter Sickert: Noctes Ambrosianae, 1906. Oil on canvas, 25 × 30 in: 63.5 × 76.2 cm. Nottingham City Museum and Art Gallery (Photo: Layland Ross Ltd)

9. Spencer Gore: Stage Sunrise, the Alhambra, 1910. Oil on canvas, 16 × 20 in: 40.6 × 50.8 cm. London, Anthony d’Offay Gallery in 1981

10. Walter Sickert: Portrait of Harold Gilman, c. 1912. Oil on canvas, 24 × 18 in: 61 × 45.7 cm. London, Tate Gallery

11. Walter Sickert: L’Affaire de Camden Town, 1909. Oil on canvas, 23½ × 15½ in: 59.7 × 39.4 cm. Private Collection (Photo: Royal Academy of Arts, London)

12. Spencer Gore: Self-Portrait, c. 1914. Oil on canvas, 16 × 12 in: 41 × 30.5 cm. London, National Portrait Gallery

13. Charles Ginner: The Fruit Stall, King’s Cross, 1914. Oil on canvas, 25¾ × 20 in: 65.4 × 50.8 cm. London, Anthony d’Offay Gallery in 1981

14. Harold Gilman: The Model, Reclining Nude, c. 1910–11. Oil on canvas, 18 × 24 in: 45.7 × 61 cm. London, Arts Council of Great Britain

15. Spencer Gore: Harold Gilman’s House, Letchworth, 1912. Oil on canvas, 25 × 30 in: 63.5 × 76.2 cm. Leicester Museum and Art Gallery

16. Walter Sickert: Ennui, c. 1915. Oil on canvas, 30 × 22 in: 76 × 56cm. Oxford, Ashmolean Museum

17. Harold Gilman: Interior with Mrs Mounter, 1916–17. Oil on canvas, 20 × 30 in: 51 × 76 cm. Oxford, Ashmolean Museum

18. Harold Gilman: An Eating House, c. 1914. Oil on canvas, 22½ × 29½ in: 57 × 74.9 cm. Sheffield City Art Gallery

19. Harold Gilman: Leeds Market, c. 1914. Oil on canvas, 20 × 24 in: 50.8 × 61 cm. London, Tate Gallery

20. Henry Tonks: The Unknown God. Roger Fry preaching the New Faith and Clive Bell ringing the Bell, c. 1912. Oil on canvas, 16 × 21½ in: 40.6 × 54.6 cm. Private Collection

21. Duncan Grant: The Tub, 1912. Watercolour and tempera on board, 30 × 22 in: 76.2 × 55.9 cm. London, Tate Gallery

22. Roger Fry: White Road with Farm, c. 1912. Oil on canvas, 25½ × 31¾ in: 64.8 × 80.6 cm. Edinburgh, Scottish National Gallery of Modern Art (Photo: Tom Scott)

23. Vanessa Bell(?) (formerly attributed to Roger Fry): A Room at the Second Post-Impressionist Exhibition, 1912. Oil on panel, 20¼ × 24¾ in: 51.3 × 62.9 cm. Paris, Musée National d’Art Moderne

24. Stanley Spencer: The Nativity, 1912. Oil on panel, 40 × 60 in: 101.6 × 152.4 cm. London, University College

25. Wyndham Lewis: Creation, 1912. Whereabouts unknown (Photographed from the catalogue of the Second Post-Impressionist Exhibition, Grafton Galleries, 1912)

26. Henry Lamb: Portrait of Lytton Strachey, 1914. Oil on canvas, 96¼ × 70¼ in: 229.4 × 178.4 cm. London, Tate Gallery

27. Duncan Grant: Queen of Sheba, 1912. Oil on wood, 47¼ × 47¼ in: 120 × 120 cm. London, Tate Gallery

28. Vanessa Bell: Triple Alliance, 1915–16. Oil and collage on canvas, 33 × 25 in: 83.8 × 63.5 cm. University of Leeds, Westwood Hall

29. Edward Wadsworth: Five Designs for the Omega Workshops, 1913. Gouache and pencil on squared paper, centre design 3 × 6.9 in: 7.5 × 17.7 cm. London, British Council

