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Yale University Press
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Interior

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Description: Interior
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Description: Richard Diebenkorn: The Catalogue Raisonné (Volume 1: Essays and References)
Late in 1955, seemingly at the height of his productivity in a series of abstract landscapes known as the Berkeley paintings, Richard...
PublisherYale University Press
https://doi.org/10.37862/aaeportal.00300.3
Description: Degas at Harvard
In his memoirs, Paul Joseph Sachs, Harvard Class of 1900, professor of fine arts, and associate director of the Fogg Art Museum, wrote: “Indeed, I have given proof of my faith by collecting twenty-nine works by Degas, for I am convinced that he was one of the greatest nineteenth-century French artists ...
PublisherHarvard Art Museums
Related print edition pages: pp.13-75
https://doi.org/10.37862/aaeportal.00035.005
Description: Picturing a Nation: Art and Social Change in Nineteenth-Century America
~~In the spring of 1867, the New York correspondent for San Francisco’s Alta California filed a report on his visit to the annual exhibition at the National Academy of Design, the nation’s most prestigious art establishment. The...
PublisherYale University Press
Related print edition pages: pp.205-271
https://doi.org/10.37862/aaeportal.00093.008
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Description: Impressionism: Art, Leisure, and Parisian Society
The flâneur, the purposeful male stroller, was a principal performer in the theater of daily life in Paris in mid-century, if we judge by his importance in writings of the era. A journalist, writer, or illustrator, he looked about with the acute eye of a detective, sizing up persons and events with a clinical detachment as though natural events could tell him their own...
PublisherYale University Press
Related print edition pages: pp.33-57
https://doi.org/10.37862/aaeportal.00067.006

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