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Description: Mark Rothko: The Works on Canvas—Catalogue Raisonné
Index
PublisherNational Gallery of Art
PublisherYale University Press
View chapters with similar subject tags
Index
In each entry, this book is indexed in the following order:
1. references to the essay, which are by original page number and linked to the appropriate page in the e-book;
2. references to the essay notes, which are by note number and listed by section (numbers following “n.” refer to notes to the Introduction, those following “nI.” to notes to part I, etc.);
3. references to the main catalogue, which are by catalogue number.
Exhibition abbreviations such as “Basel 1962” are explained in Reference Abbreviations. Works in major public collections are also separately listed in Works in Public Collections.
15 Americans; p. 72
20. Jahrhunderts, Museum des, Vienna; 390, 549
444 Madison Avenue, New York; p. 50, 51; 184, 203, 206, 217
460 Park Avenue Gallery, New York; 182
67 Gallery, New York; 251
85 Clark Street, Brooklyn; 90, 91, 93, 96
Aaron Katz, Colorado; 282
Aberbach, J. I, New York; 696
Abstract Expressionism; p. 12, 14, 72, 76
abstract painting; p. 77
abstraction; p. 58, 60, 99
Ackland Art Center, University of North Carolina; 334
Acquavella Contemporary Art, Inc., New York; 457, 473, 499, 504, 569, 584, 609, 812
Addison Art Drive; 233
Addison Gallery of American Art, Phillips Academy, Ma.; 233
Aeolian Harp/No. 7 (1946); p. 57, nII. 148; 308
Aeschylus: The Creator of Tragedy, p. 17, 50, 51
Agitation of the Archaic (1944); p. 57, nII. 93; 240
Ahearn, Jonathan; p. 19, n. 119, 123
Ahmadabad, Industrial Municipal Museum; 478
Aichi Prefectural Museum of Fine Art; 376, 383, 403, 479, 593, 607, 626, 673
Albright Art Gallery, The, Buffalo Fine Arts Academy; 444, 548
Albright, Ivan; p. 92
Albright-Knox Art Gallery, Buffalo; 301, 396, 464, 481, 548, 567, 670, 701, 703, 710
Aldrich Museum, Larry, Ct.; 406, 499, 630
Allen Memorial Art Museum, Oberlin College, Ohio; 105, 214
Allgemeine Europaische Kunstanstalt, Lichtenstein; 673
Alter, Gisela and Dennis; 505, 514
American Academy in Rome; 398
American Scene; p. 32
Amerika Haus, Berlin; 571
Amerika Hauses, Galerie des, Munich; 292, 450
Ameringer & Avard Fine Art, Inc., New York; 366
Ammann Fine Art, Thomas, Zurich; 608, 631
Amsterdam, Stedelijk Museum see under Stedelijk
Anderson, Harry W. and Mary Margaret; 528, 577, 822
Angelico Fra; p. 91
Antigone (1939/40); p. 14, 47, 48, 50, 89, nII. 5, 10, 13, 25, 32, 36, 41; 178
Antonioni, Michelangelo; p. 77
AoC (Art of this Century); p. 21, 50, 56
AoC 1945; 210, 222, 231–34, 237, 239, 241, 243, 246, 247, 248
Aquatic Drama (1946); p. 20, n. 124; 312
Arasse, Daniel; p. 88
Arbor, Ann; 404, 561
Archaic Fantasy (1945); p. 54, n. 124, nII. 95, 96, 115, 141; 265
Archaic Image [?] (1945); 275
architecture; p. 77, 92, 93 nI. 115
architectural motifs; p. 36, 40, 51, 59
architectural paintings; p. 90–93
Arensberg collection; p. 52
Arizona, University of, Museum of Art; 543
Arkansas Arts Center, Little Rock; 543
Art News; p. 36, n. 83
Art Students League; p. 27
Artcurial, Centre d’Art Plastique Contemporain, Paris; 767
Artist, Estate of the; 3–7, 13, 14, 16, 17, 19–31, 34–66, 68–96, 98, 102, 107, 108, 111–29, 131–45, 147–54, 157, 158, 161–65, 167, 168, 169, 172–83, 185, 189, 191–203, 206–10, 212, 213, 215–17, 219, 220, 222, 224, 226–32, 235, 238–44, 246–49, 251, 252, 254, 255, 256, 258–68, 270–301, 303–13, 314–19, 324–33, 335–55, 357, 359–65, 368–80, 382–85, 387, 389, 391, 394, 401, 404, 405, 408, 410, 411, 413, 414, 415, 418–27, 429, 430, 431, 433, 434, 436, 438–40, 443, 445–48, 451, 454, 458–63, 465–67, 469–73, 475, 477, 479–81, 483–85, 487, 489, 493–98, 502, 504, 505, 507, 511–16, 518, 520, 521, 527–31, 533, 535, 537–39, 541, 542, 551, 561, 564, 565, 570, 578, 582, 583, 587, 589, 590, 595, 596, 610, 612, 613, 614, 617, 618, 620, 623, 634, 635, 637–11, 643, 645, 646, 648, 649–56, 659, 662, 673–77, 684, 686, 688, 691, 702, 703, 708, 713, 716, 725, 726, 727, 730–36, 742, 744, 745, 746, 749, 756, 758, 759, 760, 761, 764–67, 776, 777, 778, 780–84, 807, 814–18, 820, 822–34
Artist, The; 121, 122, 155, 184, 248, 254, 320, 386, 390, 393, 441, 442, 453, 486, 500, 530, 539, 554, 563, 576, 623, 636, 642, 644, 647, 657, 658, 660, 661, 663, 672, 684, 692, 698, 707, 714, 737–41, 750, 757, 762, 768, 769, 785–804
Asahikawa, Hokkaido Museum of Art; 536
Ashcan School; p. 16
Ashley, Mr. and Mrs. Ted, Los Angeles; 510
Ashton, Dore; p. 38, 85, 96
assistants; p. 16, 19
Assyrian art; p. 52, 53
Astral Image (1946); nII. 96, 98, 123; 302
asymmetry; p. 78, 79, 85
Athens, Pinacotheque Nationale; 701
Atkins Museum, Kansas City; 549
Atlanta 1983; 56, 65, 81, 189, 192, 219, 246, 348, 385, 401, 418, 466, 481, 487, 493, 541, 703, 710, 714
Atlanta Art Association; 269
Atlanta, High Museum of Art; 301, 328, 481, 491
Auerbach, Erich; p. 26, 32
Australia, South, Gallery of, Adelaide; 517
Australian National Gallery, Canberra; 380, 517, 562, 596
Avery, Milton; p. 29, 33
Babeor Gallery, Thomas, La Jolla; 434
Babel and Bible; p. 53
Babylonian art; p. 53
Baltimore Museum of Art; 334, 488, 499, 553, 600, 672, 685, 689, 672, 719, 729, 774
Banatului, Museul, Timisoara, Romania; 400, 625
Barbican Art Gallery, London; 609
Barcelona: Fundación Joan Miró; 428, 551, 554, 614, 811,
Palacio de la Virveina; 396
Bareiss, Walter, Greenwich, Ct.; 397
Bari, Pinacoteca Provinciale di; 506, 508, 593
Baridoff Galleries, Portland, Me.; 160
Barnard College, New York; 478
Barr, Alfred and Victoria, New York; 609
Bartos, Armand P., New York; 573
Baruch College, New York, Sydney Mishkin Gallery; 237
Basel 1962; 386, 388, 399, 401, 406, 407, 410, 413, 414, 418, 419, 428, 442, 451, 476, 477, 490, 492, 499, 511, 531, 560, 572, 578, 590, 591, 600, 616, 621, 627, 632, 639, 642, 645, 657, 658, 660, 661, 663, 673, 679, 681, 684
Basel 1989; 634, 636–42, 644–47, 649–63, 760, 761
Basel: Art Fairs; 607, 748
Kunsthalle; n. 138; 449, 603, 615, 627, 683, 722, 744
Kunstmuseum; 591, 773
Bass Museum of Art, Miami Beach; 334, 570
Bass, Mr. and Mrs. Perry R.; 690
Bathers [or] Beach Scene (1933/34); p. 29, 83, nI. 40, 50; 46, 47
Baum Gallery of Fine Art, Conway, Ak.; 331
Baumgarten, Mrs. Robert, Winnetka; 715
Baxandall, Michael; p. 87
Beach (1937/38); p. 39; 118
Beach Scene (c. 1927); p. 16, 27; 9
Beatty, Mr. and Mrs. Chester, London; 631
Beaumont Art Museum, Tx.; 574
Bechtler, Elizabeth and Hans, Zurich; 747
Beijing, Zhongguo Meishuguan; 523
Belgrade: Kalemagdan Pavilion; 396
Museum of Modern Art; 672
Bell Gallery, Worcester, Ma.; 286, 291, 315
Bellamy Gallery, Richard, New York; 474
benefit, Spanish Civil War children; p. 33, 34
Berggruen Gallery, John, San Francisco; 556
Berkshire Country Club, New York; n. 64
Berlin: Amerika Haus; 571
Akademie der Kunst; 710
Hochschule für Bildende Küste; 449
Martin-Gropius-Bau; 90, 406, 516, 528, 594, 627 650, 752, 771, 826
Nationalgalerie; 406, 695, 723, 811
Rathaus Schonberg; 393, 450
Schloss Charlottenburg; 393, 450, 616, 830, 831
Berman, Dr. Edgar F. Baltimore; 600, 685
Bern, Kunstmuseum; 390, 549, 710, 748
Berner, Madeleine, New York; 119
Bernstein, Joseph, New Orleans; 690
Berol, Mr. and Mrs. Marshall G., 12
Bersani, Leo; p. 91
Beyeler 1990; 448, 606, 812
Beyeler, Fondation, Riehen/Basel; 716, 723, 811
Beyeler, Galerie, Basel; 282, 428, 448, 495, 496, 505, 532, 547, 551, 547, 566, 584, 586, 604, 606, 607, 615, 629, 630, 666, 715, 716, 720, 811, 812, 821, 831
Bible; p. 14, 52, 59
Biblical influences; p. 53
Bielefeld, Kunsthalle; 406
Bilbao, Guggenheim Museum; 483
biographical details; p. 12, 28
Birmingham Museum of Art, Al.; 403, 815
Birth of Cephalophods (1944); p. 54, 56, nI. 94, nII. 91, 117; 231
Bishop, Isabel; p. 35
Black and Dark Red on Red (1958); 619
Black and The White, The (1956); 572
Black Area in Reds (1958); nIII. 262; 633
Black in Deep Red (1957); 592
Black on Grays; p. 97, 98
Black Over Reds (1957); 600
Black Stripe (1957); 606
black paintings; p. 96
Blaffer Foundation, Sarah Campbell, Houston; 455
Blake, William; p. 18, n. 17, 97
Blanton, Jack S., Museum of Art, Austin; 218
Blau 1993; 327, 339, 353, 355, 362, 364, 368, 370, 372, 376, 384
Blinken, Ambassador and Mrs. Donald; 522, 563, 621, 704
Bloomington Art Museum, Indiana University; 269, 555
Blu, Galeria, Milan; 508, 605
Blue and Gray (1962); 723
Blue Cloud (1956); 569
Blue Over Orange (1956); 563
Blue Over Red (1953); p. 85; 488
Blue, Orange, Red (1961); 700
Blum Gallery, Peter, New York; 769
BlumHelman Gallery, New York; 469
Bochum, Galerie m, Haus Weitmar; 757
Bocour, Leonard, New York; 221, 358
Bode, Wilhelm; p. 30
body theory; p. 12
Boimans Van Beuningen Museum, Rotterdam; 674
Bonaparte Galerie, Paris; nI. 85; 59, 71, 74
Bonn: Kunst– und Ausstellungshalle; 549
Rheinisches Landesmuseum; 672
Bonnard, Pierre; p. 62, 87
Bonwit Teller Department Store; 235
Borgenicht Gallery, New York; 551
Boston: City Hall; 468, 523
Museum of Fine Arts; 468, 523
University, School of Fine and Applied Arts; 700
Botticelli, Sandro; p. 36
Brachot, Galerie Isy, Brussels; 355, 364
Bradley Family Foundation Inc., Milwaukee; 536
Bramen, Collection of Norman and Irma; 468
Brancusi, Constantin; p. 52, 99
Brandeis University, Rose Art Museum, Waltham, Ma.; 455, 468, 552
Brandes, Celia, New York; 102, 110, 177
Bransten, Mr. and Mrs. Joseph, San Francisco; 417
Braque, Georges; p. 59
Bratislava, Slovenska Narodna Galeria; 400, 625
Bridgman, George; p. 27
Bright, Mr. and Mrs. David E.; 576
Broad Collection, The Eli and Edythe L., Los Angeles; 407
Broida Trust, The Edward R., 521
Brooklyn; p. 28
Brooklyn College; p. 29, 88
Brooklyn Museum of Art see under New York
Brooks Memorial Art Gallery, Memphis; 334, 381, 534, 571
Brown and Blacks in Reds (1957); 602
Brown Over Red (Red and Brown) (1957); 605
Brown University: Annmary Brown Memorial, Providence; 571
Worcester, Ma.; 286, 291, 315
Brown, Mr. and Mrs. Leonard; 552
Browne, Lewis; p. 14, 52, nI. 33, 83
Browns (1957); nIII. 116; 594
brushwork; p. 27, 40, 84, 85
Brussels 1962; 386, 388, 399, 401, 402, 406, 407, 410, 413, 414, 418, 419, 428, 442, 451, 476, 477, 490, 492, 499, 511, 521, 560, 572, 578, 590, 600, 616, 621, 627, 632, 639, 642, 645, 657, 658, 660, 661, 663, 673, 679, 681, 684
Brussels; 684
Palais des Beaux-Arts; 400, 449, 615, 625, 710
Bucharest, Sala Dalles; 400, 625
Buckwalter, Mr. and Mrs. Charles, Ks.; 625
Buenos Aires: Instituto Nacional de Bellas Artes; 625
Instituto Torcuato di Telia; 540
Museo Nacional de Bellas Artes; 540, 548
Buffalo Fine Arts Academy; 444, 548
Bunden, Carter, New York; 724
Burda, Collection Frieder, Baden-Baden; 631
Burden & Co., William A. M., New York; 754
Butor, Michael; p. 14
Byers III, J. Frederick, New York; 456, 504
Byrnes, Mr. and Mrs. James B.; 437
Byzantine art; p. 39
C&M Arts, New York; 282, 467, 479, 510, 505, 510, 569, 581, 592, 604, 628, 694, 770, 771, 772, 805, 812
Caja de Pensiones, Fundación, Madrid; 281, 286, 291, 824, 825
Calcutta, Lady Brabourne College; 478
Calden, Morris; p. 47
California: Palace of the Legion of Honour, San Francisco; 302, 371, 491, 499
School of Fine Arts; p. 57, 75
University of: Art Department, Berkeley; 543
Art Galleries, Santa Barbara; 672
Berkeley Art Museum; 699
Cambridge, England, Fitzwilliam Museum; 510
Cambridge, Ma.: Arthur M. Sackler Museum; 737, 738, 739, 740, 741
and see under Fogg Art Museum
Campilli, Pietro, Rome; 550
Canada, National Gallery of, Ottawa; 590, 717
Canberra, Australian National Gallery; 517, 562, 596
Caracas, Museum of the University of; 398
Cardozzo, Carlo, Venice; 584
Carlton College, Northfield, Mn.; 105
Carnegie Institute, Dept. of Fine Arts, Pittsburgh; 478
Carnegie Museum of Art, Pittsburgh; 528, 714
Carpenter, Charles, Ct.; 567
Carson, Edith, New York; 146, 156, 186, 187, 188, 196, 197, 205
Cartier, Fondation, Jouy-en-Josas, France; 448, 707, 830
Ceremonial (1945); p. 56, nII. 53, 123; 274
Ceremonial Vessel [or] Sacred Vessel (1947); p. 59, 60; 331
Cézanne, Paul; p. 27, 28, 59, 32, 83, nI. 11, 70, 92
Chamber Music (1937); 106
