Barnett Newman’s Library

Shiff, Richard; Mancusi-Ungaro, Carol C.; Colsman-Freyberger, Heidi

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Barnett Newman’s Library

Richard Shiff, Carol C. Mancusi-Ungaro, Heidi Colsman-Freyberger

Barnett Newman: A Catalogue Raisonné

Barnett Newman’s Library

Author

Richard Shiff, Carol C. Mancusi-Ungaro, Heidi Colsman-Freyberger

PublisherYale University Press

Stable URL: https://aaeportal.com/?id=-20962

Barnett Newman’s Library

Following is a list of the publications in the artist’s library at the time of his death. They are grouped in the following sections:

Art and Architecture

Automobiles and Automobile Repair

Banking and Finance

Biography and Autobiography

Biology and the Natural Sciences

Birds (Ornithology)

Botany

Drama

Ethnology, Anthropology, Archaeology, and Sociology

Geography

Geology

History

Horse Racing and Betting

How-To

Language

Law

Literature

Media and Technology

Miscellaneous

New York

Philosophy

Photography

Physics and Astronomy

Poets, Poetry, and Verse

Politics

Psychology

Religion and the Religious Life

Science and Mathematics

Travel and Tourism

Catalogues and Advertisements

Periodicals

Programs and Menus

Despite its length, the list does not reflect the full scope of what Barnett Newman read. He was an avid patron of the New York Public Library, and because his means were limited during most of his career, much of what he read he never owned. It should also be remembered that in the years since the artist assembled his library, the nature of art publications has changed dramatically: monographs on art and artists were rare before the mid–1960s, and the ones listed here do not give a rounded picture of all the types of art that interested him. The list does, however, give insights into the great diversity of subject matter that occupied his mind.

On occasion, the artist bought used books; thus, some inscriptions and notations and even perhaps some of the insertions noted below may not be his.

A word on alphabetization: titles that begin with a numerical date are are listed first in each section, and they are followed by titles that begin with a roman numeral. The articles “a,” “an,” and “the” are recognized in the alphabetization; for example, A Sacred Almanac of the Aztecs precedes Anthropology and Modern Life.

Brigid Herold

Art and Architecture

1913 Armory Show: Fiftieth Anniversary Exhibition 1963. Exh. cat. Exhibition organized by Munson-Williams-Proctor Institute, Utica, N.Y., and sponsored by the Henry Street Settlement, New York, 1963 (212 pages).

1963 Annual Exhibition of Contemporary American Painting. Exh. cat. Whitney Museum of American Art, New York, 1963–64 (63 pages).

1964 Annual Exhibition of Contemporary American Sculpture. Exh. cat. Whitney Museum of American Art, 1964–65 (63 pages). Inscribed in black ink on the title page: “To Barney & Annalee with love[,] Bob. 20 Dec 64.”

1965 Annual Exhibition of Contemporary American Painting. Exh. cat. Whitney Museum of American Art, New York, 1965–66 (63 pages).

1967 Annual Exhibition of Contemporary American Painting. Exh. cat. Whitney Museum of American Art, New York, 1967–68 (76 pages).

1968 Annual Exhibition of Sculpture. Exh. cat. Whitney Museum of American Art, New York, 1968–69 (72 pages).

1969 Annual Exhibition of Contemporary American Painting. Exh. cat. Whitney Museum of American Art, New York, 1969–70 (54 pages).

1969: The American Album. Drawings by Steinberg. Hallmark calendar, unmarked.

II. Documenta 59: Kunst nach 1945. Vol. 1: Malerei. Exh. cat. Museum Fridericianum, Kassel, Germany, 1959 (471 pages).

IV [4]. Documenta. Exh. cat. Vols. 1 (Malerei) and 2 (Graphik). Museum Fridericianum, Kassel, Germany, 1968 (328 and 160 pages, respectively).

VII Biennial of the Museum of Modern Art, São Paulo, Brazil: United States of America: I. Adolph Gottlieb; II. Dex Escultores/Ten Sculptors. Exh. cat. Exhibition organized by the Walker Art Center, Minneapolis, at the request of the United States Information Agency, for the Seventh Biennial of the Museum of Modern Art, São Paulo, Brazil, 1963 (52 pages).

VIII Bienal do Museu de Arte Moderna. Introduction by Walter Hopps. Exh. cat. The United States of America Pavilion, São Paulo, Brazil, 1965 (464 pages, followed by 133 black-and-white plates, with maps of the galleries attached to the inside of the back cover).

VIII São Paulo Biennal: United States of America. Introduction by Walter Hopps. Exh. cat. Exhibition organized by the Pasadena Art Museum for the Eighth São Paulo Biennial, São Paulo, Brazil, 1965, and exhibited at the National Collection of Fine Arts, Smithsonian Institution, Washington, D.C., 1966 (72 pages).

A Biographical Sketch of My Brothers Naum Gabo and Antoine Pevsner. By Alexei Pevsner. Amsterdam: Augustin and Schoonman, 1964 (56 pages).

A Brief History of The National Gallery, with a Representative Selection of Pictures. By Michael Levey. Foreword by Sir Philip Hendy. London: Pitkin Pictorials, Ltd., 1964 (32 pages).

A Brief History of the Tate Gallery, with a Selection of Paintings and Sculpture. By Sir John Rothenstein. London: Pitkin Pictorials, Ltd., 1963 (24-page pamphlet).

A Century of American Chairs: 1720–1820. Exh. cat. Ginsburg Levy, Inc., New York, 1942 (40 pages). Two copies.

A Century of American Landscape Painting: 1800–1900. Exh. cat. Whitney Museum of American Art, New York, 1938 (30 pages, followed by 16 black-and-white plates).

A Documentary History of Art. Compiled and edited by Elizabeth Gilmore Holt. Vols, 1 and 2. Garden City, N.Y.: Doubleday and Company, Inc., 1957; Anchor Books Edition, 1958 (380 and 386 pages, respectively).

A Guide to the Federal Art Project Gallery. 1936 (13-page pamphlet).

A Half Century of Landscape Paintings by George Inness (1825–1894). Exh. brochure. M. Knoedler & Company, Inc., New York, 1953.

A History of Aesthetic from the Greeks to the Twentieth Century. By Bernard Bosanquet. 1932. Reprint, New York: Meridian Books, 1957 (502 pages).

A Letter to a Young Painter. By Herbert Read. New York: Horizon Press, 1962 (277 pages).

A Loan Exhibition of Paul Gauguin for the Benefit of the New York Infirmary. Exh. cat. Wildenstein and Company, Inc., New York, 1946 (78 pages). An addenda and errata slip is inserted.

A New Aesthetic. By Barbara Rose. Exh. cat. The Washington Gallery of Modern Art, Washington, D.C., 1967 (63 pages).

A Nineteenth Century Selection: French Paintings. Exh. cat. Bignou Gallery, New York, 1935 (19 pages).

A Selection of Paintings and Sculptures from the Collections of Mr. and Mrs. Robert Rowan. Text by John Coplans. Exh. brochure. Art Gallery, University of California, Irvine, and San Francisco Museum of Art, 1967.

A Selection of Twentieth Century Art of Three Generations. Exh. cat. Sidney Janis Gallery, New York, 1964 (24 pages).

A Statement by the Artist. By Jon Schueler. New York: Profile Press, 1954 (8-page pamphlet).

A Testament. By Frank Lloyd Wright. New York: Horizon Press, 1957 (256 pages).

Abstract Painting: Background and American Phase. By Thomas B. Hess. New York: The Viking Press, A Lee Ault Edition, 1951 (157 pages, followed by a 4-page list of illustrations).

Abstract Painting: Fifty Years of Accomplishment, from Kandinsky to the Present. By Michel Seuphor. Translated from the French by Haakon Chevalier. New York: Dell Publishing Co., Inc., A Laurel Edition, 1964 (192 pages).

Abstract Watercolors by Fourteen Americans. Exh. cat. Exhibition selected by Frank O’Hara and circulated in Australia, 1965–66, under the auspices of the International Council of the Museum of Modern Art, New York (10 pages). Inserted is a small printed card: “With the compliments of the Exhibitions Officer, National Gallery of Victoria.” The card is signed in black ink, “John Stringer.”

Abstrakte amerikanische Malerei. Exh. cat. Hessisches Landesmuseum Darmstadt, Germany, 1961 (36 pages). “1961” is written in blue ink above the title on the title page and cover.

According to the Letter. By Nicolas Calas and Elena Calas. Exh. brochure. Thibaut Gallery, New York, 1963.

Ad Reinhardt: Paintings. By Lucy R. Lippard. Exh. cat. The Jewish Museum, New York, under the auspices of the Jewish Theological Seminary of America, 1966–67 (76 pages).

Adolph Gottlieb. Exh. brochure. Foreword by Barnett Newman. Wakefield Gallery, New York, 1944.

Adolph Gottlieb: New Paintings. Exh. cat. French and Company, Inc., New York, 1960 (8 pages). Two copies. Inserted in one copy is a brown printed card: “You are cordially invited to attend a preview on Tuesday, January 5th, 8 p.m. to 11 p.m. . . . French and Company, Inc., 978 Madison Avenue, New York.” On the front cover of one copy is inscribed in red ink: “Jimmy Cuchiara[,] 220 East 27 St NYC.” On the back cover of the other copy is inscribed in red ink: “Martin Carey 1668 [illeg.]” “[illeg.] Bianchi[,] Worcester Art Museum.”

Adolph Gottlieb: Paintings. Exh. brochure. Artists Gallery, New York, 1943. Four copies.

Albert P. Ryder. By Lloyd Goodrich. New York: George Braziller, Inc., 1959 (128 pages).

Aleijadinho et la sculpture baroque au Brésil. By Germaine Bazin. Paris: Les Editions du Temps, 1963 (327 pages).

Alexander Liberman. Exh. brochure. Betty Parsons Gallery, New York, 1962.

Alexander Liberman. Exh. cat. Robert Fraser Gallery, London, 1964 (24 pages composed of 12 loose sheets enclosed in a silver folder).

Alexander Liberman: Paintings. Exh. brochure. Bennington College, Bennington, Vermont, 1964. Inscribed on the front in red ink: “Opening Sat, Mon 28 at 8 pm.”

Alexander Liberman: Paintings and Sculptures. Exh. brochure. Betty Parsons Gallery, New York, 1963.

Alexander Liberman: Recent Sculpture. Exh. brochure. The Jewish Museum, New York, 1966.

Alfonso Ossorio. Exh. brochure. Cordier & Ekstrom, Inc., New York, 1969.

Allan Kaprow’s Words. Exh. cat., Smolin Gallery, New York, 1962 (22 pages).

American Abstract Expressionists and Imagists. Exh. cat. The Solomon R. Guggenheim Museum, New York, 1961 (131 pages). Two copies.

American Art Since 1900: A Critical History. By Barbara Rose. Praeger World of Art Series. New York and Washington, D.C.: Frederick A. Praeger, Publishers, 1967 (320 pages).

American Artists of the Nineteen Sixties. Exh. cat. Boston University School of Fine and Applied Arts Centennial Exhibition, 1970 (60 pages).

American Drawings. Exh. cat. The Solomon R. Guggenheim Museum, New York, 1964 (64 pages). Inserted where the works by Barnett Newman are listed is a small sheet of paper on which is written in black ink: “DRAWINGS Untitled Artist. O $5,000 Untitled Artist $6,000 Untitled [illeg.] $5,000 B. H. Friedman #1200.”

American Federation of Arts: Who’s Who in American Art 1953. Edited by Dorothy B. Gilbert. New York: R. R. Bowker Company, 1953 (558 pages).

American Modern Artists. Foreword by Barnett Newman. Exh. brochure. Riverside Museum, New York, 1943. Two copies. “1943” is written on the front cover in blue pencil.

American Painting: The 1960s. Exh. cat. Exhibition selected by Samuel Adams Green. Co-sponsored by the Georgia Museum of Art, The University of Georgia, and AFA; organized and circulated by The American Federation on Arts, New York, 1969 (36 pages). Attached to the cover is the business card of Konrad G. Kuchel, Coordinator of Exhibitions at the American Federation of Arts, New York.

American Painting and Sculpture [in Russian]. Exh. cat. American National Exhibition, Moscow, 1959 (99 pages).

American Painting in the Twentieth Century. By Henry Geldzahler. New York: The Metropolitan Museum of Art, 1965 (236 pages). Inscribed: “For Barney and Annalee from a good friend with best wishes. Henry[,] May 1965.”

American Painting Now. Exh. cat. Exhibition at Horticultural Hall, Boston, sponsored by the Institute of Contemporary Art, Boston. 1967–68. Shown originally in the United States Pavilion at Expo 67, Montreal (23 pages).

American Paintings, 1945–1957: One Hundred Forty-Six Pictures Representing Outstanding Achievement or Promise by American Artists of the Post-War Era. Exh. cat. Minneapolis Institute of Arts, 1957 (32 pages).

Amerikaanse grafiek. Exh. brochure. Stedelijk Museum, Amsterdam, 1964.

Amlash Sculpture from Iran. Exh. brochure. Betty Parsons Gallery, New York, 1963. Seven copies.

An Artist in America: Thomas Hart Benton: With Sixty-Four Illustrations in Two Colors. New York: Halcyon House, 1939 (276 pages).

An Emotional Memoir of Franz Kline. By Fielding Dawson. New York: Pantheon Books, 1967 (147 pages).

An Exhibition of Oil Paintings by Adolph Gottlieb. Exh. cat. The Jewish Museum of The Jewish Theological Seminary of America, New York, 1957 (20 pages).

An Exhibition of Pre-Columbian Art. Exh. cat. Exhibition arranged by the Peabody Museum and The William Hayes Fogg Art Museum, Harvard University, Cambridge, Massachusetts, 1940 (36 pages). There are notations in pencil on both sides of the title page and in black ink on the last page.

Animals in Pre-Columbian Art. Exh. cat. André Emmerich, Inc., New York, 1965 (37 pages).

Annual Exhibition: Sculpture, Paintings, Watercolors, Drawings. Exh. cat. Whitney Museum of American Art, New York, 1956–57 (24 pages).

Annual Exhibition of Contemporary American Painting. Exh. cat. Whitney Museum of American Art, New York, 1959–60 (20 pages). Two copies.

Antonio Gaudí. By George R. Collins. New York: George Braziller, Inc., New York, 1960 (136 pages).

Arikha, Panter. Exh. cat. Stedelijk Museum, Amsterdam, 1960 (23 pages).

Ars 69 Helsinki. Exh. cat. Art Museum of Ateneum, Helsinki, and the Museum of Modern Art, Tampere, Finland, 1969 (108 pages). Inserted is a printed card: “With the Compliments of the Art Gallery of Ateneum Helsinki.”

Arshile Gorky. Exh. brochure. Julien Levy Gallery, New York, 1945.

Arshile Gorky. By Ethel K. Schwabacher. New York: Macmillan Company for the Whitney Museum of American Art, New York, 1957 (159 pages). Inscribed: “To Barney Newman: In deep admiration—Ethel Schwabacher 1957.”

Arshile Gorky: The Man, The Time, The Idea. By Harold Rosenberg, New York: Horizon Press, Inc., 1962 (144 pages).

Arshile Gorky: The Man, The Time, The Idea. By Harold Rosenberg. New York: The Sheepmeadow Press/Flying Point Books, 1962 (144 pages).

Art. By Eric Gill. 1934. Reprint, London: The Bodley Head, Ltd., 1950 (148 pages).

Art: An Environment for Faith. Exh. cat. The Union of American Hebrew Congregations at the San Francisco Museum of Art, 1965 (12 pages). Three copies. A note from Mildred Constantine to Annalee Newman is inserted in one copy.

Art and Anarchy: The Reith Lectures 1960. By Edgar Wind. Revised and enlarged edition. New York: Alfred A. Knopf, 1965 (194 pages).

Art and Culture: Critical Essays. By Clement Greenberg. Boston: Beacon Press, 1961 (278 pages).

Art and Social Responsibility: Lectures on the Ideology of Romanticism. By Alex Comfort. London: The Falcon Press, Ltd., 1946 (91 pages).

Art and Society. By Herbert Read. New York: The Macmillan Company, 1937 (282 pages).

Art Criticism in the Sixties. Papers of a symposium at the Poses Institute of Fine Arts, Brandeis University, Waltham, Massachusetts. New York: October House, Inc., 1967 (28-page pamphlet).

Art for Embassies Selected from the Woodward Foundation Collection. Foreword by Charles W. Millard and introduction by Henry Geldzahler. Exh. cat. Washington Gallery of Modern Art, Washington, D.C., 1967 (24 pages). The year “1965” given for Barnett Newman’s untitled ink drawing is crossed out and “1949” is written below it in black ink.

Art for the City. Exh. cat. Institute of Contemporary Art, University of Pennsylvania, Philadelphia, 1967 (32 pages).

Art Has Many Faces: The Nature of Art Presented Visually. By Katherine Kuh, New York: Harper and Brothers, 1951 (185 pages). Signed by the author.

Art in Paris, 1845–1862: Salons and Other Exhibitions Reviewed by Charles Baudelaire. Translated and edited by Jonathan Mayne. London: Phaidon Press, Ltd., 1965 (241 pages). Two copies, one hardcover, one paperback (the latter published in 1970). Inserted in the hardcover copy are four folded sheets of yellow paper with locations in France, such as hotels and museums.

Art in the Age of Risk and Other Essays. By Nicolas Calas. New York: E. P. Dutton and Co., Inc., A Dutton Paperback, 1968 (238 pages). Inscribed on a piece of paper taped to the title page: “The publisher’s statements on the jacket and in the brief biographical notice incorrectly refer to the author as Doctor Calas. Mr. Calas wants it known that he has kept his philosophy undoctored.”

Art Now: An Introduction to the Theory of Modern Painting and Sculpture. By Herbert Read. Revised edition. New York: Harcourt, Brace, & Company, 1936 (160 pages).

Art of Ancient Italy: Etruscans, Greeks and Romans. By Rita Perry and Herbert A. Cahn. Exh. cat. André Emmerich Gallery, New York, in cooperation with Münzen and Medallien AG, Basel, Switzerland, 1970 (66 pages).

Art of the Ancients: Greeks, Etruscans, and Romans. Exh. cat. André Emmerich Gallery, New York, in cooperation with Münzen und Medaillen AG, Basel, Switzerland, 1968 (52 pages).

Art of the United States: 1670–1966. By Lloyd Goodrich. Exh. cat. Whitney Museum of American Art, New York, 1966 (157 pages).

Art of This Century: Objects, Drawings, Photographs, Paintings, Sculpture, Collages, 1910 to 1942. Edited by Peggy Guggenheim. N.p., 1942 (156 pages). Inscribed in black ink on the title page: “For Barney Newman with affection for all he has contributed to [a line is drawn from this to the title, which is circled] Peggy Guggenheim[,] New York[,] June 13[,] 1947[,] au revoir.” Two inserts: A page from a fashion magazine showing Peggy Guggenheim on which are written a telephone number and an address, along with doodling, all in pencil; a page from New York Mirror Magazine for 6 October 1957 with an article on Peggy Guggenheim.

Art Since 1950. Exh. cat. Fine Arts Pavilion, World’s Fair, Seattle, 1962 (160 pages). Three copies.

Art Teachers Association: First Membership Exhibition. Exh. checklist. Uptown Gallery, New York, 1940.

Art Treasures from the Vienna Collections. Exh. cat. National Gallery of Art, Washington, D.C., The Metropolitan Museum of Art, New York, The Art Institute of Chicago, and the M. H. De Young Memorial Museum, San Francisco, 1949–50 (67 pages, followed by 43 pages of black-and-white plates).

Arte dopo il 1945: U. S. A. By Marisa Volpi Orlandini. N.p.: Cappelli, [1969] (227 pages). A foreign postal label (Bologna) addressed to Barnett Newman at 685 West End Avenue is inserted.

Artists and Craftsmen in Ancient Central America. By George C. Vaillant. Guide Leaflet Series of The American Museum of Natural History, New York, no. 88, 1935. Reprint, 1940 (102 pages).

Artists at Work. By Bernard Chaet. Cambridge, Massachusetts: Webb Books, Inc, 1960 (156 pages).

Artists for Victory: An Exhibition of Contemporary American Art. New York: The Metropolitan Museum of Art, 1942 (52 pages).

Artists in Exile. Exh. brochure. Pierre Matisse Gallery, New York, 1942 (10 pages).

Artists Select. Exh. cat. Finch College Museum of Art, Contemporary Study Wing, New York, 1964 (40 pages).

Artists’ Theatre: Four Plays. Edited by Herbert Machiz. New York: Grove Press, Inc.; London: Evergreen Books, Ltd., 1960 (224 pages). The plays are by Frank O’Hara, James Merrill, John Ashbery, and Lionel Abel.

Arts of the South Seas. By Ralph Linton and Paul S. Wingert in collaboration with René d’Harnoncourt. Color illustrations by Miguel Covarrubias. New York: The Museum of Modern Art, 1946 (199 pages).

Asger Jorn. By Guy Atkins. London: Methuen and Co., Ltd., 1964. Art in Progress series, edited by Jasia Reichardt (52 pages).

Assemblage, Environments, and Happenings. By Allan Kaprow. With a Selection of Scenarios by: Nine Japanese of the Gutai Group, Jean-Jaques Lebel, Wolf Vostell, George Brecht, Kenneth Dewey, Milan Knízák, and Allan Kaprow. New York: Harry N. Abrams, Inc., Publishers, 1966 (341 pages).

Avant-Garde Attitudes: New Art in the Sixties. By Clement Greenberg. The John Power Lecture in Contemporary Art delivered at the University of Sydney, 17 May 1968. Sydney: The Power Institute of Fine Arts, University of Sydney, 1969 (12-page pamphlet).

Barnett Newman. By Thomas B. Hess. New York: Walker and Company, 1969 (92 pages). Three copies. Inscribed in one copy on the flyleaf in black ink: “To Trudi and Phil—with admiration and with love—this story of my life—Barney.” Inscribed in another copy in blue ink: “For Betty Stevens . . .”

Barnett Newman: A Selection, 1946–1952. Exh. cat. French and Company, Inc., New York, 1959 (11 pages). Five copies. On one copy “Prices” is written in pencil on the front cover. In the catalogue listing, prices are written in ink and in pencil. The word “sold” is inscribed next to certain paintings.

Barnett Newman: First Retrospective Exhibition. Exh. brochure. New Gallery, Bennington College, Bennington, Vermont, 1958. Six copies.

Barnett Newman: The Stations of the Cross—Lema Sabachthani. Exh. cat. The Solomon R. Guggenheim Museum, New York, 1966 (39 pages). Ten copies.

Baudelaire. Exh. cat. Petit Palais, Paris, 1968–69 (174 pages).

Baudelaire. By George Poulet and Robert Kopp. Translated by Robert Allen and James Emmons. The Artist and His World series, edited by Jean Leymarie. Geneva, Switzerland: Editions Albert Skira, 1969 (188 pages).

Bennington College Presents a Retrospective Show of the Paintings of Jackson Pollock. Exh. brochure. Bennington College, Bennington, Vermont, 1952.

Between the Fairs: Twenty-Five Years of American Art, 1939–1964. Exh. cat. Whitney Museum of American Art, New York, 1964 (91 pages).

Beverly Pepper: Recent Sculpture. Exh. cat. Marlborough-Gerson Gallery, Inc., New York, 1969 (33 pages).

Bibliografi over Asger Jorns Skrifter til 1963 / A Bibliography of Asger Jorns Writings to 1963. By Guy Atkins and Erik Schmidt. Copenhagen: Permild & Rosengreen, 1964 (46 pages). Inserted is a printed card: “With the Compliments of the authors and publishers” (also in Danish).

Bilanz: Internationale Malerei seit 1950. Exh. cat. Kunsthalle, Basel, 1964 (63 pages, followed by 28 pages of ads). Inserted is a printed card: “Mit besten Empfehlungen überreicht von der Kunsthalle Basel.”

Black and White. By Ben Heller. Exh. cat. The Jewish Museum, New York, 1963–64 (16 pages).

Bloodflames 1947: Hare, Gorky, Kamrowski, Lam, Matta, Noguchi, Phillips, Raynal. By Nicolas Calas. Exh. cat. Hugo Gallery, New York, 1947 (16 pages).

Bonnard and His Environment. Texts by James Thrall Soby, James Elliott, and Monroe Wheeler. The Museum of Modern Art, New York, in collaboration with the Los Angeles County Museum of Art and the Art Institute of Chicago, 1964 (116 pages). Inserted is a printed card: “With the compliments of the Los Angeles County Museum of Art.”

Bradley Walker Tomlin. Exh. cat. Traveling exhibition organized by the Art Galleries of the University of California, Los Angeles, in association with the Whitney Museum of American Art, New York, 1957 (62 pages).

Bram van Velde. By Samuel Beckett, Georges Duthuit, and Jacques Putnam. Translated from the French by Olive Classe and Samuel Beckett. Color photographs by Luc Joubert, black-and-white photographs by Georges Carcin. New York: Grove Press, Inc.; London: Evergreen Books, Ltd., 1960 (64 pages). Inscribed on the flyleaf: “pour Newman[,] [illeg.] Bram van Velde[,] en admiration[,] Jacques Putnam.” Printed on a small blue label inside the back cover: “Wittenborn Art Books[,] 1018 Madison Avenue[,] New York 21.”

Bram van Velde: Paintings 1957–1967. By Samuel Beckett and Franz Meyer. Exh. cat. M. Knoedler & Co., Inc., New York, and Albright-Knox Art Gallery, Buffalo, N.Y., 1968 (24 pages).

Bronze-Age Pictures: Photographs from the Rock-Carvings in Bohuslän, Sweden. The Gothenburg Art Gallery, Rundqvists Boktruckeri, Göteborg, 1956 (23 pages). Inscribed in black ink: “for Barnett Newman[,] ‘To him a shape was a living thing, a vehicle for an abstract thought-complex, a carrier of the awesome feelings he felt before the terror of the unknowable.’ with regards, Ellen Johnson [?]”

Buffie Johnson. Exh. brochure. The John and Mable Ringling Museum of Art, Sarasota, Florida, n.d.

Buffie Johnson. Exh. brochure. Galleria Del Cavallino, Venice, 1948.

Buffie Johnson. Exh. brochure. Bodley Gallery, New York, 1960.

Cameron Booth. Exh. brochure. Bertha Schaefer Gallery, New York, 1960.

Camille Pissarro: Letters to His Son Lucien. Edited, with the assistance of Lucien Pissarro, by John Rewald. Translated from the French by Lionel Abel. New York: Pantheon Books, Inc., 1943 (367 pages).

Can We Draw? The Board of Examiners Says—No! Foreword by Barnett Newman. Exh. brochure. ACA Gallery, New York, 1938. Three copies. “1938” is written in pencil on the cover.

Canada: Art d’aujourd’hui. Exh. cat. Musée National d’Art Moderne, Paris, 1968 (52 pages).

Cantini: Naissance d’une collection 69. Exh. cat. Musée Cantini, Marseilles, 1969 (143 pages, followed by a list of acquisitions since 1959). Inserted is a printed card: “Madame Jacques Latour.” Written on the card in ink: “Vous remercie très vivement de la gentillesse de votre accueil, et vous adresse deux catalogues de notre collection d’art contemporain. Nous gardons un souvenir [illeg.] de notre visite chez nous. Grace à vous, je vais faire des super-cours à mes étudiants de l’Université de Provence sur la peinture de votre main. Merci encore et à très très bientôt. Vous aves des amis à Marseille qui vous attendent. Henri.”

Catalogue of the National Gallery, Barberini Palace, Rome. Edited by Nolfo di Carpegna. Rome: Lorenzo del Turco, 1969 (61 pages, followed by 111 black-and-white plates).

Catalogue of Two Hundred Seventy-Two Works by Vincent Van Gogh Belonging to the Collection of the State Museum Kröller-Müller. Rev. ed. [Otterlo]: Kröller-Müller Foundation, 1968 (51 pages, followed by color plates).

Cézanne: Centennial Exhibition, 1839–1939. Exh. brochure. Marie Harriman Gallery, New York, 1939.

Cézanne, Geffroy et Gasquet, suivi de souvenirs sur Cézanne de Louis Aurenche et de lettres inédites. By John Rewald. Paris: Quatre Chemins-Editart, 1959 (75 pages, plus a table of plates).

Cézanne Watercolors. Exh. cat. Exhibition organized by Columbia University in the City of New York, Department of Art History and Archaeology, held at M. Knoedler and Company, New York, 1963. Produced in collaboration with Chanticleer Press, New York (61 pages, followed by 68 black-and-white plates).

Cézanne Watercolors. By John Coplans. Los Angeles: The Ward Ritchie Press, in association with the Pasadena Art Museum, 1967 (60 pages). An errata and addenda slip is inserted, as is a typed letter to Barnett Newman from the Pasadena Art Museum: “Dear Barney: Salutations and many thanks for your usual kind hospitality whenever I am in New York. I wish you would come out here and let us kill the fatted calf for you and Annerley [sic]. I am sending you a Cézanne watercolor catalogue. There is a brief reference to you on page 9.”

Charles Pollock. Exh. cat. Galleria Pogliani, Rome, 1963 (7 pages).

Chinese Painting. By James Cahill. Treasures of Asia series. Geneva, Switzerland: Editions d’Art Albert Skira, 1960 (212 pages).

Christian and Oriental Philosophy of Art. By Ananda K. Coomaraswamy. New York: Dover Publications, Inc., 1956. Reprint of “Why Exhibit Works of Art?” (146 pages).

Cimabue. By Eugenio Battisti. Translated from the Italian by Robert and Catherine Enggass. University Park and London: The Pennsylvania State University Press, 1967 (136 pages).

Ciphers. Exh. cat. Art Foundation, Inc., Rome, 1960 (30 pages).

Claude Monet: Seasons and Moments. By William C. Seitz. Exh. cat. The Museum of Modern Art, New York, in collaboration with the Los Angeles County Museum, 1960 (64 pages). An errata slip is inserted.

Claude Monet, 1840–1926: A Loan Exhibition of Paintings by Claude Monet for the Benefit of the Children of Giverny. By Daniel Wildenstein. Exh. cat. Wildenstein and Company, Inc., New York, 1945 (59 pages).

Cleve Gray: A Retrospective Exhibition. Exh. cat. The Art Museum, Princeton University, Princeton, New Jersey, 1970 (16 pages).

Climax in Twentieth Century Art: 1913. Exh. brochure. Sidney Janis Gallery, New York, 1951.

Clyfford Still. Exh. cat. Marlborough-Gerson Gallery, Inc., New York, 1969 (89 pages). Two copies.

Collages by Robert Motherwell. Exh. cat. Loan exhibition, The Phillips Collection, Washington, D.C., 1965 (9 pages).

Collection of Mr. and Mrs. Bagley Wright: Twentieth Century American and European Paintings and Sculpture. Exh. cat. Portland Art Museum, Portland, Oregon, 1964 (13 pages).

Concrete Poetry: An Exhibition in Four Parts. Exh. cat. The Fine Arts Gallery, University of British Columbia, Vancouver, 1969 (portfolio of 3 pamphlets and 25 sheets of illustrations).

Confessions of an Art Addict. By Peggy Guggenheim. New York: The Macmillan Company, 1960 (176 pages).

Constantin Brancusi. Exh. cat. The Solomon R. Guggenheim Museum, New York, n.d. (15 pages). On the cover some words and numbers are written in pencil.

Construction and Geometry in Painting : From Malevitch to “Tomorrow.” Exh. cat. Galerie Chalette, New York, 1960 (129 pages).

Contemporary American Painting. Exh. cat. The Columbus Gallery of Fine Arts, Columbus, Ohio, 1960 (13 pages).

Contemporary American Painting: Fifth Biennial Purchase Exhibition. Exh. cat. Walker Art Center, Minneapolis, 1950. A piece of torn paper printed with the name and address of the Walker Art Center is inserted.

Contemporary Artists of South Carolina. By Jack A. Morris, Jr. Photography by Robert Smeltzer. The Greenville County Museum of Art, Greenville, South Carolina, 1970 (235 pages).

Contemporary British Artists. Exh. brochure. Buchholz Gallery, New York, 1945.

Contemporary Prints. Exh. brochure. Buchholz Gallery, New York, 1945.

Continuity and Change: Forty-Five American Abstract Painters and Sculptors. Exh. cat. Wadsworth Atheneum, Hartford, 1962 (55 pages).

Conversations with Artists. By Selden Rodman. Introduction by Alexander Eliot. New York: The Devin-Adair Co., 1957 (234 pages).

Courbet: Tenth Anniversary Exhibition. Exh. brochure. Marie Harriman Gallery, New York, 1940. Includes a checklist with penciled annotations in Barnett Newman’s hand. Inscribed in pencil on the back page: “Stone-breaker 1872t.] Early Cezanne & later Cardplayers can be seen influence.”

CPLY: Projects for Monuments to the Unknown Whore. Exh. cat. Alexandre Iolas Gallery, New York, Paris, Geneva, 1966 (12 pages).

Creative Movement: Steps Towards Understanding. By Margaret Fisk Taylor. New York: Friendship Press, Inc., 1969 (11 pages). This large pamphlet was enclosed in a multimedia kit titled “Creative Arts in Reconciliation,” sent by the National Council of Churches of Christ.

Criticizing Criticism. By J. B. Deering. Stuart Art Gallery, Boston, Massachusetts, 1952 (16-page pamphlet).

Cubism and Twentieth-Century Art. By Robert Rosenblum. Revised edition. New York: Harry N. Abrams, Inc., Publishers, [1966] (328 pages).

Culture Gulch: Notes on Art and Its Public in the 1960’s. By John Canaday. New York: Farrar, Straus and Giroux, 1969 (212 pages).

“Current Art.” Exh. cat. Institute of Contemporary Art, University of Pennsylvania, Philadelphia, [1965?] (21 pages).

Dada, Surrealism, and Their Heritage. By William S. Rubin. Exh. cat. The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and The Art Institute of Chicago, 1968 (251 pages).

Dan Flavin: Pink and Gold. Exh. cat. The Museum of Contemporary Art, Chicago 1968 (6 pages). Inscribed in black ink on the front cover: “Dan Flavin [signature or calligraphic initials]—1968.”

David Gibbs: Paintings and Drawings. Exh. cat. Allen Funt Gallery, New York, 1966 (8 pages).

David Gibbs: Recent Paintings and Drawings. Exh. cat. Richard Feigen Gallery, Chicago, [1969]. This was received in the mail in November 1969.

David Smith: Paintings and Drawings. Exh. cat. French and Company, Inc., New York, 1959 (8 pages).

David Smith: Sculpture. Exh. cat. French and Company, Inc., New York, 1960 (8 pages). An address and a telephone number are written in black ink on the back cover.

David Smith by David Smith. Edited by Cleve Gray. New York, Chicago, and San Francisco: Holt, Rinehart and Winston, 1968 (176 pages).

Days Off: A Calendar of Happenings. By Allan Kaprow. New York: The Junior Council of The Museum of Modern Art, New York, 1970 (64 leaves).

De collectie [Willem] Sandberg. Amsterdam: J. M. Meulenhoff, 1962 (130 pages).

De Kooning. Exh. cat. Sidney Janis Gallery, New York, 1962 (36 pages).

De Kooning: January 1968–March 1969. By Thomas B. Hess. Exh. cat. M. Knoedler & Co., Inc., New York, 1969 (27 pages). Two copies. Inserted are two sheets of M. Knoedler and Company stationery listing de Kooning’s works in the exhibit.

De Kooning: Peintures récentes. By Thomas B. Hess. With a statement by Willem de Kooning. Exh. cat. M. Knoedler & Co., Paris, New York, 1968 (38 pages).

De Kooning: Recent Paintings. By Thomas B. Hess. New York: Walker and Company, 1967 (63 pages).

Degas (1834–1917). By Ambroise Vollard. Artistes d’hier et d’aujourd’hui series. Paris: Les Editions G. Crès et Cié, 1924 (124 pages).

Degas, Manet, Morisot. By Paul Valéry. Translated by David Paul. Bollingen Series. New York: Pantheon Books, 1960 (261 pages).

Delacroix: Watercolours of Morocco. By Maurice Sérullaz. Paris: Fernand Hazan, 1951 (17 pages, with 20 pages of color reproductions).

Diary of a Genius. By Salvador Dali. Foreword and notes by Michel Déon. Translated from the French by Richard Howard. Garden City, N.Y.: Doubleday & Company, Inc., 1965 (230 pages).

Dispariţia şi reaparitia imaginii: Pictura americană de dupa 1945 [The Disappearance and Reappearance of the Image: American Painting Since 1945]. Exh. cat. Sala Dalles, Bucharest, 1969 (84 pages). Two copies.

Drawings by Saul Steinberg. Exh. cat. Sidney Janis Gallery, New York, 1969 (24 pages).

Dunn International Exhibition. Exh. cat. Beaverbrook Art Gallery, Fredericton, New Brunswick, Canada, 1963 (28 pages). Two copies. Inserted in one copy is a printed card: “Beaverbrook Art Gallery Queen Street; Fredericton, N.B., Canada[.] With the compliments of the Curator.”

Dunn International Exhibition. Exh. cat. The Tate Gallery London, 1963 (107 pages). Inserted is a printed card: “With the compliments of The Arts Council Of Great Britain . . .”

Early Art in Greece: The Cycladic, Minoan, Mycenaean, and Geometric Periods, 3000–700 B.C. Exh. cat. André Emmerich Gallery, Inc., New York, organized in cooperation with Dr. Herbert A. Cahn, Münzen and Medaillen A.G. Basel, Switzerland, 1965 (50 pages).

Early Christian Art: From the Rise of Christianity to the Death of Theodosius. By André Grabar. Translated by Stuart Gilbert and James Emmons. The Arts of Mankind series, edited by André Malraux and Georges Salles. New York: Odyssey Press, 1968 (326 pages, followed by a map section).

Édouard Manet 1832–1883. By Anne Coffin Hanson. Exh. cat. Philadelphia Museum of Art and The Art Institute of Chicago, 1966–67 (207 pages). Inscribed: “Dear Annalee—Dreary museum—interesting show[.] Thought you’d enjoy this wonderful catalogue[.] Get well quick! fondly, Nadine & Si.”

Eight Young Artists. Exh. cat. Exhibition organized by E. C. Goossen and sponsored by The Friends of the Hudson River Museum, Yonkers, N.Y., 1964 (25 pages).

Eighteen Paris IV. 70. Exh. cat. Organized by Michel Claura, published by Seth Siegelaub, and distributed internationally through the facilities of International General, New York (67 pages).

Eighth Annual Exhibition of Paintings and Sculpture by Members of The Federation of Modern Painters and Sculptors. Exh. brochure. Wildenstein, New York, 1948.

El Lissitzky. Exh. brochure. The Pinacotheca, New York, 1949.

El Perú en la VIII bienal de San Pablo / O Perú na VIII bienal de São Paulo. Exh. cat. Museu de Arte Moderna, São Paulo, Brazil, 1965 (18 pages).

Eleven Abstract Expressionist Painters. Exh. cat. Sidney Janis Gallery, New York, 1963 (24 pages). Four copies.

Ellsworth Kelly. Exh. cat. Sidney Janis Gallery, New York, 1967 (16 pages).

Embattled Critic: Views on Modern Art. By John Canaday. New York: Farrar, Straus and Cudahy, The Noonday Press, 1962 (238 pages).

English Delft and the American Colonies. Exh. brochure. Gallery of Ginsburg & Levy, Inc., New York, n.d.

