Save
Save chapter to my Bookmarks
Cite
Cite this chapter
Print this chapter
Share
Share a link to this chapter
Free
Description: A. W. N. Pugin: Master of Gothic Revival
Index
Author
PublisherBard Graduate Center
PublisherYale University Press
View chapters with similar subject tags
Index
Abbé-Grégoire (1750–1831), 105
Abbotsford, entrance hall, 234
Abney Hall, Cheshire, 196–97, 348, 351
Académie Royale de Musique, 71
Academies of architecture Germany, 123
Academy (the)
challenge to, in France, 107–13
“Account of the Destructive and Revived Pagan Principles in France” (Montalembert), 51
Ackermann, Rudolph (1764–1834), 27, 28, 36, 45, 161, 237, 245, 288
Act of Uniformity (1559), 48
Adare Manor, Limerick, Ireland, 148, 194, 366
Aders, Charles, 281
Albury Park, Surrey, 194
Alderbury, 177
All Hallows College, Dublin, 153
All Saints, Ashmont, 215
All Saints, Barton-upon-Irwell, Manchester, 214
All Saints, Church of, Marlow, 79, 84, 92, 97
All Saints, Margaret Street, 96
Allcard, John, 194
Alphabets, 348
Alpine houses, 128
Altar Candlesticks, 309, 310, 311
Altar Cross(es), 295–96
Altar plate designs for, 240
Altar vases, 312, 313
Alton Castle, Staffordshire, 92, 94, 192, 194
Alton Towers, Staffordshire, 75, 90, 142, 143, 144, 178
Pugin’s design ideas in, 191–92
stove for, 383
Alton Towers Theme Park, 198n29
American Architectural Building News (journal), 207
American Episcopal Church, 201, 212
American Gothic Revival, 201–2
phases of, 201, 215
Amherst, Kerril, 277
Amherst, Mary, 34
Amiens, cathedral at, 111, 122, 269
Ancient Timber Houses (Pugin), 73
Andirons, 366
Angers, David d’, 69
Anglican churches, 79, 84, 87, 94
late Victorian/Edwardian period, 97
Anglo Norman Antiquities (Ducarel), 63
Angoulème, duc d’, 65, 67
Angoulème, duchesse d’, 66
Annales Archéologiques (magazine), 74, 75, 76, 103, 108, 111–12, 113, 114, 118, 120
Anti-Catholicism, 34, 48, 59, 95
Antiquarianism, 14, 103, 104
in French Gothic Revival, 110
Antiquaries, France, 73
Antiquary, The (Scott), 37
Antiquities collections private, 72
of Pugin, 63, 72, 182, 190, 274
Apology for a Work Entitled Contrasts, An (Pugin), 220n59
Apology for the Church of England, An (Pugin), 59
Apology for the Revival of Christian Architecture in England, An (Pugin), 54, 91, 145, 162–63, 164, 177, 216, 290
Apostle Jug, 248, 249
“Appeal to the Reason and Good Feeling of the English People, An” (Wiseman), 59
Archaeological approach, 18, 230
to study of medieval structures, 231
Architect(s)
France, 73, 120
Gothic Revival, 88–89, 372
individual signature of, 117
Irish, 155
Pugin as, 190, 192, 193–94, 195, 196
union of (proposed: France), 109
Architectural Antiquities of Great Britain, The (Britton), 26
Architectural drafting (Pugin), 241, 242
Architectural principles, 177
see also Design principles
Architectural style(s), 14, 84–85
national ideal of, 93
“third way,” 126
two-dimensional/three-dimensional, 84, 99
Architectural theory (Pugin), 81, 87
Architectural vision of Pugin, 181–82
Architecture, 39
Christian, 190, 292
conflict within, 104, 106–15
France, 108
Germany, 122
Gothic-Revival, 233
higher laws of, 132
history of, 127
importance of outward form in, 54
medieval forms of, 14
Pugin’s contribution to, 97–98
relation of past and present in, 114
universal rational principle for, 120
see also Gothic architecture; Medieval architecture
Architecture (Pugin)
in context, 79–101
criticism of, 58, 93
early, 180
financial considerations, 32, 92–93, 193–94
rational/progressive part of, 95
supervision of (Ireland), 143–44, 148
“Architecture in the United States” (Gilman), 206
Architecture of Country Houses, The (Downing), 203, 218n28
Ardfert Cathedral, 156n16
Arlington Street Church (Boston), 206–7
Armchair, 188, 254–55
Armstrong, John, 218n26
Arnoux, Leon, 383
Art Foliage (Colling), 220n
Art-Journal Illustrated Catalogue, 312, 368, 381, 388
Arts and Crafts movement, 32, 90, 93, 167, 179
Ashlin, George Coppinger, 154–55
Ashlin and Coleman (co.), 145, 146
Astor, Margaret Armstrong, 218n26
Astor, William Backhouse (1792–1875), 204–5, 212
Atkinson, William, 196
Attempt to Discriminate the Styles of English Architecture, An (Rickman), 25–26
Austro-Hungarian Compromise of 1867, 130
Backsteingothik, 128
Bagot, Richard, 61n31
Bagshawe, Henry R. (1799–1870), 170, 367
Baines, Peter Augustine, 56, 57
Bailamme & Allan (co.), 334
Balzac, Honoré de, 71
Bar Convent Chapel, York, 143
Barberi, Dominic (1792–1849), 56
Barchard, Francis, 197
Barnett Brothers, 155
Barntown, County Wexford, 145
Baroque (the), 28n9, 98, 181, 184, 256
Barratt, Thomas, 18
Barry, Charles (1795–1860), 92, 206, 217, 322, 323, 325, 335, 338
Basilica of Notre Dame de la Treille, 119
Basilica of Our Lady of
Perpetual Help, Boston, 203
Batalha, Gothic abbey at, 19, 20
Bauakademie, 124, 126
Baudot, Anatole de (1834–1915), 111
Bauhütte, 122
Bavaria, 104, 105, 121, 128
Baxter woodblock color-printing process, 356
Beardwood, W. H., 150, 154
Becket, à, Saint Thomas, 299–300
Beckford, William (1760–1844), 19–21, 180, 233
Beethoven, Ludwig van, 45
Belgian Gothic Revival, 75, 132n4
Belgium, 103, 105, 117, 155, 300
Bellevue, County Wexford, 156n17
Benson, Henry, 369
Bentley, Richard, 16, 17, 18, 228, 230
Berlin, 123, 124
Leipziger Platz, 121
Lutheran cathedral in, 127
Berlioz, Hector, 71
Berry, duc de, 64
Berry, duchesse de, 64, 66–67, 71
Bethlem Hospital, London, 41
Bilton Grange, 171, 178, 194, 366
Birmingham, 41, 95, 96
cathedral complex, 94
Birmingham Exhibition of 1849, 305, 362
Bishop’s House, Birmingham, 92, 99, 178, 366
brickwork, 95–96
Bishop’s mitre(s), 283, 284
Blake, William (1757–1827), 45
Block-printing, 356
Bloor, Robert, 313
Bloxam, John Rouse (1807–1891), 52, 53, 54, 55, 56, 153, 273, 181
Bodley, George F. (1827–1907), 97, 150, 201, 214, 215
Boeswillald, Emile de, 111
Boileau, Louis-Auguste (1812–1896), 86
Boisserée, M., 73
Boisseree, Sulpiz, 73, 121
Bond, Richard, 219n32
Book bindings, 287
machine-stamped, 172
Boston
Back Bay, 206–7
churches, 205–7, 209–10
Gothic architecture, 206–7
Boston Gothic movement, 221n71
Bostwick, Zalmon, 249
Bowdoin College, 203
Boyden, E. (1803–1891), 210
Bracelet and brooch, 380
Bracket Clock(s), 327
Bragadini, Father Boniface, 209
Breadalbane, Lord, 184
Bree Catholic Chapel, 142
Brickwork
Pugin’s use of, 94–96
Bridge, John Gawler, 166, 240
Brighton Pavilion, 37
British Critic (journal), 54
British Museum, 278
Print Room, 166, 239
Britton, John (1771–1857), 25–26, 27, 67, 73
Brodick Castle, 186
Brooches, 378, 379, 380
Brooks, James (1825–1901), 212, 213
Brooks, William, 100n5
Brothers of the Will of God, 49
Browne, Bishop, 155
Brumidi, Constantine, 219n39
Brunel, Isambard Kingdom (1806–1859), 161
Brunel, Marc Isambard (1769–1849), 161
Bryant, Gridley J. E, Jr., 206
Buchez, P. J. B. (1796–1865), 109, 111
Buckingham, Marquis of, 232
Budapest, 130
Builder, The (periodical), 164
Building materials, 91, 94
hierarchy of, 94
Germany, 124
local: Ireland, 138, 144, 145, 148, 155
preciousness/liturgical equation, 212
Buildings of England, The (Newman), 100n5
Burges, William (1827–1881), 93, 117, 119, 170, 217, 372
Bürklein, Friedrich, 128
Burton Closes, 194
Bury, T. T., 243, 244
Butovsky, Viktor (1815–[1879?]), 132
Butterfield, William (1814–1900), 92, 93, 96, 98, 103, 179, 212, 213, 372
Byrne, Patrick, 143, 152–53, 157n28
Byron, Lord, 21–22, 45
Cabinet(s), 274, 391–92
Cabinet Door Panel, 280
Caledonian Chapel, Hatton Garden, London, 46
Callot, Jacques, 256
Cambridge
Pugin’s Catholic church in, 145
Canaletto, (Giovanni Antionio Canal; 1697–1768), 256
Candelabra, 311, 332, 389
Windsor Castle, 238–39
Candlestick(s), 252, 368
altar, 309–11
domestic, 367
Capes, J. M. (1813–1889), 57
Carlyle, Thomas (1795–1881), 45
Caroline, The (boat), 34, 272
Carpenter, R. C., 103
Carpet design, 347, 385
Carter, John, 16, 17, 231
Casey, Eamon, 157n45
Castle of Otranto (Walpole), 13, 22, 37
Cathedral Antiquities, The (Britton), 26
Cathedral Commission, 130
Cathedral for the Wars of Liberation, 126
Cathedral of Ardagh at Longford, 152
Cathedral of Saint George, Southwark, 300
Cathedral of Saint John the Divine (New York City), 201, 215, 217
Cathedral of Saint Paul’s, London, 18
Cathedral of the Holy Cross (Boston), 208, 210
Cathedrals, 191
in America, 207
in France, 108, 109, 115, 116–17, 118–19
Gothic, 18, 25
in Ireland, 145–47
Catholic Directory (Dublin), 140, 141, 143, 147, 148
as source of Puginian propaganda, 152–53
Catholic Emancipation Act, 137, 297
Catholic Gothic Revival Ireland, 138
Catholic movement
Pugin supported, 59–60
Catholic Relief Act of 1778, 60n15
Catholicism/Catholic Church
in England, 48–49, 51, 53, 56, 59
of Faber, 58
Ford architect for: Boston, 210
in Germany, 127
and Gothic art, 47
in Ireland, 138, 139–50, 155
Keely house architect for, in America, 207–8
in North America, 201, 205, 207, 215
of Pugin, 31, 33, 35, 38–39, 45–62, 66, 87, 137, 231, 286
Pugin as rising star of new, 190
Pugin’s conversion to, 47–48
Pugin’s vision of, 137
Caudron Collection, 72
Caumont, Arcisse de (1802–1873), 25, 27, 69
Censer, or Thurible, 290
Ceramics, 182, 191, 278, 313
color printing on, 191, 356
lithography applied to, 174
of Minton, 357–58
Chain necklace, pendant earrings, and brooches, 378
Chairs
Chair of State, 325
designed by Pugin, 235–36, 350, 353
in English Gothic, 180
in House of Commons, 322–23, 335
