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Description: Barnett Newman: A Catalogue Raisonné
Exhibition History
PublisherYale University Press
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Exhibition History
SOLO EXHIBITIONS
Betty Parsons Gallery, New York. Barnett Newman. 23 January–11 February 1950.
The gallery’s typed checklist, on deposit at the Barnett Newman Foundation, inscrutably lists eleven items as numbers 20–26, 28, 29, 33, and 36, including their prices but no titles.
Announcement card
Betty Parsons Gallery, New York. Barnett Newman. 23 April–12 May 1951.
The gallery’s typed checklist, on deposit at the Barnett Newman Foundation, lists sixteen items as numbers 1–1951 through 16–1951, including their prices, mention of identifying colors, and dimensions for nine of them but no titles. A typewritten note tacked to the wall during the exhibition read: “There is a tendency to look at large pictures from a distance. The large pictures in this exhibition are intended to be seen from a short distance.”
Announcement card.
New Gallery, Bennington College, Bennington, Vermont. Barnett Newman: First Retrospective Exhibition. 4–24 May 1958.
Pamphlet with introduction by Clement Greenberg and note by E. C. Goossen.
French and Company, Inc., New York. Barnett Newman: A Selection, 1946–1952. 11 March–5 April 1959.
Exhibition organized by Clement Greenberg.
Catalogue with introduction by Clement Greenberg and poem by Howard Nemerov (written originally for exhibition pamphlet Bennington 1958)
Allan Stone Gallery, New York. Newman—de Kooning. 23 October–17 November 1962.
This show consisted of two simultaneous solo exhibitions.
Unpaginated exhibition brochure with introduction by Allan Stone
Nicholas Wilder Gallery, Los Angeles. Barnett Newman: 18 Cantos. 19 July–14 August 1965
Solomon R. Guggenheim Museum, New York. Barnett Newman: The Stations of the Cross—Lema Sabachthani. 20 April–19 June 1966.
Catalogue with statement by the artist and essay by Lawrence Alloway
Kunstmuseum, Basel. Barnett Newman: 22 Lithographien. 15 March–4 May 1969.
Mimeographed typescript of text in German by Carlo Huber and of Barnett Newman’s “Preface to 18 Cantos
M. Knoedler & Co., Inc., New York. Barnett Newman. 25 March–19 April 1969.
Accompanied by monograph Hess 1969a
The Museum of Modern Art, New York. Barnett Newman 1905–1970: Memorial Exhibition. 21 July–8 September 1970
Pasadena Art Museum. Barnett Newman, January 29, 1905–July 4, 1970. 31 July–30 August 1970.
Checklist
Kammerkunsthalle, Bern. Barnett Newman: Das lithographische Werk. 17 October–22 November 1970.
Pamphlet with text in German by Carlo Huber as well as Barnett Newman’s “Preface to 18 Cantos
The Museum of Modern Art, New York. Barnett Newman. 21 October 1971–10 January 1972.
Accompanied by monograph Hess 1971a
Stedelijk Museum Amsterdam. Barnett Newman. 30 March–22 May 1972.
Catalogue with text by Thomas B. Hess and foreword by Edy de Wilde, both in Dutch (revised version of exhibition catalogue New York 1971c)
The Tate Gallery, London. Barnett Newman. 28 June–6 August 1972.
Catalogue with foreword by Norman Reid and introduction by Thomas B. Hess (revised version of exhibition catalogue New York 1971c)
Grand Palais, Galeries Nationales, Paris. Barnett Newman. 10 October–11 December 1972.
Catalogue with text by Thomas B. Hess and foreword by Blaise Gautier, both in French (revised version of exhibition catalogue New York 1971c)
The Baltimore Museum of Art. Barnett Newman: 18 Cantos. 8 May–31 August 1973
Kunstmuseum, Basel. Barnett Newman: Das lithographische Werk. October–November 1978.
Pamphlet with texts in German by Franz Meyer and Carlo Huber as well as Barnett Newman’s “Preface to 18 Cantos
The Baltimore Museum of Art. Barnett Newman: The Complete Drawings, 1944–1969. 22 April–17 June 1979.
ALSO SHOWN AT: The Detroit Institute of Arts, 7 August–30 September 1979; Museum of Contemporary Art, Chicago, 2 November 1979–6 January 1980; The Metropolitan Museum of Art, New York, 12 February–9 April 1980.
Catalogue by Brenda Richardson
John C. Stoller & Co., Minneapolis. Barnett Newman: 18 Cantos. 9 May–28 June 1980
Stedelijk Museum Amsterdam. Barnett Newman: Tekeningen 1944–1969. 8 September–19 October 1980.
Catalogue with text in Dutch by Barbara Rose
Musée National d’Art Moderne, Centre Georges Pompidou, Paris. Barnett Newman: Les dessins 1944–1969. 14 November 1980–4 January 1981.
Catalogue with texts in French by Pontus Hultén, Alfred Pacquement, and Barbara Rose
Museum Ludwig, Cologne. Barnett Newman: Das zeichnerische Werk. 20 February–29 March 1981.
Catalogue with texts in German by Karl Ruhrberg and Barbara Rose
Kunstmuseum, Basel. Barnett Newman: Das zeichnerische Werk. 9 May–5 July 1981.
Catalogue with texts in German by Christian Geelhaar and Barbara Rose
Dia Art Foundation, Wooster Street branch, New York. Barnett Newman: Four Paintings, 1952–1968. 26 February 1982–March 1984.
Checklist with introduction and artist’s statements
University Gallery, University of Massachusetts, Amherst. The Prints of Barnett Newman. 5 November–17 December 1983.
ALSO SHOWN AT: The Art Museum, Princeton University, Princeton, New Jersey, 19 January–25 March 1984; Yale University Art Gallery, New Haven, Connecticut, 15 August–14 October 1984; Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio, 30 October–9 December 1984; University Art Museum, University of California, Berkeley, 9 January–3 March 1985; Washington University Gallery of Art, Saint Louis, 1 September–13 October 1985; Archer M. Huntington Art Gallery, The University of Texas at Austin, 10 November–17 December 1985; Emory University Museum of Art and Archaeology, Atlanta, 15 January–8 March 1986; The David and Alfred Smart Gallery, The University of Chicago, 26 March–11 May 1986.
Catalogue by Hugh M. Davies and Sally Yard with essay by Riva Castleman
Dia Art Foundation, Wooster Street branch, New York. Barnett Newman: Three Paintings. March 1984–March 1985.
Checklist
Städtisches Museum Abteiberg, Mönchengladbach. Barnett Newman: Das druckgraphische Werk. 6 July–17 August 1986.
ALSO SHOWN AT: Westfälischer Kunstverein, Münster, 22 August–5 October 1986; Graphiksammlung der Eidgenössischen Technischen Hochschule, Zürich, 4 November 1986–25 January 1987; Moderna Museet, Stockholm, 11 April–24 May 1987; Städtische Galerie im Städelschen Kunstinstitut, Frankfurt am Main, 10 June–31 August 1987; Louisiana Museum of Modern Art, Humlebæk, Denmark, 29 November 1986–18 January 1987. Accompanied by exhibition catalogue Amherst 1983, translated into Swedish for the Stockholm showing
The Pace Gallery, New York. Barnett Newman: Paintings. 8 April–7 May 1988. Catalogue with essay by Yve-Alain Bois
Lorence-Monk Gallery, New York. The Etchings and Lithographs of Barnett Newman. May 1990
Gagosian Gallery, Wooster Street branch, New York. Barnett Newman: Zim Zum II. 29 January–14 March 1992.
Catalogue with artist’s statement concerning his concept for a synagogue, originally published in exhibition catalogue New York 1963b, and text by R[obert] P[incus]-W[itten] and E[alan] W[ingate]
Fogg Art Museum, Harvard University Art Museums, Cambridge, Massachusetts. The Prints of Barnett Newman. 2 May–5 July 1992
The Chinati Foundation, Marfa, Texas. Barnett Newman: Notes. 8 October–15 November 1993.
ALSO SHOWN AT: Stedelijk Museum Amsterdam, 23 December 1993–31 January 1994.
Catalogue with text by Franz Meyer
Walker Art Center, Minneapolis. The Sublime Is Now: The Early Work of Barnett Newman: Paintings and Drawings 1944–1949. 20 March–29 May 1994.
ALSO SHOWN AT: Saint Louis Art Museum, 1 July–28 August 1994; PaceWildenstein, New York, 21 October–26 November 1994.
Catalogue with essay by Jeremy Strick
Staatsgalerie Stuttgart. Barnett Newman: Die Druckgraphik. 29 June–8 September 1996.
ALSO SHOWN AT: Camden Arts Centre, London, 20 September–10 November 1996; Kunstmuseum, Bern, Switzerland, 3 December 1996–26 January 1997; Graphische Sammlung Albertina, Vienna, 13 February–20 April 1997.
Catalogue, including catalogue raisonné of the prints, by Gabriele Schor
Kunstsammlung Nordrhein-Westfalen, Düsseldorf. Barnett Newman: Bilder, Skulpturen, Graphik. 17 May–10 August 1997.
Catalogue by Armin Zweite; also an illustrated exhibition brochure with an essay in German and English as well as a short guide in German
Stedelijk Museum Amsterdam. Rondom Cathedra. 8 December 2001–10 February 2002.
Accompanied by special issue of SMA Cahiers
Philadelphia Museum of Art. Barnett Newman. 24 March–7 July 2002.
ALSO SHOWN AT: Tate Modern, London, 19 September 2002–5 January 2003. Catalogue edited by Ann Temkin with essays by Richard Shiff and Ann Temkin and contributions by Suzanne Penn and Melissa Ho
GROUP EXHIBITIONS
A.C.A. Gallery, New York. Can We Draw? The Board of Examiners Says—No! 28 November–11 December 1938.
Folded announcement with introduction and checklist
Uptown Gallery, New York. Art Teachers Association: First Membership Exhibition. 11 March–4 April 1940.
Checklist
Betty Parsons Gallery, New York. Christmas Group Show. 2–30 December 1946. Included one work (not identified) by Barnett Newman
St. Paul Gallery, Minnesota. Exhibition referred to as “Abstract show.” Ca. 1947.
No specifics known
Betty Parsons Gallery, New York. The Ideographic Picture. 20 January–8 February 1947.
Checklist with introduction by B[arnett] B. Newman
The Art Institute of Chicago. The Fifty-Eighth Annual Exhibition of American Painting and Sculpture: Abstract and Surrealist American Art. 6 November 1947–11 January 1948.
Catalogue with essays by Katharine Kuh and Frederick A. Sweet
Betty Parsons Gallery, New York. Survey of the Season. 1–21 June 1948
Betty Parsons Gallery, New York. Group Show. 10–29 October 1949
Betty Parsons Gallery, New York. Group Show 1949–50. 31 May–18 June 1950
Provincetown Art Association, Hawthorne Memorial Gallery, Provincetown, Massachusetts. Post-Abstract Painting 1950: France and America. 6 August–4 September 1950.
Listed, as no. 33, one work by Barnett Newman titled Number 20, not further identified.
Checklist; also flyer listing the 35 participating artists
Walker Art Center, Minneapolis. Contemporary American Painting: 5th Biennial Purchase Exhibition. 15 October–10 December 1950.
Catalogue with introduction by H. Harvard Arnason
Betty Parsons Gallery, New York. Ten Years. 9 December 1955–14 January 1956.
Exhibition brochure with introduction by Clement Greenberg
The Minneapolis Institute of Arts. American Painting 1945–1957: 146 Pictures Representing Outstanding Achievement or Promise by American Artists of the Post-War Era. 18 June–1 September 1957.
Catalogue with introduction by Stanton L. Catlin
Kunsthalle, Basel. Die neue amerikanische Malerei. 19 April–26 May 1958.
Organized by the Museum of Modern Art, New York, under the auspices of The International Council at The Museum of Modern Art.
Catalogue with texts by Arnold Rüdlinger and Alfred H. Barr, Jr., and artists’ statements
Galleria Cívica d’Arte Moderna, Milan. La nuova pittura americana. 1–30 June 1958.
Organized by the Museum of Modern Art, New York, under the auspices of The International Council at The Museum of Modern Art.
Catalogue with texts by Franca Russoli and Alfred H. Barr, Jr., and artists’ statements
Museo Nacional de Arte Contemporáneo, Madrid. La nueva pintura americana. 16 July–10 August 1958.
Organized by the Museum of Modern Art, New York, under the auspices of The International Council at The Museum of Modern Art.
Catalogue with texts by Alfred H. Barr, Jr., et al., including artists’ statements
Hochschule für Bildende Künste, Berlin. Die neue amerikanische Malerei. 3 September–1 October 1958.