English Sources of Eighteenth Century American Furniture Design, with Notes on The American Development of Special Types for Which There Are No English Counterparts. Reprinted from American Collector, June 1943 (15-page pamphlet; the 14 illustrations are of works included in an exhibition at Ginsburg & Levy, Inc., New York, 1943).

Enrico Donati. Text by André Breton. Exh. brochure. N.p., 1944 (4-page pamphlet).

Estados Unidos da America. Introduction by Walter Hopps. Exh. cat. Exhibition of the United States of America, VIII Biennial of the Museum of Modern Art, São Paulo, Brazil, 1965, organized by the Pasadena Art Museum, at the invitation of the United States Information Agency (72 pages). Three copies.

Estados Unidos da America. Introduction by Walter Hopps. Exh. cat. Representaçao dos Estados Unidos da America / Exhibition of the United States of America, VIII Bienal do Museu de Arte Moderna, São Paulo, Brazil, 1965 (67 pages). Three copies. In two copies, text from the introduction, including text on Barnett Newman, has been cut and pasted down on certain pages of the introduction. In one copy, portions of these pages have been marked off in pencil.

Estudio arquitectónico comparativo de los monumentos arqueológicos de México. By Ignacio Marquina. XXIII Congreso de Americanistas, 1928 (86 pages, including plates, graphs, and maps).

Estudio arquitectónico de las ruinas Mayas: Yucatán y Campeche. XXIII Congreso de Americanistas, 1928 (109 pages, including plates, graphs, and maps).

États-Unis: Sculptures du XX siècle. Exh. cat. Musée Rodin, Paris, 1965 (87 pages). Two copies. Inserted in both copies is a printed card: “With the compliments of The International Council of the Museum of Modern Art. . .”

European Art Today: Thirty-Five Painters and Sculptors. Edited with an introduction by Sam Hunter. Texts by Lawrence Alloway, Umbro Apollonio, Friedrich Bayl, Juan-Eduardo Cirlot, and James Fitzsimmons. Exh. cat. Loan exhibition organized by The Minneapolis Institute of Arts, in collaboration with The Los Angeles County Museum, the San Francisco Museum of Art, The North Carolina Museum of Art, Raleigh, The National Gallery of Canada, Ottawa, French & Company, Inc., New York, and The Baltimore Museum of Art, 1959–60 (88 pages).

Exhibition by Children: Paintings, Prints, Murals, Crafts, Sculpture. Exh. cat. Exhibition sponsored by Federal Art Project / Works Progress Administration. Federal Art Gallery, New York, 1938–39 (6 pages).

Exhibition of Contemporary American Art: Circular of Information. Exh. brochure. New York World’s Fair, 1939.

Exhibition of Greek Art. Exh. cat. Whitney Studio Galleries, New York, 1925 (77 pages). Three inserts: a newspaper reproduction of Portrait of a Woman by Frans Hals, and two leaflets, one promoting the book Michaelangelo by Fritz Knapp and the other soliciting subscriptions to Repertorium für Kunstwissenschaft.

Exhibition of Paintings by J. B. S. Chardin. Exh. cat. Wildenstein Galleries, New York, 1926 (73 pages).

Exhibition of Paintings by the Master Impressionists. Exh. cat. Durand-Ruel Galleries, New York, 1934 (5 pages).

Exhibition of Recent Paintings by Lee Krasner. Exh. cat. Howard Wise Gallery, New York, 1960 (10 pages).

Exhibition of Sculptures of Old African Civilizations. Exh. cat. Exhibition organized by John D. Graham. Jacques Seligmann Gallery, New York, n.d. (15 pages).

Exhibition of Works by The Philadelphia Artists’ Union. Exh. leaflet. New School for Social Research, New York, n.d.

Experiencing Architecture. By Steen Eiler Rasmussen. Cambridge, Massachusetts: The M.I.T. Press, 1964 (245 pages).

Fautrier. Exh. cat. Exhibition held under the patronage of His Excellency the Ambassador of France and Madame Couve de Murville. Alexandre Iolas Gallery, New York, 1956 (6 pages). A color plate of a painting by Fautrier with a quotation from André Malraux is inserted.

Fautrier: A Letter of Reply to an American Friend, Regarding an Exhibition of Fautrier’s Work in New York. By André Malraux. Translated by Waldemar Hansen. Alexandre Iolas Gallery, New York, n.d. (5 pages).

Federal Art Patronage: 1933 to 1943. By Francis V. O’Connor. Exh. cat. University of Maryland Art Gallery, J. Millard Tawes Fine Arts Center, College Park, 1966 (60 pages).

Federal Art Project Gallery: Exhibition of Etchings, Lithographs, Wood Engravings. Exh. brochure. New York, n.d. (4 pages).

Fernand Léger. Exh. cat. Städtische Kunsthalle, Düsseldorf, 1968–69 (28 pages, followed by 45 pages of color and black-and-white illustrations).

Fifteen Americans. Exh. cat. The Museum of Modern Art, New York, 1952 (47 pages). Inscribed in black ink on the title page: “To my friend Barnett Newman who, also, should have been represented in this exhibition. Clyfford Still.”

Fifteen Years of Jackson Pollock. Exh. cat. Sidney Janis Gallery, New York, 1955. (16 pages).

Fifth Anniversary Exhibition of Paintings and Sculpture by Members of the Federation of Modern Painters and Sculptors and Guest Artists. Exh. brochure. Wildenstein, New York, 1945. There is a math computation in pencil on the front cover.

First Exhibition: Paintings, Clyfford Still. Exh. brochure. Art of This Century, New York, n.d.

Inscribed in black ink: “Dear Newman: I’ll be looking for you. And wish me luck—Yours—Clyff Still.”

First Showing: Harriet Janis. Exh. brochure. Zabriskie Gallery, New York, 1958. Inscribed in black ink on the catalogue page: “Get well—Best to you both[,] Hansi.”

Five Europeans: Paintings and Drawings. Exh. cat. Art Gallery, University of California, Irvine, 1966 (36 pages).

Five Los Angeles Sculptors. Exh. cat. Art Gallery, University of California, Irvine, 1966 (36 pages).

Five Painters from Regina / Cinq peintres de Regina: Bloore, Godwin, Lochhead, McKay, Morton. Exh. cat. Exhibition organized and circulated by the National Gallery of Canada, Ottawa, 1961 (21 pages). Two copies.

Flowers by French Painters (XIX–XX Centuries). Exh. cat. Knoedler Galleries, New York, 1932 (50 pages).

fluorescent light, etc. from Dan Flavin. Exh. cat. National Gallery of Canada, Ottawa, 1969 (272 pages). Inscribed in black ink on the flyleaf: “for Annalee and Barney with fondest regards[,]Dan Flavin[.] Sept.12, 1969.”

For Eyes and Ears. Exh. program. Cordier & Ekstrom, Inc., New York, 1964.

Forain: Aquafortiste et lithographe: 1852–1931. Exh. cat. M. Knoedler and Company, Inc., New York, 1935 (23 pages).

Forrest Bess: Retrospective Exhibition. Exh. cat. Betty Parsons Gallery, New York, 1962 (6 pages).

Forty-Six Works from New York. Exh. brochure. Dilexi Gallery, San Francisco, 1963.

Four Americans in Paris: The Collections of Gertrude Stein and Her Family. Exh. cat. New York: The Museum of Modern Art, 1970 (173 pages).

Four Stages of Renaissance Style: Transformations in Art and Literature, 1400–1700. By Wylie Sypher. Garden City, N.Y.: Doubleday & Co., Inc., Anchor Books, 1955 (312 pages).

France in the Eighteenth Century: List of Works. Exh. brochure. Royal Academy of Arts, London, 1968 (61 pages).

Frank Lloyd Wright: Writings and Buildings. Selected by Edgar Kaufmann and Ben Raeburn. New York: Horizon Press, Inc., 1960 (346 pages).

Frankenthaler. Exh. cat. Galerie Lawrence, Paris, 1961 (5 pages).

Frans Halsmuseum. Haarlem, The Netherlands: Joh. Enschedé en Zonen, 1969 (69 pages, followed by 1 color plate and 94 black-and-white plates).

Franz Kline: A Retrospective Exhibition. Exh. cat. Whitechapel Gallery, London, in association with the Museum of Modern Art, New York, 1964 (24 pages).

Franz Kline: Memorial Exhibition. Exh. cat. Washington Gallery of Modern Art, Washington, D.C., Poses Institute of Fine Arts, Brandeis University, Waltham, Massachusetts, and The Baltimore Museum of Art, 1962–63 (59 pages). Inserted is a leaflet from the Washington Gallery of Modern Art.

Franz Kline: Paintings 1950–1961. Exh. cat. Dwan Gallery, New York, 1963 (16 pages).

Franz Kline, 1910–1962. Exh. cat. Marlborough-Gerson Gallery, Inc., New York, 1967 (39 pages).

Fritz Glarner: Peintures (1949–1962). Exh. cat. Galerie Louis Carré, Paris, n.d. (19 pages, followed by a page headed “Notes”). Inserted is a yellow sheet on which is typed “Galerie Louis Carré” and “Fritz Glarner,” followed by the artist’s biography.

From Baudelaire to Surrealism. By Marcel Raymond. The Documents of Modern Art, edited by Robert Motherwell. New York: Wittenborn Schultz, Inc., 1950 (428 pages). Inscribed “Many Happy Returns,” signed by George Wittenborn, Henry Schultz, and others, and dated “1/29/50.”

From Space to Perception / Dallo spazio alla percepzione. Exh. cat. Art Foundation Inc., Rome, 1960 (37 pages).

From the Beginning: Archaeology and Art in the Israel Museum, Jerusalem. By Karl Katz, P. P. Kahane, and Magen Broshi. Photographs by David Harris. Introduction by Philip Hendy. London: Weidenfeld and Nicholson, 1968 (287 pages). Inscribed “New York City 3.5.69[.] Barney– With deep respect and friendship” [,] Karl Katz.”

From the Classicists to the Impressionists: A Documentary History of Art and Architecture in the Nineteenth Century. Selected and edited by Elizabeth Gilmore Holt. Garden City, N.Y.: Doubleday & Co., Inc., Anchor Books, 1966 (552 pages).

Games Without Rules. Exh. brochure. Prepared in collaboration with Nicolas Calas. Fishbach Gallery, New York, 1966.

Gene Davis. Exh. cat. The Jewish Museum, New York 1968 (14 pages).

Geometric Abstraction in America. Exh. cat. Fifth loan exhibition, sponsored by the Friends of the Whitney Museum of American Art, Whitney Museum of American Art, New York, 1962 (66 pages).

Georges Rouault. Exh. cat. Second edition, revised. Selection from a retrospective loan exhibition held at The Institute of Modern Art, Boston, The Phillips Memorial Gallery, Washington, D.C., The San Francisco Museum of Art, and the Marie Harriman Gallery, New York, 194041 (66 pages).

Giorgione. By Paola della Pergola. N.p.: Aldo Martello Editore, 1957 (78 pages, followed by 109 pages of illustrations).

Giorgio Morandi (in German). Exh. cat. Kunsthalle Bern, Switzerland, 1965 (75 pages).

Glarner: Époque américaine. Exh. brochure. Galerie Louis Carré, Paris, 1952.

Gods and Men in Pre-Columbian Art. Exh. cat. André Emmerich, Inc., New York, 1967 (45 pages).

Gorky: Drawings. By Jim M. Jordan. New York: M. Knoedler & Co., Inc., 1969 (62 pages).

Graham Sutherland. By Edward Sackville-West. The Penguin Modern Painters series, edited by Sir Kenneth Clark. Harmondsworth, Middlesex, England: Penguin Books, Ltd., 1943 (16 pages, plus 32 pages of color and black-and-white plates).

Graphics Arts Program: United States Information Agency. List 2. (13-page pamphlet).

Graphics 1962. Exh. brochure. David Anderson Gallery, New York (16 pages).

Grünewald á Colmar. Introduction by Pierre Schmitt. Photographs by E. Ohresser. Paris: La Bibliothèque des Arts, 1961 (64 pages).

Güggenheim International Award 1964. Exh. cat. The Solomon R. Guggenheim Museum, New York, 1964 (122 pages).

Guide to the Exhibition of Persian Art. By Phyllis Ackerman. Exh. cat. The Iranian Institute, New York, 1940 (562 pages, plus an index of lenders).

Gustave Courbet, 1819–1877. Exh. cat. Philadelphia Museum of Art and the Museum of Fine Arts, Boston, 1959–60 (147 pages).

Hans Arp. Exh. cat. Galerie im Erker, St. Gallen, Switzerland, 1966–67 (62 pages).

Hans Hofmann. By Frederick S. Wight. Exh. cat. Retrospective exhibition, Whitney Museum of American Art, New York, in association with the Art Galleries of the University of California, Los Angeles, 1957 (67 pages). Hans Hofmann signed his name in blue ink under his photograph opposite the foreword.

Hans Hofmann: Eighty-Fifth Anniversary: Paintings of 1964. Exh. cat. Kootz Gallery, New York, 1965 (9 pages).

Hans Hofmann: Paintings of 1958, Early Paintings. Exh. brochure. Kootz Gallery, New York, n.d.

Hans Hofmann: Paintings of the ’40s, ’50s, and ’60’s. Exh. cat. André Emmerich Gallery, Inc., New York, 1970 (21 pages).

Hans Hofmann: Recent Paintings. Exh. brochure. Samuel M. Kootz Gallery, New York, 1952.

Hard Center. By Nicolas Calas and Elena Calas. Leaflet. Thibaut Gallery, New York, 1963. Four copies.

Harold Cohen: Paintings 1960–1965. Exh. cat. Whitechapel Art Gallery, London, 1965 (24 pages, followed by 21 pages of black-and-white illustrations). Inscribed in black ink on the title page: “For Barney—with love, profound respect, and permanent gratitude. Harold Cohen.”

Hayter: Recent Paintings and Drawings. Exh. brochure. Mortimer Brandt Gallery, New York, 1945.

“Heavenly Mansions” and Other Essays on Architecture. By John Summerson. New York: W. W. Norton & Company, Inc., 1963 (253 pages).

Helen Frankenthaler. Exh. cat. The Jewish Museum, New York, 1960 (20 pages).

Helen Frankenthaler. Exh. brochure. Bennington College, Bennington, Vermont, 1962. Inscribed in black ink on the front cover: “Nice programme. I enjoyed Mr. Alloway’s remarks.”

Helen Frankenthaler. By E. C. Goossen. Exh. cat. Exhibition organized by the Whitney Museum of American Art, New York, and the International Council of the Museum of Modern Art, 1969 (72 pages).

Helen Frankenthaler, Ellsworth Kelly, Roy Lichtenstein, Jules Olitski. XXXIII esposizione biennale internazionale d’arte Venezia 1966, Stati Uniti d’America. Exh. cat. Exhibition organized by the International Art Program of the National Collection of Fine Arts, Smithsonian Institution, Washington, D.C., 1966 (42 pages).

Henri Matisse: Exposition du centenaire. Exh. cat. Second edition, revised and corrected. Exhibition at the Grand Palais, Paris, 1970 (317 pages).

Henri Matisse: Reproductions l and II. Grand Palais, Paris, 1970 (each portfolio contains 12 color reproductions).

Henry Moore. By Geoffrey Grigson. The Penguin Modern Painters series, edited by Sir Kenneth Clark. Harmondsworth, Middlesex, England: Penguin Books Ltd., 1943 (16 pages, plus 32 pages of color and black-and-white plates).

Henry Moore: An Exhibition of Sculpture from 1950–1960. Exh. cat. Whitechapel Art Gallery, London, 1960 (81 pages, followed by 4 blank pages headed “Notes”).

Henry Moore: Carvings 1971–1970, Bronzes 1961–1970. Exh. cat. M. Knoedler Co., Inc., New York, 1970 (108 pages; boxed).

Herbert Ferber: Sculpture. Foreword by Barnett Newman. Exh. brochure. Betty Parsons Gallery, New York, 1947–48 (7 pages). Four copies. One copy has only Newman’s foreword and the catalogue page in it. On the front cover is written in black ink: “Opening Monday 4–7[.] Command Appearance.”

History of Art Criticism. By Lionello Venturi. Translated from the Italian by Charles Marriot. Revised edition. New York: E. P. Dutton & Co., Inc., 1964 (398 pages).

Holland: The New Generation. Exh. cat. Exhibition organized by W. Sandberg at the request of The Netherlands Ministry of Education, Arts, and Sciences. First shown by The Jewish Museum, New York, and circulated by the Smithsonian Institution, Washington, D.C., n.d. (35 pages).

Homage: John D. Graham, 1881–1961. Exh. cat. Gallery Mayer, New York, 1961 (10 pages).

Homage to Trajan. Exh. cat. Wollman Hall, New School Art Center, New York, 1966 (36 pages).

Honoré Daumier: Exhibition of Prints, Drawings, Watercolors, Paintings, and Sculpture. Exh cat. Los Angeles County Museum, 1958 (71 pages).

How the Metropolitan Museum of Art Concealed Its Art Treasures. Pamphlet published by Hahn Brothers Fireproof Warehouses, Inc., n.d. (7 pages).

“‘Impfung’ von Otto Meyer-Amden.” By Carlo Huber. Offprint from Jahresbericht der Gottfried Keller-Stiftung 1963, 1964 und 1965 (15-page-booklet). Inserted is a 2-page text: “Georg Schmidt. Erinnerungen eines Schülers” by Carlo Huber.

In Defense of the Unintelligible. By George Boas. Presidential address at the annual meeting of the American Society for Aesthetics in Durham, North Carolina, 20 October 1950. Reprinted from The Journal of Aesthetics and Art Criticism, vol. 9, no. 4 (June 1951) (9-page pamphlet).

Indian Art in America: The Arts and Crafts of the North American Indian. By Frederick J. Dockstader. New York: Promontory Press, n.d. (224 pages).

Indian Art of the United States. By Frederic H. Douglas and René d’Harnoncourt. New York: The Museum of Modern Art, 1941 (219 pages).

Indigenous Art of the Americas: Collection of Robert Woods Bliss. Washington, D.C.: National Gallery of Art, Smithsonian Institution, 1947 (159 pages, followed by a folded map).

Ingres. Exh. cat. Petit Palais, Paris, 1967–68 (358 pages).

Irish Artists 1967. Exh. cat. The Ritchie Hendriks Gallery, Dublin, 1967 (8 pages).

Italian Masters. Exh. cat. Museum of Modern Art, New York, 1940 (foldout format). Two copies.

Jackson Pollock. Exh. cat. The Sidney Janis Gallery, New York, 1958 (20 pages).

Jackson Pollock. By Frank O’Hara. New York: George Braziller, Inc., 1959 (125 pages).

Jackson Pollock. Exh. cat. Exhibition of paintings, drawings, and watercolors from the collection of Lee Krasner Pollock. Marlborough Fine Art, Ltd., London, 1961 (61 pages).

Jackson Pollock. Exh. cat. Marlborough-Gerson Gallery, Inc., New York, 1964 (63 pages).

Jackson Pollock. By Francis V. O’Connor. Exh. cat. The Museum of Modern Art, New York, 1967 (148 pages). Two copies.

Jackson Pollock: Black and White. Exh. cat. Marlborough-Gerson Gallery, Inc., New York, 1969 (60 pages).

Jackson Pollock: Psychoanalytic Drawing. By C. L. Wysuph. New York: Horizon Press, 1970 (123 pages).

Jackson Pollock: Works on Paper. By Bernice Rose. New York: The Museum of Modern Art in association with The Drawing Society, Inc., 1969 (106 pages). Inscribed: “To Barnett Newman from a long-time admirer. Bernice Rose.”

Jahresbericht 1967, Basler Kunstverein. 1967–68 (58-page booklet). Inserted is a printed card: “Mit besten Empfehlungen überreicht von der Kunsthalle Basel.”

Jasper Johns. Exh. cat. Exhibition organized by Alan R. Solomon. The Jewish Museum, New York, 1964 (63 pages).

Jasper Johns. By Max Kozloff. New York: Harry N. Abrams, Inc., Publishers, [1967] (195 pages, including 142 black-and-white and color plates).

Jeanne Reynal: Mosaic Murals. Exh. brochure. Betty Parsons Gallery, New York, 1959.

Jeanne Reynal: Mosaics. Exh. brochure. Hugo Gallery, New York, n.d.

Jheronimus Bosch. Exh. cat. Noordbrabants Museum, ’s-Hertogenbosch, The Netherlands, 1967 (64 works with captions, plus additional pages of text).

Joan Miró. Exh. cat. Exhibition of paintings, gouaches, pastels, and bronzes dating from 1942 to 1946. Pierre Matisse Gallery, New York, 1947 (large foldout sheet).

Joan Miró. Exh. cat. Marlborough Fine Art, Ltd., London, Marlborough-Gerson Gallery, Inc., New York, and Marlborough Galeria d’Arte, Rome, 1966 (60 pages).

Joaquín Torres-García. By Daniel Robbins. Providence: Museum of Art, Rhode Island School of Design, 1970 (139 pages).

John Baskerville, Type-Founder and Printer, 1706–1775. By Josiah Henry Benton. Introduction by Zoltán Haraszti. Printed for the Typophiles, New York, 1944. Hand-printed in black ink: “Contributor.” Inscribed: “To Barney Newman[.] In friendship[,] Zoltán Haraszti[,] Sept. 5.45.”

John D. Graham. Exh. brochure. Gallery Mayer, New York, 1960.

John D. Graham, 1881–1961. Exh. cat. André Emmerich Gallery, Inc., New York, 1966 (14 pages).

Josef Albers: White Line Squares. Exh. cat. Exhibition circulated internationally by The Los Angeles County Museum of Art, 1966 (66 pages).

Joseph Mallord William Turner: Watercolors and Drawings. Exh. cat. Otto Gerson Gallery, New York 1960 (26 pages).

Joseph Wright of Derby, 1734–1797. Exh. cat. Loan exhibition, Durlacher Brothers, New York, 1960 (10 pages).

Kandinsky: The Bauhaus Years. Exh. cat. Marlborough-Gerson Gallery, Inc., New York, 1966 (50 pages). An errata slip is inserted.

Kandinsky and His Friends: Centenary Exhibition. By Professor Will Grohmann. Translated by Erica Spender. Exh. cat. Marlborough Fine Art, Ltd., London, 1966 (73 pages).

Katalog der Staatsgalerie Stuttgart: Neue Meister. Stuttgart, 1968 (222 pages of text and 112 plates).

Kenzo Okada. Exh. cat. Betty Parsons Gallery, New York, 1959 (4 pages).

Kim Lim. Exh. brochure. Axiom Gallery, London, 1966.

Kirchberger, Pfahler, Lenk, Reich. Exh. brochure. Galerie Müller, Stuttgart [early 1960s].

Kompas 3: Paintings after 1945 in New York. Exh. cat. Stedelijk van Abbemuseum, Eindhoven, The Netherlands, 1967 (51 pages).

Kompass USA: Paintings After 1945 in New York. Introduction by Jean Leering. Exh. cat. Kunstverein, Frankfurt am Main, 1967 (51 pages).

Kunst heute: Personen, Analysen, Dokumente. By Jürgen Claus. Reinbek bei Hamburg: Rowohlt, 1965 (270 pages). Inserted is a business card: “Im Auftrage des Autors überreicht vom Rowohlt Taschenbuch Verlag GmbH, Reinbek bei Hamburg.”

La peinture canadienne moderne: Vingt-cinq années de peinture au Canada-Français. Exh. cat. Fifth Festival dei Due Mondi. Palazzo Collicola, Spoleto, 1962 (156 pages).

La pittura americana del dopoguerra. By Sam Hunter. Milan: Fratelli Fabbri Editori, 1970 (101 pages).

La sculpture grecque: Histoire sommaire de son progrès, de son esprit, de ses créations. By Henri Lechat. Paris: Payot, 1927 (153 pages, followed by a list of sculptors).

Larionov, Gontcharova. Exh. cat. Galerie Beyeler, Basel, 1961 (46 pages). Inserted is a printed card: “With compliments[,] Ernst Beyeler.”

L’art du vitrail aux XIIe et XIIIe siècles: Technique, inspiration. By Y. Delaporte. Chartres: Éditions Houvet, 1963 (63 pages, followed by 16 pages of illustrations).

L’art russe des Scythes à nos jours: Trésors des musées soviétiques. Exh. cat. Grand Palais, Paris, 1968 (235 pages). Inserted is a flyer advertising L’art russe at the Grand Palais on the front; on the back is a concert schedule.

Larry Rivers. Introduction by Sam Hunter, memoir by Frank O’Hara, and statement by the artist. Exh. cat. Poses Institute of Fine Arts, Brandeis University, Waltham, Massachusetts, in collaboration with The Detroit Institute of Arts, The Jewish Museum, New York, The Minneapolis Institute of Arts, and The Pasadena Art Museum, 1965 (94 pages).

Late Modern: The Visual Arts Since 1945. By Edward Lucie-Smith. Praeger World of Art Series. New York and Washington, D.C.: Frederick A. Praeger, Publishers, 1969; London: Thames and Hudson, Ltd., 1969 (288 pages).

Le Corbusier: Architect, Painter, Writer. Edited by Stamo Papadaki. Essays by Joseph Hudnet, S. Giedion, Fernand Léger, J. L. Sert, and James Thrall Soby. New York: The Macmillan Company, 1948 (152 pages). Stamped inside the front cover and on the back cover page: “Dept, of Design[,] Brooklyn College.”

Leo Castelli: Ten Years. Exh. cat. Leo Castelli Gallery, New York, 1967 (95 pages).

Letters of the Great Artists. Edited by Richard Friedenthal. Vol. 1: From Ghiberti to Gainsborough. Vol. 2: From Blake to Pollock. New York: Random House; London: Thames and Hudson, 1963 (vol. 1: 288 pages, 150 plates; vol. 2: 288 pages, 152 plates).

Lipchitz: Bronze Sketches, 1912–1962. Exh. cat. The National Gallery of Victoria, Melbourne, 1965 (6 pages).

Lipchitz: The Cubist Period, 1913–1930. Exh. cat. Marlborough-Gerson Gallery, Inc., New York, 1968 (65 black-and-white photographs of sculptures). An errata slip is inserted.

Live in Your Head: When Attitude Becomes Form 1969/70: Works, Concepts, Processes, Situations, Information. Exh. cat. Kunsthalle Bern, Switzerland, 1969 (234 pages).

Loan Exhibition Degas, for the Benefit of The Citizens’ Committee for Children of New York, Inc. Exh. cat. Wildenstein, New York, 1960 (100 pages).

Loan Exhibition of Dutch Masters of the Seventeenth Century. Exh. cat. M. Knoedler & Co., New York, 1925 (22 pages).

Loan Exhibition of Graphic Art Illustrating the Theme of the Slade Lectures 1968. Exh. cat. Ashmolean Museum, Oxford, [1968] (8 pages). Inserted is a small blue sheet of paper: “Memorandum[.] To: Barnett Newman[.] From: William G. Lieberman[.] Date: 6 May 1968[.] Subject: Mr. Taylor of the Ashmolean Museum, Oxford, asked me to send the attached catalogue to you. They were in a great rush, I believe. Meanwhile, we’re holding your portfolio for you and will return it with the print sometime in June. Virginia Allen.”

Loan Exhibition of Paintings by Cézanne (1839–1906) for the Benefit of Fighting France. Paul Rosenberg & Co., New York, 1942 (63 pages).

Los Angeles 6. Exh. cat. Exhibition organized by John Coplans for The Vancouver Art Gallery, 1968 (42 pages).

Lucien Pissaro, un coeur simple. By W. S. Meadmore. London: Constable & Company, Ltd., 1962 (252 pages).

Manet (1859–1871). By Guy Weelen. Paris: Fernand Hazan, 1961 (11 pages, followed by 15 pages of color reproductions).

Marc Chagall. Exh. brochure. Lilienfeld Galleries, New York, 1938.

Mark Rothko: Paintings. Exh. brochure. Art of This Century, New York, n.d. There are lines drawn in pencil over the reproduction of Entombment.

Mark Rothko: Recent Paintings. Exh. brochure. Betty Parsons Gallery, New York, 1947.

Mark Tobey. Exh. cat. Galerie Beyeler, Basel, 1961 (63 pages).

Martin Schongauer, 1453?–1491: Peintre et graveur colmarien. By Lucien Blum. Colmar and Paris: Éditions Alsatia, [1958], (47 pages, plus 16 pages of reproductions).

Master Bronzes from the Classical World. By David Gordon Mitten and Suzannah F. Doeringer. Exh. cat. The Fogg Art Museum, Cambridge, Massachusetts, City Art Museum of Saint Louis, and The Los Angeles County Museum of Art, 1967–1968 (320 pages).

Masterpieces by Nineteenth Century French Painters. Exh. cat. Knoedler Galleries, New York, 1930 (29 pages).

Masterpieces of Art: Catalogue of European and American Paintings 1500–1900. By Walter Pach. Biographies and notes compiled by Christopher Lazare. Exh. cat. Exhibition at the New York World’s Fair, 1940 (258 pages).

Masterpieces of Greek Vase Painting, Seventh to Fifth Century B.C. Exh. cat. Exhibition organized in cooperation with Dr. Herbert Cahn, Münzen und Medaillen A.G., Basel, Switzerland. André Emmerich Gallery, Inc., New York, 1964 (29 pages). Inserted is a printed card: “Cocktails to meet Dr. Herbert Cahn[,] Friday, May 1 [,] 5 to 7.”

Masterpieces of Primitive Sculpture: By Their Arts You Shall Know Them. By George C. Vaillant. Guide Leaflet Series of The American Museum of Natural History, New York, no. 99. Reprinted from Natural History, vol. 43, no. 5 (May 1939) (11 pages).

Masters of Abstract Art: An Exhibition for the Benefit of the American Red Cross. Exh. cat. Edited by Stephan C. Lion and Charmion von Wiegand. Exhibition assembled by Stephan C. Lion. Helena Rubinstein’s New Art Center, New York, 1942 (42 pages, followed by a page headed “Notes”).

Masterworks of African Art. Exh. cat. J. C. Gallery, New York, 1947 (7 pages).

Mathias Grünewald and Other Old Masters in Colmar. Introduction by Pierre Schmitt. Translated by Gladys Wheelhouse. New York: A. S. Barnes and Co., 1961 (67 pages).

Mathieu. Exh. brochure. Kootz Gallery, New York, 1954.

Max Ernst: “Beyond Painting” and Other Writings by the Artist and His Friends. The Documents of Modern Art series, edited by Robert Motherwell. New York: Wittenborn, Schultz, Inc., 1948 (204 pages).

Max Weber: Retrospective Exhibition, 1907–1930. Exh. cat. The Museum of Modern Art, New York, 1930 (37 pages).

McKay 1961. Exh. cat. Exhibition circulated by the Western Canada Art Circuit, with the assistance of the Canada Council, 1961 (12 pages).

Meaning in the Visual Arts: Papers in and on Art History. By Erwin Panofsky. Garden City, N.Y.: Doubleday & Company, Inc., 1955 (363 pages).

Melanesian Art. Exh. cat. Art Gallery, University of California, Irvine, and Art Gallery, University of California, Davis, 1967–68 (53 pages).

Mezcala: Ancient Mexican Sculpture. By Miguel Covarrubias. Notes by William Spratling. Preface by André Emmerich. Exh. cat. André Emmerich Gallery, New York, 1956 (36 pages).

Milton Avery. Essay by Frederick S. Wight. Exh. cat. The Baltimore Museum of Art, The Institute of Contemporary Art, Boston, the Lowe Gallery, Coral Gables, Florida, The Phillips Gallery, Washington, D.C., and the Wadsworth Atheneum, 1952 (19 pages).

Milton Avery. By Adelyn Breeskin. Exh. cat. The American Federation of Arts, New York, 1960 (49 pages).

Milton Avery: Paintings. Exh. leaflet. Valentin Gallery, New York, 1942.

Minimal Art: Andre, Bladen, Flavin, Grosvenor, Judd, Le Witt, Morris, Smith, Smithson, Steiner. Exh. cat. Städtische Kunsthalle und Kunstverein für die Rheinlande und Westfalen, Germany, 1969 (64 pages).

Modern American Painting. By Dore Ashton. New York and Toronto: The New American Library, Mentor-Unesco Art Book, 1970 (24 pages, followed by 32 color plates, bibliography, and contents page).

Modern American Painting and Sculpture. By Sam Hunter. New York: Dell Publishing Co., Inc., 1959 (256 pages).

Modern Architecture in England. New York: The Museum of Modern Art, 1937 (101 pages, including black and white plates). A newspaper photograph showing Rear Admiral Richard H. Cruzen with General Douglas MacArthur is inserted.

Modern Art: An Introduction. By Julian Levi. New York, London, and Toronto: Pitman Publishing Corporation, 1961 (46 pages).

Modern Art USA: Men, Rebellion, Conquest, 1900–1956. By Rudi Blesh. New York: Alfred A. Knopf, 1956 (296 pages, plus index).

Modern French Painting, 1855–1956. By Sam Hunter. New York: Dell, 1956 (256 pages).

Moments of Vision. Introduction by Herbert Read. Exh. cat. Rome-New York Art Foundation, Inc., 1959 (59 pages).

Monet. By Charles Merrill Mount. New York: Simon and Schuster, 1966 (444 pages).

Monuments in Cedar. By Edward L. Keithahn. Ketchikan, Alaska: Roy Anderson, 1945 (160 pages, followed by a folded map).

Morris Louis. Exh. cat. André Emmerich Gallery, Inc., New York, 1962 (6 pages).

Morris Louis: A Selection from a Series of Previously not Exhibited Paintings, 1960–1961. Exh. cat. André Emmerich Gallery, Inc., New York, 1964 (6 pages).

Morris Louis: Unfurled Paintings—1960. Exh. cat. André Emmerich Gallery, New York 1970 (16 pages).

Motherwell. Exh. cat. Exhibition of new paintings and collages by Robert Motherwell. Sidney Janis Gallery, New York, 1962 (20 pages).

Museu Lasar Segall. São Paulo, Brazil, n.d. (10-pages, hand-typed pamphlet).

National Collection of Fine Arts. Washington, D.C.: Smithsonian Institution (18-page pamphlet).

National Gallery of Art, Washington, D.C. By John Walker. New York: Harry N. Abrams, Inc., Publishers [1963] (307 pages). A room receipt from The Madison, Washington, D.C., made out to Mrs. B. Newman is inserted.

New Art Around the World: Painting and Sculpture. Translated by Henry Mins, Norbert Guterman, and Michael Brozen. New York: Harry N. Abrams, Inc., Publishers [n.d.] (510 pages). Stamped in black ink on the half-title page: “A. Newman.” There is a notation in pencil above the half title, and the date “1966” is penciled in on the copyright page.

New Art of Argentina. Exh. cat. Exhibition organized by Walker Art Center, Minneapolis, and the Visual Arts Center, Instituto Torcuato di Telia, Buenos Aires, 1964 (55 pages). Inserted is a printed card: “Compliments of Walker Art Institute[,] Minneapolis.” It is signed in black ink “Jan van der Marck.”

New Directions in American Painting. Exh. cat. Loan exhibition, The Poses Institute of Fine Arts, Brandeis University, Waltham, Massachusetts, 1963 (46 pages). An errata slip is inserted.

New Experiments in Art. Exh. cat. De Cordova Museum, Lincoln, Massachusetts, 1963 (26 pages).

New Paintings: Michael Goldberg. Martha Jackson Gallery, New York, 1966. On the cover of the pamphlet, Frank O’Hara’s poem “Why I Am Not a Painter” is printed.

New Tendencies in Art. By Aldo Pellegrini. New York: Crown Publishers, Inc., 1966 (320 pages).

New York Artists Painters. Exh. brochure. 444 Madison Avenue, New York, n.d. An invitation to the opening of the exhibition is inserted.

New York Painting and Sculpture, 1940–1970. By Henry Geldzahler. Exh. cat. New York: E. P. Dutton and Co., Inc., in association with The Metropolitan Museum of Art, 1969 (494 pages). Inscribed in black ink on the flyleaf: “For Barney and Annale [sic] with love[,] Henry Geldzahler[,] Oct 1969.”

New York Realists, 1900–1914: Robert Henri, George Luks, John Sloan, William Glackens, Ernest Lawson, George Bellows, Everett Shinn, Glenn O. Coleman, and Guy Pêne du Bois. Exh. cat. Whitney Museum of American Art, New York, 1937 (21 pages, followed by 18 black-and-white plates).

New York School, The First Generation: Paintings of the 1940’s and 1950’s. Exh. cat. Los Angeles County Museum of Art, 1965 (253 pages). An errata slip is inserted.

New York 13. Exh. cat. The Vancouver Art Gallery, The Norman MacKenzie Art Gallery, Regina, and the Musée d’Art Contemporain, Montreal, 1969 (52 pages).

Newman–De Kooning. Exh. brochure. Allan Stone Gallery, New York, 1962 (16 pages devoted to Newman’s solo exhibition and, on the flip side of the booklet, 16 pages devoted to de Kooning’s). Five copies. In all five copies the following corrections and notes were made by Annalee Newman: The painting title “Resurrection” is crossed out and “Be II” is inserted, as is “ + 1964”; “Orange Colossus” is crossed out and “The Third” and “ 1962” are inserted; “Untitled” is crossed out and “Not There—Here” is inserted. Written in in Annalee Newman’s hand in black ink on the last page of all copies: “Allan Stone made up these titles on the spur of the moment when he was having the catalogue printed.” On the cover of one copy Annalee Newman wrote “David” and the date “November 29, 1995.”

Nineteenth Century Architecture in Britain. By Reginald Turnor. London: B. T. Batsford, Ltd., [1950?] (118 pages).

Northwest Coast Indian Painting. Foreword by Barnett Newman. Exh. brochure. Betty Parsons Gallery, New York, 1946. Multiple copies. Printed on the back of two copies: “You are cordially invited to the opening of the Betty Parsons Gallery[,] September 30, 1946[,] 4–6 P.M.” Beside this is written in black ink on one of the copies: “Hope you can come[.] Barney Newman.”

Nu 2: Maintenant, now, jetzt. By [W.] Sandberg. Hilversum, The Netherlands: Steendrukkerij de Jong & Co., n.d. (115 pages). A personal note is inserted: “Avec les compliments d’Octavio Paz.”

Occasional Papers. Volume One, Number Two: Paintings, Pastels, Drawings, Prints and Copper Plates by and Attributed to American and European Artists, Together with a List of Original Whistleriana, in the Freer Gallery of Art. By Burns A. Stubbs. Freer Gallery of Art, Smithsonian Institution, Washington, D.C., 1948 (152 pages).

Octavio Paz/Discos Visuales. I. Juventud. II. Pasaje. III. Concorde. IV. Aspa. Dibujos de Vicente Rojo. Mexico City: Ediciones Era, S.A., 1968 (8 discs).

Odilon Redon. Exh. cat. The New Gallery, New York, 1958 (13 pages).

Oils, Watercolors, Prints, and Sculpture by Artist-Teachers of the Art Teachers Division. Exh. cat. Exhibition sponsored by Federal Art Project / Works Projects Administration. Federal Art Gallery, New York, 1939 (5 pages).

On My Way: Poetry and Essays, 1912–1947. By Jean Arp. The Documents of Modern Art series, edited by Robert Motherwell. New York: Wittenborn, Schultz, 1948 (147 pages).

On the Future of Art. Essays by Arnold J. Toynbee, Louis I. Kahn, Annette Michelson. B. F. Skinner, James Seawright, J. W. Burnham, and Herbert Marcuse. New York: The Viking Press, [1970] (134 pages).