House of Lords X-Frame, 324
Chalice(s), 257, 285, 303, 306, 307, 389
design for, 240
model, 305
Chamberlain, Walter, 313
Chambord, château at, 181
Chancel screens, 54–55
Chantrell, Robert Dennis, 87
Chapels, Catholic, 48–49, 137, 139–40, 142
style in, 142–43
Charles X, king of France, 65, 66, 70, 71
Charterhouse, The, London, 101n20
Chartists, 55
Chartres, 109, 116
Chasteau, Le, 180
Château de Fontaine Henri, 67
Château de Rosny, 66
Château de Saint-Cloud, 66
Château des Grandes Bourdinières, Sologe, 73
Childe Harold’s Pilgrimage (Byron), 22
Chirk Castle (Wales), 194, 197
Chrismatory, or Ointment Box, 292–93
Christ Church, Red Hook, N.Y., 218n25
Christian brothers’ school and monastery, 158n55
Christian-German architecture, 122
Christlich e-germanische Baukunst und ihr Verhältnis zur Gegenwart, Die (Reichensperger), 122
Chromolithography, 174, 191
Church architecture, 38–39
France, 27
history of, 126
of Pugin, 87–89
Church-building, 98, 126
in America, 202, 205–6, 207–9
in Ireland, 137–38, 139–40, 141, 142, 143–44, 148, 152, 154–55
medieval, 92
of Pugin, 49, 87–88, 94, 170, 292, 377
Puginian, 97
Church-building campaign (England), 84–86
Church Building Commission, 84
Church-building committees (Ireland), 140
Church of England, 48, 49, 53, 84
catholicity of, 59
Oxford Movement and, 31
Pugin’s medievalizing model in, 97
reform movement in, 51–52
and Roman Catholic Church, 53
Church of Ireland, 138
Church of the Advent, 205–6, 212–14, 215
Lady Chapel, 213–14
Church plate, 240, 288, 291, 303
forms of, 298
Churches, 57, 90, 99–100, 191
Boston, 209–10
England, 83–86
France, 86
Germany, 122
Ireland, 137–38, 140–45
liturgical portions of, 87
medievalizing, 103
North America, 201, 202, 203, 205–13, 219n35
property of state: France, 110
standard plans for, 207
stylistic battles over: France, 110–11
see also Gothic churches Chute, John (1701–1776), 16, 17, 18, 227
Cisalpines, 49
Classicism, 15, 84, 93, 104–5, 215, 216, 217
decorative, 253
French, 106, 108, 109
Pugin on, 91
Classicists
vs. Romantics, 71
Clayton and Bell (co.), 221nn67, 78
Clock(s)
medieval, 264
types of, 327
Clutton, Henry, 117
Coalpit Heath Vicarage, Gloucestershire, 98
Coat(s) of arms, 226, 306, 368
Cobbett, William (1763–1835), 45
Cocks, Charles Lygon, 170
Cocks, S. L. Somers, 170, 372
Cole, Henry (1808–1882), 165, 173
Coleridge, Samuel Taylor, 34–35, 39
College and university architecture, 90, 201, 215, 216–17
see also Academic architecture
Colling, J. K., 220n61
Collins, F. M. W, 174, 356
Collins & Reynolds (co.), 191
Collins & Reynolds color printing technique, 313, 331, 356, 358, 360, 361, 364, 387
Colmore Terrace, chapel at, 58
Cologne, 127, 128, 129
doctrine of, 130
Saint Martin, 271
Saint Ursula, 267, 268
Cologne Cathedral, 104, 113, 121, 122, 124, 125, 128, 129, 201
cathedral workshop, 129, 131
Color, 192
in The Grange, 182
Pugin’s use of, 172, 180, 188, 196, 337
for stained glass, 191
use of, by E. W. Pugin, 155
Comité historique des arts et monuments, 106
Commission des Monuments Historiques, 106, 107, 110, 111, 113
Commissioners’ churches, 84, 89, 92
Commissions (Pugin), 148–49, 195, 196, 197, 255
collegiate, 377
country houses, 196
through Earl of Shrewsbury, 192
interior design, 185–86, 189
in Ireland, 55–56, 141, 143, 146, 154
Competitions, architectural, 104, 128–29, 131, 155
cathedral design, France, 117–19
Comte Ory, Le, 71, 75
Congregational church, Bowdoin Street, Boston, 205
Congress of Vienna, 122
Coningsby (Disraeli), 55
Connick, Charles, 221n67
Conseil des Bâtiments Civils, 111, 113
Contextualism
in Pugin’s architecture, 93, 94
Contract drawings, 321, 326, 327
Contrasts, or a Parallel between the Noble Edifices of the Middle Ages and Corresponding Buildings Showing the Present Decay of Taste (Pugin), 39, 59, 73, 75, 86, 87, 105, 206, 216, 231, 286–87
expanded edition, 51
Control of ornament (principle), 392
Convent of Mercy, Handsworth, Birmingham, 147
Convent of Mercy, Nottingham, 225
Convents, 138, 147, 152
Conyngham, second Lord, 19
Coronation Cup, 166, 239, 240
Cosmopolitanism, 117
nationalism vs., 104
Costigan, Thomas, 137
Costume design, 180
Cottage Farm (Brookline, Mass.), 205, 206
Cotton Hall, 58
Country houses, 90–91, 183, 196
chapels, 48
Italianate, 206
County Wexford (Ireland), 141, 145
Court cupboards, 391
Covent Garden Opera House, 38
Cowley Fathers, 205–6
Cox and Buckley, 155
Crace, John G. (1809–1889), 40, 41, 171, 173, 174, 185, 186, 190, 196–97, 226, 338, 372
adaptations of Pugin designs, 347, 348, 350
clients, 351
decorating business, 33
Pugin’s correspondence with, 322–23, 335
Pugin’s relationship with, 194–97, 224, 350, 357
Crace & Company, 194, 344, 346
Gothic showroom at, 195
Pugin designs for, 342, 343, 345, 347, 348, 349, 350
redecoration: Eastnor Castle, 354
Craftsmen/craftsmanship
ancient/modern, 168
division of labor, 167
Pugin’s understanding of, 163
Cram, Ralph Adams (1863–1942), 97, 201, 202, 214–15, 216, 217, 221n65
and Boston Gothic movement, 221n71
Cram, Goodhue and Ferguson, 215, 217
Cream jug, 372
Crimean War Chapel, 131
Crowns, for Virgin and Child, 300
Cruciform plan, 58, 144, 145
Cruet sets, 308
Crystal jug, 388
Crystal Palace, London, 83, 165, 381
see also Great Exhibition Crystal Palace, New York, 165
Daly, César (1811–1893), 120
Davis, A. J. (1803–1892), 204, 205, 218n27, 219n32
Dawkes, Samuel, 197
“De la construction des édifices religieux en France . . .” (Viollet-le-Duc), 112
De la Poésie Chrétienne (Rio), 50
“De l’art et de l’archéologie” (Lassus), 112–13
“De l’Art Etranger et de l’art Nationale” (Viollet-le-Duc), 114
De l’état actuel des l’art religieux en France (Montalembert), 50
Debret, François, 113
Decorated phase (Gothic), 91
Decorated/Second Pointed style, 87–88
Decorated style, 25, 97, 150
Decorative arts
English, 212
North America, 212, 214, 215, 220n61, 221nn64, 71, 78
Decorative Gothic, 248, 253, 255
Decorative motifs, 232
in jewelry design, 380
Delacroix, Eugène, 71
Description historiques des Maisons de Rouen (Langlois), 69
Description of the Villa at Strawberry Hill (Walpole), 16, 228–29
Design
architectural antiques incorporated into, 185, 189
faith and, 190
influence of Pugin’s books on, 191
progress of, as applied to manufacture, 161–75
rules for, 164
Design education, 164–65
Design ideas (Pugin), 191–92, 195
originality of, 190
Design principles (Pugin), 188, 286, 354, 392
development of, 224–81
influence of, in North America, 201–2, 205, 212–13, 215
in Saint Augustine’s, 339
universality of, 183
Design reform movement, 163–65
Design schemes, 195, 196–97
secular, 194–95
Design sources
early books as, 256
Designs for Gold and Silversmiths (Pugin), 285, 288
Desk Calendar, Palace of Westminster, 329
Detail(s)
Pugin’s concern for, 197, 240
see also Gothic detail
Details of ancient timber houses . . . (Pugin), 68
“Developed Gothic,” vocabulary of, 128
Deville, Achille (1789–1875), 69
Devonshire, Duke of, 342
Dexter, George M. (1802–1872), 205, 206
Dickinson’s Views of the Great Exhibition, 381
Dictionnaire Méthodique d’Architecture (Quatremère de Quincy), 108–9
Dictionnaire Raisonné de l’Architecture (Viollet-le-Duc), 109, 116, 131
Didron, Adolphe-Napoléon (1806–1867), 73–74, 75, 76, 103, 106, 108, 113, 116–17, 120, 123, 128
Didron, Victor, 75
Dish(es), 278, 369
Disraeli, Benjamin, 55
Domenichino (artist), 281
Domestic architecture, 15, 16–18, 96, 177–79, 339
Domestic candlesticks, 367
Domestic design
classicism in, 215
of A. J. Davis, 205
of Pugin, 92, 339
Domestic metalwares, 252
Door(s)
design for: Lismore, 342
Doorplates, designs for, 358, 360
Downing, A. J. (1815–1852), 203, 205, 206
Downton Castle, Herefordshire, 82
Doyle, Thomas, 41, 303
Dresser, Christopher (1834–1904), 172, 372, 373
Dreuze-Breze, Pierre, 74–75
Duban, Félix (1797–1870), 107
Dublin Builder, 155
Dublin Review, 152–53
Ducarei, Andrew, 63
Dudley (town), 57, 100n5
Dudley, Henry, 217n11
Dugai Collection, 72
Dugdale, William (1605–1686), 18
Dunbrody Abbey, Wexford, 144, 156nn16, 20
Dunraven, Earl of, 147
Dürer, Albrecht (1471–1528), 166, 239, 281
prints, 256
du Sommerard, Alexander, 73
Duthoit, Edmond, 111
Early, Thomas, 144
Early Decorated style, 147
Early English Gothic, 21, 25
Early English Tile Patterns, 314
Earnest Address on the Establishment of the Catholic Hierarchy, An (Pugin), 59
Eastlake, Charles (1793–1865), 93, 212
Eastnor Castle, Herefordshire, 170, 196, 350, 351, 372
fireplace, 344, 366
Grand Saloon, 354
Ecclesiastical architecture, 189, 215
medieval forms of, 14
reorganization of administration of: France, 115
see also Churches
Ecclesiological Society, 61n47
Ecclesiologist, The, 105, 118, 119, 145
Ecclesiologists, 86, 87, 97
model London church of, 96
North America, 201
Ecclesiology, 83, 206, 212–13
progressive, 115, 117
Eclecticism, 86, 119
fight against, 113, 114, 118–19
in France, 115
in German architecture, 124
vs. national purity, 104
of Rundbogenstil, 123
Ecole des Beaux-Arts, 106, 108, 109
Ecole diocésain, 120
Ecole Gratuité de Dessin de Rouen, 69
Edermine House, County Wexford, 156n17
Edward I, king of England, 334
Edward III, king (1312–1377), 20
Egan, Cornelius, 141, 146
Eglington, Earl of, 247
Eglington Tournament Jug, 247
Electroplating, 170–71, 249, 298
Elisabeth, queen of Hungary, 130
Elizabeth I, queen of England, 48
Elkington & Company, 170–71, 298
