Select Bibliography

Tickner, Lisa

Save Cite Share

Free

Select Bibliography

Lisa Tickner

Modern Life & Modern Subjects: British Art in the Early Twentieth Century

Select Bibliography

Author

Lisa Tickner

PublisherPaul Mellon Centre

Stable URL: https://aaeportal.com/?id=-22905

Select Bibliography

The list is largely restricted to books and catalogues bearing directly on the principal artists in this book and on British modernism before 1914. Readers are referred to more extensive bibliographies on Sickert in Baron (1973) and Baron and Shone (1992); on Lewis, in Normand (1992) and Edwards (2000); on Bell, in Spalding (1983) and Shone (1999); and on Bomberg, in Cork (1987). There is no bibliography separate from the notes in Holroyd on John (1996), but the locations of manuscripts are listed in appendix eight.

Unpublished material is cited in the notes. The principal holdings are in Islington Central Reference Library, London (the Sickert Collection); the National Library of Wales, Aberystwyth (Augustus John Papers); the Department of Rare Books at the Carl A. Kroch Library, Cornell University (the Wyndham Lewis Collection); the New York Public Library (the Berg Collection and the John Quinn Memorial Collection); the Tate Gallery Archives, London (the Charleston Papers and the papers of David Bomberg); Tower Hamlets Local History Library and Archive, London (Joseph Leftwich’s diary); Southampton University Library (the papers of the Jewish Education Aid Society); and the Whitechapel Art Gallery archives, London (papers relating to the summer exhibition of 1914).

SICKERT

Baron, Wendy, Sickert (London: Phaidon, 1973)

Baron, Wendy, Miss Ethel Sands and her Circle (London: Peter Owen, 1977)

Baron, Wendy, The Camden Town Group (London: Scolar Press, 1979)

Baron, Wendy and Richard Shone, eds, Sickert: Paintings (exh. cat., London: Royal Academy of Arts in association with Yale University Press, New Haven and London, 1992)

Bell, Clive, Old Friends: Personal Recollections (London: Chatto and Windus, 1956)

Browse, Lilian, ed., Sickert, ‘with an essay on his art by R. H. Wilenski’ (London: Faber and Faber, 1943)

Browse, Lilian, Sickert (London: Rupert Hart-Davis, 1960)

Corbett, David Peters, ‘“Gross Material Facts”: Sexuality, Identity and the City in Walter Sickert, 1905–1910’, Art History, vol. 21, no. 1, March 1998, pp. 45–64

Elliott, C. A., ed., Walter Richard Sickert 1860–1942 (London: Islington Public Libraries, 1964)

Emmons, Robert, The Life and Opinions of Walter Richard Sickert (London: Faber, 1941)

Fry, Roger, ‘Mr Walter Sickert’s Pictures at the Stafford Gallery’, The Nation, 8 July 1911, p. 536

Hogarth, Basil, ed., Trial of Robert Wood (The Camden Town Case) (London and Edinburgh: William Hodge, 1936)

Jamot, Paul, ‘Sickert’, La Chronique des Arts et de la Curiosité, 19 January 1907, p. 19

Klepac, Lou, introductory essay, The Drawings of Walter Richard Sickert (exh. cat., Perth: The Art Gallery of Western Australia, 1979)

Kozloff, Max, ‘Sickert’s Unsentimental Journey’, Art News, April 1967, pp. 51–3, 71–2; also in T. B. Hess and J. Ashbery, eds, The Grand Eccentrics (New York: Collier Books, 1966)

Lilly, Marjorie, Sickert: The Painter and his Circle (London: Elek, 1971)

Napley, David, The Camden Town Murder (London: Weidenfeld and Nicolson, 1987)

Robins, Anna Gruetzner, Walter Sickert: Drawings. Theory and Practice: Word and Image (Aldershot: Scolar Press, 1996)

Robins, Anna Gruetzner, Walter Sickert: The Complete Art Criticism (Oxford: Oxford University Press, 2000)

Rothenstein, John, Walter Richard Sickert (London: Beaverbrook Newspapers, 1961)

Rutter, Frank, Preface, Camden Town Group (exh. cat., London: Leicester Galleries, 1930)

Shone, Richard, Walter Sickert (Oxford: Phaidon, 1988)

W. R. Sickert: Drawings and Paintings 1890–1942 (exh. cat., Liverpool: Tate Gallery, 21 March 1989–4 February 1990)

Sitwell, Osbert, ed., A Free House! or The Artist as Craftsman: Being the Writings of Walter Richard Sickert (London: Macmillan, 1947)