One Hundred Artists and Walkowitz. Exh. cat. Brooklyn Museum, 1944 (27 pages). A newspaper clipping is inserted: “Novel Art Display Opens in Brooklyn.”

One Thousand Years of Art in Poland. Exh. cat. Royal Academy of Arts, London, 1970 (158 pages).

Önskemuseet / The Museum of Our Wishes. Texts by Gerard Bonnier and K.G.H[ultén]. Exh. cat. Stockholm: Moderna Museet, 1963 (76 pages).

Oskar Kokoschka. Exh. brochure. Buchholz Gallery, New York, n.d.

Ossorio. Exh. brochure. Galerie Stadler, Paris, 1960.

Ossorio: A Selection 1941–1961. Exh. brochure. Daniel Cordier & Michel Warren, Inc., New York, 1962 (13 pages).

Otto Meyer-Amden. By Carlo Huber. Wabern, Switzerland: Bücher-Verlag, 1968 (166 pages). Inscribed: “For Annalee and Barney Newman with love and devotion 22/III/70 Carlo.”

Painters of de Stijl: Debut of Abstract Art in Holland, 1917–21. Exh. brochure. Sidney Janis Gallery, New York, 1951. Two copies.

Painting and Reality. By Etienne Gilson. The A.W. Mellon Lectures in the Fine Arts. 1959. Reprint, Cleveland and New York: The World Publishing Company, Meridian Books, 1965 (416 pages).

Painting and Sculpture. Exh. brochure. Stratton Arts Festival, Stratton, Vermont, 1965.

Painting and Sculpture of a Decade 54–64: Calouste Gulbenkian Foundation Exhibition. Second edition, revised. Exh. cat. Tate Gallery, London, 1964 (276 pages).

Painting as Painting. Exh. cat. The Art Museum of The University of Texas at Austin, 1968 (39 pages).

Painting in Saskatchewan, 1883–1959. Exh. cat. Norman Mackenzie Art Gallery, Regina, and The Mendel Art Gallery, Saskatoon, 1967 (54 pages).

Paintings by Clyfford Still. Exh. cat. The Buffalo Fine Arts Academy, Albright Art Gallery, Buffalo, N.Y., 1959 (52 pages).

Paintings by Milton Avery. Exh. brochure. Durand-Ruel Galleries, New York, 1945.

Paintings from the Ambroise Vollard Collection, XIX–XX Centuries. Exh. cat. Knoedler Galleries, New York, 1933 (63 pages).

Paintings from the Museum of Modern Art, New York. Exh. cat. National Gallery of Art, Smithsonian Institution, Washington, D.C., 1963 (100 pages).

Paintings in New York: 1944 to 1969. Exh. cat. Pasadena Art Museum, 1969 (76 pages).

Paintings of the Rijksmuseum Kröller-Müller, Otterlo, The Netherlands: Rijksmuseum Króller-Müller. Part 1: Translated by Mrs. M. Jansen-Shewring. First Dutch edition 1950. First English edition 1969. Part 2: Translated by H. Schutte. First Dutch edition 1956. Third English edition 1969. (Each vol.: 304 pages, followed by 96 pages of black-and-white plates).

Paintings, Sculpture, and Drawings by Ellsworth Kelly. Exh. cat. Washington Gallery of Modern Art, Washington, D.C., and Institute of Contemporary Art, Boston, 1964 (12 pages).

Paolo Uccello—Complete Edition. By John Pope-Hennessy. Second edition. London and New York: Phaidon Press, Ltd., 1969 (188 pages).

Paper. By Quentin Fiore. Whitney Publications, Inc., for Tamarind Lithography Workshop, Inc., Los Angeles, courtesy of Industrial Design, 1958 (18-page pamphlet).

Paul Feeley: A Selection from the Late 1950’s Paintings. Exh. cat. Betty Parsons Gallery, New York, 1970 (6 pages).

Paul Gauguin: Letters to His Wife and Friends. Edited by Maurice Malingue. Translated from the French by Henry J. Stenning. First published by Editions Bernard Grasset, Paris, 1946. London: The Saturn Press, n.d. (255 pages).

Paul Gauguin’s Intimate Journals. Translated by Van Wyck Brooks. Preface by Emil Gauguin. New York and London: Liveright, 1936 (254 pages).

Paul Klee: Paintings, Watercolors, 1913 to 1939. Edited by Karl Nierendorf. Introduction by James Johnson Sweeney. New York: Oxford University Press, 1941 (35 pages, followed by 1 color reproduction and 65 black-and-white plates).

Paul Nash. By Herbert Read. The Penguin Modern Painters series, edited by Sir Kenneth Clark. Harmondsworth, Middlesex, England: Penguin Books, Ltd., 1944 (16 pages, plus 32 pages of color and black-and-white plates).

Pechstein. Exh. brochure. Lilienfeld Galleries, New York, 1938. There are notations and underlinings in red pencil.

Peintures et dessins. By Henri Michaux. Preface and captions selected from the author’s poetry. Limited edition of 900 (this copy is stamped 686). Paris: Les Éditions du Point du Jour, 1946 (43 pages, plus a table of illustrations; slipcased and boxed).

Philip Guston. Exh. cat. The Solomon R. Guggenheim Museum, New York, 1962 (125 pages).

Picabia. Exh. brochure. Rose Fried Gallery, The Pinacotheca, New York, 1950.

Picasso: A Pictorial Biography. By Lothar-Günther Buchheim. Translated by Michael Heron. New York: The Viking Press, A Studio Book, 1959 (143 pages). Inside the front cover is a paper bookmark from Concord Books, Times Square.

Piero Dorazio. Exh. cat. Kunstverein für die Rheinlande und Westfalen, Kunsthalle, Düsseldorf, 1961 (36 pages).

Piet Mondrian. Exh. cat. Sidney Janis Gallery, New York, 1951 (9 pages).

Pissarro. By John Rewald. Paris: Les Éditions Braun & Cie, n.d. (60 pages, including black-and-white reproductions).

Plastic Art and Pure Plastic Art, 193 7, and Other Essays, 1941–1943. By Piet Mondrian. The Documents of Modern Art series, edited by Robert Motherwell. Third edition. New York: Wittenborn, Schultz, Inc., 1951 (64 pages). A brochure is inserted: “‘Toward the True Vision of Reality’ by Piet Mondrian,” Valentine Gallery, New York.

Poem Paintings. By Frank O’Hara and Norman Bluhm. Exh. brochure. New York University, NYU Art Collection, Loeb Student Center, 1967.

Pollock. By Italo Tomassoni. Translated from the Italian by Caroline Beamish. New York: Grosset & Dunlap, 1968 (39 pages, plus 80 pages of color plates).

Portrait of America: 1865–1915. Exh. brochure. IBM Gallery, New York, n.d.

Portraits by Yousuf Karsh. Exh. cat. The Corcoran Gallery of Art, Washington, D.C., 1969 (14 pages). Four copies. One copy has an unattached page in front with text on the artist.

Portraits from the American Art World. Exh. cat. New School Art Center, New York, 1965 (63 pages).

Post-Abstract Painting 1950: France, America. Exh. brochure. Exhibition at Hawthorne Memorial Gallery, sponsored by the Provincetown Art Association, Provincetown, Massachusetts, 1950.

Postma, Nichols, Herdman. Exh. brochure. Judson Gallery, New York, [1966 (?)]. Barnett Newman received this in the mail.

Post Painterly Abstraction. Exh. cat. Traveling exhibition organized by the Los Angeles County Museum of Art and sponsored by the Contemporary Art Council, 1964 (71 pages).

Pre-Columbian Stone Sculpture. Foreword by Barnett Newman. Exh. brochure. Wakefield Gallery, New York, 1944. Fifty-five copies.

Preface [on the painting of Enrico Donati]. By André Breton. Large leaflet. New York, 1944. Two copies.

Primary Structures: Younger American and British Sculptors. Exh. cat. The Jewish Museum, New York, 1966 (50 pages).

Primitive Art. By L. Adam. Harmondsworth, Middlesex, England, and New York: Allen Lane, Penguin Books, 1940 (160 pages).

Primitive Art. By Franz Boas. 1927. Reprint, New York: Dover Publications, Inc., 1955 (373 pages, followed by an explanation of plates, an index of names, and a publisher’s list).

Primitive Negro Sculpture. By Paul Guillaume and Thomas Munro. With illustrations from the collection of The Barnes Foundation, Merion, Pennsylvania. New York: Harcourt, Brace & Company, 1926 (134 pages).

Prints by Four New York Painters: Helen Frankenthaler, Jasper Johns, Robert Motherwell, Barnett Newman. Exh. cat. The Metropolitan Museum of Art, New York, 1969–70 (8 pages). Four copies. One copy has the business card of John McKendry, Curator, Department of Prints, Metropolitan Museum of Art attached to the front cover.

Profile of Northwood. Institute of Learning and Contemporary Arts, 1966 (7-page pamphlet).

Quatro mil anos de vidro. Exh. cat. Museu de Arte Moderna, São Paulo, 1957 (11 pages, followed by 43 black-and-white photographs).

Quattro Pittori Germinali / Four Germinal Painters: Morris Louis, Kenneth Noland, Robert Rauschenberg, Jasper Johns. Quattro Artisti Più Giovani / Four Younger Artists: John Chamberlain, Claes Oldenburg, Jim Dine, Frank Stella. XXXII Esposizione Biennale Internazionale d’Arte Venezia. Venice, 1964. United States participation organized by The Jewish Museum, New York, at the request of the United States Information Agency (48 pages). Two copies. One copy is stamped: “Edition of 1,000 printed for and at the expense of The Jewish Museum.”

Questions to Ask Your Framer and Answers You Should Get. By Jeanne Schonberg. Tamarind Lithography Workshop, Inc., Los Angeles, n.d. (pamphlet).

Rauschenberg. Exh. cat. Exhibition in two parts: works from 1954 to 1961; works from 1962 to 1963. Ileana Sonnabend, Paris, 1963 (31 pages). Inserted is a printed page listing the works included in each part.

Raymond Duchamp-Villon, 1876–1918. Introduction by George Heard Hamilton. Notes by William C. Agee. New York: Walker and Company, 1967 (141 pages).

Readings in American Art Since 1900: A Documentary Survey. Edited by Barbara Rose. New York and Washington, D.C.: Frederick A. Praeger, Publishers, 1968 (224 pages, plus 48 pages of black-and-white illustrations).

Recent Acquisitions 1969: Modern Painting, Sculpture, Drawings, Prints, and Photography. Exh. cat. Pasadena Art Museum, 1969 (40 pages).

Recent American Art. By Ronald Alley. London: The Tate Gallery Little Book Series, 1969 (10 pages, followed by 36 pages of black-and-white and color illustrations).

Recent American Synagogue Architecture. By Richard Meier. Statement by Barnett Newman. Exh. cat. The Jewish Museum, New York, 1963 (63 pages). Two copies.

Rembrandt. By Hans Redeker. New York: Barnes & Noble, Inc., 1965 (90 pages).

Rembrandt and Spinoza: A Study of the Spiritual Conflict in Seventeenth-Century Holland. By W. R. Valentiner. London: Phaidon Press, 1957 (87 pages).

René d’Harnoncourt, 1901–1968: A Tribute. Program for a memorial service, Sculpture Garden, The Museum of Modern Art, New York, 8 October 1968 (35 pages). Two copies. Inserted in both copies is the contents page of A Tribute. In one copy William S. Paley’s remarks are also included.

Revolution and Tradition in Modern American Art. By John I. H. Baur. Cambridge, Massachusetts: Harvard University Press; London: Oxford University Press, 1951 (170 pages). Inserted are a postcard to Harvard University Press regarding the review copy and who received it, and a printed card that reads, “With the compliments of Harvard University Press[,] Cambridge, Mass. For Review.” Written on the card, in pencil: “KT-what is pub date?” Also inserted are three mimeographed sheets of an article titled “Kurt Schwitters,” by Katherine S. Dreier.

Richard. J. Daley. Exh. cat. The Contemporary Arts Center, Cincinnati, 1968 (11 pages).

Richard J. Daley. Exh. cat. Exhibition for the American Civil Liberties Union at the Richard Feigen Gallery, New York, 1969.

Rijksmuseum Kröller-Müller, Otterlo, Holland (brochure).

Robert Motherwell. Exh. brochure. Art of This Century, New York, 1944.

Robert Motherwell. Exh. cat. Sidney Janis Gallery, New York, 1961 (20 pages).

Robert Motherwell. Exh. cat. Retrospective exhibition. Pasadena Art Museum, 1962 (32 pages).

Robert Motherwell. By Frank O’Hara. With selections from the artist’s writings. New York: The Museum of Modern Art, 1965 (96 pages).

Robert Motherwell: Collages 1958–1960. Exh. cat. Berggruen Gallery, Paris, n.d. (23 pages). Inscribed in blue ink on the title page: “For dear Barney + Annalee from their friend[,] Bob M[.,] 1961.”

Robert Postma. Exh. cat. Charles A. Dana Creative Arts Center, Colgate University, Hamilton, N.Y., 1966 (7 pages).

Robert Rauschenberg. By Alan R. Solomon. Exh. cat. The Jewish Museum, New York, 1963 (67 pages). Two copies.

Rodin. By Ionel Jianou. Foreword by C. Goldscheider. Translated by Kathleen Muston and Geoffrey Skelding. Paris: Arted, Éditions d’Art, 1970 (127 pages).

Roman J. Verostko, O.S. B. Exh. cat. The Westmoreland County Museum of Art, Greensburg, Pennsylvania, 1965 (16 pages).

Ronald Bladen / Robert Murray. Exh. cat. Vancouver Art Gallery, 1970 (55 pages of text and black-and-white photographs).

ROSC ’67: The Poetry of Vision. Exh. cat. Royal Dublin Society and National Museum of Ireland, Dublin, 1967. Inserted is a corrigenda and addenda slip.

ROSC ’67: The Poetry of Vision. Report on an international exhibition of modern painting and ancient Celtic art held at the Royal Dublin Society and at the National Museum of Ireland from 14 November 1967 to 9 January 1968 (7 pages). Inserted is a sheet of ROSC letterhead, on which is typed: “With the compliments of the Chairman and Committee[,] June 1969.”

Roy Lichtenstein: schilderijen, émails, assemblages, tekeningen. Exh. cat. Stedelijk Museum, Amsterdam, 1967 (62 pages). Inserted is a 6-page pamphlet of drawings in cartoon-strip style.

S. A. Lipton: Sculpture. Exh. brochure. A.C.A. Gallery, New York. There are several notations in black or red pencil on the front and inside the brochure.

Sam Francis. Exh. cat. Kunsthalle Basel, Switzerland, 1968 (56 pages). Inserted is a printed card: Mit besten Empfehlungen überreicht von der Kunsthalle Basel.”

Samaras: Selected Works, 1960–1966. By Lawrence Alloway. Exh. cat. The Pace Gallery, New York, 1966 (56 pages).

Sammlung 1968 Karl Ströher. Exh. cat. Neue National-Galerie, Berlin, and Städtische Kunsthalle, Düsseldorf, 1969 (176 pages).

Sandberg: Experimenta typographica, 1943–68. Nijmegen, The Netherlands: Koningklijke Druckkerij G. J. Thieme, 1969 (29 pages).

Saul Steinberg. Exh. cat. Sidney Janis Gallery, New York, 1966 (31 pages). Inserted is an announcement of a simultaneous exhibition at the Betty Parsons Gallery, New York.

Savelli: Inner Space. Exh. cat. The Corcoran Gallery of Art, Washington, D. C., [1969?] (18 pages).

Scale as Content: Ronald Bladen, Barnett Newman, Tony Smith. Exh. cat. The Corcoran Gallery of Art, Washington, D. C., 1967 (6 pages). Two copies.

Schwabacher: Recent Paintings. Exh. brochure. Betty Parsons Gallery, New York, 1960.

Sculpture in Environment. Exh. cat. Exhibition sponsored by the New York City Parks, Recreation, and Cultural Affairs Administration (48 pages). Inserted is a small folded sheet on which is typed: “We are pleased to send you the enclosed catalogue ‘Sculpture in Environment.’ May we express our gratitude once again for your generosity in loaning your work to the City of New York for this demonstration project. Doris Freedman, Special Assistant for Cultural Affairs, October, 1967.

Sculpture, Water Colors, Paintings, Prints of the Americas. Exh. cat. Exhibition sponsored by the Maple Leaf Service Club and the Union de Mujeres Americanas and loaned through courtesy of Thomas J. Watson, n.d. (8 pages).

Sculptures of the Rijksmuseum Kröller-Müller. Translated from the Dutch by C. De Dood, Mrs. A. Henriquez, and M. Jansen-Shewring. Third English edition. Otterlo: Rijksmuseum Kröller-Müller, 1970 (156 pages, followed by 90 pages of black-and-white plates).

Selections from the Guggenheim Museum Collection 1900–1970. New York: The Solomon R. Guggenheim Museum, 1970 (437 pages). Inserted is a pamphlet: “Selections from the Museum Collection and Recent Acquisitions 1971.”

Selections from the John G. Powers Collection. Exh. cat. Larry Aldrich Museum, Ridgefield, Connecticut, 1966 (30 pages).

Serial Imagery. By John Coplans. Exhibition sponsored by The Art Alliance, the Pasadena Art Museum, the Henry Art Gallery, University of Washington, Seattle, and the Santa Barbara Museum of Art, 1968 (144 pages). Inserted is a card: “With the compliments of The Pasadena Art Museum.”

Seven Sculptors. Exh. cat. Institute of Contemporary Art, University of Pennsylvania, Philadelphia, ca. 1965. (43 pages).

Signals in the ’Sixties. Exh. cat. Exhibition organized by James Johnson Sweeney. Honolulu Academy of Arts, 1963 (53 pages). Inserted is a typed sheet listing substitutions for two artworks in the show. Attached to the front cover is the business card of James W. Foster, Jr., Director of the Honolulu Academy of Arts.

Simon Rodia’s Towers in Watts. Exh. cat. A photographic exhibition by Seymour Rosen, sponsored by the Contemporary Art Council and the Committee for Simon Rodia’s Towers in Watts. Los Angeles County Museum of Art, 1962 (48 pages).

Since Cézanne. By Clive Bell. London: Chatto and Windus, 1922 (230 pages).

Six American Abstract Painters: Motherwell, Newman, Okada, Rothko, Tobey, and Youngerman. Exh. cat. Kimura Gallery, Tokyo, 1959 (14 pages). Three copies.

Six Modern Masters. Exh. cat. M. Knoedler & Company, New York, 1930 (123 pages).

Six More. Exh. cat. Exhibition sponsored by the Contemporary Arts Council. Los Angeles County Museum of Art, 1963 (17 pages).

Six Painters and the Object. By Lawrence Alloway. Exh. cat. The Solomon R. Guggenheim Museum, New York, 1963 (25 pages).

Six peintres américains. Exh. cat. M. Knoedler & Cie, Paris, 1967 (36 pages). Attached to the front cover is a small printed card: “Mr. Joseph Pulitzer, Jr.”

Sixty-Seventh Annual American Exhibition: Directions in Contemporary Painting. Exh. cat. The Art Institute of Chicago, 1964 (63 pages). Two copies. Inserted in one copy is a two-page news release from the Art Institute of Chicago. Inserted in the other copy is a note card on which is written: “3–11–64[.] Dear Annalee & Barney, Here is the catalog of The 67th American Exhibition at the Art Institute of Chicago. Saw Barney’s painting there [Shining Forth (To George), 1961] and heard some very good comments while there. It was beautifully exhibited and this friend of mine really enjoyed it[.] Who is John McLoughlin? Do you know him; he also paints in lines, but everything is in two’s whereas your paintings seem to be in threes. All is well here and am enjoying Chicago. Will see you in August. Love[,] Renée.”

Small Masterpieces of Late Nineteenth Century French Art. Exh. brochure. Durand-Ruel Galleries, New York, 1939. Under the listing “Van Gogh” there is a partial bracket in pencil, followed by the notation “impressionist—Pissarro[,] Manet.”

Soulages: Paintings Since 1963. By James Johnson Sweeney. Exh. cat. M. Knoedler & Co., Inc., New York, 1968 (31 pages).

Soutine. Exh. brochure. Niveau Gallery, New York, 1944.

Space and Dream. By Robert Goldwater. New York: Walker and Company, [1967] (80 pages).

Space, Time, and Architecture: The Growth of a New Tradition. By Sigfried Giedion. Cambridge, Massachusetts: The Harvard University Press; London: Humphrey Milford / Oxford University Press, 1941. Fourth reprint, 1944 (601 pages).

Spatial Form in Modern Literature: An Essay in Three Parts. By Joseph Frank. Part III (11 copied pages).

Speculations: Essays on Humanism and the Philosophy of Art. By T. E. Hulme. Edited by Herbert Read. Frontispiece and foreword by Jacob Epstein. New York: Harcourt, Brace & Company, Inc.; London: Kegan Paul, Trench, Trubner & Co., Ltd., 1924 (271 pages).

Städtische Kunsthalle Düsseldorf. Landeshaupstadt Düsseldorf, 1967 (57 pages).

Stamos. Foreword by Barnett Newman. Exh. brochure. Betty Parsons Gallery, New York, 1947. Three copies.

Statements. By Lawrence Weiner. N.p.: The Louid Kellner Foundation / Seth Siegelaub, 1947 (25 pages).

Statemuseum Kröller-Müller, Otterlo. Translated from the Dutch by Margaret Jansen-Shewring. Catalogue. VAEVO, in collaboration with the Kröller-Müller Foundation, 1969 (61 pages). Two copies.

Studios and Styles of the Italian Renaissance. By André Chastel. Translated by Jonathan Griffin. The Arts of Mankind series, edited by André Malraux and Georges Salles. New York: Odyssey, 1966 (417 pages, followed by a map section).

Style and Content in Christian Art: From the Catacombs to the Chapel Designed by Matisse at Vence, France. By Jane Dillenberger. New York and Nashville: Abingdon Press, 1965 (240 pages). Inscribed: “With recollections of a grand evening! Jane Dillenberger.”

Suites: Recent Prints. Exh. brochure. The Jewish Museum, New York, under the auspices of The Jewish Theological Seminary of America, 1968.

Summer Gallery Exhibition: Paintings and Sculpture. Exh. brochure. French and Company, Inc., New York, 1959.

Surrealism. Edited with an introduction by Herbert Read. Contributions by André Breton, Hugh Sykes Davies, Paul Éluard, and Georges Hughnet. New York: Harcourt, Brace & Company, n.d. (251 pages). Inserted is a sheet of paper on which is printed at top: “Hawk Mountain Sanctuary Association,” and below: “Dear Conservationist, We know your interest in birds, and hope that you will forward our work to save the hawks by joining our Association? We wish we might have the pleasure of welcoming you at The Sanctuary. Sincerely yours, Rosalie Edge (Mrs. C. N. Edge), President.” On the other side is printed: “Mrs. Charles Noel Edge.” On the card are some scribblings in pencil: “Ex-Nihilism Denihilist, Ex [scratched out]-nihilo, X-nihilism, Xnihilo, Xnihilismo,” and “Chaos-Cosmos KaosKosmos KaosKosmosism,” and “irrational.”

Survey 69. Exh. brochure. The Montreal Museum of Fine Arts, 1969 (7 pages).

System and Dialectics of Art. By John D. Graham. New York: Delphic Studios, 1937 (154 pages, plus a table of contents). On the title page, inscribed in blue ink around the author’s name: “To my dear friend Barney[.] Friend and poet in token of appreciation[.] IOANNUS MAGUS SERVUS DEI[.] Below the title the following phrases are written in ink: “Ex [illeg.] leonem”; “Qui bene castigat bene amat”; “L’art est comme le suplice du pol [:] ça commence bien mais ça [?] finit mal.”

Systemic Painting. Exh. cat. The Solomon R. Guggenheim Museum, New York, 1966 (65 pages).

Tamarind Print Terminology. Brochure. Tamarind Lithography Workshop, Los Angeles. Inc. Revised July 1966

Tapestries in Sand: The Spirit of Indian Sandpainting. Revised edition. Paintings and interpretation by David V. Villaseñor. Photography by the Los Angeles County Museum. Headsburg, California: Naturegraph Company, 1966 (112 pages).

Ten. Exh. cat. Dwan Gallery, New York, 1966 (10 pages).

Ten from Los Angeles. Exh. cat. Exhibition organized by John Coplans on behalf of the Contemporary Art Council of the Seattle Art Museum. Seattle Art Museum, 1966 (71 pages).

Ten Washington Artists: 1950–1970. Exh. cat. The Edmonton Art Gallery, Edmonton, Canada, 1970 (62 pages). Inserted is a printed card: “Compliments of . . . The Edmonton Art Gallery[,] William Kirby, Director.” Written on the card: “To Barney & Annalee [illeg.].”

Ten Years. Exh. brochure. Betty Parsons Gallery, New York, 1955. Three copies.

Teresa Zarnower: Sixteen Gouaches. Foreword by Barnett Newman. Exh. brochure. Art of This Century, New York, 1946. On one copy “1946” is written in pencil.

The Academy: Five Centuries of Grandeur and Misery, from the Carracci to Mao Tse-Tung. Edited by Thomas B. Hess and John Ashbery. Art News Annual, vol. 33. New York: The MacMillan Company, 1967 (176 pages).

The Anxious Object: Art Today and Its Audience. By Harold Rosenberg. New York: Horizon Press, 1964 (263 pages).

The Anxious Object: Art Today and Its Audience. By Harold Rosenberg. New York and Toronto: The New American Library, A Mentor Book, 1966. Paperback reprint (223 pages).

The Architecture of Humanism: A Study in the History of Taste. By Geoffrey Scott. Garden City, N.Y.: Doubleday & Company, Inc., Anchor Books, 1954. Reprint (197 pages).

The Art Gallery of Ateneum, Helsinki, 1968. Exh. cat. (114 pages). Inserted is a printed card: “With the Compliments of the Art Gallery of Ateneum[,] Helsinki.” The signature, in black ink, is illegible.

The Art of Illusion: Trompe l’Oeil Painting, Seventeenth to Nineteenth Century. Exh. brochure. Mortimer Brandt, New York, 1951 (5 pages). Inscribed on the back in pencil: “[illeg.] Hagen.”

The Art of Jean Arp. By Herbert Read. New York: Harry N. Abrams, Inc., Publishers, 1968 (216 pages). Inserted are a shelf list for the first showing of the Arp memorial exhibition at the UCLA Galleries, 1968, and a slip of paper on which is printed: “with the compliments of UCLA Art Galleries.” The latter is signed “Frederick Wight.”

The Art of the Real: USA 1948–1968. By E. C. Goossen. Exh. cat. The Museum of Modern Art, New York, 1968 (64 pages).

The Artist’s Handbook of Materials and Techniques. By Ralph Mayer. New York: The Viking Press, 1940. Fourth reprint 1945 (561 pages).

The Artist’s Vision: 1948–1958. Exh. brochure. Signa Gallery, East Hampton, N.Y., 1958.

The Artist’s World in Pictures. By Fred W. McDarrah. Introduction by Thomas B. Hess. Commentary by Gloria Schoffel McDarrah. New York: E. P. Dutton & Co., 1961 (192 pages).

The Avant-Garde. Edited by Thomas B. Hess and John Ashbery. Art News Annual, vol. 34. New York: The Macmillan Company, 1968 (149 pages, followed by 21 pages of advertisements).

The Blue Four. Exh. brochure. Buchholz Gallery, New York, 1944 (7 pages).

The Care of Paintings. By Sheldon Keck. Reprinted from New York History, January 1953 (12-page pamphlet).

The Catalogue. By Saul Steinberg. Cleveland and New York: The World Publishing Company, Meridian Books, 1962 (253 pages). Inscribed: “To Barney & Annalee[,] love Saul.”

The Cloud Eye. By Fausta Squatriti. Milan, 1969 (18 pages; bound in a loose-leaf metal cover). Inscribed by the author.

The Collection of Mr. and Mrs. Ben Heller. Exh. cat. Exhibition organized by the Department of Circulating Exhibits, The Museum of Modern Art, New York, 1961 (44 pages). Two copies.

The Cubist Painters: Aesthetic Meditations 1913. By Guillaume Apollinaire. Translated from the French by Lionel Abel. The Documents of Modern Art series, edited by Robert Motherwell. New York: Wittenborn and Company, 1944 (36 pages).

The Dada Painters and Poets: An Anthology. The Documents of Modern Art series, edited by Robert Motherwell. New York: Wittenborn, Schultz, Inc., 1951 (388 pages). Stamped on the front and back covers: “Review Copy.”

The Decisive Years 1943–1953. Exh. cat. Institute of Contemporary Art, University of Pennsylvania, Philadelphia, 1965 (19 pages). Two copies.

The Development of Modernist Painting: Jackson Pollock to the Present. Exh. cat. Exhibition sponsored by Steinberg Art Gallery Associates (SAGA), Washington University Gallery of Art, Steinberg Hall, Saint Louis, Missouri, 1969 (34 pages).

The Direct Image in Contemporary American Painting. By Leon Shulman. Exh. cat. Worcester Art Museum, 1969 (47 pages).

The Disappearance and Reappearance of the Image / Americké Malírství Po Roce 1945. Exh. cat. Exhibition organized by The International Art Program, National Collection of Fine Arts, Smithsonian Institution, Washington, D.C., and shown at venues in Romania, Czechoslovakia, and Belgium, 1969 (84 pages). Also an 8-page exh. brochure.

The Disappearance and Reappearance of the Image: American Painting Since 1945: Bibliography. The International Art Program, National Collection of Fine Arts, Smithsonian Institution, Washington, D.C., n.d. (26-page pamphlet).

The Disintegration of Form in the Arts. By Erich Kahler. Three lectures delivered at Princeton University and at the State University of New York at Stony Brook, 1967. New York: George Braziller, 1968 (133 pages).

The Drawings of Antoine Watteau. By K. T. Parker. 1931. Reprint, New York: Hacker Art Books, 1970 (49 pages, plus 100 plates).

The Earth, the Temple, and the Gods: Greek Sacred Architecture. By Vincent Scully. Revised edition. New York, Washington, London: Frederick A. Praeger, Publishers, 1969 (271 pages, followed by 190 pages of illustrations).

The Educational Alliance: Retrospective Art Exhibit. Texts by John I. H. Baur et al. Exh. cat. The American Federation of the Arts Gallery, New York, 1963 (55 pages). Three copies. Inserted are two sheets: “For an Enlarged Art School” and “Addendum to List of Patrons.”

The English Eye. Exh. cat. Marlborough-Gerson Gallery, Inc., New York, 1965 (131 pages, followed by 3 blank pages headed “Notes”).

The Fantastic in Modern Art. Exh. brochure. Exhibition presented by View magazine, Hugo Gallery, New York, 1945.

The Federation of Modern Painters and Sculptors. Exh. brochure. National Arts Club, New York, 1949. The title of number 36 (Gothic Arrangement by Paul Mommer) is crossed out, and in pencil “The Church” is written in.

The Fifth Annual National Religious Art Exhibition. Exh. brochure. Cranbrook Academy of Art, Bloomfield, Michigan, 1966.

The Fifty-Eighth Annual Exhibition of American Painting and Sculpture: Abstract and Surrealist American Art. Exh. cat. The Art Institute of Chicago, 1948 (63 pages). Inserted is a leaflet: “Prize Winners: The Fifty-Eighth Annual Exhibition of American Painting and Sculpture: Abstract and Surrealist American Art[.] The Art Institute of Chicago.”

The Fine Art of Lithography. Exh. brochure. Kornblee Gallery, New York, n.d. (9 pages). Inserted is a small card on which is typed: “Barnett Newman[,] Untitled, 1961[.] Lithograph Lent by the Artist.” “Newman” is underlined in red pencil and “T.L. 26” is written next to “Lithograph.”

The Flowering of the Italian Renaissance. By André Chastel. Translated by Jonathan Griffin. The Arts of Mankind series, edited by André Malraux and Georges Salles. New York: The Odyssey Press, 1965 (384 pages, followed by a map section).

The Future of Painting. By Willard Huntington Wright. New York: B. W. Huebsch, Inc., [1923] (54 pages).

The Gentle Art of Making Enemies. [By J.-A.-M. Whistler]. 1890. Reprint, New York: G. P. Putnam’s Sons, 1953 (340 pages).

The Grass Roots of Art: Four Lectures on Social Aspects of Art in an Industrial Age. By Herbert Read. Problems of Contemporary Art series, edited by Robert Motherwell. New York: Wittenborn and Company, 1947 (92 pages).

The Hebrew Bible in Christian, Jewish and Muslim Art. Exh. cat. Exhibition organized by Arthur A. Cohen. The Jewish Museum, New York, 1963 (52 pages).

The Ideographic Picture. Foreword by Barnett Newman. Exh. brochure. Betty Parsons Gallery, New York, 1947.

The Imagery of Chess. Exh. brochure. Julien Levy Gallery, New York, n.d.

The Inner and the Outer Space: An Exhibition Devoted to Universal Art. Contains biographical information on twentieth-century artists such as Malevich, Gabo, and Klein, and notes on their works as well as illustrations (138 pages; bound in cardboard fastened with screws and wrapped in a heavy paper cover printed with the book title in several languages).

The International Style: Architecture Since 1922. By Henry-Russell Hitchcock, Jr., and Philip Johnson. New York: W. W. Norton & Company, Inc., 1932 (240 pages).

The Intrasubjectives. Exh. brochure. Samuel M. Kootz Gallery, New York, 1949. Two copies.

The Irascibles. Exh. cat. Exhibition organized by Irving Sandler. CDS Gallery, New York, 1988 (8-page foldout sheet).

The Isenheim Altar. By Pierre Schmitt. Bern, Switzerland: Hallwag Ltd., n.d. (9 pages, followed by 19 color plates).

The John and Dominique de Menil Collection. Exh. brochure. The Museum of Primitive Art, New York, 1963.

The Journal of Eugène Delacroix: A Selection. Edited with an introduction by Hubert Wellington. Translated from the French by Lucy Norton. London: Phaidon Press, Ltd., 1951 (504 pages).

The Life of Forms in Art. By Henri Focillon. Revised translation of Focillon’s La vie des formes by Charles Beecher Hogan and George Kubler. Second English edition, enlarged. New York: George Wittenborn, Inc., 1948. Third offset reprint, 1966 (94 pages, followed by a 4-page publisher’s list and 6 blank pages headed “Notes”). Inscribed on the flyleaf: “Because I thought this is for you—at least, some of it. E.”

The Man Whistler. By Hesketh Pearson. New York: Harper and Brothers Publishers, 1952 (276 pages).

The Maoris and Their Arts. By Margaret Mead. Guide Leaflet series of The American Museum of Natural History, New York, no. 71, 1928 (37 pages).

The Materials and Techniques of Medieval Painting. By Daniel V. Thompson. Foreword by Bernard Berenson. Reprint, 1956. New York: Dover Publications, Inc., n.d. (239 pages).

The Materials of the Artist and Their Use in Painting, with Notes on the Techniques of the Old Masters. By Max Doerner. Translated by Eugen Neuhaus. New York: Harcourt, Brace and Company, 1934 (432 pages). Inserted are notes handwritten on lined paper listing colors.

The Meaning of Art. By Herbert Read. Second edition. London: Faber & Faber, Ltd., 1926 (224 pages).

The Michael Farrell Murals. Brochure. The National Bank of Ireland, Ltd. N.p., n.d.

The Mosaics of Jeanne Reynal. By Dore Ashton, Lawrence Campbell, Elaine de Kooning, Bernard Pfriem, Parker Tyler, and Jeanne Reynal. New York: George Wittenborn, Inc., 1964 (in pages). Inscribed: “For my very dear Barney & Annalee. With love from Jeanne[,] April 1964.”

The Museum of Modern Art, New York. By James Thrall Soby (16-page pamphlet). Inserted is a printed page: “Museum Notes, vol. XIV, no. 2, February 1947.”

The National Museum of Anthropology, Mexico: Art, Architecture, Archeology, Anthropology. By Pedro Ramirez Vázquez, Luis Aveleyra, Ramón Piña Chan, Demetrio Sodi, Ricardo de Robina and Alfonso Caso. Captions by Salvador Novo. Introduction by Ignacio Trueblood. Translations from the Spanish by Mary Jean Labadie and Aza Zatz. Mexico City: Panorama Editorial (257 pages).

The New American Arts. Edited by Richard Kostelanetz. New York: Collier Books; London: Collier-Macmillan, Ltd., 1967 (270 pages).

The New American Painting and Sculpture: The First Generation. The Museum of Modern Art, New York, 1969 (12-page checklist).

The New Art: A Critical Anthology. Edited by Gregory Battcock. New York: E. P. Dutton & Co., Inc., 1966 (254 pages).

The New Astor Theatre. December 17, 1959 (6-page brochure with illustrations of murals done by Buffie Johnson).

The New Decade: Thirty-Five American Painters and Sculptors. Exh. cat. Exhibition organized by the Whitney Museum of American Art, New York, and shown at the San Francisco Museum of Art, the Art Galleries, University of California at Los Angeles, the Colorado Springs Fine Arts Center, and the City Art Museum of Saint Louis, 1955–56 (96 pages).

The New Generation, 1964: The Peter Stuyvesant Foundation. Exh. cat. Whitechapel Gallery, London, 1964 (106 pages).

The 1958 Pittsburgh International Exhibition of Contemporary Painting and Sculpture. Exh. cat. Department of Fine Arts, Carnegie Institute, Pittsburgh, 1958 (147 pages).

The 1961 Pittsburgh International Exhibition of Contemporary Painting and Sculpture. Exh. cat. Department of Fine Arts, Carnegie Institute, Pittsburgh, 1961 (100 pages).

The Non-Objective World. By Kasimir Malevich. Translated from the German by Howard Dearstyne. Chicago: Paul Theobald and Company, 1959 (102 pages).

The Notebooks of Leonardo da Vinci. Arranged, rendered into English, and introduced by Edward MacCurdy. Garden City, N.Y.: Garden City Publishing Co., Inc., 1941–42 (1,247 pages).

The Observer’s Book of Architecture. By John Penoyre and Michael Ryan. Revised edition. London and New York: Frederick Warne & Co., Inc., 1958 (223 pages).

The Painter of Modern Life and Other Essays. By Charles Baudelaire. Translated and edited by Jonathan Mayne. London: Phaidon Press, 1964 (224 pages).

The Painter’s Pocket-Book of Methods and Materials. By Hilaire Hiler. Edited by Jan Gordon. London: Faber and Faber, Ltd., 1937 (254 pages).

The Persian Exhibition, New York, 1940: Gods of Our Forefathers. By Phyllis Ackerman. Exh. cat. The Iranian Institute, New York, 1940 (16 pages).

The Pictorial History of Ely Cathedral, with a Representative Selection of Pictures. By C. P. Hankey. London: Pitkin Pictorials, Ltd., 1964 (24 pages).

The Pocket Book of Old Masters. Edited by Herman J. Wechsler. New York: Pocket Books, Inc., 1949 (112 pages).

The Popular Image. Exh. cat. Institute of Contemporary Arts, London, 1963 (9 pages).

The Principles of Art. By R. G. Collingwood. 1938. Reprint, New York: Oxford University Press, A Galaxy Book, 1958 (347 pages).

The Print-Collector’s Bulletin: An Illustrated Catalogue for Museums and Collectors: Fifty Etchings by James McNeil Whistler. Catalogue of an auction at M. Knoedler & Company, Inc., New York, 1931 (58 pages).

