List of illustrations

  • La Belle Mexicaine (Maria)
  • The Black Sun
  • Mexican Sketchbook
  • The Red Sun
  • The Hermitage
  • The Little Spanish Prison
  • Composition No. 11, 1940–42—London, with Blue, Red and Yellow
  • Spanish Prison Window (formerly The Spanish Prison)
  • Three Personages Shot
  • Spanish Picture with Window
  • Recuerdo de Coyoacán
  • Untitled (The Hours of the Day)
  • The Sentinel
  • Untitled
  • Abstract Painting
  • The Drugged Balloonist
  • Mexican Sketchbook
  • Joy of Living
  • U.S. Army training map
  • Mallarmé’s Swan
  • Pancho Villa, Dead and Alive
  • Zapata Dead
  • Personage (Autoportrait); or Wounded Personage; Personnage; Collage; Large Collage; Surprise and Inspiration
  • Viva
  • Still from Open City
  • The Poet; or Absurd Personage with Orange; Orange Personage; Personage with Orange; Orange Collage
  • Elegy
  • Wall Painting with Stripes
  • {Title Unknown}
  • Motherwell in his studio with Wall Painting with Stripes in progress, Collage in Beige and Black, and title unknown
  • Jupiter
  • Poet with Orange
  • Personage, with Yellow Ochre and White
  • Dora Maar in a Wicker Chair
  • The Emperor of China
  • The Red Skirt
  • Ulysses
  • The Homely Protestant
  • The Poet
  • The Homely Protestant
  • The Sailor's Cemetery
  • Illustration for Harold Rosenberg's poem "A Bird for Every Bird." Later titled Elegy to the Spanish Republic No. 1
  • At Five in the Afternoon, or Five in the Afternoon; At Five in the Afternoon. Sketch
  • Dirge, or Black and Red
  • Granada
  • The Voyage
  • Málaga
  • At Five in the Afternoon
  • Elegy to the Spanish Republic XXXIV
  • Elegy for the Spanish Republic XXXV
  • Spanish Elegy XVI (Molina de Segura)
  • Guernica
  • Bathers by a River
  • The Third of May 1808
  • Interior with Nude
  • The Painter and His Model
  • Je t’aime No. IV
  • Jour La Maison, Nuit La Rue
  • Ninth Street Collage; or Ninth Street Exhibition
  • The Easel I
  • Souvenir de Californie; or The French Coast
  • Histoire d’un Peintre
  • Yellow Envelope; or Collage
  • The Tearingness of Collaging
  • Dover Beach (later revised as The End of Dover Beach)
  • The End of Dover Beach; or Dover Beach
  • Mountains and Sea
  • Autumn Farm
  • Two Figures No. 2
  • Painting of a horse
  • Iberia No. 2
  • Iberia No. 4
  • Manolete being fatally gored
  • Iberia
  • Wall full of recent small works in Robert Motherwell's 1959 solo exhibition at the Sidney Janis Gallery, New York
  • Elegy to the Spanish Republic No. 55
  • Elegy to the Spanish Republic No. 55, early state in 1958 as Wall Painting V
  • Elegy to the Spanish Republic No. 70
  • The Figure 4 on an Elegy
  • Elegy to the Spanish Republic No. 78
  • The Voyage: Ten Years After
  • Chi Ama, Crede
  • Beside the Sea No. 5
  • Lyric Suite
  • Lyric Suite
  • Installation view of the wall of the Elegy to the Spanish Republic paintings at Robert Motherwell's 1965 Museum of Modern Art retrospective exhibition
  • New England Elegy, 1966, shortly after being installed in the John F. Kennedy Federal Building, Boston
  • New England Elegy Mural (Second Variation)
  • Robert Motherwell's studio
  • Collage with Ochre and Black
  • Blue Collage
  • Pyrénéen Collage; or Pyrenean Collage
  • The French Line
  • Summertime in Italy No. 3
  • Beach umbrellas at Alassio, Italy
  • Hills near Alassio, Italy
  • Summertime in Italy No. 7 (In Golden Ochre)
  • Robert Motherwell's studio
  • Sky and Pelikan
  • Number 70
  • In White with Four Corners
  • La Voile
  • The America Cup
  • [Untitled (In Brown, Red and Light Blue)]
  • Beige Figuration No. 3
  • Robert Motherwell's studio showing Summertime in Italy leaning against Open No. 1
  • Open No. 1: In Yellow Ochre
  • Robert Motherwell's Open No. 1, oriented as a door
  • Robert Motherwell's studio showing In Blue tacked to the wall, along with Recuerdo de Coyoacán, cropped, far left, and other works
  • Open No. 9: In Green on Gray with Black Stripe
  • Untitled
  • Open No. 12: In Raw Sienna with Gray
  • Diagrams of the first five Open paintings
  • Open No. 22: In Charcoal with White
  • Open No. 26: In Grey with White and Umber
  • Open No. 97: The Spanish House
  • Alberti Suite No. 12
  • In Beige with Charcoal No. 4
  • In Plato’s Cave No. 1
  • The Blue Painting Lesson No. 1
  • Dublin 1916, with Black and Tan
  • Painting (Blue)
  • French Window at Collioure
  • View of Notre Dame
  • Open No. 23: In Blue with Variations of Ultramarine
  • Installation view of Robert Motherwell's exhibition of Open paintings, Marlborough-Gerson Gallery, New York
  • Elegy to the Spanish Republic No. 128
  • The Spanish Death
  • Summer Open with Mediterranean Blue
  • Untitled (Samurai), or {Untitled (Samurai Image)}
  • At Five in the Afternoon
  • The Wild Duck
  • Untitled
  • Scarlet with Gauloises No. 2
  • German Line No. 2
  • Bastos
  • Heidi and Claus
  • In Gray with White Shape; or Collage
  • La Danseuse
  • In Celebration
  • Cabaret No. 7
  • Pas de Deux No. 1
  • The Red and Black No. 55
  • Print from the Alphabet Series
  • Night Music Opus No. 16
  • The Blue Guitar
  • The Old Guitarist
  • Mural Sketch
  • Elegy to the Spanish Republic No. 100 (as shown in 1965)
  • In Black and White No. 2
  • Threatening Presence
  • Phoenician Red Studio
  • Broken Open
  • Reconciliation Elegy
  • Drunk with Turpentine, or {Drunk with Turpentine (Study for Stephen’s Iron Crown)}
  • Stephen’s Iron Crown
  • Face of the Night (for Octavio Paz)
  • Face of the Night (for Octavio Paz), 1979 version on right
  • The Hollow Men
  • The Golden Bough
  • The Grand Inquisitor
  • The Big 4
  • The Feminine II
  • Mexican Past
  • Massive Image
  • Elegy to the Spanish Republic No. 171
  • Elegy to the Spanish Republic No. 172 (with Blood)
  • Robert Motherwell and his father, Robert Burns Motherwell II, Aberdeen, Wash.
  • Robert Motherwell and his father, Robert Burns Motherwell II, Aberdeen, Wash.
  • Robert Motherwell with his mother and sister
  • Robert Motherwell, age fifteen
  • Robert Motherwell, passport photograph
  • Robert Motherwell, Max Ernst, Peggy Guggenheim, Roberto Matta, and Anne Matta in Provincetown (clockwise from upper left)
  • Notebook entry by Robert Motherwell regarding Recuerdo de Coyoacán (p. 8)
  • Max Ernst and Robert Motherwell in Amagansett, N.Y.
  • Catalogue for Robert Motherwell's 1944 solo exhibition at Art of This Century
  • Robert Motherwell's handwritten postcard announcing his 1944 solo exhibition at Art of This Century
  • Robert Motherwell's 1944 solo exhibition at Art of This Century
  • Robert Motherwell's 1944 solo exhibition at Art of This Century (left to right: Personage and The Spanish Prison (Window)
  • Robert Motherwell's 1948 solo exhibition at the Samuel M. Kootz Gallery (from left to right: The Red Skirt and Personage, with Yellow Ochre and White)
  • Poster announcing the Subjects of the Artist school
  • Poster advertising a film program by Joseph Cornell and lectures by John Cage and Dr. Charles R. Hulbeck (aka Richard Huelsenbeck) at Subjects of the Artist
  • Robert Motherwell with Barnett Newman and Annalee Newman at Palisades Park
  • Advertisement for the Robert Motherwell School of Fine Art
  • Catalogue for Robert Motherwell's 1950 solo exhibition at the Samuel M. Kootz Gallery
  • Catalogue for Robert Motherwell's 1952 solo exhibition at the Samuel M. Kootz Gallery
  • Robert Motherwell's 1952 solo exhibition at the Samuel M. Kootz Gallery
  • Robert Motherwell's 1952 solo exhibition at the Samuel M. Kootz Gallery
  • Robert and Betty Motherwell
  • Robert Motherwell's basement studio at 173 East Ninety-fourth Street, New York
  • Robert Motherwell's studio at Eighty-sixth Street and Third Avenue, New York, with works in progress
  • Robert Motherwell's inspiration for the Beside the Sea series
  • Robert Motherwell's 1962 solo exhibition at the Sidney Janis Gallery
  • Robert Motherwell's 1962 solo exhibtion at the Sidney Janis Gallery
  • Robert Motherwell's studio at Eighty-sixth Street and Third Avenue, New York
  • Robert Motherwell's 1965 retrospective exhibition being installed at the Museum of Modern Art, New York
  • Robert Motherwell's 1965 traveling exhibition at the Palais des Beaux-Arts, Brussels
  • Robert Motherwell's house at 173 East Ninety-fourth Street, New York
  • Robert Motherwell in his Provincetown studio
  • Robert Motherwell with his daughters Lise and Jeannie in Greenwich, CT
  • Robert Motherwell in his Greenwich studio (with Elegy to the Spanish Republic No. 125)
  • Robert Motherwell's 1972 exhibition at the Walker Art Center, Minneapolis
  • Robert Motherwell in his Greenwich print workshop with Catherine Mosley
  • Robert Motherwell's Greenwich studio
  • Robert Motherwell's home and studio in Greenwich
  • Robert Motherwell's Greenwich collage studio with works in progress
  • Robert Motherwell's Greenwich painting studio with works in progress
  • Reproductions pinned to the wall in Robert Motherwell's Greenwich studio
  • Robert Motherwell's 1976 exhibition at Knoedler & Company
  • Robert Motherwell's Greenwich studio with works in progress
  • Robert Motherwell's Greenwich studio
  • Robert Motherwell and Henry Moore at Moore's home in Hertfordshire, England
  • Robert Motherwell's 1978 retrospective at the Royal Academy of Arts, London
  • Robert Motherwell painting the Reconciliation Elegy
  • Robert Motherwell's Reconciliation Elegy installed at the National Gallery of Art, Washington, D.C.
  • Robert Motherwell & Black exhibition at the William Benton Museum of Art, University of Connecticut, Storrs
  • Robert Motherwell's Greenwich studio
  • Robert Motherwell's Greenwich studio
  • Robert Motherwell's Greenwich studio
  • Rafael Alberti and Robert Motherwell in Madrid
  • Robert Motherwell's 1982 exhibition at Knoedler & Company
  • Robert Motherwell's traveling retrospective exhibition installed at the Solomon R. Guggenheim Museum, New York
  • Robert Motherwell's Greenwich studio
  • Robert Motherwell's Greenwich studio
  • Guillotine, as it looked in 1966
  • Guillotine, as it looked in c. 1979
  • Guillotine
  • Elegy to the Spanish Republic No. 77, as reproduced in the catalogue for Motherwell's 1962 exhibition at the Sidney Janis Gallery
  • Elegy to the Spanish Republic No. 77
  • Elegy to the Spanish Republic No. 132, as photographed on September 19, 1975
  • Elegy to the Spanish Republic No. 132, as photographed on October 27, 1975
  • Elegy to the Spanish Republic No. 132, as photographed on February 10, 1976
  • Elegy to the Spanish Republic No. 132, as photographed on December 22, 1982
  • Elegy to the Spanish Republic No. 132
  • Hommage à Poussin
  • La Tronche (Isère)
  • Uzès
  • [Untitled (Two Nudes)]
  • Lady S.
