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Description: Jet Age Aesthetic: The Glamour of Media in Motion
Selected Bibliography
PublisherYale University Press
Selected Bibliography
ABBREVIATIONS
The following abbreviations appear throughout the Notes:
ADP: Archives of the Aéroports de Paris, Orly
DOA: Los Angeles Department of Airports
LAX: Los Angeles International Airport
NYHS: New-York Historical Society
NYPL: New York Public Library
NYWF: New York World’s Fair
WDA: Walt Disney Archives
ARCHIVES AND SPECIAL COLLECTIONS
Archives of the Aéroports de Paris, Orly (ADP)
Air France Archives
San Francisco Airport Museum
Flight Path Learning Center, LAX
Air and Space Museum, Smithsonian
Pan Am Collection, University of Miami Library
Wilson Hicks Conference Tapes and Transcripts Collection, University of Miami Library, Special Collections (Wilson Hicks, University of Miami)
Yaacov Agam Files, Kandinsky Library, Centre Pompidou, Paris.
Magnum Photo Collection, Center for Creative Photography
Reyner Banham Papers, Getty Research Institute Library
Lawrence Alloway Papers, Getty Research Institute Library
Beaumont Newhall Papers, Getty
Research Institute Library
Anaheim Heritage Center, Anaheim Public Library
The Walt Disney Studios Archive
Walt Disney Imagineering Archive
Walt Disney Photo Archive
Ernst Haas Archive, Getty Images, London
R. R. Donnelley and Sons Company Archive, University of Chicago Library, Special Collections
Time-Life Archive, New-York Historical Society (NYHS)
Eero Saarinen Papers, Yale University
Eames Collection, Library of Congress
William Pereira Archives, Special Collections, USC Library
Papers of the 1964–65 New York World’s Fair, New York Public Library (NYPL)
Center for Creative Photography, University of Arizona, Tucson (CCP)
GENERAL READINGS
Aerial History and Culture
Asendorf, Christoph. Super Constellation. L’influence de l’aéronautique sur les arts et la culture. Foreword by Angela Lampe. Trans. (from German) Didier Renault and Augustine Terence. Paris: Macula, 2013.
Bilstein, Roger E. Flight in America, 1900–1983: From the Wrights to the Astronauts. Baltimore: Johns Hopkins University Press, 1984.
Corn, Joseph J. The Winged Gospel: America’s Romance with Aviation. Baltimore: Johns Hopkins University Press, 2002.
Crouch, Tom D. Wings: A History of Aviation from Kites to the Space Age. Washington: Smithsonian National Air and Space Museum, 2003.
Davies, R. E. G. Airlines of the Jet Age: A History. Washington: Smithsonian National Air and Space Museum, 2011.
Dorrian, Mark, and Frédéric Pousin. Seeing from Above: The Aerial View in Visual Culture. London: I. B. Tauris, 2013.
Morshed, Adnan. Impossible Heights: Skyscrapers, Flight, and the Master Builder. Minneapolis: University of Minnesota Press, 2015.
Rust, Daniel. Flying Across America: The Airline Passenger Experience. Norman: University of Oklahoma Press, 2009.
Roseau, Nathalie, and Marie Thébaud-Sorger, eds. L’Emprise du vol: De l’invention à la massification. Histoire d’une culture moderne. Geneva: Métis, 2013.
Van Vleck, Jenifer. Empire of the Air: Aviation and the American Ascendancy. Cambridge: Harvard University Press, 2013.
Weems, Jason. Barnstorming the Prairies: How Aerial Vision Shaped the Midwest. Minneapolis: University of Minnesota Press, 2015.
Networks, Mobility, and the Image
Alloway, Lawrence. “Network: The Art Described as a System.” In Network: Art and the Complex Present, 3–15. Ann Arbor: UMI Research Press, 1984.
Alloway, Lawrence, et al., eds. Modern Dreams: The Rise and Fall of Pop. Cambridge: MIT Press, 1988.
Baranowski, Shelly, and Ellen Furlough, eds. Being Elsewhere: Tourism, Consumer Culture and Identity in Modern Europe and North America. Ann Arbor: University of Michigan Press, 2001.
Bruno, Giuliana. Atlas of Emotion: Journeys in Art, Architecture and Film. London: Verso 2002.
Castells, Manuel. The Rise of the Network Society. Cambridge: Blackwell, 2010.