Stephenson, W. H., Sickert, the Man and his Art: Random Reminiscences (Southport: Johnson, 1940)

Sutton, Denys, Walter Sickert: A Biography (London: Michael Joseph, 1976)

Tavernier, Adolph, Preface to Peintures, Dessins et Pastels de Walter Sickert (sale cat., Paris: Bernheim Jeune, 18–19 June 1909; Hotel Drouot, 20 June; auction, 21 June)

Tillyard, Stella, ‘The End of Victorian Art: W. R. Sickert and the Defence of Illustrative Painting’, in Brian Allen, ed., Towards a Modern Art World (New Haven and London: Yale University Press, 1995), pp. 189–205

Troyen, A., Walter Sickert as Printmaker (New Haven: Yale Center for British Art, 1979)

Vauxcelles, Louis, ‘La Vie Artistique: Exposition Walter Sickert á Félix Fénéon’, Gil Blas, 12 January 1907, p. 2

Woolf, Virginia, Walter Sickert: A Conversation [1934], new edition with introduction by Richard Shone (London: Bloomsbury Workshop, 1992)

JOHN

Acton, Thomas, Gypsy Politics and Social Change: The Development of Ethnic Ideology and Pressure Politics among British Gypsies from Victorian Reformism to Romany Nationalism (London: Routledge Kegan Paul, 1974)

Augustus John: Catalogue of the Paintings, Prints and Drawings in the Fitzwilliam Museum (Cambridge: Fitzwilliam Museum, 1978)

Bilton, Jane, ‘The Edwardian Gypsy Idyll’, Feminist Art News, vol. 3, no. 1 [undated, c. 1990], pp. 21–2

Binns, Dennis, A Gypsy Bibliography (Manchester: D. Binns, 1982)

Brown, Marilyn, Gypsies and other Bohemians: The Myth of the Artist in Nineteenth Century France (Ann Arbor: UMI Research Press, 1985)

Easton, Malcolm, Augustus John: Portraits of the Artist’s Family (exh. cat., Hull: University of Hull, October–November 1970)

Easton, Malcolm and Michael Holroyd, The Art of Augustus John (London: Seeker and Warburg, 1974)

Fraser, Angus, The Gypsies (Oxford: Blackwell, 1992)

Holroyd, Michael, Augustus John: A Biography, 2 vols (London: William Heinemann, 1974–5); rev. as Augustus John: A Biography (Harmondsworth: Penguin Books, 1976) and as Augustus John: The New Biography (London: Chatto and Windus, 1996)

Jenkins, A. D. Fraser, Augustus John: Studies for Compositions (exh. cat., Cardiff: National Museum of Wales, 15 April–21 May 1978)

Jenkins, A. D. Fraser, ‘Slade School Symbolism’, in The Last Romantics: The Romantic Tradition in British Art: Burne-Jones to Stanley Spencer (London: Lund Humphries in association with the Barbican Art Gallery, 1989)

John, Augustus, Chiaroscuro: Fragments of an Autobiography [1954], pubd with Finishing Touches, ed. Daniel George [1964] as Autobiography (London: Jonathan Cape, 1975)

Lloyd-Morgan, Ceridwen, Augustus John Papers at the National Library of Wales (Aberystwyth: National Library of Wales, 1996)

Mayall, David, Gypsy-Travellers in Nineteenth-Century Society (Cambridge: Cambridge University Press, 1988)

National Library of Wales, Augustus John Papers: A Schedule of Papers Purchased in 1988 and 1989 (Aberystwyth: National Library of Wales, 1991)

Rothenstein, John, Augustus John (Oxford: Phaidon, 1946)

Sampson, Anthony, The Scholar Gypsy: The Quest for a Family Secret (London: John Murray, 1997)

Shone, Richard, Augustus John (Oxford: Phaidon, 1979)

Stables, W. Gordon, The Cruise of the Land-Yacht ‘Wanderer’; or, Thirteen Hundred Miles in my Caravan (London: Hodder and Stoughton, 1886)

Stables, W. Gordon, Leaves from the Log of a Gentleman Gipsy: In Wayside Camp and Caravan (London: Jarrold and Sons, 1891)

Themes and Variations: The Drawings of Augustus John 1901–1931 (London: Lund Humphries in association with the National Museums and Galleries of Wales and Spink and Son, 1996)