30. Wyndham Lewis: Smiling Woman ascending a Stair, 1911–12. Charcoal and gouache on paper, 37¼ × 25½ in: 94.5 × 65 cm. Bradford, Vint Trust (Photo: Courtauld Institute)

31. Wyndham Lewis: The Creditors (Design for Timon of Athens), 1912–13. Ink, wash, and watercolour on paper, 16½ × 10¾ in: 42 × 27.5 cm. Hartford, Connecticut, Wadsworth Atheneum (The Ella Gallup Sumner and Mary Catiin Sumner Collection)

32. Jacob Epstein: Tomb of Oscar Wilde, 1911. Hopton Wood stone. Paris, Père Lachaise Cemetery (Photo: Étienne Hubert)

33. Jacob Epstein: Female Figure in Flenite, 1913. Serpentine stone, 18 × 3¾ × 4¾ in: 15.7 × 9.5 × 12 cm. London, Tate Gallery

34. Richard Nevinson: The Arrival, 1913–14. Oil on canvas, 30 × 25 in: 76.2 × 63.5 cm. London, Tate Gallery

35. Wyndham Lewis: Composition, 1913. Watercolour, pen and pencil on paper, 13½ × 10½ in: 34.3 × 26.7 cm. London, Tate Gallery

36. David Bomberg: The Mud Bath, 1914. Oil on canvas, 60 × 88¼ in: 152.4 × 224.2 cm. London, Tate Gallery

37. David Bomberg: In the Hold, 1913–14. Oil on canvas, 77¼ × 91 in: 196.2 × 231.1 cm. London, Tate Gallery

38. Jacob Epstein: Rock Drill, 1913–14. Plaster and ready-made drill, height c. 120 in: 300 cm. Dismantled (Copyright-holder of photograph not known)

39. Jacob Epstein: Rock Drill, 1916. Bronze cast, 27¾ × 23 × 17½ in: 70.5 × 58.4 × 44.5 cm. London, Tate Gallery

40. Page from Blast No. 1. London, Victoria and Albert Museum (Photo: A. C. Cooper Ltd)

41. Lawrence Atkinson: Abstract Composition, c. 1914–15. Pencil and coloured crayons on paper, 31½ × 21½ in: 80 × 54.5 cm. London, Anthony d’Offay Gallery in 1981

42. William Roberts: The Toe Dancer, 1914. Ink and gouache on paper, 28¼ × 21¼ in: 71.8 × 54 cm. London, Victoria and Albert Museum

43. Henri Gaudier-Brzeska: Red Stone Dancer, c. 1913. Red Mansfield stone, 17 × 9 × 9 in: 43.2 × 22.9 × 22.9 cm. London, Tate Gallery

44. Henri Gaudier-Brzeska: Ornement Torpille, 1914. Cut brass, 7 × 2 × 1½ in: 18 × 5 × 4 cm. Collection: Grattan Freyer

45. Henri Gaudier-Brzeska: Bird swallowing a Fish, 1914. Carved plaster, height 12½ in: 31.8 cm. University of Cambridge, Kettle’s Yard Collection

46. Henri Gaudier-Brzeska: Crouching Figure, 1913–14. Marble, 8¾ × 12 × 4 in: 22.2 × 30.5 × 10.2 cm. Minneapolis, Walker Art Center

47. Edward Wadsworth: Trees beside a River, 1913. Watercolour on paper, 10¼ × 13¼ in: 26 × 35 cm. Private Collection (Photo: Courtauld Institute)

48. Edward Wadsworth: Study for a Vorticist Painting, c. 1914. Ink, chalk, watercolour, and gouache on paper, 13 × 10½ in: 33 × 26.5 cm, London, Anthony d’Offay Gallery in 1981

49. Edward Wadsworth: Enclosure, 1915. Gouache, collage, and pencil on paper laid on board, 20½ × 18 in: 52 × 45.7 cm. London, Anthony d’Offay Gallery in 1981

50. Wyndham Lewis: Composition in Blue, 1915. Ink, crayon, and watercolour on paper, 183 × 12 in: 47 × 30.5 cm. London, Anthony d’Offay Gallery in 1981