Organized by the Museum of Modern Art, New York, under the auspices of The International Council at The Museum of Modern Art.
Catalogue with texts by Porter A. McCray and Arnold Rüdlinger and artists’ statements
Stedelijk Museum Amsterdam. Jong amerika schildert. 17 October–24 November 1958.
Organized by the Museum of Modern Art, New York, under the auspices of The International Council at The Museum of Modern Art.
Catalogue with texts by Alfred Barr [sic] and Porter A. McCray and artists’ statements
Carnegie Institute, Department of Fine Arts, Pittsburgh. The 1958 Pittsburgh Bicentennial International Exhibition of Contemporary Painting and Sculpture. 5 December 1958–8 February 1959.
Catalogue with introduction by Gordon Bailey Washburn
Palais des Beaux-Arts, Brussels. La nouvelle peinture américaine. 6 December 1958–4 January 1959.
Organized by the Museum of Modern Art, New York, under the auspices of The International Council at The Museum of Modern Art.
Catalogue with introduction by Alfred A. Barr, Jr., and artists’ statements
Musée National d’Art Moderne, Paris. Jackson Pollock et la nouvelle peinture américaine. 16 January–15 February 1959.
Organized by the Museum of Modern Art, New York, under the auspices of The International Council at The Museum of Modern Art.
Catalogue texts by Jean Cassou and Sam Hunter
Tate Gallery, London. The New American Painting. 24 February–22 March 1959.
Organized by the Museum of Modern Art, New York, under the auspices of The International Council at The Museum of Modern Art.
Catalogue with text by Alfred H. Barr, Jr., and artists’ statements
Kunstmuseum, St. Gallen, Switzerland. Neue amerikanische Malerei. 14 March–26 April 1959.
Catalogue with texts by E. Naegeli, Hans Thelen, and R. Hanhart
Kimura Gallery, Tokyo. Six American Abstract Painters: Motherwell, Newman, Okada, Rothko, Tobey, and Youngerman. 4–30 April 1959.
Catalogue
The Museum of Modern Art, New York. The New American Painting: As Shown in Eight European Countries, 1958–1959. 28 May–8 September 1959.
Previously circulated in Switzerland, Italy, Spain, Germany, The Netherlands, Belgium, France, and England.
Catalogue edited by Dorothy C. Miller (reprint of exhibition catalogue London 1959, with additions)
French and Company, Inc., New York. Summer Gallery Exhibition: Paintings and Sculpture. Summer [1959].
Folded announcement card with checklist
Rome–New York Art Foundation, Rome. Moments of Vision. July–November 1959.
Catalogue with introduction by Herbert Read
Museum Fridericianum, Kassel, Germany. II. Documenta ’59: Kunst nach 1945. 11 July–11 October 1959.
Catalogue in three volumes with introduction by Werner Haftmann
Whitney Museum of American Art, New York. Annual Exhibition of Contemporary American Painting. 9 December 1959–31 January 1960.
Catalogue
The Columbus Gallery of Fine Arts, Columbus, Ohio. Contemporary American Painting. 14 January–18 February 1960.
Catalogue with introduction by Tracy Atkinson
Ferus Gallery, Los Angeles. Fourteen New York Artists. 18 January–13 February 1960
Galerie Neufville, Paris. Group show. 23 February–22 March 1960.
Participating artists: Gottlieb, Guston, Kline, Marca-Relli, Newman, and Rothko
Galleria dell’Ariete, Milan. Undici Americani. 27 April–May 1960.
Catalogue with essay by Guido Ballo
Everett Ellin Gallery, Los Angeles. Drawings by Fifteen Americans. 12 September–8 October 1960.
Participating artists: Cherry, de Kooning, Frankenthaler, Gottlieb, Guston, Held, Jensen, Kline, Leslie, Lobdell, Motherwell, Newman, Stamos, Stefanelli, Vicente
Betty Parsons Gallery, New York. Drawings 1960. 19 December 1960–7 January 1960.
Announcement card
United States Information Service. Vanguard American Painting. 1961.
Circulated in Yugoslavia, Austria, Poland, and England from 1961 to 1962.
Catalogue with introduction by H. H[arvard] Arnason
Hessisches Landesmuseum Darmstadt, Germany. Abstrakte amerikanische Malerei. 14 April–13 May 1961.
Catalogue with introduction by H. Harvard Arnason
Theater Guild, New York. Art Exhibition and Sale for the Benefit of Dissent Magazine. 6–7 May 1961.
Announcement including list of contributing artists
The Art Institute of Chicago. The Collection of Mr. and Mrs. Ben Heller. 22 September–14 October 1961.
ALSO SHOWN AT: Baltimore Museum of Art, 2–31 December 1961; The Contemporary Arts Center, Cincinnati, 22 January–25 February 1962; Cleveland Museum of Art, 13 March–10 April 1962; California Palace of the Legion of Honor, San Francisco, 30 April–3 June 1962; Portland Art Museum, Portland, Oregon, 15 June–22 July 1962; Los Angeles County Museum of Art, 5 September–14 October 1962.
Organized for circulation by the Museum of Modern Art, New York.
Catalogue with text by Alfred H. Barr, Jr.
The Art Gallery of Toronto. American Paintings Selected by Ben Heller. 13–22 October 1961.
Checklist
The Solomon R. Guggenheim Museum, New York. American Abstract Expressionists and Imagists. 13 October–31 December 1961.
Catalogue with introduction by H. H[arvard] A[rnason]
Decorative Arts Center, New York. The “Art in AmericaShow. 6–22 December 1961.
Benefit for The Lighthouse, New York Association for the Blind.
Checklist as poster
Wadsworth Atheneum, Hartford, Connecticut. Continuity and Change: 45 American Abstract Painters and Sculptors.
11 April–27 May 1962.
Catalogue by Samuel Wagstaff, Jr.
Fine Arts Pavilion, World’s Fair, Seattle. Art Since 1950. 21 April–21 October 1962.
ALSO SHOWN AT: Rose Art Museum, Brandeis University, Waltham, Massachusetts, and Institute of Contemporary Art, Boston.
Catalogue with introduction by Sam Hunter
American Federation of the Arts Gallery, New York. The Educational Alliance: Retrospective Art Exhibit. 29 April–18 May 1963.
Catalogue with texts by John I. H. Baur et al.
Beaverbrook Art Gallery, Fredericton, New Brunswick, Canada. Dunn International Exhibition. 7 September–6 October 1963.
ALSO SHOWN AT: The Tate Gallery, London, 15 November–22 December 1963.
Catalogue
Rose Art Museum, Brandeis University, Waltham, Massachusetts. New Directions in American Painting. 4 October–10 November 1963.
ALSO SHOWN AT: Munson-Williams-Proctor Institute, Utica, N. Y., 1 December 1963–5 January 1964; The Isaac Delgado Museum of Art, New Orleans, 7 February–8 March 1964; Atlanta Art Association, 18 March–22 April 1964; The J. B. Speed Art Museum, Louisville, Kentucky, 4 May–7 June 1964; Indiana University Art Museum, Bloomington, 22 June–20 September 1964; Washington University Gallery of Art, Saint Louis, 5–30 October 1964; The Detroit Institute of Arts, 10 November–6 December 1964.
Organized by Sam Hunter, Poses Institute of Fine Arts, Brandeis University, Waltham, Massachusetts.
Catalogue with introduction by Sam Hunter
The Jewish Museum, New York. Recent American Synagogue Architecture. 6 October–8 December 1963.
ALSO SHOWN AT: The Temple, University Circle at Silver Park, Cleveland, 1–29 February 1964; Rose Art Museum, Brandeis University, Waltham, Massachusetts, 2–31 May 1964; Hopkins Center, Dartmouth College, Hanover, New Hampshire, 15 September–14 October 1964; Rochester Memorial Art Gallery, University of Rochester, Rochester, N.Y., 1–28 February 1965; Architecture Building, University of Notre Dame, Notre Dame, Indiana, 1–30 November 1965; Faculty of Architecture, University of Manitoba, Winnipeg, 12 March–10 April 1966.
Catalogue, including introduction by Richard Meier and, among other statements, Barnett Newman’s concerning his concept for a synagogue
Sidney Janis Gallery, New York. Eleven Abstract Expressionist Painters. 7 October–2 November 1963.
Catalogue
Dilexi Gallery, San Francisco. Forty-Six Works from New York. 12 November–7 December 1963.
Illustrated checklist
Whitney Museum of American Art, New York. 1963 Annual Exhibition of Contemporary American Painting. 11 December 1963–2 February 1964.
Catalogue
The Jewish Museum, New York. Black and White. 12 December 1963–5 February 1964.
Catalogue with introduction by Ben Heller
National Gallery of Art, Smithsonian Institution, Washington, D.C. Paintings from the Museum of Modern Art, New York. 16 December 1963–22 March 1964.
Catalogue with preface by John Walker, foreword by René d’Harnoncourt, and introduction by Alfred H. Barr, Jr.
Moderna Museet, Stockholm. Önskemuseet/The Museum of Our Wishes. 26 December 1963–16 February 1964.
Catalogue with texts in Swedish by Gerard Bonnier and K. G. H[ultén]
American Federation of the Arts Gallery, New York. Drawings from the Collection of Betty Parsons. 1964.
Circulated widely from 1965 to 1968
The Solomon R. Guggenheim Museum, New York. Guggenheim International Award 1964. January–March 1964.
ALSO SHOWN AT: Academy of Fine Arts, Honolulu, 14 May–6 July 1964; Haus am Lützowplatz, Berlin, 21 August–15 September 1964; The National Gallery of Canada, Ottawa, 5 October–9 November 1964; John and Mable Ringling Museum of Art, Sarasota, Florida, 16 January–14 March 1965; Museo Nacional de Bellas Artes, Buenos Aires, 20 April–20 May 1965.
Catalogue with introduction by Lawrence Alloway
Wadsworth Atheneum, Hartford, Connecticut. Black, White, and Grey. 9 January–9 February 1964
The Art Institute of Chicago. Sixty-Seventh Annual American Exhibition: Directions in Contemporary Painting. 28 February–12 April 1964.
Catalogue with foreword by A. James Speyer
Tate Gallery, London. Painting and Sculpture of a Decade 54–64: Calouste Gulbenkian Foundation Exhibition. 22 April–28 June 1964.
Catalogue by Fundaçâo Calouste Gulbenkian
Kunsthalle, Basel. Bilanz: Internationale Malerei seit 1950. 20 June–23 August 1964.
Catalogue with introduction by Arnold Rüdlinger
Whitney Museum of American Art, New York. Between the Fairs: Twenty-Five Years of American Art, 1939–1964. 24 June–23 September 1964.
Catalogue with texts by John I. H. Baur and Lloyd Goodrich
Kasmin Ltd, London. 118 Show. July–August 1964
The Museum of Modern Art, New York. Contemporary Painters and Sculptors as Printmakers. 15 September–24 October 1964.
Circulated from 1965 to 1968, both domestically and abroad.
Catalogue in English, Portuguese, and Spanish with introduction by Elaine L. Johnson
The Solomon R. Guggenheim Museum, New York. American Drawings. 17 September–25 October 1964.
ALSO SHOWN AT: The University of Michigan Museum of Art, Ann Arbor, 11 November–13 December 1964; Grand Rapids Art Museum, Grand Rapids, Michigan, 10 January–7 February 1965; University Gallery, University of Minnesota, Minneapolis, 24 February–21 March 1965; Seattle Art Museum, 8 April–2 May 1965; The Denver Art Museum, 6 June–4 July 1965; Dallas Museum of Fine Arts, 25 July–22 August 1965; Columbus Gallery of Fine Arts, Columbus, Ohio, 12 September–10 October 1965; Krannert Art Museum, University of Illinois, Champaign, 14 November–5 December 1965.
Catalogue with introduction by Lawrence Alloway
Stedelijk Museum Amsterdam. Amerikaanse grafiek. 25 September–2 November 1964.
Catalogue with text by William S. Lieberman
Riverside Museum, New York. West Side Artists Exhibition. 27 September–7 November 1964 (year unconfirmed).
Included one unidentified painting by Barnett Newman
Finch College Museum of Art, Contemporary Study Wing, New York. Artists Select. 15 October–15 December 1964.
Catalogue with foreword by Elayne H. Varian
Sidney Janis Gallery, New York. A Selection of Twentieth Century Art of Three Generations. 24 November–26 December 1964.
Catalogue
PVI Gallery, New York. 100-Man Show. 1 January–6 February 1965
Seattle, [venue not known]. Drawings from the Collection of Betty Parsons. 1965.