Trumpener, Katie, ‘The Time of the Gypsies: A “People without History” in the Narratives of the West’, Critical Inquiry, vol. 18, no. 4, Summer 1992, pp. 843–84

LEWIS

Colour, Rhythm & Dance: Paintings & Drawings by J. D. Fergusson and his Circle in Paris (exh. cat., Edinburgh: Scottish Arts Council, 1985)

Cork, Richard, Vorticism and Abstract Art in the First Machine Age, vol. 1: Origins and Development; vol. 2: Synthesis and Decline (London: Gordon Fraser, 1975–6)

Cork, Richard, Art Beyond the Gallery in Early 20th Century England (New Haven and London: Yale University Press, 1985)

Edwards, Paul, ed., Blast: Vorticism in England (Aldershot: Scolar Press, 1999)

Edwards, Paul, Wyndham Lewis: Painter and Writer (New Haven and London: Yale University Press, 2000)

Farrington, Jane, Wyndham Lewis (London: Lund Humphries in association with Manchester City Art Galleries, 1980)

Foster, Hal, ‘Prosthetic Gods’, Modernism/Modernity, vol. 4, no. 2, special Lewis issue, April 1997, pp. 5–38

Handley-Read, Charles, The Art of Wyndham Lewis (London: Faber and Faber, 1951)

Humphries, Richard, ed., Pound’s Artists: Ezra Pound and the Visual Arts in London, Paris and Italy (London: Tate Gallery, 1985)

Lewis, Wyndham, ed., Blast, no. 1 (London: John Lane, 20 June 1914); reprint (Santa Barbara: Black Sparrow Press, 1981)

Lewis, Wyndham, ed., Blast, no. 2 (London: John Lane, July 1915); reprint (Santa Barbara: Black Sparrow Press, 1981)

Lewis, Wyndham, Blasting and Bombardiering: An Autobiography 1914–26 [1937] (London: Calder and Boyars, 1967)

Lewis, Wyndham, Rude Assignment: A Narrative of my Career Up-to-Date [1950]; reprinted as Rude Assignment: An Intellectual Autobiography, ed. Toby Foshay (Santa Barbara: Black Sparrow Press, 1984)

Lewis, Wyndham, The Wild Body [1927]; reprinted as The Complete Wild Body, ed. Bernard Lafourcade (Santa Barbara: Black Sparrow Press, 1982)

Materer, Timothy, Vortex: Pound, Eliot, and Lewis (Ithaca: Cornell University Press, 1979)

Meyers, Jeffrey, The Enemy: A Biography of Wyndham Lewis (London: Routledge Kegan Paul, 1980)

Michel, Walter and C. J. Fox, eds, Wyndham Lewis on Art: Collected Writings 1913–1956 (London: Thames and Hudson, 1969)

Michel, Walter, Wyndham Lewis: Paintings and Drawings (London: Thames and Hudson, 1971) [M numbers refer to this catalogue]

Normand, Tom, Wyndham Lewis the Artist: Holding the Mirror Up to Politics (Cambridge: Cambridge University Press, 1992)

Rose, W. K., ed., The Letters of Wyndham Lewis (London: Methuen, 1963)

Sadler, Michael T. H., ‘The Value of Eurhythmics to Art’, in The Eurhythmics of Jaques-Dalcroze, with an introduction by Professor M. E. Sadler (London: Constable, 1912)

Tickner, Lisa, ‘The Popular Culture of Kermesse: Lewis, Painting, and Performance, 1912–13’, Modernism/Modernity, vol. 4, no. 2, April 1997, pp. 67–120

Wilson, Andrew, ed., Vorticism, ICSA (Internationaal Centrum voor Structuuranalyse en Constructivisme), Cahier, nos 8–9, December 1988 (Brussels: ICSAC, 1988)

Wees, William C., Vorticism and the English Avant-Garde (Toronto: University of Toronto Press, 1972)

BELL

Bell, Clive, ‘The English Group’, Introduction to the Second Post-Impressionist Exhibition (exh. cat., London: Grafton Galleries, 1912)

Bell, Clive, Art [1914] (London: Chatto and Windus, 1949)

Bell, Anne Olivier, ed. (assisted by Andrew McNeillie), 5 vols, The Diary of Virginia Woolf (London: Hogarth Press, 1977–84)

Bell, Quentin, Bloomsbury [1968] (London: Futura, 1974)

Bell, Quentin and Angelica Garnett, eds, Vanessa Bell’s Family Album (London: Jill Norman and Hobhouse, 1981)