Chapel Murals see under Rothko Chapel Murals and related works
Charleston, Sunrise Museums; 334
Cheney, Sheldon; p. 28, 29
Chernow, Ann and Burt, Westport; 109, 110
chiaroscuro; p. 30, 35, 88
Chiba Sogo Museum of Art, Chiba; 536
Chiba-ken, Kawamura Memorial Museum of Art; 635, 638, 639, 641, 654, 656, 659
Chicago 1954; n. 40; 458, 460, 477, 487, 491, 503, 505, 511
Chicago: Museum of Contemporary Art; 414, 538, 639, 770
Art Institute of; p. 72; 248, 278, 403, 409, 497, 499, 500, 558
University of: Circle Campus; 397
David and Alfred Smart Museum of Art; 712
Chirico, Giorgio de; p. 35, 36, 48
Christian tradition; p. 12
Christies, New York; 118, 269, 366, 388, 399, 406, 457, 476, 495, 496, 505, 506, 510, 534, 547, 559, 573, 586, 592, 604, 619, 628, 629, 664, 694, 711, 757, 774, 808, 819
chronology; p. 12, 14, 17, 19–21, 33, 57, 89, 97, 98, n. 39, 53, 96
Chrysler Museum of Art, Norfolk, Va.; 412, 570
Chrysler, Walter P. Jr., New York; 412
Ciampi, John Jr., Saddlebrook, N.J.; 250
Ciampi, John, New York; 250
Cincinnati: Contemporary Arts Center; 499
Art Museum; 206, 757
cinema; p. 11, 12, 39, 61, n. 16
City Phantasy [recto] (c. 1934); p. 32, n. 120; 62
cityscapes; p. 28, 35, 36
Clark, Kenneth; p. 51
classical mythology; p. 47, 54
Classicism; p. 91
Cleveland Museum of Art; 476, 499, 509, 519, 548, 549, 556, 616, 670, 705, 710, 718, 762, 774
Cluj, Galeria de Arta, Romania; 400, 625
Cochran, Robert M., Oklahoma City; 821
Coe College, Cedar Rapids; 105
Cohen Family, Brooklyn, N.Y.; 376
Colby College Art Museum, Waterville, Me.; 543
Cologne 1988; 59, 79, 135, 144, 161, 174, 178, 206, 214, 239, 244, 296, 310, 312, 319, 363, 391, 401, 405, 414, 419, 421, 424, 442, 455, 460, 487, 491, 493, 507, 513, 518, 523, 526, 528, 532, 536, 541, 549, 583, 601, 612, 636, 686, 691, 702, 710, 730, 746, 749, 759, 777, 817, 820, 826, 834
Cologne: Kölnischer Kunstverein; 532, 821
Kunsthalle; 710
Museen der Stadt Köln; 583, 702, 727, 746
Museum Ludwig; 390, 532, 549, 710
Wallraf-Richartz Museum; 532
color; p. 61, 78, 81–83, 91, n. 9, 10, 12
palette; p. 11, 32, 33, 37, 38, 47, 60, 73, 78, 98,
symbolism; p. 29, 60, 81–83, 96, nI. 49
Columbus Gallery of Fine Arts; 396, 415, 464, 571
Columbus Gallery, Indianapolis Museum of Art; 523, 633, 732
commissions; p. 89
competitions; p. 39, 40, 47
composition; p. 11, 95
Composition (1941/42); 197
(1942); p. 52, nII. 69, 72, 90; 205
I [recto] (1928/31); p. 27, nI. 19; 14
I [verso], (c.1926); p. 27; 5
II (1929/32); p. 83, nI. 6; 16
Conrad, Peter; p. 35
conservation; p. 12, 47, 93, n. 51, 52, nI. 47
Contemplation (1937/38); p. 36, 37, nI. 137, 138, nII. 179; 116
Contemporary Arts 1933; p. 2–9, 27–29, n. 146, 147; 7, 15, 17, 19–26, 37, 38, 39
Conversation (c. 1932); p. 28, nI. 14; 23
[?] (c. 1937); p. 36; 102
Cooley Memorial Art Gallery, Douglas F., Reed College, Portland; 9
Corcoran Gallery of Art, Purchase; 625
Washington; 400, 503
Corcoran Gallery, James, Los Angeles; 437
Cordier and Ekstrom Inc., Galleria Odyssia and, New York; 701
Cornell, Joseph; p. 12
Cornell University, Herbert F. Johnson Museum of Art; 256
Craftsman (1938/39); p. 37, 38, nI. 139, nI. 140; 162
Cranbrook Academy of Art, Bloomfield Hills, Mi.; 105, 381, 559
Crane, Hart; p. 35
Criticism, New; n. 24
criticism, literary; p. 12
Crucifix (1941/42); p. 51; 187
Crucifixion (1935); p. 30, 31, 33, 59; 74
cultural history; p. 12
d’Offay, Anthony, Gallery, London (1987); 281, 286, 291, 375, 775, 821, 824, 825
Dada; p. 35
Dallas: Museum of Art; 336, 471, 721
Museum of Fine Arts; 398, 471, 491, 549
North wood Institute; 536
Dance [?] (1944); 249
Dannheisser Foundation; 420
Danto, Arthur; p. 97
Danziger, Richard, New York; 617
Darmstadt, Hessisches Landesmuseum; 571
Dartmouth College, The Hood Museum of Art; 490
Darwin, Charles; p. 54
dating of works; p. 14, 17–21, 27, 39, 57, 89, nI. 16, 51, 54, 97
Davidson, The Hon. and Mrs. Irwin D, New York; 606
Davis Lang, Jane/Davis Collection; 195, 269, 437, 743
Davis, Stuart; p. 16, n. 72
Dayton, Mr. and Mrs. Kenneth, Wayzata, Mn.; 539
Dayton Art Institute; 548, 570
de Kooning, Elaine; n. 83
de Kooning, Willem; p. 91
deconstruction; p. 12
Delago Museum of Art, Isaac, New Orleans; 269
Delaware Art Museum, Wilmington; 553
Delitzsch, Friedrich; p. 53, 56
Denver Art Museum; 206, 407, 549
Dersh, Dr. and Mrs. Jerome; 366
Des Moines Art Center, Mo.; 543, 567, 574, 710
Detroit Institute of Arts; 269, 670, 710, 752
Deutsch, Morton M., New York; 180
Diamond, Harold, New York; 197, 233, 416, 488, 547, 575
Diderot, Denis; p. 87
Discourse (1933/34); p. 29, 31, n. 144; 41
Doerner, Max; p. 28, 39
Dotremont, Philippe, Brussels; 615, 683
doubling/mirroring; p. 79
drawing; p. 60
Dublin: National College of Art; 464
Royal Dublin Society; 401, 418, 435, 566, 820
Dusseldorf: Kunsthalle; 683
Kunstsammlung Nordrhein-Westfalen; 676, 705
Dutoit, Ulysse; p. 91
Eagle and the Hare, The (1942); p. 51, nII. 72; 203
Earth and Green (1955); p. 88; 532
East Hampton, Guild Hall; 170
East Texas, Museum of; 178, 206
edges; p. 11, 79
Edinburgh, City Art Centre and Fruitmarket; 386, 410, 549, 710
Edlestone, Sidney E., Chicago; 497
Edmonton Art Gallery, Canada; 320
Edwards, Roy; p. 10, 16
Egan Gallery, Charles, New York; 301
Egyptian, ancient, influences; p. 55, 56, 83, 92
Eindhoven, Stedelijk van Abbemuseum; 568, 569, 585, 615, 747
Ekstrom Inc., Galleria Odyssia and Cordier and, New York; 701
El and Sidewalk (1937); p. 33; 103
Elderfield, John; p. 72
Eliot, T. S.; p. 35, n. 23
Elkon Gallery, Robert, New York; 435, 551, 629, 666, 668
Elliot, George S., Chicago; 566
Emmerich Gallery, Inc., André, New York; 381, 399, 569, 707
Enlightenment; p. 87
Entombment I/The Entombment (1944); p. 56, 89, nII. 114; 237
Entombment/Entombment II/Processional I (1943); p. 54, 89, nII. 91, 161, nIII. 294; 222
Entrance to Subway (1938); p. 89, nI. 138; 135
environment, painting as; p. 38
Epstein, Kudge and Mrs. Henry, New York; 606
eschatology; p. 12, 92–94
Esman Galler, Rosa, New York; 481
Essen, Museum Folkwang; 519
Etlin, Richard; p. 93
Evans, Walker; p. 35
Everson Museum of Art, Syracuse; 464
evolutionary theory; p. 54
exhibitions: p. 14, 21, 33, 36, 50, 71, 72, 75, 89, 94
group; p. 72
installation photographs; p. 60, 61, 74, 75
plans; p. 62, 72
reviews; p. 60
selection process; p. 57
see also Basel 1962, Basel 1989, Beyeler 1990, Blau 1993, Contemporary Arts 1933, FIAC 1985, Hayward 1972, Katonah 1994, London 1964, Madrid 1987, Menil 1996, MoMA 1961, MoMA 1970, NGA 1978, NGA 1998, NGA/NLS 1990, Pace 1978–1990, Pace Wildenstein 1997, Paris 1962, Parsons 1951, Philips 1960, Rome 1962, SRGM 1978, Tate 1987, Tate 1988, Whitechapel 1961, Yale 1989, Zurich 1971
existentialism; p. 12, 38, 60, 77, 91
Expressionism; p. 28, 36, nI. 82
Fairfax, Va., George Mason University, Fenwick Library Gallery; 562
Family (c. 1936); p. 30, 31, 33, n. 40, 145, nII. 179; 89
Fantasy (1945); p. 59, n. 124, nII. 161; 282
Fantasy at Dawn [Double-Sided Composition] (1946); n. 123, 124, 130; 297
Farber, Leah; 8
Feigen & Co., Richard L., New York; 428, 503, 696, 705
Feigen Gallery, Richard; Chicago; 695
Feldman, Ronald, Fine Art Inc., New York; 567
Feldman; n. 79
feminism; p. 12
Fenwick Library Gallery, George Mason University, Va.; 562
Ferber, Edith, Estate of, New York; 622
Ferber, Herbert, New York; 237, 256, 356, 622
Ferber, Mr. and Mrs. Herbert; 629
Ferrari, Mrs. Louise; 598
Ferry, W. Hawkins, Grosse Point, Mi.; 752
fertility; p. 52
FIAC 1985; 811
fields (color); p. 11
Fieldstone School Arts Center, N.Y.; 571
figurative works; p. 27–40
Figure Composition (1936/37); p. 33, 34; 91
film noir; p. 13
Finarte, Milan; 550
Finch College Museum of Art, New York; 381
Fitzwilliam Museum, Cambridge; 510
Fleming Museum, Robert Hull, Burlington, Vt.; 240
Flushing, Queens Museum, N.Y.; 570
Fogg Art Museum, Harvard University Art Museums, Cambridge, Ma.; 342, 469, 523, 572, 692, 737–41
Folded Hands (1932/33); p. 27; 25
Formal Figures in Garden (c. 1936); p. 33, n. 124; 86
formalism; p. 12
format (horizontal/vertical); p. 17
Fort Lauderdale, Museum of Art; 723
Fort Worth, Modern Art Museum of, Purchase; 509, 574, 576, 772
Four Darks in Red (1958); p. 85, 89, 93; 611
Four Reds (1957); nIII. 231; 604
Franchetti, Baron Giorgio, Rome; {592}, 593, 605, 606
Frankfurt: Haus des Deutschen Kunsthandwerks; 396
Schirn Kunsthalle; 491, 517
Frankfurter Kunstverein; 568, 569, 585, 747
Frazer, The Golden Rough; p. 51
French, Jared; p. 76
Freud, influence of; p. 12, nI. 89
Fridericianum Museum, Kassel; 588, 592, 627
Fried Gallery, Rose, New York; 269
Friedman, Anita, Fine Arts, New York; 606
Friedrich, Caspar David; p. 12
Frimet, Gilbert M., Michigan; 160
Fuji Television Gallery, Tokyo; 607, 626
Fukuoka: Art Museum; 699
City Bank; 616
Fukuyama Museum of Art, Japan; 727
Gage, Arthur; 12
Gage, John; p. 39
Gagosian Gallery, New York; 435, 581, 615, 725
Gallagher, Jr., Edward J., Baltimore; 543
Gallery 12, Minneapolis; 629
Garfunkels Department Store, Washington; 517
Gauguin, Paul; p. 87
Gehrig, Thomas and Nanette, Munich; 668
Gemeentemuseum, The Hague; 396, 414, 770
Geneva: Musée d’Art et d’Histoire; 615
Musée Rath; 197
Geologic Memory (1946); p. 54, nII. 96; 294
George Mason University, Fairfax, Va., Fenwick Library Gallery; 562
Gerson, Mr. and Mrs. Byron; 221
gesso panel paintings; p. 39
Gesture [?] (1945/46); p. 56, nII. 131; 288
Gethsemane (1944); 244
Gibbs, David, London/New York; 508, 547, 625
Gibson Fine Art Ltd., Thomas, London; 604, 681
Gimpel Fils, London; 544, 546, 569
Gimple Hanover and Emmerich Galerie, Zurich; 569
Givenchy, Hubert de, Paris; 716
Glickstein Foundation, New York; 109, 110
Glimcher, Arne and Milly, New York; 706
Golden Yellow and Magenta (1956); 554
Goldenberg, Ralph and Helyn, Chicago; 584, 609, 695
Goldowsky Gallery, New York; 695
Goldsmid, Lady D’Avigdor, London; 510
Goldwater, Robert; p. 78
Gombrich, Ernst; p. 86
González, Galería Elvira, Madrid; 473, 715, 831
Goreff, Carl and Blanche; nI. 5; 1
Goreff, Leo and Beatrice; 2
Gorky, Arshile; p. 60, n. 57, nI. 64
Goteborgs Konstmuseum, Goteborg; 571
Gottleib Foundation; nI. 87
Gottleib, Adolph; p. 10, 29, 47, 51, n. 1, nI. 6, 56, 87
gouache; 91
Gould, Stephen Jay; p. 53
Gowing, Lawrence; p. 26, 38
Grand Central Palace, New York see under New York
Grand Palais, Paris see under Paris
Graphic Bible, The; p. 14, 52, nI. 33
Gray Gallery, Richard, Chicago; 504, 510, 681, 708
Greece, ancient; p. 47–53, 96
Greek tragedy; p. 54, 96
Greek Tragedy (1941/42); p. 59, 196
Green on Blue (Earth and White) (1956); p. 19; 543
Green Stripe, The (1955); nIII. 54; 524
Green, Irwin and Bethea, Southfield, Mi.; 694
Green, Red, Blue (1955); p. 82, nIII. 181, 214; 536
Greenberg Gallery, St. Louis; 668
Greenville County Museum of Art, S.C.; 491, 549
Grey Art Gallery and Study Center, University of New York; 620
Gribin, Murray A., Los Angeles; 234
Griffin Gallery, Harriet, New York; 556, 566
Gromaire, Marcel; p. 36
Grossman, Mr. and Mrs. Donald, New York; 607
groups and movements
Abstract Expressionism; p. 12, 14, 72, 76
American Scene; p. 32
Art Students League; p. 27
Ashcan School; p. 16
Expressionism; p. 28, 36, nI. 82
Impressionism; p. 87
Modernism; p. 14, 32, 35, 91, 97
New York Artists Painters coalition; p. 50
New York School; p. 91
Post-Modernism; p. 12, 97
Post-Structuralism; p. 12
Primitivism; p. 52
Romanticism; p. 12, 79, nI. 82
Surrealism; p. 35
Symbolism; p. 72, 99, nI. 82
Guerta, Galerie, Madrid; 428
Guggenheim Museum, Bilbao; 483
Guggenheim Museum, The Solomon R., New York; 109, 110, 201, 232, 239, 241, 242, 248, 363, 415, 420, 509, 596, 597, 603, 605, 704, 707, 737, 738, 739, 740, 741, 756, 830
see also SRGM 1978
Guggenheim, Peggy; p. 50
Collections: Venice; 241, 242; New York; 232, 248
Gulbenkian Foundation, Lisbon; 390, 549, 710
Gund, Agnes; 762
Gund, Graham, Boston; 468, 523
Guston, Philip; p. 91
Gyration on Four Planes (1944); p. 56, nII. 133, nIII. 166; 241
Haas, Robert, France; 551
Hachuel, Jacques, Madrid; 473
Hackmey Collection, Joseph; 388
Hadorn, Walter and Gertrude, Bern; 748
Hague, The, Gemeentemuseum; 396, 414, 639, 770
Ham, Collection Marc; 550
Hamilton College see under Root, Edward W.