51. Wyndham Lewis: The Crowd, 1914–15. Oil and pencil on canvas, 79 × 60½ in: 200.7 × 153.7 cm. London, Tate Gallery

52. Wyndham Lewis: Plan of War, 1913–14. Oil on canvas, 100½ × 56½ in: 255 × 143 cm. Lost (reproduced from Blast No. 1) (Photo: A. C. Cooper Ltd)

53. Richard Nevinson: Returning to the Trenches, 1915–16. Oil on canvas, 20 × 30 in: 50.8 × 76.2 cm. Ottawa, The National Gallery of Canada (Gift of the Massey Foundation, 1946)

54. Richard Nevinson: La Mitrailleuse, 1915. Oil on canvas, 24 × 20 in: 61 × 50.8 cm. London, Tate Gallery

55. Richard Nevinson: Harvest of Battle, 1919. Oil on canvas, 72 × 125 in: 182.9 × 317.5 cm. London, Imperial War Museum

56. Wyndham Lewis: A Battery Shelled, 1919. Oil on canvas, 72 × 125 in: 182.9 × 317.5 cm. London, Imperial War Museum

57. Wyndham Lewis: The No. 2, 1918. Pen and ink, watercolour, and pencil, 21½ × 29½ in: 54.6 × 74.3 cm. Collection: H. Anson-Cartwright (Photo: courtesy Walter Michel)

58. Edward Wadsworth: Dazzle Ships in Drydock at Liverpool, 1919. Oil on canvas, 119½ × 96 in: 303.5 × 243.8 cm. Ottawa, The National Gallery of Canada

59. William Roberts: The Gas Chamber, 1918. Pen, ink, pencil, and watercolour on paper, 12½ × 20 in: 31.8 × 50.8 cm. London, Imperial War Museum

60. Henry Lamb: Irish Troops in the Judaean Hills surprised by a Turkish Bombardment, 1919. Oil on canvas, 72 × 86 in: 182.3 × 218.4 cm. London, Imperial War Museum

61. Harold Gilman: Halifax Harbour at Sunset, 1918. Oil on canvas, 77 × 132 in: 195.6 × 335.3 cm. Ottawa, The National Gallery of Canada

62. John Nash: Oppy Wood, 1919. Oil on canvas, 72 × 84 in: 182.9 × 213.4 cm. London, Imperial War Museum

63. Stanley Spencer: Resurrection, Macedonia, 1928–9. Oil on canvas. Burghclere Chapel (Photo: Jeremy Whitaker)

64. Paul Nash: The Three in the Night, 1913. Watercolour, ink, and chalk on paper, 20¾ × 13½ in: 52.7 × 34.3 cm. Private Collection (Photo: A. C. Cooper Ltd)

65. Paul Nash: The Landscape – Hill 60, 1917–18. Pencil, pen, and watercolour on paper, 15½ × 19½ in: 39.4 × 49.5 cm. London, Imperial War Museum

66. Paul Nash: Landscape – Year of our Lord 1917, 1917–18. Chalk and ink on paper, 10¼ × 14¼ in: 25.9 × 35.9 cm. Ottawa, The National Gallery of Canada

67. Paul Nash: The Menin Road, 1919. Oil on canvas, 72 × 125 in: 182.9 × 317.5 cm. London, Imperial War Museum

68. Paul Nash: After the Battle, 1918. Pen and watercolour on paper, 18¼ × 23½ in: 46.4 × 59.7 cm. London, Imperial War Museum

69. Paul Nash: We are Making a New World, 1919. Oil on canvas, 28 × 36 in: 71 × 91.4 cm. London, Imperial War Museum

70. David Bomberg : Barges, 1919. Oil on canvas, 23½ × 30½ in: 59.7 × 77.5 cm. London, Tate Gallery

71. Duncan Grant: Vanessa Bell, 1918. Oil on canvas, 37 × 24 in: 94 × 61 cm. London, National Portrait Gallery

72. Duncan Grant: Landscape through a French Window, c. 1920. Oil on canvas, 30½ × 22½ in: 77.5 × 57.2 cm. Ireland, Private Collection (Photo: courtesy Agnew’s)