Cresswell, Tim. On the Move: Mobility in the Modern Western World. London: Routledge, 2006.
Desportes, Marc. Paysages en Mouvement: Transports et Perception de l’Espace, XVIIIe–XXe siècle. Paris: Gallimard, 2005.
Giedion, Sigfried. Mechanization Takes Command: A Contribution to Anonymous History (1948). Minneapolis: University of Minnesota Press, 2013.
Hariman, Robert, and John L. Lucaites. The Public Image: Photography and Civic Spectatorship. Chicago: University of Chicago Press, 2016.
Hill, Jason E., and Vanessa R. Schwartz, eds. Getting the Picture: The Visual Culture of the News. London: Bloomsbury, 2015.
Hine, Thomas. Populuxe: From Tailfins and TV Dinners to Barbie Dolls and Fallout Shelters. New York: Knopf, 1986.
Horowitz, Daniel. Consuming Pleasures: Intellectuals and Popular Culture in the Postwar World. Philadelphia: University of Philadelphia Press, 2012.
Hunt, Lynn. Writing History in the Global Era. New York: Norton, 2014.
Lee, Pamela M. Chronophobia: On Time in the Art of the 1960s. Cambridge: MIT Press, 2004.
Massey, Anne. The Independent Group: Modernism and Mass Culture in Britain, 1945–59. Manchester: Manchester University Press, 1995.
McLuhan, Marshall. Understanding Media: The Extensions of Man. Cambridge: MIT Press, 1994.
Peters, John Durham. The Marvelous Clouds: Toward a Philosophy of Elemental Media. Chicago: University of Chicago Press, 2015.
Petersen, Stephen. Space-Age Aesthetics: Lucio Fontana, Yves Klein, and the Postwar European Avant-Garde. University Park: Pennsylvania State University Press, 2009.
Roberts, Jennifer L. Transporting Visions: The Movement of Images in Early America. Berkeley: University of California Press, 2014.
Schivelbusch, Wolfgang. The Railway Journey: The Industrialization of Time and Space in the 19th Century. Berkeley: University of California Press, 1986.
Schwartz, Vanessa R. Spectacular Realities: Early Mass Culture in Fin-de-Siècle Paris. Berkeley: University of California Press, 1998.
Turner, Fred. From Counterculture to Cyberculture: Stewart Brand, the Whole Earth Network and the Rise of Digital Utopianism. Chicago: University of Chicago Press, 2006.
Urry, John. Mobilities. Cambridge: Polity Press, 2007.
Whiteley, Nigel. Reyner Banham: Historian of the Immediate Future. Cambridge: MIT Press, 2002.
Zelizer, Barbie. About to Die: How News Images Move the Public. New York: Oxford University Press, 2010.
CHAPTER 1
Bezombes, Roger. “Air France: A New Series of Airline Posters.” Graphis 37, no. 218 (March 1982).
Bloom, Nicholas Dagen. The Metropolitan Airport: JFK International and Modern New York. Philadelphia: University of Philadelphia Press, 2015.
Dierikx, Mark. Clipping the Clouds: How Air Travel Changed the World. Westport: Praeger, 2008.
Gordon, Alistair. Naked Airport. Chicago: University of Chicago Press, 2004.
Gerster, Georg. Swissair Posters. Munich: Schirmer/Mosel, 2006.
Harwood, John. The Interface: IBM and the Transformation of Corporate Design, 1945–1976. Minneapolis: University of Minnesota Press, 2011.
Hühne, M. C. Airline Visual Identity, 1945–1975. Berlin: Callisto, 2015.
Hühne, M. C. Pan Am: History, Design and Identity. Berlin: Callisto, 2017.
Kasarda, John D., and Greg Lindsay. Aerotropolis: The Way We’ll Live Next. New York: Farrar, Straus and Giroux, 2011.
Lovegrove, Keith. Airline: Identity, Design and Culture. London: Laurence King, 2000.
Pelkonen, Eeva-Liisa, and Donald Albrecht. Eero Saarinen: Shaping the Future. New Haven: Yale University Press, 2006.
Ringli, Kornel. Designing TWA: Eero Saarinen’s Airport Terminal in New York. Zurich: Park, 2015.
Roseau, Nathalie. Aerocity: Quand l’avion fait la ville. Marseille: Parenthèses, 2012.