Harmon Fine Arts Inc.; 745
Hartford National Bank & Trust Company 395
Harvard Murals and related works (1962–63); p. 17, 89, 91–94, nIII. 231, 250, 293, 295, 304; 731–42
Harvard University Art Museums, Cambridge, Ma.; p. 94; 342, 469, 523, 572, 692, 737–41
Haupt, Mr. and Mrs. Ira, Palm Beach; 501
Haupt, Mrs. Enid A., New York and Palm Beach; 501
Hayes, David, New York; 524a
Hays, H. R., East Hampton; 122, 184
Hayward 1972; 380, 394, 414, 454, 463, 477, 487, 495, 505, 511, 597, 620, 635, 641, 665, 691, 702, 746, 764, 811, 825, 830, 831
Hayward Gallery, London; 491, 517
Head of Bayard (c. 1932); p. 27, 28; 19
Head of Woman [Sonia Rothkowitz] (c. 1932); p. 27, 54, 60; 17
Heads (1941/42); p. 51; 186
Heller, Erich; p. 12, 76
Heller, Mr. and Mrs. Ben, New York; n. 137; 499, 503, 509, 519, 532, 557, 594, 611, 616
Henri Gallery, Alexandria, Va.; 625
Hess, Thomas; p. 84
Heyward Cutting, Mr. and Mrs., Chicago; 403
Hierarchical Birds (1944); p. 55, 56, n. 134, nII. 110; 239
Hierophant (1945); p. 50, 55, 56, nII. 122; 281
Hill, Clinton, New York; 155, 434
Hiromoto 1993; 608
Hiroshima City Museum of Contemporary Art, Tokyo; 376, 383, 479, 593, 607, 626
Hirschl & Adler Modern, New York; 358, 534
Hirshhorn Museum and Sculpture Garden; 416, 503, 534, 700
Hirshhorn, Joseph H., Greenwich, Ct.; 700
New York; 416
Ho-Am Art Museum, Seoul see under Seoul
Hoerde, A. Von, Belgium; 615
Hoffelf & Co., Inc., Jeffrey, New York; 456
Hofstra Museum, Hofstra University see under Lowe Gallery, Emily
Hokkaido: Asahikawa Museum of Art; 536
Museum of Modern Art, Sapporo; 812
Holbein, Hans; p. 94
Hölderlin, Friedrich; p. 77
Holland Inc., B.C., Chicago; 358, 696
Holland-Goldowsky Gallery, Chicago; 625
Holocaust, the; p. 56
Holtzman Collection, Joseph; 603
Holy Cross, College of the, Worcester, Ma.; 286, 291, 315
Homage to Matisse (1954); p. 87; 521
Homer; p. 32
Honolulu Academy of Arts; 701
Hood Museum of Art, Dartmouth College; 490
Hoogstraten, Samuel van; p. 26
Hopper, Edward; p. 27, 77, 92
Horam, Vivian, New York; 566, 586, 608
Horizontal Vision (1946); p. 17, n. 124; 296
Houston 1957; 451, 477, 484, 506, 508, 524, 534, 560, 562, 568, 578, 581, 585, 586, 588, 589, 591,
Houston 1957; n. 139
Houston: Chapel see under Rothko Chapel Murals and related works
Congregation Beth Israel; 524
Contemporary Arts Museum; p. 18, 75; 102, 194, 534, 571
Museum of Fine Arts; 247, 270, 275, 524, 598, 671, 701, 752
Rice University, Rice Institute; 785
Houston, Sarah Campbell Blaffer Foundation; 455
Huis ten Bosch Museum of Art, Nagasaki; 812
Humanism; p. 77
Humblebaeck, Louisiana Museum of Modern Art; 493, 767
Hunsiker, Robert, New York; 574
Hunter Museum of Art, Chattanooga, Tn.; 240
Huntingdon Art Gallery, Archer, M., Texas University at Austin; 582
Hurdy Gurdy Man (Left-Handed Banjo Player) (1933); p. 28; 33
Hyderabad, Industrial Exhibition Grounds; 478
Hyman Fine Arts, Linda, New York; 221
Ibaraki, Museum of Modern Art; 421, 501, 607, 626, 727
IBM Gallery of Science and Art; 396, 491
ICA, London; 398, 546
iconography; p. 12, 15, 17, 36, 48, 51, 76, 77, 79, 82, 89, 92, 93
Judaic; p. 59
identification; nI. 17, 23, 31, 36, 107
Illinois: Institute of Technology, Chicago; 559
University: Southern, Carbondale; 398; Western, Dept. of Art; 397; College of Fine and Applied Arts; 392, 403; Krannert Art Museum and Kinkead Pavilion; 397
Impressionism; p. 87
In Limbo (1941/42); p. 51, 79; 188
India Arts and Crafts Society, All, New Delhi; 478
Indiana University; 269, 555
Indianapolis Museum of Art; 523, 633, 732
influences
Babylonian; p. 53
Byzantine; p. 39
Judaism; p. 12
inscriptions; p. 18–21, 28, 27, 32, 33, 48, 54, 57, 60, 61, 71, 90, nI. 12, 104
insignia style; p. 47
Interior (1936); p. 30, 31, 33, 89, nI. 169, nIII. 112; 79
interiors; p. 32
Intimations of Chaos (1945); p. 54, nII. 53, 98, 110, 110; 283
inventory; p. 17–21, 98
Iowa, University of, Museum of Art; 193
Iphigenia and the Sea/Horizontal Phantasy (1943); p. 51, n. 124, nIII. 294; 217
Irene (1933); p. 28, 29, n. 148, nI. 90; 36
irony; p. 83, 84
Isaac Delago Museum of Art, New Orleans; 269
ISC 1995, Japan; 82, 90, 131, 147, 148, 154, 173, 180, 194, 244, 266, 281, 308, 355, 369, 355, 369, 380, 384, 391, 397, 401, 430, 440, 493, 495, 508, 542, 589, 607, 650, 654, 691, 699, 727, 735, 769, 778, 820, 826
Isetan Museum of Art, Tokyo; 536
Israel Museum, Jerusalem; 419, 526, 533, 749
Jackson Gallery, Martha, New York; 574
Janis 1958; p. 89; 588, 590, 592–94, 596, 600, 601, 606, 609, 611
Janis 1995; p. 73; 484, 492, 508–11, 516, 517, 528, 532, 534, 543
Janis Gallery, Sidney, New York; p. 21, 88, n. 40, 138; 398, 400, 401, 409, 437, 444, 450, {453}, 456, 490, 491, 492, 499, 517, 543, 548, 555, 506, 508–10, 517, 519, 522, 524, {530}, 532, 534, 539, 540, 543–47, 549, 550, 552, 553, {554}, 558, 559, 562, 567, 568, 569, 571, 572–76, {577}, 580, 581, 584, 585, 588, 591–94, 600, 601–9, 611, 615, 616, 619, 623, 625–28, 630–33, 669, 674, 678, {684}, 695, 696, 704, 710, 711, 717, 718, 746, 755
Janis, Sidney and Harriet Collection; 710
Janss, Jr., Edwin, Ca.; 574
Janss, William C., Sun Valley; 682
Jaspers, Karl; p. 46
Jerusalem, Israel Museum; 419, 526, 533, 749
Jewish folklore; p. 56
Jewish Museum see under New York
Johnson, Herbert F., Museum of Art see under Cornell University
Johnson, Mrs. Buffle, New York; 233
Johnson, Philip C. Fund; 449
Johnson, Philip, New York; p. 90; 549
Joslyn Art Museum, Omaha; 518, 549, 555
Jouy-en-Josas, Fondation Cartier; 448, 707, 830
Juda Fine Art, Annely, London; 355
Judaic influences; p. 12, 96
Kafka, Franz; p. 12
Kahn, Louis; p. 96
Kalemagdan Pavilion, Belgrade; 396
Kansas City: Art Institute; 543
Nelson Gallery of Art, William Rockhill; 275, 549
Nelson-Atkins Museum of Art; 714, 750
Kant, Immanuel; nI. 83
Kardon, Janet and Robert, Philadelphia; 496
Karnak, Temple of Amun; p. 56
Kasahara Gallery, Osaka; 699
Kasmin Ltd., London; 604
Kasper, Sandra Canning, New York; 456, 503
Kassel, Fridericianum Museum; 588, 592, 627
Kassle, J., Mi.; 436
Katonah 1994; 35, 63, 75, 80, 82, 84, 89, 90, 104, 117, 175, 366
Katonah Gallery, Katonah, N.Y.; 810
Kaufman, Edgar, Pittsburgh; 510
Kaufman, Louis and Annette; 9
Kawamura Memorial Museum of Art see under Chiba-ken
Kelly, Ellsworth; n. 68
Kennedy Galleries, New York; 571
Kennedy, William, New York; 109, 110
Kermode, Frank; p. 10, 12
Kiam, Victor M., New York; 539
Kinney, Mr. and Mrs. Gilbert H.; 494
Klebanoff, Mr. and Mrs. Michael; 480
Klein Family; 10, 11, 18
Klein, Yves; n. 68
Knoedler & Company, New York; 233, 412, 437, 468, 544, 622
Knoedler Galleries & Co., New York; 667
Knoedler, M. & Cie., Paris; 510
Knox, Seymour H., Buffalo; 548
Koerfer, Jacques, Ascona, Switzerland; 808
Kolin, Berthe and Oscar, New York; 514
Krannert Art Museum and Kinkead Pavilion; 397
Krasner, Lee; n. 57
Kreeger, Mr. and Mrs. David Lloyd, Washington; 503
Krimsley, Dr. and Mrs. Joseph M., New York; 269
Krugier Gallery, Jan, New York; 366, 399
Krugier, Galerie Jan, Geneva; 669
Kuh, Katherine; p. 72, 89, n. 40
Kurle, Ruth, Flagstaff; 119
Kyoto: Municipal Museum of Art; 812
National Museum of Modern Art; 543
La Jolla Museum of Contemporary Art; 710
Laguna Gloria Art Museum, Tx.; 574
Lambert, Baron Leon, Brussels; 505
Landau, Emily Fisher, New York; 637
Landscape (1944); 235
(1945); 256
[?] (1936/37); p. 33, 34; 90
landscape, cityscape; p. 14, 28, 35, nI. 15
Lang, Richard, Wa.; 474
Laocoön; p. 48
Lasker, Mrs. Albert D., New York; 697, 711, 712
Last Supper, A (1941); p. 47, 51, 85, 88, nII. 55; 184
Laterman, Bernard and Frances; 406
Lawrence, Galerie, Paris; 683
lawsuit; 12
Macmillan–Browne; p. 14, 52, nI. 83
Lazarus, Mr. and Mrs. Ralph, Cincinnati; 315
lectures; p. 71
Leda (1940/41); p. 52; 182
Lee Gallery, Janie C., Houston; 455
Lehman College Art Gallery, City University of New York; 135
Leichtenstein, Europäische Kunstanstalt; 477
Lenoir Josey Inc., Houston; 234
Leonardo da Vinci; p. 51, 88
Leontieff, Prof. Wassily; p. 89
Lesson (1932/33); p. 28, n. 146, nI. 40; 30
letters; 10, 16, n. 37, 76, 83, nI. 93
Leverkusen, Städisches Museum, Schloss Morsbroich; 605
Levi, Galleria, Milan; 728
Levin; 456
Levine, Anne Marie and Morton, New York; p. 19; 388, 428
Levy, John, London; 406
Lewis Family; 349, 378
Lewis, Sidney and Francis, Richmond; 677
Light Area Over Red (Pink and White Over Red) (1957); 577
Light Cloud, Dark Cloud (1957); 574
Light Earth and Blue (1954); p. 14, nIII. 116; 510
Light Over Black (1957); p. 79; 601
Light Over Deep (1956); nIII. 255; 544
Light Over Gray (1956); p. 89, nIII. 181; 567
lighting; p. 82, n. 9, 10
Lingotto, Turin; 233, 460
Linz, Neue Galerie der Stadt; 757
Lippi, Filippo; p. 36
Lisbon, Gulbenkian Foundation; 390, 549, 710
Liss, Joseph and Mildred, New York; 170
Liss, Joseph, New York; n. 143; 160
List, Albert and Vera, Connecticut; 575
literary theory; p. 12, 32, nI. 77
Lloyd, Mrs. H. Gates, Philadelphia; 547
Loeb-Krugier Gallery, New York; 696
Lombard, Mrs. Jane, New York; 560
London 1964; 666, 689, 693, 700, 721, 723, 752
London; Barbican Art Gallery; 609
ICA; 398, 546
Royal Academy of Arts; 516, 594
Loria, Jeffrey, New York; 538
Los Angeles 1965; 381, 393, 400, 457, 543, 574, 576
Los Angeles: County Museum of Art; 248, 411, 414, 437, 499, 576, 639, 770
Museum of Contemporary Art; 348, 409, 492, 508, 524, 581, 593, 597, 605, 678, 788, 829; Panza Collection; 492, 506, 508, 593, 597, 605, 665, 678; Schreiber Collection; 409, 544
Newspace see under Newspace
UCLA Art Galleries; 457, 619
Louisiana Museum of Modern Art, Humblebaek; 493, 767
Lowe Art Gallery, Joe and Emily, Syracuse University; 464
Lowe Art Museum, University of Miami; 234, 320, 373, 437, 461, 729
Lowe Gallery, Emily, Hofstra Museum, Hofstra University; 265, 300, 310
Lowe, Jeanette; p. 36–37
Ludwig Museum see under Cologne
MacAgy, Douglas; p. 62
MacAgy, Jermayne; p. 75, 302
McAllister Johnson, W.; p. 19
McAlpine, Alistair, London; 435, 448, 496, 551, 808
McCaffree, Estelle; 12
McCroy Corporation, New York; 521
McGinnis, Mr. and Mrs. Patrick B./McGinnis Estate; 455
McKee Gallery, David, New York; 521, 528, 604
Macklowe, Linda and Harry, New York; 455, 675
Macmillan publishers; p. 12, 14, 52, nI. 83
McNay Art Institute, Marion Koogler, San Antonio; 721
Macy’s Department Store, New York; p. 50; 178, 179
Madrid 1987; 59, 135, 144, 214, 239, 296, 310, 312, 319, 391, 401, 405, 414, 419, 421, 424, 442, 447, 455, 487, 493, 507, 513, 523, 526, 528, 532, 541, 549, 583, 601, 612, 686, 691, 702, 710, 721, 730, 746, 777, 759, 817, 820, 826, 834
Madrid: Biblioteca Nacional, Salas Pablo Ruiz Picasso; 709
Centro del Arte Reina Sofia; 491, 517, 811
Español de Arte Contemporaneo; 390, 549, 710
Fundación Caja de Pensiones; 281, 286, 291, 824, 825
Fundación Juan March; 428, 551, 554, 811
Museo Nacional de Arte Contemporáneo; 449
Maeght Fondation, St. Paul de Vence, France; 569, 774, 775, 780
Magazine of Art; p. 62
magic realism; p. 12, 76, 77
Makler, Dr. and Mrs. Paul Todd, Philadelphia; 805
Malevich, Kasimir; p. 77