  • Rue de la Chaise
  • Oregon Landscape
  • [Untitled (Female Nude Figure)]
  • [Untitled (Figure)]
  • Untitled
  • Souvenir d'Exposition du Monde
  • Portrait of Livingston Gearhart
  • Descent from the Cross
  • [Untitled (Still Life Study)]
  • Untitled
  • Untitled
  • Untitled
  • La Belle Mexicaine (Maria)
  • Three Figures
  • The Little Spanish Prison
  • Spanish Picture with Window
  • Mexican Night
  • {Title Unknown}
  • {Title Unknown}
  • Recuerdo de Coyoacán
  • {Title Unknown}
  • The Sentinel
  • Personage
  • Spanish Prison Window (formerly The Spanish Prison)
  • {Title Unknown}
  • {Title Unknown}
  • Figure in Pink and Green
  • Wall Painting with Stripes
  • {Title Unknown}
  • Figuration
  • Figure in Red
  • Still Life with Black
  • Head
  • Brown Study
  • Abstraction on Turquoise
  • Line Figure on Green
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Figuration
  • Figure
  • Personnage
  • Small Personage
  • Composition
  • Line Figure in Beige and Mauve
  • Abstraction
  • The Poet
  • Indian Head
  • Red Head
  • {Title unknown}
  • Crystal and Earth Yellow
  • Western Figure
  • Composition
  • The Dark Lady
  • The Night
  • Yellow Still Life
  • In Yellow and Black
  • Western Air
  • In Blue with Crosses
  • Figuration
  • The Red Stripe
  • In Black and Grey
  • Black Still Life with Red
  • In Yellow and White
  • Still Life, Ochre and Red
  • A Very Abstract Woman
  • Poet with Orange
  • Orange Personage
  • Yellow Figure
  • Untitled
  • [Untitled (Black on Green)]
  • Woman in Green
  • {Title unknown}
  • {Title unknown}
  • Personage, with Yellow Ochre and White
  • The Red Skirt
  • Young Girl
  • The Checkered Skirt
  • The Emperor of China
  • Ulysses
  • Portrait of Maria
  • {Figure with Rectangular Window}
  • [Untitled (Figuration)]
  • Window
  • Untitled
  • {Title unknown}
  • Bird
  • Birdness
  • Untitled
  • Man in Grey
  • Mariner
  • Brown Figure
  • The Homely Protestant
  • Still Life
  • The Homely Protestant (Bust)
  • The Homely Protestant
  • Granada
  • The Voyage
  • Doorway with Figure
  • Untitled
  • The Little Voyage
  • Málaga
  • Sevilla
  • Barcelona
  • Madrid
  • {Title unknown}
  • At Five in the Afternoon
  • {Untitled (In Black, Ochre, and White)}
  • Untitled
  • Composition
  • Mural Study
  • Wall Painting
  • Mural Fragment
  • Black Plant and Window
  • Black Leaves
  • Black Still Life
  • Picture in Black
  • Yellow Still Life
  • Capriccio
  • Room 8, Hotel Flora, Cannes
  • Hotel Flora
  • The Hotel Corridor
  • In the Summer Sun
  • Star of David
  • Wall of the Temple
  • Sketch for The Tablets of Moses, the Diaspora, and the Burning Bush, for Temple B’nai Israel, Millburn, New Jersey
  • Jacob’s Ladder
  • Decalogue, Jacob’s Ladder, and Burning Bush
  • Interior with Pink Nude
  • Untitled
  • Untitled
  • Interior with Nude
  • Orange Figure with Interior
  • [Untitled (Orange, Brown)]
  • Bird I
  • Bird II
  • [Untitled (Bird)]
  • Havana
  • Andújar (España)
  • Catalonia
  • Cape de Gata (España)
  • Castile (España)
  • Motherwell in his studio
  • Cádiz (España)
  • The Jewish Candelabra
  • La Danse
  • Wall Painting No. 1
  • Wall Painting III
  • Île-de-France (France)
  • La Danse II
  • La Danse III
  • The Painter’s Wife Pregnant
  • Pregnant Nude II
  • Pregnant Nude III
  • {Title unknown}
  • The Nightmare
  • [Untitled (Orange and Ochre)]
  • Abstract Head
  • Spanish Elegy (Alcaraz) XV
  • Spanish Elegy XVII (Segura)
  • Elegy for the Spanish Republic XXX
  • Small Elegy
  • Untitled
  • The Tomb of Cap’tain Ahab
  • Wall Painting No. III
  • Wall Painting IV
  • Elegy to the Spanish Republic XXXIV
  • Je t’aime No. II
  • Je t’aime No. IIA
  • Je t’aime No. III with Loaf of Bread
  • Je t’aime No. VII
  • Je t’aime No. IV
  • Red Je t’aime No. VIII
  • Je t’aime No. VIII
  • Jour La Maison, Nuit La Rue
  • {Title unknown}
  • Fragment from upper right portion of {Title Unknown}
  • {Unfinished painting}
  • {Unfinished painting}
  • Elegy for the Spanish Republic XXXV
  • Diary of a Painter
  • Black and White Plus Passion
  • Afternoon in Barcelona
  • The Wedding
  • A Sculptor’s Picture, with Blue
  • Two Figures No. 2
  • Two Figures
  • Spanish Painting with the Face of a Dog
  • Iberia No. 2
  • Iberia No. 4
  • Iberia No. 10
  • Iberia No. 18
  • Iberia
  • A View No. 1
  • A View No. 10
  • Untitled
  • Untitled
  • Untitled
  • View No. 2 (Juan Crisóstomo Arriaga)
  • {Title unknown}
  • Bull No. 9
  • Chambre d’Amour
  • An Ungainly Figure
  • Untitled
  • California
  • Monster (for Charles Ives)
  • Wall with Graffiti
  • {Unfinished painting}
  • Untitled
  • Spanish Elegy
  • Spanish Elegy
  • Spanish Elegy
  • In Black and White
  • Untitled
  • Spanish Elegy
  • Iberia
  • {Title unknown}
  • {Title unknown}
  • Two Figures
  • Two Figures with Cerulean Blue Stripe
  • In Ochre with Gestural Black
  • Painting
  • Homage to Brancusi
  • Totemic Figure
  • Figure before Blackness
  • {Title unknown}
  • Elegy to the Spanish Republic No. 54
  • Elegy to the Spanish Republic No. 55
  • Elegy to the Spanish Republic No. 57
  • Elegy to the Spanish Republic No. 58
  • Black on White
  • Elegy to the Spanish Republic No. 70
  • Elegy to the Spanish Republic
  • The Voyage: Ten Years After
  • The Golden Fleece
  • Chi Ama, Crede
  • {Elegy to the Spanish Republic}
  • Elegy to the Spanish Republic
  • Elegy to the Spanish Republic
  • Elegy to the Spanish Republic No. 74
  • Elegy to the Spanish Republic No. 77
  • Elegy to the Spanish Republic No. 78
  • Elegy to the Spanish Republic No. 79
  • Elegy to the Spanish Republic No. 84
  • [Untitled (Elegy)]
  • Elegy with Sprung Rhythm
  • Study for Elegy to the Spanish Republic No. 70
  • Summertime in Italy No. 8
  • Untitled
  • Summertime in Italy No. 28
  • Untitled
  • Beside the Sea with Bulkhead
  • Beside the Sea with Black Stripe
  • Caprice No. 3
  • Wave II
  • Caprice No. 5
  • Caprice No. 6
  • Two Figures with Stripe
  • Untitled
  • Whitely Triangle
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Italian Summer
  • Summertime in Italy No. 14
  • Summertime in Italy No. 15
  • Summertime in Italy No. 16
  • Black No. 17
  • Untitled
  • Untitled
  • A Throw of Dice No. 2
  • A Throw of Dice No. 17
  • Untitled
  • {Untitled (Iberia)}
  • Iberia No. 20
  • Untitled (Iberia)
  • Untitled (Iberia)
  • Untitled (Iberia)
  • {Untitled (Iberia)}
  • The Park
  • Automatic Image with Blue
  • Dublin 1916, with Black and Tan
  • {Unfinished painting}
  • The Dordogne
  • In Green and Ultramarine
  • In Green and Ultramarine
  • {Unfinished painting}
  • Untitled
  • Summertime in Italy No. 7 (In Golden Ochre)
  • Summertime in Italy No. 10
  • The Sculptor’s Studio No. 2
  • Indian Summer No. 1
  • Indian Summer No. 2
  • Provincetown Bay
  • Sea Monster
  • [Untitled (Brown Spot on White)]
  • [Untitled (Brown Spot on White)]
  • Blue Figuration
  • Figuration
  • Creature
  • [Automatism (Brown, Green, White)]
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Landscape with Rocks
  • Untitled
  • Nude
  • [Automatism (Brown)]
  • Untitled
  • [Automatism (Brown, Green, White)]
  • [Automatism (Brown, Green)]
  • Untitled
  • [Automatism (Brown, Green, White)]
  • Untitled
  • Untitled
  • Imaginary Letter No. 1
  • Imaginary Letter No. 2
  • Imaginary Letter
  • Imaginary Letter
  • A
  • A No. 2
  • Q
  • The Broken S
  • [Automatism (Black)]
  • [Automatism (Black)]
  • Black Figuration
  • [Untitled (Black, Pink, Blue)]
  • Untitled
  • Untitled
  • [Untitled (Black, Orange)]
  • Untitled
  • [Untitled (Black and Blue)]
  • [Untitled (Black and Blue)]
  • {Title unknown}
  • [Automatism (black, brown, blue)]
  • Untitled
  • Untitled
  • Untitled
  • [Untitled (Black Vertical Stroke on White)]
  • Spanish Frontier
  • [Untitled (Black, Ochre)]
  • Elegy to the Spanish Republic No. 99
  • Wall Painting No. 10
  • {Untitled (In Black, White and Orange)
  • The Sea at Biarritz
  • St. Jean-de-Luz
  • Africa
  • Africa No. 2
  • Irish Elegy
  • Elegy to the Spanish Republic No. 102
  • Elegy to the Spanish Republic No. 103
  • The White Oval
  • {Unfinished painting}
  • {Unfinished painting}
  • Untitled
  • [Untitled (Rust, Black, White)]
  • [Untitled (Black, Ochre and Blue with Triangle)]
  • In Scarlet and Black
  • The Forge
  • Ochre Still Life, with Blue Stripe
  • Guillotine
  • In Black and Pink with the Number Four
  • Iberia No. 27
  • Black Four with Blue
  • Untitled
  • Terra Cotta Image on Blue
  • In Black and White No. 1
  • In Black and White No. 2
  • In Black and White No. 3
  • Untitled (In Black and White with Lavender)
  • In Black and White No. 5
  • Untitled
  • Elegy to the Spanish Republic No. 108 (The Barcelona Elegy)
  • New Amsterdam Painting
  • New England Elegy
  • New England Elegy Mural (Second Variation)
  • New England Elegy No. 2
  • New England Elegy No. 3
  • Untitled
  • Untitled
  • Red, Cut by Black
  • Elegy to the Spanish Republic No. 108
  • Elegy to the Spanish Republic (The Basque Elegy)
  • La Belle France
  • Big Black Picture
  • {Title unknown}
  • Summertime in Italy
  • Summertime in Italy in Red
  • Gaza
  • Big Black Oval
  • [Untitled (Black Oval)]
  • [Untitled (Black Oval)]
  • [Untitled (Black Oval)]
  • [Untitled (Black Oval)]
  • [Untitled (Black Oval)]
  • [Untitled (Black Oval)]
  • [Untitled (Black Oval)]
  • Untitled
  • Untitled
  • [Untitled (Iberia)]
  • {Iberia No. 20}
  • Orange 4
  • Untitled
  • Untitled
  • Untitled
  • Open No. 1: In Yellow Ochre
  • In Blue
  • Untitled
  • Open Transition
  • Untitled
  • Open No. 2: In Ochre and Grey
  • Singing Yellow
  • Open No. 6: In Gray, Pink, and Green
  • Open No. 8
  • Open No. 9: In Green on Gray with Black Stripe
  • Open No. 10: In Green on Blue
  • Open No. 11: In Raw Sienna with Gray
  • Open No. 12: In Raw Sienna with Gray
  • Open No. 13: In Washed Ochre
  • Open No. 14: In Ochre with Charcoal Line
  • Open No. 15: In Cerulean Blue with White Line
  • Open No. 16: In Ultramarine with Charcoal Line
  • Open No. 17: In Ultramarine with Charcoal Line
  • Open No. 18: In Ultramarine with White Line
  • Open No. 19: In Cerulean Blue with Charcoal Line
  • Open No. 20: In Orange with Charcoal Line
  • Open No. 22: In Charcoal with White
  • Open No. 23: In Blue with Variations of Ultramarine
  • Open No. 24: In Variations of Orange
  • Open No. 25: In Blue with Variations
  • Open No. 26: In Grey with White and Umber
  • Open No. 27: In Orange with Charcoal Line
  • Open No. 28: In Orange with Charcoal Line
  • Open No. 29: In Crimson with Charcoal Line
  • Open No. 30: In Crimson with Charcoal Line
  • Open No. 32: In Charcoal and Turbulent Umber
  • Open No. 33: In Charcoal on Raw Sienna
  • Open No. 35: In Raw Umber on Sized Canvas
  • Open No. 37: In Orange with Charcoal Line
  • Open No. 38: In Raw Sienna and Green with Charcoal Line
  • Open No. 39
  • Open No. 40: In Gray on Sienna
  • Open No. 41: Gray with Sienna Band
  • Open No. 46: In Ochre and Black
  • Open No. 47: In Orange
  • Untitled (Ochre and Black Open)
  • Open Study No. 1
  • Open Study No. 4
  • Open Study No. 6
  • Open Study No. 7
  • Open Study No. 9
  • Open Study No. 10
  • Open Study No. 17
  • Open Study No. 22
  • Untitled
  • Open No. 45: In Blue with Brown
  • Open No. 45
  • Open No. 45A
  • Open No. 48: In Scarlet, Black, and Light Blue
  • Open No. 49
  • Open No. 50: In Orange with Black
  • Open No. 50
  • Open No. 51: In Black on Orange
  • Open No. 52: Ochre on Black
  • Open No. 53: In Crimson with Charcoal Line
  • Open No. 54: The Gray Window
  • Open No. 55: In Orange