Circulated from Washington State to Texas by the Western Association of Art Museums, Seattle, from 1965 to 1968. The following venues could be traced: Edward W. Root Art Center, Hamilton College, Clinton, N.Y., 21 March–18 April 1965; Bennington College, Bennington, Vermont, 24 April–24 May 1965; J. B. Speed Museum, Louisville, Kentucky, 7 July–8 August 1965; Chattanooga Art Association (now Hunter Museum of Art), Chattanooga, Tennessee, September 1965; Archer M. Huntington Art Gallery, Austin, Texas, 6 February–15 March 1966.
Folded exhibition brochure with text by Joseph S. Trovato and checklist
Institute of Contemporary Art, University of Pennsylvania, Philadelphia. The Decisive Years, 1943–1953. 14 January–1 March 1965.
Catalogue with introduction by Samuel Adams Green
New School Art Center, New York. Portraits from the American Art World. 2–27 February 1965.
Catalogue with text by Paul Mocsanyi
Los Angeles County Museum of Art. New York School, The First Generation: Paintings of the 1940s and 1950s. 18 June–1 August 1965.
Catalogue edited by Maurice Tuchman, with artists’ statements
Musée Rodin, Paris. Modern Sculpture USA/États-Unis sculptures du XXe siècle. 22 June–10 October 1965.
ALSO SHOWN AT: Hochschule für Bildende Künste, Berlin, 20 November 1965–9 January 1966; Staatliche Kunsthalle, Baden-Baden, 25 February–17 April 1966.
Organized by The International Council, The Museum of Modern Art, New York.
Catalogue with introduction in French by René d’Harnoncourt
The United States of America Pavilion, São Paulo. VIII Bienal do Museu de Arte Moderna. 4 September–28 November 1965.
Exhibition organized by the Pasadena Art Museum.
Catalogue with introduction in English and Spanish by Walter Hopps. Additional catalogues in Portuguese only as well as English only, the latter for the U.S. showing in 1966
Washington Gallery of Modern Art, Washington, D.C. 20th Century Painting and Sculpture: An Exhibition Selected from Private Collections in Connecticut. 17 September–24 October 1965.
ALSO SHOWN AT: Wadsworth Atheneum, Hartford, Connecticut, 28 October–5 December 1965.
Catalogue with foreword by Gerald Nordland
Allan Stone Gallery, New York. Founding Fathers Exhibition: Willem de Kooning, Arshile Gorky, Jackson Pollock, Joseph Cornell and Barnett Newman. 26 October–13 November 1965
San Francisco Museum of Art. Art: An Environment for Faith. 15 November–15 December 1965.
An exhibition of contemporary art presented by The Union of American Hebrew Congregations on the occasion of its 48th General Assembly, “Reform Judaism, a Faith for Our Time.”
Catalogue with introduction by Mildred Constantine
Gertrude Kasle Gallery, Detroit. Collector’s Choice: Selected Lithographs by Major Contemporary Artists. 4 December–7 January 1965.
Flyer
Whitney Museum of American Art, New York. 1965 Annual Exhibition of Contemporary American Painting. 8 December 1965–30 January 1966.
Catalogue
Leo Castelli Gallery, New York. For Benefit of the Foundation for the Contemporary Performance Arts. 14 December 1965–5 January 1966
Moderna Museet, Stockholm. Den inre och den yttre rymden/The Inner and the Outer Space. 26 December 1965–13 February 1966.
Catalogue with texts in Swedish by Joost Baljeu, K. G. Hultén, Gyórgi Ligeti, and Ulf Linde
National Collection of Fine Arts, Smithsonian Institution, Washington, D.C. VIII São Paulo Biennial: United States of America. 27 January–6 March 1966.
Catalogue with introduction by Walter Hopps
Seth Siegelaub Contemporary Art, New York. ‘25’. March 1966
André Emmerich Gallery, Inc., New York. Seven Decades, 1895–1965: Crosscurrents in Modern Art. 27 April–21 May 1966.
A ten-gallery exhibition benefiting The Public Education Association.
Catalogue with text by Peter Selz
Whitney Museum of American Art, New York. Art of the United States: 1670–1966. 28 September–27 November 1966.
Catalogue with text by Lloyd Goodrich
National Museum of Modern Art, Tokyo. Two Decades of American Painting. 15 October–27 November 1966.
ALSO SHOWN AT: National Museum of Modern Art, Kyoto, 10 December 1966–22 January 1967.
Organized by The International Council, The Museum of Modern Art, New York.
Catalogue with essays in Japanese by Irving Sandler, Lucy R. Lippard, and G. R. Swenson
Leo Castelli Gallery, New York. Benefit Show for Experiments in Art and Technology, Inc. 6–10 December 1966.
Organized and assembled by Alex Hay and Lucinda Childs, the show included at least one work by Barnett Newman, not identifiable owing to lack of documentation.
Poster
The Metropolitan Museum of Art, New York. 200 Years of Watercolor Painting in America: An Exhibition Commemorating the Centennial of the American Watercolor Society. 8 December 1966–29 January 1967.
Catalogue by Stuart P. Feld
Whitney Museum of American Art, New York. 1966 Annual Exhibition of Sculpture and Prints. 16 December 1966–5 February 1967.
Catalogue
Sidney Janis Gallery, New York. Two Generations: Picasso to Pollock. 3–27 January 1967.
Catalogue
Noah Goldowsky Gallery, New York. Untitled group show including works by Barnett Newman, Franz Kline, Morris Louis, and Alfred Leslie. Spring 1967
Lalit Kala Academi, Rabindra Bhavan Galleries, New Delhi. Two Decades of American Painting. 28 March–16 April 1967.
Organized by The International Council, The Museum of Modern Art, New York.
Catalogue with essays by Irving Sandler, Lucy R. Lippard, and G. R. Swenson; separate checklist
Kunsthalle, Bern. Formen der Farbe —Shapes of Colour. 14 April–21 May 1967.
Catalogue with introduction by W. A. L. Beeren
The United States of America Pavilion, Expo ’67, Montreal. American Painting Now. 28 April–27 October 1967.
ALSO SHOWN AT: Horticultural Hall (sponsored by the Institute of Contemporary Art), Boston, 15 December 1967–10 January 1968.
Organized for the United States Information Agency.
Catalogue with introduction by Alan Solomon, published by the Institute of Contemporary Art, Boston
Art Gallery, University of California, Irvine. A Selection of Paintings and Sculptures from the Collections of Mr. and Mrs. Robert Rowan. 2–21 May 1967.
ALSO SHOWN AT: San Francisco Museum of Art, San Francisco, 2 June–2 July 1967.
Exhibition brochure with text by John Coplans
National Gallery of Victoria, Melbourne. Two Decades of American Painting. 6 June–9 July 1967.
ALSO SHOWN AT: Art Gallery of New South Wales, Sydney, 26 July–20 August 1967.
Organized by The International Council, The Museum of Modern Art, New York.
Catalogue with essays by Irving Sandler, Lucy R. Lippard, and G. R. Swenson
New York University Art Collection at Marlborough-Gerson Gallery, New York. The New York Painter: A Century of Teaching: Morse to Hofmann. 26 September–14 October 1967.
Catalogue with texts by Albert Ten Eyck Gardner and Milton W. Brown
Washington Gallery of Modern Art, Washington, D.C. Art for Embassies Selected from the Woodward Foundation Collection. 30 September–5 November 1967.
Catalogue with foreword by Charles W. Millard and introduction by Henry Geldzahler
New York City Parks, Recreation, and Cultural Affairs Administration. Sculpture in Environment. 1–31 October 1967.
Broken Obelisk installed in Seagram Building plaza.
Catalogue with introduction by Irving Sandler
The Corcoran Gallery of Art, Washington, D.C. Scale as Content: Ronald Bladen, Barnett Newman, Tony Smith. 7 October 1967–7 January 1968.
Catalogue with introduction by Eleanor Green
M. Knoedler & Cie, Paris. Six peintres américains: Arshile Gorky, Franz Kline, Willem de Kooning, Barnett Newman, Jackson Pollock, Mark Rothko. 18 October–25 November 1967.
Catalogue with texts in French and English by André Breton and Elaine de Kooning and statements by the artists
Stedelijk van Abbemuseum, Eindhoven, The Netherlands. Kompas 3: Paintings After 1945 in New York. 9 November–17 December 1967.
Catalogue with introduction in Dutch and English by Jean Leering
Royal Dublin Society, Dublin. ROSC ’67: The Poetry of Vision. 13 November–30 December 1967.
Catalogue with forewords by Jean Leymarie, Willem Sandberg, and James Johnson Sweeney
Whitney Museum of American Art, New York. 1967 Annual Exhibition of Contemporary American Painting. 13 December 1967–4 February 1968.
Catalogue
Kunstverein, Frankfurt am Main. Kompass USA: Paintings After 1945 in New York. 30 December 1967–11 February 1968.
Catalogue with introduction in German and English by Jean Leering
Associated American Artists Gallery, New York. The Pratt Center for Contemporary Printmaking: Exhibition and Sale of Fine Prints. 2–6 January 1968.
Announcement card
The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut. Cool Art—1967.
7 January–17 March 1968.
Catalogue with introduction by Larry Aldrich
The Museum of Modern Art, New York. The Sidney and Harriet Janis Collection: A Gift to The Museum of Modern Art. 17 January–4 March 1968.
ALSO SHOWN AT: The Minneapolis Institute of Arts, 15 May–30 June 1968; Portland Museum of Art, Portland, Maine, 13 September–13 October 1968; Pasadena Art Museum, 11 November–15 December 1968; San Francisco Museum of Art, 13 January–16 February 1969; Seattle Art Museum, 12 March–13 April 1969; Dallas Museum of Fine Arts, 14 May–15 June 1969; Albright-Knox Gallery, Buffalo, N.Y, 15 September–19 October 1969; Cleveland Museum of Art, 18 November 1969–4 January 1970.
Catalogue with introduction by Alfred H. Barr, Jr.
Art Gallery, University of California, Irvine. Twentieth Century Works on Paper. 30 January–25 February 1968.
ALSO SHOWN AT: Memorial Union Art Gallery, University of California, Davis, 26 March–20 April 1968.
Catalogue with introduction by James Monte
Dayton’s Gallery 12, Minneapolis. Contemporary Graphics Published by Universal Limited Art Editions. 21 February–6 March 1968.
Catalogue with introduction by Harmony Clover
Finch College Museum of Art, New York. Betty Parsons’ Private Collection. 13 March–24 April 1968.
Catalogue with texts by Elayne H. Varian and Eugene Goossen
The Museum of Modern Art, New York. Dada, Surrealism, and Their Heritage. 27 March–9 June 1968.
ALSO SHOWN AT: Los Angeles County Museum, 6 July–8 September 1968; The Art Institute of Chicago, 19 October–8 December 1968.
The artist withheld Gea from the Chicago showing “in protest against the uncalled-for police brutality of Mayor Daley” (at the Democratic National Convention, 1968). See Barnett Newman’s letter, dated 3 September 1968, to C. C. Cunningham, Director of The Art Institute of Chicago (copy on deposit at the Barnett Newman Foundation).
Catalogue with text by William S. Rubin
Ashmolean Museum, Oxford. Loan Exhibition of Graphic Art Illustrating the Theme of the Slade Lectures. May 1968.
Checklist
Museum Fridericianum, Kassel, Germany. 4. Documenta. 27 June–6 October 1968.
Catalogue in two volumes with texts in German by Arnold Bode, Max Imdahl, and J. Leering
The Museum of Modern Art, New York. The Art of the Real: USA 1948–1968. 3 July–8 September 1968.
Catalogue with text by E. C. Goossen
Honolulu Academy of the Arts. Signals in the Sixties. 5 October–10 November 1968. Catalogue with introduction by James Johnson Sweeney
Richard Feigen Gallery, Chicago. Richard J. Daley. 23 October–23 November 1968.
ALSO SHOWN AT: The Contemporary Arts Center, Cincinnati, 19 December 1968–4 January 1969; Richard Feigen Gallery/Benefit for the American Civil Liberties Union, New York, 19 February 1969.
Catalogue for the Cincinnati showing, flyer for the New York showing
The Museum of Modern Art, New York. In Honor of Dr. Martin Luther King. 31 October–3 November 1968.
Exhibition to benefit the Southern Christian Leadership Foundation.
Checklist
Philadelphia Museum of Art. The Pure and Clear: American Innovations. 13 November 1968–21 January 1969.
Exhibition sponsored by The Friends of the Philadelphia Museum of Art.
Catalogue with foreword by Evan H. Turner
Grand Palais, Paris. The Art of the Real: An Aspect of American Painting and Sculpture, 1948–1968. 14 November–23 December 1968.
ALSO SHOWN AT: Kunsthaus, Zürich, 19 January–23 February 1969; The Tate Gallery, London, 24 April–1 June 1969.