Malmberg, Anders, Malmo, Sweden; 534
Man Smoking (1933); p. 27, 28; 37
Mancusi-Ungaro, Carol; p. 96
Manitoba School of Art, Winnipeg; 717
Maremont, Arnold H., Chicago; 559
margins; p. 11, 15
Margulies, Martin Z., Fl.; 629, 729, 812
Marin, John; nI. 11
Marks Gallery, Mathew, New York; 775
Marlborough AG Leichtenstein; 391, 399, 402, 405, 407, 413, 415, 419, 420, 429, 345, 448, 452, 453, 454, 460, 462, 463, 465, 467, 469, 471, 473, 475, 480, 482, 484, 485, 487, 489, 493–97, 502–5, 512–16, 518, 521, 523, 525, 527, 529, 530, 531, 538, 539, 541, 551, 560, 561, 566, 570, 579, 582, 586, 587, 589, 595, 596, 598, 613, 620, 635, 638, 641, 649, 650, 652, 656, 664, 670, 671, 674, 676, 677, 680, 681, 686, 687, 690, 691, 691, 694, 702, 709, 716, 719, 720, 725, 726, 728, 729, 732, 735, 743–46, 747, 756–59, 763–66, 768, 770, 772, 774, 775, 777, {778, 780}, 805, 807, 808, 809, 811, 815, 827–33
Marlborough Fine Art Ltd., New York; 452
Marlborough Fine Art, London; 398, 399, 409, 441, 493, 510, 536, 550, 631, 666, 693, 700, 772
Marlborough Galerie AG, Zurich; 452, 453, 664, 677, 728, 748, 768, 805
Marlborough Galleria d’Arte, Rome; 406, 566
Marlborough Gallery, Inc., New York; 441, 451, 465, 469, 471, 473, 475, 480, 482, 484, 494, 496, 497, 453, 528, 505, 512, 514, 518, 521, 525, 527, 535, 538, 554, 588, 673, 674, 679, 684, 716, 769, 822
Marlborough Gallery, London; 448, 529, 831
Marlborough Gallery, New York; p. 18, 20; 668, 709, 724, 743
Marlborough New London Gallery, London; 689
Marlborough-Gerson Inc., New York; 402, 407, 435, 474, 502, 503, 504, 523, 536, 556, 560, 566, 586, 598, 666, 669, 670, 681, 682, 689, 690, 693, 694, 700, 709, 719, 720, 721, 723, 728, 729, 743, 747, 752, 755, 763, 768, 770, 771, 775, 806, 808, 809, 810
Maroon on Blue (1957–60); n. 89; 669
Marron, Donald, New York; 495, 569
Marseille, Musée de, Centre de la Vieille Charité; 276
Marsh, Reginald; p. 35
Marshall Cogan, New York; 586
Marugame Genichiro-Inokuma Museum of Contemporary Art; 536
Marxism; p. 12
Massie, Dr. and Mrs. Edward, St. Louis; 628
Masson, André; p. 52
Materials of the Artist and Their Use in Painting with Notes on the Techniques of the Old Masters, The; p. 28, 39
materials; p. 18, 28, 29, 39, 84, 93, 95, 96, 98
Mathes Gallery, Barbara, New York; 358
Matisse, Henri; p. 29, 87, 88, 96, nI. 87
Matsushita IMP Hall, Osaka; 495
Matsuzakaya Art Museum, Nagoya; 536
Mayer, Galerie Denise René/Hans, Dusseldorf; 456, 668, 751, 754
Mayor Gallery Ltd., London; 510
Mazer, William, New York; 435
Mazoh, Stephen, New York; 388, 629
Meadows, Mr. and Mrs. Algur H., Dallas; 471, 721
media; p. 18, 28, 39
Melbourne, National Gallery of Victoria; 543, 830
Meldrum, David p. 29, 31, nI. 61
Mell; p. 56
Mellon, Mrs. Paul, Upperville, Va.; 451, 475, 484, 512, 525, 527, 535, 588, 833
Menil 1996; 645, 744, 758, 761, 772, 774, 775, 777, 778, 780, 781, 782, 783, 784–87, 789, 790, 805–7, 812
Menil 1996; p. 94
Menil Collection, Houston; 302, 407, 516, 524, 568, 585, 589, 605, 760, 761, 782, 785–804
Menil, Dominique de, Houston; p. 89; 524, 568, 585
Menil, Francois de, New York; 708
Menil, Mr. and Mrs. John de, Houston; 524, 568, 585
Mercer University, Ga.; 105
Mercury Galleries, New York; 64, 102
Meshulan Riklis, New York; 567
Metropolitan Museum of Art see under New York
Metropolitan Scene (c. 1937); 112
Mexico City: Centro Cultural Arte Contemporáneo A.C.; 239, 338, 441, 504, 769
Museo del Palacio de Bellas Artes; 700
Museo de Arte Contemporáneo Rufino Tamayo; 402
Meyer, Franz: Basel; 773
Zurich; 627
Meyer, Mrs. Michael, Kilchberg; 586
Meyerhoff, Robert and Jane, Phoenix, Maryland; 689, 719, 729, 774, 818
Miami: Center for the Fine Arts; 517, 750
University of, Lowe Art Museum see under Lowe Art Museum
Michelangelo Buonarroti; p. 91, 92
Michener Art Collection, University of Texas at Austin; 218
Michigan Museum of Art, Ann Arbor, University of; 404, 561, 571
Middendorf Gallery, Washington; 234
Milan: Finarte; 550
Galeria Blu; 508, 605
Galeria Civica d’Arte Moderna; 449
Palazzo Reale; 506, 508, 593
Permanente Gallery; 571
Miller Gallery, Robert, New York; 282, 566
Milwaukee: Art Center; 536
Art Institute; 486, 536
Art Museum; 536
Minna/The Blue Dress (c. 1932); p. 27, 28, n. 75, 146, nI. 14; 20
Minneapolis Institute of Arts; 437, 491, 629, 714
Minnesota, University of; 392, 401
Minskoff, Collection Edward J., New York; 242
Mint Museum, Charlotte, N.C.; 815
Miró, Fundació Joan, Barcelona; 428, 551, 554, 614, 811
mirroring/doubling; p. 79
Mishkin Gallery, Sidney, Baruch College, New York; 237
Missouri, University of; 470
Mito, Art Tower, Contemporary Art Gallery, Japan; 595, 605, 691
Mitsukoshi Museum of Art, Tokyo; 812
Miyagi Museum of Modern Art; 421, 501, 607, 626
Mnuchin, Adriana and Robert, N.Y.; 515, 545, 575, 594, 615, 687, 724
Modernism; p. 14, 32, 35, 91, 97
Moeller Fine Art Ltd., Achim, New York; 119
Molner, Herbert and Paula, Chicago; 358
MoMA 1961; p. 12, 17, 18; 385, 399, 400, 401, 403, 406, 407, 410, 411, 414, 416, 419, 442, 451, 476, 477, 490, 492, 499, 509, 510, 511, 521, 548, 560, 588, 590, 600, 607, 616, 621, 624, 632, 639, 641, 642, 643, 645, 652, 657, 658, 660, 661, 663, 673, 674, 678, 679
MoMA 1970; 386, 390, 410, 411, 442, 449, 549, 624, 632
MoMA, New York see under New York
Moncrieff, A. R. Hope; p. 54
Mondrian, Piet; p. 62
Montclair Art Museum; 381
Montgomery Museum of Fine Arts; 334
Montross Gallery, New York; p. 32, 33; 58, 59, 62, 71, 79, 80, 81
monuments; p. 92, 93
Morley, Malcolm; p. 98
Morris, Josephine; 393
Morsbroich, Schloss, Städisches Museum Leverkusen; 605
Morson, Gary Saul; p. 38, 50
Mortimer-Brandt Gallery, New York; 206
mosaics; p. 39
Moscowitz, Morris, St. Louis; 474
Mother and Child (1937); p. 48; 99
(1938/39); p. 36, 39, nIII. 123; 146
(c. 1934); p. 29, 83; 55
(c. 1940); nII. 26, 28; 176
see also Untitled [Mother and Child]
Motherwell, Robert; p. 91; 415a
motion; p. 79
Mount Holyoke College Art Museum, Ma.; 523
Movie Palace (1934/35); p. 33; 64
Mugrabi, Jose; 476
multiforms; p. 15, 56, 59, 60, n. 74
Munch, Edvard; p. 35, 36, nI. 22, 70
Munich: Galerie des Amerika Hauses; 292, 450
Haus der Kunst; 256, 420, 691, 695
Municipal Art Galleries, New York; 74, 81
Munson-Williams-Procter Institute, Utica, N. Y.; 269, 334, 464, 543
murals; p. 17, 38, 39, 40, 84, 89–97, n. 68
Murillo, Bartolomé Esteban; p. 36
Murray, Gilbert; p. 47, 50, 51
Museum of Modern Art, New York see under New York
Music (1936); p. 32, 33, nI. 87, nII. 179; 80
music theory; p. 32
myth, mythology; p. 50, 82, 89, 92
Nagaoka, Niigata Prefectural Museum of Modern Art; 491
Nagasaki, Huis ten Bosch Museum of Art; 812
Nagoya, Matsuzakaya Art Museum; 536
Nahem, Edward Tyler; 399, 428
Nahmad Collection, London; 559
Namuth, Hans; p. 95
Naples, Palazzo Reale; 571
Nara Prefectural Museum of Art; 491
Narodnie Galerie, Wallenstein Palace, Prague; 625
narrative; p. 12, 31, 32, 50, 54, 77, 93
National Gallery of Art, Washington see under NGA and Washington
naturalism; p. 36, 39 nature imagery; p. 12
Nebraska-Lincoln, University of, Art Galleries; 401, 555
Sheldon Memorial Art Gallery; 555
Neel, Alice; p. 98
Nelson Gallery of Art, William Rockhill, Kansas City; 275, 549
Nelson, Renée; 205
Nelson-Atkins Museum of Art, Kansas City; 714, 750
Neuberger Museum see under New York, Purchase
Neuberger, Roy R., New York; 571
Neufville Galerie, Paris; 581
Neumann-Willard Gallery, New York; p. 36; 116, 135, 138
Neumann, Mr. and Mrs. Morton G.; 558
Neuwirth, Marjorie G.; 2
Nevada, University of Reno; 105, 672
New Criticism; n. 24
New Delhi: All India Arts and Crafts Society; 478
Lalit Kala Academy; 543
New Gallery, New York; 606
New Jersey State Museum; 695
New Mexico, University of; 703, 543
New Orleans: Isaac Delago Museum of Art; 269
Museum of Art; 437, 690
New Rochelle Post Office murals; p. 40
New South Wales, Art Gallery of, Sydney; 543, 756, 830
New York Artists Painters coalition; p. 50
New York School; p. 91
New York Times; p. 47
New York, Baruch College; 237
Bronx Museum of the Arts; 549
Brooklyn Museum of Art; p. 81, nI. 54; 36, 40, 51, 166, 338, 390, 442, 456
Cathedral Church of St. John the Divine; 568, 585
City University of; 135
Contemporary Arts Gallery; 25, 27, 33, 44, 46, 47
Gallery of Modern Art; 216, 221
Grand Central Palace; 14, 16
Jewish Museum; 82, 113, 206
Metropolitan Museum of Art; p. 56, 88; 334, 381, 405, 421, 446, 476, 486, 620, 628, 683, 707, 709, 712, 771
MoMA; p. 18, 72; 105, 248, 386, 390, 396, 398, 404, 410, 442, 449, 451–53, 457, 465, 467, 468, 519, 524a, 549, 572, 588, 624, 632, 710, 828
Rayburn Foundation; 593
Riverside Museum; p. 14, 33, 37, 38; 156, 157, 161, 162, 166, 172, 174, 177
State Council on the Arts, Syracuse; 334
State Office of General Services; 806
State University of, Oswego; 105; at Albany; 588
at Purchase, Neuberger Museum of Art; 102, 173, 194, 326, 571
University, Grey Art Gallery and Study Center; 620
and see under individual institutions
Newman, Barnett, New York; p. 76, n. 1, 35, 68; 214
Newcomb Art Gallery, Tulane University; 192, 274, 394
Newhouse, Mr. and Mrs. S. I. Jr., New York; 469, 594
Newport Beach 1974; 437, 576, 581, 619, 672, 721, 723
Newspace; 550, 559
Newsweek; n. 31
NGA 1978; 611
NGA 1998; 79, 82, 83, 101, 113, 117, 135, 144, 164, 174, 189, 190, 192, 201, 210, 239, 243, 244, 248, 266, 282, 355, 359, 370, 375, 391, 394, 396, 403, 410, 412, 415, 420, 425, 442, 444, 447, 449, 451, 455, 464, 467, 475, 478, 489, 492, 494, 497, 502, 504, 509, 514, 517, 528, 536, 589, 590, 597, 600, 617, 620, 628, 640, 652, 670, 673, 679, 687, 692, 707, 717, 719, 723, 743, 744, 758, 771, 774, 778, 781, 812, 819, 825, 830
NGA/NLS 1990; 108, 174, 181, 206, 272–74, 287, 289, 290, 314, 319, 332, 360, 365, 394, 414, 418, 461, 834
Nietzsche, Friedrich; p. 16, 17, 18, 50, 96, 99
Nihonbashi Takashimaya Art Galleries, Tokyo; 491
Niigata Prefectural Museum of Modern Art, Nagaoka; 491
No. 1 (1948); nIII. 193; 390
(1949); p. 62, nII. 192, nIII. 207; 408
(1957); nIII. 53; 578
(1961); 691, 694
(1962); 711
(1964); p. 16, 94, 95; 773
(No. 18, 1948) (1948/49); p. 62, nII. 177; 396
(Orange and Yellow) (1951); p. 18; 450
(Royal Red and Blue) (1954); p. 73; 503
(White and Red) (1962); p. 86; 717
No. 2 (1947); 36
(1962); 712
(1963); n. 138; 744
(1964); p. 94, 95, nIII. 314; 774
(Blue, Red and Green) (1953); 485
(Red Maroons) (1962); p. 93, nIII. 231; 718
(Yellow and Orange) (1949); p. 16, 62, nII. 192; 409
/No. 7/No. 20 (1951); p. 18, 71, 85, nIII. 54; 451
/No. 101 (1961); 692
No. 3 (1951); p. 18, 71; 452
(1953) ; n. 102; 486
(1964); p. 94, 95; 775
(1967); 807
(Bright Blue, Brown, Dark Blue on Wine) (1962); n. 138; 719
(Green and Blue) (1957); p. 84, 89, nIII. 52, 256; 581
(Untitled/Orange); nIII. 24; 810
/No. 13 (1949); p. 62; 410
No. 4 (1953); p. 14, 61, 84, nIII. 40; 487
(1964); p. 94, 95, nIII. 307; 776
(Two Dominants) (1950–51); p. 18, 71, 72, 78, 79, n. 89; 453
/No. 32 (c. 1949); p. 62; 411
/No. 4A (1948); 392
No. 5 (1947); 332
(1949); p. 62; 412
(1958); 614
(1964); p. 94, 95, nIII. 249; 777, 778