73. Mark Gertler: The Merry-go-Round, 1916. Oil on canvas, 74¾ × 56 in: 189.9 × 142.2 cm. London, Tate Gallery

74. Mark Gertler: Queen of Sheba, 1922. Oil on canvas, 37 × 42½ in: 94 × 107.3 cm. London, Tate Gallery

75. Matthew Smith: Fitzroy Street Nude No. 2, 1916. Oil on canvas, 40 × 30 in: 101.5 × 76.2 cm. London, The British Council

76. Matthew Smith: Cornish Church, 1920. Oil on canvas, 21 × 25½ in: 53.3 × 64.8 cm. London, Tate Gallery

77. Matthew Smith: Woman with a Fan, 1925. Oil on canvas, 51½ × 32 in: 130.8 × 81.3 cm. Liverpool, Walker Art Gallery

78. Edward Wadsworth: The Cattewater, Plymouth Sound, 1923. Tempera on panel, 25 × 35 in: 63.5 × 88.9cm. Private Collection (Photo: A. C. Cooper Ltd)

79. Edward Wadsworth: Ladle Slag, 1919. Ink, watercolour, and body colour on paper, 14¾ × 20½ in: 37.5 × 51.2 cm. Manchester City Art Gallery

80. William Roberts: The Cinema, 1920. Oil on canvas, 36 × 30 in: 91.4 × 76.2 cm. London, Tate Gallery

81. Frank Dobson: The Concertina Man, 1919. Portland stone, height 24 in: 61 cm. Whereabouts unknown (Photo: courtesy Mrs Mary Dobson)

82. Wyndham Lewis: Girl Reclining, 1919. Black chalk on paper, 15 × 22 in: 38.1 × 55.9 cm. London, Tate Gallery

83. Wyndham Lewis: Mr Wyndham Lewis as a Tyro, 1920–21. Oil on canvas, 29 × 17¼ in: 73.7 × 43.8 cm. City of Kingston upon Hull, Ferens Art Gallery

84. Wyndham Lewis: Edith Sitwell, 1923–35. Oil on canvas, 34 × 44 in: 86.4 × 111.8 cm. London, Tate Gallery

85. Ivon Hitchens: The Curved Barn, 1922. Oil on canvas, 25¾ × 38½ in: 65.5 × 98 cm. Collection of the Artist’s Estate in 1981

86. Paul Nash: Wooded Hills in Autumn, 1921–2. Pen and ink with watercolour on paper, 15½ × 22 in: 39.4 × 55.9 cm. University of Manchester, Whitworth Art Gallery

87. Paul Nash: The Shore, 1923. Oil on canvas, 24 × 36 in: 62.2 × 94 cm. Leeds City Art Gallery

88. Paul Nash: Dymchurch Wall, 1923. Watercolour and pencil on paper, 14½ × 21½ in: 36.8 × 54.6 cm. Private Collection (Photo: Colnaghi’s)

89. Ben Nicholson: Dymchurch, 1923. Oil on canvas stretched on board, 11½ × 15¼ in: 29 × 38.5 cm. Collection: Andrew Nicholson (Photo: A. C. Cooper Ltd)

90. Ben Nicholson: Cortivallo Lugano, 1921–3. Oil and pencil on canvas, 18 × 24 in: 43 × 60 cm. London, Tate Gallery

91. Ben Nicholson: Trout, 1924. Oil on canvas, 22 × 23 in:: 56 × 58.5 cm. Private Collection

92. Ben Nicholson: First Abstract Painting, 1924. Oil and pencil on canvas, 21¾ × 24 in: 55 × 61 cm. London, Tate Gallery

93. Ben Nicholson: Goblet and Pears, c. 1925. Oil and pencil on board, 14½ × 17½ in: 37 × 44.5 cm. University of Cambridge, Kettle’s Yard Collection Collection

94. Alfred Wallis: Three ships and lighthouse, c. 1934–8. Oil and pencil on board, 12½ × 18 in: 32 × 46.5 cm (irregular). Stromness, Orkney, The Pier Gallery

95. Ben Nicholson: Pill Creek, Moonlight, 1928/9. Oil, gesso, and pencil on canvas, 19½ × 24 in: 49.5 × 61 cm. Helen Sutherland Collection

96. Winifred Nicholson: Seascape with Dinghy, c. 1928/30. Oil on canvas, 27½ × 34¾ in: 69.5 × 88.5 cm. University of Cambridge, Kettle’s Yard Collection