Ellerslie (Rhinebeck, N.Y.), 218n25
Ellin & Kitson (co.), 220n63
Ely Cathedral, 143
Emancipation Bill (1829), 49
“En Avant” motto, 179, 224, 353, 368
Encaustic tile process, 63, 191
adapted for domestic wares, 362
Encaustic tiles, 277, 313, 314, 357–58
Palace of Westminster, 314, 330–31, 356, 358
England, 39, 132
Catholicism in, 48–49, 51, 53, 56, 59
emigrés in, 161
Pugin’s travels in, 47
English Gothic, 81–83, 86, 93
English Gothic Revival, 103, 118, 119
English Opera House, 22
English picturesque movement, 82
English Reformation, 52
English Tudor period, 94
Engraved Specimens of the Antiquities of Normandy (Britton), 67
Enniscorthy Cathedral, 56, 151
Episcopal Church
Boston, 206
Tractarian controversies in, 205
Episcopal ring, 377
Erdington Abbey, 305, 307
Esher Place, 15, 17
Esmonde, Lady, 145
Esmonde, Sir Thomas (b. 1862), 144, 145
Essai historique et descriptif sur la peinture sur verre ancienne et moderne (Langlois), 69
Essex, James (1722–1784), 19, 25
Evans, John, 214
“Eve of Saint Agnes, The” (Keats), 39
Examples of Gothic Architecture (Pugin), 246
Exeter Cathedral, 231
Exposition des Produits de l’Industrie, L’, 174
Faber, Frederick William (1814–1863), 49, 54, 58
Fenway Court, 221n64
Ferrey, Benjamin (1810–1880), 27, 29n57, 46–47, 59, 69, 161–62, 183, 224, 240, 243, 273, 357
Ferstel, Heinrich, 129
Fireplace(s)
Eastnor Castle, 344
furniture for, 171
large carved stone, 366
First Catholic Relief Act, 156n2
First Parish Church, Cambridge, 219n32
Fitzpatrick, Richard Wilson, 159n87
Fitzpatrick chantry (Clough, County Liex), 141
Fitzpatrick mortuary chapel (Clough, County Liex), 154
Flagon(s), 308, 371
designs for, 359
Flagon and basin, covered, 288
Flanders, 94, 131
Flat pattern, 172, 191, 301, 337, 345
mechanical printing of, 356
Flemish Gothic, 93, 190
Floriated Ornament (Pugin), 172, 191, 380
watercolor designs for, 373–74
Fonthill Abbey, 19–21, 45
King Edward’s Gallery, 20
Octagon, 21, 25
Saint Michael’s Gallery, 21
view of, 233
Ford, Patrick W. (1848–1900), 210–11
Form, 87, 370, 371
furniture, 351, 352
importance of, 54, 55
organic, 215
Forristalm, Michael, 273
Fortoul, Hippolyte (1811–1856), 115, 126
France, 132
birthplace of Gothic architecture, 25
1830 revolution, 70–71
Gothic Cathedral in, 128
Gothic Revival in, 105–20
national identity, 120–21, 131
Pugin and, 63–77, 259
Second Empire, 104, 110, 115
Franciscan Order, 209
Frankenstein (Shelley), 22
Franz Josef, Emperor (1830–1914), 128
Franz Joseph, king of Hungary, 130
Franz Joseph II, 130
French Academy, 107, 109
French architecture
domestic, 177
tradition/innovation in, 114
French clergy, 56
French Gothic, 81, 86
French Opera House, 71
French Revolution, 27, 45, 121, 132n5
French Romanesque (style), 116
Friedrich Wilhelm III, king of Prussia (1770–1840), 121
Friedrich Wilhelm IV, king of Prussia (1795–1861), 127, 128
Fulham, 178
Functionalism, 190, 352
Furniture, 15, 17, 171, 173, 174, 182, 191, 195, 342, 354
books on, 27
by Crace, 322
dark, 180, 182
Eastnor Castle, 196
ebonized, 232
Jacobean-style, 183, 184
machine-made, 165
medieval, 280
Pugin’s influence on French, 73
from Saint Marie’s Grange, 179–80
for Scarisbrick Hall, 188
Strawberry Hill, 17–18
for Windsor Castle, 163
see also Gothic furniture
Furniture design(s), 27, 28, 37, 66, 163, 184, 235–36, 244–45
and archaeological accuracy, 229
plain, simple, 195
of A. C. Pugin, 237
structural approach to, 190
Windsor Castle, 188
Furniture-making business, 71, 184
Galicia, 131
Gallicanism, 49
Gandolfi, J. V., 306
Garden seat, 365
Gardner, Isabella Stewart (1840–1924), 214
Gärtner, Friedrich von (1792–1847), 123
Gau, Franz Christian (1790–1853), 113, 128
Gautier, Théophile (1811–1872), 71
Gee, W. H., 196, 343
Gentili, Luigi (1801–1848), 56.
Gentleman’s Magazine, The, 20, 231
Geometric style, 147
George & Peto (co.), 214
George IV, king of England, 37, 66, 235, 240
coronation of, 242
Georgian furniture, 229
Georgian hall chair, 353
German Gothic, 93, 127–28
German-speaking Europe, 103, 121
Germany, 50, 94, 131, 132
Gothic Revival, 120–28
nation-making, 131
unification, 130
Gibbs, James (1682–1754), 15, 28n9, 207
Gillow firm, 323, 324
Gilly, Friedrich (1772–1800), 121
Gilman, Arthur, 205, 206–7, 219n43
Giraud, Abbé Jean-Baptiste (1765–1850), 56
Glasgow cathedral, 183
Glossary of Ecclesiastical Ornament and Costume (Pugin), 74, 191, 282, 284, 290, 291, 292
designs for, 316–17
Gloucester Cathedral, 15, 21
Gobineau, Joseph-Arthur, Count (1816–1882), 131
Godde, Etienne (1781–1869), 110–11
Goethe, Johann Wolfgang von (1749–1832), 121
Goodhue, Bertram Grosvenor (1869–1924), 97, 202, 215, 217, 221n71
move toward modernism, 221n68
Gordon, Lord George, 60nl5
Gordon Riots (1780), 48
Görres, Joseph (1776–1848), 121, 122
Gothic (the)
literary, 39
Pugin’s identification with, 34–35, 39, 42, 56
Gothic architecture, 13, 15, 124
as construction, 112
development of, 25–26
examples of, 246
in France, 108
Newman and, 58
Pugin and, 46, 53, 56, 86–87
as revealed truth, 32, 38–39
Gothic art, 50, 56
and Christian faith, 60
Roman Catholicism and, 47
Gothic cathedral
as artifact, 115
ideal of, in 1852, 103–35
Gothic churches
in Boston, 206–7
fitness of, for Continental devotional practices, 58
Rouen, 67
Gothic designs (Pugin)
models for, 218n27
Gothic detail, 87, 203
in churches, 85, 86
locality and, 94
obsession with, 82
in Pugin, 87, 91, 210
Gothic domestic architecture
Saint Marie’s Grange, 177–79
Gothic furniture, 244–45
style for, 229
Gothic Furniture in the style of the 15th century (Pugin), 73, 255
Gothic Garden Seat, 365
Gothic Jug, 248
Gothic Knoll, 204
Gothic Movement
in North America, 201–21
Gothic novel, 21
Gothic Ornaments, 29n57
Gothic principles of Pugin
applied in America, 215
Gothic Revival, 56
archaeological accuracy in, 229
in Belgium, 75
change of direction in, 25–26
church-planning in, 89
in churches, 87
at death of Pugin, 96
debate over, 130–31
early years of, 13–29
in Europe, 103–4, 117
in France, 66, 114–20
in Germany, 120–28
history of, 81–83
and interior design, 188, 194
as international movement, 103
in Ireland, 139–40, 148
mid-19th century, 104–5
as national style, 84–85
obstacles to, 57
Pugin’s influence on, 31, 37, 39
and rise of nationalism: Central Europe, 128–32
Ruskinian phase of, 214
scholarly, 37
as universal style, 123, 130
Gothic Revival, The (Eastlake), 212
Gothic Revival domestic houses (Rouen), 68
Gothic Revival theorists (“Goths”), 103, 105, 111, 128
Gothic Ruins Pattern, 251
Gothic style, 15
and academic architecture, 218n27
adaptability of, 93
in America, 205
in Anglican churches, 79, 84
associated with learning and nature, 217
complete expression of, 293
in Continental Europe, 27
and creative design, 215
development in, 117
for domestic architecture and interiors, 15
for encaustic tiles, 331
Englishness of, 179–80
first house in, in Gothic revival, 16–18, 20
interior design, 197
vs. Italian style, 57–58
in metalwork, 166
and nationalism, 121
natural development from medieval, 192
origins of, 121, 122, 125, 131
popularizing, 373
quality of, 108–9
and Romanesque: Boston, 220n52
and Rundbogenstifl, 219n32
at Strawberry Hill, 230
transition to Renaissance, 114
Walpole and, 228
Wyatt and, 19
Gothic syntax, 82, 116
Gothic tableware, 361
“Gothic Tapestry,” 224
Gothic vision of Pugin, 131, 192–93, 197, 213–14
in America, 201
in American campus architecture, 217
in his buildings, 138, 189
Taymouth Castle full flowering of, 185
Gothic vocabulary, 82, 88
Gothicist group (France), 107–10
Gothicists, younger generation of, 129
Government School of Design, Somerset House, 164–65, 173, 174
Council, 168–70
Grace Church, New York City, 203
Grâcedieu, 190
Graham, James Gillespie (1776–1885), 184, 185–86, 224
Grammar of Ornament (Jones), 317
Grange, The, Ramsgate, 34, 42, 91, 96–97, 98, 178, 194, 226, 312, 353, 356
aerial view of, 340
brickwork, 96
cabinet for, 391–92
chapel at, 225, 341
designed by Pugin, 339
fireplace at, 366
metalwork at, 368
sketches for, 181–82
Grant, Thomas, 291
Granville Hotel, Ramsgate, 208
Gray, Thomas (1716–1771), 15, 17
Great Exhibition of 1851 (Great Exhibition of the Works of Industry of All Nations), 40, 165, 173, 312
see also Crystal Palace; Mediaeval Court Great Famine (Ireland), 138, 139, 145, 148
Great Fire of 1666, 18
Greaves, Miss, 33, 34
Greek architecture, 123, 124
Greek klismos, 27
Greek Revival, 88, 206
Greenwich Observatory, 94
Gregory XVI, Pope, 286–87
Griffiths, Thomas, 56, 57
Grossdeutschland, 123
Grundzüge der gotischen Baukunst (Schlegel), 123
Guizot, François (1787–1874), 105–6, 108, 111
Haghe, L., 381
Hague, William, 150, 155
Haigh, Daniel Henry (1819–1879), 284, 290, 294, 303, 307
Hall, Sir James, 29n40
Hall chair, 353
Halle, John, 279
Hallett, William, 17, 229
Hampton Court, 15, 16
Handcraft techniques
adapted for machine production, 191
Handcraftsmanship ethos, 167
Hansom, Charles, 290, 306
Hapsburg Empire, 130
nationality issue in, 129
Hardman, John (1767–1844), 32, 34, 35, 40, 54, 55, 58, 61n43, 74, 81, 145, 152, 154, 167–71, 173, 190, 191, 197, 221n67, 225, 287, 354, 387
adaptations of Pugin designs, 306
Birmingham works of, 33
metalwork by, 168, 170, 368, 372, 383, 388, 389, 391–92
sister of, 283
stained glass windows by, 211
work with Pugin, 33, 285, 290, 294, 295, 297–98, 299, 307, 308, 327, 334, 344, 357, 370, 376, 378, 379
Hardman, John, Sr.