(Red, Black and Brown-Black) (1963); n. 138; 746
(Reds) (1961); 695
/No. 22 (1950); p. 17, 18, 71, 78, 84, n. 96, nIII. 164; 442
/No. 24 (1948); nII. 179; 386
No. 6 (1947); 356
(1951); p. 18, 71, 82; 454
(1954); p. 73, nIII. 40; 505
(Reds, Light and Dark) (1961); 696
[?] (1964); p. 94, 95, nIII. 314; 779
[?]/No. 12 (1949); p. 62; 413
/Sienna, Orange on Wine (1962); n. 138; 722
No. 7 (1951); p. 18, 71, nIII. 115, 455
(1960); nIII. 163; 673
(1963); 748
(1964); p. 94, 95; 780
(Dark Over Light) (1954); p. 75; 506
(Green and Maroon) (1953); p. 73, 87; 491
[?] (Orange and Chocolate) (1957); 583
/7A/No. 5 (Untitled); 393
/No. 11 (1949); 414
No. 8 (1946); p. 57, nII. 148, 165; 309
(1949); nII. 192; 415
(1952); p. 71; 476
(1953); p. 16, 21, 85; 490
(1960); 674
(1964); p. 88, 94, 95; 781
(White Stripe) (1958); nI. 8; 615
(Yellow and Red) (1951); p. 18, 85; 456
No. 9 (1947); p. 16, 61; 366
(1948); 394
(1951); p. 18, 71, 72; 457
(Dark Over Light Earth/Violet and Yellow in Rose) (1954); nIII. 50, 508
(White and Black on Wine) (1958); p. 89, nI. 8, nIII. 262; 616
[?] (1956); p. 89; 566
/No. 24 (1949); 416
/No. 5/No. 18 (1952); p. 81, 86, nIII. 23, 40, 50, 163; 477
No. 10 (1948); p. 87, nII. 139; 367, 385
(1949); p. 62; 417, 418
(1950); p. 18, 71, 72, 75, 78, 84, nIII. 117; 449
(1952); p. 17, 71, 79, nIII. 35; 478
(1952–53); p. 17, nIII. 35, 186; 483
(1957); nIII. 54; 585
(1958); 617
/Brown, Black, Sienna on Dark Wine (1963); n. 138; 749
No. 11 (1947); p. 6; 334
(1950); p. 71, 78, 85, nIII. 19; 437
(1957); nIII. 54; 386
[?]/No. 2 (Yellow Center) (1954); p. 73; 311
/No. 20 (1949); p. 62. nII. 192; 419
No. 12 (1951); p. 18, 71, 73, 78; 438
(Black on Dark Sienna on Purple) (1960); 678
(Red and Yellow) (1954); 316
No. 13 (1949); p. 62, nII. 193; 397
[?] (1951); p. 18; 439
[?] (1958); nIII. 231; 620
No. 14 (1946); p. 57; 313
(1955); 331
(1960); 679
(1963); 734
(Browns Over Dark) (1963); 733
(Golden Composition) (1949); p. 61, 62, nII. 192, 193, 198; 398
(Horizontals, White Over Darks) (1961); 710
(Painting) (1961); nIII. 314; 701
(White and Greens in Blue) (1957); nIII. 52; 388
/No. 10 (Yellow Greens) (1953); p. 81, nIII. 26; 499
/No. 9 (Red Over Three Browns) (1958); 621
No. 13 (1949); p. 62, nII. 192, 193; 399
(1952); nIII. 26; 482
(1957); p. 75, 82; 389
(1958); 622
(1964); 762
[?] (1951); p. 18; 461
/No. 3 (1956); p. 89, nIII. 53; 360
No. 16 (1956); nIII. 53, 163; 362
(1960); 681, 683
(Ochre and Orange) (1958); 623
(Red, Brown and Black) (1958); nIII. 44; 624
(Red, White and Brown) (1957); p. 17, nIII. 53, 291; 391
(Two Whites, Two Reds) (1957); 390
[?] (1950); p. 18; 447
[?] (1951); p. 18; 462
/No. 12 (Mauve Intersection) (1949); p. 62, nII. 193, 198; 400
No. 17 (Bottle Green and Deep Reds) (1958); 626
(Mulberry and Brown) (1958); 623
/No. 13 (1949); nIII. 98; 401
No. 18 (1946); p. 57, 59; 319
(1948); p. 60; 383, 388, 396
(1951); p. 72; 464
(1963); 736
(Brown and Black on Plum) (1958); 627
/No. 16 (1949); 402
No. 19 (1948/49); p. 61 ; 393
(1949); nII. 187; 403
(Red and Black/Red Over Black on Red) (1960); nIII. 181, 214; 682
No. 20 (1949); 404
(Deep Red and Black) (1957); n. 102; 396
(Yellow Expanse) (1953); p. 17, 75, 79, nIII. 35, 54; 484
No. 21 (1947); 355
(1949); nIII. 180, 191; 405, 407
(1951); p. 72, n. 134; 463
No. 22 (1948); nIII. 101, 373
(1961); 703
(Red Over Plum and Black) (1960); 684
(Reds) (1957); 603
/No. 16 (1949); 406
No. 24 (1947); p. 60; 338
(1951); nIII. 125; 466
(Brown, Black and Blue) (1958); 628
No. 25 (1947); p. 57; 333
(1951); p. 72, n. 119; 467
No. 26 (1947); p. 60, 81; 336
(1948); 381
No. 27 (Light Band) (1954); p. 86, nIII. 116; 309
No. 28 (1962); 727
No. 30 (1949); p. 78; 428
(1962); 730
No. 31 (Yellow Stripe) (1958); 630
No. 32 (1956); 337
No. 36 (Black Stripe) (1958); 631
(Light Over Dark Red) (1955–57); 340
No. 37/No. 19 (Slate Blue and Brown on Plum) (1958); 632
No. 40 (Blue Penumbra) (1957); 608
No. 43 (Mauve) (1960); 683
No. 44 (Two Darks in Red) (1955); p. 88; 539
No. 46 (1957); 597
No. 61 (Rust and Blue) (1953); nIII. 197; 492
No. 64 (1960); nIII. 181; 686
No. 117 (1961); 704
No. 118 (1961); 703
No. 119 (1961); 706
No. 202 (Orange, Brown) (1963); 772
No. 203 [?] (1954); 507
No. 207 (Red Over Dark Blue on Dark Gray) (1961); nIII. 214; 707
No. 210/211 (1960); 680
No. 212 (1962); 713
No. 213 [?] [Harvard Mural Sketch] (1962); p. 93; 733
No. 213 (1961); 708
No. 301 (1959); 663
Noble, Mrs. S. B., Va.; 604
Nodelman, Sheldon; p. 96
Nordrhein-Westfalen, Kunstsammlung, Dusseldorf; 676, 703
Norfolk, Va., The Chrysler Museum of Art; 412, 370
North Carolina Museum of Art, Raleigh; 414, 334, 732, 733
Northwood Institute, Dallas; 336
Norton Art Gallery, The R. W.; 334
Norton Gallery and School of Art, West Palm Beach; 330, 339
notebooks; p. 75, 77, 81 n. 2, 26, nI. 93
Nude (1933); p. 16, 27, 28, 36, 83, n. 147, nI. 28, 130; 38
(1938/39); p. 38, 39, nI. 142; 161
nudes; p. 16, 83
number-titles; p. 17, 18, 57, n. 85, 138
Nuremberg, Kunsthalle; 391, 710
O’Leary, Donald, New York; 218
Oakland Museum; 346, 387, 396, 401
Oberlin College, Ohio; 103, 214
Ochre, The (Ochre, Red on Red) (1954); 317
Odyssia and Cordier and Ekstrom Inc., Galleria, New York; 381, 701
Oedipus (1940); p. 14, 47, 48, 50, 51, 89, nII. 14, 36, 41, 42, 47, 61, nIII. 86; 179
Oklahoma: Art Center; 491, 333
Museum of Art; 334
Old Chapel Gallery, Union College, Schenectady; 334
Old Gold Over White (1956); 371
Olive Over Red (1956); 777
Olympian Play (1943/44); p. 54, nII. 93; 228
Omaha, Joslyn Art Museum; 518, 349, 333
Omen of the Eagle, The, (1942); p. 50, 51, 52, 59, nII. 164; 206
Omen, The (1943); p. 50; 216
Omens of the Gods and Birds/Gods and Birds (1944/45); p. 50, 51, 54, 56, nII. 53, 91, 110; 274
Ontario, Art Gallery of; 717
Ophiuchus Collection, New York; 669
Opportunity Gallery, New York; nI. 15; 11, 12
Orange (1957); 380
Orange and Red on Red (1957); 399
Orange and Tan (1954); 301
Orange and Yellow (1956); nIII. 116; 348
Orange on Red (1936); 330
Orange, Red and Red (1962); 721
Orange, Red, Yellow (1956); 336
(1961); 693
Ordway, Katharine, New York; 302, 380, 391, 810
orientation (of works); p. 16, 17, 90
Orlando Museum of Art; 321
Osaka: City Museum of Modern Art; 626
Kasahara Gallery; 699
Matsushita IMP Hall; 493
Ottawa, National Gallery of Canada; 590, 717
Ovitz, Michael and Judy, Los Angeles; 803
Pace 1978; 635, 639, 649, 630, 632, 634, 636, 639
Pace 1981; 193, 210, 217, 232, 241, 244, 247, 266, 268, 276, 282, 284, 286, 291, 308, 309, 313, 323, 327, 727
Pace 1983; 384, 460, 462, 495, 313, 316, 389, 702, 746, 818
Pace 1985; 814–17, 820, 823–26, 828, 829, 830
Pace 1990; 247, 307, 339, 349, 351, 354, 333, 362, 364, 368, 369, 370, 371, 374, 373, 377, 378, 379, 383, 384
Pace Gallery, The, New York; 193, 242, 243, 282, 309, 315, 349, 373, 377, 378, 380, 383, 420, 424, 436, 433, 463, 479, 493, 496, 306, 313, 338, 339, 346, 373, 373, 390, 394, 396, 607, 617, 618, 623, 629, 633, 637, 639, 641, 643, 662, 669, 675, 687, 690, 708, 713, 723, 743, 773, 803, 812, 818, 819
Pace Wildenstein 1997; 362, 371, 391, 410, 419, 431, 455, 460, 483, 493, 314, 619
Pace Wildenstein, New York; 473, 550, 630
paintings
chronology; p. 12, 14, 17, 19–21, 33, 57, 89, 97, 98, n. 39, 53, 96
composition; p. 11, 95, nI. 51
destroyed; p. 16
edges; p. 11, 79
fields; p. 11
iconography; p. 12, 15, 17, 36, 48, 51, 59 76, 77, 79, 82, 89, 92, 93
margins; p. 11, 15
nudes; p. 16, 83
orientation; p. 16, 17, 90
pendants; p. 17, 28
proportions; p. 11, 73, 94, 95
reflectiveness; p. 11, 84
size; p. 16, 60, 71
texture; p. 11, 15, 56, 84, 85, 94, 95, n. 12
Palazzo Grassi see under Venice
palette; p. 11, 32, 33, 37, 38, 47, 60, 73, 78, 98
Pall Fine Arts, William; 777
Pall Gallery, William, New York; 630
Palm Springs Desert Museum; 409, 317, 603, 829
Palmer Museum of Art, State College, Pa.; 693
Pantzer, Mr. and Mrs. Edward S., New York; 306
Panza di Biumo, Count Giuseppe: Milan; 492, 306, 308, 393, 397, 603
Varese; 663, 678
Pappajohn, John and Mary, Iowa; 819
Parasol Press, New York; 170
Paris 1936; p. 33
Paris 1962; 399, 401, 402, 406, 407, 414, 416, 419, 428, 442, 431, 477, 490, 499, 311, 321, 360, 372, 378, 600, 616, 627, 632, 639, 642, 643, 637, 638, 660, 661, 663, 673, 679, 681, 684
Paris 1972; 242, 244, 391, 394, 401, 402, 414, 413, 431, 463, 477, 487, 492, 493, 316, 333, 397, 633, 641, 639, 663, 673, 677, 679, 691, 764, 780, 811, 823, 830, 831
Paris: Artcurial, Centre d’Art Plastique Contemporain; 767
Centre Georges Pompidou; 449, 492, 324, 368, 383, 597, 755
Grand Palais; 302, 449, 524, 811
Musée des Arts Décoratifs; 585
Musée National d’Art Moderne; 396, 449
Parkinson, Eliza Bliss, New York; 444, 343, 623
Parrish Art Museum, Southhampton, N.Y.; 286, 291, 315, 381
Parsons 1951, 455–62
Parsons, Betty; p. 56
Gallery, New York; p. 18, 54, 56, 57, 60, 61, 62, 71, 84, 88, nI. 20; 269, 302, 311, 334, 358, 366, 367, 381, 388, 392, 393, 396, 397, 403, 406, 412, 416, 417, 449, 455, 464, 476, 478
Party, The (1938); p. 37, 47, nI. 137; 138
Pasadena Art Museum; 234, 388, 619, 682, 809
Passedoit Gallery, Georgette, N.Y.; 89
Pater, Walter; p. 32
Peck, Priscilla, New York; 412
Peddler, The (1924/25); p. 16, 27, 28; 1
pendants; p. 17, 28
Pennsylvania: Academy of the Fine Arts; 246
State University, College of Arts and Architecture; 588
University of, Institute of Contemporary Arts; 400, 416, 547
pentimenti; p. 47
Perlin, Bernard; p. 76
Personage (1946); n. 124; 505
Personage Two (1946); p. 59, nII. 165; 510
personal reminiscence; p. 12
Perth, Art Gallery of Western Australia; 517
Pesch, Dr. Roy, Chicago; 504
Phalanx of the Mind (1945); p. 54, 57; 261
Philadelphia Museum of Art; 241, 496, 541, 592, 605, 695, 710
Phillips 1960; 400, 491, 562, 581, 619
Phillips Academy, Addison Gallery of American Art, Ma.; 233
Phillips Collection, Washington; 400, 491, 517, 562, 570
Phillips Gallery, Washington; 334, 400, 491
Phillips, Mr. and Mrs. Gifford, New York; 457, 619
Phoenix Art Museum; 240, 545, 709
photographs of Rothko; p. 84, 95
Picasso, Pablo; p. 79, nI. 87
Pier 2/3, Walsh Bay, Sydney; 756, 830
Pincus, Mr. and Mrs. David, Philadelphia; 693
Pisa Gallery, Tokyo; 467
Pittsburgh: Carnegie Institute, Dept. of Fine Arts; 478
Carnegie Museum of Art; 528, 714
pittura metafisica; p. 35
Plato and Platonism; p. 15, 32, 36, 50, 98, 99
Pliny the Elder; p. 87
Plum and Brown (1956); p. 75; 568
Poised Elements (1944); p. 56, n. 134, nII. 133, nIII. 166; 242
Poland, National Museum of, Warsaw; 672
Polcari, Stephen; p. 93
Pollack, Sandra and Herbert, Boston; 428
Pollock, Jackson; p. 29, n. 44, 57
Pomini, Dr. Luciano, Busto Arsizio, Italy; 584
Pomona College, Claremont, Ca.; 105
Pompidou, Centre Georges see under Paris
Porter Galler, David; 235
Portland Museum of Art; p. 29; 9, 57, 311, 426, 468, 478, 499, 523, 570
Portrait (1936); p. 33; 81
(1939); p. 85; 164
Portrait of a Young Boy (c. 1932); p. 27, 28, nI. 18, 26; 22
Portrait of a Young Girl (c. 1932); p. 27, 28, nI. 18; 21
Portrait of Joe Liss (1939); nI. 145; 170