97. Ben Nicholson: Birch Craig, 1930. Oil on canvas, 24 × 36 in: 61 × 91 cm. Collection: Jake Nicholson (Photo: A. C. Cooper Ltd)

98. Christopher Wood: PZ 134, 1930. Oil on hardboard, 20 × 27 in: 50.5 × 68.5 cm. Eastbourne, Towner Art Gallery

99. Christopher Wood: Sleeping Fisherman, Ploaré, Brittany, 1930. Oil on board, 15 × 28¾ in: 38 × 73 cm. Newcastle upon Tyne, Laing Art Gallery, Tyne and Wear County Council Museums

100. Christopher Wood: Building the Boat, Tréboul, 1930. Oil on board, 23 × 33 in: 58.4 × 83.8 cm. University of Cambridge, Kettle’s Yard Collection

101. Ivon Hitchens: Spring Mood, 1933. Oil on canvas, 28 × 40 in: 71 × 102 cm. Private Collection (Photo: Christie’s Images)

102. Frances Hodgkins: Wings over Water, 1934. Oil on canvas, 27 × 38 in: 68.6 × 96.5 cm. Leeds, Temple Newsam Art Gallery

103. David Jones: Hierarchy, 1932. Watercolour on paper, 18 × 9½ in: 45.7 × 24.1 cm. Collection: Hon. Hubert Howard (Photo: J. R. Freeman Ltd)

104. Paul Nash: Walnut Tree, 1924. Chalk and pencil on paper, 15¼ × 21¾ in: 38.7 × 55.2 cm. Manchester City Art Gallery

105. Paul Nash: Landscape at Iden, 1929. Oil on canvas, 27½ × 35¾ in: 69.9 × 90.8 cm. London, Tate Gallery

106. Edward Wadsworth: Regalia, 1928. Tempera on canvas laid on board, 30 × 36 in: 76.2 × 91.4 cm. Private Collection (Photo: courtesy Colnaghi’s)

107. Paul Nash: Wood on the Downs, 1930. Oil on canvas, 28 × 36 in: 71.2 × 91.5 cm. Aberdeen Art Gallery and Museums

108. Jacob Epstein: Risen Christ, 1919–20. Bronze, 86 × 21½ × 18½ in: 218.5 × 54.5 × 47 cm. Edinburgh, Scottish National Gallery of Modern Art (Photo: Tom Scott)

109. Jacob Epstein: Genesis, 1931. Seravessa marble, height 62¼ in: 158.1 cm. London, Granada Television Ltd

110. Frank Dobson: Reclining Nude, 1925. White marble, 20 × 7 in: 50.8 × 17.8 cm. London, Courtauld Institute

111. Lawrence Atkinson: L’Oiseau, c. 1920. Whereabouts unknown (Photographed from H. Shipp, The New Art, London 1922)

112. Eric Gill: Deposition, 1924. Black Hopton Wood stone, height 24 in: 61 cm. Canterbury, The King’s School (Photo: W. L. Entwistle)

113. Eric Gill: Girl, 1925. Capel-y-Ffin stone, height 36 in: 91.4 cm. Whereabouts unknown (Photographed from Joseph Thorp, Eric Gill, Jonathan Cape, London 1929)

114. Eric Gill: Mankind, 1927–8. Hopton Wood stone, 95 × 24 × 18 in: 241 × 61 × 45.7 cm. London, Tate Gallery

115. Henry Moore: Mother and Child, 1924–5. Hornton stone, height 22½ in: 5 7 cm. Manchester City Art Gallery

116. Henry Moore: Reclining Figure, 1929. Brown Hornton stone, 33 × 22½ × 15 in: 84 × 57 × 38 cm. Leeds City Art Gallery

117. Henry Moore: Half-figure, 1929. Cast concrete, height 15½ in: 39 cm. Norwich, University of East Anglia, Robert and Lisa Sainsbury Collection

118. Henry Moore: Mother and Child, 1932. Green Hornton stone, height 35 in: 89 cm. Norwich, University of East Anglia, Robert and Lisa Sainsbury Collection (Photo: courtesy of the artist)

