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Massacre of the Innocents

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Description: Massacre of the Innocents
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Description: The Intellectual Life of the Early Renaissance Artist
Renaissance artists sometimes produced works intended primarily to serve as demonstration pieces. They may have wished to display both their skills in technique and craftsmanship, and their intellectual concerns and abilities. A noteworthy example of this type of work, from the very end of our period, is Parmigianino’s Self-portrait in a Convex Mirror (fig. 112). Vasari writes that Parmigianino took this panel, and others, with him to Rome, where Pope Clement VII and his court were …
PublisherYale University Press
Related print edition pages: pp.245-270
https://doi.org/10.37862/aaeportal.00147.013
Description: The Renaissance Print: 1470–1550
It is commonly assumed that Raphael was the first artist to realize the potential of prints as a means to propagate his artistic fame, and that Marcantonio Raimondi, by agreeing to engrave prints after Raphael’s works, became the first reproductive printmaker. There can be little doubt that Raphael and Marcantonio worked together, and that the prints the latter produced as a result of this collaboration were instrumental in spreading Raphael’s designs across Italy and the rest of Europe. What is …
PublisherYale University Press
Related print edition pages: pp.103-168
https://doi.org/10.37862/aaeportal.00154.005

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