portrait of, 225
Hardman and Company, 155, 174, 190, 212, 284, 293, 328, 368
brasswork, 310
catalogues, 305, 307, 309, 312
Dublin branch, 144, 145
showrooms, 305
Hardman chandeliers, 196
Hardman daybooks, 284, 293, 303, 310, 367, 375–76, 379
Hardwick, P. C. (1792–1870), 148
Harrison, Peter (1716–1775), 207
Harrison Avenue
Congregational church, Boston, 219n35
Hase, Conrad Wilhelm, 128
Hawksmoor, 98
Hegel, G. W. F. (1770–1831), 125
Heideloff, Karl (1788–1865), 128
Heins & LaFarge (co.), 221n68
Hennicker, John, 63–64
Henri Gerente collection, 72
Henry, Windham, second Earl of Dunraven (1782–1850), 366
Henry VII, 232
Henszlmann, Imre, 130–31
Heraldic decoration, 301, 366
Heraldry, 179, 224, 301, 336, 344, 346, 366, 392
in encaustic tiles, 330
Palace of Westminster, 338
Herbert, John Rogers, 224, 225, 226, 373, 377
table designs for, 349
Hernani (Hugo), 71
Heriot’s Hospital, Edinburgh
chapel at, 183
Hibbert, John Hubert Washington, 194
Historicism/historicists, 104, 128, 185
in German academies of architecture, 123
progressive synthetic, 124–26, 128
in relation of canon of national monuments to modern language of architecture, 113–14
History of St. Paul’s (Dugdale), 18
History of the Protestant Reformation (Cobbett), 45
Hittorff, J. I. (1782–1850), 65
Holland & Sons (co.), 323, 324, 325, 326, 329
Hollar, Wencelas (1607–1677), 18, 256
Honfleur
drawing of boat at, 272
Hooke, Robert, 94
Horsted Place, 197, 366
Hospital of Saint John, Alton, 192, 314
Hôtel de Cluny, 70
House of Commons, 328, 335
Speaker’s Library, 329
House of Commons Chair, 322–23
letter with design for, 335
House of Lords, 323, 325, 335, 389, 390
ceiling panel, design for, 333
X-Frame Chair, 324
Houses of Parliament, 84, 203, 206, 217, 225
wallpaper for, 224
Hübsch, Heinrich (1795–1863), 123, 128
Huff & Buck (co.), 221n68
Hugo, Victor (1802–1885), 13, 71, 73, 108, 110
Hull, Edward, 184, 255, 353
Hunchback of Notre-Dame, The (Hugo), 13
Hungarian Academy, 131
“Hungarian Compromise,” 130
Hungarian Parliament, 131
Hunnewell, Hollis, 206
Idea of a University, The (Newman), 58
Ideal French cathedral, 116
Ideal of Gothic cathedral (1852), 103–35
“Ideal Scheme, The Chest” (Pugin), 285, 298
“Ideal Schemes,” 180–81
Île-de-France, 108, 109, 118, 119
Illustrated History and Description of Fonthill Abbey, An (later retitled Delineations of Fonthill and Its Abbey) (Rutter), 20
Illustrated London News, The, 324
Immaculate Conception, Church of (Boston), 207
In welchem Style sollen wir Bauen? (Hübsch), 123
Industrial Arts of the XIX Century, The (Wyatt), 376, 384–85
Industrial design (Pugin), 183, 370
Industrial Revolution, 45, 161
Institute of the Blessed Virgin Mary (Loreto), 141
Integrated style, 192, 194
Interior decoration
novelty Gothic in, 37
Interior design
Gothic style of, 197
Pugin and, 177–99, 196, 343, 348
Interiors, 342
design for: Leighton Hall, 343
Fonthill Abbey, 20–21
Gothic, 15
Gothic: Strawberry Hill, 16–18
Palace of Westminster, 32
Inwood, Charles Frederick, 79, 80, 84
Inwood, William (ca. 1771–1843), 79
Ireland
Gothic Revival in, 19
Home Rule, 155
population of, 138
Pugin commissions in, 55–56, 141, 143, 146, 154
the Pugins in, 137–59
Irish Board of Works, 148, 150
Irish Catholic Directory
see Catholic Directory (Dublin)
Irish Gothic, 93
Irish Sketchbook of 1842 (Thackeray), 139
Irving, Edward (1792–1834), 46, 47
Irving, Washington, 234
Irving and Casson (co.), 212, 221n78
Isaacs, John Coleman, 255
Island, The (Byron), 22
Italian style, 58, 206
vs. Gothic, 58–59
Italianate design, 206
Jacobean idiom, 184
Jacobean style, 177, 180, 186, 188, 190, 339
Jacobean-style furniture, 183, 184
Jardinière, 387
Jardinière and Stand, 364
Jefferson, Thomas (1743–1826), 217
Jerningham, Lady, 60n16
Jewelry design (Pugin), 190, 225–26, 375–76, 377, 378, 379, 380
Jewitt, O., 317
John Evans and Toombs (co.), 212
Jones, Owen (1809–1874), 172, 173, 317
Joseph, Saint, 320
Jugs, 247–49
July Revolution (1830, France), 105
Juivre, Le, 71
Karlsruhe, 117, 123
Keane, J. B., 140, 143, 155
Keating, Bishop, of Ferns, 141, 146
Keats, John, 39
Keble, John (1792–1866), 52
Keely, Patrick Charles (1816–1896), 155, 207–8, 210, 211
Kelly, William, 218n25
Kendall, H. E., 86, 100n5
Kenilworth (Scott), 37, 234
Kenmare, Lord, 141–45
Kennedy, Denis, 157n45
Kent, William (1685–1748), 15, 229
Killarney, 145, 146, 147, 154
Killarney Cathedral, 56, 139
King, Thomas Harper (1822–1892), 75, 132n4
Kings Chapel, Boston, 207
Kingscote (Newport, R.I.), 203
Klenze, Leo von (1784–1864), 73, 128
Knight, Richard Payne (1750–1824), 82
Knill, Elizabeth, 291
Knill, Jane
see Pugin, Jane Knill
Knill, John, 291
Knill, Thomas, 226
Knill family, 303
coat of arms, 368
Knocker(s), 275
Kölner Domblatt, 123
Kranner, Josef, 130
Kugler, Franz (1808–1858), 126, 127
Labrouste, Henri (1801–1875), 109
Lafever, Minard (1798–1854), 206
Lafitte, Antonia Pugin, 43n20, 64
Lafitte, Louis (1770–1828), 35, 64–66, 67, 71, 75
Lamb, E. B., 100n6
Lamennais, H. F. R. (1782–1854), 109, 111
Lancet style, 143, 145, 146
Langlois, Eustache Hyacinthe (1777–1837), 27, 68–69
Lanteglos, Cornwall, parsonage at, 178
Lassaulux, Johan Claudius von, 73
Lassus, Jean-Baptiste (1807–1857), 74, 75, 107, 108–9, 110, 111–13, 114, 117, 118–19, 120, 123, 131
Law Courts (London), 217
Lawrence, Amos (1786–1852), 205
Leahy, Revd. Mr., 140
Leconte, Emile, 73
Lectures on Architecture (Viollet-le-Duc), 120
Le Castle, 197
Lee Priory, 18, 20
Leeds Parish Church, 87
Leighton Hall, 196–97, 343, 347
Lenoir, Albert (1801–1891), 72, 73, 114
Leroy, Charles (b. 1780), 119
Letter(s), illuminated, 273
Liberté, La (journal), 111
Libraire Archéologique De Victor Didron, 30, 74
Lighting, 171, 188, 192, 311
Lille, 104, 116–17, 118, 119, 131
Lily-vase motif, 373, 380
Lincoln Cathedral, 39
Linz, cathedral at, 129
Lismore Castle, 196, 347, 350, 366
design for door, 342
Lithography, 174, 305
Liturgical art(s), 207, 213, 214
in America, 220n61
Liturgy, 48, 56–57, 282, 291, 297
in/and building, 212–13
glossary of, 317
importance of outward forms in, 54
theatrical effect of, 311
Liverpool, 86, 119
Lives of the English Saints (Newman, ed.), 54
Llewellyn Park, N.J., 205
Lockhard, Lady, 197
Lombardic style, 116
London, 35–36
Gothic chapels in, 48–49
Irish Catholics in, 137
London Oratory, 58
London Society of Antiquaries
see Society of Antiquaries of London
Long Stanton Church, 145
Lonsdale & Tyler (co.), 283
Loreto Abbey, Rathfarnham, County Dublin, 143, 153
chapel, 157n28, 158n80
Loreto Convent, 145
Loss and Gain (Newman), 58
Loudon, John Claudius (1783–1843), 93
Louis XIV, king of France, 108
Louis Napoleon (1808–1873), 104
Louis Philippe, king of France (1773–1850), 75, 105, 106
Louis XVIII, king of France, 64, 65
Lowther Rooms, 58
Lucas, Frederick, 57
Luck, Alfred, 272
Lumsdaine, Helen, 369, 376
Lutyens, Edwin (1869–1944), 98
Lyndhurst, Tarrytown on the Hudson, 204
McCarthy, J. J., 138, 145, 146, 147, 150, 152, 153–54, 155, 157n46, 158n75, 159n103
Machine production, 165
handcraft techniques adapted for, 191
mass production and, 167
Machinery
Pugin’s attitude toward, 163, 165, 172
Mackintosh, C. R. (1868–1928), 99
“Madonna and Saint John, The, by Filippo Lippi” (artwork), 281
Magasin Pittoresque, Le, 114
Maguire, Henry, 317
Maistre, Joseph-Marie de (1753–1821), 111
Maiolica, 278
Majolica glazes, 362, 365, 383
Manufacture
principles for, 171
progress of design as applied to, 161–75
Pugin’s endorsement of, 173–74
Pugin’s influence on, 165
Manufacturing methods, modern, 165
Marie-Louise (1791–1847), 64
Marienburg, 121
Marlow (town), 97, 100n5
Marseilles, 115, 116, 119
cathedral at, 104, 115
Martlet bird emblem, 179, 224, 353, 378
Mason’s guilds, 107
Mason’s lodge, medieval (Bauhütte), 122
Mass production, 16, 172
Mass-rocks (Ireland), 140
Maximilian II, king of Bavaria (1811–1864), 104, 128
Maximilianstil, 128
Maximilianstrasse, 128
Maynooth College and seminary
see Saint Patrick’s College, Maynooth
Maynooth Grant, 148
Mechanical tile press, 198n28
Mediaeval Court, 40, 76, 173, 174, 195, 196, 197, 278, 305, 339, 348, 351, 356, 358, 359, 362, 368, 369, 376, 380–92
