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Index
Matthew Hargraves
Description: Great British Watercolors: From the Paul Mellon Collection at the Yale Center for...
Great British Watercolors: From the Paul Mellon Collection at the Yale Center for British Art
Index
Author
Matthew Hargraves
PublisherYale Center for British Art
PublisherYale University Press
Copyright© 2007 by Yale University
Stable URL: https://aaeportal.com/?id=-20818
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Index
Académie de Dessin de Calais, 90
Ackermann, Rudolph, 1, 64, 109, 124–26
Adam, Robert, 38
Amateurs, 10, 12, 84, 93, 98, 117, 134
Antiquarian works, 28, 93, 101, 103, 134, 164
Aquatints, 27, 82, 86, 99, 160. See also Engraving
Avon Gorge, Bristol, 162
Barrow, Joseph Charles, 124
Bath, 38–41, 56–59
Beaumont, Sir George Howland, 12, 53, 98, 117, 119–22
Beautiful, the, 12, 36
Beckford, William, 12, 48, 50, 53
Bentley, Charles, 182–184
Coast Scene with Shipping, 182, 183
Bethlem Hospital, 194
Blackheath, London, 22
Blake, William, 54, 69–77
influence on other artists, 126, 178
The Parable of the Wise and Foolish Virgins, 68, 76, 77
The Poems of Thomas Gray, “Ode on a Distant Prospect of Eton College,” 69, 70, 71, 72
The Poems of Thomas Gray, “The Progress of Poesy,” 72–73, 74, 75, 76
Board of the Ordnance, 17
Bonington, Richard Parkes, 90, 144, 164, 168–69
influence on other artists, 170, 175, 182, 184
Beach Scene, 168, 169
Boydell, John, 27
Boys, Thomas Shotter, 164, 170–71, 184
Prague, 170, 171
Bridgeman, Charles, 80
Brighton Pavilion, 86
“The Brothers” sketching group, 90, 132
Brown, Capability, 41
Buck, Samuel, 28
The West View of St. Austin’s Abbey in Canterbury, 28, 28
Bulstrode Park, 192
Burke, Bernard, 192
Burke, Edmund, 12, 16, 36, 149
Burke, Glendy, 140
Burney, Edward Francis, 82–83
John Gilpin in the Uxbridge Passage Boat, 82, 83
Burney, Fanny, 82
Burton, John, 53
Butts, Thomas, 76
Byrne, William, 38
Byron, George Gordon Noel, Sixth Baron Byron, 106
Callow, William, 6, 170, 182, 184–87
Blois on the Loire, 184, 185
The Rhine at Assmannshausen, 186, 187
Campbell, Charles, 106
Canaletto (Giovanni Antonio Canal), 20, 95, 98, 99, 154
Capriccio, 11
Castel Gandolfo, 48
Chambers, Sir William, 64
Chandler, Richard, 34
Chiaroscuro, no, 138
Cholmeley, Teresa, 132, 134
Christ Church Gate, Canterbury, 101, 103
Christian, John, 44
Cityscapes, 38
Clare, John, 136–38
Claude Lorrain, 10, 19, 48, 101, 117, 126, 128, 152
“The Clique” sketching group, 194
Collins, William, 152
Colosseum, the, Rome, 34
Constable, John, 14, 16, 53, 117–124, 126, 168
Borrowdale: Evening after a Fine Day, 120, 121
Landscape at East Bergholt, 116, 117, 118, 119
Salisbury Cathedral from the Meadows, 122, 122
Sky Study with Rainbow, 122, 123
Cook, Thomas, 82
Cooke, George, 170
Cooke, W. B., 109
Cordova, Spain, 164
Corot, Camille, 168
Cotman, John Sell, 132–35, 175
Aberystwyth Castle, 132, 133
Yarmouth Sands, Norfolk, viii, 134, 135
Cowper, William, 82
Cox, David, 138
Cozens, Alexander, 12–16, 24, 46, 48, 84, 121, 152
Fantastic Landscape, 14, 16
Mountain Tops (A Mountain Study), 12, 13, 14–15
New Method of Assisting the Invention in Drawing Original Compositions of Landscape, 15