Caws, Mary Ann, Women of Bloomsbury: Virginia, Vanessa, and Carrington (New York: Routledge, 1990)

Collins, Judith, The Omega Workshops (London: Secker and Warburg, 1983)

Dunn, Jane, A Very Close Conspiracy: Vanessa Bell and Virginia Woolf (London: Jonathan Cape, 1990)

Falkenheim, Jacqueline V., Roger Fry and the Beginnings of Formalist Art Criticism (Ann Arbor: UMI Research Press, 1980)

Maginnis, Hayden, ‘Reflections on Formalism: The Post-Impressionists and the Early Italians’, Art History, vol. 19, no. 2, June 1996, pp. 191–207 Marler, Regina, ed., Selected Letters of Vanessa Bell (London: Bloomsbury, 1993)

Nicolson, Nigel, ed. (assisted by Joanne Trautmann), The Letters of Virginia Woolf, 6 vols (London: Hogarth Press, 1975–80)

The Omega Workshops 1913–19 (exh. cat., London: Crafts Council, January–March 1984)

Richardson, Elizabeth P., A Bloomsbury Iconography (Winchester: St Paul’s Bibliographies, 1989)

Rosenbaum, S. P., ed., The Bloomsbury Group: A Collection of Memories: Commentary and Criticism (Toronto: University of Toronto Press, 1975)

Shone, Richard, Bloomsbury Portraits: Vanessa Bell, Duncan Grant and their Circle [1976] (London: Phaidon, 1993)

Shone, Richard, ed., The Art of Bloomsbury: Roger Fry, Vanessa Bell and Duncan Grant (exh. cat., London: Tate Gallery, 1999)

Spalding, Frances, Vanessa Bell [1983] (London: Macmillan, 1984)

Twitchell, Beverly H., Cezanne and Formalism in Bloomsbury (Ann Arbor: UMI Research Press, 1987)

Watney, Simon, ‘The Connoisseur as Gourmet: The Aesthetics of Roger Fry and Clive Bell’, in Formations of Pleasure (London: Routledge and Kegan Paul, 1983), pp. 66–83

Williams, Val, ‘Carefully Creating an Idyll: Vanessa Bell and Snapshot Photography 1907–46’, in Jo Spence and Patricia Holland, eds, Family Snaps: The Meanings of Domestic Photography (London: Virago, 1991), pp. 186–98

Woolf, Virginia, Roger Fry: A Biography (London: Hogarth Press, 1940)

BOMBERG

Alley, Ronald, ‘David Bomberg’s “In the Hold”, 1913–14’, Burlington Magazine, April 1968, p. 216

Anon., ‘A Jewish Futurist: Chat with Mr David Bomberg’, Jewish Chronicle, 8 May 1914, p. 53

Bomberg, David, Foreword to Works by David Bomberg (exh. cat., London: Chenil Gallery, July 1914)

Bomberg, David, ‘The Bomberg Papers’, in D. Wright and P. Swift, eds, X, A Quarterly Review, vol. 1, no. 3, June 1960, pp. 183–90

Carrington, Noel, ed., Mark Gertler: Selected Letters (London: Rupert Hart-Davis, 1965)

Cheyette, Bryan, Constructions of ‘the Jew’ in English Literature and Society: Racial Representations, 1875–1945 (Cambridge: Cambridge University Press, 1993)

Cohen, Joseph, Journey to the Trenches: The Life of Isaac Rosenberg 1890–1918 (London: Robson Books, 1975)

Cork, Richard, David Bomberg (New Haven and London: Yale University Press, 1987)

Denvir, Bernard, Introduction to Jacob Kramer (exh. cat., London: Parkin Gallery, 23 March–14 April 1973) d’Offay, Anthony, Introduction to Alfred Wolmark (exh. cat., London: Fine Art Society, 26 October–13 November 1970)

Drew, Joanna, David Bomberg 1890–1957 (exh. cat., London: Tate Gallery, March–April 1967)

Forge, Andrew, Introduction to David Bomberg 1890–1957: An Exhibition of Paintings and Drawings (exh. cat., London: Arts Council, 1958)

Gartner, Lloyd P., The Jewish Immigrant in England, 1870–1914 (London: George Allen and Unwin, 1960)

Gelberg, S., ‘Jewish London’, in George R. Sims, ed., Living London, 3 vols (London: Cassell, 1901)

Grose, Irving, Introduction to Jewish Artists of Great Britain 1845–1945 (exh. cat., London: Belgrave Gallery, March–April 1978)