  • Open No. 56: In Crimson
  • Open No. 57: Green and Black
  • Open No. 58: Blue on Beige
  • Open No. 59: In Orange and Blue Panel
  • Open No. 60: In Mottled Brown and Green
  • Open No. 61: In Deep Ultramarine with Black
  • Open No. 62: In Scarlet and White
  • Open No. 75
  • Open No. 76
  • Open No. 77
  • Open No. 78: In Green with Charcoal Line
  • Open No. 79: In Gray with Charcoal
  • Open No. 80: In Medium Ultramarine with Charcoal Line
  • Open No. 81: In Blue with Charcoal Line
  • Open No. 82: The Blue Easel
  • Open No. 83
  • Open No. 84: In Orange with Charcoal Line
  • Open No. 86: In Blue with Charcoal Line
  • Open No. 87: In Deep Ultramarine
  • Open No. 88: In Blue
  • Open No. 89
  • Open No. 90
  • Open No. 92: The Blue Wall
  • Open No. 93: In Medium Ultramarine Blue with Charcoal Line
  • Open No. 94
  • Open No. 96
  • Open No. 96: In Vermillion and Black with Sienna Window
  • Open No. 97: The Spanish House
  • Open No. 98: In Red and Black
  • Open No. 99
  • Open No. 101: Big Orange
  • Open No. 102
  • Open No. 103: Big Square Blue
  • Open No. 104: The Brown Easel
  • Open No. 105: Big Blue with Green Window
  • Open No. 107: In Brown and Black Line
  • Open No. 108
  • The Garden Window
  • Open No. 111: Big White and Ochre
  • Open No. 112
  • Open No. 114: In Red, Tan, and Black
  • Open No. 115: Indian Red
  • Open No. 117
  • Open No. 119: In Blue with Charcoal Line
  • Open No. 120
  • Open No. 121: Bolton Landing Elegy
  • Open No. 122: In Scarlet and Blue
  • Open No. 124
  • Open White and Black
  • Open No. 184
  • Untitled
  • The House at Sevilla
  • [Untitled (Ochre, Gray, Scarlet Open)]
  • {Untitled (Open in Red with Blue Lines)}
  • Untitled
  • Elegy to the Spanish Republic No. 114
  • Elegy to the Spanish Republic No. 117
  • Mural Sketch
  • Iberia No. 23
  • Iberia No. 30
  • Iberia No. 31
  • Untitled (Iberia Series)
  • Untitled (Iberia Series)
  • Alberti Suite No. 1
  • Alberti Suite No. 2 (Beige on Black)
  • Alberti Suite No. 3
  • Alberti Suite No. 5
  • Alberti Suite No. 8
  • Alberti Suite No. 9
  • Alberti Suite No. 12
  • Black Window
  • Greek Island
  • Greek Island II
  • Open No. 125: Jeannie
  • Open No. 126: In Beige with Blue
  • Open No. 127: Lise
  • Open No. 128: Charcoal with Blue on Raw Canvas
  • Open No. 129: Blue on Gray
  • Open No. 130: Charcoal on Light Blue
  • Open No. 133: Charcoal on Beige
  • Open No. 134: Blue on Beige
  • Open No. 135
  • Open No. 136: Blue on Beige
  • Open No. 137: In Ultramarine on Beige
  • Open No. 138: Charcoal on Blue
  • Open No. 139: Black on Blue with Charcoal
  • Open No. 140: Charcoal on Cream
  • Open No. 141: In Charcoal and Blue on Scarlet
  • Open No. 142
  • Open No. 143: Blue on Scarlet
  • Open No. 144: Blue on Scarlet
  • Open No. 146: Umber on Black
  • Open No. 147: Blue on Beige
  • Open No. 148: White on Black
  • Open No. 149: In Ultramarine with Charcoal Line
  • Open No. 150: In Black and Cream (Rothko Elegy)
  • Open No. 151: In Ultramarine with Charcoal Line
  • Open No. 153: In Scarlet with White Line
  • Open No. 154: In Scarlet with Blue
  • Open No. 155: In Scarlet with Blue
  • Open No. 156: In Orange with White Stripes
  • Open No. 160
  • Open No. 161: In Beige with Black
  • Open No. 162: In Blue with Red
  • Open No. 164
  • Open No. 165: In Blue and Black
  • Open No. 166: In Yellow with White Stripes
  • Open No. 168: In Blues with Green
  • Open No. 169: In Brown with White Line
  • Open No. 170: In Blue with Green Square and Tan Line
  • Open No. 171: In Blue with Green
  • Open No. 173: In Green with Black
  • Open No. 174: In Red with Blue Stripes
  • Open No. 175
  • Open No. 176: In Crimson with Orange and Black Line
  • White on Tan
  • {Untitled (Red Open)}
  • The Red Wall
  • [Untitled (Red Open)]
  • Untitled (Open in Black, Brown, and White)
  • Untitled (Open)
  • Untitled
  • [Untitled (Green, Ochre, Blue)]
  • Orange Door
  • Blue Window
  • [Untitled (Scarlet Open with Flesh)]
  • [Untitled (Scarlet Open with Green and Ochre Diagonal)]
  • In Blue and White on Umber
  • The Summer Sea
  • {Untitled (Open in Yellow, Black and Blue)}
  • In Beige with Cobalt Figuration
  • Open in Brown and Black
  • Untitled (In Orange with Charcoal Lines)
  • Open in Ochre
  • Ochre Open with Charcoal Dust
  • {Unfinished painting}
  • The Summer Sea
  • Window with Black Cloud
  • All Is Still (Whitman)
  • Summertime in Italy Sketch No. 11
  • Summertime in Italy Sketch No. 12
  • Summertime in Italy Sketch No. 13
  • Summertime in Italy Sketch No. 14
  • Summertime in Italy
  • Summertime in Italy
  • Anchor
  • [Untitled (Elegy)]
  • Elegy to the Spanish Republic
  • Elegy to the Spanish Republic No. 110
  • Blue Open
  • In Blue with Green
  • Open Study in Tobacco Brown
  • Open: Scarlet with Blue Lines
  • Open in Grey with White Edge
  • The Edelstone View No. 1
  • The Edelstone View No. 2
  • The Great Wall of China No. 2
  • The Great Wall of China No. 3
  • The Great Wall of China No. 4
  • The Great Wall of China No. 5
  • Open No. 37A: In Orange
  • Hoppla, wir leben!
  • Little Spanish House with Blue
  • In Ochre and Ultramarine
  • Untitled (Open)
  • Untitled (Open)
  • Untitled
  • Pink Nude
  • Blue Figure
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • The August Sea
  • Green Stripe with Ochre
  • Pilgrim
  • Untitled
  • Black Open with Ochre
  • Cape Cod
  • Sea Grey with Orange
  • Untitled
  • Iberia No. 20
  • Spanish Elegy
  • Elegy to the Spanish Republic (Study 2—1971)
  • Spanish Elegy with Orange No. 3
  • Spanish Elegy with Orange No. 4
  • Spanish Elegy with Orange No. 5
  • At Five in the Afternoon
  • Elegy to the Spanish Republic (with Lemon-Yellow Panel)
  • Elegy to the Spanish Republic No. 122
  • Elegy to the Spanish Republic No. 124
  • Elegy to the Spanish Republic No. 125
  • Open No. 84A
  • Orange Open
  • Untitled
  • Mr. Chad
  • [Untitled (Black and Grey Horizontal Bands)]
  • Dark Four
  • {Untitled (Grey Open)}
  • Riverrun
  • The Red Wall
  • Untitled
  • Summer Night
  • Untitled (Green)
  • The August Sun and Shadow
  • The Sicilian Window
  • [Untitled (Open)]
  • Le Printemps
  • August Sea No. 2
  • August Sea No. 3
  • August Sea No. 4
  • August Sea No. 5
  • August Sea No. 6
  • In Plato’s Cave No. 1
  • Sicilian Window
  • The Sicilian Door
  • August Sky
  • Before the Day
  • Opening
  • Shem the Penman
  • Study for Shem the Penman No. 1
  • Study for Shem the Penman No. 2
  • Study for Shem the Penman No. 3
  • Study for Shem the Penman No. 4
  • Study for Shem the Penman No. 5
  • Study for Shem the Penman No. 6
  • Study for Shem the Penman No. 7
  • Study for Shem the Penman No. 8
  • Study for Shem the Penman No. 9
  • Study for Shem the Penman No. 10
  • Study for Shem the Penman No. 11
  • Study for Shem the Penman No. 11
  • [Open Study (Charcoal with White No. 1)]
  • [Open Study (Charcoal with White No. 2)]
  • Untitled
  • Open Study with Blue and White No. 1
  • Open Study with Blue and White No. 2
  • Zen I
  • Zen II
  • Zen III
  • Zen IV
  • Zen V
  • Zen VI
  • The Open Red Window
  • Untitled (Red)
  • Royal Dirge
  • Scarlet Open
  • Red Open No. 1
  • Red Open No. 2
  • Red Open No. 3
  • Red Open No. 4
  • [Untitled (Ultramarine Blue and Ochre Open)]
  • Uccello’s Space: A la pintura
  • February 1, 1973
  • In Beige with Charcoal No. 1
  • In Beige with Charcoal No. 2
  • {Title unknown}
  • In Beige with Charcoal No. 4
  • In Beige with Charcoal No. 5
  • In Beige with Charcoal No. 6
  • In Beige with Charcoal No. 7
  • In Beige with Charcoal No. 8
  • In Beige with Charcoal No. 9
  • The Blue Door
  • The Garden II
  • 23 April 1973
  • The Garden No. 2
  • Open No. 100
  • Sic et Non
  • Study for Shem the Penman
  • A Sea of Sand
  • [Untitled (Soot Black Stone)]
  • Untitled
  • [Untitled (Open-Ochre)]
  • {Soot Black Stone}
  • Black Open
  • Open in Ultramarine with White
  • La Face du Silence
  • Untitled
  • In Plato’s Cave
  • In Plato’s Cave
  • In Plato’s Cave No. 4
  • In Plato’s Cave No. 7
  • [Untitled (Elegy)]
  • The Sienna Wall
  • Untitled (Ochre Open)
  • Wall Painting Sketch
  • [Untitled (Open)]
  • {Untitled (Ochre and Black)}
  • In Black and Tan
  • Ochre with Black Window
  • Yellow Wall
  • The Pale Wall
  • The Red Window
  • [Untitled (Black, Blue, Brown, White Open)]
  • [Untitled (Black, Blue, Brown, White Open)]
  • [Untitled (Black, Blue, Brown Open)]
  • Bête Noire
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Study in Black
  • Mexican Window
  • {Untitled (Open Grey on Ochre)}
  • Untitled
  • Gray Shade, Blue Light
  • Dover Beach III
  • Blueness of Blue
  • In Plato’s Cave No. 5
  • In Plato’s Cave No. 6
  • Calligraphic Open
  • {Title unknown}
  • {Title unknown}
  • Samurai No. 1
  • Samurai No. 2
  • Samurai No. 3
  • Samurai No. 4
  • Samurai No. 5
  • Samurai No. 6
  • Splurge No. 2
  • Untitled
  • Untitled
  • [Untitled (Black Wave on Blue)]
  • [Untitled (Pink, Black Caprice)]
  • Summer Open with Mediterranean Blue
  • Blue Open
  • Window over Madrid
  • The Persian No. 1
  • Untitled (Ultramarine)
  • Waves I
  • The Persian No. 2
  • The Tide No. 2
  • The Wild Duck
  • The Persian III
  • The Spartan
  • The Persian No. 3
  • [Untitled (Pink 4 on Blue)]
  • Gray Chords
  • Open Study in Charcoal on Grey No. 1
  • Open Study in Charcoal on Grey No. 2
  • Open Study in Charcoal on Grey No. 3
  • Open Study in Charcoal on Grey No. 4
  • A la pintura No. 7
  • A la pintura No. 12
  • Untitled (Rose)
  • Premonition Open with Flesh over Grey
  • Untitled
  • The Calligraphy of the Night
  • Untitled
  • Elegy Study
  • Mural Sketch
  • A la pintura No. 2
  • A la pintura No. 8
  • Elegy to the Spanish Republic No. 128
  • Elegy to the Spanish Republic No. 129
  • Elegy to the Spanish Republic No. 130
  • Elegy to the Spanish Republic No. 131
  • Elegy to the Spanish Republic No. 132
  • Elegy to the Spanish Republic No. 133
  • Elegy to the Spanish Republic No. 134
  • Elegy to the Spanish Republic No. 134
  • Euclid’s Sand
  • Untitled
  • Summer Night
  • {Untitled (Ochre and Black)}
  • Nightwatch
  • Creature
  • Africa No. 3
  • Study for In Black and White No. 2
  • Africa No. 5
  • Africa No. 6
  • Uganda
  • The African Plateau No. 1
  • The African Plateau No. 2
  • The African Plateau No. 2
  • African Plateau
  • The Spanish Death
  • Dark Elegy
  • Elegy to the Spanish Republic No. 135
  • {Untitled (Two Black Vertical Bands)}
  • The Blue Painting Lesson No. 1
  • The Blue Painting Lesson No. 2
  • The Blue Painting Lesson No. 2
  • The Blue Painting Lesson No. 3
  • The Blue Painting Lesson No. 4
  • The Blue Painting Lesson No. 5
  • California Window
  • Elegy (25 October 1975)
  • Mural Sketch
  • Elegy to the Spanish Republic No. 100
  • Elegy to the Spanish Republic No. 126
  • Untitled
  • Dr. Zhivago’s Country Study
  • Untitled
  • [Untitled (Ochre, Black, White)]
  • The House of Atreus
  • House of Atreus
  • Haiti
  • Study for In Black and White No. 2
  • In Black and White No. 2
  • Goya’s Dog (Sketch)
  • Les Caves
  • Arabesque
  • Primordial Sketch No. 6
  • Primordial Sketch No. 7
  • Primordial Sketch No. 8
  • Primordial Sketch No. 9
  • Primordial Sketch No. 12
  • Primordial Sketch No. 13
  • Primordial Sketch No. 14
  • Primordial Sketch No. 15
  • Primordial Sketch No. 16
  • Untitled (Elegy)
  • Elegy to the Spanish Republic No. 135
  • Threatening Presence
  • Ancestral Presence
  • Les Caves No. 2
  • [Untitled (Elegy)]
  • [Untitled (Elegy)]
  • [Untitled (Elegy)]
  • Untitled
  • [Untitled (Elegy)]
  • Adobe Studio with Sky Blue
  • Untitled
  • Hello!