The Various Species of Landscape Composition, in Nature, 12–14, 16, 46
Cozens, John Robert, 34, 38, 46–53, 84
influence on other artists, 15, 95, 103, 105, 114, 119
Between Chamonix and Martigny, 46, 47
Hannibal Showing to His Army the Fertile Plains of Italy, 105
Il Parco degli Astroni—The Wooded Crater Bottom with Hunt in Progress, 52, 53, 114
On the Lake of Nemi, 48, 49
Lake of Vico between Rome and Florence, 50, 51
Crabbe, George, 134
Craig, William Marshall, 2
Crimea, the, 197–98
Cristall, Joshua, 64, 84–85, 143
Mountainous Landscape with Clouds, 84, 85
Cross, Edward, 172
Cruickshank, George, 82
Cubitt, Thomas, 126
Cumberland, William Augustus, Prince, Duke of Cumberland, 17, 19
Curwen, Isabella, 44
Dadd, Richard, 194–96
Sketch to Illustrate the Passions: Suspense or Expectation, 194, 195, 196, 196
Danby, Francis, 162
Daniell, Thomas, 86, 200
Daniell, William, 86–87
Oriental Scenery, 86, 200
Windsor Castle from near Brocas Meadow, 86, 87
Dayes, Edward, 93, 98, 103
De Piles, Roger, 27
Delacroix, Eugène, 144–46
DeWint, Peter, 124, 136–39, 184
Harvest Time: Cumberland, 5, 136–37, 137
Still Life: Pots, Basket and Cloth on a Chest, 138, 139
Dryden, John, 73, 76
Dubourg, M., 160
Ducreux, Joseph, 67
Dughet, Gaspard, 17, 19, 48
Duke, Leonard G., 6
Dunthorne, John, 117
Eastlake, Charles, 198
Edward III, King, 19
Edward IV, King, 19
Egg, Augustus, 194
Egypt, 166, 188, 191
English, Thomas, 44
Engraving, 38, 110–12, 136, 160, 170, 182. See also Aquatints
Eton College, 12
Exeter Change, London, 172
Farington, Joseph, 2–3, 117, 119
Farnley Hall, Yorkshire, 106, 108–9
Fawkes, Walter Ramsden Hawkesworth, 105–9
Fenton, Roger, 198
William Simpson—War Artist, 198, 198
Fielding, Anthony Vandyke Copley, 6, 124, 143–46, 184, 186
The Head of Loch Fyne, with Dindarra Castle, 145, 146, 147
Richmond Hill, 144, 144
Fielding, Nathan, 143
Fielding, Theodore, 182
Figurative watercolor, 54, 69, 84
Flaxman, John, 69
Flaxman, Nancy, 69, 73
Florio, Charles, 58
Fonthill estate, Wiltshire, 53
Forster, Thomas, 121
France, 54, 62, 95, 98–99, 105, 164, 184
Francia, François Louis Thomas, 90–91, 124, 168
Windmill on a Knoll in a Landscape, 90, 91
Fripp, George Arthur, 192–93
Old British Camp in Bulstrode Park, 192–93, 193
Frith, William Powell, 194
Fuseli, Henry, 119
Gabriel, Jacques, 184
Gainsborough, Thomas, 17, 24–27, 30, 121, 154
Open Landscape with Horseman and Covered Cart, 24, 25
Wooded Landscape with Country Cart and Figures, 26, 27
Gautier, Théophile, 164–66
George III, King, 86
George IV, King, 86, 172
Géricault, Théodore, 168
Germany, 106–8, 170, 175, 186
Gerning, Johann von, 109
Gilpin, John, 42
Gilpin, Sawrey, 42
Gilpin, Rev. William, 36, 42
Girtin, John, 99
Girtin, Thomas, 2, 44, 90, 92–99, 101
influence on other artists, 53, 119, 121, 124, 130, 132, 136, 137
Eidometropolis, 98–99
Estuary on the River Taw, Devon, 95, 96
Ouse Bridge, York, 92, 95, 97, 98
Tynemouth Priory, Northumberland, 93, 94
View of the Pantheon from the Arsenal, 99, 99
Gordon, Lord George, 22
Gouache, 19, 20, 27, 109, 146, 148, 154, 158, 172, 175, 180, 192
Grant, William, 80, 81
Gravelot, Hubert François, 22, 24
Gray, Thomas, 17–19, 69–73
Gregory I (the Great), Pope Saint, 28
Greville, George, 2nd Earl of Warwick, 42
Gros, Antoine-Jean, 168
