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Description: Poisoned Abstraction: Kurt Schwitters between Revolution and Exile
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PublisherYale University Press
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© Los Angeles County Museum of Art (figs. 1, 2, 3233, 35); Courtesy the Mildred Lane Kemper Art Museum, Washington University in St. Louis (fig. 3); © Estate of Pablo Picasso/Artists Rights Society (ARS), New York (figs. 3, 43, 107); © Robert Rauschenberg Foundation (fig. 4); © bpk Bildagentur/Kupferstichkabinett, SMB/Jörg P. Anders/Art Resource, NY (fig. 5); Provided by the Blue Mountain Project, Princeton University (figs. 6, 17, 29, 68); © Anja Elisabeth Witte/Berlinische Galerie (fig. 7); © Moderna Museet, Stockholm (figs. 8, 20, 22); © bpk Bildagentur/Art Resource, NY (figs. 9, 110, 125); Retrieved from the Library of Congress, www.loc.gov/item/19013740/ (fig. 10); © Bundesarchiv, Digitales Bildarchiv, Bild 146–1981–126–29A (fig. 11); © 2019 Estate of George Grosz/Licensed by VAGA at Artists Rights Society (ARS), NY (figs. 12, 14); © Merrill C. Berman Collection (figs. 12, 24, 52, 59); Courtesy Kurt Schwitters Archive, Sprengel Museum Hannover (figs. 13, 26, 38, 78, 80, 9194, 104, 112, 114, 117); Courtesy Kelley Vernon (figs. 14, 74, 97); © Rheinisches Bildarchiv Köln, rba_c004720 (fig. 15); © Michael Herling/Aline Gwose, Sprengel Museum Hannover (figs. 16, 19, 36, 47, 4951, 5658, 63, 85, 8894, 104, 111, 11820, 12224); © Johannes-Molzahn-Centrum, Kassel (fig. 17); Courtesy Galerie Berinson, Berlin (fig. 18); © Bundesarchiv, Digitales Bildarchiv, Plak 002-002-001 (fig. 21); © the author (figs. 23, 3031, 72, 108); © 2006 Francis Picabia/Artists Rights Society (ARS), New York/ADAGP, Paris (fig. 24); © Städtische Galerie Dresden—Kunstsammlung, Museen der Stadt Dresden, photographer Franz Zadnicek (fig. 25); © bpk Bildagentur/Kunstsammlung Nordrhein-Westfalen/Walter Klein/Art Resource, NY (fig. 27); © The Museum of Modern Art/Licensed by SCALA/Art Resource, NY (figs. 28, 37, 43, 6465, 69, 73, 121); © Jasper Johns/Licensed by VAGA at Artists Rights Society (ARS), NY. Courtesy Dallas Museum of Art (fig. 34); © Christie’s/Bridgeman Images (figs. 39, 61); © Yale University Art Gallery (fig. 40); © LWL Museum für Kunst und Kultur, Westfälisches Landesmuseum, Münster/Sabine Ahlbrand-Dornseif (fig. 41); Courtesy of Menil Library Special Collections, The Menil Collection, Houston (fig. 42); © President and Fellows of Harvard College (fig. 44); Courtesy of The Menil Collection, Houston (figs. 4546, 71) © Smith College Museum of Art, Northampton, Massachusetts (fig. 48); © The Museum of Fine Arts, Houston (figs. 53, 107); © Russian State Archives of Literature and Art, Moscow (fig. 54); © Deutsches Buch- und Schriftmuseum der Deutschen Nationalbibliothek, Leipzig (figs. 55, 66); Courtesy Galerie Zlotowski, Paris (fig. 60); © Herling/Gwose/Werner, Sprengel Museum Hannover (figs. 62, 67, 70, 113); © Sprengel Museum Hannover (figs. 7577, 82); Wilhelm Redemann (figs. 7577, 101); © Werner Laschet, Aachen. Courtesy Gwendolen Webster (fig. 79); © Artists Rights Society (ARS), NY/ProLitteris, Zurich (fig. 80); Getty Research Institute, Los Angeles (figs. 81, 86); Michael Herling/Uwe Vogt, Sprengel Museum Hannover (fig. 83); © bpk Bildagentur/Kunstbibibliothek, SMB, Photothek Willy Römer/Art Resource, NY (fig. 84); © Archives Nakov, Paris (fig. 87); Ernst Schwitters, © 2020 Artists Rights Society (ARS), NY/VG Bild-Kunst, Bonn (figs. 8893, 104, 116); Photo: Sailiko, © Courtesy Creative Commons, https://creativecommons.org/licenses/by/3.0/legalcode (fig. 95); © Kunstmuseum Basel (fig. 96); Public Domain, Wikimedia Commons (fig. 98); © Alinari/Art Resource, NY (fig. 99); © Metropolitan Museum of Art, New York (fig. 100); Courtesy Sprengel Museum Hannover (figs. 101, 116); © Sabine Bielmeier (figs. 1023); © Museum Insel Hombroich, Neuss (figs. 1056, 109, 115, 126); Michael Herling/Herling/Werner, Sprengel Museum Hannover (fig. 113); © Artists Rights Society (ARS), NY/VG Bild-Kunst, Bonn (fig. 126); © Romain Lopez (fig. 127); Courtesy Thomas Hirschhorn (fig. 128); Courtesy Thomas Hirschhorn and the Sprengel Museum Hannover (figs. 12930).
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