  • Black Figuration No. 1
  • Black Figuration No. 2
  • Black Mountain
  • The Big A
  • [Untitled (Samurai or Gesture)]
  • Gesture Figure III
  • Inverness
  • Creature with Red
  • Untitled
  • Euclid’s Meditation
  • A la pintura No. 15
  • A la pintura No. 15
  • A la pintura No. 16
  • A la pintura No. 17
  • Untitled
  • Untitled
  • Phalanx
  • {Untitled (Ochre Open)}
  • Emblematic Presence
  • The Barbarian
  • Totem No. 2
  • Spanish Elegy Study No. 150
  • Elegy Study No. XIII
  • Elegy Sketch
  • Elegy Sketch
  • Ochre Open
  • Middle Wall of China
  • The Deserted Studio
  • Summer Seaside Doorway
  • Summer Seaside Night
  • Study in Automatism
  • Calligraphic Presence
  • Gesture No. 45
  • [Untitled (Samurai)]
  • 6
  • K
  • Atavistic Presence
  • Les Caves IV
  • Phoenician Red Studio
  • Elegy to the Spanish Republic No. 127
  • Painting (29 May 1977)
  • Black Rocks and Sea
  • Gesture Figure VI
  • Samurai No. 8
  • Samurai No. 9
  • Samurai No. 10
  • Samurai No. 11
  • Samurai No. 12
  • Samurai No. 13
  • Samurai No. 14
  • La Mer
  • {Iberia}
  • The Blackness of Black
  • Spanish Death II
  • Spanish Death IIA
  • Spanish Death IV
  • Spanish Death V
  • The Spanish Death VI
  • The Sky Blue Sea
  • The Blue Hour
  • The Summer Studio
  • Window on Madrid
  • Spanish Elegy with Marine Blue
  • Elegy Study
  • Elegy Sketch
  • Wall Painting Sketch
  • Untitled
  • Study on Canvas A
  • [Untitled (Elegy Sketch)]
  • Study for Reconciliation Elegy
  • Reconciliation Elegy
  • Untitled (for Jules Verne)
  • The Blue Door
  • Painting for Bertolt Brecht
  • Posada
  • Untitled
  • Untitled
  • Elegy to the Spanish Republic No. 159
  • Elegy to the Spanish Republic No. 160
  • Untitled
  • Untitled
  • Brushstroke
  • Untitled
  • Untitled
  • Untitled
  • Brushstroke IV
  • Brushstroke V
  • Brushstroke VI
  • Mexican Night
  • Mexico
  • Drunk with Turpentine No. 10
  • [Untitled (Black, Ochre, Pink)]
  • Black Humor, with Pink
  • Untitled
  • Blue Open with Ochre
  • Grey and Black Open
  • Full Tide
  • Elegy to the Spanish Republic No. 158
  • Apse
  • [Untitled (Open)]
  • Untitled (Open)
  • Red Open
  • Grey Open
  • Grey Open
  • Africa No. 4
  • Posada, the Mexican Printmaker
  • Old Man of the Sea
  • Drunk with Turpentine (Maine)
  • Pieces in the Form of a Pear
  • Gulfstream
  • Guillotine No. 2
  • {Unfinished painting}
  • Remembering Madrid
  • [Untitled (Blue, Green, Red)]
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Catalonia
  • Untitled
  • [Untitled (Pink and Black Elegy)]
  • Elegy Sketch
  • Madrid
  • Elegy Study
  • Untitled
  • Little Spanish Death
  • Untitled (Spanish Death)
  • Untitled
  • Taxco
  • Waiting for Samuel Beckett
  • Untitled
  • Untitled
  • Untitled
  • Canyon
  • Untitled
  • Alberti Suite No. 3
  • {Untitled (In Sienna)}
  • Face of the Night (for Octavio Paz)
  • Dance
  • Blue Elegy
  • Elegy to the Spanish Republic No. 161
  • Untitled
  • Signs on a White Field
  • Stephen’s Iron Crown
  • A Strange Kind of Music
  • Black Signs
  • Procession, with Oil
  • Forced Entry
  • White Sanctuary
  • Study for Bloom in Dublin
  • Bloom in Dublin
  • The Blank End Off
  • Nemesis
  • Stephen’s Gate
  • Stephen’s Harp
  • Music over Music
  • Two Black Stripes with Grey
  • In Beige with Broken Easel
  • Blood Wedding
  • Wall Fragment
  • Portal
  • A Chord for Alban Berg
  • Nightwood
  • Untitled
  • Birth
  • Grey Day No. 1
  • Grey Day No. 2
  • Grey Day No. 3
  • Straw Horse I
  • Straw Horse II
  • Straw Horse III
  • Untitled
  • [Untitled (Je t’aime)]
  • Untitled
  • Elegy to the Spanish Republic No. 163
  • Elegy to the Spanish Republic No. 164
  • The Hollow Men
  • The Hollow Men No. II
  • The Hollow Men No. III
  • Shem the Penman No. 16
  • Shem the Penman No. 17
  • Shem the Penman No. 18
  • Shem the Penman No. 19
  • Le Printemps
  • The Bridge
  • Summer Studio with Sea
  • Madrid Plateau
  • Elegy Study No. 1
  • Elegy Study No. 2
  • Elegy Study No. 3
  • Elegy Study No. 4
  • Study with Blue
  • Elegy Study with Buff
  • Elegy Study
  • [Untitled (Figure in Doorway)]
  • Cave Study
  • Untitled
  • Untitled
  • Untitled
  • Primal Mark
  • Untitled
  • Untitled
  • Chrome Yellow Elegy
  • House of the Drowned Helmsman
  • Hollow Men Study (Trio I)
  • Hollow Men Study (Trio II)
  • Hollow Men Study (Trio III)
  • Trio IV
  • Hollow Men Study (Trio V)
  • Trio VI
  • Hollow Men Study (Quartet 1)
  • Danse Macabre
  • Primavera Duet
  • Summer Sea
  • In the Studio
  • Untitled
  • Untitled
  • Untitled
  • Open No. 116: La France Open
  • Djarum
  • Untitled
  • Primal Sign
  • {Unfinished painting}
  • Untitled (Elegy)
  • Elegy to the Spanish Republic No. 166 (All Souls’ Day Elegy)
  • Elegy to the Spanish Republic No. 167 (Spanish Earth Elegy)
  • Elegy with Opening
  • Quintet
  • The Golden Bough
  • Homage to Catalonia
  • Wanderers
  • Blue Drunk with Turpentine
  • [Untitled (with Green, Yellow and Red)]
  • Family of 4
  • Elegy to the Spanish Republic No. 165
  • Elegy Mural Study
  • Incline
  • Near the Edge
  • Untitled
  • Apparition
  • Hollow Men IV
  • Hollow Men V
  • Hollow Men Study
  • Hollow Men Frieze
  • Hollow Men Night
  • At Dusk
  • Elegy Study
  • Untitled
  • Study for Big A
  • The Big A
  • The Mexican Skull
  • The Big 4
  • Elegy to the Spanish Republic No. 169
  • The Studio
  • Untitled
  • Broken Open
  • Three Personages
  • Study for The Grand Inquisitor
  • Mural Study I
  • Untitled (Elegy)
  • Untitled (Elegy)
  • Untitled (Elegy)
  • Untitled (Elegy)
  • Elegy to the Spanish Republic No. 168 (Sevilla Elegy)
  • Catalan Elegy
  • The Feminine I
  • The Feminine II
  • {Unfinished painting}
  • A Rose for James Joyce
  • Untitled
  • The Sirens
  • Fetish
  • Untitled
  • Primal Image
  • Primal Image II
  • Untitled (Black and Yellow)
  • Untitled
  • The Little A
  • Mirror
  • Hollow Men II
  • Hollow Men Series
  • Automatic Oracle
  • The Barbarians
  • Barbaric Figures
  • Mediterranean Door
  • Arabesque
  • Arabesque Mural Study No. 2
  • Mural Study III
  • Elegy to the Spanish Republic No. 170
  • Elegy to the Spanish Republic No. 171
  • Elegy to the Spanish Republic No. 172 (with Blood)
  • Elegy to the Spanish Republic No. 173
  • Elegy with Black Bar
  • Elegy with Rice Paper and Blue
  • Untitled (Elegy)
  • The Grand Inquisitor
  • Hollow Men’s Cave
  • Hollow Men’s Cave
  • Hollow Men No. VI
  • Hollow Men Study
  • The Homely Protestant No. II (40 Years Later)
  • Untitled
  • Untitled
  • Calligraphy
  • Untitled
  • [Untitled (Automatic Drawing)]
  • The Inverted Heart
  • Dark Window
  • Untitled
  • Provincetown Bay
  • Untitled
  • Red A I
  • Untitled
  • Untitled
  • Improvisation
  • Untitled (Elegy)
  • Mourning Elegy
  • Mexican Past
  • Either/Or (for Kierkegaard)
  • Massive Image
  • {Unfinished painting}
  • {Unfinished painting}
  • {Unfinished painting}
  • Pierrot’s Hat; or Collage
  • Untitled
  • Joy of Living
  • The Displaced Table
  • Figure with Blots
  • The Flute
  • Pancho Villa, Dead and Alive
  • Personage (Autoportrait); or Wounded Personage; Personnage; Collage; Large Collage; Surprise and Inspiration
  • Collage in Black and Green
  • Viva
  • Verso of Mallarmé’s Swan
  • Mallarmé’s Swan
  • The Painter; or Collage
  • Jeune Fille
  • Untitled; or Study for Pancho Villa Dead and Alive
  • The Sun
  • Verso of The Sun
  • Collage in Beige and Black; or In White and Beige
  • Verso of Collage in Beige and Black
  • View from a High Tower; or V-Letter
  • Untitled
  • In Beige with Sand; or Abstraction with Scallops
  • La Resistance
  • Collage No. 1; or Figuration
  • Collage No. 2
  • Figure; or Collage
  • Figure
  • Maria
  • Untitled
  • The Cat of “The Weasel, Little Rabbit, and Cat”
  • L’Abeille
  • Rabbit
  • Dog
  • The Dog
  • A Wall in Italy
  • Viva
  • Summer Collage
  • Composition with Red Circle
  • Untitled
  • Blue Air; or Suite in Three Movements
  • Blue with China Ink (Homage to John Cage); or In Yellow and Blue: Homage to John Cage; Homage to John Cage
  • The Pink Mirror; or Composition
  • Collage
  • Montauk Montage; or Montauk
  • The Poet; or Absurd Personage with Orange; Orange Personage; Personage with Orange; Orange Collage
  • Collage
  • Verso of Collage
  • Figure in Black; or Girl with Stripes; {Figure in Black (Girl with Stripes)}
  • In Grey with Japanese Rice Paper
  • In Grey with Parasol; or Grey Woman (?)
  • Untitled; or Seaside Collage (?); {Untitled (Composition)}
  • The Best Toys Are Made of Paper; or The Best Toys Are Paper (for Harold Rosenberg)
  • Elegy
  • In Grey and Tan
  • Joy of Living
  • Collage in Yellow and White, with Torn Elements; or Yellow Collage; In Yellow and White; Collage; Collage (Yellow and White with Torn Elements); Collage in Yellow and White; Collage (In Yellow and White with Torn Fragments)
  • In Ashes with Collage; or Grey Collage
  • Joy of Living
  • Ninth Street Collage; or Ninth Street Exhibition
  • Untitled
  • Stars and Moons
  • The Easel I
  • East Hampton Beach
  • Untitled
  • Souvenir de Californie; or The French Coast
  • Untitled
  • Untitled
  • Collage with News from Zürich and Black Table
  • Mediterranean Interior with Humor and Black Table
  • Histoire d’un Peintre
  • Yellow Envelope; or Collage
  • The End of Dover Beach; or Dover Beach
  • The Tearingness of Collaging
  • Collage; or Yellow Envelope
  • Ash Wednesday; or Collage, in Tobacco and Blue; Collage in Tobacco and Blue: Ash Wednesday
  • Helen’s Collage; or Collage in Deep Blue Space
  • Untitled
  • Garden of Delights; or Untitled
  • Fockink No. 1
  • Fockink No. 2
  • Collage with Ochre and Black
  • Hein, Ma Vie?
  • Blue Collage
  • The Sunlit Sea
  • Marine Collage
  • The French Drawing Block; or An Artist's Collage
  • Collage
  • Black Collage
  • Handle with Care
  • Collage Torn Out of Black
  • Memory of St.-Jean-de-Luz; or Gauloises
  • Untitled
  • Greek Collage
  • Mail Figure
  • Canadian Collage
  • Canadian Collage, with Sea Lion Sardines
  • Sea Lion
  • Sea Lion with Red Stripe
  • Untitled
  • Untitled
  • Human Life Is More . . .