Grotto of Neptune at Tivoli, 34
Hadrian, Emperor, 34
Haines, William, 76
Hamilton, William, 53
Hampstead Heath, 119
Hampton Court, 19
Harcourt, George Simon, 2nd Earl Harcourt, 22
Hardcastle, Ephraim, see Pyne, William Henry
Hardie, Martin, 6
Haydn, Franz Joseph, 58
Haydon, Benjamin Robert, 140
Hayman, Francis, 24
Hearne, Thomas, 38–41, 56, 84, 103
Antiquities of Great Britain, 38
River Landscape with Figures, 40, 41
View of Bath from Spring Gardens, 38, 39, 41
Heath, Charles, 112
Henry VIII, King, 28
Herries, John, 180
Herring, William, 29
Highlands, Scottish, 146, 148
Hills, Robert, 88–89
Forest Pool, 7, 88, 89
Hogarth, William, 17, 24, 46, 82
Boys Peeping at Nature, 73, 73
Hollar, Wenceslaus, 20
A Bird’s-Eye View of Windsor, 20, 20
Hood, William Charles, 194
Hunt, William Henry, 6, 124, 138, 154–59
Barn Interior, 156, 156, 157
A Lady Reading, 154, 155
Plums and Mulberries, 158, 159
Hunt, William Holman, 188
Ibbetson, Julius Caesar, 80–81, 143
Skating in Hyde Park, 81, 81
India, 86, 198–200
Irvine, James, 34
Italy, 29, 30, 34, 42, 46, 109, 175
Jackson, Samuel, 162–63, 192
The Avon near Bristol, 162, 163
Jackson, William, 30
Johnson, James, 162
Jones, Thomas, 30, 34, 42, 46, 50, 53
Karnak, Hypostle Hall, 166
King’s College, London, 134
Knight, Richard Payne, 41, 46, 53
Lake District, 119–21, 143
Lamb, Charles, 82, 142
Lambert, George, 24, 28
Landscape painting: amateurs and, 1, 10, 12, 30, 84
influence of Dutch tradition, 10, 24, 29, 90, 101
sublime, 12, 14, 16, 46, 48, 149
picturesque, 36, 41, 62, 95, 103, 126, 137, 162. See also Watercolor; Topographical works; specific artists
Landseer, Edwin, 172
Landseer, John, 110–12
Lauder, Robert Scott, 166
Lavater, Johann Caspar, 67
Lawrence, Sir Thomas, 162, 172
Lear, Edward, 188–91
Amada, 9:30 am, 12 February 1867, 5, 190, 191
The Dead Sea, 5, 188, 189, 190
Leitch, William Leighton, 110
Lennox, Charles, 3rd Duke of Richmond, 54
Leslie, C. R., 121
Lewis, John Frederick, 164, 172–77, 184, 192, 200
Figures and Animals in a Vineyard, 174, 175
A Greek Girl Standing on a Balcony, 175–76, 176, 177
Study of a Lioness, 172, 173
Linnell, John, 76, 126, 180
Lithography, 164, 166, 170, 188, 197, 198, 200
Louis-Philippe, King, 184
Lynch, William Francis, 188
Malton, Thomas (the Younger), 38, 101, 103
Mara, Gertrud Elizabeth, 58
Marchant, Nathaniel, 56
Marine painting, 78, 112–14, 182
Martin, John, 152–53
Travelers on a Road above a River, 152, 153
Mellon, Paul, 6–7
Merivale, John, 30
Michelangelo (Michelangelo Buonarotti), 69, 72, 101
Middle East, the, 188, 194
Milton, John, 178
Monro, Dr. Edward, 194
Monro, Dr. Thomas, 53, 84, 90, 93, 103, 132, 136, 154
Montagu House, London, 22
Moore, James, 92
Mortimer, John Hamilton, 54, 69
Müller, William, 162
Musso, Bonifacio, 152
Nash, John, 86
“New Drawing Book” (Ackerman), 124–26
New Jerusalem Church, the, 69
Northcote, James, 172
Norwich Society of Artists, 132, 134
Old Slaughter’s Coffee-House, 24
Orme, Edward, 160
Palestine, 188
Pall Mall, 64
Palmer, Samuel, 6, 76, 154, 178–81
A Pastoral Scene, 178, 179
Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq., 180, 181, 202
Palmerston, Lord, see Temple, John Henry
Pannini, Giovanni Paolo, 11
Pantheon, the, Rome, 44
Pars, William, 30, 34–35, 42, 46