Hassall, Christopher, Edward Marsh (London: Longmans, 1959)

Hulme, T. E., ‘Modern Art, IV: Mr. David Bomberg’s Show’, New Age, 9 July 1914, pp. 230–32

K., L., ‘Jewish Art at Whitechapel: Twentieth Century Exhibition’, Jewish Chronicle, 15 May 1914, p. 10

Kampf, Avram, Jewish Experience in the Art of the Twentieth Century (exh. cat., New York: Jewish Museum, October 1975–January 1976); updated and revised as Chagall to Kitaj: Jewish Experience in Twentieth Century Art (London: Lund Humphries in association with the Barbican Art Gallery, 1990)

Kramer, Millie, ed., Jacob Kramer: A Memorial Volume (Leeds: privately published, E. J. Arnold and Son, 1969)

Levy, A. B., East End Story (London: Constellation Books, 1951)

Liddiard, Jean, Isaac Rosenberg: The Half-Used Life (London: Gollancz, 1975)

Lipke, William C., David Bomberg: A Critical Study of his Life and Work (London: Evelyn, Adams and Mackay, 1967)

Lipke, William C., ‘The New Constructive Geometric Art in London, 1910–1915’, in The Avant-Garde, ed. Thomas B. Hess and John Ashbery, Art News Annual, vol. 34 (New York: Macmillan Company, 1968), pp. 66–73

Lipman, Vivian D., ‘The Anglo-Jewish Background’, in The Immigrant Generations: Jewish Artists in Britain 1900–1945 (exh. cat., New York: Jewish Museum, 24 May–25 September 1983)

Newman, Aubrey, ed. The Jewish East End 1840–1939 (London: Jewish Historical Society of England, 1981)

Nochlin, Linda and Tamar Garb, eds, The Jew in the Text: Modernity and the Construction of Identity (London: Thames and Hudson, 1995)

Parsons, Ian, ed., The Collected Works of Isaac Rosenberg: Poetry, Prose, Letters, Paintings and Drawings (London: Chatto and Windus, 1979)

Potter [Webb], Beatrice, ‘The Jewish Community’ [1891–1902]; reprinted in Albert Fried and Richard M. Elman, eds, Charles Booth’s London: A Portrait of the Poor at the Turn of the Century (London: Hutchinson, 1969)

Rothenstein, William, Men and Memories: Recollections of William Rothenstein 1900–1922 (London: Faber and Faber, 1931); ed. and abridged (with two further volumes of Rothenstein’s memoirs by Mary Lago) as Men and Memories . . . 1872–1938 (London: Chatto and Windus, 1978)

Silver, Kenneth E. and Romy Golan, The Circle of Montparnasse: Jewish Artists in Paris 1905–1945 (exh. cat., New York: Jewish Museum, 1995)

Sonntag, Jacob, ed., Ben Uri, 1915–65: Fifty Years’ Achievement in the Arts (London: Ben Uri Art Society, 1966)

Spalding, Frances, ‘Mark Gertler: The Early Years’, in Mark Gertler: The Early and the Late Years (exh. cat., London: Ben Uri Art Gallery, 1982)

Spalding, Frances, Introduction to Jacob Kramer Reassessed (exh. cat., London: Ben Uri Art Gallery, 31 May–8 July 1984)

Speaight, Robert, William Rothenstein: The Portrait of an Artist in his Time (London: Eyre and Spottiswoode, 1962)

Spencer, Charles, Introduction to Jewish Artists in England 1656–1956 (exh. cat., London: Whitechapel Art Gallery, 1956)

Steyn, Juliet, ‘The Complexities of Assimilation in the Exhibition “Jewish Art and Antiquities” in the Whitechapel Art Gallery, London, 1906’, Oxford Art Journal, vol. 13, no. 2, 1990, pp. 44–50

Steyn, Juliet, ‘Mythical Edges of Assimilation’, in Mark Gertler: Paintings and Drawings (exh. cat., London: Camden Arts Centre, 1992)

Steyn, Juliet, ‘Inside-Out: Assumptions of “English” Modernism in the Whitechapel Art Gallery, London 1914’, in Marcia Pointon, ed., Art Apart: Art Institutions and Ideology across England and North America (Manchester: Manchester University Press, 1994), pp. 212–30

Sylvester, David, ‘Selected Criticism’, in Bomberg: Paintings, Drawings, Watercolours and Lithographs (London: Fischer Fine Art, 1973)