Organized by The International Council, The Museum of Modern Art, New York, and initially shown there. Shown in Zürich under the title Der Raum in der amerikanischen Kunst.
Catalogue for the London showing, with text by E. C. Goossen
Whitney Museum of American Art, New York. 1968 Annual Exhibition of Sculpture. 17 December 1968–9 February 1969.
Catalogue
Sala Dalles, Bucharest. The Disappearance and Reappearance of the Image: American Painting Since 1945. 17 January–2 February 1969.
ALSO SHOWN AT: Museul Banatului, Timisoara, Romania, 14 February–1 March, 1969; Galería de Arta, Cluj, Romania, 14 March–2 April 1969; Slovak National Gallery, Bratislava, Czechoslovakia, 14 April–15 June 1969; National Gallery, Wallenstein Palace, Prague, 1 July–15 August 1969; Palais des Beaux-Arts, Brussels, 21 October–16 November 1969.
Organized by the The International Art Program, National Collection of Fine Arts, Smithsonian Institution, Washington, D.C.
Catalogue with texts by Ruth Kaufmann and John W. McCoubrey
Vancouver Art Gallery. New York 13. 21 January–16 February 1969.
ALSO SHOWN AT: The Norman Mackenzie Art Gallery, Regina, 10 March–21 April, 1969; Le Musée d’Art Contemporain, Montreal, 3 June–5 July 1969.
Catalogue with essay by Lucy R. Lippard and introduction by Doris Shadbolt
Washington University Gallery of Art, Steinberg Hall, Saint Louis, Missouri. The Development of Modernist Painting: Jackson Pollock to the Present. 1–30 April 1969.
Catalogue with introduction by Robert T. Buck, Jr.
James Graham and Sons, Inc., New York. The BIG Drawing. 8 April–3 May 1969. Folded announcement with introduction by Barbara Kulicke
Seattle Art Museum Pavilion. The Virginia and Bagley Wright Collection: Artists of the Sixties. 23 May–29 June 1969.
Catalogue with introduction by Virginia and Bagley Wright
The Museum of Modern Art, New York. The New American Painting and Sculpture: The First Generation. 16 June–5 October 1969.
Checklist
M. Knoedler & Co., Inc., New York. Arshile Gorky, Willem de Kooning, Barnett Newman. 26 June–20 September 1969
Michigan State Council for the Arts, Detroit. Sculpture Downtown. 1 July–31 August 1969.
An exhibition, sponsored by the Michigan State Council for the Arts, of twelve large sculptures placed in various locations in downtown Detroit
The Hakone Open-Air Museum, Hakone, Japan. The First International Exhibition of Modern Sculpture. 1 August–31 October 1969 (extended to 30 November).
Catalogue with texts by Michiaki Kawakita et al.
Georgia Museum of Art, The University of Georgia, Athens. American Painting: The 1960s. 22 September–3 November 1969.
ALSO SHOWN AT: Junior League of Amarillo, Amarillo, Texas, 30 November–28 December 1969; Coe College, Cedar Rapids, Iowa, 18 January–15 February 1970; State University, College at Potsdam Art Gallery, Potsdam, N.Y., 8 March–5 April 1970; Montreal Museum of Fine Arts, 14 June–12 July 1970; Mobile Art Gallery, Mobile, Alabama, 2–30 August 1970; Roberson Museum Center, Binghamton, N.Y., 20 September–18 October 1970.
Organized by the American Federation of Arts.
Catalogue with text by Samuel Adams Green
Worcester Art Museum, Worcester, Massachusetts. The Direct Image in Contemporary American Painting. 16 October–30 November 1969.
Catalogue with text by Leon Shulman
The Metropolitan Museum of Art, New York. New York Painting and Sculpture, 1940–1970. 18 October 1969–8 February 1970.
Catalogue with texts by Henry Geldzahler et al.
Pasadena Art Museum. Painting in New York, 1944 to 1969. 24 November 1969–11 January 1970.
Catalogue with essay by Alan Solomon
The Metropolitan Museum of Art, New York. Prints by Four New York Painters: Helen Frankenthaler, Jasper Johns, Robert Motherwell, Barnett Newman. 15 December 1969–1 February 1970.
Checklist
Whitney Museum of American Art, New York. 1969 Annual Exhibition of Contemporary American Painting. 16 December 1969–1 February 1970.
Catalogue
Galerie Beyeler, Basel. Moon and Space. January–March 1970.
Catalogue
M. Knoedler & Co., Inc., New York. Important Sculptures. 6–31 January 1970
Boston University School of Fine and Applied Arts. American Artists of the Nineteen Sixties. 6 February–14 March 1970.
Catalogue with essay by H. H[arvard] Arnason
The Contemporary Arts Center, Cincinnati. Prints by Nine New York Painters. 9 February–22 March 1970.
ALSO SHOWN AT: Drury College Art Museum, Springfield, Missouri, 30 March–10 May 1970; The Isaac Delgado Museum of Art, New Orleans, 18 May–28 June 1970; Virginia Museum of Fine Arts, Richmond, 6 July–16 August 1970; The Allentown Art Museum, Allentown, Pennsylvania, 24 August–4 October 1970; The Israel Museum, Jerusalem, 12 October–22 November 1970; Fine Arts Gallery of San Diego, San Diego, California, 30 November 1970–10 January 1971; Colorado Springs Fine Arts Center, 18 January–28 February 1971.
Organized by The Metropolitan Museum of Art, New York.
Exhibition brochure with introduction by John J. McKendry and checklist
Philadelphia College of Art. Peace Show. 18 May–18 June 1970.
Organized by students of the University of Pennsylvania and of several local colleges, under the auspices of the Philadelphia Museum of Art, the show included one unidentified lithograph by Barnett Newman.
A publication was planned but not realized.
The Contemporary Arts Center, Cincinnati. Monumental Art. 13 September–1 November 1970.
Catalogue with text by William A. Leonard
Museum of Fine Arts, Boston. Masterpieces of Painting in the Metropolitan Museum of Art. 17 September–1 November 1970.
Catalogue
Emily Lowe Gallery, Hofstra University, Hempstead, N.Y. Graphics in Long Island Collections from the Studio of Universal Limited Art Editions. 21 September–22 October 1970.
Catalogue with texts by Diane Kelder and Robert R. Littman
The Metropolitan Museum of Art, New York. Masterpieces of Fifty Centuries. 10 November 1970–14 February 1971.
Catalogue with introduction by Kenneth Clark
Milwaukee Art Center. Contemporary American Painting and Sculpture: Selections from the Collection of Mr. and Mrs. Eugene M. Schwartz. 22 January–28 February 1971.
Catalogue with text by John Lloyd Taylor
Whitney Museum of American Art, New York. The Structure of Color. 25 February–18 April 1971.
Catalogue with text by Marcia Tucker
French and Company, Inc., New York. Contemporary American Drawings. 15 May–23 June 1971.
Exhibition organized by Paul Katz.
Announcement card with list of artists
Middelheim Park, Antwerp. Eleventh International Biennial of Outdoor Sculpture. 6 June–3 October 1971.
Catalogue with texts by Andrew Carnduff Ritchie et al.
Louisiana Cultural Centre and Museum of Contemporary Art, Humlebæk, Denmark. American Art 1950–70. 11 September–24 October 1971.
Catalogue published as special issue of magazine Louisiana Revy 12, no. 1 (September 1971)
The Montclair Art Museum, Montclair, New Jersey. Selections from the Betty Parsons Collection. 16 January–27 February 1972.
Folder with checklist and foreword by Kathryn E. Gamble
Sidney Janis Gallery, New York. Abstract Expressionism and Pop Art. 9 February–4 March 1972.
Illustrated flyer
Bündner Kunsthaus, Chur, Switzerland. Amerikanische Graphik seit 1960. 6 May–18 June 1972.
ALSO SHOWN AT: Kunstverein, Solothurn, 26 August–24 September 1972; Musée d’Art et d’Histoire, Geneva, 5 October–5 November 1972; Kunsthaus, Aarau, 26 January–25 February 1973; Öffentliche Kunstsammlung Basel, Kupferstichkabinett, Basel, also 1973.
Catalogue with introduction by Hans Hartmann
The Parrish Art Museum, Southampton, N.Y. Betty Parsons—Private Collection. 12 August–10 September 1972.
Exhibition brochure with checklist
Sculpture Center, New York. Critics’ Choice. 26 September–21 October 1972.
Catalogue
Des Moines Art Center, Iowa. Twenty-Five Years of American Painting, 1948–1973. 5 March–22 April 1973.
Catalogue with introduction by Max Kozloff
Museum of Art, Rhode Island School of Design, Providence, Rhode Island. Selection III: Graphics from the Museum’s Collection. 5 April–6 May 1973.
Catalogue
The Parrish Art Museum, Southampton, N.Y. Art from Southampton Collections. 4 August–2 September 1973
Seattle Art Museum Pavilion. American Art: Third Quarter Century. 22 August–14 October 1973.
Catalogue with text by Jan van der Marck
Norman Mackenzie Art Gallery, Regina, Saskatchewan. Emma Lake Workshops 1955–1973. 21 September–21 October 1973.
Catalogue with introduction by Nancy E. Dillow
Ashmolean Museum, Oxford. Untitled 25.10.73. October–December 1973
National Gallery of Art, Washington, D.C. American Art at Mid-Century, I. 28 October 1973–6 January 1974.
Catalogue with introduction by William C. Seitz
The Museum of Fine Arts, Houston. The Great Decade of American Abstraction: Modernist Art 1960 to 1970. 15 January–10 March 1974.
Catalogue by E. A. Carmean, Jr., including an introductory note by Philippe de Montebello
Lowe Art Museum, University of Miami, Coral Gables, Florida. The Bauhaus and Its Influence on America. 7 February–10 March 1974
John and Mable Ringling Museum of Art, Sarasota, Florida. Contemporary Religious Imagery in American Art. 1–31 March 1974.
Catalogue with texts by Leslie Judd Ahlander and Richard S. Carroll
Marlborough Gallery, Inc., New York. Selected Works from the Collection of Carter Burden. 9 May–1 June 1974.
Catalogue with introduction by Carter Burden
Open-air exhibition, Newport, Rhode Island. Monumenta: A Biennial Exhibition of Outdoor Sculpture. 17 August–13 October 1974.
Catalogue with texts by Sam Hunter et al.
The Museum of Modern Art, New York. American Prints 1913–1963. 5 December 1974–3 March 1975.
ALSO SHOWN AT: Bibliothèque Royale Albert I, Brussels, 27 March–8 May 1976; Leeds City Art Gallery, Leeds, U.K., 16 July–22 August 1976.
Catalogue by Riva Castleman
Museo de Arte Moderno, Bogotá. Color as Language. 24 February–30 March 1975.
ALSO SHOWN AT: Museu de Arte de São Paulo, São Paulo, 18 April–18 May 1975; Museu de Arte Moderna, Rio de Janeiro, 12 June–20 July 1975; Museo de Bellas Artes, Caracas, 3 August–14 September 1975; Museo de Arte Moderno, Mexico City, 2 October–23 November 1975. Organized by The International Council, The Museum of Modern Art, New York.
Checklist for Bogotá; individual catalogues for Caracas and Mexico City, with texts in Spanish by Kynaston McShine and Waldo Rasmussen
The Kennedy Galleries, New York. One Hundredth Anniversary Exhibition of Paintings and Sculptures by One Hundred Artists Associated with the Art Students League of New York. 6–29 March 1975.
Catalogue with foreword by Lawrence Campbell and Theresa Pollak
Associated American Artists, New York. Art Students League Centennial Exhibition. April 1975.
Catalogue with foreword by Judith Goldman
Whitney Museum of American Art, Downtown branch, New York. Subjects of the Artists, New York Painting 1941–1947. 22 April–28 May 1975.
Checklist with introduction by students in the museum’s Independent Study Program
The National Gallery of Canada, Ottawa. Donald Judd. 24 May–6 July 1975.
Barnett Newman’s painting The Wild was displayed in tandem with, but outside of, the exhibition.
Cushing Gallery/The Art Association of Newport, Newport, Rhode Island. The Tenth Harrison S. Morris Memorial Exhibition: American Drawings 1900–1975. 3 August–3 September 1975.
Exhibition brochure with checklist
Galleria dell’Ariete, Milan. American Drawings. Fall 1975
The Museum of Modern Art, Circulating Exhibition, New York. American Art Since 1945 from the Collection of The Museum of Modern Art. October 1975–April 1977.
Catalogue with text by Alicia Legg
Davison Art Center, Wesleyan University, Middletown, Connecticut. Recent American Etching. 10 October–23 November 1975.