Portrait of Mary (1938/39); p. 37, 38, nI. 140; 157
Portrait of Rothko’s Mother (1928/31); p. 29; 13
portraits; p. 27, 28, 29, 33
Possibilities magazine; p. 60
Post-Modernism; p. 12, 97
Post-Structuralism; p. 12
Pottish, Pauline; 97
Power, E. J., London; 398, 409, 544, 546, 550, 626
Prague, Narodni Galerie, Wallenstein Palace; 400, 625
predellas; p. 94
Primeval Landscape (1944); p. 54; 243
Primitivism; p. 52
Princeton University Art Museum; 552
Private Collections; 171, 575, 577, 581, 599, 400, 417, 455, 444, 448, 452, 454, 469, 474, 482, 485, 496, 505, 504, 506, 509, 546, 549, 556, 558, 559, 579, 587, 592, 598, 606, 609, 615, 617, 618, 619, 628, 650, 681, 682, 684, 695, 692, 698, 708, 722, 725, 764, 768, 775, 805, 808, 812, 821
Europe; 399, 495, 547
France; 581, 622, 775; Paris; 465, 671
Germany; 529, 715, 831; Berlin; 406
Italy; 475, 456; Milan; 556, 676; Turin; 398
Japan; 428, 467, 495; Tokyo; 428, 607, 626, 633
London; 573, 604
Seoul; 772
Spain; 477, 544; Madrid; 664
Switzerland; 366, 606, 679, 687, 728, 770, 805, 808; Geneva; 584; Lausanne; 575, 680; Zollikon; 607; Zurich; 485, 586
USA; 453, 697, 711; Bethesda Md.; 234; Boston; 479; California; 434, 479 557, 696, 705; Chevy Chase; 234; Chicago; 681; Cincinnati; 180; Columbus; 633; Fort Worth; 499, 569, 629, 772; Illinois; 119; Los Angeles; 428, 552, 699; New York; 33, 97, 101, 104, 105, 121, 197, 234, 243, 282, 309, 320, 366, 388, 399, 473, 482, 495, 505, 510, 545, 550, 553, 557, 566, 573, 586, 608, 609, 623, 628, 630, 668, 669, 687, 751, 753, 775, 809, 812, 813, 819, 821; Rancho Mirage; 604; Redondo Beach; 32; Seattle; 467; Texas; 453; West Grove; 592
Prizel, Kate Rothko and Christopher Rothko; 4, 5, 7, 14, 16, 69, 129, 131, 147, 148, 149, 151, 154, 165, 349, 375, 377, 378, 383, 408, 483, 498, 610, 635, 638, 639, 641, 645, 654, 656, 659, 783, 784, 827
Prizel, Kate Rothko; 13, 25, 30, 31, 42, 43, 44, 50, 52, 53, 57, 70, 71, 77, 86, 93, 135, 137, 144, 145, 157, 161, 162, 167, 182, 169, 191, 209, 213, 217, 222, 224, 244, 262, 266, 268, 276, 281, 285, 286, 291, 294, 303, 307, 311, 317, 322, 335, 341, 351, 364, 368, 370, 371, 372, 376, 379, 391, 422, 423, 426, 427, 430, 440, 445, 460, 472, 507, 516, 520, 542, 578, 583, 613, 662, 686, 688, 731, 742, 765, 807, 824, 825
process; p. 15, 58, 59
Promenade (1933/34); p. 28, 29; 44
proportions; p. 11, 73, 94, 95
Proposal, The, (1932/33); p. 28, 29, nI. 34, 37; 27
Providence and Cantor Art Gallery, Worcester, Ma.; 286, 291, 315
Providence Art Club; 571
Pugilist, The (1933); p. 28; 35
Purple Brown (1957); 593
Queens Museum, Flushing, N.Y.; 570
quotations; p. 12, 16, 75, 81, 88, 91, 96, n. 31, 61, 83, nI. 1, 83
radio broadcast; p. 29
Ragon, Michael; p. 88
Raphael; p. 48
Rath, Musée, Geneva; 197, 310, 312
Rauschenberg, Robert; n. 68
Ray, Man; p. 12
Rayburn Foundation, New York; 593
Red and Orange (1955); n. 62; 524a
Red Band (1955); p. 88; 530
Red Blouse, The (1933/4); 43
Red, Orange, Orange on Red (1962); n. 138; 714
Reds (1957–58); 609
Reed College, Portland; 9
Reed, Mrs. Samuel; 482
Reens, Paula; 109, 110, 177
reflectiveness; p. 84, 85
Regionalist Art; p. 32
Reina Sofia see under Madrid
Reinhart, Ad; p. 96, n. 68
Reis & Co., Bernard J., New York; 701
Reis, Mr. and Mrs. Bernard, New York; 699, 722, 821
religion
Judaism; p. 12
religious iconography, Christian; p. 93
religious themes; p. 30, 51
religious theory; 96
Rembrandt; p. 29, 30, 31, 36, 60, 83, 88
Renaissance; p. 11, 36
René, Galerie Denise/Hans Mayer, Dusseldorf; 456
Reno: Church of Fine Arts Gallery; 672
Sierra Nevada Museum of Art; 672
University of Nevada; 672
repetition; p. 79
Restaurant [?] (1936/37); p. 33, 34, 37; 93
reviews; nI. 28
Rey Gallery, Marisa del, New York; 581, 668
Reynal, Jeanne, New York; 416
Rhode Island School of Design, Museum of Art; 518
Rice University, Houston; 524, 785–88
Rice, Dan; p. 19, 84, 90, n. 123
Rice, Elmer; p. 35
Richmond Art Center, The, Ct.; 545
Richter, Gerhard; p. 46, 60
Ringling Museum of Art, John and Mable, Sarasota; 477, 652
Rio de Janeiro, Museu de Arte Moderna; 592, 450
Rites of Lilith (1945); p. 56, nII. 132; 266
Ritual I/Ritual (1944); p. 56, nII. 91, 106, 130; 252
Ritual II (1944); n. 94, 134, nII. 72, 130; 255
Riverside Museum, New York see under New York
Road, The (1932/33); p. 27, 28, 35, 36, n. 86, nI. 14, 24, nII. 112; 26
Roberson Memorial Art Gallery, Binghampton, N.Y.; 334
Roberts, Henry C., New York; 101, 104, 105
Robicheau, James, Newport, R.I.; 218
Rochemont, Tizianade, Geneva; 504
Rochester Memorial Gallery of Art; 241, 275, 334
Rockefeller 3rd, Mr. and Mrs. John D.; 596, 667
Rockefeller, Nelson A., New York; 588
Rockhill Nelson Gallery of Art, William, Kansas City; 275
Romanticism; p. 12, 79, nI. 82
Rome 1962; 386, 388, 399, 401, 402, 406, 407, 410, 415, 414, 416, 418, 419, 428, 451, 476, 477, 492, 499, 511, 521, 550, 560, 572, 578, 590, 600, 616, 621, 627, 652, 659, 642, 645, 657, 658, 660, 661, 665, 675, 679, 681, 684
Rome: American Academy; 598
Galleria Nazionale d’Arte Moderna; 571, 672
Room in Karnak (1946); p. 18, 55, 56, 59, 89, nII. 95, 96, 146; 506
Root, Edward W., Art Center, Hamilton College, N.Y.; 334, 464
Root, Edward W.; 254, 334
Roselius Family; 751
Rosen, Israel and Selma; 488
Rosenberg, Adolph; p. 29, 30, 31, nI. 61
Rosten, Mr. and Mrs. Norman; 166
Rothko Chapel Murals and related works (1965–67); p. 15–17, 73, 84, 91–92, 94–97, nIII. 30; 782–804
Rothko, Christopher; 22, 24, 26, 28, 29, 41, 46, 49, 54, 62, 64, 66, 82, 85, 92, 107, 111, 112, 136, 139, 140, 163, 164, 172, 176, 179, 203, 210, 212, 215, 220, 227, 247, 251, 254, 264, 267, 270, 277, 283, 284, 304, 305, 306, 308, 313, 323, 325, 327, 333, 339, 353, 354, 355, 362, 369, 374, 384, 404, 419, 429, 431, 432, 439, 443, 458, 459, 462, 513, 537, 561, 589, 648, 702, 730, 733, 746, 749, 777, 814, 816, 826, 832
Rothko, Edith (sister); p. 39, nI.
Rothko, Mark
classic style; p. 18, 59, 70–99
collaboration; n. 1
early style; p. 26–40
friends; p. 47, n. 79
illustrations; p. 14, 52
interviews; n. 7, 78
inventory; p. 17–21, 98
letters; 10, 16, n. 37, 51, 72, 75, 76, 83, nI. 93
mythic period; p. 47, 82
notebooks; p. 75, 77, 81, n. 2, 26, nI. 93
photographs of; p. 84, 95
quotations; 12, 16, 26, 46, 75, 81, 88, 91, 96, n. 31, 61, 83, nI. 1, 83
signatures; p. 18, 20, 27, 28, 32, 37, 48, 54, n. 40, 84, 123, nI. 15, 34, 101
sketches; p. 27, 90, 91, 93, 95, nI. 5
statements; n. 37, nI. 76
watercolor; nI. 54
writings; p. 10, 12, 26, 60, 76, 79, 86
Rothko Foundation, The Mark; 3, 6, 19, 20, 21, 23, 27, 34–40, 45, 47, 48, 51, 55, 56, 58–61, 63, 65, 68, 72, 73, 75, 76, 79–81, 83, 84, 87–91, 94–96, 98, 102, 108, 113–17, 120, 123–28, 132–34, 138, 141–43, 150, 152, 153, 158, 168, 173–75, 178, 181, 183, 185, 189, 192–202, 206–8, 216, 219, 226, 228–32, 235, 238–41, 246, 248, 249, 255, 257–61, 263, 265, 271–75, 278, 280, 287–90, 292, 293, 295–301, 310, 312, 314, 316, 318, 319, 321, 324, 326–32, 336–38, 340, 342, 343–50, 352, 357, 359–61, 363, 365, 370, 373, 382, 385, 387, 389, 394, 401, 411, 413, ~414, 415, 418, 421, 425, 435, 438, 446, 447, 461, 466, 470, 481, 487, 489, 493, 530, 531, 541, 564, 565, 570, 582, 595, 612, 614, 620, 634, 640, 643, 646, 649–53, 655, 691, 703, 726, 732, 734–36, 744, 756, 759, 760, 761, 766, 767, 778, 780–82, 789, 789, 790, 815, 817, 820, 823, 828, 829, 830, 834
Rothko, Mary Alice, Estate of; 82, 161, 222, 243, 247, 248, 306, 311, 313, 410, 436, 443, 458, 507, 520, 537, 578, 583, 610, 623, 688
Rouault, Georges; nI. 110
Rotman, Sandra, Collection, Toronto; 118, 666
Rotterdam, Museum Boimans Van Beuningen; 674
Rubin Gallery, Lawrence, New York; 468, 604
Rubin, Lawrence, New York; 412, 576, 577, 594
Rubin, William, New York; 468, 490, 576, 616
Rüdlinger, Arnold, Basel; 591
Runge, Philip Otto; p. 79
Rural Scene (c. 1936); p. 33, n. 124; 83
Rutgers University, Jane Voorhees Zimmerli Art Museum see under Zimmerli
Rykwert; p. 92
Ryman; p. 77
Sachar, Meyer and Bella, Brooklyn; 10, 11, 18, 32
Sachar Belsey, Pauline; 33, 97
Sachar Klein, Lilian; 97
Sachs, Edith, New York; 118, 130
Sachs, Richard C., New York; 118, 130
Sackler Museum, Arthur M, Cambridge, Ma; 737, 738, 739, 740, 741
Sacrifice of Iphigenia (1942); p. 50, 53, 54, nII. 91; 210
Sacrificial Moment (1945); p. 83; 278
Saffron (1957); 384
Sainsbury, Sir John, London; 609
St. Augustine; p. 38
St. Gallen, Kunstmuseum, Sweden; 591
St. John the Divine, Cathedral Church of, New York see under New York
St. Louis Art Museum; 235, 404, 464, 469, 692, 714
St. Paul Gallery, Mn.; 275, 398, 580
Saint Paul Gallery and School of Art; 810
Saint Pierre Art Contemporain, Lyon; 421, 755, 759
St. Thomas University, Houston; p, 89
St. Thomas, University of, Art Dept., Houston; 302, 524, 680, 723, 725
Saitama, Museum of Modern Art, Urawa, Japan; 727
Sakura see Kawamura Memorial Museum of Art
San Antonio: Museum of Art, Tx; 334
Marion Koogler McNay Art Institute; 721
San Diego, Fine Arts Gallery; 549
San Francisco 1946; 210, 222, 228, 231, 232, 234, 239, 240, 242, 243, 244, 247, 248, 261, 274, 283
San Francisco 1983; 363, 405, 413, 414, 421, 425, 433, 531
San Francisco: Fine Arts Museum; 396
Museum of Art; 9, 260, 237, 248, 396, 417, 478, 571, 576, 672, 710
Museum of Modern Art; 347, 331, 672, 679, 682
San Jose Museum of Art; 240, 487, 672
Santa Barbara Museum of Art; 206, 710
São Paulo, Museu de Arte Moderna; 454
Sapporo, Hokkaido Museum of Modern Art; 812
Saul, Denise and Andrew, New York; 463
SBC Communications Inc., San Antonio, Tx.; 592
Schenectady, Old Chapel Gallery, Union College; 334
Schimmel, Herbert and Esther; 8
Schimmel, Leah and Samuel; 8
Schreiber, Rita and Taft, Los Angeles; 409, 544
Scott, Geoffrey; p. 77, 96
screen print; p. 58
Scribble Book; p. 29, 39, nI. 83
Scull, Mr. and Mrs. Robert C.; 576, 603, 683, 695
Scully, Vincent; p. 92
Sculptor (1938/39); p. 38, nI. 142; 156
Sculptress (1933/34); nI. 51, 142; 54
Sea Fantasy (1946); n. 124; 298
Seagram Murals and related works (1958–59); p. 15, 17, 84, 88–94, nIII. 264, 265, 268, 271, 283; 634–63
Seagram, Joseph E. & Sons Inc.; 602
Seascape (c. 1940); p. 18, 36, 38, 81, 87, nI. 142, 143, nII. 28; 177
Seated Figure (1939); p. 38, nI. 142, 145; 172
Seated Nude (c. 1934); p. 32, nI. 39, 70; 58
Seated Woman (1933); p. 27, nI. 14; 39
Seattle: Art Museum; 269, 337, 437, 467, 478, 710, 743
Fine Arts Pavilion, World’s Fair; 455, 552, 743
University of Washington Art Gallery; 9
Segal, Thomas, Boston; 821
Seibu Contemporary Art Gallery, Tokyo; 722
Seibu Corporation of America; 383, 727
Seibu Department Stores Ltd., Tokyo; 383
Seibu Museum of Art, Tokyo; 237, 256, 366, 381
Self Portrait (1936); p. 33, 85, nI. 97; 82
(1938/39); p. 29, nI. 71; 160
self-portraits; p. 29, 33, nI. 34
Semel, Jane and Terry; 457, 506
semiology; p. 12
Seoul: Ho-Am Art Musum; 547, 568, 604, 715
Gana Art Gallery; 812
serialism; p. 38
Seuphor, Michael; p. 96
Sezon: Museum of Art, Tokyo; 593, 607, 626, 673
Museum of Fine Art, Tokyo; 376, 383, 479
Museum of Modern Art, Karuizawa, Nagano; 673
