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Verification of the Stigmata of Saint Francis

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Description: Verification of the Stigmata of Saint Francis
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Description: Images and Identity in Fifteenth-Century Florence
In October 1462 Francesco Sforza, the Duke of Milan, ordered three dozen pairs of eyeglasses from Florence, “because there are many who request of us eyeglasses that are made there … since it is reputed that they are made more perfectly [there] than in any other place in Italy” He had previously ordered eighteen pairs, and soon after he died his successor, Galeazzo Maria, ordered fifty more, “perfectly made according to the ages specified in the list.” The picture of the bespectacled court with …
PublisherYale University Press
Related print edition pages: pp.93-133
https://doi.org/10.37862/aaeportal.00066.007
Description: The Critical Historians of Art
AFTER WRITING Classic Art, Wölfflin saw that he had an unresolved problem. What he did was to decline its challenge and attempt to consider the performance of artists simply from the point of view of the cultivation of the eye. In this, his real interest lay in an extremely refined visual analysis of painting. It developed out of two models: on the one hand, Hildebrand’s Das Problem der Form, and on the other, the sense of the way architecture transforms and re-presents the forms …
PublisherYale University Press
Related print edition pages: pp.117-151
https://doi.org/10.37862/aaeportal.00131.011

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