ALSO SHOWN AT: National Collection of Fine Arts, Smithsonian Institution, Washington, D.C., 21 January–27 March 1977.
The exhibition toured abroad during the Bicentennial year, 1976.
Catalogue with text by Richard S. Field
The Jewish Museum, New York. Jewish Experience in the Art of the Twentieth Century. 16 October 1975–25 January 1976.
Catalogue with essay by Avram Kampf
M. Knoedler and Co., Inc., New York. American Works on Paper 1945–1975. November–December 1975.
Checklist
The Columbus Gallery of Fine Arts, Columbus, Ohio. Aspects of Postwar Painting in America. 17 January–29 February 1976.
Exhibition organized by the Solomon R. Guggenheim Museum, New York.
Catalogue with preface by Thomas M. Messer
The Katonah Gallery, Katonah, N.Y. American Painting 1900–1976: Part III/I, Abstract Expressionism and Later Movements. 17 January–14 March 1976.
Catalogue with text by John I. H. Baur
The Solomon R. Guggenheim Museum, New York. Twentieth Century American Drawing: Three Avant-Garde Generations. 23 January–21 March 1976.
ALSO SHOWN AT: Staatliche Kunsthalle, Baden-Baden, Germany, 26 May–11 July 1976; Kunsthalle Bremen, Bremen, Germany, 18 July–29 August 1976.
Catalogue with essay by Diane Waldman
Whitney Museum of American Art, New York. 200 Hundred Years of American Sculpture. 16 March–26 September 1976.
Catalogue with text by Tom Armstrong
Betty Parsons Gallery, New York. 30th Anniversary. 30 March–24 April 1976.
Folded announcement with text by Thomas B. Hess
Rose Art Museum, Brandeis University, Waltham, Massachusetts. Two Hundred Years of American Synagogue Architecture. 30 March–2 May 1976.
Included was a photograph of Barnett Newman’s synagogue model.
Catalogue with texts by Gerald Bernstein et al.
National Collection of Fine Arts, Smithsonian Institution, Washington, D.C. America as Art. 30 April–7 November 1976.
Catalogue by Joshua C. Taylor with a contribution by John D. Cawelti
The Seibu Museum of Art, Tokyo. Three Decades of American Art Selected by the Whitney Museum. 18 June–20 July 1976.
Catalogue with texts by Barbara Haskell et al.
Rheinisches Landesmuseum, Bonn. Two Hundred Years of American Painting. 30 June–28 July 1976.
ALSO SHOWN AT: Muzej savremene umetnosti [Museum of Modern Art], Belgrade, 14 August–11 September 1976; Galleria d’Arte Moderna, Rome, 28 September–26 October 1976; Muzeum Narodowe [National Museum of Poland], Warsaw, 12 November–10 December 1976; The Maryland Science Center, Baltimore, 16 January–6 February 1977.
Catalogue in the respective language for each showing
Musée d’Art et d’Histoire, Geneva. Peinture américaine en Suisse 1950–1965. 8 July–4 October 1976.
Catalogue with essay in English and French by Charles Goerg
Nationalgalerie, Staatliche Museen Preussischer Kulturbesitz, Berlin. New York in Europa. 4 September–7 November 1976.
Accompanied by publication titled Amerikanische Kunst von 1945 bis heute: Kunst der USA in europäischen Sammlungen, ed. Dieter Honisch and Jens Christian Jensen. Cologne: DuMont, [1976]
The Museum of Modern Art, New York. The Natural Paradise: Painting in America 1800–1950. 29 September–30 November 1976.
Catalogue edited by Kynaston McShine, with essays by Barbara Novak, Robert Rosenblum, and John Wilmerding; separate checklist
Galerie Beyeler, Basel. America America. October–December 1976.
Catalogue with preface by Reinhold Hohl
Solomon R. Guggenheim Museum, New York. Acquisition Priorities: Aspects of Postwar Painting in America. 15 October 1976–16 January 1977.
Catalogue with text by Thomas M. Messer
Tyler Museum of Art, Tyler, Texas. Abstract Expressionism (Blaffer Foundation Collection). 6 November–12 December 1976.
ALSO SHOWN AT: Fort Worth Art Museum, 9 January–13 February 1977; Beaumont Art Museum, Beaumont, Texas, 26 February–17 April 1977; Witte Memorial Museum, San Antonio, Texas, 26 April–28 August 1977; Amarillo Art Center, Amarillo, Texas, 7 September–16 October 1977; Wichita Falls Museum, Wichita Falls, Texas, 26 October–27 November 1977; El Paso Museum of Art, El Paso, Texas, 8 December 1977–29 January 1978; Art Museum of South Texas, Corpus Christi, Texas, 9 February–23 April 1978; Abilene Fine Arts Museum, Abilene, Texas, 30 April–14 June 1978; Angelo State University, San Angelo, Texas, 15 June–14 July 1978; Victoria Regional Museum Association, Victoria, Texas, 19 July–25 August 1978; Texas Tech University, Lubbock, Texas, 28 August–20 October 1978; Museum of the Southwest, Midland, Texas, 24 October–3 December 1978; Cultural Activities Center, Temple, Texas, 8 December 1978–5 February 1979
Fundación Juan March, Madrid. Arte USA. February–March 1977.
Catalogue with text in Spanish by Harold Rosenberg
Xavier Fourcade, Inc., New York. Works on Paper, Small-Format Objects: Duchamp to Heizer. 15 February–19 March 1977.
Checklist
Museum Folkwang Essen, Essen, Germany. Barnett Newman, Robert Ryman, Brice Marden: Druckgraphische Arbeiten.
25 February–20 March 1977
Sidney Janis Gallery, New York. Less Is More. 7 April–7 May 1977.
Catalogue with introduction by Sidney Janis
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts. The Dada/Surrealist Heritage. 3 May–12 June 1977.
Catalogue edited by Sam Hunter
Whitney Museum of American Art, New York. 20th-Century American Art from Friends’ Collections. 27 July–27 September 1977.
Catalogue with introduction by Tom Armstrong
Cheney Cowles Memorial State Museum, Spokane, Washington. Works on Paper: American Art 1945–1975. 9 September–2 October 1977.
ALSO SHOWN AT: Museum of Art, Washington State University, Pullman; Tacoma Art Museum, Tacoma, Washington; The Western Gallery, Western Washington State College, Bellingham.
Organized by the Washington Art Consortium.
Catalogue with text by Rosalind Krauss
Indianapolis Museum of Art. Perceptions of the Spirit in Twentieth-Century American Art. 20 September–27 November 1977.
ALSO SHOWN AT: University Art Museum, Berkeley, California, 20 December 1977–12 February 1978; Marion Koogler McNay Art Institute, San Antonio, Texas, 5 March–16 April 1978; Columbus Gallery of Fine Arts, Columbus, Ohio, 10 May–19 June 1978.
Catalogue by Jane and John Dillenberger
The Parrish Art Museum, Southampton, N.Y. Twentieth Century American Paintings from The Metropolitan Museum of Art. 25 September–31 December 1977.
Catalogue by Helen A. Harrison with introduction by Henry Geldzahler
New York State Museum, Albany. New York, the State of Art: The New York School. 8 October 1977–15 January 1978.
Catalogue with texts by Thomas B. Hess et al.
John Weber Gallery, New York. Drawings for Outdoor Sculpture, 1946–1977. 29 October–23 November 1977.
ALSO SHOWN AT: Amherst College, Amherst, Massachusetts, 3 February–4 March 1978; University Art Museum, University of California, Santa Barbara, 27 June–4 September 1978; Laguna Gloria Art Museum, Austin, Texas, 15 September–27 October 1978; Massachusetts Institute of Technology, Cambridge, 17 November–22 December 1978.
Checklist for the New York showing; catalogue, with essay by David Shapiro, for subsequent showings
Tate Gallery, London. Series. 21 December 1977–31 January 1978.
Exhibition brochure with text by Elizabeth Underhill
Hayward Gallery, London. Dada and Surrealism Reviewed. 11 January–27 March 1978.
Catalogue by Dawn Ades, introduction by David Sylvester, and essay by Elizabeth Cowling
Grace Borgenicht Gallery, New York. Milton Avery and His Friends. 28 January–24 February 1978.
Catalogue with text by David L. Shirey
Frederick S. Wight Art Gallery, University of California, Los Angeles. Words and Images: Universal Limited Art Editions. 14 March–7 May 1978.
Catalogue with text by E. Maurice Bloch
Herbert F. Johnson Museum of Art, Cornell University, Ithaca, N.Y. Abstract Expressionism: The Formative Years. 30 March–14 May 1978.
Exhibition traveled to Tokyo and New York (see below) where a larger selection of works by Barnett Newman was shown.
Catalogue with essays by Robert Carleton Hobbs and Gail Levin
National Gallery of Art, Washington, D.C. American Art at Mid-Century: The Subjects of the Artist. 1 June 1978–14 January 1979.
Catalogue with essays by E. A. Carmean, Jr., Eliza E. Rathbone, and Thomas B. Hess
The Seibu Museum of Art, Tokyo. Abstract Expressionism: The Formative Years. 17 June–12 July 1978.
ALSO SHOWN AT: The Whitney Museum of American Art, New York, 5 October–3 December 1978.
This exhibition originated at Cornell University (see above) where, however, only one work by Barnett Newman was available for inclusion.
Catalogue with essays by Robert Carleton Hobbs and Gail Levin
Palais des Beaux-Arts, Brussels. La peinture américaine au 20e siècle de la collection du Metropolitan Museum of Art. 28 June–23 August 1978.
Catalogue
Art Gallery of Ontario, Toronto. Contemporary American Prints from Universal Limited Art Editions/The Rapp Collection. 20 January–4 March 1979.
Catalogue with texts by Peter Gale and Tony Towle
Sierra Nevada Museum of Art, Reno, Nevada. The New York School, 1940–1960: The First Generation of Abstract Expressionism. 3 February–4 March 1979.
Catalogue
Kunstmuseum, Bern. American Art of the Twentieth Century from the Museum of Modern Art. 16 February–16 April 1979.
ALSO SHOWN AT: Museum Ludwig, Cologne, 19 May–16 July 1979; Fundaçao Calouste Gulbenkian, Lisbon, August 1979; Museo Espagnol de Arte Contemporáneo, Madrid, October–November 1979; Tel Aviv Museum, Israel, 18 February–12 April 1980. Catalogue, titled Das Museum of Modern Art New York zu Gast im Kunstmuseum Bern und Museum Ludwig Köln, with texts by Waldo Rasmussen et al.
The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut. The Minimal Tradition. 29 April–2 September 1979.
Catalogue with introduction by Dorothy Mayhall
The Metropolitan Museum of Art, New York. Summer Loan Exhibition. 17 July–30 September 1979.
Checklist
David and Alfred Smart Museum of Art, The University of Chicago. Abstract Expressionism: A Tribute to Harold Rosenberg: Paintings and Drawings from Chicago Collections. 11 October–25 November 1979.
Catalogue with texts by Saul Bellow et al.
M. Knoedler & Co., Inc., New York. Selections from the Collection of Mr. & Mrs. Eugene M. Schwartz. 31 October–28 November 1979.
Catalogue with introduction by Lawrence Rubin
Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio. From Reinhardt to Christo: Works Acquired Through the Benefaction of the Late Ruth C. Roush. 20 February–19 March 1980.
Catalogue with texts by Ellen H. Johnson and William Olander
Galeries Nationales d’Exposition du Grand Palais, Paris. L’Amérique aux indépendents 1944–1980. 13 March–13 April 1980.
Ninety-first exhibition of the Société des Artistes Indépendants.
Catalogue with texts by Loïs Pattison de Menil et al.
La Jolla Museum of Contemporary Art. Seven Decades of Twentieth-Century Art: From the Sidney and Harriet Janis Collection of The Museum of Modern Art and the Sidney Janis Gallery Collection. 29 March–11 May 1980.
ALSO SHOWN AT: Santa Barbara Museum of Art, Santa Barbara, California, 6 June–10 August 1980.
Catalogue with introduction by William Rubin
Joseph H. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C. The Fifties: Aspects of Painting in New York. 22 May–21 September 1980.
Catalogue with text by Phyllis Rosenzweig
Schloß Charlottenburg, Berlin. Zeichen des Glaubens, Geist der Avantgarde: Religiöse Tendenzen in der Kunst des 20. Jahrhunderts. 31 May–13 July 1980.
Catalogue edited by Wieland Schmied; also checklist
Galerie des Beaux-Arts, Bordeaux, France. Profil du Metropolitan Museum of Art de New York: De Ramses à Picasso. 15 May–1 September 1981.
Catalogue
Museen der Stadt Köln, Rheinhallen, Cologne. Westkunst: Zeitgenössische Kunst seit 1939. 29 May–16 August 1981.