  • Tricolor
  • Sun and Sea
  • E-Z Cut; or {Untitled (E-Z Cut)}
  • New York City Collage
  • {Title unknown}
  • {Title unknown}
  • N.R.F. Collage No. 1; or N.R.F. Collage No. 2
  • N.R.F. Collage No. 2; or N.R.F. Collage No. 1
  • N.R.F. Collage No. 3
  • Raging Collage
  • Reversible Collage
  • Sea Horse Collage
  • Collage with Ultramarine Blue
  • Three Birds
  • White Collage with Red Stripe; or White Collage with Red Stripes
  • White Collage with Black Stripe
  • A Rose for Winter
  • Blue Figure
  • Midday Sun; or In White and Orange
  • Little Greek Collage
  • Untitled
  • In Brown and White
  • Untitled
  • Summertime in Italy No. 1
  • Summertime in Italy No. 3
  • Summertime in Italy No. 4
  • The French Line
  • Pyrénéen Collage; or Pyrenean Collage
  • Sky and Pelikan
  • Fusains Superieurs
  • The Mediterranean Sky
  • In White and Yellow Ochre
  • Half and Half
  • U.S. Art Canvas
  • U.S. Art New York N.Y.
  • Number 70
  • Beside the Sea, with Collage
  • Beside the Sea, with Black and White
  • The Magic Skin (Peau de Chagrin); or Norwegian Collage
  • Cafetiere Filtres
  • Les Ballets Basques de Biarritz; or Blue, with Orange
  • La Favorita
  • Winsor Collage
  • The Scarlet Ring
  • Cambridge Collage
  • Untitled
  • In White with Four Legs
  • Wadsworth Atheneum Collage
  • In White with Black Ring
  • In White with Four Corners
  • In White with Blue Hole
  • In White with Two Blue Holes
  • The America Cup
  • In White with Pink and Black Rings
  • In Blue and White with Calligraphy
  • Untitled
  • African Collage No. 1
  • African Collage No. 2
  • African Collage No. 3
  • Byrrh
  • Call Steve
  • Caribbean Collage
  • In Pink and Green
  • Untitled
  • I Ching
  • Untitled
  • In Black with Pink
  • Collage with Linen Elements
  • Bowes & Bowes, Cambridge
  • Manchester Collage
  • Stedelijk Collage
  • Whatman Board Collage
  • Guardian No. 1
  • Guardian No. 3
  • Guardian No. 5
  • Guardian No. 7
  • The Figure “4” No. 8; or Guardian No. 8
  • Guardian No. 9
  • Paterson’s Oatcakes
  • Untitled
  • Bowes & Bowes Collage
  • Berggruen Collage
  • Untitled
  • Red, White, and Blue No. 1
  • Red, White, and Blue No. 2
  • Untitled
  • Gauloises with Pink
  • Untitled
  • Maritime Collage No. 3
  • Draftsman
  • Country Life
  • Collage
  • In Blue and Ochre with Gauloises
  • Untitled
  • Untitled
  • Untitled
  • Black Oval with Gauloises
  • [Untitled (Black Gesture with Gauloises)]
  • First Love
  • Untitled
  • Torino Collage
  • Silvers of Paris
  • The Brown Stripe
  • Royal Water Music
  • Librairie Hachette
  • Régie Française
  • Untitled
  • Country Life No. 1
  • St. Gallen
  • In Green, with Two Scarlet Spots
  • In Green, with Ultramarine and Ochre
  • In Green with Gauloises
  • Holland Collage with Gauloises
  • Untitled
  • Country Life
  • [Untitled (Pastel Striped Cloth)]
  • Yellow and Ochre
  • [Untitled (Wednesday 11 October 1967)]
  • Picayune
  • [Untitled (Composition in Grey)]
  • [Untitled (In Brown, Red and Light Blue)]
  • Untitled
  • Blotting Paper Collage
  • Untitled
  • La Cuisinière
  • In White with Blue Rectangle
  • Untitled
  • Beige Figuration with Gauloises
  • Beige Figuration with Gauloises No. 2
  • Beige Figuration with Gauloises No. 3
  • Beige Figuration No. 1
  • Beige Figuration No. 2
  • Beige Figuration No. 3
  • Beige Figuration No. 4
  • Beige Figuration No. 5
  • Beige Figuration No. 6
  • Beige Figuration No. 7
  • In White with Beige No. 1; or {Beige Figuration}
  • In White with Beige No. 2
  • In White with Beige No. 3; or In Beige with White No. 3
  • In White with Beige No. 4; or In Beige with White No. 4
  • In Beige with Oval; or In Beige with White Oval
  • Beige Double Figuration
  • In Beige with Two Bands
  • Lise
  • Figuration with Greek Lettering
  • Chalk Circle
  • Figuration on Blue
  • In Beige, Ultramarine, and Green
  • Untitled
  • Open with Figuration
  • French Collage
  • [Untitled (Chateau Cheval Blanc)]
  • Untitled
  • Art Bulletin Collage with Cross
  • Spoleto
  • Bowes & Bowes with Green
  • Provincetown: Stanley’s View
  • Orange Collage with Green
  • In Green with Gauloises
  • In Ochre with Gauloises
  • In Ochre with Gauloises
  • Untitled
  • In Yellow Ochre with Two Blues
  • In Ochre with Cobalt
  • In Ochre with Scarlet Spot
  • Open, Bolton Landing
  • Untitled
  • Tree of My Window
  • [Untitled (Green, White, and Blue with Black Gesture)]; or {Untitled (Gesture)}
  • Gauloises
  • Lightolier
  • Untitled
  • Pinkness
  • Untitled
  • Gauloises with Red and Green
  • Suchard on Orange No. 1
  • Suchard on Orange No. 2
  • Suchard on Orange No. 3
  • Matte Medium
  • Untitled
  • Muss Es Sein? No. 1
  • Muss Es Sein? No. 2
  • L’Art Vivant
  • Untitled
  • Sih
  • Chocmel and Gauloises
  • Chocmel
  • Mercurey
  • Untitled
  • Untitled
  • Gauloises with Scarlet
  • Gauloises with Scarlet No. 1
  • Scarlet with Gauloises No. 2
  • Scarlet with Gauloises No. 3
  • Scarlet with Gauloises No. 4
  • Scarlet with Gauloises No. 5
  • Gauloises on Scarlet No. 6; or Scarlet with Gauloises No. 6
  • Scarlet with Gauloises Blue No. 7
  • Scarlet with Gauloises No. 8
  • Gauloises on Scarlet No. 9
  • Scarlet with Gauloises No. 10
  • Scarlet with Gauloises No. 11
  • Scarlet with Gauloises No. 12
  • Gauloises with Scarlet No. 13
  • Scarlet with Gauloises No. 14
  • Scarlet with Gauloises No. 15
  • Scarlet with Gauloises No. 16
  • Scarlet with Gauloises No. 17
  • Scarlet with Gauloises No. 18
  • Gauloises with Scarlet No. 19
  • Scarlet with Gauloises No. 20
  • Scarlet with Gauloises No. 22
  • Gauloises on Scarlet No. 23; or Scarlet with Gauloises Blue No. 23
  • Scarlet with Gauloises No. 23
  • Gauloises on Scarlet No. 24; or Scarlet with Gauloises No. 24
  • Scarlet with Gauloises
  • Gauloises on Grey No. 26
  • Gauloises on Grey No. 27
  • Gauloises on Grey No. 28
  • Gauloises on Grey No. 29
  • Grey with Gauloises Blue No. 30
  • Gauloises on Grey No. 1
  • Ultramarine with Gauloises No. 1
  • Ultramarine with Gauloises No. 2
  • Gauloises on Green and Ultramarine No. 1
  • Gauloises on Green and Ultramarine No. 2
  • Gauloises on Green and Ultramarine No. 3
  • Gauloises on Green with Ultramarine No. 3
  • Gauloises on Green with Ultramarine No. 4
  • Untitled
  • Gauloises on Yellow No. 1
  • Gauloises on Yellow No. 2
  • Gauloises on Scarlet over Yellow No. 1
  • Gauloises on Scarlet over Yellow No. 2
  • Gauloises on Scarlet over Yellow No. 3
  • Gauloises on Scarlet over Yellow No. 3
  • Gauloises on Scarlet over Yellow No. 4
  • [Untitled (Red, Grey)]
  • Gauloises on Blue and Green No. 1
  • Gauloises on Blue and Green No. 2
  • Green with Gauloises
  • Gauloises with Green
  • Gauloises on Blue No. 1
  • Ultramarine with Gauloises
  • Painting with Gauloises Bleu; or Gauloises and Sienna
  • Green with Gauloises
  • Untitled
  • Untitled; or {Untitled (In Brown with Gauloises and the Figure 4)}
  • Untitled
  • HB on Yellow
  • HB on Blue; or HB on Yellow
  • HB on Scarlet
  • Untitled
  • German Line No. 1
  • German Line No. 1
  • German Line No. 2
  • German Line No. 2
  • German Line No. 3
  • German Line No. 3
  • German Line No. 4
  • German Line No. 5
  • German Line No. 6
  • German Line No. 7
  • German Line No. 8
  • German Line with Blue
  • Harvest 23 with Ultramarine; or Harvest 23 in Deep Blue
  • Pall Mall
  • Pall Mall on Blue
  • La Crémaillère
  • W
  • Untitled; or New Year’s Dawn
  • Untitled
  • In Scarlet and Cognac
  • Birthday
  • Bullseye
  • Tibor de Nagy Collage
  • [Untitled (Gauloises, Red)]
  • Green Gauloises
  • Gordon’s
  • Ives’ Hawthorne
  • [Untitled (Champagne)]
  • Tobacco Harvest
  • Berggruen Fils Collage
  • Two Reds
  • Parisian Collage
  • N.R.F. Collage No. 4
  • Collage in Ochre with Blue and Red
  • Läkerol with Black Stripe; or Läkerol Collage
  • [Untitled (Läkerol on Red, Blue, White)]
  • [Untitled (Läkerol on Blue, Green, Beige)]
  • [Untitled (Grand Vin on Red)]
  • 37⅞ x 20 in. (96.2 x 50.8 cm)
  • Guardian No. 4
  • July
  • Côte d’Azur
  • La Belle Epoque
  • Basque Collage; or St.-Jean-de-Luz
  • Southern Collage
  • Bordeaux Summer
  • Stravinsky
  • Gemini
  • Greenwich Harbor
  • Sand and Sea; or Stamps
  • Poe No. 1; or [Edgar Allan Poe Series (Poe No. 1)]
  • Poe No. 2
  • Poe No. 3
  • Poe No. 4
  • Suchard on Orange No. 4; or Orange Suchard Bittra No. 4
  • Suchard on Orange No. 5
  • Suchard on Orange No. 6
  • Suchard on Orange No. 7
  • Gift
  • The Paper Guitar
  • Figuration in Beige
  • The Emmerich Collage
  • Autumn
  • M (15 Dec 73)
  • Untitled
  • Latour Collage
  • Duet
  • Summer Sea with Debris
  • New Year’s Dawn No. 2
  • Arches
  • By Volume
  • Heidi and Claus
  • The Juley Collage
  • Ambiguity of Space
  • Royal Fireworks Music
  • Beckett’s Space
  • Beckett’s Space No. 2
  • The Adriatic
  • Rites of Spring
  • The Baltic Sea Bride No. 1
  • The Baltic Sea Bride No. 2
  • The Baltic Sea Bride No. 3
  • The Baltic Sea Bride No. 4
  • The Baltic Sea Bride No. 5
  • The Baltic Sea Marriage
  • Yes I Will Yes; or La Belle France
  • 13, Quai Montebello
  • In Gray with White Shape; or Collage
  • Collage (21 April 74)
  • Unglückliche Liebe
  • Cabaret Collage; or Cabaret No. 1
  • Cabaret No. 2
  • Cabaret No. 3
  • Cabaret No. 4
  • Cabaret No. 5
  • Cabaret No. 6
  • Cabaret No. 7
  • Cabaret No. 8
  • Cabaret No. 9
  • Cabaret No. 10
  • Cabaret No. 11
  • Cabaret No. 12
  • Suchard
  • Untitled
  • Untitled
  • Untitled
  • In White and Blue on Grey
  • Collage (17 May 74); or Untitled
  • Pierre Berès
  • Collage with German Music and Canvas
  • In Yellow Ochre with Pink
  • M
  • Edgar Allan Poe Series (The House of Usher); or French Door II
  • The Irregular Heart
  • Untitled
  • Summertime with Blue
  • Celtic Air
  • The Times in Mexico; or {In Pink and Grey with Oval}
  • The Times in Mexico II
  • All Hallow’s Eve
  • Geneva Collage; or The Geneva Mail
  • French Door V
  • Silver Music; or French Door VI; Finnegans Wake No. 6
  • Finnegans Wake No. 1
  • Finnegans Wake VII, with Green; or French Door VII
  • Blue Music
  • Collage with German Sheet Music
  • {Title unknown}
  • Blue and White on Orange No. 1
  • Blue and White on Orange No. 2
  • Untitled
  • Untitled
  • Hartley in Germany
  • Untitled
  • Untitled
  • In Ultramarine with Scarlet II
  • Ferienzeit
  • The Photographer
  • Zig-Zag
  • Grey Chablis
  • In Darkest Stepaside
  • Black Refracts Heat
  • Princeton Collage
  • Collage with Music and Canvas No. 2
  • Stravinsky Spring