The Private World of Pablo Picasso. By David Douglas Duncan. N.p.: Ridge Press, 1958 (176 pages).

The Psychology of Art. By André Malraux. Translated by Stuart Gilbert. The Bollingen Series. Vol 1: Museum without Walls. Vol. 3. The Twilight of the Absolute. New York: Pantheon Books, Inc., 1949 (157 and 276 pages, respectively). Inserted in vol. 3 is a card from Doubleday Book Shop, 655 Fifth Avenue, New York.

The Pure and Clear: American Innovations. Exh. cat. Exhibition sponsored by The Friends of the Philadelphia Museum of Art. Philadelphia Museum of Art, 1969 (33 pages).

The Pyramids of Egypt. By I. E. S. Edwards. Drawings by John Cruikshank Rose. Harmondsworth, Middlesex, England, and New York: Penguin Books, Pelican Books, 1947 (256 pages). According to Susan J. Barnes (The Rothko Chapel, 1989), Barnett Newman owned two copies of this book.

The Quest and the Quarry. Exh. cat. Rome–New York Art Foundation, Inc., 1961 (73 pages).

The Renaissance: Makers of Modern Man. The Story of Man Library series. Washington, D.C.: National Geographic Society, 1970 (402 pages). Inserted is a “National Geographic Traveler’s Map of Italy.”

The Responsive Eye. By William C. Seitz. Exh. cat. The Museum of Modern Art, New York, in collaboration with The City Art Museum of Saint Louis, The Contemporary Art Council of The Seattle Art Museum, The Pasadena Art Museum, and The Baltimore Museum of Art, 1965 (56 pages).

The Rise of Cubism. By Daniel-Henry Kahnweiler. Translated by Henry Aronson. The Documents of Modern Art series, edited by Robert Motherwell. New York: Wittenborn, Schultz, Inc., 1949 (35 pages). Stamped: “Complimentary copy.”

The Rise of the Skyscraper: The Genius of Chicago Architecture from the Great Fire to Louis Sullivan. By Carl W. Condit. Chicago: The University of Chicago Press; London: Cambridge University Press; Toronto: W. J. Gage & Co., Ltd., 1952 (255 pages).

The Roerich Museum Presents a Collection of Important Paintings For Unrestricted Public Sale. Catalogue of an auction at The American Art Association, Anderson Galleries, Inc., New York, 1930 (154 pages, followed by a “List of artists and their works represented”). Inserted are several clippings of illustrations; also several loose pages of black-and-white plates.

The Sabanda Gallery, Turin. By Franco Mazzini. Turin: Art Editions Fratelli Pozzo, 1969 (120 pages).

The School of New York. By Robert Motherwell. Written as the preface to the catalogue of the exhibition Seventeen Modern American Painters at the Frank Perls Gallery, Beverly Hills, 1951 (4 pages).

The School of Paris: Modern French Paintings “For the Young Collector.” Exh. brochure. Perls Galleries, New York, n.d. Inscribed on the back in pencil: “Falzonie Catalano 411–20 20 [the 20’s are circled].”

The Sculpture of David Smith. Exh. brochure. Buchholz Gallery, New York, 1946.

The Shape of Content. By Ben Shahn. New York: Vintage Books, 1960 (152 pages).

The Shaped Canvas. Exh. brochure. The Solomon R. Guggenheim Museum, New York, 1964.

The Sidney and Harriet Janis Collection: A Gift to The Museum of Modern Art. Introduction by Alfred H. Barr, Jr. Exh. cat. The Museum of Modern Art, New York, 1968 (21 pages).

The Sistine Chapel. By Lutz Heusinger. Special edition for the Vatican Museums and Galleries. Florence: Oto-Roma & Scala, Istituto Fotografico Editoriale, 1970 (95 pages).

The Social History of Art. By Arnold Hauser. Translated in collaboration with the author by Stanley Godman. Vol. 1: Prehistoric Times, Ancient-Oriental, Urban Cultures, Greece and Rome, The Middle Ages. New York: Vintage Books, Inc., 1959 (267 pages, followed by an 8-page index). Vol. 2: Renaissance, Mannerism, Baroque. 1951. Reprint, New York: Vintage Books, Inc., 1960 (225 pages, followed by a 12-page index). Vol. 4. Naturalism, Impressionism, The Film Age. New York: Vintage Books, Inc., 1959 (259 pages, followed by a 12-page index).

The Struggle for New Form. Exh. cat. Loan exhibition for the benefit of Just One Break, Inc. World House Galleries, New York, 1957 (25 pages).

The Technique of Fine Art Lithography. By Michael Knigin and Murray Zimiles. New York, Cincinnati, Toronto, London, and Melbourne: Van Nostrand Reinhold Company, 1970 (143 pages). Inserted is a printed card: “With the compliments of Van Nostrand Reinhold Company.”

The Television Archive of the Arts at the Museum of Modern Art. Brochure. A project of the Junior Council as of January 1967.

The Ten. Exh. brochure. Montross Gallery, New York, n.d.

The Tradition of the New. By Harold Rosenberg. New York: Grove Press, Inc., 1961 (285 pages).

The Transformation of Nature in Art. By Ananda K. Coomaraswamy. Second edition. Reprint, New York: Dover Publications, 1956 (245 pages).

The Twenty-Sixth Biennial Exhibition 1959. Exh. cat. The Corcoran Gallery of Art, Washington, D.C., 1959 (24 pages).

The Unknown Shore: A View of Contemporary Art. By Dore Ashton. Boston and Toronto: Little, Brown and Company, Atlantic Monthly Press Book, 1962 (265 pages).

The U.S.I.A. Print Program. Leaflet. Offprint from Art in America, 1968.

The Vanguard Artist: Portrait and Self-Portrait. By Bernard Rosenberg and Norris Fliegel. Chicago: Quadrangle Books, 1965 (366 pages).

The Venice Biennale 1895–1968: From Salon to Goldfish Bowl. By Lawrence Alloway. Greenwich, Connecticut: New York Graphic Society, Ltd., 1968 (202 pages).

The Ware Collection of Blaschka Glass Models of Plants in the Botanical Museum of Harvard University. Cambridge, Massachusetts: Botanical Museum of Harvard Unversity, 1939 (12-page pamphlet).

The Whistler Peacock Room. The Freer Gallery of Art, Smithsonian Institution, Washington, D.C., 1965, publication no. 4024 (rev.) 1965 (22-page pamphlet).

Theories of Modern Art: A Source Book of Artists and Critics. By Herschel B. Chip. Contributions by Peter Selz and Joshua C. Taylor. California Studies in the History of Art series. Berkeley and Los Angeles: University of California Press, 1969 (664 pages).

Thomas Jefferson’s Architectural Drawings Complied and with Commentary and a Checklist. By Frederick Doveton Nichols. Second edition. Boston: Massachusetts Historical Society; Charlottesville: Thomas Jefferson Memorial Foundation and University of Virginia Press, 1961 (46 pages). Written on the front cover in pencil: $1.50

Thirty-First Biennial Exhibition of Contemporary American Painting. Exh. cat. The Corcoran Gallery of Art, Washington, D.C., 1969 (34 pages).

Thou Shalt Have No Other Gods Before Me. Exh. cat. The Jewish Museum, New York, 1964 (55 pages).

Three American Painters: Kenneth Noland, Jules Olitski, Frank Stella. Exh. cat. Fogg Art Museum, Harvard University, Cambridge, Massachusetts, and the Pasadena Art Museum, 1965 (59 pages, followed by 20 pages of black-and-white illustrations).

Three New American Painters: Louis, Noland, Olitski. Exh. cat. Norman Mackenzie Art Gallery, Regina, Canada, 1963 (12 pages). Two copies.

Three Titans: Michael Angelo, Rembrandt, Beethoven. By Emil Ludwig. 1930. Reprint, New York: Modern Age Books, Inc., 1938 (246 pages).

Tony Smith: Two Exhibitions of Sculpture. Exh. cat. Wadsworth Atheneum, Hartford, and The Institute of Contemporary Art, University of Pennsylvania, Philadelphia, 1966 (35 pages). Two copies. One copy is inscribed in black ink on the title page: “For Annalie [sic] & Barney[,] Love[,] Tony[,] 11/7/66.”

Toulouse-Lautrec: Posters and Colored Lithographs. Exh. cat. Marie Harriman Gallery, New York, 1938 (8 pages).

Toward a New Abstraction. Exh. cat. The Jewish Museum, New York, 1963 (40 pages). Two copies, one with pages missing. Inserted in both copies is a printed card: “With the compliments of The Jewish Museum.”

Toward the “New” Museum of Modern Art. New York: Museum of Modern Art, 1960[?] (43-page pamphlet).

Twentieth-Century Art from the Louise and Walter Arensberg Collection. Exh. cat. The Art Institute of Chicago, 1949 (104 pages). Inscribed: “December 19, 1951 [.] For Alfonso Ossorio with my warm good wishes in memory of cold and snow in Chicago[,] Katharine Kuh.”

Twentieth Century Italian Art. By James Thrall Soby and Alfred H. Barr, Jr. Exh. cat. The Museum of Modern Art, New York 1949 (143 pages).

Twentieth-Century Painting and Sculpture: An Exhibition Selected from Private Collections in Connecticut. Exh. brochure. The Washington Gallery of Modern Art, Washington, D.C., and The Wadsworth Atheneum, Hartford. Two copies.

Twenty Centuries of Mexican Art. New York: The Museum of Modern Art, in collaboration with the Mexican Government, 1940 (199 pages).

Twenty Contemporary American Paintings Selected from the Collection of Mr. and Mrs. Robert C. Scull, with Important Additions from Other Private Collections. Catalogue of an auction at Parke-Bernet Galleries, Inc., New York, 13 October 1965 (sale no. 2369). The price for each lot has been entered in blue ink, and several numbers, prices, and names are written in blue ink inside the back cover. An admission ticket in the name of B. Newman (no. 568, reserved seat U27) is inserted where Newman’s Tundra is listed. A second admission ticket in Newman’s name (no. 567, reserved seat U26) is inserted where Clyfford Still’s Painting–1951 is listed.

Twenty-Sixth Biennial Exhibition of Contemporary American Painting. Exh. cat. The Corcoran Gallery of Art, Washington, D.C., 1959 (24 pages).

Two Colorists: Renoir and Raoul Dufy. Exh. cat. Bignou Gallery, New York, 1938 (9 pages). On the back cover are two pencil sketches of easy chairs.

Two Decades of American Painting. Exh. cat. Exhibition organized by The International Council, The Museum of Modern Art, New York, and shown in Australia under the patronage of the United States Ambassador and with the assistance of the Commonwealth Government, 1966–67 (94 pages).

Two Decades of American Painting. Exh. cat. Exhibition organized by The International Council, The Museum of Modern Art, New York, and shown at the National Museum of Modern Art, Tokyo, and the National Museum of Modern Art, Kyoto, 1966–67 (81 pages). Three copies.

Two Decades of American Painting. Exh. cat. Exhibition organized by The International Council, Museum of Modern Art, New York, and shown at Lalit Kala Academi, Rabindra Bhavan Galleries, New Delhi, 1967 (28 pages). Also a 6-page brochure.

Two Early Matisse Drawings. By Henry Geldzahler. Reprinted from La Gazette des Beaux-Arts, November 1962 (9 pages). Inscribed in blue ink on the title page: “Barney, I thought you might like to see this—I wrote it 3 years ago—they’ve just published it. Henry.”

Two Generations: Picasso to Pollock. Exh. cat. Sidney Janis Gallery, New York, 1967 (24 pages).

Undici Americani. Essay by Guido Ballo. Exh. cat. Galleria dell’Ariete, Milan, 1960 (15 pages).

United States Painting: Some Recent Directions. Exh. brochure. Stable Gallery, New York, n.d.

Universal Color Slide Library of Art Through the Ages. Offered for sale at Fotoshops, New York, n.d. (44-page catalogue).

Ustensiles Utopiques: Jean Dubuffet, Recent Paintings. Exh. cat. Robert Fraser Gallery, London, 1966 (26 pages).

Vancouver: Scene with No Scene. By Philip Leider. Artscanada (formerly Canadian Art), vol. 24, nos. 6–7, June/July 1967, nos. 109–10 (8-page pamphlet).

Vanguard American Painting. Introduction by H. H[arvard] Arnason. Exh. cat. American Embassy / U.S.I.S. Gallery, London, 1961 (31 pages). Three copies. An errata and corrigenda slip is inserted in two copies. On one copy “1961” is written on the cover in turquoise ink.

Velázquez: A Catalogue Raisonné of His Oeuvre. By José López-Rey. London: Faber and Faber, 1963 (222 pages).

Vision and Design. By Roger Fry. 1920. Reprint, Harmondsworth, Middlesex, England, and New York: Penguin Books, Ltd., Pelican Books, 1940 (244 pages).

Vision and Image: A Way of Seeing. By James Johnson Sweeney. Credo Perspectives series, edited by Ruth Nanda Anshen. New York: Simon and Schuster, 1967 (188 pages). Inscribed: “To Barney and Annalee[.] In recollection of the “baptism” of Vision and Image. With love[,] Nanda[,] November 1968.”

Vital Questions. By James Britton. The American Institute of Architects, n.d. (10-page pamphlet).

Vittore Carpaccio. By Pietro Zampetti. Edizioni d’Arte. Venice: Alfieri, 1966 (126 pages, plus 114 pages of black-and-white plates).

Walter Ronald. Exh. brochure. Kootz Gallery, New York, 1959. Inserted is a large card printed with an address, day, and hour. On it is written in blue ink: “Please come and have a drink with us to celebrate our fifteenth anniversary and our installation in our new quarters[.] Jane and Sam Kootz.”

Wassily Kandinsky, 1866–1944. Exh. cat. Museum of Non-Objective Paintings, New York, 1945 (21 pages).

What Is Surrealism? By André Breton. Translated by David Gascoyne. London: Faber & Faber, Ltd., 1936 (90 pages).

What Is the American Artists’ Congress? Brochure. N.d.

Willem de Kooning. By Thomas B. Hess. Exh. cat. The Museum of Modern Art, New York, 1968 (169 pages).

Willem de Kooning. Exh. cat. Stedelijk Museum, Amsterdam, 1968 (82 pages).

William Baziotes. Exh. cat. Memorial Exhibition. The Solomon R. Guggenheim Museum, New York, 1965 (51 pages).

William Turnbull: Sculpture and Painting. Exh. cat. Exhibition organized by Jules Langsner and presented by the Fine Arts Patrons of Newport Harbor, Pavillion Gallery, Balboa, California, 1966 (18 pages).

Wolfgang Hollegha: New Paintings. Exh. brochure. French & Company, Inc., [New York], n.d. On the back, in blue ink, is printed: “Ted Danner” and Danner’s address and telephone number.

Wolfgang Paalen. Exh. brochure. Art of This Century, New York, 1945.

Wolfgang Paalen. By Gustav Regler. New York: Nierendorf Editions, 1946 (69 pages). Inscribed by the author: “à B. B. Newman.”

Wolfgang Paalen. Exh. brochure. Nierendorf Gallery, New York, n.d. Inscribed in black ink on the front cover are an address and telephone number.

Wooden Synagogues. By Maria and Kazimierz Piechotka. Translated by Rulka Langer. Introduction by Stephen S. Kayser. Warsaw: Arkady, for The Institute of Polish Architecture of the Polytechnic of Warsaw, 1959 (219 pages, followed by a folded map).

Young America 1965: Thirty American Artists Under Thirty-Five. Exh. cat. Whitney Museum of American Art, New York, 1965 (63 pages).

Yves Klein. Artist’s statement as exh. cat. 1961 (14 pages).

Yves Klein. Exh. cat. Alexandre Iolas Gallery, New York, in collaboration with Jean Larcade, Paris, 1962 (5 pages).

Z. Announcement of an exhibition of Dan Flavin’s work, Galerie Rudolf Zwirner, Cologne, 1966 (5 pages). The artist’s signature and the date 1966 are written in blue ink under a photograph of his work Untitled 1964, on the last page.

Zánik a znovuobjavenie obrazu: Maliarstvo USA Po Roku 1945. Exh. pamphlet. Vystava organizovaná Medzinárodnÿm programom umenia, Národná zbierka krásneho umenia. Smithsonian Institution, Washington, D.C. (8 pages).

Automobiles and Automobile Repair

1962 Buick Owners Guide. Special: Skylark, Le Sabre, Invicta, Electra 225. Buick Motor Division, 1961 (129-page booklet).

Car Owner’s Guide to Care and Repair. By Walter Altschuler. New York: Tudor Publishing Company, 1947 (126 pages).

Get in Tune with Carefree Winter Travel! Foldout leaflet from Spielman Chevrolet Corporation, Sixth Avenue and Twentieth Street, New York. Addressed to Mr. Barnett Newman, 685 West End Ave., New York, N.Y.

How to Repair and Improve Your Car: Everybody’s Car Manual. New York: Popular Science Publishing Co., Inc., 1953 (255 pages).

Motor’s Auto Repair Manual. Thirteenth edition. New York: Motor, 1950 (739 pages).

Popular Science Monthly Do-It-Yourself Car Book. New York: Popular Science Publishing Co., Inc., 1955 (128 pages).

Right Combination for a Real Tune-Up! Foldout leaflet from Spielman Chevrolet Corporation, Sixth Avenue and Twentieth Street, New York.

Addressed to Mr. Barnett Newman, 685 West End Ave., New York, N.Y. 25.

Trouble Shooting: Motor Car Troubles . . . Their Causes and Cures. Standard Oil Company of New York, Inc., 1934 (38-page booklet). Inserted is a lined white sheet of notebook paper with a handwritten list of books and information on safe driving and driving skills.

Banking and Finance

Foreign Exchange. By Robert L. Owen. New York: The Century Co., 1919 (79 pages).

Other People’s Money and How the Bankers Use It. By Louis D. Brandeis. Foreword by Norman Hapgood. Washington, D.C.: National Home Library Foundation, 1933 (152 pages).

The Federal Reserve Act. By Robert L. Owen. New York: The Century Co., 1919 (79 pages).

Biography and Autobiography

Days of Our Years. By Pierre van Paasen. New York: Hillman-Curl, Inc., 1940 (520 pages).

John Wesley. By Bonamy Dobrée. Great Lives series. New York: The Macmillan Company, 1933 (138 pages).

Out of This Century: The Informal Memoirs of Peggy Guggenheim. New York: The Dial Press, 1946 (365 pages). Inscribed inside the front cover in green ink: “For Mr BB Newman with Best wishes[,] Peggy Guggenheim[,] June 3. 1946.

Pedlar’s Progress: The Life of Bronson Alcott. By Odell Shepard. Boston: Little, Brown and Company, 1937 (546 pages).

Rain upon Godshill: A Further Chapter of Autobiography. By J. B. Priestley. New York and London: Harper & Brothers Publisher, 1939 (308 pages).

The Innocent Eye. By Herbert Read. New York: Henry Holt and Company, 1947 (268 pages).

The Memoirs of George Sherston: Memoirs of a Fox-Hunting Man, Memoirs of an Infantry Officer, Sherston’s Progress. By Siegfried Sassoon. New York: The Literary Guild of America, Inc., 1937 (245 pages).

Biology and the Natural Sciences

A Laboratory Outline of College Chemistry. By Alexander Smith. New York: The Century Co., 1916 (206 pages, plus a preface and a list of contents). Inserted is a list of chemicals, with some others noted in pencil at the bottom of the page.

Animal Behavior: Impulse, Intelligence, Instinct. By Dr. Johann A. Loeser. Illustrated by Erna Pinner. London: Macmillan and Co., Ltd., 1940 (178 pages).

Animal Treasure. By Ivan T. Sanderson. With thirty-two illustrations by the author. New York: The Viking Press, 1937 (330 pages).

Backyard Exploration. By Paul Griswold Howes. Illustrated with 216 photographs and drawings by the author. Garden City, N.Y.: Doubleday, Page & Company, 1927 (211 pages).

Biology and Human Behavior. By Mark Graubard. New York: Tomorrow Publishers, 1936 (413 pages).

Cine-Biology. By J. V. Durden, Mary Field, and F. Percy Smith. Harmondsworth, Middlesex, England and New York: Penguin Books, Ltd., Pelican Books, 1941 (128 pages).

Conservation and Defense: Notes, News and Comments. By Rosalie Edge. Annual Report of the Emergency Conservation Committee for the Year 1940. Emergency Conservation Committee Publication no. 84, New York, 1941 (11-page pamphlet).

Conservation by the People. By Rosalie Edge. Report of the Emergency Conservation Committee for the Year 1941. Emergency Conservation Committee Publication no. 85, New York, 1942 (13-page pamphlet).

Conservation for Victory. By Rosalie Edge. Emergency Conservation Committee Annual Report, 1942. Emergency Conservation Committee Publication no. 88, New York, 1943 (28-page pamphlet).

Conservation in Action: The Necessity for Conservation Organization. By Rosalie Edge. Emergency Conservation Committee Annual Report, 1943. Emergency Conservation Committee Publication no. 89, New York, 1944 (24-page pamphlet).

Conservation—Up and Doing. By Rosalie Edge. Emergency Conservation Committee Annual Report, 1944. Emergency Conservation Committee Publication no. 92, New York, 1945 (20-page pamphlet).

Essays of a Biologist. By Julian Huxley. Third edition. 1926. Reprint, Harmondsworth, Middlesex, England: Penguin Books, Ltd., Pelican Books, 1939 (245 pages, followed by a publisher’s list).

Field Book of Fresh-Water Fishes of North America North of Mexico. By Ray Schrenkeisen. Edited by J. T. Nichols and F. R. LaMonte. New York: G. P. Putnam’s Sons, 1938 (312 pages).

Field Book of Insects of the United States and Canada, Aiming to Answer Common Questions. By Frank E. Lutz. Third edition. New York: G. P. Putnam’s Sons, 1935 (510 pages).

Field Book of Ponds and Streams: An Introduction to the Life of Fresh Water. By Ann Haven Morgan. New York and London: G. P. Putnam’s Sons, 1930 (448 pages).

Fishes and Shells of the Pacific World. By John T. Nichols and Paul Bartsch. The Pacific World series. New York: The Macmillan Company, 1945 (201 pages, followed by 16 black-and-white plates).

General Biology: A Book of Outlines and Practical Studies for the General Student. By James G. Needham. Thirteenth edition. New York and Albany, N.Y.: The American Viewpoint Society, Inc., 1927 (546 pages).

Green Laurels: The Lives and Achievements of the Great Naturalists. By Donald Culross Peattie. Deluxe edition. New York: Garden City Publishing Co., Inc., 1938 (368 pages).

Guide to the New York Aquarium. By Charles Haskins Townsend. Illustrated with photographs of living specimens made in the aquarium by E. R. Sanborn, F. W. Hunt, and others. Second edition. New York: New York Zoological Society, 1925 (170 pages, followed by 4 pages of general information and a publisher’s list). Inserted is a 10-page pamphlet prepared by William Bridges, “The Platypus & the Echidna,” New York Zoological Society, Popular Series, no. 9.

Hawk Mountain Sanctuary Association Second Annual Report, 1939–1940. Publication no. 2. A membership slip is inserted in the leaflet.

Hawk Mountain Sanctuary Association Twelfth Annual Report, 1949–1950. Publication no. 15 (6-page pamphlet).

Hawk Mountain Sanctuary Association Thirteenth Annual Report, 1950–1951. Publication no. 16 (leaflet).

J. H. Huxley’s Diary of the Voyage of H.M.S. “Rattlesnake.” Edited from the unpublished MS. by Julian Huxley. Garden City, N.Y.: Doubleday, Doran & Company, Inc., 1935 (301 pages).

Principles of Animal Biology. By Lancelot Hogben. Illustrations by J. F. Horrabin. New York: W. W. Norton & Company, Inc., 1940 (415 pages).

Reptiles of the Pacific World. By Arthur Loveridge. The Pacific World series. New York: The Macmillan Company, 1945 (259 pages).

Rescuing an Island. By Millicent Todd Bingham. Reprinted from Natural History, vol. 39, no. 2, 1937 (11 pages).

Seventy-Five Ideal Tropical Fish for the Community Aquarium. By Carl Mertens. N.p., 1934 (77 pages, followed by an index).

Textbook of General Zoology. By Winterton C. Curtis and Mary J. Guthrie. New York: John Wiley & Sons, Inc.; London: Chapman & Hall, Ltd., 1927 (585 pages).

The Biological Foundations of Society. By Arthur Dendy. New York: D. Appleton and Company, 1927 (197 pages).

The Common Butterflies: An Outline for Butterfly Study. By Anna Botsford Comstock. Reprint from The Nature-Study Review, September 1917 (36 pages).

The Doorway to Nature. By Raymond T. Fuller. 1931. Reprint, Cleveland and New York: The World Publishing Co., Tower Book Editions, 1941 (284 pages).

The Origin of Species by Means of Natural Selection; or, the Preservation of Favored Races in the Struggle for Life. By Charles Darwin. Introduction by Edmund B. Wilson, 1927. Reprint, New York: The Book League of America, 1929 (557 pages).

The Outline of Natural History. By Sir J. Arthur Thomson. New York: G. P. Putnam’s Sons, 1931 (720 pages). Inserted is a printed sheet: “Brooklyn Botanic Garden Radio Program January–March 1941. Broadcasts on Plant Life and Gardening,” with a schedule and list of radio stations on the back.

The Personality of Animals. By H. Munro Fox. Harmondsworth, Middlesex, England, and New York: Allen Lane, Penguin Books, Pelican Books, 1940 (123 pages).

The Philosophical Basis of Biology. By J. S. Haldane. Donnellan Lectures, University of Dublin, 1930. Garden City, N.Y.: Doubleday, Doran & Company, Inc., 1931 (155 pages).

The Sex Life of Wild Animals: A North American Study. By Eugene Burns. New York and Toronto: Rinehart & Company, Inc., 1953 (290 pages).

The Social Life of Monkeys and Apes. By S. Zuckerman. New York: Harcourt, Brace and Company, 1932 (356 pages).

The Writings of John Burroughs. Vol. 16: Time and Change. Riverby edition. Boston and New York: Houghton Mifflin Company, 1912 (279 pages).

Wonders of Animal Life by Famous Writers on Natural History. Edited by J. A. Hammerton. Vol. 2. London: The Waverly Book Company, Ltd., n.d. (447 pages). There are pencil markings and scribblings throughout the book.

World Natural History. By E. G. Boulenger. Introduction by H. G. Wells. New York: Charles Scribner’s Sons; London: B. T. Batsford, Ltd., 1938 (268 pages). Inserted is a brochure: “Map, Guide, and Story of the Palisades Interstate Park and Parkway,” Palisades Interstate Park Commission, New York and New Jersey.

Birds (Ornithology)

A Field Guide to the Birds, Giving Field Marks of All Species Found East of the Rockies. By Roger Tory Peterson. Revised edition. Boston: Houghton Mifflin Company, 1939 (180 pages). Inserted is the business card of Salem Transportation Company, advertising Atlantic City trips and listing fares for limousine trips between Atlantic City and New York and Atlantic City and Philadelphia. On the back of the card are some handwritten notes. Also inserted is a torn piece of lined paper with handwritten notes.

A Field Guide to Western Birds. By Roger Tory Peterson. Sponsored by National Audubon Society and National Wildlife Federation. Boston: Houghton Mifflin Company, 1941 (240 pages).

A Natural History of American Birds of Eastern and Central North America. By Edward Howe Forbush. Revised edition. With 96 full-color illustrations by Louis Agassiz Fuertes, Allan Brooks, and Roger Tory Peterson. New York: Bramhall House, 1939 (554 pages).

American Bird Biographies, Containing the Complete Life-Histories of Familiar Birds Written in Autobiographical Form. By Arthur A. Allen. With 10 color plates and 10 wash drawings by George Miksch Sutton and 1,990 photographs of the birds in nature by the author. Ithaca, N.Y.: Comstock Publishing Company, Inc., 1934 (238 pages).

Bird Flight. By Gordon C. Aymar. A collection of 200 action photographs. Deluxe edition. Garden City, N.Y.: Garden City Publishing Co., Inc., 1938 (234 pages). Inserted are part of a typed letter from the American Forestry Association, dated 8 November 1944, and a business-reply envelope.

Birds Around New York City: Where and When to Find Them. By Allan D. Cruikshank. Photographs by the author. Handbook Series of The American Museum of Natural History, New York, no. 13, 1942 (489 pages). Inserted is the business card of William Burritt Wright, director of the Audubon Center of South Jersey, Cape May Court House, N.J.

Birds of the New York Area. By John Bull. Drawings by Cornelius J. Ward. New York, Evanston, and London: Harper & Row, Publishers, 1964 (540 pages, followed by 4 blank pages for notes).

Canards sauvages et autres palmipèdes. Vol. 1. By J. Oberthur and C. Aubert. Le Monde Merveilleux des Bêtes series. Paris: Durel Éditeur, 1948 (205 pages).

Class Notes, General Ornithology, Course 9, August 1941 (booklet consisting of 29 copied pages).

Enjoying Birds Around New York City: An Aid to Recognizing, Watching, Finding, and Attracting Birds in New York City, Long Island, the Upstate Counties of Westchester, Putnam, Dutchess, Rockland, and Orange, and Nearby Points in New Jersey and Connecticut. By Robert S. Arbib, Jr., Olin Sewall Pettingill, Jr., and Sally Hoyt Spofford, for the Laboratory of Ornithology, Cornell University, Ithaca, N.Y. Boston: Houghton Mifflin Company, 1966 (171 pages).

Handbook of Birds of Eastern North America, with Introductory Chapters on the Study of Birds in Nature. By Frank M. Chapman. Illustrations by Louis Agassiz Fuertes, Tappan Adney, Ernest Thompson Seton, and Francis L. Jaques. Second revised edition. New York and London: D. Appleton-Century Company, Inc., 1940 (581 pages).

How to Make Friends with Birds: What to Do to Make One’s Home Grounds Attractive to Bird Life, from Nesting Boxes to Winter Feeding. By Neil Morrow Ladd. Garden City, N.Y.: Doubleday, Page & Company, 1916 (228 pages). Inscribed inside the front cover: “Mrs. Crouthers[,] with compliments of the author[,] Neil Morrow Ladd[,] Aug 22/19.” Inscribed in pencil on the dedication page: “Gift of Mrs. R[?] 6-23-36.”

Luis Agassiz Fuertes, 1874–1927. By Frank M. Chapman and A. A. Allen. Reprinted from Bird-Lore, September–October 1927 (16-page pamphlet). Two copies.

Mark Catesby: The Colonial Audubon. By George Frederick Frick and Raymond Phineas Stearns. Urbana: University of Illinois Press, 1961 (137 pages). Inscribed in blue ink inside the front cover: “To Barney with love from Francine & Cleve[,] 12/20/62.” Inserted is a sheet of white notepaper with the embossed heading “Graystones[,] Cornwall Bridge[,] Connecticut.” Written on the sheet in black ink: “Dear Barney[,] Get better soon—C&F.”

Oiseaux de mon pays: Chronique saisonnière de la vie des oiseaux. By H. Noll. Translated from the German into French by Berthe Lauper and Sylvie Lozeron. Neuchâtel, Switzerland, and Paris: Éditions Delachaux & Niestlé S.A., 1942 (182 pages).

Ornithology Laboratory Notebook: For Recording Observations Made in the Field and Studies Made in the Laboratory on Birds of North America. By Arthur A. Allen. Drawings by L. A. Fuertes and William Montagna. Fourth edition. Ithaca, N.Y.: Comstock Publishing Company, Inc., 1941 (204 pages, followed by 188 drawings of birds and 4 of eggs). Barnett Newman made handwritten observations throughout this notebook. He also colored in a number of the drawings, some of which have been cut out and put with the observations.

Preliminary Notes on Behavior and Ethology of Homo Sapiens Audubonensis in the Muscongus Bay Region. By Walter V. Bingham. Distributed by National Audubon Societies (3-page pamphlet).

Song and Garden Birds of North America. By Alexander Wetmore. 327 species portrayed in color and fully described. National Geographic Society Natural Science Library series. Washington, D.C.: National Geographic Society, 1964 (400 pages). Inside the back cover is a jacket containing an album of 45–rpm records titled “Bird Songs of Garden, Woodland, and Meadow.”

The Birds of America. By John James Audubon. Foreword and descriptive captions by William Vogt. 1937. Reprint, New York: The Macmillan Company, 1941 (435 pages, followed by 14 pages of transcript of the legends on the original plates and an index).

The Ducks and the Democracy. By Rosalie Edge. Emergency Conservation Committee, Publication no. 87, New York, 1942 (15-page pamphlet).

The Ducks Came Back: The Story of Ducks Unlimited. By S. Kip Farrington, Jr. Illustrations by Lynn Bogue Hunt. New York: Coward-McCann, Inc., 1945 (138 pages).

The Embryological Treatises of Hieronymus Fabricius of Aquapendente: “The Formation of the Egg and the Chick (De Formatione Ovi et Pulli),” “The Formed Fetus (De Formato Foetu).” 2 vols. Cornell Publications in the History of Science. A facsimile edition, with an introduction, a translation, and a commentary by Howard B. Adelmann. 1942. Reprint, Ithaca, N. Y.: Cornell University Press, 1967 (vol 1: 376 pages, vol. 2: 883 pages; boxed).

Watching Birds. By James Fisher. Harmondsworth, Middlesex, England, and New York: Penguin Books (Allen Lane), Pelican Books, [1946?] (192 pages).

Botany

A Guide to the Wild Flowers East of the Mississippi and North of Virginia. By Norman Taylor. With 520 illustrations from drawings by Dorothy N. Donor, Alice Earle Hyde, and Bertha F. Taylor. New York: Greenberg, Publishers, Inc., [ca. 1928] (357 pages).

A Handbook of the Flowering Plants and Ferns of the Central and Northeastern United States and Adjacent Canada. By Asa Gray. Gray’s New Manual of Botany (seventh edition), illustrated, revised by Benjamin Lincoln Robinson. New York, Cincinnati, and Chicago: American Book Company, 1908 (925 pages).

A Key to the Families of Flowering Plants Wild or Cultivated in the Northeastern United States. By Robert F. Griggs. Second edition. Washington, D.C.: N.p., 1932 (32 pages). This pamphlet was found inserted in Barnett Newman’s copy of Keys to Woody Plants, by W. C. Muenscher, listed below.

A Sketch of Plant Classification from Theophrastus to the Present. By Alfred Gunderson. Brooklyn Botanic Garden Contributions, no. 21, 1918. Reprinted from Torreya, vol. 18 (November and December 1918) (28 pages).

A Teaching Guide to the Trees and Shrubs of Greater New York, Including the Kinds Most Commonly Seen in Cultivation. By Arthur Harmount Graves and Hester M. Rusk. Published by the authors at The Brooklyn Botanic Garden, 100 Washington Avenue, Brooklyn, N.Y. 1933 (76 pages). Stamped in black ink inside the front cover: “B. B. Newman.”

A Textbook of General Botany for Colleges and Universities. By Richard M. Holman and Wilfred W. Robbins. Fourth edition, revised. New York: John Wiley & Sons, Inc.; London: Chapman & Hall, Ltd., 1939 (664 pages). Inserted is a small printed page with a schedule of gardening programs presented by the Brooklyn Botanic Garden on radio stations WNYC and WOR.

ABC of Agrobiology: The Quantitative Science of Plant Life and Plant Nutrition for Gardeners, Farmers, and General Readers. New York: W.W. Norton & Company, Inc. Publishers, 1937 (323 pages). Stamped on the cover in black ink: “Publication date Thursday Aug 26 1937.”

An Introduction to Wild Flowers. By Maud R. Jacobs. Illustrated by Helen M. Weitzmann. N.p.: Home Institute, Inc., n.d. (40 pages).

Botany Notebook, Cornell University. In this black loose-leaf binder, with some unattached pages, there are typed course notes, on which are written some observations in pen and pencil.

Course 13: Trees and Shrubs (Notes to Supplement the Lectures). By W. C. Muenscher. Department of Botany, New York State College of Agriculture at Cornell University, 1941 (booklet consisting of 21 copied pages).

Descriptive Guide to the Grounds, Buildings, and Collections, New York Botanical Garden, Bronx Park. Reprinted from Bulletin of the New York Botanical Garden, no. 38, June 1920 (212 pages, followed by a folded plan of the New York Botanical Garden, 1920). Inscribed in pencil inside the front cover: “Property of—Sarah Newman [Barnett Newman’s sister] 715 Vyse Avenue[,] Bronx, N.Y.”

Fall Herbaceous Plants. Brooklyn Botanic Garden, 1940 (booklet consisting of 4 copied pages).

Farmers’ Bulletins and Leaflets of the United States Department of Agriculture (Information for Visitors at the Fair). U. S. Government Printing Office, Washington, D.C., 1940 (9 pages).

Field Book of American Trees and Shrubs: A Concise Description of the Character and Color of Species Common Throughout the United States, Together with Maps Showing Their General Distribution. By F. Schuyler Mathews. With reproductions of watercolor, crayon, and pen-and-ink studies from nature by the author. New York and London: G. P. Putnam’s Sons, 1915 (537 pages).

Fifty Common Trees of New York. Forestry for 4-H Club Boys and Girls: Second Year—Forest Appreciation. By J. A. Cope and Gardiner Bump. Cornell Junior Extension Bulletin 26. 1927. Revised, Ithaca, N.Y.: New York State College of Agriculture at Cornell University, 1940 (75 pages).

Flower Buds and Phylogeny of Dicotyledons. By Alfred Gunderson. Brooklyn Botanic Garden Contributions, no. 87, 1939. Reprinted from Bulletin of Torrey Botanical Club, vol. 66 (May 1939) (9 pages).

Grasses in Kansas. By Frank C. Gates. Report of the Kansas State Board of Agriculture for the Quarter Ending December 1936. Topeka, 1937 (349 pages).

Gray’s Lessons in Botany: The Elements of Botany for Beginners and for Schools. By Asa Gray. Revised edition. New York, Cincinnati, and Chicago: American Book Company, 1887 (226 pages).

Herbaceous Plants. Brooklyn Botanic Garden, 1939 (10-page booklet).

How to Be a Tree Detective. New York: Rutherford Platt, n.d. (leaflet).

How to Know the Trees: An Illustrated Key to the Most Common Species of Trees Found East of the Rocky Mountains, with Suggestions and Aids for Their Study. By H. E. Jaques. Pictured-Key Nature Series. Mt. Pleasant, Iowa: Privately printed, 1940 (152 pages).

Illustrated Guide to Trees and Shrubs: A Handbook of the Woody Plants of the Northeastern United States and Adjacent Regions. By Arthur Harmount Graves. Revised edition. New York: Harper & Brothers, Publishers, 1956 (271 pages).

Inwood Park, Manhattan. By Arthur H. Graves. Reprinted from Torreya, vol. 30 (24 October 1930) (13 pages). Two copies. Inscribed in black ink on the front cover of one copy: “[illeg.] Barnett Newman With [illeg.] Arthur H. Graves[,] Oct. 31. ’40.”

Keys to Woody Plants. By W. C. Muenscher. Fourth edition, revised. Ithaca, N.Y.: Privately printed, 1936 (105 pages, followed by a bound-in, 36-page booklet, Keys to Spring Plants, by W. C. Muenscher and L. C. Petry (1941).

Nature Study for Schools. Part 14: Nature Trails. By Roger T. Peterson. Reprinted from Bird-Lore, March–April 1939 (11-page pamphlet).

Plant Life of the Pacific World. By Elmer D. Merrill. New York: The Macmillan Company, 1945 (295 pages).