Catalogue with texts by Laszlo Glozer et al.
Kupferstichkabinett, Nationalgalerie, Staatliche Museen Preussischer Kulturbesitz, Berlin. Druckgraphik: Wandlungen eines Mediums seit 1945. 17 June–16 August 1981. Catalogue by Alexander Dückers and Angela Schönberger
City Art Centre and Fruitmarket Gallery, Edinburgh. American Abstract Expressionists. 13 August–12 September 1981.
Organized by the International Program of the Museum of Modern Art for showing during the Edinburgh Festival.
Catalogue with texts by Waldo Rasmussen and John Drummond
Haus der Kunst, Munich. Amerikanische Malerei 1930–1980. 14 November 1981–31 January 1982.
Catalogue with essays by Tom Armstrong and Bernd Growe
Kunsthalle, Düsseldorf. 25 Jahre ULAE—Amerikanische Graphik. December 1981–January 1982.
ALSO SHOWN AT: Kunstverein, Gütersloh, April–June 1982; Wittrock Kunsthandel, Düsseldorf, July–August 1982; Herzog Anton Ulrich Museum, Brunswick, October–December 1982.
Catalogue with texts by Tony Towle et al.
Nationalgalerie, Staatliche Museen Preussischer Kulturbesitz, Berlin. Hommage à Barnett Newman. 30 January–14 February 1982.
Catalogue with text by Dieter Honisch, artists’ statements in German, and Barnett Newman quotations in English
Stedelijk Museum Amsterdam. ’60 ’80: Attitudes, Concepts, Images. 9 April–11 July 1982.
Catalogue with texts by Edy de Wilde, Wim Beeren, et al.
La Jolla Museum of Contemporary Art. The Carolyn and Jack Farris Collection: Selected Contemporary Works. 12 June–25 July 1982.
Catalogue with texts by Sebastian J. Adler et al.
Solomon R. Guggenheim Museum, New York. The New York School: Four Decades, Museum Collection and Major Loans. 1 July–29 August 1982.
Exhibition brochure
Kunsthalle, Hamburg. Luther und die Folgen für die Kunst. 11 November 1983–8 January 1984.
Catalogue with texts by Werner Hofmann et al.
The Museum of Contemporary Art, Los Angeles. The First Show: Painting and Sculpture from Eight Collections 1940–1980. 20 November 1983–19 February 1984.
Catalogue edited by Julia Brown and Bridget Johnson
Center for the Fine Arts, Miami. In Quest of Excellence. 14 January–22 April 1984.
Catalogue with texts by Jan van der Marck et al.
Wadsworth Atheneum, Hartford, Connecticut. The Tremaine Collection: 20th Century Masters: The Spirit of Modernism. 26 February–29 April 1984.
Catalogue with texts by Robert Rosenblum et al.
Museum of Contemporary Art, Chicago. The Museum of Contemporary Art, Chicago, Selections from the Permanent Collection. 13 April–10 June 1984.
Catalogue with text by Mary Jane Jacob
Galeries Nationales du Grand Palais, Paris. La rime et la raison: Les collections Ménil (Houston-New York). 17 April–30 July 1984.
Catalogue with texts by Dominique de Menil et al.
Merian-Park, Basel. Skulptur im 20. Jahrhundert. 3 June–30 September 1984.
Catalogue with essays by Karina Türr et al.
DeCordova and Dana Museum and Park, Lincoln, Massachusetts. Henry David Thoreau as a Source for Artistic Inspiration. 6 June–9 September 1984.
Catalogue by Francine Amy Koslow
Tate Gallery, London. American Art: Minimal Expression. 1 July–30 August 1984.
Catalogue by Jeremy Lewison
Scottish National Gallery of Modern Art, Edinburgh. Creation: Modern Art and Nature. 15 August–October 1984.
Catalogue with texts by Robert Rosenblum et al.
The Museum of Modern Art, Shiga, Japan. Development of Sculpture in the Twentieth Century: From Rodin to Christo. 26 August–7 October 1984.
Catalogue with texts in Japanese or English by Albert Elsen, Yoshiaki Inui, and Masaharu Ono
Margo Leavin Gallery, Los Angeles. Eccentric Images. 20 October–24 November 1984
Acquavella Contemporary Art, Inc., New York. XIX & XX Century Master Paintings. 7 November–8 December 1984.
Catalogue
Palais des Beaux-Arts, Brussels. L’art et le temps: Regards sur la quatrième dimension. 21 November 1984–20 January 1985.
ALSO SHOWN AT: Musée d’Art et d’Histoire—Musée Rath, Geneva, 16 February–14 April 1985; Louisiana Museum of Modern Art, Humlebæk, Denmark, 26 April–23 June 1985; Städtische Kunsthalle, Mannheim, Germany, 11 July–1 September 1985; Museum des 20. Jahrhunderts—Museum Moderner Kunst, Vienna, 19 September–17 November 1985; Le Nouveau Musée, Villeurbanne-Lyons, 6 December 1985–26 January 1986; Barbican Centre, London, February–March 1986.
Catalogue edited by Michel Baudson with texts by Jean-François Lyotard et al.
Stedelijk Museum Amsterdam. La Grande Parade: Highlights in Painting After 1940. 15 December 1984–15 April 1985.
ALSO SHOWN AT: Solomon R. Guggenheim Museum, New York, June–August 1985.
Catalogue with text by Edy de Wilde
Kölnischer Kunstverein, Cologne. Raum, Zeit, Stille. 23 March–2 June 1985.
Catalogue edited by Wulf Herzogenrath
Bell Gallery, Brown University, Providence, Rhode Island. Flying Tigers: Painting and Sculpture in New York 1939–1946. 27 April–27 May 1985.
ALSO SHOWN AT: Cantor Art Gallery, College of the Holy Cross, Worcester, Massachusetts, 26 April–27 May 1985; The Parrish Art Museum, Southampton, N.Y., 9 June–28 July 1985.
Shown concurrently in Worcester and Providence.
Catalogue with texts by Kermit S. Champa et al.
École Nationale Supérieure des Beaux-Arts, Paris. Cinquante ans de dessins américains, 1930–1980. 3 May–13 July 1985.
Organized by The Menil Collection, Houston, Texas.
Catalogue with introduction by Walter Hopps
Solomon R. Guggenheim Museum, New York. Painterly Visions. 12 July–15 September 1985.
Checklist
Marisa del Re Gallery, New York. Masters of the Fifties: American Abstract Painting from Pollock to Stella. October–December 1985.
Catalogue with text by Sam Hunter
Solomon R. Guggenheim Museum, New York. Guggenheim International VII: Transformations in Sculpture: Four Decades of American and European Art. 22 November 1985–16 February 1986.
Catalogue by Diane Waldman
Städtische Galerie im Städelschen Kunstinstitut, Frankfurt am Main. Amerikanische Zeichnungen 1930–1980. 28 November 1985–26 January 1986.
Catalogue with introduction by Walter Hopps and Neil Printz
Museum of Art, Fort Lauderdale. An American Renaissance: Painting and Sculpture Since 1940. 12 January–30 March 1986.
Catalogue edited by Sam Hunter with texts by Harry F. Gaugh et al.
Tate Gallery, London. Forty Years of Modern Art 1945–1985. 19 February–27 April 1986.
Catalogue with foreword by Alan Bowness and introduction by Ronald Alley
Whitechapel Art Gallery, London. In Tandem: The Painter-Sculptor in the Twentieth Century. 27 March–25 May 1986.
Catalogue with essay by Lynne Cooke
Queens Museum, New York. After Matisse. 30 March–25 May 1986.
ALSO SHOWN AT: Chrysler Museum, Norfolk, Virginia, 11 September–9 November 1986; Portland Museum of Art, Portland, Maine, 9 December 1986–9 February 1987; Bass Museum of Art, Miami Beach, Florida, 17 March–17 May 1987; The Phillips Collection, Washington, D.C., 19 June–14 August 1987; Dayton Art Institute, Dayton, Ohio, 12 September–8 November 1987; Worcester Art Museum, Worcester, Massachusetts, 9 December 1987–7 February 1988.
Catalogue with essays by Tiffany Bell et al.
Centre de la Vielle Charité, Marseilles. La planète affolée: Surréalisme, dispersion et influences, 1938–1947. 12 April–30 June 1986 (extended to 31 July).
Catalogue with texts by Bernard Noël et al.
Charles Cowles Gallery, New York. The Heroic Sublime. 30 May–11 July 1986.
Checklist
Newport Harbor Art Museum, Newport Beach, California. The Interpretive Link, Abstract Surrealism into Abstract Expressionism: Works on Paper 1938–1948. 16 July–14 September 1986.
ALSO SHOWN AT: Whitney Museum of American Art, Equitable Center, New York, 23 October 1986–21 January 1987; Walker Art Center, Minneapolis, 21 February–19 April 1987.
Catalogue with essays by Paul Schimmel et al. In addition, abbreviated version (containing checklist and Schimmel essay) for the New York showing
Museum Ludwig, Cologne. Europa/Amerika: Die Geschichte einer künstlerischen Faszination seit 1940. 6 September–30 November 1986.
Catalogue with texts by Siegfried Gohr et al.
Los Angeles County Museum of Art. The Spiritual in Art: Abstract Painting 1890–1985. 20 November 1986–8 March 1987.
ALSO SHOWN AT: Museum of Contemporary Art, Chicago, 21 April–19 July 1987; Haags Gemeentemuseum, The Hague, 1 September–22 November 1987.
Catalogue with texts by Maurice Tuchman et al.
Associated American Artists, New York. Abstract Expressionist Prints. 28 November–31 December 1986.
Catalogue with text by Stephen Long
The Museum of Contemporary Art, Los Angeles. Individuals: A Selected History of Contemporary Art 1945–1986. 6 December 1986–10 January 1988.
Accompanied by publication edited by Howard Singerman with essays by Kate Linker et al.
Kunsthalle Bielefeld, Germany. Enzo Cucchi: Guida al disegno—Beuys, Fontana, van Gogh, Hugo, Newman, Pasolini. 18 January–1 March 1987.
ALSO SHOWN AT: Staatsgalerie moderner Kunst, Munich, 3 April–17 May 1987.
Catalogue with texts in German and English edited by Carla Schulz-Hoffmann and Ulrich Weisner
Institute of Contemporary Art, University of Pennsylvania, Philadelphia. 1967: At the Crossroads. 13 March–26 April 1987.
Catalogue with texts by Janet Kardon et al.
Stephen Mazoh & Co., Inc., New York. Eighteenth, Nineteenth and Twentieth Century Works of Art. Spring 1987.
Catalogue
Storm King Art Center, Mountainville, N.Y. 27 April 1987–May 1991
Washburn Gallery, New York. Anne Ryan & Circle. 4–30 May 1987.
Catalogue with text by Anne Ryan
Dallas Museum of Art. A Century of Modern Sculpture: The Patsy and Raymond Nasher Collection. 5 April–31 May 1987.
ALSO SHOWN AT: National Gallery of Art, Washington, D.C., 28 June 1987–3 January 1988.
Catalogue edited by Steven A. Nash
Acquavella Galleries, Inc., New York. Art Against Aids. June 1987.
Catalogue with texts by Elizabeth Taylor et al.
Centro Cultural Arte Contemporáneo, Mexico City. Leo Castelli y sus artistas: XXX años de promocion del arte contemporáneo. 26 June–18 October 1987.
Catalogue with texts by Roberto Littman et al.
Albright-Knox Art Gallery, Buffalo, N.Y. Abstract Expressionism: The Critical Developments. 19 September–29 November 1987.
Catalogue with essays by Michael Auping et al.
Stanford University Museum of Art, Stanford, California. The Anderson Collection: Two Decades of American Graphics, 1967–1987. 29 September 1987–3 January 1988.
Catalogue with essay by Betsy G. Fryberger
Fukuyama Museum of Art, Fukuyama, Japan. 20 seiki kaiga-heno shotai [An introduction to twentieth-century painting]. 1988.
Catalogue
Simon/Neuman Gallery, New York. Group Show. February 1988.
Announcement card
Jack Tilton Gallery, New York. The Circle of Betty Parsons. 2–28 February 1988.
Checklist
CDS Gallery, New York. The Irascibles. 4–27 February 1988.
Exhibition brochure with essay by Irving Sandler
Whitney Museum of American Art at Fairfield, Stamford, Connecticut. American Print Renaissance 1958–1988. 5 February–6 April 1988.
Exhibition brochure with introduction by Ronnie Feinstein
Kunstmuseum, St. Gallen, Switzerland. Rot, Gelb, Blau: Die Primärfarben in der Kunst des 20. Jahrhunderts. 19 March–21 May 1988.