see also Crystal Palace; Great Exhibition
Medieval (the), 14, 15
Byron’s fascination with, 21–22
see also Middle Ages
Medieval antiquities
Pugin’s love of, 33, 46, 63
Medieval architecture, 14, 26, 54, 163, 177
in Byron, 22
French, 107, 115, 119
Pugin and revival of, 89
Pugin’s knowledge of, 39, 88, 191
Medieval art, 177
inspiration for Pugin’s interior design, 180
revival of, 129
Medieval buildings, 37, 46
Pugin’s study of, 69–70
“restoration” work on, 231
Medieval church furnishings, 138
Medieval churches, 90
restoration of, 147
Medieval complexes
Pugin’s bird’s-eye perspective drawings of, 217
Medieval examples/models, 90, 97, 288
church plate, 290, 291, 298
encaustic tiles, 314
flagons, 308
furniture, 255, 350
jewelry, 377, 378, 379, 380
in Pugin’s church building, 88
Medieval principles
applied to modern purposes, 68
Medieval source material
Pugin’s use of, 239
Medieval styles
in church-building, 87
modern, 194, 195
revived, 191, 317
Medieval technique
renewal of, 108
Medieval traditions
in church-building, 87
Medieval vision of Pugin, 192
in Saint Mary’s College, Oscott, 189, 190
Medievalism, 45, 57
continuity with Catholic style, 190
nationalist impulse of, 121
secular expression of, in America, 204
Meigh, Charles, 249, 251
Melincourt (Peacock), 83
Mercy Convent, 158n55
Mérimée, Prosper (1803–1870), 71, 73, 75, 106
Merritt, George, 204
Metalwares, domestic, 252
Metalwork, 173, 182, 190, 191, 193, 290, 294, 306, 342, 359, 368
collection of, 277
decorative, 194
designed by Pugin, 144, 235, 288, 290, 292–93, 305, 309, 329
domestic, 367, 370
handcraft techniques adapted for machine production, 191
by Hardman, 168, 170, 368, 372, 383, 388, 389, 391–92
Palace of Westminster, 329
precious metals in, 166–67, 168
purchased by Museum of Manufactures, 389
at Rouen Museum of Antiquities, 263
selection of, 261, 262
Michelet, Jules (1798–1874), 108
Microcosm of London (Ackermann), 36, 45, 245
Middle Ages, 50
art of, 50
Pugin’s vision of, 35
secularized, 111–12
society of, 45
Midleton, Lord, 151
Millet, Eugène (1819–1879), 111
Milton Earnest Hall, Bedfordshire, 179
Minton, Herbert (1793–1858), 33, 173, 174, 185, 190, 191, 197, 313
pattern books, 361
shape books, 359
Pugin’s relationship with, 314, 330–31, 344, 357–58, 360, 361, 362, 364, 384
Minton & Company, 247, 278, 331
Minton factory, 356, 363
shape book, 365
Minton Museum, 358
Minton tiles, 336, 380, 387
Mistress Powell and Daughters (co.), 283
Mocker, Josef, 130
“Model” medieval churches
published by Ecclesiologist, 145
see also Medieval examples/ models
Modern movement, 146, 201
Modernism, 91
Goodhue and, 221n68
Moller, Georg, 121
Monastery, The (Scott), 37
Monstrance(s), 297–98, 308, 329
Montalembert, Count Charles de (1810–1870), 50, 51, 55, 73, 109, 111–12, 115
Monuments, 13
history worked out in, 107
see also National monuments
Monuments francais Inedits pour servir àl’Histoire . . . (Willemin), 276
More, Sir Thomas, 45
Morel & Seddon (co.), 28, 163, 237
Morris, William (1834–1896), 163, 172, 179, 373
Morse, or Cope Clasp, 301
Mostaert, Jan, 281
Motto bread plate, 362
Motto plates, 363
Motto Ware, 363
Mount Saint Bernards Abbey, 147
Mozley, James B. (1813–1878), 52
Mozley, Thomas, 60n25
Muckross Abbey, Killarney, 141, 156n16
Munich, 104, 123, 128
Munich Cathedral, 93
Müntz, Johann Heinrich, 25, 204
Murphy, George, 141
Murphy, James, 19
Murthly New Castle, 183–84
Murthly Old Castle, 183
Musée des Antiquités, Rouen, 69, 259
Museum of Manufactures, 173, 274, 275, 278, 389
see also Victoria & Albert Museum
Mustard Pot, 253
Myers, George (1804–1875), 33, 40, 138, 151, 154, 173, 190, 197, 303, 321, 366, 381, 385, 391, 392
Napoleon, 27, 64, 69, 121, 161, 234
Napoleon III, 110, 115, 116
“Narthex or Porch of a modern temple of Bacchus or Terpsichore, The” (cartoon), 59
Nash, John (1752–1835), 27, 28, 36, 242
Nash, Joseph, 70, 243
“National” architecture, 104, 128
Germany, 124–25
National Cathedral (Washington, D.C.), 201, 215
National monuments, 117
Austria, 128–29
Germany, 121–22
Hungary, 131
and modern language of architecture, 113–14
preservation of: France, 105–7, 109, 116
National Portrait Gallery, London, 225
Nationalism, 103, 119, 122
in architecture: Germany, 120–21
vs. cosmopolitanism, 104
of Czechs, 130
Gothic and rise of: Central Europe, 128–32
in Gothic restoration and revival, 131
Hungary, 130–31
Ireland, 155
Nature
Gothic style associated with, 217
Nayler, Sir George, 242
Naylor, John, 196, 343
Nazarene school of painting, 50, 59
Nelson, Horatio (1758–1809), 20
Neo-Catholicism, 107, 109, 111
Neoclassicism, 27, 82, 98–99, 123, 128, 139, 286
Belgian, 132n4
in Cathedral of Ardagh, 152
challenge to, 105, 107, 111
Dublin churches, 158n80
France, 105, 110–11, 113
Saint Cuthbert’s College, 318
Nesfield, W. E., 98
Netherlands, 117, 131
New England, 205–7, 208–9, 219n32
New England Gothic church uniformity/repetitive character of, 218–19n30
New Old South Church (Boston), 220n63
New Palace of Westminster, 75, 164, 165
furniture for, 75
New York City, 201, 202, 206
Newman, John Henry (1801–1890), 41, 48, 59, 60, 100n5
Pugin and, 33, 52–54, 57–58
Newsham, Charles, 318
Newstead Abbey, Nottinghamshire, 21
Nikolaikirche, Hamburg, 104
Nodier, Charles (1780–1844), 22, 66
Norman architecture, 25, 67–68
Normand, A., 73
Normand, Charles, 73
Normandy, 25, 27
North America
church design in, 28n9
Gothic movement in, 201–21
Notice Stand, 326
Notman, John, 217n11
Notre-Dame Cathedral (Paris), 13, 39, 70, 74, 75, 109
restoration of, 110–11, 115, 116
Notre Dame de Paris (Hugo), 108
Novelty Gothic, 37
O’Connell, Daniel (“the Liberator”) (1775–1847), 55, 137
Octagonal buildings/rooms, 204
Octagonal table, design for, 351
“Old Scotch” style, 234
Old Windsor, 204
Oliver, A. J., 224
Oratorians, 58–59
Order of Christ the Redeemer (Redemptorists), 219n49
Order of Saint Michael, 21
Ornament(s)
appropriate use of, 164
in architecture of Pugin, 80–81
cast, 166–67
Gothic, 15, 235
plant, 172
Pugin on, 177, 180
Ornament, control of (principle), 179, 192, 196, 215
Ornements Gothiques de toutes les époques . . . (Pugin), 73
Orrell, Alfred, 197
Osborne House, 331
Oscott College
see Saint Mary’s College, Oscott
Oscott Lectern, 198n26
Osmond, William, 38, 273
Oswaldcroft, 392
Our Lady and Saint Alphonsus, Church of, Blackmore Park, 306
Our Lady and Saint Thomas of Canterbury, Church of, 100n5
Our Lady of Perpetual Help (Roxbury, Mass.), 209–10
Our Lady of the Assumption, Wexford, 158n75
Our Lady of the Immaculate Conception, Wexford, 158n75
Ouradou, Maurice, 132
“Out of the Flaminian Gate” (Wiseman), 59
Overbeck, Friedrich (1789–1869), 50, 59
Oxenford Farm, Surrey, 90
Oxford Architectural Society, 54
Oxford Movement, 31, 51–53, 55, 202
Newman and, 43n13
Oxford University, 131
Keble College, 220n62
Magdalen College, 216, 361
Magdalen Tower, 217
Palace of Westminster, 15, 40, 188–89, 233, 360
competition, 183
designs for, 194, 280, 346, 347
encaustic tiles, 314, 330–31, 356, 358
fireplace, 366
interiors, 32
Pugin’s furniture for, 350, 351
Pugin’s work in, 40, 189, 194, 195, 196, 322–38
standard chair for, 335
Palace of Westminster Clock Tower, 92
Palais des Tuileries, 66, 71, 75
Palladianism, 88
Panel(s), 279
Parian porcelain, 247, 250
Paris, 66, 131
architecture of, 13
cathedral of, 108, 111, 116
Left Bank, 113
Pugin in, 71, 72, 259
Paris and Its Environs, 70–71, 243
Parish churches, 79, 85, 150
Perpendicular style in, 88
village, 145
Parure, 380
elements of, 375–76
Passe, Crispin de, II, 324
Past and Present (Carlyle), 45
Patrons/patronage (Pugin), 33, 49, 190, 191, 193, 307
in Ireland, 140, 141, 143, 151
Pattern
in The Grange, 182
Pugin’s use of, 172, 180, 192, 196
Pattern books, 15, 324
American, 203
of Gibbs, 207
of Minton, 361
of A. C. Pugin, 37
Paulding, William, 204
Paxton, Joseph (1801–1865), 194, 381
Peacock, Thomas Love, 83, 91
Pearson, John L. (1817–1897), 212
Peckforton Castle, Cheshire, 94
Pectoral crosses, 377
Pelham, Henry (1696–1754), 15
Penal Laws, 48
Pendentive dome, 115