Schwartz, Vanessa R. “LAX: Designing for the Jet Age.” In Overdrive: L.A. Constructs the Future, 1940–1990, ed. Wim DeWit and Christopher Alexander, 163–83. Los Angeles: Getty Publications, 2013.
CHAPTER 2
Ballard, Donald W. The Disneyland Hotel: The Early Years, 1954–1988. Riverside: Ape Pen, 2005.
Canemaker, John. Magic Color Flair: The World of Mary Blair. San Francisco: The Walt Disney Family Foundation Press, 2014.
Comras, Kelly. Ruth Shellhorn. Athens: University of Georgia Press, 2016.
Findlay, John M. Magic Lands: Western Cityscapes and American Culture After 1940. Berkeley: University of California Press, 1992.
Gabler, Neal. Walt Disney: The Triumph of the American Imagination. New York: Knopf, 2006.
Gennawey, Sam. Walt Disney and the Promise of Progress City. Orlando: Theme Park Press, 2014.
Hahn, Don. Yesterday’s Tomorrow: Disney’s Magical Mid-Century. Los Angeles: Disney Editions, 2017.
Hench, John, and Peggy Van Pelt. Designing Disney: Imagineering and the Art of the Show. New York: Disney Editions, 2003.
Kothenschulte, Daniel, ed. The Walt Disney Film Archives: The Animated Movies, 1921–1968. New York: Taschen, 2016.
Jackson, Kathy Merlock, and Mark I. West, eds. Disneyland and Culture: Essays on the Parks and Their Influence. Jefferson: McFarland, 2011.
Lukas, Scott A. Theme Park. London: Reaktion, 2008.
Marling, Karal Ann, ed. Designing Disney’s Theme Parks: The Architecture of Reassurance. Paris: CCA/Flammarion, 1997.
Nichols, Chris, and Charlene Nichols. Walt Disney’s Disneyland. Cologne: Taschen, 2018.
Nieland, Justus. “Making Happy, Happy-Making: The Eamses and Communication by Design.” In Modernism and Affect, ed. Julie Taylor, 203–25. Edinburgh: Edinburgh University Press, 2015.
Pierce, Todd James. Three Years in Wonderland: The Disney Brothers, C. V. Wood, and the Making of the Great American Theme Park. Jackson: University of Mississippi Press, 2016.
Price, Harrison. Walt’s Revolution! By the Numbers. Orlando: Ripley, 2004.
Schickel, Richard. The Disney Version: The Life, Times, Art and Commerce of Walt Disney. New York: Simon and Schuster, 1968.
Smoodin, Eric, ed. Disney Discourse: Producing the Magic Kingdom. New York: Routledge, 1994.
Sorkin, Michael, ed. Variations on a Theme Park: The New American City and the End of Public Space. New York: Hill and Wang, 1992.
Wasko, Janet. Understanding Disney: The Manufacture of Fantasy. London: Polity, 2001.
CHAPTER 3
Bair, Nadya. The Decisive Network: Magnum Photos and the Postwar Image Market. Berkeley: University of California Press, 2020.
Bear, Jordan. “Magnum Orbis: Photographs from the End(s) of the Earth.” Journal of Visual Studies 25, no. 2 (September 2010): 113.
Bender, Marylin. The Beautiful People. New York: Coward-McCann, 1967.
Boorstin, Daniel J. The Image: A Guide to Pseudo-Events in America. New York: Harper and Row, 1961.
Clark, Catherine. Paris and the Cliché of History: The City and Photographs, 1860–1970. New York: Oxford University Press, 2018.
Conekin, Becky E. Lee Miller in Fashion. New York: Monacelli, 2013.
Evans, Caroline. The Mechanical Smile: Modernism and the First Fashion Shows in France and America, 1900–1929. New Haven: Yale University Press, 2013.
Flint, Kate. Flash! Photography, Writing, and Surprising Illumination. Oxford: Oxford University Press, 2017.
Fox-Amato, Matthew. Exposing Slavery: Photography, Human Bondage and the Birth of Modern Visual Politics in America. New York: Oxford University Press, 2019.
Fraser-Cavassoni, Natasha. Vogue on Yves Saint Laurent. New York: Abrams Image, 2015.
Gervais, Thierry, and Gaëlle Morel. The Making of Visual News: A History of Photography in the Press. London: Bloomsbury, 2017.
