Photography Credits

Barbour, Daphne; Gifford, E. Melanie

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Photography Credits

Daphne Barbour (Editor), E. Melanie Gifford (Editor)

Facture: Conservation Science Art History Volume 1: Renaissance Masterworks

Photography Credits

Author

Daphne Barbour (Editor), E. Melanie Gifford (Editor)

PublisherNational Gallery of Art

Stable URL: https://aaeportal.com/?id=-19984

Photography Credits

A Page from Giorgio Vasari’s Libro de’ Disegni as Composite Object

Figs. 1–3, 5a, 15a, 16, 19a, Department of Imaging and Visual Services, NGA; figs. 4, 6, 7, 10, 11, 14, 15b, 17, 18, 19b, 21, 22a–c, Paper Conservation Department, NGA; figs. 5b, 8, 9, 12, 13a–b, 20, 23, Scientific Research Department, NGA.

A Renaissance of Color: The Conservation of Lorenzo the Magnificent

Figs. 1–5, 13, 15, Department of Imaging and Visual Services, NGA; figs. 11a–b, 14, 19, 20, 21, Object Conservation Department, NGA; figs. 16–18, Scientific Research Department, NGA; fig. 22, Katie Holbrow, Michael Belman, and Mira Patel, Object Conservation Department, NGA; fig. 6, Scala / Art Resource, New York; fig. 7, Royal Collection Trust / © Her Majesty Queen Elizabeth II 2013; figs. 8a–b, Alinari / Art Resource, New York; figs. 9, 10, © Victoria and Albert Museum, London; fig. 12, Erich Lessing / Art Resource, New York.

Italian Renaissance Paintings Restored in Paris by Duveen Brothers, Inc., c. 1927–1929

Figs. 1–4, 8, 10, 16, © The Getty Research Institute, Los Angeles (960015); fig. 11 © The Getty Research Institute, Los Angeles (870697); figs. 5, 6, 14, 18, 19, Department of Imaging and Visual Services, NGA; figs. 7, 12, 13, 15, Kress Lantern Slide Collection, Department of Image Collections, NGA Library; fig. 9, Library of Congress, Washington, DC; fig. 17, Sterling and Francine Clark Art Institute, Duveen Archive, Williamstown, MA.

Technical Study of The Triumph of Christ (The Mazarin Tapestry)

Figs. 1, 2, 5 – 8, Department of Imaging and Visual Services, NGA; figs. 9 – 16b, Scientific Research Department, NGA; fig. 3, Koninklijk Museum voor Schone Kunsten Antwerpen, © Image: Lukas – Art in Flanders VZW; fig. 4, Patrimonio Nacional, Madrid.

One of Many: A Cartapesta Relief of Jacopo Sansovino

Figs. 1, 3, 8, Department of Imaging and Visual Services, NGA; fig. 2, Staatliche Museen zu Berlin, Skulpturensammlung und Museum für Byzantinische Kunst, Photo: A. Voigt, Berlin; fig. 4, Mira Patel, Object Conservation Department, NGA; fig. 5, Museo del Cenedese, Vittorio Veneto; fig. 6, Museo Civico, Vicenza, Pinacoteca di Palazzo Chiericati, Archivio fotografico; figs. 7, 9, 15, Object Conservation Department, NGA; figs. 10, 11, Scientific Research Department, NGA; fig. 12, Curatorial Records, NGA; fig. 13, Gallery Archives, NGA; fig. 14, Finsiel / Alinari / Art Resource, New York; fig. 16, based on a drawing (by Rita Cassano) from “Tecniche esecutive, indagini di laboratorio e operazioni di restauro,” in M. Elisa Avagnina and Vittorio Pianca, Jacopo Sansovino a Vittorio Veneto (Vittorio Veneto, 1989), 51; fig. 17, based on a drawing from Anna Arcudi, Rita Bassotti, Stefania Di Marcello, ”Il restauro. Un percorso di conoscenza attraverso le tecniche esecutive e i materiali,” in Maria Grazia Vaccari and Massino Bonelli, eds., Jacopo Sansovino. La Madonna in cartapesta del Bargello (Rome 2006), 41.

Jan van Eyck’s Washington Annunciation: Painting Materials and Techniques

Figs. 1, 6a, 10a, 12–13, 16a, 17a, Department of Imaging and Visual Services, NGA; figs. 2–5, 7–9, 10b, 11, 14–15, 16b, 17b, 19a–k, Scientific Research Department, NGA; fig. 6b, Painting Conservation Department, NGA; fig. 18, © The Walters Art Museum, Baltimore.

The Cleaning and Restoration of the Jan van Eyck’s Washington Annunciation

Figs. 1–6, 8a, c, Department of Imaging and Visual Services, NGA; fig. 7, Scientific Research Department, NGA; fig. 8b, Painting Conservation Department, NGA.

Reconstructing the Casting Technique of Severo da Ravenna’s Neptune

Fig. 1, Department of Imaging and Visual Services, NGA; figs. 2, 7–10b, 14a–b, Object Conservation Department, NGA; fig. 3, © The Frick Collection; figs. 4, 5, Richard Stone and Bert van Zelst, © The Frick Collection; figs. 6, 11–13, Dylan Smith, Object Conservation Department, NGA.

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