Spring Flowers and Ferns of the New York Region. Brooklyn Botanic Garden, Course An, n.d. (booklet consisting of 31 copied pages). There are notations in pencil throughout.

The Common Trees and Shrubs of Pennsylvania, Native and Introduced. By George S. Perry, Commonwealth of Pennsylvania Department of Forest and Waters, Harrisburg, Bulletin 33 (revised), 1932 (127 pages).

The Lichen Book: Introduction. Division A, Group 1. Division A, Group 2 (4 unbound signatures).

The World of Plant Life. By Clarence J. Hylander. 1939. Reprint, New York: The Macmillan Company, 1942 (722 pages).

Torrey Botanical Club Announcement and Field Schedule, November 1940–April 1941 (21-page pamphlet).

Trees in the Brooklyn Botanic Garden. Brooklyn Botanic Garden Record, vol. 31, no. 1 (January 1942) (53 pages).

Drama

A Masque Upon a Triple Occasion in Honor of the Misses Sonia and Cora, and Master Aaron, for June 26, 1926, Their Day (6 pages). On the back of the first and last page are drawings in pencil resembling a torso and legs. Inscribed in pencil on the last page is “Leah Kaufman” and a telephone number and address.

Aeschylus: “Prometheus Bound”; The Bible; The Book of Job. Prometheus Bound translated from the Greek by F. A. Paley. Chicago: Henry Regnery Company for The Great Books Foundation, 1949 (94 pages).

El pintor de su deshonra. By Pedro Calderón del la Barca. Monográfica series, edited by Juan Manuel Rozas. Madrid: Ediciones Alcalá, 1969 (240 pages). Bookstore label: “Librería Hispánica in Rockefeller Center.”

El príncipe constante. By Pedro Calderón de la Barca. Third edition, illustrated. Saragossa, Madrid, Barcelona, Buenos Aires: Editorial Ebro, S.L., 1962 (130 pages, followed by a 1-page index). Bookstore label: “Librería Hispánica in Rockefeller Center.”

“El vergonzoso en palacio” y “El burlador de Sevilla.” By Tirso de Molina. Fourth edition. Buenos Aires and Mexico City: Cía Editora Espasa–Calpe Argentina, S.A., 1951 (241 pages, followed by a publisher’s list).

En Alcalde de Zalamea. By Pedro Calderón de la Barca. Fourth edition, illustrated. Saragossa, Madrid, Barcelona, Buenos Aires: Editorial Ebro, S.L., 1951 (135 pages, followed by a 1-page index).

“En Alcalde de Zalamea,” “La vida es sueño,” “La dama duende.” By Pedro Calderón de la Barca. Barcelona: Editorial M. & S. (274 pages, followed by a 1-page index). Bookstore label: “Librería Hispánica in Rockefeller Center.”

Metatheatre: A New View of Dramatic Form. By Lionel Abel. New York: Hill and Wang, 1963 (146 pages).

Songs of the Restoration Theatre. Introduction by Philip John Stead. London: Methuen & Co., Ltd., 1948 (91 pages).

The Classic Theatre. Vol. 3: Six Spanish Plays. Vol. 4: Six French Plays. Edited by Eric Bentley. Garden City, N.Y.: Doubleday & Company, Inc., Anchor Books, 1959 and 1961, respectively (507 and 500 pages, respectively, followed by a publisher’s list).

The Drama of Awareness. By Paul Goodman. Reprinted by courtesy of Arts and Science Publishers, n.d. (11-page pamphlet). Two copies.

The Dramatic Works of John Webster. Edited by William Hazlitt. Library of Old Authors series. Vols. 2 and 4. London: Reeves & Turner, 1897 (282 and 305 pages, respectively, most uncut).

The House of Atreus: “Agamemnon,” “The Libation Bearers,” “The Furies.” By Aeschylus. Translated from the Greek by E. D. A. Moorhead. Chicago: Henry Regnery Company for The Great Books Foundation, 1949 (174 pages).

The Oedipus Cycle: “Oedipus Rex,” “Oedipus at Colonus,” and “Antigone.” By Sophocles. Translated by Dudley Fitts and Robert Fitzgerald. New York: Harcourt, Brace and Company, A Harvest Book, 1949 (243 pages).

Three Tragedies of Federico García Lorca: “Blood Wedding,” “Yerma,” “The House of Bernarda Alba.” Translated by James Graham-Luján and Richard L. O’Connell. Introduction by Francisco García Lorca. [New York]: New Directions, 1947 (212 pages).

World Drama: Italy, Spain, France, Germany, Denmark, Russia and Norway. Edited by Barrett H. Clark. New York: Dover Publications, Inc., 1933 (685 pages, followed by a publisher’s list). On the back cover are the initials “PGT.”

Ethnology, Anthropology, Archaeology, and Sociology

A Sacred Almanac of the Aztecs: “Tonalamatl” of the Codex Borbonicus. Edited by George C. Vaillant. Limited edition. Issued under the direction of the Committee on Popular Publications, [American Museum of Natural History, New York], 31 December 1940 (40 pages). This edition of the “Tonalamatl” is limited to 600 copies, of which this is number 462.

Anthropology and Modern Life. By Franz Boas. New York: W. W. Norton & Company, Inc., Publishers, 1928 (246 pages). Inscribed inside the front cover: [Illeg.] “244 Randall Ave Freeport,” and inside the back cover several numbers are written.

Fort Ancient. By Richard G. Morgan. Department of Archaeology, The Ohio State Archaeological and Historical Society, Columbus, 1946 (40-page pamphlet, including a map).

Guide to the National Museum of Ethnology (Rijksmuseum Voor Volkenkunde), Leiden. Leiden: Ministry of Education, Arts and Sciences, 1962 (232 pages).

Indians of the Americas. By John Collier. [New York]: The New American Library, Mentor Books, 1948 (191 pages).

Indians of the Northwest Coast. By Pliny Earle Goddard. Second edition. Handbook Series of The American Museum of Natural History, New York, no. 10, 1934 (175 pages, plus a folded map).

Life in a Haitian Valley. By Melville J. Herskovits. New York and London: Alfred A. Knopf, Inc., 1937 (350 pages, followed by a 19-page index).

Married Life in an African Tribe. By I. Schapera. Introduction by Bronislaw Malinowski. New York: Sheridan House, Inc., 1941 (364 pages).

Monographs of the American Ethnological Society. Edited by A. Irving Hallowell. New York: J. J. Augustine, Publisher, 1945. No. 7: Changing Configurations in the Social Organization of a Blackfoot Tribe During the Reserve Period (The Blood of Alberta, Canada). By Esther S. Goldfrank (73 pages, with 4 plates). No. 9: Observations on Northern Blackfoot Kinship. By L. M. Hanks, Jr., and Jane Richardson (31 pages).

Mound Builders’ Works, Near Newark, Ohio. By Isaac Smucker. Library of The Ohio State Archaeological and Historical Society (16 copied pages).

Ohio Landmarks. The Ohio State Archaeological and Historical Society (pamphlet). Two copies.

Palmate Stones and Thin Stone Heads: Suggestions on Their Possible Use. By Gordon F. Ekholm. Reprinted from American Antiquity, vol. 15, no. 1 (July 1949) (9-page pamphlet).

Patterns of Culture. By Ruth Benedict. Boston and New York: Houghton Mifflin Company, 1934 (291 pages).

Primitive Society. By Robert H. Lowie. 1920. Reprint, New York: Liveright Publishing Corporation, 1947 (463 pages, some uncut).

Race: A Study in Modern Superstition. By Jacques Barzun. New York: Harcourt, Brace and Company, [1937] (353 pages). Stamped on the inside front cover: “Review copy, publication date Sep 16 1937.”

Serpent Mound. State Memorial, Adams County, Ohio, n.d. (leaflet and brochure).

Socialization, Personality, and the Structure of Pueblo Society. By Esther S. Goldfrank. Reprinted from American Anthropologist, vol. 47, no. 4 (October–December 1945) (24-page pamphlet).

Some Aspects of Pueblo Mythology and Society. By Karl A. Wittfogel and Esther S. Goldfrank. Reprinted from Journal of American Folklore, January–March 1943 (14-page pamphlet).

The American Character. By D. W. Brogan. New York: Alfred A. Knopf, 1944 (169 pages).

The Aztecs of Mexico: Origin, Rise and Fall of the Aztec Nation. By George C. Vaillant. The American Museum of Natural History Science Series. Garden City, N.Y.: Doubleday, Doran & Company, Inc., 1941 (340 pages).

The Golden Bough: A Study in Magic and Realism. By Sir James George Frazer. Abridged edition. New York: The Macmillan Company, 1937 (752 pages).

The History of the Valley of Mexico. By George C. Vaillant. Illustrated chart. Reprinted from Natural History, vol. 38, no. 4 (November, 1936) (1-page foldout sheet).

The Me Nobody Knows: Children’s Voices from the Ghetto. Edited by Stephen M. Joseph. New York: Avon, Discus Books, 1969 (144 pages). Signed by the editor, Stephen M. Joseph, inside the front cover.

The Mind of Primitive Man. By Franz Boas. Revised edition: New York: The Macmillan Company, 1938 (285 pages).

The Native Tribes of British Columbia. By Alice Ravenhill. Victoria, B.C.: Charles R. Banfield, 1938 (142 pages). Inscribed inside the front cover: “For Barney, the Arts love you [illeg. words] Victoria, B.C.”

The Newark Earthworks, n.d. (brochure).

The Ohio Historical Society: State Memorials, Museums, Libraries, Collections, n.d. (brochure).

The Ohio Historical Society: Publications, 1967 (brochure).

The Probable Use of Mexican Stone Yokes. By Gordon F. Ekholm. Reprinted from American Anthropologist, vol. 48, no. 4 (October–December 1946) (12-page pamphlet). Inscribed on the front cover in black ink: “To Mr. Newman, with kindest regards. Gordon F. Ekholm.”

The Races of Mankind. By Ruth Benedict and Gene Weltfish. Department of Anthropology, Columbia University, Public Affairs Pamphlet no. 85. 1943 (31 pages, plus a page with the heading “Discuss the Pictures”).

The Social Legislation of the Primitive Semites. By Henry Schaeffer, New Haven: Yale University Press; London: Humphrey Milford, Oxford University Press, 1915 (245 pages).

The Story of the American Indian. By Paul Radin. Enlarged edition. New York: Liveright Publishing Corporation, 1944 (391 pages).

Thirty-Fifth Annual Report of the Bureau of American Ethnology to the Secretary of the Smithsonian Institute, 1913–1914. Part 2: Ethnology of the Kwakiutl Based on Data Collected by George Hunt. By Franz Boas. Washington Government Printing Office, 1921 (1481 pages).

Travels in the Congo. By André Gide. Translated from the French by Dorothy Bussy. 1929. Reprint, New York: Modern Age Books, Inc., 1937 (305 pages). Inserted is a printed bookmark and a business-reply card from Modern Age Books, Inc.

Unikkaatuat sanaugarngnik atyingualiit Puvirngniturngmit / Eskimo Stories from Povungnituk, Quebec, Illustrated in Soapstone Carvings. By Zebedee Numgak and Eugene Arima. Bulletin no. 235, Anthropological Series of The National Museums of Canada, no. 90. Reprint, Ottawa: Maracle Press, Ltd., 1974 (137 pages, followed by 2 pages of photographs of carvers and storytellers).

Wheeled Toys in Mexico. By Gordon F. Ekholm. Reprinted from American Antiquity, vol. 11, no. 4 (April 1946) (10-page pamphlet).

Geography

The Gobi Desert. By Mildred Cable and Francesca French. New York: The Macmillan Company, 1944 (301 pages, plus a folded map).

The Great Smokies and the Blue Ridge: The Story of the Southern Appalachians. Contributions by : Edward S. Drake, Ralph Erskine, Alberta Pierson Hannum, John Jacob Niles, Donald Culross Peattie, Henry S. Sharp, Arthur Stuplea. Edited by Roderick Peattie. Published for Vanguard Press, Inc., New York, by Modern Age Books, Inc., 1943 (372 pages).

Geology

Atomic Structure of Minerals. By W. L. Bragg. Ithaca, N.Y.: Cornell University Press, 1937 (292 pages).

Field Book of Common Rocks and Minerals. By Frederic Brewster Loomis. With 47 colored specimens and over 100 illustrations from photographs by W. E. Corbin and drawings by the author. New York and London: G. P. Putnam’s Sons, 1923 (352 pages).

Mineral Maps. Nassau Mineral Club (27-page pamphlet). Inserted is a flyer advertising Hewitt’s Gem Mine.

On the Structure and Distribution of Coral Reefs . . . Voyage of H.M.S. Beagle. By Charles Darwin. Edited and with an introduction by Joseph W. Williams. London and New York: Walter Scott, n.d. (278 pages, some uncut).

The Story of Geology. By Allan L. Benson. New York: Farrar & Rinehart, Publishers, Inc., 1927 (300 pages).

History

A History of Mexico. By Henry Bamford Parkes. Boston: Houghton Mifflin Company, 1938 (432 pages).

Belgian Congo at War. New York: Belgian Information Center, n.d. (64 pages).

Britain’s Clandestine Submarines, 1914–1915. By Gaddis Smith. Yale Historical Publications, Wallace Notestein Essays, edited by David Horne. New Haven and London: Yale University Press, 1964 (155 pages).

History as the Story of Liberty. By Benedetto Croce. Translated from the Italian by Sylvia Spriggs. New York: Meridian Books, 1955 (333 pages).

History of the Working Class. Lesson IV: The First International and The Paris Commune. Marxist Study Courses 2. New York: International Publishers, n.d. (47 pages).

Inside Europe. By John Gunther. Revised edition. New York and London: Harper & Brothers, 1938 (532 pages).

Profiles in Courage. By John F. Kennedy. New York: Pocket Books, Inc., Cardinal edition, 1957 (233 pages).

Spain: An Interpretation. By Angel Ganivet. Translated by J. R. Carrey. Introduction by R. M. Nadal. London: Eyre & Spottiswoode, 1946 (136 pages, followed by a page for notes).

The Epochs of German History. By J. Haller. New York: Harcourt, Brace and Company, Inc., 1930 (247 pages).

The Greek Way to Western Civilization. By Edith Hamilton. 1930. Reprint, [New York]: The New American Library, A Mentor Book, 1948 (190 pages). Inserted is a leaflet from the New York Telephone Company: “Your Friend in Our Business Office.”

The Jewish War. By Josephus. Translated and with an introduction by G. A. Williamson. Baltimore, Md.: Penguin Books, 1959 (413 pages, followed by 3 pages of maps). Two copies.

The Travels of Marco Polo, the Venetian. Revised translation. Edited and with an introduction by Manuel Komroff. New York: Boni & Liveright, 1926 (369 pages). Inscribed inside the front cover: “Helen G. Hart.” Several sets of numbers are written in pencil on the back of page 369.

Titus Livius. Selections from the First Five Books, together with the Twenty-First and Twenty-Second Books Entire. Interlinear translation by I. W. Bieber. Philadelphia: David McKay, Publisher, 1872 (601 pages). Various sets of page numbers are written in pencil inside the back cover.

Horse Racing and Betting

Focus on Gambling. By E. L. Figgis. London: Arthur Barker, Ltd., 1951 (191 pages).

Horse-Racing: The Breeding of Thoroughbreds and a Short History of the English Turf. By Dennis Craig. Second edition. Melbourne, London, and Baltimore: Pelican Books, 1953 (190 pages).

How I Pick Winners: A Complete Handbook on Horse Racing. Written and illustrated by Ken Kling. New York: Greystone Press, 1948 (244 pages). On page 138 there are three penciled checkmarks in the left margin.

Off to the Races. By Ernest E. Blanche. New York: A. S. Barnes & Company, 1947 (201 pages).

Racing England. By Patrick R. Chalmers. Illustrated from photographs, prints, and paintings. New York: Charles Scribner’s Sons; London: B. T. Batsford, Ltd., 1939 (146 pages, followed by 2 pages for notes).

The ABC of Horse Racing. By Dan Parker. New York: Random House, 1947 (216 pages).

The History of Thoroughbred Racing in America. By William H. P. Robertson. Englewood Cliffs, N.J.: Prentice-Hall, Inc., 1965 (621 pages).

The New Turfmaster: Speed Ratings, Track Variants, Speed, Form, Jockeys, Weights. By Stan Gordon (48 pages, followed by “Actual Handicapping Examples” printed on a folder sheet). An errata slip is inserted: “Correction, please note: On page 10, last line, the handicap number should be 33 instead of 31”; on page 10 that correction has been made in blue ink.

The Turfmaster. By Stan Gordon. New York: Frederick Fell, Inc., Publishers, 1953 (64 pages). Inserted is a receipt torn from a pad and filled in: “Sept. 23, 1954[.] Received from B. Barnett Newman[,] 343 E. 19th N.Y. Dollars Thirty Five. Matheson Lecture Series [stamped in blue ink] $35.00[.] Johnny Olson.”

This Was Racing. By Joe H. Palmer. Edited by Red Smith. Illustrated by Willard Mullin. New York: A.S. Barnes and Company, 1953 (270 pages).

Turf and Field Club. 1968. Aqueduct Race Track (10-page booklet).

Why Horses Win: An Encyclopedia of Racing. By Wycliff A. Hill. A Rockport Press Publication. Toronto, London, and New York: Export Publishing Enterprises Limited, 1948 (80 pages).

How-To

Advanced Course of Weight-Lifting. Milo Bar-Bell Company (19-page pamphlet).

E Easy Z Method: How to Play the Accordeon German Style. New York: Wm. J. Smith Music Co. Inc., 1926 (30 pages).

Guide for Recreation Hand Crafts. By A. Picareff. New York: Brailow Press, for A. P. Handcraft Studios, 1936 (153 pages).

Harmonica instruction book, title page missing (30 pages).

How to Box. By Joe Louis. Edited by Edward J. Mallory. Philadelphia: David McKay Company, 1948 (64 pages).

How to Buy Printing Profitably: A Manual of Practical Suggestion. Edited by John Clyde Oswald. New York Employing Printers Association, 1927 (134 pages, followed by a 5-page index).

How to Use Your Bell & Howell 8mm Automatic Threading Projector, Model 245 Bay (brochure).

Introduction to “Soroban.” Edited by Unshudo Soroban & Co., Ltd., Japan (32 pages).

Marantz Power Amplifier Instruction Manual [for] Model 8B Stereophonic (leaflet).

Marantz Stereo Console Instruction Manual [for] Model 7 (leaflet).

Scott Stereo Tuner Operating Manual. By H. H. Scott (13 pages).

Smith’s New Rapid Instructor for Italian Accordion. New York: Wm. J. Smith Music Co., Inc., 1936 (16-page booklet).

Technical Problems of the Artist: Technique of the Silk Screen Process. Book Two: Methods Other Than Profilm. By Anthony Velonis. Federal Art Project / Works Progress Administration n.d. (15-page typed booklet). Inserted are 4 pages from another book containing an article, “The Silk Screen Process: What It Is and What it Offers,” by J. E. Biegeleisen.

The EMI Loudspeaker System, DLS–529 (leaflet).

The Second Progressive Course of Instructions. Arranged by Geo. F. Jowett. Milo Bar-Bell Company (4-page pamphlet).

Tools and How to Use Them for Woodworking and Metalworking. Written and illustrated with 600 drawings by Alfred P. Morgan. New York: Grosset & Dunlap, Publishers 1948 (352 pages). Inserted are two postcards addressed to Mr. B. Barnett Newman at 100 Front Street, New York City: one, postmarked 17 September 1952, advertises “Carpentry and Cabinet Work at Reasonable Prices,” and the other, postmarked 30 September 1952, advertises “Low Cost Accounting— Taxes, Bookkeeping Services.”

Language

A Sanskrit Primer, Based on the “Leitfaden für den Elementar-Cursus des Sanskrit” of Professor Georg Bühler of Vienna. By Edward Delavan Perry. Boston, New York, Chicago, London, Atlanta, Dallas, Columbus, and San Francisco: Ginn and Company, 1913 (230 pages, followed by 3 pages of errata and addenda). Inserted are loose sheets of notepaper on which are written Sanskrit and words in other languages, plus a few notes.

Appleton’s New English-Spanish and Spanish-English Dictionary. By Arturo Cuyás. Revised and enlarged by Antonio Llano. Third edition, with Supplements. New York and London: D. Appleton-Century Company, Inc., 1940 (539 pages).

Growth and Structure of the English Language. By Otto Jespersen. Ninth edition. Garden City, N.Y.: Doubleday & Company, Inc., Anchor Books, 1955 (274 pages).

Portuguese Grammar. By E. C. Hills, J. D. M. Ford, and J. De S. Coutinho. Revised by L. G. Moffatt. Boston: D. C. Heath and Company, 1944 (352 pages).

Spanish Grammar in Review. By Pedro V. Fernández and Augustus C. Jennings. Illustrated by Alfonso Vila (Shum). Boston, New York, Chicago, Dallas, Atlanta, and San Francisco: Houghton Mifflin Company for Reynal & Hitchcock, 1942 (163 pages, followed by 47 pages of vocabularies and a 2-page index). Marked throughout with notations, underlinings, and check marks. Inscribed inside the front cover: “Prof. L. J. [last name illeg.].”

The Principles of Greek Grammar, Comprising the Substance of the Most Approved Greek Grammars Extant. By Peter Bullions. Forty-second edition, revised and improved. New York: Sheldon and Company, Publishers, 1873 (324 pages; the front cover is missing). Inserted is a printed shipping slip, torn from a pad.

Law

Administrative Adjudication in the State of New York: Report to Honorable Herbert H. Lehman, Governor of the State of NY. By Robert M. Benjamin, as Commissioner under Section 8 of the Executive Law. 1942 (369 pages).

Administrative Adjudication in the State of New York: Report to Honorable Herbert H. Lehman, Governor of the State of NY. By Robert M. Benjamin, as Commissioner under Section 8 of the Executive Law. Vol. 4: Supplementary Reports on The Education Department—The Department of Taxation and Finance. 1942 (298 pages).

Five Jewish Lawyers of the Common Law. By Arthur L. Goodhart. Oxford, London, New York, and Toronto: Geoffrey Cumberlege / Oxford University Press, 1949 (74 pages).

The Consolidated Laws of New York, Annotated as Amended to the Close of the Regular Session of the Legislature of 1916. Book 34: Membership Corporations Law. Compiled under the editorial supervision of William M. McKinney. Northport, N.Y.: Edward Thompson Company, 1917 (176 pages and a 72-page supplement attached to back cover.)

The Law and the Rules of Practice Relating to Appeals to the Commissioner of Education. Handbook 1. Ernest E. Cole, Counsel. Charles A. Brind, Jr., Director and Principal Attorney. The University of the State of New York, April 1931 (29-page pamphlet).

The Mysterious Science of the Law: An Essay on Blackstone’s Commentaries. By Daniel J. Boorstin. 1941. Reprint, Boston: Beacon Press, 1958 (257 pages).

Literature

A Book of English Literature. Selected and edited by Franklyn Bliss Snyder and Robert Grant Martin. Revised edition. New York: The Macmillan Company, 1924 (1,022 pages, plus a literary map of England attached to the title page). Inscribed inside the front cover: “Leah Greenhouse, Hayden Hall, Western Reserve University,” and “Anna Lee Greenhouse, Hunter College, 1927.” There are several notations in black ink and pencil, a few in German and French, in front and in back, as well as notes written beside various poems throughout the book. Inserted are part of an art exhibition brochure and a credit-card receipt, dated 3 June 1998.

A City That Is Compact Together. By Willem Sandberg. Reprinted from Ariel [Jerusalem], no. 23, 1969 (13-page pamphlet).

A Passage to India. By E. M. Forster. 1924. Reprint, New York: Modern Age Books, Inc., 1937 (280 pages).

A Portrait of the Artist as a Young Man. By James Joyce. Introduction by Herbert Gorman. 1916. Reprint, New York: Random House, The Modern Library, 1926 (299 pages).

A Treasury of Damon Runyon. Selected and with an introduction by Clark Kinnaird. New York: Random House, Inc., The Modern Library, 1958 (428 pages).

A World More Attractive: A View of Modern Literature and Politics. By Irving Howe. New York: Horizon Press, 1963 (307 pages).

Advertisements for Myself. By Norman Mailer. New York: G. P. Putnam’s Sons, 1959 (532 pages).

Between Meals: An Appetite for Paris. By A. J. Liebling. New York: Simon and Schuster, 1962 (191 pages).

Breaking into Print: Being a Compilation of Papers Wherein Each of a Select Group of Authors Tells of the Difficulties of Authorship and How Such Trials Are Met. Biographical notes and comment by Elmer Adler. 1930. Reprint, New York: Simon and Schuster, Publishers, 1937 (196 pages).

Brewsie and Willie. By Gertrude Stein. New York: Random House, 1946 (114 pages).

Call It Sleep. By Henry Roth. Afterword by Walter Allen. 1934. Reprint, New York: Avon Books, 1964 (445 pages).

“Childhood,” “Boyhood,” and “Youth.” By Leo Tolstoy. Translated by Louise and Aylmer Maude. Oxford: Oxford University Press, The World’s Classics; London: Humphrey Milford, 1930 (404 pages).

Chronicle of Dawn. By Ramón J. Sender. Translated from the Spanish by W. R. Rask. London: Jonathan Cape, 1945 (197 pages). Inscribed the inside front cover: “Florencia Sender.”

Chronicles of England, France, Spain and the Adjoining Countries from the Latter Part of the Reign of Edward II to the Coronation of Henry IV. By Sir John Froissart. Translated from the French by Thomas Johnes. Revised edition. Vols. 1 and 2. New York: R F. Collier & Son, 1901 (425 and 230 pages, respectively).

Circles. By B. H. Friedman. New York: Fleet Publishing Corporation, n.d. (159 pages). Inscribed: “Love to Annalee & Barney from Abby & Bob.”

Confessions of a Young Man. By George Moore. Revised edition 1926. Reprint, Harmondsworth, Middlesex, England: Penguin Books, Ltd., 1939 (277 pages, followed by a publisher’s list).

Crime and Punishment. By Fyodor Dostoyevsky. Translated from the Russian by Constance Garnett. Introduction by Dorothy Brewster. The Modern Reader’s Series. New York: The Macmillan Company, Publishers, 1927 (554 pages).

D. lunii luvenalis [Juvenal]: Satirarum Libri Quinque. Accedit Sulpiciae Satira ex Recognitione Caroli Friderici Hermanni Lipsiae Sumptibus Et Typis B. G. Teubneri, 1873 (118 pages). Inscribed on the title page in black ink: “Ex libris J. J. Townsend[,] 1877”; there are 11 pages with notations in the same hand.

Discovery. Edited by John W. Aldridge and Vance Bourjaily. 1952. Reprint, New York: Pocket Books, Inc., Cardinal Edition, 1953 (288 pages).

Dreamtigers. By Jorge Luis Borges. Translation from the Spanish by Mildred Boyer and Harold Morland. Preface by Victor Lange. Introduction by Miguel Enguidanos. New York: E. P. Dutton & Co., Inc., A Dutton Paperback, 1970 (95 pages).

Dubliners. By James Joyce. Introduction by Padraic Colum. New York: Random House, The Modern Library, n.d. (288 pages).

Essays. By Ralph Waldo Emerson. Washington, D.C.: National Home Library Foundation, 1932 (172 pages).

Essays New and Old. By Aldous Huxley. New York: George H. Doran Company, 1927 (306 pages). Passages near the end of the book are underlined in pencil. Inscribed inside the front cover in pencil: “Sincerity in art is mainly an affair of talent.” The word “mainly” is inserted.

Fathers and Sons. By Ivan Sergheïevitch Turgenef. New York: Caxton House, Inc., Popular Classics of the World, n.d. (219 pages).

Finnegans Wake. By James Joyce. 1939. Reprint, New York: The Viking Press, Compass Books, 1959 (628 pages).

Fire-Bird: A Study of D. H. Lawrence. By Dallas Kenmare. London: James Barrie, 1951 (81 pages).

Fontamara. By Ignazio Silone. Translated by Michael Wharf. 1934. Reprint, New York: Modern Age Books, Inc., 1938 (144 pages).

Gulliver’s Travels. By Jonathan Swift. New York: The Book League of America, 1932 (313 pages, the last page uncut).

Guys and Dolls. By Damon Runyon. Introduction by Heywood Broun. New York: Grosset & Dunlap, Publishers, 1931 (313 pages). Inserted is a business-reply card from Road & Track magazine.

Hurt and Healing: Modern Writers Speak. By Stanley J. Rowland, Jr. New York: Friendship Press, 1969 (96 pages).

Industrial Valley. By Ruth McKenney. New York: Harcourt, Brace and Company, 1939 (379 pages). Inscribed on the title page “For Annalee from Ad [heart symbol] X.”

James Joyce and the Making of “Ulysses.” By Frank Budgen. With a portrait of James Joyce and four drawings to Ulysses by the author. Bloomington: Indiana University Press, 1960 (339 pages).

James Joyce’s “Ulysses”: A Study by Stuart Gilbert. 1930. Reprint, New York: Vintage Books, 1957 (405 pages, followed by a 35-page index).

Kafka’s Prayer. By Paul Goodman. New York: The Vanguard Press, Inc., 1947 (265 pages).

La litérature et le non-verbal. By Fernande Saint-Martin. Montréal: Éditions d’Orphée, 1958 (194 pages, followed by a contents page). Inscribed: “à Barnett Newman En Hommage à un peintre qui a [illeg.] le langage plastique-Fernande Saint-Martin[,] 27/6/61.”

Literary Taste: How to Form It, with Detailed Instructions for Collecting a Complete Library of English Literature. By Arnold Bennett. Edited with additional lists by Frank Swinnerton and a new chapter. Harmondsworth, Middlesex, England: Penguin Books, Ltd., Pelican, 1938 (184 pages).

Miracle of the Rose. By Jean Genet. Translated from the French by Bernard Frechtman. New York: Grove Press, Inc., 1966 (344 pages).

New World Writing. New York: The New American Library of World Literature, Inc., Mentor Selection, 1956 (287 pages).

Our Friend James Joyce. By Mary and Padraic Colum. Garden City, N.Y.: Doubleday & Company, Inc., 1958 (239 pages).

Passages from “[Travels in] Arabia Deserta” by Charles M. Doughty. Selected by Edward Garnett. N.p.: Penguin Books, in association with Jonathan Cape, 1956 (327 pages).

Précis de litérature française (286 pages). The title page is missing.

Rainbow Fish. By Ralph Bates. New York: E. P. Dutton & Co., Inc., 1937 (242 pages).

Rasselas, Prince of Abyssinia. By Samuel Johnson. 1759. Reprint, New York: Brentano’s Publishers, n.d. (262 pages).

Selected English Short Stories, Nineteenth and Twentieth Centuries. Oxford: Oxford University Press, The World’s Classics, 1927 (483 pages).

Selected Modern English Essays. Oxford: Oxford University Press, The World’s Classics, 1927 (414 pages).

Seven Red Sundays. By Ramón J. Sender. Translated from the Spanish by Sir Peter Chalmers Mitchell. New York: Liveright Publishing Corporation, 1936 (428 pages). Inscribed inside the front cover: “L. J. Navarc[?]” and “Spring 1945, N.Y.C.”

Seven Types of Ambiguity. By William Empson. Second edition. N.p.: New Directions, 1947 (258 pages, the last two uncut).

The Armies of the Night: History as a Novel—The Novel as History. By Norman Mailer. [New York]: The New American Library, A Signet Book, 1968 (320 pages).

The Book of the Sky: Being a Collection of Writings About the Sky in All Its Aspects. Edited by A. C. Spectorsky. New York: Appleton-Century-Crofts, Inc., 1956 (490 pages). Inserted is a leaflet on The Book of the Sky.

The Death of Ivan Ilyitch. By Leo Tolstoy. New York: The Happy Hour Library, Inc., n.d. (95 pages).

The Dog Star. By Donald Windham. Garden City, N.Y.: Doubleday & Company, Inc., 1950 (221 pages). Inscribed in pencil: “This book belongs to the Newmans by courtesy of Tony Smith.”

The Essays of Elia. By Charles Lamb. Reprint, New York: Caxton House, Inc., Popular Classics of the World, n.d. (249 pages).

The Essays of Ralph Waldo Emerson. Introduction by Edward F. O’Day. Two volumes in one. New York: The Heritage Press, n.d. (262 pages, boxed). Inserted is a 4-page leaflet from The Heritage Club: “This issue entitled: Ralph Waldo & the Truth.”

The Flowering of New England. 1815–1865. By Van Wyck Brooks. New York: E. P. Dutton & Co., Inc., 1936 (550 pages). Inscribed in pencil inside the back cover is a series of numbers. Stamped in black ink: “Three Days for 15¢[,] One week for 25¢[,] Fine 3¢ a day thereafter”; these prices are corrected in pencil: 25¢ to 35¢ and 3¢ to 5¢. There is also an orange label with the logo “Consumer’s Cooperative Services, Inc.”

The “Genius.” By Theodore Dreiser. New York: John Lane Company; London: John Lane, The Bodley Head; Toronto: S. B. Gundy, 1915 (736 pages).

The Hero with a Thousand Faces. By Joseph Campbell. New York: Meridian Books, 1956 (416 pages).

The Island. By Robert Creeley. New York: Charles Scribner’s Sons, 1963 (190 pages).

The King and the Queen. By Ramón J. Sender. Translated from the Spanish by Mary Low. New York: The Vanguard Press, Inc., 1948 (231 pages).

The Modern Writer’s Art. Edited by Theodore J. Gates and Robert E. Galbraith. New York: Thomas Nelson and Sons, 1936 (222 pages).

The Oldest English Epic: “Beowulf,” “Finnsburg,” “Waldere,” “Deor,” “Wildsith,” and the German “Hildebrand.” Translated in the original metres with introductions and notes by Francis N. Gummere. New York: The Macmillan Company, 1909 (203 pages).

The Oldest Stories in the World. Translated and retold, with comments, by Theodor H. Gaster. Boston: Beacon Press, 1952 (238 pages).

The Penguin New Writing. Edited by John Lehmann. Harmondsworth, Middlesex, England: Penguin Books, 1945 (175 pages).

The Sphere. By Ramón J. Sender. Translated by F. Giovanelli. New York: Hellman, Williams & Company, 1949 (264 pages).

The Sweet Science. By A. J. Liebling. New York: The Viking Press, 1951 (306 pages).

The White Goddess: A Historical Grammar of Poetic Myth. By Robert Graves. Revised edition 1948. Reprint, New York: Vintage Books, 1958 (541 pages, followed by a 19-page index).

Thread. By Fielding Dawson. Published by Andrew Crozier in an edition of 600 copies at the Ferry Press, London, 1964 (19 pages). Two copies. Inscribed in pencil in one copy: “For Rey 11/23/64[,] Fielding Dawson.” Inscribed in blue ink inside the front cover of the other copy: “For Barney Newman From Fielding Dawson[,] 11/12/64.”

Totempole. By Sanford Friedman. New York: E. P. Dutton & Co., Inc., 1965 (411 pages).

Ulysses. By James Joyce. Foreword by Morris L. Ernst. Includes the Decision of the United States District Court rendered by Judge John M. Woolsey. New York: Random House, The Modern Library, 1934 (768 pages).

Unfinished Odyssey: Remarks of Stringfellow Barr and Scott Buchanan at a party in Their Honor at Briar cliff Manor, New York, May 31 1958. 1963 (17 stapled, typed sheets). Inscribed on the title page in brown ink: “Compliments of Francis S. Mason, Jr.”

Van Bibber and Others. By Richard Harding Davis. New York: Harper & Brothers, 1893 (249 pages). Inscribed in pencil inside the front cover: “R. H. Francher.”

Media and Technology

The Duality of Bygone Jazz. By Max Margulis. Reprinted from The Massachusetts Review, vol. 2, no. 3 (Spring 1961) (pamphlet).

The Gutenberg Galaxy: The Making of Typographic Man. By Marshall McLuhan. Toronto: University of Toronto Press, 1965 (294 pages).

The History of the Motion Picture: 1895–1946. The Museum of Modern Art, New York, 1946 (28-page pamphlet).

The Mechanical Bride: Folklore of Industrial Man. By Marshall McLuhan. 1951. Reprint, London: Routledge & Kegan Paul, Ltd., 1967 (157 pages).

The Medium Is the Massage. By Marshall McLuhan and Quentin Fiore. New York, London, Toronto: Bantam Books, 1967 (154 pages).

The New American Cinema: A Critical Anthology. Edited by Gregory Battcock. New York: E. P. Dutton & Co., Inc., Dutton Paperback, 1967 (256 pages).

Understanding Media: The Extensions of Man. By Marshall McLuhan. New York, Toronto, London: McGraw-Hill Book Company, 1964 (359 pages).

Miscellaneous

Abstract Census of Manufactures of 1914. Published by the Department of Commerce, Bureau of the Census. U.S. Government Printing Office, Washington, D.C., 1917 (722 pages).

Arlington Mills, 1865–1925. Privately printed, 1925 (112 pages).

Bibliography of Source Material, Articles, and Books on The Amalgamated Clothing Workers of America. Published by the Research Department, The Amalgamated Clothing Workers of America, New York, 1929 (36 pages).

Book of Type: Type Faces, Borders, Rules, and Ornaments. The New York Sun, n.d. (15 pages).

Congressional Record: Proceedings and Debates of the Eighty-Third Congress, Second Session. U.S. Government Printing Office, Washington, D.C., 1954 (leaflet).

John Simon Guggenheim Memorial Foundation Fellowships. United States of America and Canada. Pamphlet for the years 1966 through 1970.

PM, A New Kind of Newspaper: The Easiest Newspaper to Read. Publications Research, Inc., 1940 (11-page pamphlet).

Questions and Answers on Federal Rent Control (OPA Form D–301). Published by the U.S. Office of Price Administration, Washington, D.C., 1944 (15 pages).

Tax Relief for Real Estate: An Address to the Forty-fourth National Conference on Government of the National Municipal League, Baltimore, Maryland, December 2, 1938. By Henry J. Amy, Executive Director, Citizen’s Budget Commission, Inc. Reprinted from National Municipal Review, vol. 28, no. 1 (January 1939) (8-page pamphlet).

The Marketing of Wool. By A. F. Du Plessis. London, Bath, Melbourne, Toronto, New York: Isaac Pitman & Sons, Ltd., 1931 (337 pages, followed by a publisher’s list).

The Preservation of Youth: Essays on Health. By Moses Ben Maimón (Maimonides). Translated from the Arabic and with an introduction by Hirsch L. Gordon. New York: Philosophical Library, Inc., The Wisdom Library, 1958 (92 pages).

White Paper on the St. John’s University Crisis. United Federation of College Teachers (8-page pamphlet).

New York

Almanac for New Yorkers, 1938, Accommodated to the Five Boroughs But May Without Sensible Error Serve for the Entire Metropolitan District and Even More Distant Points. Compiled by the Workers of the Federal Writers’ Project of the Works Progress Administration in the City of New York. Illustrations by the WPA Federal Art Project in the City of New York. Sponsored by the Guilds’ Committee for Federal Writers’ Publications, Inc. New York: Modern Age Books Inc., 1938 (118 pages).

Annual Report of the Citizens Budget Commission, Inc., for the Year Ending December 31, 1938 (27-page pamphlet).

Annual Report of the Citizens Budget Commission, Inc., for the Year Ending December 31, 1939 (23-page pamphlet). Inscribed in pencil on the book cover: “[Illeg.] 9580.” Inserted is a small envelope on which is written in pencil: “Material in file from Budget Com.: i. Tax Limitation in NYC. 2. Tax Relief for R.E.—Amy. 3. Civil Service in City of NY. 4. Transit Handbook. 5. City Taxes. 6. Annual Report—1938.”