  • The Dutch Hat
  • Metaphor and Movement
  • Sacre du Printemps
  • Corsican Collage
  • Bastos
  • Bastos
  • Dublin Collage
  • Papeteries
  • Prelude
  • Das Kinderspiel
  • Lebensreise
  • Schoenberg
  • Dann Net–Zen Freu
  • Edgar Allan Poe Series (Poe’s Music); or Shadows; Das Menschen
  • Blood and Sand
  • Scarlet and Black with Ultramarine Stripe
  • In Celebration
  • Leda
  • In Memoriam: Wittenborn Collage
  • Black Palette
  • Swiss Collage
  • Red R with Orange Stripes
  • In Black with Folded Paper Fragment
  • Hartley in London
  • Cambridge Collage
  • In Black and Blue with Torn Elements; or In Black with Blue and Torn Paper
  • The Balkan Lute; or In Blue and Beige
  • The Endless Instant; or Untitled
  • Untitled; or {Spanish Envelope}
  • Roth-Händle with Black Window
  • Brasileira
  • Elegy for Salvador Allende; or Chilean Collage No. 1
  • Chilean Revolutionary Collage; or Chilean Collage; Chilean Revolutionary Collage No. 2
  • Altamira No. 1
  • Altamira No. 2
  • River Liffey ; or Liffey; River Liffey; River Liffey, Dublin (for James Joyce); Liffey River (Dublin); Liffey River
  • Blue Music
  • Sacre du Printemps
  • Bust of Stravinsky
  • Pas de Deux No. 1
  • Pas de Deux No. 2
  • Pas de Deux No. 3
  • Paper Night
  • From Below
  • Nicht Werfen with Yellow Stripes
  • Torino; or Torino Collage
  • Red Square
  • Antiquariat Günter Fuchs
  • Rivals
  • Tokyo Night
  • [Untitled (Blue, Green, Swiss Envelope)]
  • At the Beginning of Spring
  • Orange Rectangle and Black
  • London Collage
  • Kierkegaard’s Room; or The Barbarians’ Tent
  • Altamira No. 3
  • Canvas Collage with Music
  • Autumn No. 2
  • Music for Monique; or A Bouquet for Monique
  • Cor Anglais
  • The Magic Flute
  • Entrance
  • The Philosophic Mind
  • Three-Tone Scale
  • Die Spinnerin
  • Nelson Whitehead with Green
  • Arches Cover
  • The Star of David
  • Black in Hiding
  • The Iron Flute
  • St. Michel
  • In Red with Two Ovals
  • Pink Nude with Blue Stripe
  • In Scarlet and Black with Ultramarine Stripe
  • In Green with Lemon Yellow Stripes
  • Picadilly Revisited
  • Voluptuousness with Bar Sinister
  • In Scarlet with Black
  • In Forest Green with Woodwinds
  • St. Michel No. 2
  • Talas
  • Alphabet C; or C
  • The Window; or London Collage
  • Grey Presence
  • The Spanish Poet
  • 5th of October (with Black and Green)
  • Lieb und das Glück
  • Oaxaca
  • Sardinian Collage
  • Prince Hamlet in Africa
  • Oslo Collage
  • Rue de la Grande Truanderie
  • Proust’s Room
  • Ascending (Red)
  • Ascending (Blue)
  • Terzetto; or Stripes, with Music
  • Sign with Stripes
  • The Life of Will Grohmann
  • Arte
  • Step Inside Love
  • Magneto and Titanium Man
  • Delicados; or McCartney in Mexico
  • America Cup II
  • Gauloises Collage
  • The Times (London)
  • The Manchester Guardian
  • Havana
  • Beside the Sea with Fish and Chips
  • Xylol
  • Port de Boston; or Air 8; Bugatti
  • Port de Boston II
  • The Red Garden Window
  • Studio with Aladdin Label; or Aladdin
  • [Untitled (Music with Yellow Border)]; or {Untitled (Collage with Music and Yellow Ochre)}
  • Samson
  • Cathedral I
  • Cathedral II
  • Paper Cathedral
  • Untitled (Black B)
  • Maquette for the National Gallery Mural
  • In Vermillion with Music
  • Roth-Händle with Blue Hat
  • Low Tide, Mont St. Michel
  • High Tide
  • Tricolor
  • The Times, with Music
  • Par Avion, with Music and Gauloises
  • Untitled
  • Key West
  • McCartney in Brazil; or [Brazil]
  • Heiliger Geist
  • Goethe in Italy
  • In Orange with Black; or Moderne Enfin
  • Life, with Music
  • Black Music
  • Unitas
  • Airy Blue Collage (Blue Overcoming Gold); or Beige on Ultramarine
  • The Cotswold Villager
  • Mexican Collage
  • Summertime in Italy No. 8
  • The Tower
  • News from Nowhere
  • Votre Miroir
  • Country Collage
  • Untitled
  • French Sign
  • Te Quiero; or Danse
  • The Times in Havana; or Time Present and Time Past
  • Brasileira
  • Bouquet for Marina
  • Untitled (Blue with Black Note)
  • Delicados
  • Cantata XIII
  • Lyrical Collage; or Untitled
  • Untitled
  • The Sign of the Mermaid
  • Blue Collage with Yellow and Music
  • Greek Doorway
  • Summer Sea
  • Untitled
  • Quartet No. 4; or Untitled
  • [Untitled (Hans Hartung)]; or Untitled
  • Red Music
  • Cathedral III
  • Cathedral IV
  • [Untitled (Cathedral Series)]
  • [Untitled (Cathedral Series)]
  • [Untitled (Cathedral Series)]
  • Cathedral (Study
  • Vol de Nuit
  • Sea Snail
  • Night Music
  • The Irish Troubles
  • Gypsy Collage No. 1; or The Electric Guitar
  • Gypsy Collage No. 2
  • Gypsy Collage No. 3
  • Gypsy Collage No. 4
  • Untitled
  • The Spanish King
  • Esta Vida; or The Apple of Venus
  • Untitled
  • St. Michel with Yellow Stripe
  • Malta
  • The Poetics of Love
  • Self Portrait as Dog IV
  • La Belle Hélène
  • Green Label
  • Untitled
  • Je t’aime with Gauloises Blue; or Gauloises Longues
  • Australia II
  • White Music
  • The Barbarians Are Coming; or Tipped Red Square
  • Venetian Blue Sea Bride
  • How to Dance Sitting Down
  • The Primrose Path
  • Saraband
  • Dancing Elegy
  • The Other Side
  • Summer Hour
  • Yucatan
  • Sand Music
  • Odd Numbers; or The Inquisitors
  • The Philosopher’s Stone
  • They Are Not Heard at All
  • Black and White Striped
  • Nip and Tuck
  • Yeats’ Tower
  • Where Have You Been
  • Royal Water Music
  • Yellow Music
  • Bread and Circuses
  • The Marriage; or Achilles’ Anger
  • Heart of Darkness
  • Yellow Form with Music; or Form Cut into Time
  • Untitled
  • Portrait
  • Untitled
  • Untitled
  • St. Michel Collage with Blue
  • A Storm of White
  • Summer Collage
  • Explosive Collage
  • Untitled
  • Untitled
  • XX
  • Osborn Collage
  • American Collage
  • In Scarlet with Black Bars
  • Ascension
  • The Wellfleet Whale: From Port-of-Spain to Baffin Bay
  • Untitled
  • White Music I
  • White Music II
  • White Music III
  • White Music IV
  • White Music V
  • Collaged Wall I
  • Collaged Wall II
  • Collaged Wall III
  • Collaged Wall V
  • Collaged Wall VI (for Arthur Berger)
  • Cyclops Cave, or Rondo (After Mozart)
  • Garden with Music
  • Circe, or Black Separation
  • {Totem}, or Zig-Zag; American Totem; American Indian Totem
  • The Figure “4” No. 2, or Guardian No. 2
  • The Figure “4” No. 3, or Guardian No. 3
  • Guardian No. 4
  • The Figure “4” No. 6, or Guardian No. 6
  • The Figure “4” No. 10, or Guardian No. 10
  • The Figure “4” No. 11, or Guardian No. 11
  • The Figure “4” No. 12, or Guardian No. 12
  • In White with Green Stripe
  • French Revolution Bicentennial No. 1
  • French Revolution Bicentennial No. 2
  • French Revolution Bicentennial No. 3
  • French Revolution Bicentennial No. 4
  • French Revolution Bicentennial No. 5
  • French Revolution Bicentennial No. 6
  • Untitled
  • Untitled
  • Erupting
  • The Lovers
  • The Red and Black No. 1
  • The Red and Black No. 2
  • The Red and Black No. 3
  • The Red and Black No. 4
  • The Red and Black No. 5
  • The Red and Black No. 6
  • The Red and Black No. 7
  • The Red and Black No. 8
  • The Red and Black No. 9
  • The Red and Black No. 10
  • The Red and Black No. 11
  • The Red and Black No. 12
  • The Red and Black No. 13
  • The Red and Black No. 14
  • The Red and Black No. 15
  • The Red and Black No. 16
  • The Red and Black No. 17
  • The Red and Black No. 18
  • The Red and Black No. 19
  • The Red and Black No. 20
  • The Red and Black No. 21
  • The Red and Black No. 22
  • The Red and Black No. 23
  • The Red and Black No. 24
  • The Red and Black No. 25
  • The Red and Black No. 26
  • The Red and Black No. 27
  • The Red and Black No. 28
  • The Red and Black No. 29
  • The Red and Black No. 30
  • The Red and Black No. 31
  • The Red and Black No. 32
  • The Red and Black No. 33
  • The Red and Black No. 34
  • The Red and Black No. 35
  • The Red and Black No. 36
  • The Red and Black No. 37
  • The Red and Black No. 38
  • The Red and Black No. 39
  • The Red and Black No. 40
  • The Red and Black No. 41
  • The Red and Black No. 42
  • The Red and Black No. 43
  • The Red and Black No. 44
  • The Red and Black No. 45
  • The Red and Black No. 46
  • The Red and Black No. 47
  • The Red and Black No. 48
  • The Red and Black No. 49
  • The Red and Black No. 50
  • The Red and Black No. 51
  • The Red and Black No. 52
  • The Red and Black No. 53
  • The Red and Black No. 54
  • The Red and Black No. 55
  • The Red and Black No. 56
  • Goya’s Dog II, or Wall IV; Goya’s Dog
  • The Irish Book
  • In Blue and Green with Black Stripe
  • Untitled
  • [Untitled (Black and Ochre on Deep Blue)]
  • Untitled
  • Untitled
  • Untitled
  • Night Dream
  • Night Music Opus No. 1, or Over the Edge
  • Night Music Opus No. 2
  • Night Music Opus No. 3
  • Night Music Opus No. 4
  • Night Music Opus No. 5
  • Night Music Opus No. 6
  • Night Music Opus No. 7
  • Night Music Opus No. 8
  • Night Music Opus No. 9
  • Night Music Opus No. 10
  • Night Music Opus No. 11
  • Night Music Opus No. 12
  • Night Music Opus No. 13
  • Night Music Opus No. 14
  • Night Music Opus No. 15
  • Night Music Opus No. 16
  • Night Music Opus No. 17
  • Night Music Opus No. 18
  • Night Music Opus No. 19
  • Night Music Opus No. 20
  • Night Music Opus No. 21
  • Night Music Opus No. 22
  • Night Music Opus No. 23
  • Night Music Opus No. 24
  • Night Music Opus No. 25
  • Night Music Opus No. 26
  • Night Music Opus No. 27
  • L’Enfant du Paradis
  • Untitled (Red with Yellow Oval)
  • In Rose and Ochre with Red Circle
  • Music and Red Stripe
  • Untitled (Red Collage with Black Wedge)
  • The Letter
  • Untitled (Red Collage with Music and Crayon Lines)
  • In Red with Rice Paper and Black
  • In White and Black with Blue Hinge
  • In Ochre and Yellow with Sheet Music
  • Scottish Ballad
  • In Watery Blue with Tan and Black
  • The Disappearance of Goya’s Dog, or Goya’s Dog No. 2
  • Eclipse
  • Memory of Delos
  • Summertime: Delos
  • Delos
  • Untitled
  • Untitled
  • Summertime: Provincetown
  • {Title unknown}
  • Summertime
  • Untitled
  • Marine Venus
  • [Untitled (In Blue with Brown on Beige)]
  • [The Blue Guitar (To Wallace Stevens)]
  • Untitled
  • Untitled
  • Untitled
  • Mozart Rondo
  • Creature
  • M
  • M
  • Fantasia III
  • {Untitled (with Stamps)}
  • In Yellow with Calligraphy
  • Summertime with Black Clouds
  • The Blue Guitar
  • Untitled
  • Personage
  • Untitled, or Florida (?)
  • In the Night
  • Blue Air, or Blue Window
  • The Blue Sun, or Coca Cola Sun (?)