Wolff, Janet, ‘The “Jewish Mark” in English Painting: Cultural Identity and Modern Art’, in David Peters Corbett and Lara Perry, eds, Modernities and Identities in English Art 1860–1914 (Manchester: Manchester University Press, 2000)

Woodeson, John, Mark Gertler: Biography of a Painter, 1891–1939 (London: Sidgwick and Jackson, 1972)

GENERAL

Abstraction: Towards a New Art: Painting 1910–20 (exh. cat., London: Tate Gallery, 1980)

Allen, Brian, ed., Towards a Modern Art World, Studies in British Art, vol. 1 (New Haven and London: Yale University Press, 1995)

Antliff, Mark, Inventing Bergson: Cultural Politics and the Parisian Avant-Garde (Princeton, NJ: Princeton University Press, 1993)

Bailey, Peter, ed., Music-Hall: The Business of Pleasure (Milton Keynes: Open University, 1986)

Beckett, Jane and Deborah Cherry, eds, The Edwardian Era (exh. cat., Oxford and London: Phaidon Press and Barbican Art Gallery, 1987)

Borzello, Frances, Civilising Caliban: The Misuse of Art, 1875–1980 (London: Routledge Kegan Paul, 1987)

Bowness, Alan, et al., British Contemporary Art 1910–1990: Eighty Years of Collection by the Contemporary Art Society (exh. cat., London: Herbert Press in association with the CAS, 1991)

Bratton, Jacqueline. S., ed., Music-Hall: Performance and Style (Milton Keynes: Open University, 1986)

British Modernist Art 1905–1930 (exh. cat., New York: Hirschl and Adler Galleries, 1987)

Bronfen, Elisabeth, Over her Dead Body: Death, Femininity and the Aesthetic (Manchester: Manchester University Press, 1992)

Buchloh, Benjamin, Serge Guilbaut and David Solkin, Modernism and Modernity: The Vancouver Conference Papers (Halifax: The Press of the Nova Scotia College of Art and Design, 1983)

Bullen, J. B., Post-Impressionists in England: The Critical Reception (London: Routledge, 1988)

Chamot, Mary, Dennis Farr and Martin Butlin, eds, Tate Gallery: The Modern British Paintings, Drawings and Sculpture, 2 vols (London: Oldbourne Press for the Trustees of the Tate Gallery, 1964)

Charlton, George, ‘The Slade’, Studio, October 1946

Clark, T. J., The Painting of Modern Life: Paris in the Art of Manet and his Followers [1984] (London: Thames and Hudson, 1985)

Clark, T. J., Farewell to an Idea (New Haven and London: Yale University Press, 1999)

Clayson, Hollis, Painted Love: Prostitution in French Art of the Impressionist Era (New Haven and London: Yale University Press, 1991)

Compton, Michael, ed., Towards a New Art: Essays on the Background to Abstract Art 1910–20 (exh. cat., London: Tate Gallery, 1980)

Compton, Susan, ed., British Art in the 20th Century: The Modern Movement (exh. cat., London: Royal Academy of Arts; Munich: Prestel-Verlag, 1987)

Corbett, David Peters, The Modernity of English Art 1914–30 (Manchester: Manchester University Press, 1997)

Corbett, David Peters and Lara Perry, Modernities and Identities in English Art 1860–1914 (Manchester: Manchester University Press, 2000)

Crow, Thomas, Modern Art in the Common Culture (New Haven and London: Yale University Press, 1996)

Csengeri, Karen, ed., The Collected Writings of T. E. Hulme (Oxford: Clarendon Press, 1994)

Dangerfield, George, The Strange Death of Liberal England [1935] (London: Paladin, 1970)

Debord, Guy, Society of the Spectacle [1967] (London: Rebel, 1987)

Dijkstra, Bram, Idols of Perversity: Fantasies of Feminine Evil in Fin-de-Siècle Culture (Oxford and New York: Oxford University Press, 1986) d’Offay, Anthony, Introduction to Abstract Art in England 1913–1915 (exh. cat., London: d’Offay Couper Gallery, 1969)

Dunlop, Ian, The Shock of the New: Seven Historical Exhibitions of Modern Art (London: Weidenfeld and Nicolson, 1972)

Elliott, Bridget and Jo-Ann Wallace, Women Artists and Writers: Modernist (Im)positionings (London and New York: Routledge, 1994)

Epstein, Jacob, Let There Be Sculpture: An Autobiography [1940], revised (London: Hulton Press, 1955)