Annual Report of the Citizens Budget Commission, Inc. for the Year Ending December 31, 1940 (34 pages).

Attorney General’s Memorandum in Support of Legislation Amending Article 12-C of the General Business Law Relating to the Artist-Art Dealer Relationship. By Louis J. Lefkowitz, Attorney General of the State of New York (13 copied pages incorporated into a booklet).

Belgian Pavilion: Official Guide Book, Belgian Section, New-York World’s Fair, 1939–1940 (103 pages).

Brooklyn Is America. By Ralph Foster Weld. New York: Columbia University Press, 1950 (226 pages).

City Taxes: A Handbook of Municipal Finances for New Yorkers. Citizens Budget Commission, Inc., New York, 1936 (42-page booklet). Inserted is a folded sheet with notations.

Civil Service in the City of New York. By Edith Baikie. A study of the operations of The Municipal Civil Service Commission, with recommended reforms. Citizens Budget Commission, Inc., 1938 (105 pages).

Classic New York: Georgian Gentility to Greek Elegance. By Ada Louise Huxtable. Garden City, N.Y.: Doubleday & Company, Inc., Anchor Books, 1964 (142 pages).

Eight Years of Park Progress. The six-year report of 19 January 1940 brought up to date. Department of Parks, City of New York (55 pages).

Historic Sites of New York State. By John J. Vrooman (40-page pamphlet).

Immortal Niagara: Official Guide Book. Buffalo, N.Y.: The Holling Press, Inc., 1950 (56-page pamphlet).

New York, N.Y.: A Photographic Tour of Manhattan Island from Battery Park to Spuyten Duyvil. By Fred W. McDarrah. New York: Corinth Books, 1964 (160 pages).

New York City Center Gallery Prospectus, 29 September 1953. City Center of Music and Drama (leaflet).

New York—Oddly Enough. By Charles G. Shaw. New York and Toronto: Farrar & Rinehart Inc., 1938 (212 pages).

Official Guide Book of the New York World’s Fair, 1939. New York: Exposition Publications, Inc., 1939 (256 pages).

Poetry at the Y: The Poetry Center of the Ninety-Second Street YM–YWHA, 1969–1970 (8-page catalogue). Inscribed on the front cover in green ink: “Sent at the request of Octavio Paz.” On the page listing Octavio Paz there is a green arrow pointing to that entry.

St. Paul’s Chapel, Trinity Parish (leaflet).

Saratoga: National Historical Park, New York. By Charles W. Snell. National Park Service Historical Handbook Series, no. 4, 1950 (36-page pamphlet).

See the Sights of New York City Via Interborough Lines. Interborough Rapid Transit Company, New York (22-page pamphlet).

Seventy-Fifth Anniversary of Gage and Tollner’s, Brooklyn’s Famous Landmark Restaurant, 1879–1954 (12-page pamphlet).

Six Lectures. The Poetry Center of the Ninety-Second Street YM-YWCA (11 pages).

Six Years of Park Progress. Department of Parks, City of New York, 19 January 1940 (56 pages).

Tax Limitation in New York City. Address by Henry J. Amy, Executive Director, Citizens Budget Commission, Inc., 19 November 1937 (18-page pamphlet).

The Custom House, New York (15 copied pages incorporated into a pamphlet).

The Jewish Museum: An Invitation to Membership, n.d. (20-page pamphlet).

This Was New York! A Nostalgic Picture of Gotham in the Gaslight Era. By Maxwell F. Marcuse. New York: Carlton Press, A Reflection Book, 1965 (447 pages).

Transit Handbook: An Analysis of the Rapid Transit Problem in New York City. The Transit Committee of the Citizens Budget Commission, July 1934 (47-page booklet).

Valentine’s Manual of Old New York. Edited by Henry Collins Brown. New York: Press of The Chauncey Holt Co., 1923 (386 pages).

West End Avenue, [1888] (32 copied pages).

Philosophy

A Preface to Logic. By Morris R. Cohen. New York: Henry Holt and Company, 1944 (209 pages).

A Sprig of Andromeda: A Letter from Louisa May Alcott on the Death of Henry David Thoreau. With an introductory note by John L. Cooley. New York: The Pierpont Morgan Library, 1962 (10-page booklet).

Abrégé de “Grammaire Hébraïque.” By Spinoza. Translated and with an introduction and notes by Joël Askénazi and Jocelyne Askénazi-Gerson. Preface by Ferdinand Alquié. Paris: Librairie Philosophique J. Vrin, 1968 (240 pages, followed by a contents page).

An Introduction to Metaphysics. By Henri Bergson. Translated from the French and with an introduction by T. E. Hulme. Introduction by Thomas A. Goudge. Second edition. The Library of Liberal Arts series, edited by Oskar Piest. New York: The Liberal Arts Press, 1955 (62 pages).

Aristotle’s “Metaphysics.” Edited and translated by John Warrington. Introduction by Sir David Ross. Everyman’s Library series. London: J. M. Dent & Sons, Ltd.; New York: E. P. Dutton & Co., Inc., 1956 (388 pages).

Aristotle’s “Poetics,” [and] Demetrius “On Style” and Other Classical Writings on Criticism. Edited by T. A. Moxon. 1934. Reprint, London: J. M. Dent and Sons, Ltd., 1941.

Bacon’s “Advancement of Learning” and “The New Atlantis.” Preface by Thomas Case. London, Edinburgh, Glasgow, New York, Toronto, Melbourne, and Bombay: Henry Frowde / Oxford University Press, The World’s Classics, 1913 (275 pages, followed by a publisher’s list). Bookstore label: “Peabody Book Shop in Baltimore.”

Before Philosophy: The Intellectual Adventure of Ancient Man. By H. and H. A. Frankfort, John A. Wilson, and Thorkild Jacobsen. 1946. Reprint, Harmondsworth, Middlesex, England: Penguin Books, Pelican Books, 1951 (275 pages). Inserted is a printed card: “Crane’s Fine Papers.”

Being and Nothingness: An Essay on Phenomenological Ontology. By Jean-Paul Sartre. Translated and with an introduction by Hazel E. Barnes. New York: Philosophical Library, Inc., 1956 (636 pages).

Being and Time. By Martin Heidegger. Translated from the German by John Macquarrie and Edward Robinson. Seventh edition. New York, Hagerstown, San Francisco, and London: Harper & Row, Publishers, 1962 (589 pages).

Chance, Love and Logic: Philosophical Essays. By Charles S. Peirce. Edited and with an introduction by Morris R. Cohen. Essay by John Dewey. 1923. Reprint, n.p.: Peter Smith, 1949 (318 pages).

Concord and Liberty. By José Ortega y Gasset. Translated from the Spanish by Helene Weyl. New York: W. W. Norton & Company, Inc., 1946 (182 pages).

Critique of Pure Reason. By Immanuel Kant. Translated by J. M. D. Meiklejohn. New York: Willey Book Company, n.d. (617 pages).

Culture and Anarchy. By Matthew Arnold. Edited by William S. Knickerbocker. 1925. Reprint, New York: The Book League of America, 1929 (211 pages).

“Discourse on Method” and Other Writings. By René Descartes. Translated and with an introduction by Arthur Wollaston. Baltimore: Penguin Books, 1960 (192 pages).

Education and the Good Life. By Bertrand Russell. New York: Boni & Liveright, 1926 (319 pages).

“Fear and Trembling” and “The Sickness Unto Death.” By Søren Kierkegaard. Translated and with an introduction and notes by Walter Lowrie. 1941. Reprint, Garden City, N.Y.: Doubleday & Company, Inc., Anchor Books, 1954 (278 pages).

Five Years: Thoughts During a Useless Time. By Paul Goodman. Preface by Harold Rosenberg. New York: Brussel & Brussel, 1966 (257 pages).

From Hegel to Nietzsche: The Revolution in Nineteenth-Century Thought. By Karl Lowith. Translated from the German by David E. Green. 1964. Reprint, Garden City, N.Y.: Doubleday & Company, Inc., Anchor Books, 1967 (468 pages).

How to Improve Your Mind. By Baruch Spinoza. Based on “De Intellectus Emendatione,” translated from the Latin by R. H. M. Elwes. Biographical notes by Dagobert D. Runes. New York: The Citadel Press, 1965 (90 pages).

Kant’s “Introduction to Logic,” and His Essay on the Mistaken Subtlety of The Four Figures. Translated by Thomas Kingsmill Abbott. Notes by [Samuel Taylor] Coleridge. New York: Philosophical Library, Inc., n.d. (100 pages).

Kant’s “Prolegomena to Any Future Metaphysics.” Third edition. Edited in English by Paul Carus. With an essay on Kant’s philosophy and other supplementary material for the study of Kant. Chicago: The Open Court Publishing Company, 1912 (301 pages). There is an impressed seal on the title page: “The College of the City of New York Library”; and there is a due date slip in the back.

Letters from Ludwig Wittgenstein with a Memoir. By Paul Engelmann. Translated by L. Furtmüller. Edited by B. F. McGuinness. New York: Horizon Press, 1968 (150 pages).

Longinus: “On the Sublime.” Translated by A. O. Prickard. 1906. Reprint, with corrections, Oxford and London: Oxford University Press, 1949 (128 pages).

Medieval Thought: St. Augustine to Ockham. By Gordon Leff. Harmondsworth, Middlesex, England: Penguin Books, 1958 (317 pages).

On Liberty. By John Stuart Mill. 1929. Reprint, The Thinker’s Library series. London: Watts & Co., 1948 (144 pages).

Out of My Life and Thought: An Autobiography. By Albert Schweitzer. Translated by C. T. Campion. Postscript by Everett Skillings. 1933. Reprint, [New York]: The New American Library, A Mentor Book, 1953 (213 pages, followed by a publisher’s list).

Pascal’s “Pensées.” Introduction by T. S. Eliot. New York: E. P. Dutton & Co., Inc., A Dutton Paperback, 1958 (297 pages).

Paths in Utopia. By Martin Buber. Translated by R. F. C. Hull. Introduction by Ephraim Fischoff. 1949. Reprint, Boston: Beacon Press, 1958 (152 pages). Bookstore stamp inside the back cover: “Aberdeen Book Company on Fourth Avenue in New York City.”

Perplexities and Paradoxes. By Miguel de Unamuno. Translated from the Spanish by Stuart Gross. New York: Philosophical Library, Inc., 1945 (165 pages).

Philosophers Speak of God. By Charles Hartshorne and William L. Reese. Chicago: The University of Chicago Press, 1953 (535 Pages).

Philosophy. By Alexander Meiklejohn. Chicago:: American Library Press, 1926 (51 pages).

Philosophy. By Bertrand Russell. New York: W. W. Norton & Company, Inc., Publishers, 1927 (307 pages).

Philosophy in the Tragic Age of the Greeks. By Friedrich Nietzsche. Translated and with an introduction by Marianne Cowan. Chicago: Henry Regnery Company, 1962 (117 pages).

Philosophy of Benedict De Spinoza. Translated from the Latin by R. H. M. Elwes. With an introduction by Frank Sewall. New York: Tudor Publishing Co., 1933 (427 pages).

Politics and Morals. By Benedetto Croce. Translated from the Italian by Salvatore J. Castiglione. New York: Philosophical Library, Inc., 1945 (204 pages).

Reason and Existenz: Five Lectures. By Karl Jaspers. Translated and with an introduction by William Earle. 1955. Reprint, New York: The Noonday Press, 1959 (157 pages).

Reconstruction in Philosophy. By John Dewey. New introduction by the author. Editor’s note by Eduard C. Lindeman. [New York]: The New American Library, A Mentor Book, 1951 (168 pages).

Source Book in Ancient Philosophy. By Charles M. Bakewell. New York, Chicago, and Boston: Charles Scribner’s Sons, 1907 (395 pages). There are pencil underlinings and handwritten notes in black ink throughout.

Spinoza. By Stuart Hampshire. 1951. Reprint, Melbourne, London, and Baltimore: Penguin Books, A Pelican Book, 1953 (237 pages).

Spinoza: Portrait of a Spiritual Hero. By Rudolph Kayser. Translated by Amy Allen and Maxim Newmark. Introduction by Albert Einstein. New York: Philosophical Library, 1946 (326 pages).

Spinoza on God. By Joseph Ratner. New York: Henry Holt and Company, Inc., 1930 (88 pages). A bus or train receipt is inserted.

Spinoza’s “Ethics” and “De Intellectus Emendatione." 1910. Reprint, London and Toronto: J. M. Dent & Sons, Ltd.; New York: E. P. Dutton & Co., 1928 (263 pages, followed by a 4-page publisher’s advertisement).

“The Birth of Tragedy” and “The Genealogy of Morals.” By Friedrich Nietzsche. Translated by Francis Golffing. Garden City, N.Y.: Doubleday & Company, Inc., Anchor Books, 1956 (299 pages).

The Bow in the Clouds: An Essay Towards the Integration of Experience. By E. I. Watkin. London: Sheed & Ward, 1931 (152 pages).

The Chief Works of Benedict de Spinoza. Vol. 1. Translated from the Latin and with an introduction by R. H. M. Elwes. Biographical note by Franceso Cordasco. 1951. Reprint, New York: Dover Publications, Inc., 1955 (387 pages).

The Courage to Be. By Paul Tillich. New Haven: Yale University Press, 1952 (197 pages). Inscribed in blue ink inside the cover: “Reinhardt.”

The Creative Mind: An Introduction to Metaphysics. By Henri Bergson. Translated from the French by Mabelle L. Andison. New York: Philosophical Library, Inc., The Wisdom Library, 1946 (252 pages).

The Essayes of Michael, Lord of Montaigne. Translated from the French by John Florio. Vol. i. 1904. Reprint, London, New York, Toronto, and Melbourne: Henry Frowde / Oxford University Press, The World’s Classics, 1910 (429 pages, followed by a publisher’s list).

The Ethics of Ambiguity. By Simone de Beauvoir. Translated from the French by Bernard Frechtman. New York: Philosophical Library, Inc., 1948 (163 pages).

The “Ethics” of Aristotle. New York: Carlton House, n.d. (298 pages).

The Journal of Henry D. Thoreau. Edited by Bradford Torrey and Francis H. Allen. Foreword by Walter Harding. Vol. I: 1837 to October 1855. Vol. 2: November 1855 to 1861. 1906. Reprint, New York: Dover Publications, Inc., 1962 (926 pages and 1,804 pages, respectively).

The Life of Reason; or The Phases of Human Progress: Reason in Art. By Georges Santayana. 1905. Reprint, New York: Charles Scribner’s Sons, 1924 (230 pages).

The Life of Reason; or, The Phases of Human Progress: Reason in Science. By Georges Santayana. 1905. Reprint, New York: Charles Scribner’s Sons, 1925 (320 pages).

The Mechanism of the Mind. By Edward de Bono. London: Jonathan Cape, 1969 (304 pages). Inscribed in blue ink: “For Barney—who will appreciate a truly impassioned & creative “science.” Love Barbara[,] Jan. 1970.”

The Need for Roots: Prelude to a Declaration of Duties Toward Mankind. By Simone Weil. Translated by Arthur Wills. Preface by T. S. Eliot. New York: G. P. Putnam’s Sons, 1952 (302 pages).

The Philosopher’s Way. By Jean Wahl. New York: Oxford University Press, 1948 (334 pages).

The Philosophy of Nietzsche. Edited and with an introduction by Geoffrey Clive. [New York]: The New American Library, A Mentor Book, 1965 (640 pages).

The Philosophy of Schopenhauer. New York: The Modern Library, Inc., 1928 (376 pages).

The Philosophy of Spinoza. By Harry Austryn Wolfson. 1934. Reprint, New York: Meridian Books, Inc., 1958 (392 pages, followed by a publisher’s list).

The “Republic ” of Plato. Translated from the Greek by John Llewelyn Davies and David James Vaughan. Third edition. 1866. Reprint, London: Macmillan and Co., Ltd., Golden Treasury Series, 1923 (370 pages).

The Revolt of the Masses. By José Ortega y Gasset. 1931. Reprint, [New York]: New American Library, Signet Book, 1950 (141 pages).

The Revolution in Philosophy. By A. J. Ayer, W. C. Kneale, G. A. Paul, D. F. Pears, P. F. Strawson, G. J. Warnock, and R. A. Wollheim. Introduction by Gilbert Ryle. London: Macmillan & Co, Ltd.; New York: St. Martin’s Press, 1960 (126 pages). Inscribed in black ink “Sprafkin[,] April 1962.”

The Stoic Philosophy of Seneca. The Teaching of Epictetus: Being the “Encheiridion of Epictetus,” with Selections From the “Dissertations ” and “Fragments.” Translated from the Greek and with an introduction and notes by T. W. Rolleston. New York: John B. Alden, 1958 (210 pages).

The Transmigration of the Seven Brahmans: A Translation From the Harivansa of Langlois. By Henry David Thoreau. Edited and with an introduction and notes by Arthur Christy. New York: William Edwin Rudge, 1932 (30 pages).

The Unquiet Grave. A Word Cycle by Palinurus (Cyril Connolly). New York and London: Harper & Brothers Publishers, 1945 (152 pages).

Thinking to Some Purpose. By L. Susan Stebbing. Harmondsworth, Middlesex, England: Penguin Books, Ltd., 1939 (244 pages).

Thoreau, Philosopher of Freedom: Writings on Liberty by Henry David Thoreau. Selected and with an introduction by James MacKaye. New York: The Vanguard Press, 1930 (288 pages).

Thus Spake Zarathustra. By Friedrich Nietzsche. Translated by Thomas Common. New York: The Modern Library, 1905 (325 pages).

Tractatus Logico-Philosophicus. The German text of Ludwig Wittgenstein’s “Logisch-philosophische Abhandlung” translated by D. F. Pears and B. F. McGuinness. Introduction by Bertrand Russell. International Library of Philosophy and Scientific Method series, London: Routledge & Kegan Paul; New York: The Humanities Press, 1963 (166 pages). Inserted is a single sheet of plain notepaper on which is handwritten in blue ink: “8/18/63 / Dear Mr. Newman, Bob found this book he thought you might enjoy reading. It sketches the philosophies of Wittgenstein and other philosophers who think like him. I hope you enjoy the book and I’ll call soon and see if we can arrange to get together[.] Love, Barbara.”

Tragic Sense of Life. By Miguel de Unamuno. Translated from the Spanish by J. E. Crawford Flitch. 1921. Reprint, New York: Dover Publications, 1954 (332 pages, plus a 16-page publisher’s catalogue).

“Walden” and Other Writings of Henry David Thoreau. Edited and with an introduction by Brooks Atkinson. New York: Random House, Inc., The Modern Library, 1937 (732 pages).

What is Existentialism? By Willliam Barrett. New York: Partisan Review, 1947 (63 pages).

Photography

Adventures in Outdoor Color Slides. A Kodak Publication, no. E-9. Rochester, N.Y.: Eastman Kodak Company, 1957 (64 pages).

Carena Scope, Directions for Use: Potentialities for Scenic Composition (8-page pamphlet).

Films and Papers for Finest Photography. Gevaert (11-page catalogue).

Hasselblad: 500C, SWC (29-page catalogue).

Hasselblad: 500EL (24-page catalogue).

Hasselblad 500C Instruction Book: How to Use the Hasselblad 500C, 1600F, 1000F, Super Wide and Super Wide C. By W. D. Emanuel. London and New York: The Focal Press, 1962 (72 pages). “Leaflet for Use of Hasselblad 12, 16, 16S” is inserted.

Hasselblad Photography. By Les Barry. Universal Photo Books. New York: Verlan Books, Inc., 1961 (128 pages).

How to Make Better Color Pictures with Anscochrome and Super Anscochrome Film. General Aniline & Film Corporation, 1958 (88 pages).

Photography: The Amateur’s Guide to Better Pictures. By Herbert S. Zim and R. Will Burnett. Illustrations and diagrams by Herschel Wartik and Harry McNaught. New York: Simon and Schuster, Golden Handbooks, 1956 (160 pages).

The Nikon Manual: A Complete Handbook of 35-mm Technique. By George B. Wright. Technical assistance by Joseph C. Abbott and Cora Wright. Universal Photo Books. New York: Verlan Books, Inc., 1957 (288 pages). Inserted is a “Nikon Price List” leaflet.

The Open Look. By Paul Goodman. Photographs by Stefan Congrat-Butlar. New York: Funk & Wagnalls, 1969 (83 pages).

Zoomex Accessories (18-page pamphlet).

Zoomex II: Instructions. Carena SA, Geneva, Switzerland (20-page pamphlet).

Physics and Astronomy

Astronomical Papers Prepared for the Use of the American Ephemeris and Nautical Almanac. Vol. 12: Coordinates of the Five Outer Planets, 1653–2060. By W. J. Eckert, Dirk Brouwer, and G. M. Clemence. Published by the Nautical Almanac Office, U.S. Naval Observatory. U.S. Government Printing Office, Washington, D.C., 1951 (327 pages).

The Nature of the Physical World. By A. S. Eddington. The Gifford Lectures, 1927. New York: The Macmillan Company; Cambridge: Cambridge University Press, 1929 (361 pages). Bookstore label: “McDevitt-Wilson’s[,] Inc.[,] Books on Church Street in New York City.”

The Restless Universe. By Max Born. Figures by Dr. Otto Koenigsberger. Translation by Winifred M. Deans. New York and London: Harper and Brothers, Publishers, 1936 (278 pages). Inserted is a bookmark from The Place—Concord Books, Inc., West Eighth Street, New York.

The Revolution in Physics. By Ernst Zimmer. Introduction by Max Planck. Translated and with a preface by H. Stafford Hatfield. New York: Harcourt, Brace and Company, n.d. (240 pages). Inserted is a bookmark from Downtown Book Bazaar, Broadway at Fulton Street, New York.

Poets, Poetry, and Verse

A View of Water. By Gene Baro. Northern House Pamphlet Poets series. Leeds: Northern House, 1965 (15 pages). Inscribed in black ink on the title page: “Dear Barney & Annalee, Affectionate Greetings, Gene Baro.”

A Vision. By W. B. Yeats. 1937. Reissued, with the author’s final revisions, New York: The Macmillan Company, Collier Books, 1966 (305 pages).

After Dinner We Take a Drive into the Night. By Tony Towle. New York: Tibor de Nagy Editions, 1968 (23 pages, followed by a table of contents). Inscribed in blue ink inside the front cover: “For Barney & Annalee with all the best, Tony.”

Another Time in Fragments. By Larry Eigner. London: Fulcrum Press, 1967 (141 pages).

Aram Saroyan. New York: Random House, 1968 (30 pages). Inserted is a printed card: “With the Compliments of the Author.”

Ballads. By Helen Adam. Illustrated by Jess. New York: Acadia Press, 1964 (44 pages).

Baudelaire. By Pascal Pia. Translated by Patrick Gregory. London: Vista Books; New York: Grove Press, Evergreen Profile Books, 1961 (192 pages).

Baudelaire. By Jean-Paul Sartre. Translated from the French by Martin Turnell. [New York]: New Directions Publishing Corporation, 1967 (197 pages).

Baudelaire. Introduced and edited by Francis Scarfe. Harmondsworth, Middlesex, England: Penguin Books, 1964 (270 pages).

Baudelaire. By Enid Starkie. [New York]: New Directions, 1958 (622 pages, followed by a list of errata).

Baudelaire par lui-même. By Pascal Pia. N.p.: Editions du Seuil, Ecrivains de Toujours, 1966 (191 pages). Bookstore label: “Librairie de France at La Maison Française in Rockefeller Center in New York City.”

Between: Poems 1960/63. By Jerome Rothenberg. London: Fulcrum Press, 1967 (64 pages).

Briggflatts. By Basil Bunting. Second edition. London: Fulcrum Press, 1966 (47 pages). Inserted is a note written in black ink on the letterhead of the Hotel Blackstone, East Fifty-Eighth Street, New York City: “Wed a.m. Dear Barney & Annalee, When I reread the second verse in Basil’s “Briggflatts” (page 11—“A mason times his mallet”. . .) I was much reminded of your remarks about the Cynic + the epic. I hope you like this too. Now for “Beyond Bluff” or something. See you both & new sculpture next week. Yours ever and ever, Alan.”

Carta de ABC / “A cartilha do ABC é chave da sabedoria.” Liga Bahiana contra o Analfabetismo para as Crianças Proletárias. Distribuição gratuita. Salvador—BA 1965 (48-page booklet).

Catulli Veronensis Liber. Edited by Arthur Palmer. The Parnassus Library of Greek and Latin Texts. London: Macmillan and Co., Ltd.; New York: Macmillan & Co.,1896 (97 pages).

Chaucer: Canterbury Tales / Tales of Caunterbury. Edited by A. Kent Hieatt and Constance Hieatt. Selected and with translations, a critical introduction, and notes by the editors. A Bantam Dual-Language Book. New York: Bantam Books, 1964 (421 pages).

Circe. By Stuart Montgomery. London: Fulcrum Press, 1969 (45 pages).

Collected Poems. By Basil Bunting. London: Fulcrum Press, 1968 (160 pages). The cover was designed by Barnett Newman. A photomechanical print of the dust-jacket design is tipped in. Inscribed and signed by the author: “Basil Bunting” and “for Barnett Newman with thanks.”

Das Buch der Lieder. By Heinrich Heine. Halle: Verlag von Otto Hendel, n.d. (186 pages). Bookstore label: “Otto Schmidt & Sons, Stationers on Third Avenue in New York City.”

Dinners and Nightmares. By Diane Di Prima. New York: Corinth Books, 1961 (94 pages).

English Poetry (1170–1892). Selected by John Matthews Manly. Boston, New York, Chicago, London, Atlanta, Dallas, Columbus, and San Francisco: Ginn and Company, 1907 (580 pages). Inside the front cover is penciled in the name B. Robert McElderry, Jr. Several lines on the contents page are checked in pencil, and at the end “Tristram” is written. Inscribed in pencil inside the back cover: “Ode on Wellington—Tennyson.”

English Songs and Ballads. Compiled by T. W. H. Crosland. Revised edition. Oxford: Humphrey Milford / Oxford University Press, The World’s Classics, 1927 (405 pages, followed by a publisher’s list). Bookstore label: “Peabody Book Shop in Baltimore.”

First Book of Odes. By Basil Bunting. London: Fulcrum Press, 1965 (26 pages).. This is copy “O” of a limited edition. The author has written the letter in and signed the page. Inscribed in black ink inside the cover: “To Barnett Newman[.] With all best wishes. Alan Power[,] Easter 1966. Inserted is a parchment card: “Ode II/2 by Basil Bunting.”

For the New Year: Beginning Charm. By William Lipkind. Printed on a sheet of Arches paper in Goudy Old Style type by The Weekend Press, New York, 14 December 1951. Inscribed in black ink on the back: “All good wishes from Maria and Bill.”

Geography. By Edward Dorn. London: Fulcrum Press, 1965 (74 pages).

High on the Walls. By Tom Pickard. Preface by Basil Bunting. London: Fulcrum Press, 1967 (48 pages).

Latin Verse. By Frank Smalley. New York: D. Appleton and Company, 1884 (42 pages). On the title page is an attached strip on which is printed: “Compliments of the author.”

Les chants de Maldoror. By Le Comte de Lautréamont. English translation by Guy Wernham. N.p., 1943 (303 pages; boxed).

Les fleurs du mal. By Baudelaire. Introduction by Jean-Paul Sartre. Edited and annotated by Claude Pichois. Paris: Éditions Gallimard et Librairie Générale Française, 1964 (256 pages).

Lives of the Most Eminent English Poets; with Critical Observations on Their Works. By Samuel Johnson. Sketch of the author’s life by Sir Walter Scott. New edition. London and New York: Frederick Warne & Co., n.d. (588 pages, several uncut).

Loquitur. By Basil Bunting. London: Fulcrum Press, 1965 (77 pages).

Love Poems (Tentative Title). By Frank O’Hara. New York: Tibor de Nagy Editions, 1965 (30 pages).

Lunch Poems. By Frank O’Hara. The Pocket Poet Series. San Francisco: City Lights Books, 1964 (74 pages).

Meditations in Emergency. By Frank O’Hara. Second edition. New York: Grove Press, Inc., 1967 (52 pages).

Nine Poems. By Gene Baro. Bolton, Lancashire: Tillotsons, 1968 (18 pages).

“Pensées ” de Baudelaire. Selected and organized by Henri Peyre. Paris: Librairie José Corti, 1951 (156 pages, almost all uncut). Bookstore label: “Librairie de France at La Maison Française in Rockefeller Center in New York City.”

Poems. By Jenni Caldwell, Richard Kolmar, and Aram Saroyan. New York: Acadia Press, 1963 (39 pages).

Poems. By Louis MacNeice. New York: Random House, 1937 (115 pages). Inserted is a bookmark from The Place, Concord Books, Greenwich Village, West Eighth Street.

Poems. By Tony Towle. Privately printed, 1966 (10 pages). Inscribed in red ink inside the back cover: “To Barney, + Annalee—With warm regards and admiration, Tony.”

Poetry/Audit. Vol. 4, no. 1. Featuring Frank O’Hara. Buffalo, N.Y.: Audit-Poetry, 1964 (35 pages).

Poets and the Past: An Anthology of Poems, and Objects of Art in the PreColumbian Past. Edited by Dore Ashton. Photographs by Lee Boltin. New York: André Emmerich Gallery, 1959 (63 pages).

Pop Poems. By Ronald Gross. New York: Simon and Schuster, 1967 (96 pages). Inscribed inside the front cover in black ink: “For Barnett Newman[,] Ronald Gross[,] July 12, 1967.” Inserted is a leaflet on which is reprinted a review of Ronald Gross’s “Found Poetry” in the New York Times Book Review, 11 June 1967. Also inserted is a note from John G. Powers: “Dear Barney: An associate of mine at the Academy did this and I think it’s great so I asked him to inscribe a copy for you. If you like it, pass the word on it. Regards, John” and “Barnett Newman, 100 Front Street, New York, New York.”

Prelude to Poetry. By Ruth Stephan. Drawings by Fernando de Szyszlo. Lima, Peru: Editorial Lumen, 1946 (57 pages). Inscribed in black ink inside the front cover: “[illeg.] Annalee and Barney—a memo of that long line of friendship— With love. Ruth.”

Q. Horatii Flacci Opera. Edited by T. E. Page. The Parnassus Library of Greek and Latin Texts. London and New York: Macmillan and Co., 1895 (252 pages).

Saturday Night: Poems, 1960–61. By Bill Berkson. New York: Tibor de Nagy Editions, 1961 (335 pages). Inscribed in blue ink on the verso of the title page: “To Stutzy—Love, Bill [illeg.] 1961.”

Second Avenue. By Frank O’Hara. New York: Totem Press, in association with Corinth Books, 1960 (13 pages).

Selected Poems from “Hesperides.” By Robert Herrick. London, New York, and Calcutta: The Gold Medal Library, n.d. (96 pages).

Selected Poems of Vachel Lindsay. Edited by Mark Harris. 1936. Reprint, New York: The Macmillan Company; London: Collier-Macmillan, Ltd., 1967 (210 pages).

Selected Writings: Poetry and Criticism. By Herbert Read. Foreword by Allen Tate. New York: Horizon Press, 1964 (406 pages).

Spring in This World of Poor Mutts. By Joseph Ceravolo. New York and London: Frank O’Hara Foundation at Columbia University Press, 1968 (85 pages).

The Back Country. By Gary Snyder. London: Fulcrum Press, 1967 (112 pages).

The Cantos of Ezra Pound. 1934. Reprint, [New York]: New Directions Books, 1948 (537 pages). Inscribed in black ink: “Robert Motherwell.”

The Complete Poetical Works of John Milton. Student’s Cambridge Edition. Boston, New York, Chicago, and San Francisco: Houghton Mifflin Company, 1924 (419 pages). Inscribed in pen inside the front cover: “Grand C, C.C.N.Y., Fall of 1926,” followed by a Brooklyn address. There are also notations and markings throughout the book.

The Empire Finals at Verona: Poems 1956–1957. By Jonathan Williams. Collages and drawings by Fielding Dawson. Published at Highlands, North Carolina, September 1959 (38 pages). Inscribed in black ink inside the cover: “For Barney Newman[,] with regards[,] Jonathan Williams[.] April 1960 NYC.”

The Flowers of Evil. By Charles Baudelaire. A selection edited by Marthiel and Jackson Mathews. 1955. Reprint, [New York]: New Directions, 1958 (168 pages).

The Gallows Songs: Christian Morgenstern’s “Galgenlieder.” A selection translated and with an introduction by Max Knight. Berkeley and Los Angeles: University of California Press, 1963 (227 pages).

The Golden Treasury of the Best Songs and Lyrical Poems in the English Language. Selected and arranged and with notes by Francis Turner Palgrave. Second edition. London: Macmillan and Co., Ltd.; New York: The Macmillan Co., 1891 (381 pages, followed by a publisher’s list).

The Mask of Love. By Michael Nadel. New York: Parnassus, 1927 (13 pages, all uncut, including the title page; tied with an ornamental string). This is copy number 29 in a limited edition of 179 copies. The number 29 is inscribed.

The North Atlantic Turbine. By Edward Dorn. London: Fulcrum Press, 1967 (64 pages).

The “Odes” and “Epodes.” By Horace. Translated from the Latin by C. E. Bennett. 1914. Reprint, Cambridge, Massachusetts: Harvard University Press; London, William Heinemann, Ltd., 1960 (436 pages, followed by a publisher’s list).

The Ship’s Orchestra. By Roy Fisher. London: Fulcrum Press, 1966 (58 pages).

The Student’s Chaucer: Being a Complete Edition of His Works. Edited by Walter K. Skeat. Oxford: Clarendon Press / Oxford University Press, 1927 (732 pages, followed by 149 pages of glossarial index). Inscribed inside the front cover: “Edith Fulkerson” and “Alls Well that Ends Well [and] Measure for Measure are Shakespeare’s least pleasing plays,” plus a list of names in pencil.

Trânsito lírico: Poesía. By Napoleão Agustín Lopes. Rio de Janeiro: Edicões Panorama, 1962 (90 pages, followed by an index). Inscribed in blue pen inside the front cover: “Para [illeg.] Pintor Barnett Newman Com afectuoso [illeg.]. Decembre 1965.”

Various Poems, 3 Groups: Songs and Exercises, Daitokuji Poems, Love’s Progress. By Ruth Stephan. Privately printed, 1963 (77 pages). Inscribed in black ink inside the front cover: “[illeg.] Barney and Annalee—for many songs and profound excercising [sic] experienced together—with love, Ruth[,] August 26, 1963.”

Vers. By Paul Verlaine. Edited by Georges A. Tournoux. Leipzig: Kurt Wolff Verlag, 1919 (198 pages). Inscribed inside the front cover in black ink: “Gregory Brown [illeg.].”

Views of Jeopardy. By Jack Gilbert. Foreword by Dudley Fitts. New Haven and London: Yale University Press, 1962 (43 pages). Inscribed in black ink inside the front cover: “To Mr and Mrs Newman—Thank you for a delightful afternoon—Patrick [illeg. initial] Lathrop 5 May–1963 [,] Robin E. Wawro.”

Wallace Stevens: The Making of Harmonium. By Robert Buttel. Princeton, New Jersey: Princeton University Press, 1967 (269 pages).

Wild Flowers Out of Gas. By Joseph Ceravolo. New York: Tibor de Nagy Editions, 1967 (30 pages).

Winter Poems. By Ross Feld. Drawings by Fielding Dawson. N.p.: Shortstop, n.d. (11 pages). Inscribed in blue ink inside the front cover: “For Barnett Newman, with, among so many of the deepest feelings, thanks. Ross Feld.” Inserted is a half sheet of lightweight paper on which is typed: “Dear Mr. Newman, Enclosed is a small book of mine which I promised to send you when we met at the recent party for Basil Bunting. As my mother would say, read it in good health. My best, Ross Feld[.] (signed) Ross Feld.”

Wordsworth: The Clark Lectures 1929–1930. By Herbert Read. New York: Jonathan Cape and Harrison Smith, 1931 (271 pages).

Politics

A World Without Jews. By Karl Marx. Translated from the German and with an introduction and an epilogue by Dagobert D. Runes. Fourth edition. New York: Philosophical Library, Inc. 1960 (83 pages).

Album of the Funeral of P. A. Kropotkin in Moscow, 13 · 11 · 1921. Berlin, 1922 (15 pages of copied text, followed by 31 pages of photographs bound into a booklet).

American Power and the New Mandarins. By Noam Chomsky. 1967. Reprint, New York: Random House, Vintage Books, 1969 (404 pages).

Anarchism: A Philosophy of Freedom. By Fredrick Lohr. Foreword by Mat Kavanagh. Privately printed, n.d. (68 pages).

Anarchism and Morality. By George Woodcock. London: Freedom Press, 1945 (16 pages). Inscribed in pencil on the cover at top right: “10.” Printed below the title is the price, “2d.”

Anarchy, with a Biographical Note and Portrait. By E. Malatesta. Seventh edition. London: Freedom Press, 1942 (36 pages). Stamped in black ink on the back: “Please note our new address: 27, Red Lion St. London, W.C. 1.” Stamped in black ink at the top of the front cover: Printed in Great Britain. The price, “3d.,” is printed below the title.

Bakunin. By Guy A. Aldred. “The Word” Library, second series, no. 1. Glasgow, 1940 (70 pages). The price printed on the cover is “2d.”

Brooks Adams: Constructive Conservative. By Thornton Anderson. Ithaca, N.Y.: Cornell University Press, 1951 (250 pages).

En anarchists minnen. By Peter Kropotkin. Uddevalla, Sweden, 1964 (355 pages). Bookstore labels: “Biblioteks Bokhandeln.”

Existentialism, Marxism, and Anarchism: Chains of Freedom. By Herbert Read. London: Freedom Press, 1949 (56 pages). An errata slip is inserted.

If We Should Be Invaded. By Jessie Wallace Hughan. Second edition. New York: War Resisters League, 1940 (22-page pamphlet). The price printed on the cover is “10¢ per copy—15 for $1.00.”

Indemnity: A Proposal to the Nation. By I. J. Alexander and Tony McLean. Applied Social Aesthetics (ASA) Publication no. 1. New York, 1944 (6 pages).

Living My Life. By Emma Goldman. Garden City, N.Y.: Garden City Publishing Company, Inc., 1931 (one-volume edition, 1934) (993 pages, followed by a 16-page index).

Memoirs of a Revolutionist. By P. Kropotkin. Boston and New York: Houghton, Mifflin and Company, 1899 (519 pages).

Memoirs of a Revolutionist. By Peter Kropotkin. Edited by James Allen Rogers. Garden City, N.Y.: Doubleday & Company, Inc., Anchor Books, 1962 (338 pages).

Memoirs of a Revolutionist. By P. Kropotkin. Hardcover and paperback editions. New York: Horizon Press, 1968; Grove Press, Inc., Evergreen, 1970 (519 pages, both editions).

Michael Bakunin. By E. H. Carr. 1937. Reprint, New York: Vintage Books, 1961 (511 pages, followed by a 13-page index and a publisher’s list).

Mutual Aid: A Factor of Evolution. By P. Kropotkin. Foreword by H. L. Beales. Harmondsworth, Middlesex, England: Penguin Books, Ltd., Pelican Books, 1939 (278 pages).