Gundle, Stephen. Glamour: A History. New York: Oxford University Press, 2008.
Hicks, Wilson. Words and Pictures: An Introduction to Photojournalism. New York: Harper Brothers, 1952.
Hill, Jason E. Artist as Reporter: Weegee, Ad Reinhardt, and the PM News Picture. Oakland: University of California Press, 2018.
Kennedy, Liam. Afterimages: Photography and U.S. Foreign Policy. Chicago: University of Chicago Press, 2016.
Linkof, Ryan. Public Images: Celebrity, Photojournalism and the Making of the Tabloid Press. London: Bloomsbury Academic, 2018.
Ponce de Leon, Charles L. Self-Exposure: Human-Interest Journalism and the Emergence of Celebrity in America, 1890–1940. Chapel Hill: University of North Carolina Press, 2002.
Popp, Richard K. The Holiday Makers: Magazines, Advertising, and Mass Tourism in Postwar America. Baton Rouge: Louisiana State University Press, 2012.
Stadiem, William. Jet Set: The People, the Planes, the Glamour, and the Romance in Aviation’s Glory Years. New York: Ballantine, 2014.
Stimson, Blake. The Pivot of the World: Photography and Its Nation. Cambridge: MIT Press, 2006.
Zylinkska, Joanna. Nonhuman Photography. Cambridge: MIT Press, 2017.
CHAPTER 4
Blaszcyk, Regina Lee. The Color Revolution. Cambridge: MIT Press, 2012.
Blaszcyk, Regina Lee, and Uwe Spiekermann, eds. Bright Modernity: Color, Commerce, and Consumer Culture. Cham: Palgrave Macmillan, 2017.
Botar, Oliver. Sensing the Future: Moholy-Nagy, Media and the Arts. Baden: L. Müller, 2014.
Campbell, Bryan, and Ernst Haas. Ernst Haas. London: Collins, 1983.
Ewing, William, ed. Ernst Haas: Color Correction. Göttingen: Steidl, 2011.
Hariman, Robert, and John L. Lucaites. No Caption Needed: Iconic Photographs, Public Culture, and Liberal Democracy. Chicago: University of Chicago Press, 2011.
Henderson, Linda. The Fourth Dimension and Non-Euclidean Geometry in Modern Art. Cambridge: MIT Press, 2013.
Hostetler, Lisa, and Katherine A. Bussard. Color Rush: American Color Photography from Stieglitz to Sherman. New York: Aperture, 2013.
Johnston, Patricia A. Real Fantasies: Edward Steichen’s Advertising Photography. Berkeley: University of California Press, 2000.
Kalba, Laura. Color in the Age of Impressionism: Commerce, Technology and Art. University Park: Pennsylvania State University Press, 2017.
Le Gaillard, Marianne. “Jacques Henri Lartigue dans l’air du temps (1966–1967): Entre la naissance et la consecration veritable de sa photographie.” Études Photographiques (Spring 2015): 64–84.
Moholy-Nagy, László et al. László Moholy-Nagy: Color in Transparency. Photographic Experiments in Color, 1934–1946. Göttingen: Steidl, 2006.
Moholy-Nagy, László. Vision in Motion. Chicago: P. Theobald, 1947.
Moore, Kevin, et al., eds. Starburst: Color Photography in America, 1970–1980. Ostfildern: Hatje Cantz, 2010.
Moser, Walter. Ernst Haas Cinéma. Ed. John P. Jacob. Göttingen: Steidl, 2014.
Nead, Lynda. The Tiger in the Smoke: Art and Culture in Postwar Britain. New Haven: Yale University Press, 2017.
Peltason, Ruth A., ed. Ernst Haas Color Photography. New York: Abrams, 1989.
Ritchin, Fred. Bending the Frame: Photo-journalism, Documentary, and Citizen. New York: Aperture, 2013.
Stein, Sally. “The Rhetoric of the Colorful and the Colorless: The American Photography and Material Culture Between the Wars.” Ph.D. diss., Yale University, 1991.
Stein, Sally. Harry Callahan: Photographs in Color/The Years 1946–1978. Tucson: Center for Creative Photography, University of Arizona, 1980.
Young, Cynthia. Capa in Color. New York: International Center of Photography, 2014.
Selected Bibliography
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