Exhibition of Works by the Italian Futurist Painters (exh. cat., London: Sackville Gallery, March 1912)

Farr, Dennis, English Art 1870–1940 (Oxford: Oxford University Press, 1978)

Flitch, J. Crawford, Modern Dancing and Dancers (London: Grant Richards, 1912)

Frascina, Francis and Charles Harrison, eds, Modern Art and Modernism: A Critical Anthology (London: Harper and Row in association with the Open University, 1982)

Fry, Roger, Transformations: Critical and Speculative Essays on Art (London: Chatto and Windus, 1926)

Fry, Roger, Vision and Design (London: Chatto and Windus, 1920)

Garafola, Lynn, Diaghilev’s Ballets Russes (New York and Oxford: Oxford University Press, 1989)

Gathorne-Hardy, Robert, ed., Ottoline: The Early Memoirs of Lady Ottoline Morrell (London: Faber and Faber, 1963)

Gillespie, Diane Filby, The Sisters’ Arts: The Writing and Painting of Virginia Woolf and Vanessa Bell (Syracuse, NY: Syracuse University Press, 1988)

Goldring, Douglas, South Lodge: Reminiscences of Violet Hunt, Ford Madox Ford and the English Review Circle (London: Constable, 1943)

Green, Christopher, Art Made Modern: Roger Fry’s Vision of Art (exh. cat., London: The Courtauld Gallery, Courtauld Institute of Art in association with Merrell Holberton, 1999)

Hall, Stuart and Bram Gieben, Formations of Modernity (Cambridge: Polity Press, 1992)

Hansen, Miriam, ‘T. E. Hulme, Mercenary of Modernism, or Fragments of Avant-garde Sensibility in pre-World War Britain’, English Literary History, no. 47, 1980

Harrison, Charles, English Art and Modernism 1900–1939 [1981] (New Haven and London: Yale University Press, 1994)

Harrison, Charles, Modernism (London: Tate Gallery, 1997)

Harrison, Charles, Francis Frascina and Gill Perry, Primitivism, Cubism, Abstraction: The Early Twentieth Century (New Haven and London: Yale University Press in association with the Open University, 1993)

Hassall, Christopher, Edward Marsh. Patron of the Arts: A Biography (London: Longman, 1959)

Hulme, T. E., Speculations: Essays on Humanism and the Philosophy of Art, ed. Herbert Read [1924] (London: Routledge Kegan Paul, 1987)

Hulme, T. E., Further Speculations, ed. Samuel Hynes (Minneapolis: University of Minnesota Press, 1955)

Langdale, Cecily, Gwen John: With a Catalogue Raisonné of the Paintings and a Selection of the Drawings (New Haven and London: Yale University Press, 1987)

Lefebvre, Henri, Everyday Life in the Modern World, trans. Sacha Rabinovitch (New York: Harper and Row, 1971)

[MacCarthy, Desmond, unsigned], ‘The Post-Impressionists’, Introduction to Manet and the Post-Impressionists (exh. cat., London: Grafton Galleries, 1910–11) MacCarthy, Desmond, ‘The Art-Quake of 1910’, The Listener, vol. 1, February 1945, pp. 123–9

Marsh, Jan, Back to the Land: The Pastoral Impulse in England, from 1880–1914 (London: Quartet, 1982)

Nead, Lynda, The Female Nude: Art, Obscenity and Sexuality (London and New York: Routledge, 1992)

Nevinson, C. R. W., Paint and Prejudice (London: Methuen, 1937)

Nowell-Smith, Simon, ed., Edwardian England 1901–1914 (Oxford: Oxford University Press, 1964)

Perloff, Marjorie, The Futurist Moment: Avant-Garde, Avant Guerre, and the Language of Rupture (Chicago: Chicago University Press, 1986)

Pollock, Griselda, Vision and Difference: Femininity, Feminism, and the Histories of Art (London: Routledge, 1988)

Pollock, Griselda, Differencing the Canon: Feminist Desire and the Writing of Art’s Histories (London: Routledge, 1999)

Pound, Ezra, Gaudier Brzeska: A Memoir [1916] (Hessle, Yorkshire: Marvell, 1960)

[Quinn, John], Paintings and Sculptures: The Renowned Collection of Modern and Ultra–Modern Art, Formed by the Late John Quinn, Including Many Examples Purchased by him Directly from the Artists (New York: sale catalogue, 1927)

Reed, Christopher, ed., A Roger Fry Reader (Chicago: Chicago University Press, 1996)