119. Barbara Hepworth: Kneeling Figure, 1932. Rosewood, height 27 in: 68.6 cm. Wakefield City Art Gallery

120. Barbara Hepworth: Figure in Sycamore, 1931. Height 25 in: 63.5 cm. Stromness, Orkney, The Pier Gallery (Photo: Tate Gallery)

121. Paul Nash: Northern Adventure, 1929. Oil on canvas, 36 × 28 in: 91.5 × 71.2 cm. Aberdeen Art Gallery and Museums

122. Paul Nash: Kinetic Feature, 1931. Oil on canvas, 26 × 20 in: 66 × 50 cm. London, Tate Gallery

123. Edward Wadsworth: Composition, 1930. Tempera on panel, 35 × 25 in: 88.9 × 63.5 cm. Collection: Alex Hollweg

124. Edward Burra: Dancing Skeletons, 1934. Gouache on paper, 31 × 22 in: 78.7 × 55.9 cm. London, Tate Gallery

125. Ben Nicholson: Still Life, 1933–5. Oil and gesso on board, 19½ × 23½ in: 49.5 × 59.5 cm. Helen Sutherland Collection

126. Edward Wadsworth: Dux et Comes, 1933. Tempera, 14¾ × 20½ in: 37.5 × 52 cm. Private Collection (Photo: Marlborough Fine Art Ltd)

127. Barbara Hepworth: Large and Small Form, 1934. White alabaster, 10 × 17½ × 9½ in: 25 × 45 × 24 cm. Stromness, Orkney, The Pier Gallery

128. Paul Nash: Event on the Downs, 1933. Oil on canvas, 20 × 24 in: 50.8 × 61 cm. London, Department of the Environment

129. Henry Moore: Composition, 1931. Blue Hornton stone, height 19 in: 48.3 cm. Collection: Mary Moore (Photo: courtesy of the artist)

130. Henry Moore: Reclining Figure, 1931. Lead, height 17 in: 43 cm. Collection: Mr and Mrs Fred Zimmermann (Photo: courtesy of the artist)

131. Henry Moore: Composition, 1933. Concrete, height 23¼ in: 59 cm. London, The British Council

132. Ben Nicholson: Au Chat Botté, 1932. Oil and pencil on canvas, 36¼ × 48 in: 92.3 × 122 cm. Manchester City Art Gallery

133. Ben Nicholson: Guitar, 1933. Oil and gesso on board, 34½ × 9½ in: 88 × 24 cm. London, Tate Gallery

134. Ben Nicholson: Composition in Black and White, 1933. Oil on board, 45 × 22 in: 114 × 56 cm. Borough of Thamesdown, Swindon Permanent Art Collection Art Collection

135. Ben Nicholson: December 1933 (First Abstract Relief), 1933. Oil on carved board, 21½ × 10 in: 54.5 × 25.5 cm. Private Collection (Photo: A. C. Cooper Ltd)

136. Ben Nicholson: White Relief, 1934. Oil on carved wood, 13¾ × 24 in: 35 × 61 cm. Private Collection (Photo: Courtauld Institute)

137. Ben Nicholson: White Relief, 1935. Oil on carved wood, 40 × 65½ in: 101.5 × 166 cm. London, Tate Gallery

138. Barbara Hepworth: Pierced Form, 1931. Pink alabaster, height 10 in: 25.4 cm. Destroyed (Photo: courtesy of the Barbara Hepworth Museum)

139. Barbara Hepworth: Two Forms with Sphere, 1934. White alabaster, base 18 × 10 in: 45.7 × 25.4 cm. Whereabouts unknown (Photograph from Alan Bowness, Barbara Hepworth, Lund-Humphries, London 1963)

140. Barbara Hepworth: Discs in Echelon, 1935. Padouk wood, height 12¼ in: 31.1 cm. New York, The Museum of Modern Art (Gift of W. B. Bennet)

141. Barbara Hepworth: Forms in Echelon, 1938. Tulipwood, height 40 in: 101.6 cm. London, Tate Gallery

142. John Piper: Abstract I, 1935. Oil on a collage of canvas on plywood, 36 × 42 in: 91.4 × 106.7 cm. London, Tate Gallery