SFA Gallery, Stephen F. Austin State University, Tx.; 178, 206
sfumato; p. 81, 88
sgraffiti; p. 85
shadow; p. 15, 85–88, 96
Shahn, Ben; p. 76
Shalom, Steve, Philadelphia; 496
Shanghai Bowuguan; 523
Sheldon Memorial Art Gallery; 555
Shiga, Modern Museum of Art, Otsu; 727
Shigeki Kameyama, Tokyo; 616
Sienna, Black on Dark Red (1959); 667
Sierra Nevada Museum of Art, Reno; 672
signatures; p. 18, 20, 27, 28, 32, 37, 48, 54, n. 40, 84, 123, nI. 15, 34, 101
Silverman Gallery, Manny, Los Angeles; 566
Siskind, Aaron; p. 18, 61, 62
Sisler, Mary, New York; 524a
Sketch Done in Full Sunlight (1925); p. 17, 27, 35, 36, n. 86, 94, nIII. 203; 4
Sketch in the Shade (1925); p. 17, 27, n. 94, nI. 5, nIII. 112, 203; 3
sketches; p. 27, 90, 91, 93, 95, nI. 5
Slifka, Joseph, New York; 581, 616
Slow Swirl at the Edge of the Sea (1944); p. 16, 56, 79, 81, nII. 114, 132, 135; 248
Smart Museum of Art, The David and Alfred; 712
Smith Art Gallery, George Walter Vincent, Springfield, Ma.; 235
Smith College Museum of Art, Ma.; 112, 444, 549
Smith, David; p. 96
Smith, Mr. and Mrs. Tony, N.J.; 395
Smith, Mr. and Mrs. Young M. Jr., S.C.; 556
Smithsonian Institution: National Collection Of Fine Arts; 442
National Museum of American Art; 88
see also Hirshhorn Museum and Sculpture Garden
Smolin Gallery, New York; 104
Smolin, Ira, New York; 101, 104, 105
Solman, Joseph; p. 36
Solomon & Company Fine Art, New York; 109, 110
Solomon R. Guggenheim Museum see under Guggenheim and SRGM
Sophie (c. 1927); p. 27, 28, 29; 7
Sophocles; p. 96
Sotheby’s London; 584
Sotheby’s New York; 119, 234, 250, 366, 399, 407, 436, 456, 473, 482, 485, 495, 506, 547, 550, 551, 558, 603, 604, 606, 609, 616, 628, 633, 676, 679, 682, 685, 687, 722, 768, 813
Sotheby’s Parke Bernet, Inc; 188, 205, 388, 400, 402, 406, 428, 538, 539, 556, 559, 669, 677, 683, 728, 757, 821
Source, The (1945/46); p. 54, nII. 94, 111 112, 127; 287
Southern Illinois University, Carbondale; 398
Soutine, Chaim; nI. 48
Soyer, Rebecca; p. 47
Spanish Civil War children, benefit for; p. 33, 34
Spanish Institute, New York; 473
spectator; p. 11, 12, n. 19, 37
Speed Art Museum, J. B., Ky.; 269, 334, 398
Spencer Museum of Art, Lawrence, Ks.; 530
SRGM 1978; 13, 25, 70, 77, 79, 82, 117, 132, 135, 144, 161, 164, 166, 174, 178, 195, 198, 201, 206, 210, 214, 216, 217, 221, 231, 232, 239–44, 247, 248, 261, 265, 266, 268, 270, 283, 287, 289, 296, 308–10, 312, 315, 319, 320, 332, 337, 346, 347, 354, 363, 373, 380, 381, 386, 391, 401, 403, 405, 410, 414, 419, 420, 421, 425, 426, 430, 433, 444, 448, 457, 458, 460, 462, 463, 464, 468, 476, 478, 480, 481, 487, 489, 490, 492, 493, 495, 496, 502, 504, 507–11, 514, 516, 518, 521–23, 528, 533, 536, 546, 548, 549, 557, 558, 562, 563, 569, 574, 581, 583, 586, 589, 596, 597, 602, 604, 606, 616, 620, 621, 623, 624, 670, 683, 691, 692, 698, 702, 704, 705, 707, 708, 713, 714, 717, 723–25, 727, 737, 739, 740, 743, 744, 746, 756, 759, 763, 780, 805, 810, 817, 818, 825, 832
Staempfli, Mrs. Emily, New York; 681
Stamos, Theodorus, New York; 406
Standing Figure (1932/33); p. 28, n. 148; 31
Stedelijk 1961; 386, 388, 399, 401, 402, 406, 407, 410, 413, 414, 416, 418, 419, 428, 442, 451, 477, 490, 492, 499, 511, 521, 560, 572, 578, 590, 600, 616, 621, 627, 632, 639, 642, 645, 657, 658, 660, 661, 663, 673, 679, 681, 684
Stedelijk Museum, Amsterdam; 449, 487, 507, 627, 674, 702, 726, 746
Stedelijk van Abbemuseum, Eindhoven, see under Eindhoven
Stein Gallery, Gertrude, New York; 234
Stein, Sophie, Los Angeles; 100
Steinberg Galleries, Maurice, Chicago; 234
Steindecker, Oliver; p. 19, n. 123, 126
Steiner, George; p. 16
Stella, Frank; n. 68; 233, 412
Stephan, John, New York and Newport; 218
Stephen F. Austin State University, Tx., SFA Gallery; 178, 206
Stevens, Wallace; p. 71, 76, n. 23
Still, Clyfford; p. 17, 57, 60, n. 35
Stockholm, Moderna Museet; 556, 721
Stone Gallery, Allan, New York; 197
Strand, Paul; p. 35
Strauss, Mr. and Mrs. Robert D, Houston; 534
Street Scene (1936/37); p. 33, 35, 37; 96
(c. 1937); p. 35, 36, n. 124, nI. 104, 116; 113
Strelow, Galerie Hans, Dusseldorf; 519, 676
studies; p. 18, 39, 47, 95, 95, n. 91
Stuempfig, Walter; p. 76
Stuttgart: Staatsgalerie; 720
Wurttembergischer Kunstverein; 710
subject matter; p. 29
architectural motifs; p. 36, 40, 51, 59
cityscapes; p. 28, 34, 35, 36
figure; p. 38, 39
historical; p. 30
interiors; p. 29, 32, 34
landscape; p. 14, 15, 27
mythology; p. 47, 82
nudes; p. 16, 27, 29 83
portraits; p. 27, 28, 29, 33
religious; p. 33
topographical; p. 35
urban; p. 32, 35
Subway (c. 1937); p. 35, n. 124; 111
(1935); p. 32, 33, nI. 40; 71
(1938/39); p. 20, 36, n. 124, nIII. 202; 145
(1939); p. 36, 38, nI. 139, 144, 145, nII. 61; 166
Sugimoto, Hiroshi; p. 12
Summers, Gene and Jacqueline, Sonoma County, Ca.; 819
Sunrise Museums, Charleston; 334
Surrealism; p. 35, 47, 59, 81, 83
Sweeney, James Johnson, New York; 813
Sydney Mishkin Gallery, Baruch College, New York; 237
Sydney: Art Gallery of New South Wales; 543, 756, 830
Pier 2/3, Walsh Bay; 756
Sylvester, David; p. 88
symbolism; p. 14, 32, 50, 52, 54, 59, 92
of color; p. 29, 60, 81–83, 96, nI. 49
Symbolism; p. 72, 99, nI. 82
Syracuse, New York State Council on the Arts; 334
Syrian Bull, The (1943); p. 50, 52, 54, nII. 81, 82, 84, 86; 214
Tacoma Art League; 105
Tan and Black on Red (1957); 607
Tanguy, Yves; p. 81
Tantalus (1944); p. 54, nII. 106; 234
Tartaruga Galeria, Rome; 593
Tate 1987 (London); 59, 79, 82, 135, 161, 174, 178, 206, 214, 239, 244, 247; 270, 296, 310, 312, 319, 324, 363, 391, 401, 405, 414, 419, 421, 424, 442, 447, 455, 458, 460, 462, 487, 491, 493, 502, 507, 513, 516, 518, 523, 526, 528, 532, 536, 541, 549, 561, 583, 601, 602, 612, 617, 636, 642, 644, 647, 657, 658, 660, 661, 663, 686, 691, 702, 710, 721, 730, 746, 749, 759, 777, 817, 820, 826, 834
Tate 1988 (Liverpool); 247, 324, 447, 601, 636, 642, 644, 647, 656–63
Tate Gallery: London; n. 54; 324, 396, 447, 449, 510, 592, 601, 603, 626, 631, 636, 642, 644, 647, 657, 658, 660, 661, 663, 70
Liverpool, St. Ives; 447, 601
Taubman, A. Alfred, Bloomfield Hills; 550
Teacher, Edgar, London; 510
teachers; p. 27
teaching; p. 57, 88
techniques; p. 14, 58, 78–79, 83–86, 88, 93, 96, 98
brushwork; p. 27, 40, 84, 85
chiaroscuro; p. 30, 35, 88
impasto; p. 28, 29
overpainting; p. 47
pentimenti; p. 47
scraping; p. 33
sfumato; p. 85
sgraffiti; p. 38, 60, 71, 83
thin paint; p. 36
Tehran Museum of Contemporary Art; 511, 728
Tel Aviv Museum of Art, Israel; 340, 390, 440, 466, 549, 710, 807
temples; p. 92
Egyptian; p. 56
Ten, The; p. 29, 32, 33, nI. 31
Terra Museum of Art, Chicago; 320, 373, 437, 461, 533, 558
Terra Museum of Art, Evanston; 767
Texas University at Austin: Art Museum; 471, 524, 534, 574, 630, 721
Jack S. Blanton Museum of Art; 218
Texas, East, Museum of Art; 178, 206
Texas, SFA Gallery, Stephen F. Austin State University; 178, 206
texture; p. 11, 56, 84, 85, 94, 95, n. 12
The Four Rabbis (1929); p. 58
The Romantics Were Prompted; p. 26, 60, 76, 79
themes/subjects
Christian; p. 51
disenchantment; p. 98
entombment; p. 94
gaze; p. 33
Judaic; p. 12
margins; p. 15
motion; p. 56, 79
mother and child; p. 48
omens and prophecy; p. 50
shadow; p. 15, 85–88, 96
spectatorship; p. 11, 12, n. 19, 37
time; p. 15, 35, 50, 51, 86, n. 18
Theo, Galería, Madrid; 473, 550, 559
theology; p. 12
Thompson, G. David, Pittsburgh; 416
Three Reds (1955); p. 87; 522
Thru the Window (1938/39); p. 36, nI. 166, nIII. 86; 158
Thyssen-Bornemisza Fundación Coleccion; 709
Timisoara, Museul Banatului; 400, 625
Tiresias (1944); p. 50, 54, 83, nII. 91, 170; 247
Titelman, James, Pa.; 608
titles; p. 14, 17, 18, 19, 21, 54, 57, 71, 72, 83, n. 85, 138
Tokyo: Fuji Television Gallery; 607, 626
Hiroshima City Museum of Contemporary Art; 376, 383, 479, 593, 607, 626
Isetan Museum of Art; 536
Metropolitan Art Museum; 312, 633, 634, 823
Mitsukoshi Museum of Art; 812
Museum of Contemporary Art; 421, 501, 626, 633, 721
National Museum of Modern Art; 543, 607, 626, 727
Nihonbashi Takashimaya Art Galleries; 491
Pisa Gallery; 467
Prince Hotel, Providence Hall, Tokyo; 383, 467, 673
Seibu Contemporary Art Gallery; 722
Seibu Department Stores Ltd.; 383
Seibu Museum of Art; 237, 256, 366, 381
Shigeki Kameyama; 616
Station Gallery; 487
Yayoi Gallery; 604
Toledo Museum of Art; 398, 549, 670
Tooker, George; p. 76, 77
tools; p. 84, 86
Tooth & Sons, Arthur, London; 398, 409, 547, 550
topography; p. 35, nI. 22, 115
Toronto, Art Gallery of Ontario; 717
Toyama, Modern Museum of Art, Japan; 727
Toyota Municipal Museum of Art, Japan; 752
Tracy, Sophie; p. 47, nI. 61
transitional style; p. 14, 46–62, 75, n. 74
Tremain, Mr. and Mrs. Burton, Ct.; 476, 669
Trotskyism; p. 12
Tucson Museum of Art; 334, 543
Tulane University; 192, 274, 394
Turin: Galleria Civica d’Arte Moderna; 508, 584
Lingotto; 233, 524, 825
Turner, Mr. and Mrs. Allen, Chicago; 424
Tutankhamun; p. 55
Tyler, Parker; p. 62
U.S. Administration, Works Progress Administration; 101, 104, 105
Umeda-Osaka, Daimaru Museum; 536
Underground Fantasy (c. 1940); p. 38, nI. 143, 146, nIII. 335; 174
underpainting; p. 85
Union College, Old Chapel Gallery, Schenectady; 334
Untitled (1940/41); p. 47, nII. 41, 90, 175; 181, 183
(1941/42); p. 47, 50–52, 82, n. 101, nII. 14, 25, 26, 90, 175, nIII. 123, 172, 201; 189–95
(c. 1941); nII. 59; 185
(1942); p. 51, 52, 59, 85, nII. 45, 69, 72, 90, 91, 164; 198–202, 204, 207–9, 211, 212
(1942/43); nII. 31; 213
(1943); p. 59, n. 124, nII. 31, 72, 81, 82, 84, 86, 91, 152, 161, nIII. 123, 161, 199, 294; 215, 218, 219, 221, 223–27
(1943/44); 229, 230
(1944); 236, 238, 245, 250–3
(1945); p. 19, 84, n. 84; 255, 257–60, 262, 263, 267–73, 277, 279, 280, 284–86
(1945/46); n. 117; 290–3
(1946); p. 14, 58–60, nII. 150, 175, nIII. 143; 295, 304, 314–18, 320–23
(1947); p. 16, 60, 81, nII. 139, nIII. 99; 324–30, 333, 337–40, 342–50, 352, 353, 357, 359, 360, 363–65
(1948); p. 16, 57, 59, nIII. 97; 368–72, 374–80, 382, 384, 387, 389, 391
(1949); p. 78, 88, n. 62, nII. 197, nIII. 100, 96; 415a, 420–27, 429–33
(1950); p. 17, 18, 78, 84, nIII. 195; 434–36, 438–41, 443, 445, 446, 448, 463
(1951); p. 79, 84; 463
(1952); p. 17, 81, 82, 86, nIII. 23, 107, 181; 469–75, 479–81
(1953); pp. 78, 81, 83, 85, 86, nIII. 312; 489, 493–95, 497, 498
(1954); nIII. 115; 502, 504, 512–15, 518, 520,
(1955); p. 19, 84, 88, nIII. 181; 523, 525–27, 529, 533, 535, 537, 538, 541, 542
(1956); p. 89; 545, 551, 561, 564, 565, 570
(1957); p. 89; 579, 582, 587, 595, 598
(1958); p. 79, 90; 612, 613, 618, 629
(1958 [?]); 610
(1959); 664, 668
(1960); nIII. 214; 670–72, 675–77, 687, 688
(1961); p. 93; 690, 697, 698, 699, 702, 709
(1962); 715, 716, 720, 724, 725, 726, 728, 729
(1963); p. 82, 96, nIII. 214; 743, 745, 747, 751, 753, 757, 758, 759
(1964); p. 88, 94–96, nIII. 310, 314; 709, 763–72
(1966); p. 97; 805
(1967); p. 17; 806, 808, 809
(1968); 811, 812
(1969); p. 17, 19, 97, 98; 813–27
(1969–70); p. 17, 19, 97, 98; 828–34
(Black, Pink and Yellow over Orange) (1951–52); p. 79; 468