  • Clown
  • Arizona
  • Dirge, or Black and Red
  • At Five in the Afternoon, or Five in the Afternoon; At Five in the Afternoon. Sketch
  • Spanish Prison III
  • Still Life with Yellow and White
  • [ Untitled (Pink Figure)]
  • The Ark
  • Ulysses
  • Pregnant Woman Holding Child, or The Artist’s Wife Pregnant, Holding Another Child; Pregnant Nude Holding Child
  • Spanish Elegy XIV (Palamos), or Spanish Elegy XXV-B
  • Elegy Study
  • Fishes with Red Stripe
  • Bird Study
  • Untitled
  • Bird
  • Bird Study
  • Monument to Jackson Pollock
  • Elegy to the Spanish Republic XL
  • Spanish Still Life
  • Untitled
  • Untitled, or {Elegy Sketch}
  • Untitled
  • Elegy Sketch, or Elegy Study
  • Untitled, or {Study for an Elegy}
  • Elegy to the Spanish Republic No. 50
  • Untitled
  • Two Figures No. 5
  • Two Figures No. 6
  • Two Figures No. 7
  • Two Figures No. 8
  • Two Figures No. 9
  • Two Figures No. 10
  • Two Figures No. 11
  • Two Figures No. 12
  • Painting, with Two Figures
  • Untitled
  • Untitled–A
  • Pink Nude with Bowed Head
  • St.-Jean-de-Luz
  • St.-Jean-de-Luz No. 2, or St.-Jean-de-Luz
  • In Black and White with Yellow Ochre
  • Frontier No. 1
  • Frontier No. 2
  • Frontier No. 3
  • Frontier No. 4
  • Frontier No. 5
  • Frontier No. 6
  • Frontier No. 7
  • Frontier No. 8
  • Frontier No. 9
  • Frontier No. 10
  • Frontier No. 12
  • Bull No. 1
  • Bull No. 2
  • Bull No. 3
  • Bull No. 4
  • Bull No. 5
  • Iberia No. 5, or Black Painting
  • Iberia No. 5A, or Iberia No. 5
  • Iberia No. 6
  • Iberia No. 11, or Bull No. 7
  • Iberia No. 15, or Bull No. 6
  • Iberia No. 17, or Bull No. 8
  • Painting
  • The Blackness of Black
  • Painting
  • The Nightmare
  • Solitary Figure
  • The French Menorah
  • Untitled
  • The Rock
  • Drawing A
  • The Spanish Night
  • Still-Life
  • Drawing
  • Untitled
  • A View No. 3, or Painting
  • A View No. 13
  • A View No. 14
  • Untitled, or The Easel II
  • Figuration, with Green
  • The Mystery of the Night
  • Cock Looking Backwards
  • The Spanish Pope
  • [Untitled (Brown, White)]
  • {Title unknown}
  • Elegy to the Spanish Republic No. 59
  • A Spanish Elegy
  • Figuration, with Black and Orange, or Figuration with Black and Orange No. 2
  • Figuration, with Black and Orange No. 2
  • {Title unknown}
  • Red Shapes
  • Capriccio
  • The Black Sun
  • Untitled, or [Untitled (Spill)]
  • Striped Above
  • The Figure 4 on an Elegy
  • In Black and White
  • Elegy Study
  • Elegy Study, or Untitled (Elegy Study)
  • Elegy to the Spanish Republic No. 44
  • Elegy to the Spanish Republic No. 45
  • [Untitled (Black Elegy)]
  • Elegy to the Spanish Republic No. 60
  • Elegy to the Spanish Republic No. 61
  • Spanish Elegy
  • Untitled
  • Two Figures with Green Stripe
  • Summertime in Italy No. 3, or Summertime in Italy II; Italian Summer No. 3
  • Summertime in Italy
  • Summertime in Italy
  • Before the Italian Mediterranean, or Structure before the Italian Mediterranean
  • Sea, Sky, Sand
  • Untitled
  • Untitled
  • In Black with Yellow Ochre
  • Black and Blue and White
  • Torn Elegy, or Untitled
  • Elegy to the Spanish Republic
  • Beside the Sea No. 1
  • Beside the Sea No. 2
  • Beside the Sea No. 3
  • Beside the Sea No. 4
  • Beside the Sea No. 5
  • Beside the Sea No. 6
  • Beside the Sea No. 8
  • Beside the Sea No. 10
  • Beside the Sea No. 11
  • Beside the Sea No. 12
  • Beside the Sea No. 13
  • Beside the Sea No. 14
  • Beside the Sea No. 15
  • Beside the Sea No. 17
  • Beside the Sea No. 18
  • Beside the Sea No. 19
  • Beside the Sea No. 20
  • Beside the Sea No. 21
  • Beside the Sea No. 22
  • Beside the Sea No. 23
  • Beside the Sea No. 24
  • Beside the Sea No. 25
  • Beside the Sea No. 26
  • Beside the Sea No. 27
  • Beside the Sea No. 28
  • Beside the Sea No. 30
  • Beside the Sea No. 31
  • Beside the Sea No. 32
  • Beside the Sea No. 33
  • Beside the Sea No. 34
  • Beside the Sea No. 36
  • Beside the Sea
  • Sky Blue, with Sand
  • Night Beside the Sea
  • Moonrise Beside the Sea
  • The Abstract Heart
  • Les Ballets Basques
  • Automatic Image No. 1
  • Automatic Image No. 2
  • Automatic Image No. 3
  • Automatic Image No. 4
  • Automatic Image No. 5
  • Automatic Image No. 6
  • In Orange and Blue, or In Vermilion Red
  • Untitled No. 1
  • Untitled II (In Blue and Orange)
  • [Untitled (Orange and Brown)]
  • Untitled
  • Untitled
  • Untitled
  • La Mer 3 P.M.
  • The Dark Sea
  • Yellow Stripe
  • Père Ubu
  • Sienna and Black
  • In Sienna and White
  • Untitled
  • Untitled, or [Untitled (Brown, Tan)]
  • Untitled
  • Untitled
  • Untitled, or [Untitled (Blue, Ochre)]
  • The Figure No. 4
  • Anchor No. 1
  • Anchor No. 3
  • [Untitled (Blue, Anchor Figure in Ochre)], or {Primal Sign Anchored}
  • [Untitled (Primal Ochre Sign on Blue)], or {Primal Sign on Blue}
  • Untitled (Anchor)
  • [Untitled (Ochre 4 on Blue)]
  • Untitled, or [Untitled (ochre, blue)]
  • Africa No. 3, or Acrobatic Wave
  • The Figure 4 on Black
  • In Ochre with Black, or In Black with Ochre
  • Covering Black
  • The Figure 4 on an Orange Ground
  • Blue Chevron
  • Automatism No. 1
  • Spontaneity with Blue Stripe
  • Spontaneity with Blue Stripe No. 2
  • In Black with Blue Stripe
  • Spontaneity No. 4
  • Figure 4 with Blue Stripe
  • The Black X
  • Two Pink Stripes
  • Two Pink Stripes with Negative Collage
  • Untitled
  • Beside the Sea No. 41
  • The Green Beside the Sea
  • Untitled
  • Madrid Image with Green Stripe
  • Madrid Image with Pink
  • Untitled
  • Untitled
  • Untitled
  • Black Image with Ochre
  • Black with Ochre
  • Beside the Sea No. 45
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • In Sienna with Black Stripe
  • Untitled
  • Automatism with Ochre Stripes
  • In Pink and Yellow Ochre
  • Spring with Green
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • [Untitled (Red Figure on Black Ground)]
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Mural Sketch, or Open No. 3: In Raw Sienna with Charcoal Line
  • Open No. 31A: In Burnt Sienna
  • Open No. 31B: In Raw Sienna, or Open No. 31 (b) blotting paper, raw sienna
  • [Open]
  • Beside the Sea No. 1 (Summer 1968)
  • Beside the Sea No. 3 (Summer 1968)
  • Beside the Sea No. 4
  • Beside the Sea No. 5
  • Beside the Sea No. 64
  • Beside the Sea
  • Beside the Sea, with Sand Wave
  • [Untitled (Beside the Sea)]
  • [Study in Watercolor No. 1 (In Green and Blue)]
  • [Study in Watercolor No. 2 (In Green and Blue)]
  • [Study in Watercolor No. 3 (In Orange and Blue)], or {Study in Watercolor No. 3}
  • [Study in Watercolor No. 4 (In Orange and Blue)], or {Study in Watercolor No. 4}
  • [Study in Watercolor No. 5 (In Green and Blue)]
  • [Study in Watercolor No. 6 (In Green and Blue)]
  • [Untitled (Ochre, Black, Green)]
  • Elegy to the Spanish Republic
  • {Elegy Study}
  • Elegy Study
  • Blue Elegy, or Study for Blue Elegy
  • Elegy to the Spanish Republic with Blue No. 110A
  • Study for Elegy to the Spanish Republic No. 110B
  • Elegy to the Spanish Republic No. 110C
  • Study for Elegy to the Spanish Republic No. 110D
  • Study for Elegy to the Spanish Republic No. 110E
  • Open with Elegy
  • Silent Form No. 1
  • Silent Form No. 2
  • Silent Form No. 3
  • Study for Open Series
  • Black on White No. 2
  • Black on White No. 3
  • Black on White No. 4, or Open: Black and White Series No. 18
  • Black on White No. 5
  • Black on White No. 6, or Untitled
  • Black on White No. 7
  • Open Study No. 5, or Open Drawing No. 4; Open Drawing with Charcoal Lines
  • Open Study No. 6, or for “Open Series” No. 17
  • Open Study No. 8
  • Open Study No. 8A: In Blue with Black Lines, or Untitled (Charcoal Line)
  • Open Study No. 12, or Black Line Open
  • Open Study No. 13, or {Untitled (Open)}
  • Open Study No. 14, or Untitled (charcoal line)
  • Open Study No. 19: In Blue with White Line, or (Blue with white line)
  • Untitled
  • Untitled
  • [Open Study (White Line on Beige No. 1)]
  • [Open Study (White Line on Beige No. 2)]
  • [Open Study (White Line on Beige No. 3)]
  • Untitled
  • [Untitled (Open)]
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Juilliard School Poster Sketch
  • [Open Study (In Blue with Pencil Lines)]
  • [Gesture Series (A)]
  • [Gesture Series (B)]
  • [Gesture Series (C)]
  • [Gesture Series (D)]
  • I.H. Series No. 1
  • I.H. Series No. 2
  • I.H. Series No. 4
  • I.H. Series No. 5
  • I.H. Series No. 6
  • I.H. Series No. 8
  • I.H. Series No. 12
  • I.H. Series No. 15
  • I.H. Series No. 16
  • I.H. Series No. 18
  • I.H. Series No. 22
  • I.H. Series No. 24
  • I.H. Series No. 26
  • I.H. Series No. 27
  • I.H. Series No. 29
  • I.H. Series No. 30, or I.H. Series No. 25
  • Green and Black (The Basque Suite)
  • Yellow and Black (The Basque Suite)
  • Green and Black (The Basque Suite)
  • Basque Suite
  • Basque Suite
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • [Untitled (Green on Blue)]
  • [Untitled (Green on Blue)]
  • Africa Suite No. 1
  • Africa Suite No. 2
  • Africa Suite No. 3
  • Africa Suite No. 4
  • Africa Suite No. 5
  • Africa Suite No. 6
  • Africa Suite No. 7
  • Africa Suite No. 8
  • Africa Suite No. 9
  • Africa Suite No. 10
  • Africa Suite No. 11
  • Study for State II “Elegy No. 100”
  • Untitled
  • Untitled
  • [Open Study (In Blue and Pink)]
  • Elegy Sketch, or {Untitled (Elegy Lines)}
  • Untitled
  • Untitled
  • Sepia Shape with Black and Blue
  • [Untitled (Open & Brushstrokes)]
  • The Blue Window
  • The White Window
  • Untitled, or {Open Study (Brown)}
  • [Untitled (Open)]
  • Open Study with Blue Lines, or {Open Study in Blue}
  • Untitled (Open)
  • Untitled, or {Untitled (Orange and Tan Open)}
  • Untitled
  • Untitled, or {Untitled (Orange and Tan Open)}
  • Untitled, or {Open}
  • Open Study
  • Gesture Series No. 1
  • Gesture Series No. 2
  • Gesture Series No. 3
  • Gesture Series No. 4
  • Gesture Series No. 5
  • Gesture Series No. 6
  • Gesture Series No. 7
  • Gesture Series No. 8
  • Gesture Series No. 9
  • Gesture Series No. 10
  • Gesture Series No. 11
  • Gesture Series No. 12
  • Gesture Series No. 13
  • Gesture Series No. 14
  • Gesture Series No. 16
  • Gesture Series No. 17
  • Untitled, or {Untitled (Samurai)}
  • Tapestry Study No. 2
  • Tapestry Study No. 3
  • Greenwich Sculpture, or Tapestry Study No. 4
  • Tapestry Study No. 5
  • [Untitled (Pink, Green, Blue)]
  • [Untitled (Grey, Pink, Green, Blue)]
  • [Untitled (Black and Red Gestural)]
  • [Untitled (Black and Red Gestural)]
  • Blue Gesture Series No. 1
  • Blue Gesture Series No. 2
  • Blue Gesture Series No. 3
  • Blue Gesture Series No. 4
  • Blue Gesture Series No. 5
  • Blue Gesture Series No. 6
  • Blue Gesture Series No. 7
  • Untitled, or [Untitled (Black Cloud Shape)]
  • Untitled, or [Untitled (Black Cloud Shapes)]
  • Study for Shem the Penman
  • {Untitled (Open Ochre)}
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • [Untitled (Open)]
  • [Untitled (Open)]
  • [Untitled (Open)]
  • [Untitled (Open)]
  • [Untitled (Open)]
  • Untitled
  • [Untitled (Open)]
  • [Untitled (Open)]
  • [Untitled (Open)]
  • Untitled
  • [Untitled (Open)]
  • [Open (Black brush strokes)]
  • [Untitled (Open)]
  • [Untitled (Open)]
  • [Untitled (Open)]
  • [Untitled (Open)]
  • [Untitled (Open)]
  • [Untitled (Open)]
  • [Untitled (Open)]
  • [Untitled (Open)]
  • Bodensee
  • Untitled
  • Blue Wave
  • The Iron Crown
  • Je t’aime No. VI
  • Intrusion
  • Jet No. 1
  • Jet No. 2
  • Jet No. 3
  • Untitled (Samurai), or {Untitled (Samurai Image)}
  • [Untitled (Samurai)], or {Untitled (Samurai No. 2)}
  • [Untitled (Samurai)]
  • Untitled
  • Black Guardian, or {Black Samurai}
  • Black Guardian, or {Black Samurai}
  • Untitled
  • Untitled
  • {Untitled (Open in White on Ochre)}
  • Untitled
  • Elegy to the Spanish Republic
  • Gesture Paper Painting No. 1
  • Gesture Paper Painting No. 2
  • Gesture Paper Painting No. 3
  • Gesture Paper Painting No. 6
  • Gesture Paper Painting No. 7
  • Gesture Paper Painting No. 9
  • Gesture Paper Painting No. 10
  • Gesture Paper Painting No. 10
  • Gesture Paper Painting No. 11
  • Gesture Paper Painting No. 12
  • Gesture Paper Painting No. 12
  • Gesture Paper Painting No. 13
  • Gesture Paper Painting No. 15
  • Gesture Paper Painting No. 21
  • Gesture Paper Painting No. 22
  • Open Paper Painting No. 1
  • Drawing C, or {Untitled (Line Open)}
  • Drawing C
  • [Untitled (White Open)]
  • Untitled
  • Rough Open
  • [Untitled (Open)]
  • [Untitled (Black and White Strokes)]
  • [Untitled (Black and White Strokes)]
  • Two Brush Strokes
  • Black Gesture
  • Black Gesture