Periodicals, religious, 56, 57
Perfume burner, 276
Perpendicular Gothic, 25
Perpendicular style, 87, 143
Perry, George, 237
Perry, William, 237
Perspective, 180, 241, 319
false, 337
Peter the Great, 132
Petit Trianon, Le (Paris), 244
Peto, Harold, 214
Petre, Edward, 303
Petre, Mrs., 303
Pevsner, Nikolaus, 97
Phillipps de Lisle, Ambrose (1809–1878), 49, 51, 53, 54, 55, 56, 58, 190
Picturesque movement, England, 82, 93, 94–95
Pier Table, 232
Pierce, James, 156n24
Pierce, Richard (architect), 138, 143, 144, 146, 148, 151, 153, 156n24
Pinnell, George Frederick, 285, 288
Pitt, Thomas, 17
Pius IX, Pope, 59, 287
Plans, Elevations, Sections and Specimens of the Architecture and Ornaments of the Cathedral Church at Exeter (Carter), 231
Plans, Elevations, Sections and Views of the Church of Batalha (Murphy), 19
Plate, 356
designs for, 357–58, 359
Gothic Ruins Pattern, 251
altar, 240
see also Church plate
Plate books, 120
Pointed architecture, 92, 93, 103
Pointed or Christian architecture, 201
Pugin’s drawings of, 203
Pointed style
in New England, 205
Polidori, John (1795–1821), 22
Polychromy, 292
Ruskinian, 201, 202, 206, 214
Pope, Alexander (1688–1744), 16
Pope, primacy of, 49
Portable Font and Cover, 250
Portsmouth, Earl of, 147
Portugal, 19
Potter, Joseph, 61n46
Potter & Robinson (co.), 221n68
Powell, Henry, 144
Powell, John Hardman (1827–1895), 31–33, 34, 40, 41, 42, 281, 372, 373, 378, 380
married Anne Pugin, 40
Powell, William, 32, 40
Power, Sir John, 156n17
Power, Lady, 156n17
Prague Castle, 130
Vladislav Hall, 130
Prattle, Virginia, 354
Preachers’ and Pensioners’ Courts, 101n20
Pre-Raphaelite Movement, 50
Present State of Ecclesiastical Architecture in England, The (Pugin), 91–92, 147
Presentation Brothers, 147
Presentation Sisters, 141, 147
Price, Uvedale, 60n6
Primitivism, 146
Princeton University
Graduate School, 2–17
Principles of Gothic ecclesiastical architecture (Bloxam), 153
Prisoner of Chillon, The (Byron), 22
Progressive historicism, 124–26, 128
Protestantism, 51, 56, 286
Prussia, 104, 105, 122, 124, 125, 128
revolutions in, 123
Prussian Parliament, 123, 124
Prussian Rhineland, 117
Pugin, Anne (later Mrs. John Powell) (1832–1897), 33, 40, 280, 378, 380
death of, 38
Pugin, Anne Garnet, 226, 281
Pugin, Auguste Charles (1769–1832), 36–37, 45, 63, 64, 66, 73, 161, 242, 246
Carter’s influence on, 231
death of, 28, 38, 47
foremost architectural draftsman of Gothic Revival, 26–28
in France, 67, 69
Gothic furniture designs, 237
library of, 63
member, Société des Antiquaires de Normandie, 69
pupils of, 27, 241, 243
settled in London, 161
source books, 82
work with Ackermann, 245
writings of, 76, 203
Pugin, Augustus Welby
Northmore (1812–1852), 27, 28, 34, 47, 111, 112, 122
architecture of, in context, 79–101
biographical sketch, 31–61
boats, 34, 272
books by, pirated, 73
campaign against, in religious periodicals, 57
career and projects, 32, 38, 40
childhood, early life, 35–37, 38, 45–46
children of, 226, 341
collections, 163, 279
collections: antiquities, 63, 72, 182, 190, 274
collections: books and prints, 256
collections: paintings, 281
as collector, 278
contribution to architecture, 97–98
conversion to Roman
Catholicism, 47–48, 137
demand for services of, 190
diaries, 59, 63, 67, 70, 71–72, 75, 141, 143, 144, 177, 259
disciples of, 92, 97
domestic life of, 32–33, 34, 36–37
drawings made in Europe, 71–72
education of, 36, 46
emblem: martlet, 224
engaged to H. Lumsdaine, 369, 376
financial difficulties of, 41
and France, 63–77
friends, friendship, 190, 194, 195
and Gothic Movement in North America, 201–21
illness, death of, 40, 41, 42, 47, 59–60, 117, 138, 154, 174, 195, 197, 201
inspection of work in progress, 33
and interior design, 177–99
legacy of, 103, 104, 131
library of, 51, 163
marriage: Anne Garnet, 226, 281
marriage: Jane Knill, 225, 339, 376, 379, 380
marriage: Louisa Burton, 226, 339
mental breakdown, 40–41, 59
personal characteristics, 33–34, 37, 47, 93
physical appearance, 31–32
portraits of, 224–25
precocity of, 37, 40–41, 46
Professor of Ecclesiastical Antiquities, college at Sutton Coldfield, 61n46
Professor of Ecclesiastical Architecture and Antiquities, Saint Mary’s College, 277, 279
and progress of design as applied to manufacture, 161–75
as pupil of his father, 243
received papal medal, 59
Scottish connections, 183
self-portraits, 225
social criticism of, 45
status of, 98, 216
successors to, 40, 103
temperament of, 32, 92
tomb of, 225, 226, 339
Pugin, Catherine Welby, 36, 37, 41, 65–66, 71, 243
death of, 38, 47
religious beliefs of, 46, 47
Pugin, Edward W., 71, 75, 138, 146, 147, 214, 225–26, 308, 320, 380
continuing his father’s work, 186, 339
death of, 208
encaustic tile designs, 314
erratic personality of, 225
and Irish church-building, 154–55, 156n17
as successor to his father, 154
trips to/work in America, 201, 203, 208, 209–10, 211
work at Scarisbrick, 345
Pugin, Jane Knill (1827–1909), 40, 41, 197, 291, 339, 376
jewelry for, 379, 380
portrait of, 225–26
Pugin, Louisa Burton, 32, 34, 226, 341, 375–76
death of, 339, 392
Pugin, Margaret, 40
Pugin, Peter Paul, 40, 201
work in America, 208, 211
Puginian churches, 153–54
Puginian Gothic style in American churches, 207, 208, 210
Puginian principles
applied in North America, 201–2, 205, 212–13, 215, 216
Puginian style
in America, 211–12
in jewelry, 380
Pugins (the)
in Ireland, 137–59
Pugin’s Gothic Furniture (A. C. Pugin), 244–245
Pugin’s Gothic Furniture (A. W. N. Pugin), 73, 245, 255, 353
Pyx, 291
Quarant’ore, 58
Quatremère de Quincy, A. C. (1755–1849), 107, 108–9
“Queen Anne” revival, 96
Railton, William, 190
Railway architecture, 83, 90, 162
Railways, 90, 161–62
Rambler (periodical), 57–58, 59
Rampisham Rectory, Dorset, 94, 178
Ramsgate, 31, 32, 34, 40, 86, 96–97, 201, 216
E. W Pugin at, 208
Pugin’s church at, 100n5, 139, 141
Raschdorff, Julius (1823–1914), 127
Rational architecture, 99–100, 132
Rationalism, 146, 149
Reading, 53
Norman abbey, 94
Récamier, Madame, 71
“Recent Progress in Design as Applied to Manufacture” (Wallis), 165
Recollections (Ferrey), 273
Red House, 179
Redgrave, Richard (1804–1888), 173
Reformation, 51, 286, 299
causes of, 59
in Ireland, 138
Reformed Gothic, 372
Regency Neoclassical furniture, 27
Regency period, 45, 180, 183, 255
Reichensperger, August (1808–1895), 111, 121–23, 124–25, 127–28, 129, 130
Reims, cathedral of, 116
Relief Act of 1791, 49
Religious orders, 56, 58
Religious revival (19th century), 39, 103
Reliquary(ies), 299–300
Reliquary Cross, 294
Reliquary figures
Saint Ursula, Cologne, 268
Renaissance, 51, 108, 181
impact on Pugin, 278
Renaissance models, 356
furniture, 350
jewelry, 377, 379
Renaissance Revival, 130
Renaissance style, 114, 125, 194
Renwick, Aspinwall and Russell (co.), 215
Renwick, James (1818–1895), 201, 203
Repository of the Arts, The (magazine), 27, 28, 36, 237, 245
Repton, John Adey (1775–1860), 26
Restoration(s), 129, 131
Austro-Hungarian Empire, 129
France, 105, 106–7, 108, 110, 111, 113, 115
Revealed construction (principle), 204, 392
Revolution (France), 105
Revolutions (Europe), 103–4, 123
Révue Générale de l’ Architecture, 120
Reynolds, Alfred, 174, 356
Reynaud, Léonce, 115
Richards Castle, Shropshire, 97
Richardson, H. H. (1838–1886), 212, 215, 217, 220n63
Rickman, Thomas (1776–1841), 25–26, 73, 86, 87, 91, 186, 255
Riddell, William, 56, 57
Rio, Alexis François (1797–1874), 50
Robb, Frohman and Little (co.), 215
Robertson, John, 150, 194
Rock, Dr. Daniel (1799–1871), 52
Roddis, Thomas, 292
Rogers, Isaiah, 219n32
Rogers, Samuel (1763–1855), 21
“Rokeby” (Scott), 218n26
Roman basilicas in America, 207, 210
Roman triclinium, 27
Romanesque style, 87, 125, 131, 144, 184, 203, 206
in America, 206, 215
and Gothic style, 220n52
transition to Gothic, 114
Romano-byzantine style, 115
Romantic movement, 13, 14, 71, 97
Romanticism, 39, 140–41
Romantics, 82, 89, 106–9, 113–14, 120, 123
classicists vs., 71
Rome
Pugin in, 59
Rood screen controversy, 57–58
Rood screens, 138
crucifix figures on, 296
Roofs
churches, 89, 143, 155