My Past and Thoughts: The Memoirs of Alexander Herzen. Translated by Constance Garnett. Revised by Humphrey Higgens. Introduction by Isaiah Berlin. 4 vols. New York: Alfred A. Knopf, 1968 (1,908 pages; boxed).

Now and After: The ABC of Communist Anarchism. By Alexander Berkman. Second edition. New York: Freie Arbeiter Stimme, 1937 (297 pages, followed by a list of works on anarchism).

Objections to Anarchism. By George Barrett. London: Freedom Press 1921 (32-page pamphlet). Stamped in black ink on the back cover: Freedom Press, 27 Belsize Road, London, N.W. 6. The price printed on the cover is “fourpence.”

On Living in a Revolution. By Julian Huxley. New York and London: Harper & Brother Publishers, 1944 (242 pages).

One Billion Wild Horses: The Challenge of the Machine. By Stuart Chase. Abridged from the book Men and Machines (Macmillan, 1929) for the League for Industrial Democracy, New York, 1930 (24 pages).

Pacifist Handbook: Questions and Answers Concerning the Pacifist in Wartime, Prepared as a Basis for Study and Discussion. Issued by Peace Section, American Friends Service Committee; Brethren Board of Christian Education; Fellowship of Reconciliation; Friends Book Committee; General Conference Commission on World Peace; Methodist Church; The Mennonite Peace Society; War Resisters League; Women’s International League for Peace and Freedom, June 1939, Third printing, revised, 1940 (48 pages). Inserted are the following pamphlets and leaflets: 1. “The London Tribunal Questions the C.O.,” published jointly by The London Friends’ Local Conscription Committee and The Fellowship of Reconciliation; revised 1940 and reprinted by Peace Section, American Friends Service Committee in Philadelphia. 2. “The Conscientious Objector under the Selective Training and Service Act of 1940” (including the complete text of the Burke-Wadsworth Bill S. 4164 as passed by Congress, 14 September 1940), Friends War Problems Committee, Philadelphia. 3. “Conscription and Conscientious Objectors,” War Resisters League, n.d. 4. “What Conscription Means to You,” Youth Committee Against War of the Keep America Out of War Congress, New York City, n.d.

Poetry and Anarchism. By Herbert Read. London: Faber and Faber, Ltd., 1938 (126 pages).

Progress and Poverty, An Inquiry into the Cause of Industrial Depressions and of Increase of Want with Increase of Wealth: The Remedy. By Henry George. Fiftieth anniversary edition. New York: Robert Schalkenbach Foundation, 1929 (571 pages). Inserted are the following pamphlets and leaflets, published by the Robert Schalkenbach Foundation, New York: “John Dewey on Henry George and What Some Others Say”; “Robert Schalkenbach Foundation: Its Origin and Purposes,” “Books Obtainable from Robert Schalkenbach Foundation.”

Protest: Pacifism and Politics: Some Passionate Views on War and Nonviolence. By James Finn. New York: Random House, Vintage Books, 1968 (528 pages).

Rare Books and First Editions: Being Some Adventures of the Democratic Spirit in America. Catalogue no. 24. New York: Barnet B. Ruder, n.d. (49 pages).

Redemption! Redemption! Redemption! Jewish Freedom Letters from Russia. Foreword by Bayard Rustin. Edited by Moshe Decter. Publication of the American Jewish Conference on Soviet Jewry, May 1970 (93 pages).

Selections from “Political Justice.” By Willam Godwin. London: Freedom Press, 1943 (32 pages).

The Age of Reason: Being an Investigation of True and Fabulous Theology. By Thomas Paine. Chicago: Regan Publishing Corporation, n.d. (187 pages).

The Anarchist Prince: A Biographical Study of Peter Kropotkin. By George Woodcock and Ivan Avakumovic. London and New York: T.V. Boardman & Co., Ltd., 1950 (463 pages). Inserted is: “Cartridge Warranty and Important Information About This New Music System,” a leaflet on an RCA player that uses Stereo–8 cartridge tapes.

The Cold War and the Income Tax: A Protest. By Edmund Wilson. New York: Farrar, Straus and Company, 1963 (118 pages).

The Doctrine of Anarchism of Michael A. Bakunin. By Eugene Pyziur. 1955. Reprint, Chicago: The Henry Regnery Company, Gateway, 1968 (158 pages).

The Eighteenth Brumaire of Louis Bonaparte, with Explanatory Notes. By Karl Marx. New York: International Publishers Co., Inc., 1963 (162 pages).

The National Being: Some Thoughts on Irish Polity. By AE [George William Russell]. 1916. Reprint, New York: The Macmillan Company, 1930 (176 pages).

The Philosophy of Anarchism. By Herbert Read. London: Freedom Press, 1943 (32 pages).

The Price of Revolution. By D. W. Brogan. New York: Harper & Brothers, 1951 (280 pages).

The State. By Randolph Bourne. N.p.: The Resistance Press, 1946–47 (43-page booklet). Printed on the cover: “Twenty-five copies hand-set and hand-printed by voluntary labor on The Resistance Press.” Inscribed in pencil on the top right-hand corner of the front cover: “.25.”

The Trial of Elizabeth Gurley Flynn by the American Civil Liberties Union. Edited by Corliss Lamont. New York: Horizon Press, 1968 (122 pages). Includes an introduction, a transcript of the trial, trial exhibits, a list of ACLU members present, and appendices.

The Wars of the Godly. By Reuben Maury. New York: Robert M. McBride & Company, 1928 (318 pages).

To Hell With Culture: Democratic Values Are New Values. By Herbert Read. The Democratic Order series, edited by Francis Williams. London: Kegan Paul, Trench, Trubner & Co., Ltd., 1941 (63 pages).

Toward New Horizons: The World Beyond War. Published by the Office of War Information, U.S. Government Printing Office, Washington, D.C., 1942 (15 pages).

What Is To Be Done? Burning Questions of Our Movement. By V. I. Lenin. Marxist Library series. New York: International Publishers Co., Inc., 1929 (175 pages).

Young France Today. Portfolio II, supplement. N.p.: The Black Sun Press, 1945 (leaflet).

Psychology

An Outline of Psychoanalysis. By Sigmund Freud. Translated by James Strachey. New York: W. W. Norton & Company, Inc., 1949 (127 pages). Inserted is a postcard addressed to B. B. Newman at 343 East Nineteenth Street in New York City notifying him of an evening of discussion moderated by Mercedes Matter, the topic to be “A Conversation Between Tworkov, McNeil, De Kooning, Kline, and Guston.” The date is 20 February at 9:30 p.m., and the place is 39 East Eighth Street.

The Neurosis of Man: An Introduction to a Science of Human Behavior. By Trigant Burrow. London: Routledge & Kegan Paul, Ltd., 1949 (428 pages).

Religion and the Religious Life

Allenson’s Co-ordinated List of Basic Theological Books. Third edition. Chicago: Alec R. Allenson Inc., Blessing Book Store, 1952–53 (61 pages).

Buddhism. By Christmas Humphreys. Harmondsworth, Middlesex, England: Penguin Books, A Pelican Book, 1951 (256 pages).

Christianity and History. By H. Butterfield. New York: Charles Scribner’s Sons, 1961 (146 pages).

Comparative Religion: A Short Outline. By A. C. Bouquet. Second edition. Harmondsworth, Middlesex, England: Penguin Books, Pelican Books, 1945 (240 pages).

Congregation Shearith Israel and Its Synagogue. By David De Sola Pool. Texts by Mrs. Ferdinand S. Oppenheim, Mrs. Alexander Hyman, and Dr. Louis C. Gerstein. Published by the Sisterhood of the Spanish and Portuguese Synagogue in the City of New York, Inc., 1960 (29-page booklet).

Contours of Faith: Changing Forms of Christian Thought. By John Dillenberger. Nashville and New York: Abingdon Press, 1969 (176 pages).

De l’existence et des attributs de Dieu; Entretiens sur la religion; Discours philosophique sur l’amour de Dieu; Lettre sur divers sujets de métaphysique et de religion; Dialogues sur l’éloquence; Mémoire et lettre sur les occupations de l’Académie Française; Lettre sur les anciens et les modernes; Discours de réception á l’Académie Française; Lettre à Louis XIV. By Fénelon. Paris: Librairie de Firmin Didot Frères, imprimeurs de L’Institut, 1845 (572 pages, followed by an attached publisher’s catalogue).

For the Sake of Heaven. By Martin Buber. Translated from the German by Ludwig Lewisohn. 1945. Reprint, New York: Meridian Books, Inc.; Philadelphia, The Jewish Publication Society of America, 1958 (316 pages). Bookstore stamp: “Aberdeen Book Company on Fourth Avenue in New York City.”

Gnosticism and Early Christianity. By R. M. Grant. Revised edition. New York: Harper & Row, Publishers, 1966 (241 pages, followed by a publisher’s list).

God in Search of Man: A Philosophy of Judaism. By Abraham Joshua Heschel. 1955. Reprint, New York: Meridian Books, Inc.; Philadelphia: The Jewish Publication Society of America, 1959 (437 pages).

Guide to the Library, Union Theological Seminary New York (16-page pamphlet). A set of measurements is inscribed in red pencil on the back cover.

Hasidism. By Martin Buber. New York: The Philosophical Library, Inc., 1948 (207 pages). Inserted is a letter to the Pitman chairman from Thomas B. Maier, Business Education Director, regarding the search for an instructor to teach a course in shorthand. “Mr. Newman” and “127” are written in red pencil above the letterhead.

I and Thou. By Martin Buber. Translated by Ronald Gregor Smith. Edinburgh: T. & T. Clark, 1937 (119 pages).

I and Thou. By Martin Buber. Postscript by the author. Translated by Ronald Gregor Smith. Second edition. Edinburgh: T. & T. Clark; New York: Charles Scribner’s Sons, 1958 (137 pages). Inscribed in black ink inside the front cover: “For Barney & Annalee—four (?) six (?) years after I noticed that you’d all (+ Buber) love each other—much love, Barbara Reise[,] Jan 1970.”

Jewish Life in the Middle Ages. By Israel Abrahams. 1932. Reprint, New York: Meridian Books, Inc.; Philadelphia: The Jewish Publication Society of America, 1958 (452 pages).

La Santa biblia que consta del antiquo y El Nuevo Testamento. New York: Sociedad Bíblica Americana, n.d., (1,246 pages).

Legends of the Bible. By Louis Ginzberg. 1909. Reprint, 1956, New York: Simon and Schuster, 1956 (646 pages).

Martin Luther: Selections from His Writings. Edited and with an introduction by John Dillenberger. Garden City, N.Y.: Doubleday & Company, Inc., Anchor Books, 1961 (526 pages).

Moses and the Vocation of the Jewish People. By André Neher. Translated by Irene Marinoff. Men of Wisdom series. New York: Harper Torchbooks; London: Longmans, Green & Co. Ltd., 1959 (191 pages).

Myth and Christianity: On the Kabbalah and Its Symbolism. By Gershom G. Scholem. Translated by Ralph Manheim. New York: Schocken Books, 1965 (216 pages).

Primitive Christianity in Its Contemporary Setting. By Rudolph Bultmann. Translated by the Reverend R. H. Fuller. New York: Meridian Books, 1956 (240 pages).

Protestant Christianity Interpreted Through Its Development. By John Dillenberger and Claude Welch. New York: Charles Scribner’s Sons, 1954 (340 pages).

Reflections of a Wondering Jew. By Morris Raphael Cohen. Boston: The Beacon Press; Glencoe, Illinois: The Free Press, 1950 (168 pages).

Revolution, Place and Symbol. Journal of the First International Congress on Religion, Architecture and the Visual Arts, New York and Montreal, 26 August–4 September 1967. Edited by Rolfe Lanier Hunt. 1969 (318 pages).

Students, Scholars, and Saints. By Louis Ginzberg. 1928. Reprint, New York: Meridian Books, Inc.; Philadelphia: The Jewish Publication Society of America, 1958 (291 pages).

“Testament and Psalms,” and “The New Testament of Our Lord and Saviour Jesus Christ.” New York: American Bible Society, 1922 (427 pages).

The Babylonian Talmud in Selection. Edited and translated from the original Hebrew and Aramaic by Leo Auerbach. Second edition. New York: Philosophical Library, 1944 (286 pages).

The Bible and the Ancient Near East: Essays in Honor of William Foxwell Albright. Edited by G. Ernest Wright. Garden City, N.Y.: Doubleday & Company, Inc., 1961 (409 pages).

The Bible, Containing the Old and New Testaments. 1922. A New Translation by James Moffatt. New York and London: Harper & Brothers Publishers, 1950 (1,368 pages). Inscribed on the flyleaf in pencil: “4.75.” Bookstore stamp: “Aberdeen Book Company on Fourth Avenue in New York City.”

The Bible, Designed to be Read as Living Literature: The Old and the New Testaments in the King James Version 1936. New York: Simon and Schuster, 1936 (1,239 pages).

The Book of Psalms. New York: American Bible Society, n.d. (109 pages).

The Buddha’s “Way of Virtue.” The Dhammapad translated from the Pali text by W. D. C. Wagiswara and K. J. Saunders. The Wisdom of the East series. 1912. Reprint, London: John Murray, 1920 (112 pages, followed by a publisher’s list). Bookstore labels: “Samuel Weiser, 845 Broadway, New York City.”

The City of God. By Saint Augustine. Translated by Marcus Dods. Introduction by Thomas Merton. New York: Random House, Inc., Modern Library, 1950 (892 pages).

The Dead Sea Scriptures. Translated and with an introduction and notes by Theodor H. Gaster. Garden City, N.Y.: Doubleday & Company, Inc., Anchor Books, 1956 (350 pages).

The Gospel According to Thomas. Coptic text established and translated by A. Guillaumont, H.-Ch. Puech, G. Quispel, W. Till, and Yassah ‘Abd A1 Masih. Leiden: E. J. Brill; New York and Evanston: Harper & Row, 1959 (62 pages).

The Guide for the Perplexed. By Moses Maimonides. Translated from the Arabic by M. Friedlánder. Second edition. New York: Dover Publications, Inc., 1956 (414 pages).

The Holy and the Profane: Evolution of Jewish Folkways. By Theodor H. Gaster. New York: William Sloane Associates Publishers, 1955 (256 pages). Inserted are two bookmarks and a receipt from Concord Books in Times Square.

The Idea of the Holy: An Inquiry into the Non-Rational Factor in the Idea of the Divine and Its Relation to the Rational. By Rudolf Otto. Translated by John W. Harvey. Second edition 1950. Reprint, New York: Oxford University Press, A Galaxy Book, 1958 (232 pages).

The Living Talmud: The Wisdom of the Fathers. Commentaries selected and translated and with an essay by Judah Goldin. 1955. Reprint, New York: The New American Library, A Mentor Religious Classic, published under the auspices of The Jewish Theological Seminary of America, 1957 (247 pages). Two copies. The earlier copy of this book is priced at fifty cents, whereas the later copy (fifth printing 1962) is priced at seventy-five cents.

The Old Testament: Keystone of Human Culture. By William A. Irwin. New York: Henry Schuman, Inc., 1952 (293 pages).

The Pinkas Synagogue: A Memorial of the Past and of Our Days. By Hana Volavková, with the cooperation of the members of the research staff of the State Jewish Museum, Prague. Jewish Monuments in Bohemia and Moravia series. Vol. I, part 2. Prague: Státní Zidovské Museum V Praze, 1955 (145 pages, followed by 68 black-and-white plates).

The Religion of the Semites: The Fundamental Institutions. By W. Robertson Smith. New York: Meridian Books, 1956 (507 pages).

The Secular City: Secularization and Urbanization in Theological Perspective. By Harvey Cox. New York: The Macmillan Company, 1965 (276 pages).

The Song of God, Bhagavad-gita. Translated by Swami Prabhavananda and Christopher Isherwood. Introduction by Aldous Huxley. New York: The New American Library, A Mentor Book, 1954 (143 pages). Inside in the front cover is a printed label recording the fact that this book was lent by Annalee Newman to the exhibition The Spiritual in Art: Abstract at the Los Angeles County Museum of Art.

The Spirit of the Spanish Mystics. An Anthology of Spanish Religious Prose from the Fifteenth to Seventeenth Century. Selected, translated, and with an introduction by Kathleen Pond. London: Burns & Oates, 1958 (170 pages).

The Talmud of Jerusalem. Preface by Dagobert D. Runes. New York: Philosophical Library, Inc., The Wisdom Library, 1956 (160 pages).

The Teachings of The Compassionate Buddha. Edited and with an introduction and notes by E. A. Burtt. New York: The New American Library, A Mentor Religious Classic, 1955 (247 pages).

The Torah. The Five Books of Moses. A new translation of the Holy Scriptures according to the Masoretic text, first section. Philadelphia: The Jewish Publication Society of America, 1962 (393 pages, followed by 10 blank pages headed “Notes”).

The Varieties of Religious Experience: A Study in Human Nature. By William James. The Gifford Lectures on Natural Religion, 1901–2. 1902. Hardcover and paperback editions. New York: The Modern Library, 1929, 1958 (526 and 406 pages, respectively). The paperback edition has a foreword by Jacques Barzun.

The Vitellius Psalter. Edited by James L. Rosier. Cornell Studies in English. Ithaca, N.Y.: Cornell University Press, 1962 (398 pages).

The Way of Life. By Lao Tzu. Translated from the Chinese by R. B. Blakney. New York: The New American Library, A Mentor Religious Classic, 1955 (134 pages). Inside the front cover is a printed label recording the fact that this book was lent by Annalee Newman to the exhibition The Spiritual in Art: Abstract at the Los Angeles County Museum of Art.

The Wisdom of the Talmud: A Thousand Years of Jewish Thought. By Rabbi Ben Zion Bokser. New York: Philosophical Library, 1951 (174 pages).

Touro Synagogue of Congregation Jeshuat Israel, Newport, Rhode Island. Newport: The Society of Friends of Touro Synagogue National Historic Shrine, Inc., 1948 (55 pages, plus photographs and facsimiles of documents and letters).

Varieties of Mystic Experience: An Anthology and Interpretation. By Elmer O’Brien. New York, Chicago, and San Francisco: Holt, Rinehart and Winston, 1964 (321 pages). Inside the front cover is a printed label recording the fact that this book was lent by Annalee Newman to the exhibition The Spiritual in Art: Abstract at the Los Angeles County Museum of Art.

Zohar: The Book of Splendor. Selected and edited by Gershom G. Scholem. New York: Schocken Books, 1949 (125 pages).

Science and Mathematics

American Science and Invention, a Pictorial History: The Fabulous Story of How American Dreamers, Wizards, and Inspired Tinkerers Converted a Wilderness into the Wonder of the World. By Mitchell Wilson. New York: Crown Publishers, Inc., Bonanza Books, 1954 (437 pages).

Giordano Bruno: His Life and Thought, with an Annotated Translation of His Work “On the Infinite Universe and Worlds." By Dorothea Waley Singer. New York: Henry Schuman, Inc., 1950 (389 pages).

Greek Science: Its Meaning for Us (Thales to Aristotle). By Benjamin Farrington. Harmondsworth, Middlesex, England, and New York: Penguin Books, Pelican Books, 1944 (143 pages).

Introduction to Science. By J. Arthur Thomson. Home University Library of Modern Knowledge. New York: Henry Holt and Company; London: Williams and Norgate, 1911 (256 pages, followed by a publisher’s list).

Mathematician’s Delight. By W. W. Sawyer. 1943. Reprint, Melbourne, London, Baltimore: Penguin Books, Pelican Books, 1954 (238 pages).

Science and the Modern World. By Alfred North Whitehead. Lowell Lectures, 1925. Reprint, New York: New American Library, Pelican Mentor Book, 1948 (212 pages).

The Rise of Scientific Philosophy. By Hans Reichenbach. Berkeley and Los Angeles: University of California Press; London: Cambridge University Press, 1951 (333 pages).

The Scientific Attitude. By C. H. Waddington. Harmondsworth, Middlesex, England, and New York: Penguin Books, Pelican Books, 1941 (128 pages). Printed on the last page: “Leave this book at a Post Office when you have read it, so that men and women in the Services may enjoy it too.”

The World and Man as Science Sees Them. Edited by Forest Ray Moulton. Chicago: The University of Chicago Press, 1937 (533 pages).

Travel and Tourism

A Leaflet Guide to the Points of Interest in Historic Concord. Concord Antiquarian Society, 1936 (13 pages).

Adena, The Home of Thomas Worthington. Revised and reprinted from American Antiques Journal, May 1947 (pamphlet).

Amusements [Atlantic City], 12 April 1952.

Ausable Chasm (flyer).

Boston and New York via Shore Line, The New York, New Haven and Hartford Railroad Co., effective 21 May 1944, Eastern War Time (brochure).

Brazil in a Nutshell. Brazilian Government Trade Bureau (64 pages). Inserted is a small sheet of paper with the names of hotels in Rio and São Paulo inscribed in green ink.

Canadian National Railways Time Tables, effective 26 April 1959 to 24 October 1959, Standard Time (28 pages).

Caravelle. Swissair Safety Instructions (brochure).

Château de Ramezay, Montreal: Canadian Historical Museum / Musée d’Histoire Canadienne (brochure).

Chicago: Host City to the Nation. The Chicago Convention Bureau, Inc. (brochure). Various landmarks are enumerated in black ink next to the map of downtown Chicago.

Colonial Williamsburg and Its Restoration. February 1941 (leaflet).

Come to Cool Cape May (18-page pamphlet).

Coming Events: The Cleveland Museum of Art, September 1955 through January 1956 (pamphlet).

Cram’s Chicago and Suburbs: Street Names, Surface, Elevated and Steam Railways. Indianapolis: The George F. Cram Company, Inc., n.d. (leaflet).

Cram’s Condensed Street Guide and Map of Chicago. Indianapolis: The George F. Cram Company, Inc., n.d. (32-page pamphlet).

Cram’s Official Indexed Street Map of the Cincinnati Area, Including Northern Kentucky Cities. Indianapolis: The George F. Cram Company, Inc., n.d. (leaflet).

Directory of Hertz Driv-Ur-Self Stations and Licensed Operators in the United States and Canada. 1947 (29-page pamphlet).

Eleventh Annual Boating Guide, 1939 Edition. The New York Sun, 1939 (112 pages).

Excursiones. Pullmantur (leaflet).

Expo ’67, Montréal, Canada, 28 April–27 October 1967. Guide officiel. Maclean-Hunter Publishing Company, Ltd., 1966 (352 pages). Two copies. Inserted in one copy is a torn slip of paper on which is written in blue ink on one side: “Pincus Apt 3438 Hutchison [illeg.] 844-4308[,] PL3-7425”; on the other side: “Hana,” followed by several illegible words, and “524-4483.”

Faneuil Hall, Boston (leaflet).

Festival 1951, Salzburg, Austria, 27 July–31 August, Official Prospectus. Inscribed on the front in blue ink: “Dear Annalee & Barney, This is a unique spot. First time [illeg.] has been given here. Love to you both. Jane.”

Fort Meigs (brochure).

Fort Ticonderoga: A Visitor’s Guide and Some Important Dates. Lake George, N.Y.: Adirondack Resorts Press, Inc., n.d. (brochure).

Free Guide 1958. New Englander Hotel, Bennington, Vermont (47-page booklet).

Here’s Information About Cool Cape May. The City of Cape May, New Jersey (16-page pamphlet).

Holiday Adventure. Twenty-Third Annual (Personally Conducted) All-Expense Tour to Hudson Bay via Canadian National Railways (brochure).

Hotel Kraft, Basel am Rhein (37-page pamphlet). Numbers are written in blue ink on the front cover.

Hotel Lafayette at Beautiful and Historic Marietta, Ohio (brochure).

Hotel Thayer, West Point, N.Y. (brochure).

Île Ste-Hélène / St. Helen’s Island, Parc Historique et Récréatif / Recreational and Historical Park (brochure).

Illinois. The H. M. Gousha Company, Chicago and San José (leaflet).

Images de Salzbourg: Les documents photographiques. Alpina–Paris, 1947 (40 pages).

Le pensionnat du Sacré-Coeur. Imprimerie Alsatia-Colmar (brochure).

L’officiel des galeries. Édition internationale. Paris: Graphie, 1964 (40-page pamphlet).

Map of Martha’s Vineyard.

Marietta. Chamber of Commerce, Marietta, Ohio (brochure). Two copies.

Marietta—Yesterday and Today (brochure).

Monticello, the Home of Thomas Jefferson, Charlottesville, Virginia (brochure).

Montreal Museums Welcome You! / Bienvenue aux Musées de Montréal (brochure)

Morristown: A Military Capital of the American Revolution. By Melvin J. Weig, with the assistance of Vera B. Craig. National Park Service Historical Handbook Series (44-page pamphlet).

National Gallery of Art, Washington, D.C. U.S. Government Printing Office, (19-page pamphlet). Inserted are several typed pages with information on various galleries in the museum.

New Bedford: Interesting Facts. Bureau of Information and Publicity, Board of Commerce, New Bedford, Massachusetts (brochure).

New Bedford, Massachusetts. Civic Committee of the New Bedford Board of Commerce (brochure). Two copies.

New Bedford Port Society. Organized in 1830 to Help Seamen (12-page pamphlet). Inserted is a printed card: “Books about New Bedford.” On one side is a list of books and on the other a poem titled “What is Success?”

Ogunquit, Maine: Beautiful Place By the Sea (brochure).

Ohio’s Capitals (10-page pamphlet).

“Once Upon A Time in Ohio” 1949–1950 (leaflet).

Paris Weekly Information, no. 1777 (22–28 November 1967).

Peabody Museum, Salem, Massachusetts. 1942 (brochure).

Pennsylvania. Chicago: Rand McNally & Co., n.d. (leaflet).

Pennsylvania Railroad Time Tables, effective 28 August 1949 (brochure).

Pennsylvania-Reading Seashore Lines, Time Tables, effective 7 September 1954, Eastern Standard Time (brochure).

Pennsylvania Turnpike. Pennsylvania Turnpike Commission, 1949 (8-page pamphlet).

Philadelphia—Harrisburg—Roanoke, Pennsylvania Railroad, Time Tables, effective 26 September 1954 (brochure).

Really See Chicago: The Gray Line (leaflet).

RHEP (Restaurateurs et Hôteliers des Environs de Paris). Édité par le Groupement Amical des Restaurateurs et Hôteliers des Environs de Paris (leaflet). There are notations in blue ink in one section.

Rio Guide (leaflet). Two copies.

Route Map of Maine. State Highway Commission, Augusta, Maine, 1940–41. Stamped in purple ink: “Damariscotta Information Bureau, State of Maine.”

Saratoga, National Historical Park, New York (brochure).

Saskatchewan: Canada’s Newest Vacationland. Tourist Branch, Department of Travel and Information (32-page brochure).

Seattle World’s Fair Preview. 21 April–21 October 1962. Washington State Department of Commerce and Economic Development, 1961 (14-page pamphlet).

Soho Road Map of Ohio and Neighboring States. Chicago: Rand McNally & Company, n.d.

Streets and Homes in Old Salem, Describing Many Points of Interest and a Motor Route Through the City. N. S. Messer, 1919. Revised 1941 (12-page pamphlet).

Terrace Plaza Hotel, Cincinnati, Ohio (brochure).

The Betsey Mills Club (brochure).

The Hakone Open-Air Museum. Hakone, Japan (22 pages).

The Many Faces of Monticello. By Walter Muir Whitehill. Address given at Monticello 13 April 1964 (14-page pamphlet).

The Old Manse, Concord Massachusetts (leaflet).

The Old Mill Dam, Concord, Massachusetts. By Frederick R. Child, Jr. (7-page pamphlet). Two copies.

The Ross County Historical Society Museum, n.d. (leaflet)

The Topographic Maps of the United States: Massachusetts (Dukes County), Martha’s Vineyard Sheet. U.S. Department of the Interior, U.S. Geological Survey. Two copies.

The United States Pavilion Expo ’67 (14-page brochure). Inserted is a small folded card with the Pavilion logo on the front; inside is printed: “Please accept the enclosed brochure as a memento of United States participation in Expo ’67—the Canadian World Exhibition in Montreal. Leonard H. Marks, Director, United States Information Agency.”

The Walters Art Gallery Baltimore, Maryland: Brief Guide to the Collections and Notes on the Founders, 1957 (leaflet).

The Wayside, Concord, Massachusetts Home of Three Authors (leaflet). Two copies.

This Month in London, November 1967.

Tour the Wonderful World of Ohio. 1967 Official Highway Map. Ohio Department of Highways.

United Mainliner [United Airlines], vol. 11, no. 4 (1967) (special Chicago issue and guide).

United States Lines Paris Review, June 1953. Published for the passengers aboard the SS United States and SS America.

Visit Beautiful, Historic Bennington and the Famous Stone House (leaflet).

Visitor’s Map of Harrisburg: Places of Interest and Guide for the Guest in Pennsylvania’s Capital City.

Walker’s Vest Pocket Map of Boston, Giving All Points of Interest in Every Railway and Steamboat Terminus. Boston: Walker Lithograph Co., n.d.

Weekprogramma [The Netherlands], no. 11 (16–26 November 1967).

Welcome to Ford Motor Company in Dearborn (brochure).

Welcome to Belo Horizonte. “Urn departamento das organizações. Avelino De Almeida.” Gemex, Brazilian Gem Supplier. A route is marked in black ink or pencil on the leaflet’s map.

Welcome to Lexington, Massachusetts, The Birthplace of American Liberty. Lexington Historical Society and Lexington Board of Trade (brochure).

Welcome to São Paulo. Brochure. Three copies.

What’s Doing in Akron, vol. 6, no. 34 (26 August 1949). There are math computations in pencil on the front.

Where [São Paulo], 22 January 1966.

Where [Southern California], 24 February 1962.

Where [Washington, D.C.], 12 March 1966.

Where Magazine [Detroit], 20 February 1965.

Williams Inn, Williamstown, Mass. (9 pages).

Your Key to Baltimore, also featuring Towson, Eastern Shore, Annapolis & Queen City, Md. (24-page pamphlet). Inscribed in blue ink on the cover: “Wed. 506-2434.”

Zoar [brochure).

Zürich (leaflet).

Catalogues and Advertisements

ACADEMIC COURSES

Art Students League 1958–1959. Eighty-Third Regular Session: 16 September 1958 to 28 May 1959 (79 pages). Inscribed on the title page in black ink: “B. B. Newman.”

Cornell University, Ithaca, N.Y., Summer Session, 1941. Announcement.

Cranbrook Academy of Art, Bloomfield Hills, Michigan. Course catalogue, n.d. (20 pages).

Cranbrook Academy of Art, Bloomfield Hills, Michigan, 1965–66 (43 pages). Inserted is a card announcing the appointment of Mr. Glen Paulsen as the new head of the Department of Architecture.

Roosevelt University, College of Commerce, Chicago: “Knowledge Pays Dividends in Real Estate ” 1955, Fall Semester (brochure).

School of Design, 247 East Ontario Street, Chicago, Illinois. Calendar 1939–1940 (16 pages).

The New York Botanical Garden Educational Program 1941–1942. Courses in Botany and Gardening and Related Subjects. Second edition, 1940 (8 pages).

The New York Botanical Garden Educational Program 1941–1943. Courses in Botany and Gardening and Related Subjects. Issued August 1941 (12 pages).

PRODUCTS

A Note on Casein Painting. Bocour Colors (brochure).

A Note on Hand Ground Artist Colors. Bocour Colors (4-page pamphlet).

Aqua-tec (brochure).

Bausch and Lomb Binoculars. Main Office and Works, Rochester, N.Y. (32-page catalogue). Three inserts: “Price List for Catalog G–19, Binoculars and Spotting Telescopes”; a Madison Mart, Inc., leaflet titled “Indispensible to the Bird Student”; a leaflet titled “Featherweight Zeiss Binoculars.” Jotted in pencil on the back cover are math computations; calligraphic letters, including “R” and “B.,” are inscribed in purple pencil.

Bausch and Lomb Magnifiers and Readers Catalog I-15 (15 pages).

Beautiful Round Columns of Concrete at Lower Cost! Formed with Sonotube Fibre Forms for One-Time Use. Sonoco Products Division; Construction Products Division (large leaflet).

Braxton’s Catalog of Raw Wood Frames. Braxton Art Company, 353 East Fifty-Eighth Street (11 pages). Some addresses, telephone numbers, and figures in black ink and pencil are inscribed on the last page.

Building Products Guide. Catalog No. 66. Dykes Lumber Company, Inc. (34 pages).

Chronology: Teacher-Student Cross-Index. By E. Betty Berry, Research Chairman, New York University Art Collection, 1967 (chart).

Cornell University Press 1940. (14-page catalogue).

Craftint: Artists’ Materials Catalogue, no. 47. The Craftint Manufacturing Company, 1615 Collamer Avenue, Cleveland 10, Ohio (159 pages).

Discover Magna: Bocour’s Perfected Plastic Artist Paint. Bocour Artist Colors (brochure).

Dykes Catalog of Mouldings, no. 55. Dykes Lumber Co. (48 pages).

Dykes Lumber Company: Lumber and Building Specialties Catalog, no. 61 (34 pages).

Dykes Lumber Company, Inc.: Lumber and Building Specialties Catalog, no. 65 (34 pages).

Lippincott, Inc., Large Scale Sculpture (large brochure). Seven copies.

Portable Gallery Press, 1964 (13-page catalogue of art slides).

Praeger Books on Art/Archaeology, Winter 1967–68. Frederick A. Praeger, in Fourth Avenue, New York, N.Y. 10003 (22-page catalogue).

Pulmosan Respirators. Everything for Industrial Safety. Pulmosan Safety Equipment Corp. (brochure).

Putnam Ladders: Illustrative and Descriptive Catalogue, no. 610. Putnam & Company, Inc., New York (96 pages).

Quality Tools and Tool Kits at a Savings Up To 60%. Scott-Mitchell House., Inc., 611 Broadway, New York 12, N.Y. (46-page catalogue, plus order form).

Sonoco Fibre Construction Products. Sonoco Products Company, Construction Products Division (large brochure).

Sonotube Fibre Forms for Round Columns of Concrete. Sonoco Products Company, Construction Products Division (large leaflet).

The Book-Collectors’ Odyssey; or, “Travels in the Realms of Gold.” Gotham Book Mart, 51 West Forty-Seventh Street, New York. Catalogue 39, Winter 1938 (82-page catalogue).

The Fisher Components Price List (leaflet).

The New American Painting, Visual Documents of the Arts. Sandak, Inc., 1960–61 (leaflet).

This Is Aqua-tec. Bocour Artist Colors, Inc. (8-page pamphlet).

Tubing, Bars, Shapes; Steel, Stainless Steel, Aluminum, Extruded Bronze. Stock list no. 983–C. Julius Blum & Co., Inc. (24-page catalogue).

We Moderns. Gotham Book Mart, Catalogue no. 42, 1920–1940 (88 pages).

Your Bausch and Lomb Binocular. Bausch & Lomb Optical Co., Rochester, N.Y. (30-page instruction booklet).

Periodicals

Accent: vol. 3, no. 4 (Summer 1943); vol. 4, nos. 1–4 (1943–44); vol. 5, no. 1 (Autumn 1944), no. 3 (Spring 1945), no. 4 (Summer 1945); vol. 6, no. 1 (Autumn 1945), no. 4 (Summer 1946); vol. 7, no. 2 (Autumn 1946), no. 4 (Summer 1947); vol. 8, no. 4 (Summer 1948). Inserted in the copy of vol. 4, no. 4, is a newspaper clipping, “8000-Year-Old China.”

Allen Memorial Art Museum Bulletin: vol. 16, no. 3 (Spring 1959); vol. 21, no. 1 (Fall 1963); vol. 22, no. 3 (Spring 1965). Inserted in the copy of vol. 21, no. 1, is a slip of paper with the name Ellen Johnson, an address, and a telephone number inscribed in black ink.

Ambos Mundos, vol. 1, no. 1 (June 1946). Four copies.

Amsterdam, no. 46 (16–22 November 1967).

Anarchy: no. 3 (May 1961), no. 19 (September 1962), no. 20 (October 1962), no. 21 (November 1962).

Angry Penguins: Autumn 1944, December 1944.

Art and Artists, vol. 2, no. 5 (August 1967).

Art and Australia: vol. 3, no. 2 (September 1965), no. 4 (March 1966).

Art and Literature: no. 1 (March 1964), no. 4 (Spring 1965), no. 5 (Summer 1965), no. 7 (Winter 1965), no. 9 (Summer 1966).

Art d’Aujourd’hui, vol. 2, no. 6 (June 1951).

Art[s] Digest: vol. 13, no. 6(15 December 1938); vol. 26, no. 11 (1 March 1952); vol. 27, no. 20 (15 September 1953); vol. 28, no. 8 (15 January 1954), no. 9 (1 February 1954), no. 14 (15 April 1954), no. 15 (1 May 1954); vol. 29, no. 3 (1 November 1954), no. 10 (15 February 1954), no. 11 (1 March 1954). Stapled to the front cover of the copy of vol. 28, no. 8, is a typed letter, dated 23 January 1954, from Barnett Newman to the editor of Art Digest in response to a statement made by Rollin Crampton in that issue of the magazine.

Art Digest Newsletter, vol. 3, no. 17 (1 December 1968). Inserted is a form letter: “Dear Friend: The article appearing on page 2 of the current issue of the Art Digest Newsletter may be of special interest to you . . . . Sincerely, Joseph James Akston.”

Art in America: vol. 42, no 4 (December 1954); vol. 46, no. 2 (Summer 1958); vol. 48, no. 2 (1960); vol. 49, no. 4 (1961); vol. 50, no. 1 (1962), no. 2 (Summer 1962) (two copies); vol. 52, no. 1 (February 1964), no. 2 (April 1964); vol. 53, no. 4 (August–September 1965), no. 5 (October–November 1965); vol. 55, no. 3 (May–June 1967).

Art Now: New York: vol. 1, nos. 1–10 (1969) (two copies of no. 1, four copies of no. 3); vol. 2, nos. 1–10 (1970).

Art Students League News: vol. 18, no. 6 (September 1965); vol. 19, no. 4 (April 1966), no. 8 (November 1966) (special issue: “A Salute to the Whitney Museum”); vol. 21, no. 2 (February 1968); vol. 22, no. 3 (March 1969), no. 4 (April 1969). All the issues were mailed to the artist’s sister, Sarah Newman, at her address, except vol. 19, no. 8.

Art Voices: vol. 4, no. 2 (Spring 1965); vol. 5, no. 2 (Spring 1966).

Artforum: December 1963, September 1964, June 1965 (two copies), September 1965, May 1968.

Artlover, n.d. Two issues. Inserted in one issue are a newspaper clipping with an illustration of The Gossips by Honoré Daumier, a publisher’s list, and a page of black-and-white plates.

Arts: vol. 30, no 6 (March 1956); vol. 32, no. 3 (December 1957); vol. 33, no. 2 (November 1958), no. 4 (January 1959), no. 6 (March 1959), no. 7 (April 1959), no. 8 (May 1959) (eight copies), no. 10 (September 1959); vol. 34, no. 2 (November 1959), no. 5 (February 1960); vol. 35, no. 1 (October 1960), no. 3 (December 1960), no. 4 (January 1961); vol. 37, no. 7 (April 1963), no. 9 (May–June 1963).

Arts and Architecture: vol. 63, no. 3 (March 1946); vol. 71, no. 2 (February 1954); vol. 75, no. 4 (April 1958); vol. 76, no. 5 (May 1959); vol. 80, no. 11 (November 1963); vol. 83, no. 5 (June 1966) (two copies), no. 10 (November 1966).