143. Henry Moore: Four-piece Composition: Reclining Figure, 1934. Cumberland alabaster, length 20 in: 50.8 cm. London, Tate Gallery (Photo: courtesy of the artist)

144. Henry Moore: Square Form, 1936. Green Hornton stone, 13¾ × 12 in: 35 × 30.6 cm. Norwich, University of East Anglia, Robert and Lisa Sainsbury Collection

145. Naum Gabo: Construction on a Plane, 1937. Plastic, 19 × 19 in: 48 × 48 cm. Collection: Sir Leslie Martin (Photo: James Austin)

146. John Cecil Stephenson: Painting, 1937. Tempera on canvas, 28 × 36 in: 71.1 × 91.4 cm. London, Tate Gallery

147. Ben Nicholson: Painting, 1935. Oil on canvas, 41¾ × 41¾ in: 106 × 106 cm. Collection: Andrew Nicholson

148. Ben Nicholson: White Relief, 1939. Oil on carved board, 30½ × 29 in: 77.5 × 73.7 cm. Collection: Jake Nicholson (Photo: A. C. Cooper Ltd)

149. Ben Nicholson: Painted Relief, 1939. Oil and pencil on composition boards mounted on painted plywood, 32½ × 45 in: 82.6 × 114.3 cm. New York, Museum of Modern Art (Gift of H. S. Ede and the artist)

150. Paul Nash: Landscape of the Megaliths, 1933–4. Oil on canvas, 19¾ × 28¾ in: 50 × 73 cm. London, British Council

151. Paul Nash: Equivalents for the Megaliths, 1935. Oil on canvas, 18 × 26 in: 45.7 × 66 cm. London, Tate Gallery

152. Paul Nash: Harbour and Room, 1932–6. Oil on canvas, 36 × 28 in: 91.5 × 71 cm. London, Tate Gallery

153. Tristram Hillier: La Route des Alpes, 1937. Tempera on canvas, 23½ × 31½ in: 59.7 × 80.6 cm. London, Tate Gallery

154. Ceri Richards: The Female Contains all the Qualities, 1937. Oil and mixed media on canvas, 42 × 35 in: 106.7 × 88.9 cm. London, Tate Gallery

155. Paul Nash: Landscape from a Dream, 1936–8. Oil on canvas, 26¾ × 40 in: 67.9 × 101.6 cm. London, Tate Gallery

156. John Piper: Autumn at Stourhead, 1939. Oil on linen pasted board. 25 × 30 in: 63.3 × 76.2 cm. Manchester City Art Gallery

157. Graham Sutherland: Welsh Landscape with Roads, 1936. Oil on canvas, 24 × 36 in: 61 × 91.4 cm. London, Tate Gallery

158. Paul Nash: Monster Field, 1939. Oil on canvas, 30¼ × 40 in: 76.8 × 101.6 cm. Durban Art Gallery, South Africa

159. Henry Moore: Reclining Figure, 1936. Elm wood, length 42 in: 107 cm. Wakefield City Art Gallery

160. Henry Moore: Reclining Figure, 1939. Elm wood, 37 × 79 × 30 in: 94 × 200.7 × 76.2 cm. The Detroit Institute of Arts (Gift of the D. M. Ferry Jr Trustee Corporation)

161. Henry Moore: Recumbent Figure, 1938. Green Hornton stone, 35 × 52¼ × 29 in: 88.9 × 132.7 × 73.7 cm. London, Tate Gallery

162. William Coldstream: Studio Interior, 1932–3. Oil on canvas, 54 × 36 in: 137.2 × 91.5 cm. London, Tate Gallery

163. Rodrigo Moynihan: Objective Abstraction, 1934. Oil on canvas, 25 × 30 in: 63.5 × 76.2 cm. Collection of the artist in 1981 (Photo: A. C. Cooper Ltd)

164. William Coldstream: Bolton, 1938. Oil on canvas, 28¼ × 36 in: 71.8 × 91.4 cm. Ottawa, The National Gallery of Canada (Gift of the Massey Foundation, 1946)

165. Geoffrey Tibbie: Reclining Woman, 1938. Oil on canvas, 36 × 48 in: 91.5 × 121.9 cm. City of Leicester Museum and Art Gallery

Previous chapter Next chapter

Base text size -

Chapter images ()