ALSO SHOWN AT: Museum Fridericianum, Kassel, Germany, 12 June–18 September 1988.
Catalogue with essay “Who’s Afraid of Red, Yellow and Blue” by Bernhard Bürgi
Janie C. Lee Master Drawings, New York. Abstract Expressionist Drawings 1941–1955. 5 November–30 December 1988.
Catalogue with text by Robert McDaniel
Richard L. Feigen & Company, Chicago. Richard J. Daley: The Twentieth Anniversary. 8 November–6 December 1988.
Exhibition brochure with text by Richard L. Feigen
Solomon R. Guggenheim Museum, New York. Viewpoints: Postwar Painting and Sculpture from the Guggenheim Museum Collection and Major Loans. 9 December 1988–22 January 1989.
Exhibition brochure with essay by Lisa Dennison
National Gallery of Art, Washington, D.C. Twentieth-Century Art: Selections for the Tenth Anniversary of the East Building. 13 December 1988–31 December 1990.
Catalogue by Jeremy Strick; also illustrated exhibition brochure
Shizuoka Prefectural Museum of Art, Shizuoka City, Japan. Blank in Modern Painting: An Approach to Modern Art from Cézanne to Conceptual Art. 10 February–12 March 1989.
Catalogue with texts by Kei Suzuki et al.
Museum Ludwig, Rheinhallen, Cologne. Bilderstreit: Widerspruch, Einheit und Fragment in der Kunst seit 1960. 8 April–28 June 1989.
Catalogue by Siegfried Gohr and Johannes Gachnang
The Pace Gallery, New York. Sculpture by Painters. 23 June–1 September 1989
Galerie Beyeler, Basel. Wege zur Abstraktion. July–September 1989.
Catalogue with preface by Willy Rotzler
The Museum of Modern Art Shiga, Japan. American Painting in the 1950s and 1960s. 22 July–17 September 1989. Catalogue
Janie C. Lee Master Drawings, New York. Master Drawings 1859–1989. October–December 1989.
Catalogue
Mendel Art Gallery, Saskatoon, Saskatchewan. The Flat Side of the Landscape: The Emma Lake Artists’ Workshop. 5 October–19 November 1989.
ALSO SHOWN AT: Art Gallery of Windsor, Windsor, Ontario, 28 April–10 June 1990; Edmonton Art Gallery, Edmonton, Alberta, 22 September–28 October 1990; Vancouver Art Gallery, Vancouver, British Columbia, 19 December 1990–11 February 1991; Mackenzie Art Gallery, Regina, Saskatchewan, 1 March–21 April 1991.
Catalogue edited by John O’Brian
Lowe Art Museum, University of Miami, Coral Gables, Florida. Abstract Expressionism: Other Dimensions: An Introduction to Small Scale Painterly Abstraction in America, 1940–1965. 26 October–3 December 1989.
ALSO SHOWN AT: Terra Museum of American Art, Chicago, 23 January–11 March 1990; The Jane Voorhees Zimmerli Art Museum, Rutgers University, The State University of New Jersey, New Brunswick, New Jersey, 25 March–13 June 1990.
The exhibition was organized and the catalogue published by The Jane Voorhees Zimmerli Art Museum, Rutgers, The State University of New Jersey.
Catalogue with essay by Jeffrey Wechsler and contributions by Sam Hunter, Irving Sandler, et al.
Galerie nächst St. Stephan, Vienna. Kulturen—Verwandtschaften in Geist und Form. 31 March–26 May 1990.
Catalogue, published retrospectively, with essays by Rosemarie Schwarzwälder et al.
The Katonah Museum of Art, Katonah, N.Y. Watercolors from the Abstract Expressionist Era. 1 April–3 June 1990.
Catalogue with essay by Jeffrey Wechsler
Gagosian Gallery, New York. Important Abstract Expressionist and Pop Paintings. Summer 1990
The Pace Gallery, New York. Painting and Sculpture. 16 July–24 August 1990
Sidney Janis Gallery, New York. Classic Modernism: Six Generations. 15 November–29 December 1990
The Museum of Modern Art, New York. Art of the Forties. 24 February–30 April 1991.
Accompanied by publication of the same title edited by Riva Castleman
National Gallery of Art, Washington, D.C. Art for the Nation: Gifts in Honor of the 50th Anniversary of the National Gallery of Art. 17 March–16 June 1991.
Catalogue with foreword by J. Carter Brown and entries by Nan Rosenthal et al.
Kitakyushu Municipal Art Museum, Kitakyushu City, Japan. Art After World War II: From the Collection of the Kawamura Memorial Museum of Art. 3 May–9 June 1991
Lingotto, Turin. Arte americana 1930–1970. 8 January–31 March 1992.
Catalogue with texts by Attilio Codognato et al.
The Pace Gallery, New York. Group Show: de Kooning, Kline, Nevelson, Newman, Pollock, Reinhardt, Rothko, Smith, Still. 10 January–8 February 1992.
Checklist
Nassau County Museum of Art. Semipermanent installation, Roslyn, N.Y. From May 1992, ongoing.
Exhibition brochure
Staatsgalerie Stuttgart. Meisterwerke der Kunst: 10 Jahre Museumsstiftung Baden-Württemberg. 22 February–26 April 1992.
ALSO SHOWN AT: Staatliche Kunsthalle Karlsruhe, Germany, 16 May–28 June 1992.
Catalogue edited by Elsbeth Wiemann
Kunstmuseum and Kunsthalle, Basel. Transform: BildObjektSkulptur im 20. Jahrhundert. 14 June–27 September 1992.
Catalogue
Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn. Territorium Artis. 19 June–20 September 1992.
Catalogue with texts by Pontus Hultén et al.
Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn. The Great Collections, 1: The Museum of Modern Art, New York, from Cézanne to Pollock. 17 October 1992–10 January 1993.
Catalogue with texts by Pontus Hultén et al.
Vivian Horan Fine Art, New York. Pitched Black. 5 November–19 December 1992
High Museum of Art, Atlanta. Abstract Expressionism: Works on Paper: Selections from The Metropolitan Museum of Art. 26 January–4 April 1993.
ALSO SHOWN AT: The Metropolitan Museum of Art, New York, 4 May–12 September 1993. Catalogue by Lisa Mintz Messinger
Royal Ueno Museum, Tokyo. Masterworks from The Museum of Modern Art, New York. 6 February–9 May 1993.
Catalogue with texts by Shuji Takashina et al.
Martin-Gropius-Bau, Berlin. American Art in the Twentieth Century: Painting and Sculpture, 1913–1993. 8 May–25 July 1993.
ALSO SHOWN AT: Royal Academy of Arts, London, 16 September–12 December 1993.
Catalogue edited by Christos M. Joachimides and Norman Rosenthal
Anthony d’Offay Gallery, London. Barnett Newman, Joseph Beuys, Cy Twombly, Yves Klein, Jasper Johns: From Chuang Tzu. 9 September–15 October 1993.
ALSO SHOWN AT: The Irish Museum of Modern Art, Dublin, 27 January–4 April 1994; Carré d’Art Musée d’Art Contemporain, Nîmes, 21 April–30 June 1994.
Catalogue with texts from Chuang Tzu chosen by David Sylvester
The Museum of Contemporary Art, Los Angeles. Rolywholyover: A Circus. 12 September–28 November 1993.
ALSO SHOWN AT: The Menil Collection, Houston, 14 January–3 April 1994; Solomon R. Guggenheim Museum, SoHo branch, New York, 29 April–13 August 1994; The Art Tower Mito, Mito, Japan, 3 November 1994–26 February 1995; Philadelphia Museum of Art, 2 April–11 June 1995.
Catalogue with text by John Cage
Akita Sensyu Museum of Art, Akita, Japan. Kenzo Okada: 1950–60 nendai amerika cbusyokaiga no nakade [Kenzo Okada and American abstract painting 1950–60]. 1994.
Catalogue
C & M Arts, New York. Newman, Rothko, Still: Search for the Sublime. 6 April–28 May 1994.
Catalogue
Niigata Prefectural Museum of Modern Art, Nagaoka, Japan. Masterworks of Modern Art from The Art Institute of Chicago. 20 April–29 May 1994.
ALSO SHOWN AT: Aichi Prefectural Museum of Art, Nagoya, 10 June–24 July 1994; Yokohama Museum of Art, 6 August–25 September 1994.
Catalogue with texts in Japanese and English by Charles F, Stuckey et al.
Galerie Beyeler, Basel. Der Traum vom Absoluten. June–September 1994.
Catalogue with essay by Gottfried Boehm
Städtische Galerie im Städelschen Kunstinstitut, Frankfurt am Main. Konzeptionelle Druckgraphik: Dan Flavin, Donald Judd, Richard Serra, Barnett Newman, Josef Albers. 1 June–23 October 1994.
Exhibition brochure with introductory text by Jutta Schütt and Margret Stuffmann
Kunstmuseum, Basel. Jasper Johns: Neue Graphik-Geschenke und Barnett Newman: 18 Cantos. 12 June–7 August 1994.
Exhibition brochure with text by Rudolf Velhagen
Louisiana Museum of Modern Art, Humlebæk, Denmark. Fra van Gogh til Gerhard Richter. 22 July–23 October 1994.
Catalogue with texts by Ute Eskildsen, Hubertus Froning, and Georg W. Költzsch
Kunsthalle, Hamburg. Kline, Newman, Rauschenberg, Still. December 1994–January 1995
Castello di Rivoli, Milan. L’orrizonte: Da Chagall a Picasso, da Pollock a Cragg. 18 December 1994–23 April 1995.
Catalogue by Rudi Fuchs and Ida Gianelli
The National Museum of Modern Art, Osaka, Japan. Invitation to Abstract Art. 1995.
Catalogue
Sala de Exposiciones del Koldo Mitxelena, Diputación Forai de Gipuz, San Sebastián, Spain. Hace 30 años: Pintura y escultura de una decada. 3 February–2 April 1995.
Catalogue with texts in Basque and Spanish by Nadine Coleno et al.
National Museum of Modern Art, Tokyo. Abstract Expressionism: Masterpieces from Japanese Collections. 11 March–4 June 1995.
Catalogue with essay in Japanese and English by Koji Takahashi
National Museum of Modern Art, Tokyo. Abstract Expressionism: Works on Paper: Selections from The Metropolitan Museum of Art. 11 March–4 June 1995.
Catalogue with texts in Japanese by Lisa M. Messinger
Jane Vorhees Zimmerli Art Museum, Rutgers University, New Brunswick, New Jersey. Printmaking in America: Collaborative Prints and Presses, 1960–1990. 23 April–18 June 1995.
ALSO SHOWN AT: Mary and Leigh Block Gallery, Northwestern University, Evanston, Illinois, 22 September–3 December 1995; Houston Museum of Fine Arts, 23 January–2 April 1996; National Museum of American Art, Smithsonian Institution, Washington, D.C., 10 May–4 August 1996.
Catalogue with texts by Trudy Hansen, Barry Walker, et al.
Galerie Beyeler, Basel. Wer hat Angst vor Rot . . . ? June–September 1995.
Catalogue with text in English and German by Robert Th. Stoll
Annely Juda Fine Art, London. 1945: The End of the War. 28 June–16 September 1995.
ALSO SHOWN AT: Galerie Denise René, Paris, 26 September–4 November 1995; Galerie Hans Mayer, Düsseldorf, 11 November–20 December 1995.
Catalogue with texts by Peter Ustinov et al.
Galerie nächst St. Stephan, Vienna. Donald Judd and Artist Friends. 21 September–18 October 1995.
Checklist
Casino Luxembourg, Luxemburg. Main Stations. 11 November 1995–3 March 1996.
Catalogue edited by Urs Raussmüller and Christel Sauer
Westfälischer Kunstverein, Münster. Die Unersetzbarkeit des Bildes: Zur Erinnerung an Max Imdahl. 20 January–10 March 1996.
Catalogue
Solomon R. Guggenheim Museum, New York. Abstraction in the Twentieth Century: Total Risk, Freedom, Discipline. 9 February–12 May 1996.
Catalogue by Mark Rosenthal
National Gallery of Art, Washington, D.C. The Robert and Jane Meyerhoff Collection: 1945–1995. 31 March–21 July 1996.
Catalogue by Mark Rosenthal et al.
Blumarts Inc., New York. In Quest of the Absolute. 6 April–6 June 1996.
Catalogue with text by Erich Franz
Sezon Museum of Art, Tokyo. Abstract Expressionism. 6 June–14 July 1996.
ALSO SHOWN AT: Aichi Prefectural Museum of Art, Nagoya, 26 July–16 September 1996; Hiroshima City Museum of Contemporary Art, 29 September–17 November 1996.
