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Music in the Tuileries

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Description: Music in the Tuileries
Related content: Chapters (9) Images (43)

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Description: Impressionism, Fashion, and Modernity
Writing from Paris in her diary on the last day of 1868, the young American Frances Willard noted her admiration for “the brilliant shop-windows and the almost equally dazzling costumes...
PublisherArt Institute of Chicago
Related print edition pages: pp.165-185
https://doi.org/10.37862/aaeportal.00356.15
Description: Only a Promise of Happiness: The Place of Beauty in a World of Art
What separates the woman with whom I have spent most of my life or my closest friend from others whose paths have crossed mine for shorter or more scattered times...
PublisherPrinceton University Press
Related print edition pages: pp.102-138
https://doi.org/10.37862/aaeportal.00285.4
Description: Manet and the Family Romance
ÉDOUARD MANET GREW up on the rue des Petits-Augustins (now the rue Bonaparte), more or less across the street from the Ecole des Beaux-Arts he never attended. The address was a short walk down the quay and across the bridge from the Palais de Justice where Manet’s father worked; indeed, many judges and magistrates lived nearby. As a family of a certain social standing,...
PublisherPrinceton University Press
Related print edition pages: pp.41-87
https://doi.org/10.37862/aaeportal.00272.003
Description: The Power of Color: Five Centuries of European Painting
~~After playing a role in visualizing the French Revolution, color was subject to its own upheaval in the nineteenth century, first in materials, then in making. By the time of the Industrial Revolution, chemistry had replaced alchemy. Building on the classification of the elements and using modern experimental scientific methods,...
PublisherYale University Press
Related print edition pages: pp.187-227
https://doi.org/10.37862/aaeportal.00228.006
Description: Fellow Men: Fantin-Latour and the Problem of the Group in Nineteenth-Century French...
WHEN Fantin-Latour’s Homage to Delacroix (1864) was exhibited for the second time, at the Society of French Artists in London in 1873, it was hung directly opposite Eugène Delacroix’s Death of...
PublisherPrinceton University Press
Related print edition pages: pp.19-67
https://doi.org/10.37862/aaeportal.00049.004
Description: The Art of Impressionism: Painting Technique and the Making of Modernity
During the early evolution of grounds for oil painting, the choice of materials was subject both to aesthetic and practical considerations, and these first and foremost determined ground colour. Only secondarily did permanence and the long-term effects of certain grounds come to be considered...
PublisherYale University Press
Related print edition pages: pp.62-85
https://doi.org/10.37862/aaeportal.00125.008
Description: Manet and the Modern Tradition
~Manet's thinking was governed and developed by many different forces. It is reasonable to assume that he was particularly affected by writers whom he counted among his friends, and critics who showed interest in his works. Their views at times overlap and confirm each other, at other times present serious contradictions, but if the ideas of...
PublisherYale University Press
Related print edition pages: pp.18-35
https://doi.org/10.37862/aaeportal.00079.005
Description: Manet Manette
~Part one is a tale of two exhibitions, one monograph, and one novel. The first of the two...
PublisherYale University Press
Related print edition pages: pp.3-30
https://doi.org/10.37862/aaeportal.00080.004
Description: Impressionism: Art, Leisure, and Parisian Society
The flâneur, the purposeful male stroller, was a principal performer in the theater of daily life in Paris in mid-century, if we judge by his importance in writings of the era. A journalist, writer, or illustrator, he looked about with the acute eye of a detective, sizing up persons and events with a clinical detachment as though natural events could tell him their own...
PublisherYale University Press
Related print edition pages: pp.33-57
https://doi.org/10.37862/aaeportal.00067.006

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