hammerbeam trussed, 219n48
later Gothic, 91–92
Pugin’s secular buildings, 92
queen-post truss, 142
Rotch and Tilden (co.), 221n69
Rotonde, La, Passage Colbert, Paris, 243
Rouen, 67–68, 259
timber framed houses, 259, 266
Rouen Cathedral, 67
stained glass, 69, 73
Rouen Museum of Antiquities, 263
Rowlandson, Thomas (1756–1827), 36, 242
Rownan, Peter, 209
Royal Academy, 19–20, 224
Royal Basilica of Saint Denis, 113
Royal Institute of British Architects, London
Drawings Collection, 306, 315
Rule of Saint Philip Neri, 58
Rundbogenstil, 123, 203, 206, 212
Gothic style and, 219n32
Rundell Bridge & Rundell (goldsmiths), 166, 167, 168, 239, 240
Rural Architecture (Upjohn), 203
Ruskin, John (1819–1900), 41, 67–68, 93, 163, 164, 216, 219n45
attack on Pugin, 93
handcraftsmanship ethos of, 167
and Pugin, 31
Ruskinian polychromy, 201, 202, 206, 214
Russell, J. F., 273
Russell, John (1819–1900), 59
Russian art/architecture, 131–32
Rutter, John, of Shaftesbury, 20–21
Ryan, James T., 157n46
Sacred Heart of Jesus, Church of, East Cambridge, Mass., 208, 210–11, 221n67
altar, 211–12
Saint Aidan’s Cathedral, Enniscorthy, 137–38, 145, 146–47
Saint Alphonsus, Barntown, 145
Saint Andrew’s, Plaistow, 213
Saint Anne’s Bedehouse, Lincoln, 101n20
Saint Augustine’s, Ramsgate, 94, 96, 97, 300, 314
aerial view of, 340
brickwork, 96
Saint Augustine’s Grange, 31, 32, 33, 34, 42
Saint Barnabas (church; now cathedral), 61n43
Saint Barnabas, Nottingham, 146
Saint Brendan’s Cathedral, Ardfert, 145
Saint Chad’s, Hagerstown, 213
Saint Chad’s Cathedral, Birmingham, 57, 58, 61n43, 93, 191, 283, 284, 299, 300, 301, 377
arcades, 92
brickwork, 95
design for altar at, 315
Pugin’s candlesticks at, 309
Saint Colman’s Cathedral, Cove, 155
Saint Cuthbert’s College, Ushaw
drawings and designs for, 318–21
Relic or Holy Family chapel, 320
Saint Joseph’s, Servant’s Chapel, 319–20
Saint David’s, Pantasaph, 385
Saint Edmund’s College, Ware, 96, 150
Saint Elizabeth, Marburg, 93
Saint Eugène, Paris, 86
Saint George’s, Everton, 86
Saint George’s, Ramsgate, 86, 100n5
Saint George’s Cathedral, Southwark, 58, 59, 92–93, 191, 273, 284, 291, 303, 307, 311
Saint George’s Chapel, Windsor, 218n27
Saint George’s Hall, Liverpool, 331
Saint-Germain l’Auxerrois, 74
Saint Gervais, Paris, 260
Saint Giles’s, Cheadle, 32, 58, 75, 92, 94, 192–93, 292–93, 301
altar cross, 295
consecration of, 311
dressed ashlar of, 94
encaustic tiles, 314
Pugin candlesticks for, 309
spire, 92
Saint-Jacques (church, Dieppe), 73
Saint James, Church of, Ramsgrange, 141, 142–43
Saint James the Less, Westminster, 214
Saint James’s, Dublin, 153
Saint James’s, Reading, 94
Saint John Chrysostom, Delafield, Wis., 203
Saint John the Baptist, Blackrock, County Dublin, 152–53, 158n80
Saint John’s, Bowdoin Street, 218–19n30
Saint John’s Manor, Waterford, 156n17
Saint Leonard’s (church, Port Maurice, Boston), 209
Saint Luke’s, Chelsea, 85–86
Saint-Maclou (church, Rouen), 67
stained glass, 265
Saint Margaret, Chapel of, 180
Saint Marie’s, Derby, 191, 282, 313
Saint Marie’s Grange, 91, 92, 96, 177–79, 180, 181, 279, 352
brickwork, 25
chapel, 341
fireplace, 366
furniture for, 179–80, 353
Saint Martin, Cologne, 271
Saint Martin des Champs, 108
Saint Mary, Moorfields, 48–49
Saint Mary, West Tofts, Norfolk, 314
Saint Mary Magdalene, Oxford, 250
Saint Mary Magdalen, Paddington, 214
Saint Mary’s, Killarney, 145–47
Saint Mary’s, New Castle, 61n43
Saint Mary’s College, Oscott, 61n43, 57, 63, 143, 183, 189–90, 279
chapel, 283, 285, 377
chapel altar, 225
Pugin Professor of Ecclesiastical Architecture and Antiquities at, 189–90
Pugin’s candlesticks at, 309
Pugin’s collection at, 277, 291
Pugin’s fittings, furnishings, and plate for, 288, 349, 352
Saint Mathias, Church of, 130
Saint Michael the Archangel, Gorey, County Wexford, 144–45
Saint Michael’s, Toxteth, 86
Saint Nicholas, Nantes, 110
Saint-Ouen (church, Rouen), 67, 73
Saint Patrick’s Cathedral (New York City), 201
Saint Patrick’s College, Maynooth, 56, 94, 137, 148–51, 319
chapel, 150, 154
Saint Patrick’s Court, 149, 150
symbol of resurgence of Catholic Church, 155
Saint Paul’s, Dedham, 206
Saint Paul’s School, Concord, N.H., 216–17
Saint Peter’s, Marlow, 79–81, 97
Saint Peter’s, Rome, 59, 128
Saint Peter’s, Wexford, 145
Saint Peter’s, Woolwich, London, 94
Saint Peter’s Church, Meetinghouse Hill, Dorchester, 209
Saint Peter’s College, Wexford, 143, 146
Saint Saviour’s, Hoxton, 213
Saint Saviour’s (Dublin Dominican church), 154
Saint-Simon, Claude Henry de Rouvroy, comte de (1760–1825), 110
Saint Skyre, Kilskyre, County Meath, 153
Saint Stephen’s Cathedral, Vienna, 128, 129
Saint Stephen’s Church, Providence, R.I., 212
Saint Thomas’s, Dudley, 100n5
Saint Thomas’s Church, New York City, 217
Saint Ursula, Cologne, 267, 268
Saint Vincent de Paul (church), 65
Saint Vitus Cathedral, 130
Saint Wilfred’s, 57, 58
Saint Winefride (church), 314
Santa Annunziata, Genoa, Italy, 206–7
Sainte Chapelle, La, 70, 74, 75, 107, 108
restoration work at, 74
Sainte Clotilde, Paris, 104, 110, 113, 114, 128
Sainte-Geneviève (church), 70
Saints Peter and Paul (church), 211–12
Saints Peter and Paul, Cork, 155
Saints Phillip and James, Church of, Oxford, 214
Saints Thomas and Edmund of Canterbury, Church of, at Erdington, 290, 294
Salisbury, Wiltshire, 279, 336
Salisbury Cathedral, 20, 21
Salvin, Anthony, 94
San Giacomo, imaginary view of, 258
Sardinian chapel (London), 48
Sargent, Charles Sprague, 218n28
Sargent, Henry Winthrop, 218n28
Savage, James (1784–1873), 86, 87
Sauvageot Collection, 72
Scarisbrick, Anne, 186
Scarisbrick, Charles (1800–1860), 90, 186, 189, 255
Scarisbrick Hall, Lancashire, 183, 186–89, 90, 192, 279, 350
chairs for, 255
design for wallpaper, 345
Scarisbrick pattern, 345
Schayes, A. G. B., 132n4
Schinkel, Karl Friedrich (1781–1841), 121, 123, 124, 126, 127
pupils of, 124
Schlegel, Friedrich (1772–1829), 123
Schmidt, Friedrich, 129, 130
pupils of, 129–30, 131
Schulcz, Ferenc, 130
Schulek, Frigyes, 130
Scott, Ernest, 303
Scott, George Gilbert (1811–1878), 31, 103
Scott, Sir Walter (1771–1832), 13–14, 31, 39, 82–83, 180, 218n26, 234
house of, 14
“Waverly” novels, 37
Scott-Murray, C. R., 80
Scottish Baronial style, 234
Screen(s), 15, 57, 58
Screens controversy, 57–58
Sears Chapel, Longwood, 206
Second Catholic Relief Act, 156n2
Second Pointed churches, 90
Secular buildings (Pugin), 90–91, 92, 99
brickwork in, 94–95
forward-looking element in, 94
Sellaio, Jacopo, 281
Semper, Gottfried, 275
Senate House, Melbourne, Australia, 331
Set design
by Lafitte, 64–65
by Pugin, 71, 75, 180, 234
Seven Lamps of Architecture (Ruskin), 67–68, 164
Sgabelli chair, 353
Shane Castle, County Meath, Ireland, 19
Sharpies, Henry, 392
Sharpies, James, 59
Shaw, Norman (1831–1912), 97, 98
Sheffield, first Earl of, 19
Sheffield Park, Sussex, 19
Shelley, Mary Godwin (1797–1851), 22
Shelley, Percy (1792–1822), 22, 34, 35
Shinkel & Ditmars (co.), 220n49
Shrewsbury, Earl of
see Talbot, John, 16th Earl of Shrewsbury
Shrewsbury arms, 301
Side table, 354
Simpson, Richard, 59
Sir Thomas More (Southey), 45
Sisters of Mercy, at Birr, 141, 147
Sisters of Saint Margaret, 214
Smirke, Sir Robert (1780–1867), 196, 344
Smith, Bernard, 317
Soane, Sir John (1753–1837), 98–99, 232
Société des Antiquaires de Normandie, 69
Society of Antiquaries of
London, 13, 16, 64, 69
Society of Antiquaries of Normandy, 25
Society of Arts (London), 165
Society of Arts and Crafts (Boston), 215
Soltikoff, Alexis, 72
Some Remarks on the Articles which have Recently Appeared in ‘The Rambler’ Relative to Ecclesiastical Architecture and Decoration (Pugin), 299–300
Somers, Countess, 344
Somers, Lord, 196, 344, 354
Source books, 27, 317
for Gothic Revival, 246
used by Pugin, 276
Sources
dishonest use of, 230, 248, 252
fifteenth-century European, 315
honest use of, 255
Pugin’s use of, 188, 285
truth to, 196
South Kensington Museum, 165, 212, 280
Southey, Robert (1774–1843), 45
Specimens of Gothic Architecture (Britton), 26
Specimens of the Architecture of Normandy, 27