Catalogue with texts by Hitoshi Dehara et al.
Museum of Contemporary Art, Chicago. Negotiating Rapture: The Power of Art to Transform Lives. 21 June–20 October 1996.
Accompanied by publication of the same title edited by Richard Francis with essays by Homi K. Bhabha et al. and contributions by Yve-Alain Bois et al.
Palmer Museum of Art, Pennsylvania State University, University Park, Pennsylvania. Abstraction to Figuration: Selections of Contemporary Art from the Pincus Collection. 2 July–15 December 1996
Fine Arts Museum of San Francisco, California Palace of the Legion of Honor. A Century of Sculpture: The Nasher Collection. October 1996–January 1997.
ALSO SHOWN AT: Solomon R. Guggenheim Museum, New York, 7 February–1 May 1997.
Catalogue with texts by Carmen Giménez et al.
Centro Cultural Arte Contemporáneo, A.C., Mexico City. Pintura estadounidense: Expresionismo abstracto. 11 October 1996–12 January 1997.
Catalogue with texts in Spanish by Irving Sandler et al. English translation of Sandler’s essay published separately
Whitney Museum of American Art, New York. Views from Abroad: European Perspectives on American Art 2. 18 October 1996–5 January 1997.
ALSO SHOWN AT: Museum für Moderne Kunst, Frankfurt am Main, 31 January–4 May 1997.
Catalogue in English and German with texts by Jean-Christophe Ammann et al.
Tate Gallery, London. Brancusi to Beuys: Works from the Ted Power Collection. 19 November 1996–16 February 1997.
Catalogue edited by Jennifer Mundy
Musée National d’Art Moderne, Centre National d’Art et de Culture Georges Pompidou, Paris. Face à l’ histoire: L’artiste moderne devant l’événement historique. 19 December 1996–7 April 1997.
Catalogue with texts by Jean-Paul Ameline et al.
Museum of Contemporary Art, Tokyo. Founders and Heirs of the New York School. 25 January–16 March 1997.
ALSO SHOWN AT: The Miyagi Museum of Art, Sendai, 5 April–25 May 1997; The Museum of Modern Art, Ibaraki, Mito, 28 June–3 August 1997.
Catalogue in Japanese and English with essay by Dore Ashton
Deichtorhallen, Hamburg. The Birth of the Cool: Amerikanische Malerei von Georgia O’Keeffe bis Christopher Wool. 14 February–11 May 1997.
ALSO SHOWN AT: Kunsthaus, Zürich, 18 June–7 September 1997.
Catalogue
The Corcoran Gallery of Art, Washington, D.C. Proof Positive: Forty Years of Contemporary Printmaking at ULAE 1957–1997. 15 February–30 June 1997.
ALSO SHOWN AT: University of Colorado, Colorado Springs, 4 August–19 September 1997; UCLA at the Armand Hammer Museum of Art and Cultural Center, Los Angeles, 27 October 1997–4 January 1998; Sezon Museum of Art, Tokyo, 27 February–6 April 1998.
Catalogue with texts by Jack Cowart et al.
Albertina, Vienna. Balthus bis Warhol: Österreichische Ludwigstiftung Erwerbungen für die Albertina. 27 February–20 April 1997.
Catalogue with text by Marietta Mautner Markhof
Martin-Gropius-Bau, Berlin. Die Epoche der Modernen Kunst irn 20. Jahrkundert/The Age of Modernism: Art in the 20th Century. 7 May–27 July 1997.
Catalogue edited by Christos M. Joachimides and Norman Rosenthal with essays by Brooks Adams et al.
The Museum of Modern Art, New York. A Decade of Collecting: Selected Recent Acquisitions in Modern Drawing. 5 June–9 September 1997.
Illustrated checklist with introduction by Margit Rowell
C & M Arts, New York. American Works 1945–1975. 8 October–6 December 1997.
Catalogue
Castello di Rivoli, Museo d’Arte Contemporánea, Turin. American Art from the Whitney Museum: Multiple Identity. 20 October 1997–18 January 1998.
Catalogue with texts by Johanna Drucker et al.
Skulpturenpark Köln, Cologne. KölnSkulptur 1. 8 November 1997–1 September 1999.
Catalogue with texts by Eleonore and Michael Stoffel et al.
Arthur M. Sackler Museum, Harvard University Art Museums, Cambridge, Massachusetts. Drawing Is Another Kind of Language: Recent American Drawings from a New York Private Collection. 12 December 1997–22 February 1998.
ALSO SHOWN AT: Kunstmuseum Winterthur, Winterthur, Switzerland, 4 September–15 November 1998; Kunst-Museum Ahlen, Ahlen, Germany, 6 December 1998–31 January 1999; Akademie der Künste, Berlin, 19 February–25 April 1999; Fonds Régional d’Art Contemporain de Picardie and Musée de Picardie, Amiens, France, 21 May–15 August 1999; Parrish Art Museum, Southampton, N.Y., 3 October–14 November 1999.
Catalogue by Pamela Lee and Christine Mehring with essay by Dieter Schwarz
Gagosian Gallery, New York. The New York School. 17 March–25 April 1998.
Catalogue
National Gallery of Victoria, Melbourne. Beyond Modern Art and the Religious Imagination. 24 April–26 July 1998.
Catalogue with texts by Rosemary Crumlin et al.
Toyota Municipal Museum of Art, Toyota City, Japan. Is This Art? 21 July–23 September 1998.
ALSO SHOWN AT: Kawamura Memorial Museum of Art, Sakura-shi, 8 October–6 December 1998; Contemporary Art Center, Art Tower, Mito, 19 December 1998–22 March 1999.
Catalogue for Mito only
The Museum of Modern Art, New York. The New York School: Drawings from the Museum’s Collection. 17 September 1998–12 January 1999.
Exhibition brochure with illustrated essay by Magdalena Dabrowski
Heckscher Museum of Art, Huntington, N.Y. Shaping a Generation: The Art and Artists of Betty Parsons. 6 February–18 April 1999.
Catalogue with texts by Anne Cohen DePietro et al.
Seattle Art Museum. The Virginia and Bagley Wright Collection of Modern Art. 4 March–9 May 1999.
Catalogue with texts by Trevor Fairbrother and Bagley Wright
Whitney Museum of American Art, New York. The American Century: Art & Culture 1900–1949. 23 April–22 August 1999.
Accompanied by publication of virtually the same title with texts by Barbara Haskell et al.
Drawing Center, New York. Drawn from Artists’ Collections. 24 April–12 June 1999.
Catalogue by Ann Philbin and Jack Shear with essay by Robert Storr
The Pierpont Morgan Library, New York. New York Collects: Drawings and Watercolors 1900–1950. 20 May–29 August 1999.
Catalogue with texts by Jack Flam et al.
Museum für Gegenwartskunst der Öffentlichen Kunstsammlung Basel und der Emanuel Hoffmann-Stiftung, Basel. White Fire—Flying Man: Amerikanische Kunst 1959–1999 in Basel. 5 June–26 September 1999.
Catalogue edited by Katharina Schmidt and Philip Ursprung
Musée Fabre, Montpelier, France. De l’expressionisme abstrait à l’art minimal: Peintures abstraites aux États-Unis 1940–1960. 1 July–3 October 1999.
Catalogue
The Museum of Contemporary Art, Los Angeles. In Memory of My Feelings: Frank O’Hara and American Art. 11 July–14 November 1999.
Accompanied by publication of the same title with text by Russell Ferguson
Kawamura Memorial Museum of Art, Sakura City, Japan. Your Own Private Stage. 4 September–5 December 1999
Walker Art Center, Minneapolis. Art in Our Time: 1950 to the Present. 5 September 1999–2 September 2001
Whitney Museum of American Art, New York. The American Century: Art & Culture 1950–2000. 26 September 1999–13 February 2000.
Catalogue by Lisa Phillips
The Chinadi Foundation, Marfa, Texas. Donald Judd’s Plywood Boxes and Barnett Newman’s Notes. October 1999
The Museum of Modern Art, New York. Modern Starts. 17 October 1999–4 March 2000.
Accompanied by the publication Modern Starts: People, Places, Things, ed. John Elderfield et al. (New York: The Museum of Modern Art, 2000)
Brooke Alexander, New York. Barnett Newman, The Complete Editions/Jasper Johns, References to Barnett Newman. 18 November 1999–15 January 2000.
Catalogue with text by Barbara Rose
Kawamura Memorial Museum of Art, Sakura City, Japan. Art for Life’s Sake. 25 March–4 June 2000.
Catalogue with texts by Nobuyuki Hiromoto et al.
Fondation Beyeler, Riehen, Switzerland. Farbe zu Licht. 16 April–30 July 2000.
Catalogue with texts by Markus Brüderlin et al.
The Museum of Modern Art, New York. Making Choices: A Cycle of Twenty-Four Exhibitions: How Simple Can You Get? 26 April–26 September 2000.
Accompanied by the publication Making Choices by Peter Galassi, Robert Storr, and Anne Umland (New York: The Museum of Modern Art, 2000)
Fundación Juan March, Madrid. American Abstract Expressionism: Works on Paper, Selections from The Metropolitan Museum of Art. 8 May–2 July 2000
Aargauer Kunsthaus, Aarau, Switzerland. Paint: Das Gedächtnis der Malerei: Ein Lesebuch zur Malerei des 20. Jahrhunderts. 27 August–19 November 2000.
Catalogue edited by Sibylle Omlin and Beat Wismer
The Museum of Modern Art, New York. Open Ends: 11 Exhibitions of Contemporary Art from 1960 to Now: White Spectrum. 5 November 2000–30 January 2001
Museum für Gegenwartskunst der Öffentlichen Kunstsammlung Basel und der Emanuel Hoffmann-Stiftung, Basel. Weiss: Skulpturen und Bilder des 20. Jahrhunderts aus der Öffentlichen Kunstsammlung Basel und der Emanuel Hoffmann-Stiftung. 18 January–18 March 2001.
Catalogue with essay in German and English by Hartwig Fischer
Acquavella Galleries, New York. XIX and XXth Century Master Paintings. 16 April–19 May 2001
Worcester Art Museum, Worcester, Massachusetts. The Stamp of Impulse: Abstract Expressionist Prints. 21 April–17 June 2001.
ALSO SHOWN AT: The Cleveland Museum of Art, 18 November 2001–27 January 2002; Amon Carter Museum, Fort Worth, 2 March–12 May 2002; The Mary and Leigh Block Museum of Art, Evanston, Illinois, 16 January–16 March 2003.
Catalogue by David Acton with essays by David Amram and David Lehman
Galerie Beyeler, Basel. Classics. 31 May–29 September 2001
Fondation Beyeler, Riehen, Switzerland. Ornament and Abstraction: The Dialogue Between Non-Western, Modern, and Contemporary Art. 10 June–23 September 2001.
Catalogue edited by Markus Brüderlin; also flyer and exhibition brochure
Frick Collection, New York. Master Drawings from the Smith College Museum of Art. 19 June–12 August 2001.
ALSO SHOWN AT: Galleria degli Uffizi, Florence, 16 October 2001–6 January 2002.
Checklist
Museo Nacional Centro de Arte Reina Sofia, Madrid. Minimalismos, un signo de los tiempos, 11 July–8 October 2001.
Catalogue with texts by Javier Rodríguez Marcos et al.
MACBA [Museu d’Art Contemporani de Barcelona], Barcelona. Onnasch: Aspects of Contemporary Art. 7 November 2001–24 February 2002.
Catalogue with essays by Boris Groys and Petra Kipphoff
Brooke Alexander Editions, New York. Letters, Signs and Symbols: Paintings, Sculpture and Works on Paper. 10 November 2001–25 January 2002
National Gallery of Art, Washington, D.C. Century of Drawing. 18 November 2001–7 April 2002.
Catalogue with texts by Andrew Robison et al.
Tate Modern, London. Looking at Modern Art: In Memory of David Sylvester. 17 January–24 March 2002.
Catalogue with introduction by Nicholas Serota and text by David Sylvester
Centro Culturale Candiani, Mestre, Venice. The “Irascibles” and the New York School. 23 March–30 June 2002.
Catalogue with essays by Sam Hunter et al.
Fondation Beyeler, Riehen, Switzerland. Monet . . . up to Digital Impressionism. 28 March–4 August 2002.
Catalogue with texts by Reinhold Hohl et al.
Gagosian Gallery, New York. Physical World: An Exhibition of Painting and Sculpture. 9 May–29 June 2002.
Checklist
Kunstmuseum, Basel. Painting on the Move: A Century of Contemporary Painting (1900–2000). 26 May–8 September 2002.
Catalogue with texts by Bernhard Mendes Bürgi et al.
Exhibition History
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