Arts Magazine: vol. 39, no. 2 (November 1964) (two copies), no. 10 (September–October 1965); vol. 40, no. 4 (February 1966), no. 8 (June 1966); vol. 41, no. 6 (April 1967); vol. 42, no. 2 (November 1967), no. 8 (June/Summer 1968); vol. 43, no. 5 (March 1969).

Artscanada: no. 113 (October 1967), no. 120/121 (August 1968), no. 124/127 (December 1968).

Asahigraph: October 1966 (on the Two Decades of American Painting exhibition). Two copies.

Atlas, vol. 16, no. 1 (July 1968).

Aujourd’hui: no. 18 (July 1958), no. 25 (February 1960) (two copies), no. 37 (June 1962).

Avant Garde: no. 8 (September 1969) (special issue: “Picasso’s Erotic Gravures”); no. 11 (March 1970).

Basques: no. 1 (March 1943), no. 2 (April 1943), no. 3 (June 1943), no. 4 (August 1943), no. 5 (November 1943), no. 6 (August 1944).

Bennington College Bulletin: vol. 26, no. 1 (August 1957); vol. 32, no. 4 (May 1964) (Alumni issue).

Bird Notes, vol. 4, no. 1 (June 1941).

B’nai Zion Voice, vol. 16, no. 7 (April 1946).

Bolex Reporter, vol. 13, no. 2 (1963–64)

Books Abroad, vol. 19, no. 3 (Summer 1945).

Brooklyn Botanic Garden Leaflets: series 13–16 (1925–28), series 17–20 (1929–32), series 21–24 (1933–36).

Canadian Art: vol. 20, no. 2 (March–April 1963), no. 3 (May–June 1963); vol. 21, no. 5 (September–October 1964), no. 6 (November–December 1964); vol. 23, no. 1 (January 1966).

Che Fare, no. 3 (1 June 1968).

Chronicle of the Museum for the Arts of Decoration of Cooper Union, vol. 1, no. 1 (Winter 1934–35).

Cimaise, vol. 6, no. 5 (June–August 1959).

Circle: vol. 1, nos. 2–4 (1944); nos. 5, 6 (1945).

Citizens Budget Commission News [New York]: vol. 3, no. 1 (April 1939) (two copies); vol. 4, no. 2 (December 1940).

College Art Journal: vol. 12, no. 3 (Spring 1953); vol. 13, no. 4 (Summer 1954) (two copies); vol. 14, no. 1 (Fall 1954) (three copies).

Clothesline, vol. 1, no. 1 (September 1965).

Commentary: vol. 16, no. 2 (August 1953); vol. 17, no. 6 (June 1954); vol. 46, no. 4 (October 1968).

Compressed Air Magazine, vol. 62, no. 4 (April 1957). Inscribed on the front cover in pencil: “B. H. FR.” Inserted is a typed letter from Bob Friedman, addressed to Barnett Newman at Pierpont Street in Brooklyn: “Dear Barney, I thought the article and pictures starting on Page 102 of the enclosed magazine would interest you. The cut at the bottom of Page 105 looks like Da Da Collage of the $64,000 question. Best regards. Sincerely, Bob [signed in blue ink over:] B. H. Friedman[.] BHF/dh[.] encl.”

Contemporary Jewish Record, vol. 7, no. 1 (February 1944).

Cue, vol. 34, no. 13 (27 March 1965).

Current Biography, vol. 30, no. 8 (September 1969). Nine copies.

Das Kunstwerk: vol. 16, no. 9 (March 1963) (two copies); vol. 18, nos. 1–3 (July–September 1964), nos. 10–12 (April–June 1965).

Derrière le Miroir: no. 16 (January 1949), no. 65 (May 1954), no. 110 (1958), no. 157 (March 1966). Inserted in the copy of no. 110 is a folded advertisement for Ellsworth Kelly, Painting and Sculpture, at the Betty Parsons Gallery, 29 October–23 November [n.d.]. In the copy of no. 157 is a typed card: “Hommage de l’Éditeur.”

Detroit Free Press Weekly TV Magazine, vol. 6, no. 8 (21–27 February 1965).

Direction, vol. 2, no. 3 (May–June 1939) (special issue: “American Writers’ Congress”).

Dissent: June 1961; vol. 10, no. 2 (Spring 1963).

Dodge Construction News, 25 August 1967.

Dyn [Mexico]: vol. 1, no. 1 (April–May 1942), no. 2 (July–August 1942), no. 3 (Fall 1942), no. 4–5 (December 1943) (Amerindian number), no. 6 (November 1944).

Encounter: vol. 1, no. 3 (9 December 1953); vol. 14, no. 5 (May 1960); vol. 17, no. 6 (December 1961); vol. 19, no. 6 (December 1962) (two copies); vol. 20, no. 2 (February 1963), no. 4 (April 1963); vol. 21, no. 3 (September 1963); vol. 23, no. 6 (December 1964); vol. 24, no. 5 (May 1965); vol. 25, no. 1 (July 1965), no. 2 (August 1965), no. 3 (September 1965); vol. 29, no. 1 (July 1967), no. 2 (August 1967); vol. 30, no. 3 (March 1968), no. 6 (June 1968).

Evergreen Review: vol. 1, no. 3; vol. 2, no. 6 (Autumn 1958), no. 7 (Winter 1959), no. 8 (Spring 1959); vol. 3, no. 9 (Summer 1959), no. 10 (November–December 1959); vol. 4, no. 12 (March–April 1960).

Food (for Thought) [Toronto]: no. 3, nos. 5–8, n.d.

Foreground, vol. 1, no. 1 (Winter 1946).

Foreign Affairs, vol. 22, no. 3 (April 1944).

Fortune, vol. 52, no. 6 (December 1955).

Forum, October 1957. Contains only the article in this issue by Frederick Kiesler. Inscribed in blue ink inside the front cover: “To Barney Newman as [illeg.] Cordially, FK.[,] N.Y.[,] June 12[,] 1958.”

Frontier, vol. 17, no. 1 (November 1965). Stamped on the cover: “Marked Copy P. 23.” The number is handwritten in blue ink.

Gazette des Beaux-Arts, series 6, vol. 24, no. 919 (September 1943).

GQ, vol. 28, no. 1 (Advance, Spring 1958).

Guest [Detroit], vol. 22, no. 48 (22–28 February 1965).

Harper’s Magazine: vol. 189, no. 1130 (July 1944); vol. 191, no. 1146 (November 1945); vol. 194, no. 1165 (June 1947) (two copies); vol. 195, no. 1166 (July 1947); vol. 197, no. 1181 (October 1948); vol. 224, no. 1342 (March 1962); vol. 237, no. 1423 (December 1968); vol. 238, no. 1424 (January 1969).

Harvard Art Review, vol. 2, no. 1 (Winter 1967).

Hasselblad [Göteborg, Sweden], nos. 1, 2 (1965).

Hockey: vol. 26, no. 4 (1952–1953); vol. 28, no. 4 (1954–55). Inserted in the copy of vol. 26, no. 4 is a program for the National Hockey League game, Madison Square Garden, New York, Wednesday, 31 December, 1952.

Holiday, vol. 26, no. 4 (October 1959).

Horizon: vol. 9, no. 53 (May 1944); vol. 10, no. 55 (July 1944), no. 58 (October 1944), no. 59 (November 1944), no. 60 (December 1944); vol. 11, no. 61 (January 1945), no. 62 (February 1945), no. 63 (March 1945), no. 64 (April 1945), no. 65 (May 1945), no. 66 (June 1945); vol. 12, no. 67 (July 1945), no. 68 (August 1945); vol. 14, no. 79 (July 1946); vol. 18, no. 108 (December 1948); vol. 19, no. 110 (February 1949), no. 111 (March 1949).

House & Garden: December 1942, November 1969.

Hudson Review, vol. 20, no. 4 (Winter 1967–68).

Hunter Alumni Quarterly, vol. 73, no. 2 (Spring 1969).

ICA News, Fall 1965.

i.e., The Cambridge Review, December 1956. Two copies.

Interaction, April 1970.

International Studio, vol. 79, no. 325 (June 1924).

iris.time unlimited, no. 15 (27 May 1964).

It Is: no. 1 (Spring 1958), no. 3 (Spring 1959, no. 4 (Autumn 1959), no. 5 (Spring 1960). Inserted in the no. 1 issue are a printed sheet describing the magazine, and a complimentary card. Inserted in the no. 3 issue is a complimentary card on which is printed “P. G. Pavia.”

Journal de l’Amateur d’Art, no. 715 (n.d.) (special issue: “Pierre-Auguste Renoir”). Inserted is a leaflet, “Renoir, ou la joie d’exister,” by Nicole Lamothe.

Jubilee, vol. 10, no. 1 (May 1962).

Key, 1–8 February 1962. Inscribed on the contents page in blue ink: “AX29314” and “Robert Irwin” (?).

Kulchur: vol. 3, no. 9 (Spring 1963) (four copies, one defective); vol. 4, no. 16 (Winter 1964–65).

Kunst-Zeitung, no. 2 (January 1969) (special issue: “Bernhard und Hilla Becher”). Written in black ink on the cover: “add Newman bibl.”

La Nouvelle Revue Française, vol. 16, no. 190 (1 October 1968).

La Revista Belga [New York]: vol. 1, no. 4 (June 1944), no. 6 (August 1944) (nine copies), no. 7 (September 1944), no. 10 (December 1944); vol. 2, no. 1 (January 1945), no. 2 (February 1945), no. 4 (April 1945) (five copies), no. 6 (June 1945), no. 8 (August 1945), no. 10 (October 1945); vol. 3, no. 2 (February 1946).

L’Arte Moderna: vol. 13, no. 9 (1967), no. 10 (1967) (two copies).

Life: 27 May 1940, 11 October 1948, 15 January 1951 (two copies), 9 November 1959, 16 November 1959. Inserted in the 9 November 1959 issue is a small sheet of Life letterhead, on which is typed: “The editors very much appreciate all your assistance in Life’s behalf, and thought you would be especially interested in this issue.” It is signed by Jean Bargos.

Limited Edition, no. 1 (August 1945).

Link, September–October 1966. Two copies.

Living Arts, no. 2 (June 1963), no. 3 (April 1964) (two copies).

Location: vol. 1, no. 1 (Spring 1963) (three copies), no. 2 (Summer 1964).

Locus Solus 1 (Winter 1961), 2 (Summer 1961).

L’Oeil: no. 106 (October 1963), no. 120 (December 1964).

Look: 11 September 1951 (four copies), 26 January 1954, 9 January 1968.

Los Angeles County Museum of Art Bulletin, vol. 14, no. 3 (1962). Attached to the cover is the business card of James Elliott, Director of Fine Arts, Los Angeles County Museum of Art, on which is written, in black ink: “Best regards Jim.”

Maclean’s, vol. 74, no. 24 (2 December 1961).

Magazine of Art: vol. 33, no. 7 (July 1940); vol. 41, no. 3 (March 1948).

Main Currents in Modern Thought, vol. 5, no. 4 (October 1947).

Mánchete, vol. 13, no. 700 (18 September 1965). Two copies.

Marcatré, nos. 34/35/36 (1967).

Masses and Mainstream: vol. 1, no. 1 (March 1948); vol. 8, no. 12 (December 1955).

Mizue [Japan], no. 741 (October 1966) (three copies), no. 742 (November 1966). Written on one copy of no. 741 in pencil: “3.”

MKR’s Art Outlook: no. 9 (April 1946), no. 10 (May 1946), no. 11 (June 1946), no. 14 (17 October 1946), no. 25 (23 December 1946), no. 27 (13 January 1947), no. 29 (27 January 1947) (three copies).

MKR’s Art Weekly: vol. 1, no. 1 (25 February–4 March 1946), no. 8 (22–29 April 1946).

Modern Age, vol. 2, no. 2 (Spring 1967).

Modern Artists in America, series 1, 1951.

Modern Monthly: vol. 10, no. 9 (December 1937), no. 12 (June 1938).

Museumjournaal [Amsterdam], vol. 15, no. 1 (February 1970). Inserted are a museum leaflet and a printed errata slip.

Naturalist’s Digest, vol. 1, no. 4 (September 1953).

New Left Review, no. 41 (January–February 1967.

New Mexico Quarterly Review, vol. 19, no. 2 (Summer 1949).

New Politics, vol. 2, no. 4 (Fall 1963).

New York: 8 April 1968, 13 October 1969, 8 December 1969 (two copies), 19 January 1970. Inserted in one of the copies dated 8 December 1969 is the business card of Johanna E. Bafaro, Johanna Designs.

News, vol. 16, no. 2 (December 1952–January 1953).

Newsweek: 12 December 1938, 12 August 1946, 16 March 1959 (five copies), 4 November 1963 (two copies), 27 January 1964, 1 June 1964, 4 January 1965 (two copies), 25 October 1965, 9 May 1966 (two copies), 16 May 1966, 4 November 1968, 14 April 1969 (three copies), 8 December 1969, 22 December 1969. Newspaper clippings on teacher-artists and a letter written in pencil to Fiorella La Guardia are inserted in the copy dated 12 December 1938.

Night Sounds: vol. 1, no. 1 (March 1969), no. 2 (May 1969), no. 6 (October 1969).

Noonday, vol. 3, no. 150 (1960).

Noticias Culturáis [São Paulo], no. 3 (July 1965).

Now: nos. 1–4, 6–9 (1943).

Ohio Archaeological and Historical Quarterly: vol. 17, no. 2 (April 1908); vol. 45, no. 2 (April 1936).

Pageant, vol. 14, no. 8 (February 1959) (three copies).

Partisan Review: vol. 8, no. 5 (September–October 1941), no. 6 (November–December 1941); vol. 9, nos. 1–6 (1942); vol. 10, no. 1 (January–February 1943), no. 2 (March–April 1943), no. 3 (May–June 1943), no. 4 (July–August 1943), no. 5 (September–October 1943); vol. 11, no. 2 (Spring 1944), no. 3 (Summer 1944), no. 4 (Fall 1944); vol. 12, nos. 1–4 (1945); vol. 13, no. 1 (Winter 1946), no. 2 (Spring 1946), no. 4 (September–October 1946), no. 5 (November–December 1946); vol. 14, no. 3 (May–June 1947), no. 4 (July–August 1947); vol. 15, no. 2 (February 1948), no. 3 (March 1948), no. 4 (April 1948), no. 5 (May 1948), no. 6 (June 1948), no. 7 (July 1948), no. 8 (August 1948), no. 9 (September 1948), no. 10 (October 1948); vol. 16, no. 1 (January 1949), no. 2 (February 1949), no. 3 (March 1949); vol. 17, no. 5 (May–June 1950), no. 7 (September–October 1950); vol. 18, no. 3 (May–June 1951), no. 6 (November–December 1951); vol. 20, no. 4 (July–August 1953); vol. 22, no. 2 (Spring 1955) (two copies); vol. 27, no. 1 (Winter 1960); vol. 29, no. 2 (Spring 1962), no. 4 (Fall 1962); vol. 30, no. 3 (Summer 1963), no. 3 (Fall 1963); vol. 31, no. 1 (Winter 1964), no. 2 (Spring 1964), no. 4 (Fall 1964) (special issue); vol. 32, no. 1 (Winter 1965), no. 2 (Spring 1965), no. 4 (Fall 1965); vol. 33, no. 3 (Summer 1966); vol. 34, no. 1 (Winter 1967), no. 2 (Spring 1967), no. 4 (Fall 1967); vol. 35, no. 1 (Winter 1968); vol. 37, no. 1 (1970), no. 2 (1970).

Pax, no. 10 (1960).

Perspecta, 1967.

Poetry, vol. 37, no. 3 (December 1930).

Poetry [London]: vol. 1, no. 3 (November 1940), no. 4 (January–February 1941).

Polemic, vol. 2 (January 1946).

Politics: vol. 1, no. 2 (March 1944); vol. 2, no. 9 (September 1945), no. 11 (November 1945); vol. 3, no. 1 (January 1946), no. 2 (February 1946), no. 3 (March 1946), no. 4 (April 1946), no. 5 (May 1946), no. 6 (July 1946), no. 7 (August 1946), no. 8 (September 1946); vol. 4, no. 1 (January 1947), no. 2 (March–April 1947), no. 4 (July–August 1947).

Problems of Contemporary Art: Possibilities, vol. 1 (Winter 1947/48). Two copies.

Progressive Architecture, November 1962. Two copies. Bound tear sheets of an article on the Everson Museum of Art, Syracuse, N.Y., a building that was designed by I. M. Pei.

Quadrum, vol. 13 (1962).

Qui Arte Contemporánea, no. 3 (March 1967).

Ramparts, vol. 5, no. 10 (April 1967).

Rangers Hockey Magazine, vol. 5, no. 2 (1969). Two copies.

Réalités, no. 146 (January 1963).

Response, April 1963. Two copies. With these copies are schedules for the Response Weekend titled “The Pursuit of Excellence in the Creative Arts.”

Retort [“An Anarchist Review”]: vol. 2, no. 3 (Winter 1945), no. 4 (Spring 1945); vol. 3, no. 1 (Fall 1945), no. 2 (Spring 1946), no. 4 (Spring 1947); vol. 4, no. 1 (Autumn 1947).

Roosevelt University Bulletin, vol. 11, no. 5 (August 1955).

Saturday Review: vol. 40, no. 52 (28 December 1957); vol. 43, no. 15 (9 April 1960), no. 17 (23 April 1960) (two copies); vol. 48, no. 4 (23 January 1965).

School Nature League: vol. 9, no. 9 (May 1939); vol. 10, no. 10 (June 1940). Both copies are inscribed in black ink on the front: “To Mr. & Mrs. B. Barnett Newman[,] With the regards of Arthur H. Graves[,] Feb. 14, 1941.

School Nature League Bulletin, vol. 11, no. 10 (June 1941). Inscribed in black ink on the front: “To Mr. B. B. Newman[,] With the regards of Arthur H. Graves[,] July 15, 1941.

Scrap: no. 6 (19 April 1961), no. 8 (14 June 1962).

Silo (December 1958). Attached to the cover is a typed note from Abby Fink regarding her article in this publication. Also, there are handwritten notations in the margins.

Situations, vol. 3, no. 2 (March–April 1961).

Studio International: vol. 175, no. 896 (January 1968), no. 897 (February 1968), no. 900 (May 1968) (two copies), no. 901 (June 1968); vol. 176, no. 902 (July–August 1968), no. 903 (September 1968), no. 904 (October 1968); vol. 177, no. 907 (January 1969), no. 910 (April 1969); vol. 178, no. 917 (December 1969); vol. 179, no. 919 (February 1970) (two copies), no. 921 (April 1970). Inserted in the front cover of one copy of vol. 175, no. 900, is a letter on Vogue stationery addressed to Barnett Newman at West End Avenue and dated 6 June 1968: “Dear Barney: Evidently Mr. Plumb is not afraid of red, yellow and blue either. I thought you would be interested in this cover and also the article on page 254. Regards, S.I. Newhouse, Jr. (signed in black ink)[.] SIN/af.”

The Anarchist Weekly, vol. 23, no. 23 (21 July 1962).

The Answer, January 1936. Seven copies.

The Ark, Spring 1947.

The Art Bulletin, vol. 25, no. 2 (June 1943).

The Art Journal, vol. 22, no. 3 (Spring 1963).

The Art World, vol. 2, no. 2 (May 1917).

The Arts: vol. 14, no. 4 (October 1925); vol. 16, no. 8 (April 1930).

The Asahi Picture News, 26 June 1964.

The Atlantic: vol. 181, no. 2 (February 1948); vol. 182, no. 6 (December 1948); vol. 199, no. 1 (January 1957).

The Auk [American Ornithologists’ Union]: vol. 59, nos. 1–4 (1942); vol. 60, nos. 1–4 (1943); vol. 61, nos. 1–4 (1944); vol. 62, nos. 1–4 (1945).

The Blood-Horse, vol. 67, no. 15 (3 April 1954).

The Boston Public Library Quarterly, vol. 1, no. 1 (July 1949).

The Bulletin of the Joint Committee of Teachers Organizations of New York City, vol. 1, no. 8 (15 February 1940).

The Century Illustrated Monthly Magazine, vol. 39 (April 1890).

The Chimera: vol. 2, no. 4 (Summer 1944); vol. 3, no. 1 (Autumn 1944), no. 4 (Summer 1945); vol. 4, no. 3 (Spring 1946), no. 4 (Summer 1946).

The Commonweal: vol. 57, no. 24 (10 March 1953); vol. 64, no. 25 (21 September 1956).

The Connoisseur, vol. 100, no. 431 (July 1937).

The Co-op Crier, no. 118 (June 1969).

The Floating Bear, no. 16 (1961). Inscribed on the title page in blue ink: “BH Friedman[,] 237 E 48 St[,] NY 17, NY[.]”

The Harvard Wake, no. 5 (Spring 1946).

[The] Hound and Horn: vol. 4, no. 4 (July–September 1931); vol. 6, no. 3 (April–June 1933); vol. 7, no. 1 (October–December 1933), no. 2 (January–March 1934).

The Hudson Review: vol. 9, no. 3 (Autumn 1956); vol. 20, no. 4 (Winter 1967–68).

The Illiterati, no. 4 (Summer 1945).

The Israel Museum News, vol. 1, no. 1 (September 1965). Inserted is a printed page listing “publications and medallions” of the museum.

The Journal of the Walters Art Gallery [Baltimore], vol. 17 (1954). Inscribed in black ink on the cover: “To Barney”; on the page facing the title page: “17–5–70 [illeg.] ‘Simple stars to a major constellation’ [illeg.] Karl Katz.”

The Kenyon Review: vol. 3, no. 1 (Winter 1941); vol. 5, no. 2 (Spring 1943), no. 3 (Summer 1943), no. 4 (Autumn 1943); vol. 6, nos. 1–4 (1944); vol. 7, no. 2 (Spring 1945), no. 3 (Summer 1945), no. 4 (Autumn 1945); vol. 8, no. 4 (Autumn 1946); vol. 10, no. 4 (Autumn 1948); vol. 30, no. 5 (1968).

The Lavender [CCNY’s magazine]: vol. 2, no. 5 (November 1924); vol. 3, no. 1 (March 1925); vol. 4, no. 1 (March 1926), no. 2 (June 1926); vol. 5, no. 1 (October 1926). Inscribed in pencil on the cover of the copy of vol. 3, no. 1 is “869 Prospect Ave.[,] Hollywood Gardens.”

The Listener and BBC Television Review: vol. 47, no. 1728 (10 May 1962); vol. 48, no. 1738 (19 July 1962). Three copies of each.

The Metropolitan Museum of Art Bulletin, April 1960. Inscribed in blue ink along the spine on the inside front cover: “Ruth Vollmer, 25 Central Park West, New York 23, CO5-2811.”

The Museum of Modern Art Bulletin: vol. 13, nos. 4–5 (1946); vol. 14, no. 1 (Fall 1946); vol. 27, nos. 3–4 (1960).

The Museum World Arts Yearbook, vol. 9 (1967).

The Nation: vol. 164 (17 May 1947); vol. 165, no. 23 (6 December 1947) (two copies); vol. 166, no. 1 (3 January 1948), no. 9 (28 February 1948), no. 12 (20 March 1948), no. 22 (29 May 1948); vol. 167, no. 23 (4 December 1948), no. 24 (11 December 1948); vol. 168, no. 22 (28 May 1949), no. 24 (11 June 1949); vol. 170, no. 21 (27 May 1950); vol. 182, no. 1 (7 January 1956), no. 15 (14 April 1956); vol. 187, no. 6 (6 September 1958) (four copies); vol. 202, no. 9 (28 February 1966), no. 20 (16 May 1966); vol. 208, no. 26 (30 June 1969); vol. 210, no. 17 (4 May 1970).

The New Republic: vol. 137, nos. 9–10 (26 August 1957) (two copies), no. 19 (28 October 1957) (five copies); vol. 148, no. 5 (2 February 1963); vol. 150, no. 4 (25 January 1964); vol. 156, no. 14 (8 April 1967).

The New York Element, vol. 1, no. 4 (June–July 1969). Two copies.

The New York Review of Books, vol. 7, no. 7 (3 November 1966).

The New York Teacher: vol. 3, no. 8 (May 1938); vol. 4, no. 1 (October 1938), no. 2 (November 1938).

The New York Times Magazine: 14 July 1968, 8 December 1968.

The New Yorker: 12 December 1953, 19 December 1953, 29 December 1956, 6 June 1959, 12 November 1960, 4 November 1961, 24 February 1962, 27 October 1962, 16 March 1963, 10 August 1963, 6 February 1965, 14 January 1967, 6 May 1967, 12 August 1967, 25 May 1968, 19 April 1969 (six copies), 27 September 1969, 6 December 1969.

The Noble Savage, vol. 4 (1961). Inscribed on the title page: “Barney, I made things tough for myself by quoting you. bhf.

The Paris Review, no. 40 (Winter–Spring 1967).

The Record of the Association of the Bar of the City of New York, vol. 2, no. 5 (May 1956). Inscribed in pencil on the cover: “Barney—See page 223.”

The Saturday Evening Post, vol. 232, no. 5 (1 August 1959). Inscribed in black ink on the cover: “Clement Greenberg[,] P.18.”

The Scientific Monthly, October 1936 (sample copy).

The Scribe, vol. 40, no. 36 (30 April 1968).

The Second Coming: preview issue; vol. 1, no. 1 (January–February 1961), no. 2 (July 1961), no. 3 (March 1962), no. 4 (June 1962). Inserted in the preview issue is a typed letter, dated 26 September 1960, from David Rosand, art editor, to Barnett Newman asking if he would be interested in writing for the magazine.

The Sewanee Review: vol. 53, no. 1 (Winter 1945), no. 3 (Summer 1945), no. 4 (Autumn 1945); vol. 54, no. 1 (Winter 1946).

The Sunday Times Colour Magazine [London], 26 April 1964. Two copies.

The Tax Digest, vol. 18, no. 9 (September 1940). Inserted is a newspaper article: “Senators Study Plan at Albany to Cut Budget.”

The Thoroughbred of California, December 1968.

The Tiger’s Eye, vol. 1, nos. 1–9 (October 1947–October 1949).

The Whitney Review, 1969–70.

The Wilson Bulletin: vol. 54, nos. 1–4 (1942) (two copies of no. 3); vol. 55, nos. 1–4 (1943); vol. 565 nos. 1–4 (1944); vol. 57, nos. 1–4 (1945); vol. 58, no. 1 (March 1946), no. 2 (June 1946).

This Week [Washington, D.C.], 14 August 1960, 13 March 1966, 1 October 1967, 28 April 1968.

Time: 20 February 1950, 16 September 1957, 25 November 1957, 28 April 1958, 4 August 1958, 12 January 1959, 9 November 1959, 3 March 1961, 10 March 1961, 20 October 1961 (two copies), 24 November 1961, 13 April 1962 (two copies), 30 August 1963, 20 September 1963 (two copies), 4 October 1963, 29 November 1963, 17 January 1964, 15 May 1964 (Warhol issue), 22 January 1965, 2 April 1965, 10 September 1965, 8 October 1965, 15 October 1965, 22 October 1965, 19 April 1966, 6 May 1966, 27 May 1966, 17 June 1966, 13 October 1967 (three copies), 5 April 1968, 1 November 1968, 28 March 1969, 11 April 1969, 27 June 1969, 15 August 1969) (two copies), 24 October 1969 (two copies). Inscribed in pencil on the cover of the issue for 28 April 1958: “MMA—Fire.” Inscribed in pencil on the cover of the issue for 12 January 1959: “Design.” Inscribed in red pencil across the cheek and forehead of Virgil Couch on the cover of one copy of the 20 October 1961 issue: “Caliendo.”

Trans Formation, vol. 1, no. 1 (1950) (two copies), no. 2 (1951), no. 3 (1952).

Transition Forty-Eight: no. 1 (February 1948), no. 2 (June 1948), no. 3 (October 1948).

TV Guide, vol. 11, no. 10 (9 March 1963).

USA 1, vol. 1, no. 2 (12 May 1962).

Valeurs, no. 5 (April 1946).

Vanguard: vol. 3, no. 4 (October–November 1936); vol. 4, no. 4 (July 1938), no. 8 (May 1939), no. 9 (July 1939).

vi, vol. 54, no. 17 (22 April 1967).

Vida Turfista, vol. 35, no. 1 (10 September 1965).

Viet Nam Memorial Reading Newsletter, no. 1 [1969].

View: vol. 2. no. 1 (April 1942) (Max Ernst number), no. 3 (October 1942) (Vertigo number); vol. 4, no. 2 (Summer 1944); vol. 6, no. 3 (May 1946).

View Paris, vol. 6, nos. 2–3 (March–April 1946).

Voices, no. 121 (Spring 1945).

Vogue: 1 February 1950, 15 April 1950, June 1951, 1 October 1951, 15 October 1959 (two copies), 1 February 1963 (six copies), 1 October 1963, 1 January 1964, 15 January 1964, 1 February 1964, July 1964, 15 November 1965, 1 April 1966, 15 April 1966 (three copies), 1 August 1966, 15 March 1967, 1 April 1967, 1 August 1967 (two copies), 15 August 1967, 1 March 1969, 15 March 1969 (six copies), 1 August 1969, 15 November 1969, 1 February 1970 (two copies), 15 February 1970.

Yale French Studies, nos. 36–37 (October 1966).

Young France Today (1945) (Portfolio II supplement).

WBAI Program Folio, vol. 1, no. 14 (11–24 July 1960).

Barnett Newman subscribed to or was an irregular reader of the following periodicals, some copies of which are in the Barnett Newman library: Art News, 1944–1961; Art International, 1959–1964; Wall Street Journal, 1968.

Programs and Menus

1960 Official Orioles Score Card and Review. A copy of the Baltimore Orioles 1960 Official Schedule is inserted, and the lineup is written in pencil on pages 10–11.

1967 International Congress on Religion, Architecture and the Visual Arts. New York Hilton, 27 August–1 September 1967.

American Ornithologists’ Union, Fifty-Ninth Stated Meeting. Colorado Museum of Natural History, Denver, 1–6 September 1941.

Antigua Casa Sobrino de Botín (Casa Fundada en 1725), Madrid. Menu.

Artists’ Equity Association: Program of the First Annual Meeting. The Museum of Modern Art, Wednesday, 30 April 1947, 8:30 P.M.

Big A: Official Program of The New York Racing Association. Attached to the front are two identification tags, on which is printed: “25 Guest[,] Fall 1965[,] Aqueduct Turf and Field Club.”

Black Africa, with Les Ballets Africains of Guinea. Souvenir Programme. New Victoria Theatre, London, 1964. Two copies.

Brandeis University Creative Arts Awards: Fourteenth Annual Presentation Ceremony. The Whitney Museum of American Art, New York, 17 May 1970.

Cooper Union Forum. The Department of Social Philosophy of Cooper Union, 1939–1940 season.

Cooper Union Forum Series. Department of Social Philosophy, 30 October 1938–21 April 1939.

Fifth Annual World Series of Basketball Program. 1954 National Tour. College All-Americans vs. Harlem Globetrotters.

Globetrotters vs. All-Americans Program. Madison Square Garden. 28 March 1954.

Gourmet Restaurant, Terrace Plaza Hotel, Cincinnati, Ohio. Menu.

Guys and Dolls: A Musical Fable of Broadway. Souvenir program. Schubert Theatre (17 pages). Inscribed in black ink on the title page: “To Annalee & Barney from Clyff & Pat. Oct. 24/53.”

Kempton Park Races Second May Meeting. Saturday, 16 May 1964. Kempton Park Race Course Company, Ltd.

Le Pavilion, 111 East Fifty-Seventh Street, New York. Menu. Comments and signatures in blue ink were inscribed on the menu by Barnett Newman, Annalee Newman, Alexander Liberman, Tatiana Liberman, Robert Motherwell, and Helen Frankenthaler. There is one illegible signature as well.

Locke-Ober Café, Boston. Menu.

Madison Square Garden Boxing Program. Vol. 33, no. 5. Inscribed in blue ink on the front cover: “Best of Luck[,] Jack Dempsey.”

National Sporting Club, Cafe Royal, London, 1891–1964. Inserted is a place card on which is printed “Cafe Royal” and a logo, and on which is typed “Mr. A. Powers.” Also inserted is a blue tag (and attached string) on which is printed, on one side, “Kempton Park Club 50′–Gentleman’s Badge[,] 211”; on the other side is printed “Kempton Park Club[,] May 16, 1964[,] Gentleman’s Badge[.] Issued subject to Rules of Racing[,] 211.”

New York Giants Program 1953.

New York Yankees Program 1952.

New York Yankees 1954. Two copies.

New York Yankees Program 1959. Four copies.

New York Yankees vs. Pittsburg Pirates[.] World Series . . . 1960 Program. Two copies.

New York Yankees Program 1961. Two copies.

Plymouth Church of the Pilgrims, Brooklyn. 13 January 1957.

Program of the Thirty-Third Annual Conference on Taxation. Under the Auspices of the National Tax Association. Hotel Pennsylvania, New York, 9–12 September 1940.

Saratoga: Official Program. Greater New York Association, Inc. Two copies. In both copies in blue ink the name of the horse Onhistoes is crossed out and certain numbers are changed. In one copy the odds are written in blue ink.

Stratton Arts Festival: Paintings and Sculpture. Stratton, Vermont, 30 September–12 October 1965.

Summer Arts Festival 1963. University of Wisconsin, Milwaukee, School of Fine Arts, 24 June–2 August.

The Cathedral Church of Saint John the Divine. Easter, 29 March 1959.

The Five Spot Café Presents for the First Time in New York: The Double Debut of The Art Farmer—Benny Golson “Jazztet” and The Ornette Coleman Quartet. Opening Tuesday, 17 November.

The Frick Collection and The Institute of Fine Arts of New York University Present a Symposium on the History of Art. The Frick Collection, 15 April 1967.

The One-Hundred and Second Commencement of the City College. The College of The City of New York. Lewisohn Stadium, Tuesday, 22 June 1948.

The Summit House, East Windham, Greene County, N.Y. In the Catskills.

The Tenth Decade Dinner of the Art Students League of New York. Program. Grand Ballroom of The Plaza, Friday, 10 February 1967. Two copies.

The White House Festival of the Arts. Program. 14 June 1965.

Thirty-Sixth Annual Convention of the National Audubon Society. New York City, 11–15 October 1940.

USSR Exhibition of Achievements in Science, Technology and Culture. New York, 1959. Three copies.

Yankee Stadium Program 1951.

Zaidee Parkinson Recital, Carnegie Recital Hall, 21 January 1970.

PLAYBILLS (IN CHRONOLOGICAL ORDER)

1952: “Don Carlo,” Metropolitan Opera, 9 April. 1953: “Guys and Dolls,” Forty-Sixth Street Theatre, October; “La Vida Es Sueño,” Compañía Española de Teatro Universal, The Broadhurst Theatre, November; “Don Juan Tenorio,” El Teatro Español, The Broadhurst Theatre, December; “Can-Can,” Sam S. Schubert Theatre, December. 1955: “Le Bourgeois Gentilhomme,” Comédie Française, Broadway Theatre, October (two copies). 1957: “Christophe Colomb,” Compagnie Madeleine Renaud-Jean-Louis Barrault, Winter Garden, January (two copies); “Le Chien du Jardinier,” Compagnie Madeleine Renaud-Jean-Louis Barrault, Winter Garden, February (two copies); “Volpone,” Compagnie Madeleine Renaud-Jean-Louis Barrault, Winter Garden, February (two copies). 1958: “Look Homeward, Angel,” Ethel Barrymore Theatre, 21 April (two copies); “Le Cid,” Theatre National Populaire, The Broadway Theatre, October; “Twelfth Night,” The Old Vic Company, The Broadway Theatre, 29 December. 1959: “West Side Story,” Winter Garden (two copies). 1961: “Faust,” Deutsches Schauspielhaus, Hamburg, New York City Center, 13 February; “Electra,” Piraikon Theatron, The City Center of Music and Drama, Inc., 25 September. 1962: “The Caretaker,” Lyceum Theatre, February (two copies); “A Man For All Seasons,” American National Theatre and Academy Theatre, 30 April (inserted is a flyer for the limited engagement of Madeleine Renaud and Jean-Louis Barrault and their company). 1963: “A Funny Thing Happened on the Way to the Forum,” Alvin Theatre, 1 July; “Phèdre,” Compagnie Marie Bell, Brooks Atkinson Theater, 21 October; “Bernice,” Compagnie Marie Bell, Brooks Atkinson Theatre, 28 October. 1964: “Théâtre de France,” New York City Center, 8 March; “The Three Sisters,” The Actors Studio Theatre, The Morosco Theatre, August (two copies); “The Last Analysis,” Belasco Theatre, October (two copies). 1965: “Dead Souls,” Moscow Art Theatre, New York City Center, February; “Tiny Alice,” Billy Rose Theatre, March (two copies; inserted in one is a printed page with, on one side, “A Psychiatrist Looks at ‘Tiny Alice”’ and, on the other side, “Who’s Afraid of Edward Albee?”); “Tartuffe,” Repertory Theater of Lincoln Center, American National Theatre and Academy, Washington Square Theatre, March (two copies); “Fiddler on the Roof,” Imperial Theatre, June (two copies). 1968: “Hair” Biltmore Theatre, May (two copies); “Hair,” Biltmore Theatre, June (two copies); “Hair” Biltmore Theatre, November. 1969: New York City Ballet, New York City Center Anniversary, New York State Theatre, Lincoln Center, 9 January (two copies); “Hadrian VII,” Helen Hayes Theatre, January; New York City Ballet, New York City Center Anniversary, New York State Theater, Lincoln Center, 8 May (three copies); “Hair,” Biltmore Theatre, September (two copies). 1970: “Amphitryon,” “Donjuán,” “La Troupe du Roi,” Comédie Française, A Molière Festival, City Center Theater, 3–12 February.

THEATRE PROGRAMS (IN ALPHABETICAL ORDER)

Antonioni’s “Eclipse,” The Little Carnegie Movie Theatre (two copies); “Britannicus,” Phoenix Theatre (six copies; the telephone number “Mu 9–7000” is inscribed on one copy); “Don Juán,” The Downtown Theatre, Inc. (two copies); “Krapp’s Last Tape & The Zoo Story,” Provincetown Playhouse (two copies); “La Vida es Sueño / Life Is A Dream,” Astor Place Playhouse (two copies); “Leave It to Jane,” Sheridan Square Playhouse (two copies); “O. Henry’s Full House,” Trans-Lux Theatres, November 1952; “Pirandello,” The Green Gate Theater, Inc.; “Prometheus Bound,” The Yale University Theatre, May 1967 (written on the cover: “there is a vacant seat do you want to move down one to the left?”); “Red Eye of Love,” “Snakes and Eggs,” Henry Sloane Coffin Administration Building, March 1965; “Summer and Smoke,” Circle in the Square (two copies); “The Balcony,” Circle in the Square (two copies); “The Key,” Theatre Ubu, 1947(?); “The Mandrake,” The Other Stage/Public Theatre (two copies); “The Misanthrope,” Theatre East (two copies); “The O-Noh Dance,” Poetry Center, Y.M & Y.W.H.A., Ninety-Second Street; “The Single One,” A Staged Reading, Theatre for Ideas; “The Trojan Women,” Theatre Marquee (two copies); “The Wives,” Theatre: New York, Stage 73 (two copies); “This Was Burlesque,” Casino Square Theatre; “Tonight We Improvise,” The Living Theater Repertory, Premiere, 6 November 1959; “Wise Child,” Wyndhams Theatre, London.

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