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Yale University Press
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Installation view of 1948 Impressionist Exhibition at the Venice Biennale

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Description: Installation view of 1948 Impressionist Exhibition at the Venice Biennale
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Description: Globalizing Impressionism: Reception, Translation, and Transnationalism
In 1926, the year of Claude Monet’s death, Italian newspapers published two divergent assessments of impressionism by two prominent cultural players. On the one hand, art critic, painter, and cultural organizer Cipriano...
PublisherYale University Press
https://doi.org/10.37862/aaeportal.00198.012

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