Temple of Venus and Rome, Rome, 34, 35
Pepys, Samuel, 80
Physiognomy, 67
Picturesque, the, 36, 41, 95, 101, 103, 124, 137, 170, 175, 186
Pine, John, 46
Pine, Robert Edge, 46
Plaw, John, 44
Pollard, James, 160–61
The Greengrocer, 160, 161
Pollard, Robert, 160
Portraiture, 67
Pre-Raphaelite Brotherhood, 188
Prout, Samuel, 164, 170
Pugin, Augustus Charles, Exhibition of the Society of Painters in Water-Colours, 3
Pulteney Bridge, Bath, 38
Pyne, William Henry, 1, 3, 4, 92
Raby Castle, County Durham, 109
Redgrave, Richard, 4
Redgrave, Samuel, 4, 182
Rembrandt (Rembrandt Harmenrz van Rijn), 90
Revett, Nicholas, 34
Reynolds, Sir Joshua, 27, 56, 101
Ricci, Marco, 10, 17, 20
Richmond, Duke of, see Lenox, Charles
Roberts, David, 164–67, 188, 194
The Mosque at Cordova, 164, 165, 166
The Great Temple of Amon Karnak, The Hypostyle Hall, 166, 167
Robson, George Fennel, 88, 148–49, 175
Tryfan, Carnarvonshire, 3, 148, 149, 150–51
Romney, George, 30
Rooker, Michael “Angelo,” 36–37, 38, 46, 103, 105
The Chapel of the Greyfriars Monastery, Winchester, 36, 37
Rosa, Salvator, 152
Roscoe, Thomas, 164
Rowlandson, Thomas, 54–67, 72, 73, 80, 103
Checkmate, 59, 60, 62
The Comforts of Bath, 56, 58
Exhibition of the Society of Painters in Water-Colours, 3
The Gaming Table, 67, 67
The Return of the Fleet to Great Yarmouth after the Defeat of the Dutch in 1797, 61, 62
Scenes at Bath: The Circus Hill, 56, 59
Scenes at Bath: A Concert, 56, 57
A Sporting Cove, 66, 67
Traveling in France, 54, 55, 56
Viewing at the Royal Academy, 64, 65
A Woodcutter’s Picnic, 62, 63, 64
Royal Academy and watercolor artists, 2. See also specific artists
Rubens, Sir Peter Paul, 27, 88
Ruisdael, Jacob van, 24, 101
Ruskin, John, 106, 112, 114, 136, 143, 146, 158, 170, 176
Russell, William, 197, 198
St. Augustine’s Abbey, Canterbury, 28, 101
St. George’s Chapel, Windsor, 19
St. James’s Park, London, 22
St. Martin’s Lane Academy, the, 24
Sandby, Paul, 2, 17–23, 24, 36, 127, 146
An Encampment in St. James’s Park, ii–iii, 20–21, 23
Italianate Landscape with Travelers, No. 1, 17, 18
St. George’s Chapel, Windsor, and the Entrance to the Singing Men’s Cloister, 19–20, 21
Sandby, Thomas, 19
Schumann, Johann Gottlieb, 38
Scott, Sir Walter, 86, 109–10, 143–44, 146
Senefelder, Aloys, 164
Serpentine, Hyde Park, 80–81
Serres, John Thomas, 78–79
A Hoy and a Lugger with Other Shipping on a Calm Sea, 78, 79
Shakespeare, William, 72
Shelley, Percy Bysshe, 166
Shipley’s Drawing Academy, 34
Siberechts, Jan, View from Richmond Hill along the Thames towards Twickenham, 143, 143
Simpson, William, 197–200
Dust Storm Coming On, Near Jeypore, Rajpootana, 200, 201
Mine in the Bastion du Mât, Sebastopol, Crimea, 197, 199
Skelton, Jonathan, 28–29, 117
The Great Gate of St. Augustine’s Monastery, Canterbury, 28–29, 29
Sketching: artistic process and, 5
“The Brothers” sketching group, 90, 132
“The Clique” sketching group, 194. See also specific artists
Sketching Society, 88
Smith, Adam, 160
Smith, John Raphael, 136
Smith, John Thomas, 117
Smith, John “Warwick,” 15, 30, 34, 42–45, 46, 48–50, 64, 84
Alpine Scene, 15, 15
Isola Madre, Lago Maggiore, 42, 43, 44
Lake Windermere from Calgarth with Belle Isle, 8–9, 44, 45
Smollett, Tobias, 38, 41, 56