(Brown, Red, Black) (1959); p. 86; 666
(Mauve and Orange) (1961); p. 93; 689
(Painting) (1953–54); 500
(Red, Yellow and Blue) (1953); 496
(The Subway) (1937); p. 33, 35; 104
[Artist and Model] (1937/38); 130
[Children Around a Table] (1937); nI. 137; 107
[Circus Scene] (1932/33); p. 29, nI. 28, 53; 28
[Cityscape] (c. 1936); p. 33, 35, 36, n. 86; 85
[Couple Kissing] (1934/35); nI. 124; 69
[Double-Sided Composition] (1947); 344
[Double-Sided Composition] (c. 1937); 110
[Female Head] (1938/41); 143
[Female Nude] (1934/35); p. 29; 66
[Female Nude Standing by a Fireplace] (1937/38); 126
[Figure and Doorway] (1937/38); 121
[Figure Lying on Park Bench] (c. 1936); p. 33, nII. 179; 84
[Figure with a Racket] (1938/39); p. 39; 150
[Four Figures in a Plaza] (c. 1937); p. 35, 36, nI. 115, 12; 114, 115
[Girl with Pigtails] (c. 1934); nI. 52; 61
[Landscape] (c. 1928); nI. 15; 11
[Lobby] (1936/37); 92
[Male Portrait] [recto] (1935/36); p. 29, nI. 97; 78
[Man and Two Women in a Pastoral Setting] (c. 1940); nII. 26; 175
[Man and Woman at a Table] (1932/33); 29, 57
[Man and Woman Holding Hands] (1936/37); 95
[Man with Green Face] (1934/35); p. 83; 65
[Man with Racket and Ball] (1939); nI. 145; 168
[Mother and Child] (1937); p. 48; 100; (1938/39); p. 39; 155
[Mrs. Irving Tow] (1937/38); 119
[Musicians] (1935); nI. 39; 72
[Nude] (1937/38); p. 36; 117, 123, 124; (1939); nI. 13, 145; 171
[Oregon Landscape] (1928/30); nI. 15, 37, nIII. 112; 12
[Portrait of Edith Sachar] (c. 1932); nI. 16, 18; 18
[Portrait of Leah Farber] (c. 1927); p. 27, nI. 12, 37; 8
[Reclining Nude] (1933/34); p. 29; 42; (1937/38); 120
[Reclining Female Nude] [verso] (1934/35); 67; [recto] (1947); 341, 351, 354, 362
[Scene with Female Nudes] (1933/34); p. 29, 31; 49
[Scene with Nude Figures] (1933/34); p. 29, 31; 48
[Sculptress] (1933/34); n. 121, nI. 142; 53; (1934/35); 63
[Seated Man] (1938/39) p. 38; 163
[Seated Woman] (1938); nI. 146; 136
[Standing Female Nude] (1935/36); p. 36, nI. 130; 77
[Standing Man and Woman] (1938); p. 79, nII. 10, 148; 144
[Still-Life in Front of a Window] (1937/38); 132
[Still-Life with Bananas and Apples] (c. 1928); 10; [recto] (c. 1938); p. 59; 142
[Still-Life with Bananas, Apples and Eggs] (1932/33); p. 83; 32
[Still-Life with Clock and Vase] (1938/39); 147
[Still-Life with Mallet, Scissors and Glove] (1938/39); 153
[Still-Life with Mallet, Scissors and Two Gloves] (1938/39); p. 16, 39; 52
[Still-Life with Pitcher and Fruit] (c. 1926); p. 27; 6
[Still-Life with Radio] (1938/39); 151
[Still-Life with Rope, Hammer and Trowel] [Double-Sided Composition] (c. 1937); 109
[Still-Life with Two Flowers and Banana] (1939); p. 38, 59; 169
[Still-Life with Vase and Bottle] (1937/38); 128
[Still-Life with Vase and Two Statues] (1937/38); nI. 166; 134
[Still-Life with Vase, Bottle and Eggplant] (1937/38); 129
[String Quartet] (1935); p. 36; 73
[Study for New Rochelle Post Office Mural] (1938); p. 39, 60; 159
[Study for Social Security Building Mural] (1940); p. 39, 47, nI. 168, 169, nII. 23; 180
[Street Scene with Walking Man] (c. 1934); p. 29; 60
[Subway Entrance] (1939); p. 36, nI. 145; 167
[Subway] (1939); nI. 145; 165
[Subway] (c. 1937); 108
[Three Girls in a Landscape] (1933/34); 45
[Three Women and a Child with Mannequins] (1936/37); p. 36, 79; 98
[Three Women Talking] (1938); nII. 30, nIII. 133; 137
[Three Women] (c. 1935); 75
[Two Female Nudes] (1938/39); 149
[Two Jews] (1924/25); p. 28, 36, n. 86; 2
[Two Nudes in Front of a Screen] (1937/38); n. 94; 122
[Two Nudes Standing in Front of a Doorway] (1939); p. 36, 79, nII. 35, nIII. 201; 173
[Two Nudes] (1933/34); p. 29, 31, 33; 50
[Two Seated Women] (1933/34); nI. 40; 51; (c. 1934); 56
[Two Women at a Window] (c. 1937); 101; (1938/39); p. 36; 154
[Two Women at a Table] (1937/38); p. 39, nIII. 201; 131
[Vase of Flowers] (1937/38); nI. 44; 133; [verso] (1943); 220; (1945); 264; (1946); 303; (1946); p. 58, 59; 307
[Waiting Room] (1935); 70
[William and Rose Sachar] (1936/37); 97
[Woman and Girl by a Window] (1936/37); 94
[Woman and Seated Man] (1933/34); p. 33; 52
Woman and Two Children] (1937); p. 35; 105
[Woman Arranging Flowers] (c. 1935); 76
[Woman in Subway] (c. 1938); p. 36, 39, 47, nII. 10; 139, 140, 141
[Woman Reclining on a Couch] (1938/39); p. 36, 39; 148
[Woman Reclining by a Tree] [Double-Sided Composition] (1937/38); nII. 179; 125
[Woman Standing by a Window] (1937/38); 127
[Woman with Sculptures] (1934/35); p. 83; 68
[Women in a Hat Shop] (c. 1936); p. 33, 36, 79; 87, 88
/Votive Figure [?] or Orison [?] (1946); 301
[gouache and pencil on paper] (c. 1940); p. 51
[gouache on paper] (1940); p. 48
[gouache on paper]; p. 36
[watercolor on paper] (1937/39); p. 48
Uptown Gallery, Continental Club, New York; n. 147; 30, 31, 34, 35, 43, 54, 55
Urban Gallery, Nagoya—New York—Paris; 366, 388, 428, 505, 510, 550, 566, 584, 607, 630, 633
urban scenes; p. 32, 35
Utica, N.Y. see under Munson-Williams-Procter Institute
Van Gogh, Vincent; p. 29
Vanderwoude, Calvin R., Inc, Palm Springs; 579
Vasari, Giorgio; p. 77, nI. 93
Vassar College, Art Dept., Poughkeepsie; 334, 396
Venice 1958; 588, 590, 592, 593, 594, 596, 600, 601, 609, 611
Venice 1970; 391, 405, 463, 465, 469, 475, 487, 489, 497, 504, 514, 520, 526, 528, 579, 587, 596, 620, 635, 674, 691, 716, 725, 746, 756, 765, 827
Venice, Palazzo Grassi; 506, 569, 592
Venus of Ephesus; p. 48
Verdant Memory [?] (1946); p. 54, nII. 96; 300
Vermeer, Jan; p. 38–39, 88
Vernal Memory/No. 12 (1946); p. 57, nII. 165, 170, 311
Vevey, Musée Jenisch, Switzerland; 504, 569, 811
Vibrations of Aurora (1944); p. 54, 56, nII. 97, 114, 135; 246
Vickrey, Robert; p. 76
Victoria, National Gallery of, Melbourne; 543, 756, 531 830
Vienna: Akademie der Bildende Kunst; 393, 450
Museum des 20. Jahrhunderts; 390, 549, 710
Wiener Secession Galerie; 396
Villeneuve d’Ascq, Musée d’Art Moderne du Nord; 676
Violet Bar (1957); 575
Violet Center (1955); nIII. 50; 534
Violet Stripe (1956); 552
Virginia Museum of Fine Arts; 400, 549, 677, 809, 817
Vision at End of Day (1946); n. 124; 299
Vitruvius; p. 77
Votive Figure [or] Orison (1945/46); nII. 131 ; 289
Vuillard, Edouard; nI. 51
Waddington Galleries Limited, London; 435, 496, 551, 604, 626, 808
Wade, Mrs. Jane, New York; 604
Wadsworth Atheneum, Hartford; 101, 381, 395, 630, 692, 766
Wakayama, The Museum of Modern Art; 607
Walker 1983; 691, 726, 744
Walker Art Center, Minneapolis; 232, 413, 489, 539, 576, 744
Wallenstein Palace, Narodni Galerie see under Prague
Wallraf-Richartz Museum, Cologne; 532
Walsdorf, Mr. and Mrs. James, Chicago; 696
Wannamaker’s Picture Gallery, John, New York; 96
Warsaw, National Museum of Poland; 672
Washington University, St. Louis; 269, 397, 692
Washington, University of, Seattle; 9
Washington: Gallery of Modern Art; 105, 478, 559
Garfunkels Department Store; 517
National Collection of Fine Arts; 400, 571, 625
National Gallery of Art; 3, 6, 15, 17, 19–21, 23, 27, 34–40, 45, 47, 48, 55, 56, 58–61, 63, 65, 68, 72, 73, 75, 76, 79–81, 83, 84, 87, 89–91, 95, 96, 98, 102, 108, 114–17, 120, 123–28, 132–34, 138, 141–43, 150–53, 158, 168, 174, 175, 178, 181, 183, 185, 189, 190, 192, 198–200, 202, 206–8, 216, 219, 226, 228, 229–31, 235, 238, 239, 246, 249, 255, 257–61, 263, 265, 271–75, 278, 280, 287–90, 292–300, 310, 312, 314, 316, 318, 319, 321, 329–32, 344, 345, 346, 350, 352, 357, 359–61, 365, 373, 382, 385, 387, 389, 394, 401, 414, 415, 418, 425, 433, 438, 449, 461, 470, 484, 493, 501, 527, 530, 535, 348, 558, 564, 565, 570, 582, 595, 612, 614, 634, 640, 643, 646, 649–55, 691, 719, 732, 734–36, 759, 766, 774, 776, 778, 780, 781, 815, 817, 818, 820, 823, 834; see also NGA
Social Security Building; p. 40
The White House; 517
watercolor; p. 79, 81, 85, nI. 54
Weatherspoon Art Gallery, Greensboro, N.C.; 691
Weber, Max; p. 27, nI. 11, 87, 108
Weinstein, Abraham and Rebecca; 12
Weinstein, Marjorie; 245
Weinstein, Robert, New York; 245
Weinstein, Vernon; 245
Weishaupt, Siegfried, Germany; 456, 669, 754
Weisman, Frederick R., Family Collection, Los Angeles; 499, 581, 615
Weismann, Nancy and Jesse, New York; 171, 723
Weitzman, J. Daniel, New York; 630
Wescott, Barbara, N.J.; 538, 566, 757
Western Illinois University, Dept. of Art; 397
Whereabouts Unknown (paintings); 204, 210, 223, 236, 250, 251, 253, 279, 415a, 534
White and Brick on Light Red (White, Pink and Mustard) (1954); 519
White Center (1957); 576
White Center (Yellow, Pink and Lavender or Rose) (1950); p. 75, 78 ; 444
White Cloud (1956); 546
White Cloud Over Purple (1957); 573
White Over Red (1956); 547
Whitechapel 1961; n. 8; 386, 388, 399, 401, 402, 406, 407, 410, 413, 414, 416, 418, 419, 428, 442, 451, 476, 477, 490, 492, 499, 511, 521, 560, 572, 578, 590, 600, 616, 627, 632, 639, 642, 645, 657, 658, 660, 661, 663, 673, 678, 679, 681, 684
Whitney Museum of American Art: Equitable Center, N.Y.; 240, 487
Fairfield County, Stamford; 240, 268, 487
Whitney Museum of American Art; p. 81; 111, 214, 237, 240, 243, 256, 265, 268, 306, 393, 403, 487, 514, 602, 611, 624
Purchase; 611
Wichita Art Museum; 104
Wiener Secession Galerie, Vienna; 396
Wildenstein & Co., Inc., New York; 176, 214, 275, 281
Wildenstein Gallery, London; 745
Wilke, Ulfert; p. 88
William Doyle Galleries, New York; 160
Williams College Art Museum, Williamstown; 396
Williams, Andy, Los Angeles; 669
Wilmington Fine Arts; 553
Winnipeg Art Gallery; 398
Wise Gallery, Howard, New York; 218
Woman and Cat (1933); p. 28; 34
Woman Combing Hair (1932/33); p. 27; 24
Woman Reading (c. 1933); nI. 90; 40
Woman Sewing (c. 1934); p. 29, 32, 33; 59
Women Talking (1929/32); p. 28; 15
Worcester Art Museum, Ma.; 549, 570
works on paper; p. 27, 28, 48, 59, 79, 81, 91, 92, 98, n. 91, nI. 39, 54
WPA; p. 33, nI. 13; 101, 104, 105
Wright, Bagley and Virginia, Seattle; 478
writings; p. 10, 12, 26, 60, 76, 79, 86
Wurttembergischer Kunstverein see under Stuttgart
Wyeth, Andrew; p. 76, 77
Yale University; p. 27
Yale 1971; 396, 407, 475, 484, 502, 504, 512, 516, 518, 525, 527, 624, 763, 768, 805, 829
Yale 1989; 526, 702, 749, 777, 807, 810
Yale University Art Gallery, New Haven; 343, 455, 548; The Katharine Ordway Collection; 502, 580, 810
Yanoff Family; 67, 78
Yanoff, Morris, New York and Chicago; 67, 78
Yayoi Gallery, Tokyo; 604
Yellow and Blue (1955); p. 82, 86, nIII. 231; 528
Yellow and Gold (1956); 549
Yellow and White (1956); 559
Yellow Band (1956); 555
Yellow Over Purple (1956); 558
Yokohama Museum of Art; 403
York City Art Gallery; 571
Young Memorial Museum, M. H. De, San Francisco; 275
Zekman, Dr. Theodore N., Chicago; 615
Zimmerli Art Museum, Jane Voorhees, Rutgers University; 320, 373, 437, 461
Zurich 1971; 135, 242–44, 274, 380, 391, 394, 401, 402, 414, 420, 451, 454, 462, 463, 465, 467, 477, 485, 487, 495, 505, 506, 511, 516, 521, 535, 586, 589, 591, 597, 620, 627, 635, 641, 659, 665, 673, 676, 679, 684, 691, 702, 705, 709, 732, 746, 758, 759, 764, 773, 774, 780, 825, 830, 831
Zurich: Helmhaus; 627
Kunsthaus; 396, 449, 521, 627