Staffordshire potters, 247, 249, 251
Stained glass, 33, 69, 73, 171, 173, 182, 190, 191, 193
chapel, The Grange, 341
colors for, 191
Palace of Westminster, 334
Pugin’s designs in, 144, 168–70, 290
Saint Maclou, Rouen, 265
Saint Ursula, Cologne, 267, 268
Stained-glass school
of Connick, 221n67
Stained glass window designs (Pugin)
self-portraits in, 225
Staircase hall, 181–82, 339
Standing Desk, Palace of Westminster, 328
Stanfield, Clarkson, 54
Statues, ceremonial crowning of, 300
Statz, Vincenz, 129
Steen Valetje, 203
Steindl, Imre (1839–1902), 130, 131
Stencil alphabet, design for, 348
Stendhal, 71
Stephanoff, James, 242
Stewart, Sir John, 183
Stier, Wilhelm, 128
Stoke-on-Trent
ceramic industry, 313
Minton pottery in, 357–58
Stone, Sir Benjamin, 328
Store Street, office at, 241
Stove tiles, 278
design for, 383
framed set of, 382
Stowe House, Buckinghamshire, 15, 232
Strawberry Hill, 16–18, 20, 21, 82, 218n27
designs for, 230
furniture at, 232
Great Parlour, 16–17, 229
Holbein Chamber, 18, 229
Library, 18
Tribuna at, 227
Strawberry Hill Chair, 228–29
Street, G. E. (1824–1881), 93, 98, 103, 117, 148, 171, 212, 213, 214, 372
Structural furniture, 190, 353
Structural principle, 87, 99–100
Structural tables, 349, 352
Structuralism, 342, 351
Stiller, Friedrich August (1800–1865), 127
Stüler, Wilhelm, 128
Sturgis, Clipston, 221n67
Sturgis, John Hubbard (b. 1860), 212–14, 215, 221n64
Style
distinctive, unified, and influential, 185, 186
evolution of, 107
hybrid, 128
integrated, 192, 194
interior design, 189, 197
nineteenth-century, 128
politicized debate over, 104–5, 110–11, 118–20, 128, 132
positions regarding: France, 118
Pugin’s faith in correctness of, 194
Stylistic development, progressive, 124
Stylistic unity, 114, 115, 119, 120, 128, 130, 182
Suréda, 111
Switzerland, 103, 117, 131
Synott, Canon, 141, 144
“T”-plan (rural chapel), 145
Tabernae Montanus Eicones Plantarum, 373
Tables
designs for J. R. Herbert, 349
Pugin designs for, 171, 351, 352, 354
Tablet (periodical), 53, 57, 145, 148, 300, 320
Tableware, 356, 361
Tagoat, County Wexford, 145, 151
Talbot, George (1816–1886), 300
Talbot, John Hyacinth, 141–44, 145, 416
Talbot, John, 16th Earl of Shrewsbury (1791–1852), 34, 52, 55, 58, 74, 75, 142, 148, 190, 259, 277, 282, 298
attacked in religious periodicals, 57
country house, 90
ecclesiastical gifts, 283, 301
influence on Pugin’s life, 191–92
patron of Pugin, 33, 137, 143, 292–93
Talbot, Miss (Lady Shrewsbury), 137, 142
Taylor, Justin Séverin, 66
Taylor, Baron, 73
Taymouth Castle, 184–85, 186, 189, 279
Tazza, 370
Temple to liberty, 15
Textiles, 171, 172, 173, 182, 191, 193, 195, 278, 283, 345, 346
collection of, 277
Thackeray, William Makepeace (1811–1863), 139, 140
Thames Banks Workshops, 328
Theater
Paris, 71
Pugin’s involvement in, 183
see also Set design
Theatricality (Pugin), 180–81, 183, 184, 185, 189, 190
Thierry, Louis-Adolphe, 108
Thiers, Augustin, 106
Thomlinson and Davis (co.), 285
Thompson, A. R., 249
Thompson, William, 249
Throne and Canopy, design for
Palace of Westminster, 332
Tiles, 171, 172–73, 174, 191, 193, 194
designs for, 336
mechanized production of, 191
see also Encaustic tiles
Timber-framed buildings, 352
Rouen, 67–68, 259, 266
Salisbury, 279
Times, The, 59
Tintern Abbey, Wales, 147
Tollemache, Lord, 94
Tractarian controversies
in America, 205
Tractarianism, 52, 53, 202
Transfer process, 356, 361
Travel sketches, 259
Treatise on the Theory and Practice of Landscape Gardening (Downing), 206
Treverbyn Vean, 170, 372
Trinitarian Abbey, Adare, 147–48
Trinity Church, Boston, 212, 215, 219n30
Trinity Church, New York City, 203, 212
Trinity College, Hartford, 217
Trollope, Anthony (1815–1882), 35
Trotter, Joseph, 189
True Principles of Pointed or Christian Architecture, The (Pugin), 28, 68, 75, 86–87, 147, 149, 164, 168, 171, 177, 180, 190, 191, 202, 218n27, 235–36, 252
applied in America, 205, 207, 214, 216, 217
Tubney, Anglican church at, 94
Tudor forms
in jewelry, 380
Tudor Gothic, 232
Tudor revival style, 189
Tudor style, 177, 179–80
Turner, J. M. W (1775–1851), 45
Tusked-tenon joint, 353
Two Letters on the Origin, Antiquity and History of Norman Tiles Tained with Armorial Bearings (Henniker), 63–64
Typography, 88–89, 348
Ultramontism, 49
Ungewitter, Georg Gottlob, 129
Unitarianism, 206
Univers, L’, 115
Upjohn, Richard (1802–1878), 203, 204, 206, 212
Vampyre (Polidori), 22
Vancas, Josef, 131
Vanderbilt, Cornelius, 221n78
Vathek (Beckford), 21
Vaudoyer, Léon (1803–1872), 107, 114, 115–16, 126
Vaughan, Henry, 97, 201, 202, 212, 214–15, 216–17, 221n71
Vaux, Calvert, 217n11
Verbeke, A., 75
Vestments, 57, 74–75, 282–83, 290
cloth-of-gold set, 283, 301
Victoria, queen of England, 79, 84, 184, 376
Victoria & Albert Museum, 165, 173, 174, 212, 224, 237, 343, 347, 387
Victorian domestic architecture, 177
Victorian Gothic Revival
icons of, 362
Vienna, 104, 128–29
Villeneuve l’Etang, 66
Vilmont, M., 37
Viollet-le-Duc, Eugène-Emmanuel (1817–1879), 75–76, 106–7, 108, 109–10, 111–12, 113, 114, 115–16, 120, 130
legacy of, 131
and nationalism, 131, 132
school of, 111
Vitet, Ludovic (1802–1873), 106
“Vorlesung über die Systeme des Kirchenbaues” (Kugler), 126
Voyages pittoresques et romantiques dans l’ancienne France (Nodier & C Taylor), 66
Voysey, C. R A. (1857–1941), 98
Votive Church (Votivkirche), 128–29
Vrais Principes de l’architecture ogivale ou chrétienne . . . (Pugin), 75–76
Waagen, Gustav, 73
Wadsworth Atheneum, 218n27, 219n32
Walhalla (temple), 121
Wallis, George, 165, 167
Wallpaper designs/wallpapers, 171, 172–73, 174, 182, 191, 194, 195, 224, 278, 336, 337, 338, 342
chintz, 346
for Scarisbrick Hall, 345
Walpole, Horace (1717–1797), 13, 20, 22, 37, 39, 82, 180, 218n27
and Gothic Revival, 15–19, 25, 26, 204
Strawberry Hill, 228–29, 230
Walpole, Sir Robert, 15
Walsh, Bishop Thomas (1777–1849), 56, 57, 96, 190, 284, 377
portrait of, 225
Walter, J. W, 208
“Wants of Religion in Ireland” (Leahy), 140
Ward, W G. (1812–1882), 52
Waring & Gillow (co.), 323
Washington, D.C.
Capitol, 331
“Waste Not Want Not” plate, 362
Watercolor designs for Floriated Ornament, 373–74
Waterford, Ireland, 140, 147
Waterhouse, Paul, 90
Watts, James, 197, 348
Watts, Roger, 212
Waynflete, William, Bishop of Winchester (ca. 1395–1486), 15
Webb, John, 324, 325
Webb, Philip (1831–1915), 98, 179
Wedgwood, Lady Alexandra, 197n7
Weedall, Dr. Henry, 198n27
Wegg-Prosser, Lady Harriet, 354
Welby, Selina, 38
Wells Cathedral, 213
Wentworth, Charles, 221n69
West, Benjamin (1738–1820), 20
Westlake, N. H. J., 155
Westminster Abbey, 22, 232
Westminster Cathedral, 119, 307
Westminster Hall, 15
Wexford, 56, 151
Wexford college chapel, 143
Whall, Christopher, 221n67
White, William, 98, 103
Willard, Solomon (1783–1862), 205
Willemin, N. X., 276
William I, 127
William I, king of England, 334
William-of-Wykeham piece, 378
Williams, John J., 208
Wills, Frank, 203, 217n11, 221n65
Willson, Edward J. (1787–1854), 26, 38, 179, 246, 286, 377
Willson, Robert William, 56, 57, 377
Windsor Castle, 37
design for sideboard for, 237
designs for Standing Candelabra at, 238
furniture for, 28, 66, 163, 188, 245
Gothic additions to, 233
interiors for, 235
sideboard, 239
State Rooms, 28
Wiseman, Nicholas (1802–1865), 49, 53, 56, 57, 58, 59, 61n47, 284, 303, 307, 367, 377
Withers, Frederick C. (1828–1901), 212
Wolsey, Cardinal, 17, 229
Wood, William Halsey, 221n68
Woodwork, 171, 185, 191, 193, 195, 277
carved, 279, 280
designed by Pugin, 292–93
early, incorporated into interior design, 185, 186
medieval, 342, 352
structural, 190
Woodyer, Henry, 82
Worcester Porcelain Company, 313
Wordsworth, William, 35, 39, 45
World’s Columbian Exposition, 215, 217
Wren, Sir Christopher, 94
Wright, Frank Lloyd (1869–1959), 98
Wyatt, James (1747–1813), 18–20, 21, 26, 231, 233
death of, 25
Wyatt (later Wyatville), Jeffry (1766–1840), 26, 28, 233, 235
Wyatt, Matthew Digby, 376, 385
Wyse, Sir Thomas (1791–1862), 141
X-frame chair, 350
York, cathedral of, 15
Zeitschrift für Bauwesen, 124–25
Zwirner, Ernst Friedrich (1802–1861), 122, 128, 129