Society of Antiquaries, 28
Society of Artists of Great Britain, 17, 19, 30, 36, 38, 54
Society for the Encouragement of Arts, Manufactures, and Commerce, 34
Society of Dilettanti, 34
Society of Painters in Water-Colours: creation of, 2, 64, 88, 124. See also specific artists
Somerset House, London, 64
Soulier, Charles, 146
Spain, 164, 175
Stadler, Joseph Constantine, Exhibition of the Society of Painters in Water-Colours, 3
Steen, Jan, 140
Still-life painting, 138, 158
Stothard, Thomas, 82
Stuart, Gilbert, The Skater (Portrait of William Grant), 80, 81
Sublime, the, 12, 14–15, 16, 36, 46, 84, 105, 149
Swedenborg, Emanuel, 69
Switzerland, 42, 46, 105, 162, 175
Taverner, William, 10–11, 19
Landscape with Buildings: Possibly at Richmond, Surrey, 7, 10, 10
Taylor, Isidore Justin Séverin, Baron, 164
Taylor, Basil, 6
Temple, John Henry, 3rd Viscount Palmeston, 198
Thomson, James, 106, 122
Thornburn, Thomas, 92
Titian (Tiziano Vecellio), 27, 69, 105
Titus, Arch of, Rome, 34
Topographical works: evolution of watercolor from, 1
lithography and, 164. See also Landscape painting; specific artists
Towne, Francis, 30–31, 34, 42, 46
View of Lake Coniston, Lancashire, 5, 30, 31, 32–33
Turner, Dawson, 134
Turner, Joseph Mallord William, 2, 16, 36, 44, 53, 93, 95, 101–15, 168
influence on other artists, 132, 170, 184
Andernach, 106, 108, 108–9
Christ Church Gate, 101, 102, 103
Crichton Castle (Mountainous Landscape with a Rainbow), 109–10, 111
Ingleborough from Chapel-Le-Dale, 106, 107
Tours: Sunset: Looking Backwards, 112, 113
Villa d’Este, 103, 104, 105
Yarmouth Sands, 100, 114, 115
Van Dyck, Sir Anthony, 27
Varley, Cornelius, 84, 130–31
Cottages at Llanllyfni, North Wales, 130, 131
Varley, John, 64, 76, 90, 124–28
influence on other artists, 130, 136, 143, 144, 180
An Arch at Holy Island, Northumberland, 124, 125
Chepstow Castle, 126–28, 128
Vauxhall Bridge, 126, 127
Varley, Samuel, 130
Vernet, Joseph, 12
Vertue, George, 10
Victoria, Queen, 146, 170, 186
Walker, John, 126
Wallis, William, 164
Ward, James, 88
Warwick, Earl of, see Greville, George
Warwick Castle, 42
Watercolor: utilitarian origins, 1, 10, 12, 17, 78
and amateur artists 10, 12
rivalry with oil painting, 2, 3, 5, 16, 31, 98, 105, 149, 154, 176, 198
sketches in, 5, 30, 88, 109, 117–118, 124–126, 130, 132, 140, 144, 162, 178, 184, 188–191
and engraving, 22, 27, 34, 38, 56, 62, 86, 109, 110–112, 148, 160, 164, 166, 170, 182, 197, 198, 200
and topography, 10, 11, 17, 19, 20, 24, 28, 30, 34, 36, 44, 78, 93, 101, 106, 191, 192. See also Society of Painters in Water-Colours; Gouache; Landscape painting
Watteau, Antoine, 22
West Indies, 38, 162
Westminster Abbey, 22
Wheatley, Francis, 30
White, James, 30
White, Thomas, 44
Whitehead, William, 22
Wigstead, Henry, 56, 82
Wijnants, Jan, 24
Wilkie, David, 140–42, 164, 175
Grace before Meat, 140, 140, 142
Williams, Iolo, 7
Wilson, Richard, 19, 48, 117
Lake Nemi or Speculum Dianae, 48, 48
Winchester, 36
Windermere, Lake, 44, 120
Windsor Castle, 19, 86
Wise, Henry, 80
Wollstonecraft, Mary, 84
Wombwell, George, 172
Wood, John, I & II, 38
Woollett, William, 38
Workington Hall, Cumbria, 44
Worthington, William Henry, 82
Wright (of Derby), Joseph, 15
Wyattville, Jeffry, 86