Reed, Christopher, ed., Not at Home: The Suppression of Domesticity in Modern Art and Architecture (London: Thames and Hudson, 1996)

Reid, B. L., The Man from New York: John Quinn and his Friends (Oxford: Oxford University Press, 1968)

Robins, Anna Gruetzner, Modern Art in Britain 1910–1914 (exh. cat., London: Merrell Holberton in association with the Barbican Art Gallery, 1997)

Rodker, John, ‘The New Movement in Art’, Dial Monthly, May 1914, pp. 184–8

Rothenstein, John, Modern English Painters, 3 vols, vol. 1: Sickert to Smith; vol. 2: Lewis to Moore (London: Eyre and Spottiswoode, 1952–6); vol. 3: Wood to Hockney (London: Macdonald and Jane’s, 1974)

Rutter, Frank, Revolution in Modern Art: An Introduction to the Study of Cezanne, Gauguin, Van Gogh and other Modern Painters (London: Art News Press, 1910)

Rutter, Frank, Foreword to Post-Impressionist and Futurist Exhibition (exh. cat., London: Doré Gallery, October 1913)

Rutter, Frank, Evolution in Modern Art: A Study of Modern Painting 1870–1925 (London: George Harrap, 1926)

Rutter, Frank, Art in my Time (London: Rich and Cowan, 1933)

Silber, Evelyn, The Sculpture of Epstein: With a Complete Catalogue (Oxford: Phaidon, 1986)

Silber, Evelyn, Gaudier-Brzeska: Life and Art: With a Catalogue Raisonné of the Sculpture (London: Thames and Hudson, 1996)

Smith, Paul, Impressionism: Beneath the Surface (New York: Harry Abrams, 1995)

Smith, Terry, ed., In Visible Touch: Modernism and Masculinity (Sydney: Power Institute of Fine Arts, 1997)

Spalding, Frances, Roger Fry: Art and Life (London: Elek/Granada, 1980)

Stansky, Peter, On or about December 1910: Early Bloomsbury and its Intimate World (Cambridge, Mass., and London: Harvard University Press, 1996)

Sutton, Denys, ed., The Letters of Roger Fry, 2 vols (London: Chatto and Windus, 1972)

Tatar, Maria, Lustmord: Sexual Murder in Weimar Germany (Princeton, NJ: Princeton University Press, 1995)

Tester, Keith, ed., The Flaneur (London: Routledge, 1994)

Tickner, Lisa, The Spectacle of Women: Imagery of the Suffrage Campaign 1907–1914 (London: Chatto and Windus, 1987)

Tickner, Lisa, ‘Now and Then: the Hieratic Head of Ezra Pound’, Oxford Art Journal, vol. 16, no. 2, 1993, pp. 55–61

Tickner, Lisa, ‘Men’s Work? Masculinity and Modernism’, in Norman Bryson, Michael Ann Holly and Keith Moxey, eds, Visual Culture: Images and Interpretations (Hanover: Wesleyan University Press, 1994), pp. 42–82

Tillyard, S. K., The Impact of Modernism 1900–1920: Early Modernism and the Arts and Crafts Movement in Edwardian England (London and New York: Routledge, 1988)

Twentieth Century Art: A Review of Modern Movements (exh. cat., London: Whitechapel Art Gallery, 8 May–20 June 1914)

Walkowitz, Judith, Prostitution and Victorian Society: Women, Class and the State (Cambridge: Cambridge University Press, 1980)

Walkowitz, Judith, City of Dreadful Delight: Narratives of Sexual Danger in Late-Victorian London (Chicago: University of Chicago Press, 1992)

Watney, Simon, English Post-Impressionism (London: Studio Vista, 1980)

Weiss, Jeffrey, The Popular Culture of Modern Art: Picasso, Duchamp and Avant-Gardism (New Haven and London: Yale University Press, 1994)

Wilenski, R. H., The Modern Movement in Art (London: Faber and Gwyer, 1927)

Williams, Raymond, The Country and the City (London: Chatto and Windus, 1973)

Williams, Raymond, The Politics of Modernism: Against the New Conformists (London: Verso, 1989)

Zilczer, Judith, ‘The Noble Buyer’: John Quinn, Patron of the Avant-Garde (Washington: Smithsonian Institution Press for the Hirschorn Museum and Sculpture Garden, 1978)

Zinnes, Harriet, Ezra Pound and the Visual Arts (New York: New Directions, 1990)

Next chapter

Base text size -

Chapter images ()