  • Black Gesture
  • Black Gesture
  • Black Gesture
  • Hanging Gesture
  • [Untitled (Black Shape)]
  • [Untitled (Black Shape)]
  • [Untitled (Black Shape)]
  • Untitled
  • Open Study on Sienna
  • Elegy Study
  • [Mardi Gras]
  • Red Wall Sketch
  • [Green Open with Phoenician Letters]
  • Untitled
  • Elegy Drawing No. 28
  • Untitled
  • Untitled
  • Totemic Figure, or {Totemic Figure (Arrow)}
  • Totemic Emblem
  • Emblematic Presence III, or Figaro in the Cemetery
  • Elegy Study A
  • Elegy Study B
  • Elegy Study C
  • Spanish Elegy Study D
  • Elegy Study
  • Elegy Sketch with Amber
  • Untitled
  • [Untitled (Samurai)]
  • Ominous Black
  • The Blue Wall
  • Blue Form with Wedge, or {Blue Figure with Wedge}
  • Untitled, or {Untitled (Blue and Yellow Elegy Drawing)}
  • Untitled (Study for The Hollow Men), or Untitled
  • Elegy Drawing No. 17
  • [Untitled (Elegy)]
  • Mural Study
  • Mural Study
  • Elegy Study
  • Elegy to the Spanish Republic No. 150
  • Elegy to the Spanish Republic No. 151
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • The Black Sun II
  • Drunk with Turpentine No. 2 (Stephen’s Gate), or Drunk with Turpentine No. 2
  • Drunk with Turpentine No. 3
  • Drunk with Turpentine No. 4
  • Drunk with Turpentine No. 5
  • Drunk with Turpentine No. 6
  • Drunk with Turpentine No. 8
  • Drunk with Turpentine No. 9
  • Drunk with Turpentine No. 11
  • Drunk with Turpentine No. 12
  • Drunk with Turpentine No. 14
  • Drunk with Turpentine No. 15
  • Drunk with Turpentine No. 16
  • Drunk with Turpentine No. 18
  • Drunk with Turpentine No. 20
  • Drunk with Turpentine No. 21
  • Drunk with Turpentine No. 22
  • Drunk with Turpentine No. 23
  • Drunk with Turpentine No. 24
  • Drunk with Turpentine No. 25, or Untitled
  • Drunk with Turpentine No. 26
  • Drunk with Turpentine No. 27
  • Drunk with Turpentine No. 28
  • Drunk with Turpentine No. 30
  • Drunk with Turpentine No. 31
  • Drunk with Turpentine No. 32
  • Drunk with Turpentine No. 33
  • Drunk with Turpentine No. 37
  • Drunk with Turpentine No. 38
  • Drunk with Turpentine No. 40
  • Drunk with Turpentine No. 41, or Drunk with Turpentine No. 42
  • Drunk with Turpentine No. 42
  • Drunk with Turpentine No. 43
  • Drunk with Turpentine No. 45
  • Drunk with Turpentine No. 46
  • Drunk on Turpentine No. 47
  • Drunk with Turpentine No. 49
  • Drunk with Turpentine No. 50
  • Drunk with Turpentine No. 51
  • Drunk with Turpentine No. 67
  • Drunk with Turpentine No. 68
  • Drunk with Turpentine No. 70
  • Drunk with Turpentine, or {Drunk with Turpentine (Study for Stephen’s Iron Crown)}
  • {Untitled (Drunk with Turpentine)}
  • [Untitled (Drunk with Turpentine)]
  • Drunk with Turpentine
  • [Drunk with Turpentine (Spanish Death Figure)]
  • Drunk with Turpentine, or Untitled
  • Drunk with Turpentine
  • Drunk with Turpentine
  • Drunk with Turpentine
  • Drunk with Turpentine
  • Drunk with Turpentine
  • Drunk with Turpentine
  • Drunk with Turpentine
  • {Drunk with Turpentine}
  • Untitled, or May Day
  • Drunk with Turpentine
  • Drunk with Turpentine
  • Untitled
  • Drunk with Turpentine
  • Drunk with Turpentine
  • Drunk with Turpentine
  • Drunk with Turpentine
  • Drunk with Turpentine
  • Drunk with Turpentine
  • Drunk with Turpentine
  • Drunk with Turpentine
  • Drunk with Turpentine
  • Drunk with Turpentine
  • Drunk with Turpentine
  • Drunk with Turpentine
  • Drunk with Turpentine
  • Drunk with Turpentine
  • Drunk with Turpentine
  • Drunk with Turpentine
  • Drunk with Turpentine
  • Drunk with Turpentine
  • Drunk with Turpentine
  • Drunk with Turpentine
  • Drunk with Turpentine
  • The War Machine
  • Untitled
  • [Untitled (for Gabriella)]
  • Brushstroke, or Stroke
  • [Untitled (Brushstroke)]
  • Untitled
  • Spanish Wall No. 1, or Drunk with Turpentine No. 7
  • Spanish Wall No. 2, or Drunk with Turpentine
  • Spanish Wall No. 4, or Untitled
  • Spanish Elegy Study
  • {Untitled (Elegy Study)}
  • Brushy Elegy
  • Studio with Green
  • {Untitled (Drunk with Turpentine)}
  • James Joyce, or Portrait of James Joyce
  • Untitled
  • Mexican Prison, or Mexican Bride
  • [Untitled (Black, Red)]
  • Untitled
  • Je t’aime in Black and Pink
  • Te Quiero
  • Untitled
  • Untitled
  • Untitled, or {In Black with Blue “4”}
  • Untitled
  • Untitled
  • Untitled
  • Drunk with Turpentine
  • Untitled
  • {Untitled (Drunk with Turpentine)}
  • {Untitled (Drunk with Turpentine)}
  • Untitled
  • Drunk with Turpentine
  • Untitled
  • Untitled
  • [Untitled (Brushy Elegy)]
  • Untitled
  • Provincetown Blue
  • Line and Brush Drawing
  • Untitled
  • Drunk with Turpentine
  • Untitled
  • Untitled
  • Crete No. 1
  • Crete No. 2
  • Mediterranean Figuration No. 1, or Untitled
  • Mediterranean Figuration No. 2, or Untitled
  • Achilles’ Heel
  • Untitled
  • Untitled
  • Untitled
  • Drunk with Turpentine
  • [Untitled (Black Gesture)]
  • Drunk with Turpentine
  • [Brushy Open on Buff Ground]
  • Untitled
  • Untitled
  • Untitled (Elegy)
  • [Untitled (Elegy Drawing)]
  • Untitled
  • Untitled
  • [Untitled (Drawing)]
  • Untitled
  • Untitled, or {Untitled (Head of a Bull)}
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Lament for Hektor Slain, or Hector’s Corpse
  • The Blinding of the Cyclop
  • Untitled
  • Drawing with Black and Red Oval
  • [Untitled (Black Gestural Drawing) No. 1]
  • [Untitled (Black Gestural Drawing) No. 2]
  • [Untitled (Black Gestural Drawing) No. 3]
  • [Untitled (Black Gestural Drawing) No. 4]
  • [Untitled (Black Gestural Drawing) No. 5]
  • [Untitled (Black Gestural Drawing) No. 6]
  • [Untitled (Black Gestural Drawing) No. 7]
  • [Untitled (Black Gestural Drawing) No. 8]
  • [Untitled (Black Gestural Drawing) No. 9]
  • [Untitled (Black Gestural Drawing) No. 10]
  • [Untitled (Black Gestural Drawing) No. 11]
  • [Untitled (Black Gestural Drawing) No. 12]
  • {Untitled (Number 4 Sketch)}
  • Untitled
  • Untitled
  • Study for Mask (for Ingmar Bergman)
  • Hollow Men’s Cave
  • Study for The Grand Inquisitor, or Study for Catalonia II
  • Line Drawing with Blue
  • Untitled
  • Arabesque
  • Automatic Drawing with Blue Paint
  • Study for Hollow Men
  • Study for Memory of Delos
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Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
Contents
Author
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
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Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
THIS BOOK IS FOR ME THE CULMINATION OF A DIRECT ENGAGEMENT WITH ROBERT MOTHERWELL and his work that goes back over thirty years.
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Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
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Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
THE AUTHORS WOULD LIKE TO ACKNOWLEDGE ALL THE HELP, SUPPORT, AND COOPERATION THAT we have received from so many people and institutions. Foremost is the Dedalus Foundation, which has sponsored the research that went into this publication from the inception of the project. The Dedalus Foundation was created by Robert Motherwell and inherited all...
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Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
A CATALOGUE RAISONNÉ ENTAILS THE EXAMINATION OF EVERYTHING THAT AN ARTIST LEAVES BEHIND as his body of work. Unlike other comprehensive views of an artist’s production, such as a retrospective exhibition or a monographic book, a catalogue raisonné is not a selection.Some believe that even a...
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Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)

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Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
ARTISTS FIND THEIR VOICES BY BEING ABLE TO REACH BOTH DEEP WITHIN AND FAR OUTSIDE THEMSELVES. The reaching within often involves a struggle with the psychic scars and inhibitions inflicted by the artist’s upbringing and by the conventions of society. The reaching for some kind of an outside symbol...
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Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
EARLY IN 1943, ROBERT MOTHERWELL UNDERWENT AN EXPERIENCE THAT RADICALLY CHANGED THE direction of his art. The gallerist Peggy Guggenheim approached him, Jackson...

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Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
AS WE HAVE SEEN, DURING THE MID-1940S MUCH OF MOTHERWELL’S MOST INNOVATIVE WORK WAS done in collage, and in the months after his 1944 solo exhibition at Art of This Century, his paintings seemed to be going in many different...
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Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
THE LATTER HALF OF 1948 WAS A TUMULTUOUS TIME FOR MOTHERWELL; HE LATER REMEMBERED IT as one of the most miserable and stressful periods he had ever lived through. Although his work was being well received, and he was involved in a number of publishing projects and other professional activities (among them co-founding an art school called The Subjects of the Artist), in his personal life...
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Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
DURING THE LATE 1940S, WHILE MOTHERWELL WAS FORMULATING HIS ELEGY TO THE SPANISH Republic paintings, he was also gathering materials for The Dada Painters and Poets,...

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Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
IN 1958 MOTHERWELL MARRIED HELEN FRANKENTHALER, WHO WOULD HAVE AN ENORMOUS EFFECT on his painting. They had begun to see each other in late 1957, just after he separated from Betty Little. Frankenthaler, though not yet thirty, was already one of the more highly regarded young American painters. She was also a quintessential New Yorker, the well-connected daughter of New York State Supreme...
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Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
BY THE MID-1960S MOTHERWELL HAD BEGUN “TO DREAM OF A COUNTRY STUDIO,”Motherwell in Museum of Fine Arts,...

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Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
IN THE FALL OF 1975 MOTHERWELL FINISHED ONE OF HIS LARGEST ELEGY PAINTINGS, AND THE ONE he had worked on over the longest period of time. He had begun Elegy to the Spanish Republic No. 100 (fig. 152) in 1962 and had shown it at his 1965...
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Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
IN ADDITION TO CREATING A LARGE AND IMPORTANT CORPUS OF PAINTINGS AND COLLAGES AND A significant body of writings, Robert Motherwell had a very active social and intellectual life. The following account of the main events in his life is meant to provide a chronological framework for the catalogue raisonné entries and to set in fuller context the biographical references that are...

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Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
Janis writes to discuss Motherwell’s upcoming solo exhibition, scheduled for January 5–31, 1959: “I shall soon want photos of various paintings now ready and should like very much to discuss with you the announcement, poster, etc.”Motherwell, letter to Nathan Halper, November 11, 1958, Nathan Halper...

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Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
Motherwell begins to work with the photographer Steven Sloman to document his work and studio practices for the monograph being prepared by H. H. Arnason. Sloman will visit the studio approximately every three months during the next year to photograph both old and new works. He will continue in this role well beyond the publication, serving as the primary photographer of Motherwell’s work...

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Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
At first glance, what should be included in a catalogue raisonné seems self-evident: everything. But as the research is done for a catalogue raisonné...
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Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
This catalogue raisonné includes detailed entries for all of the known paintings, collages, and paintings on paper executed by Robert Motherwell...
Author
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
Robert Motherwell had small public exhibitions of his work in Paris in 1939 and in San Francisco and Portland, Oregon, in 1940, but he later distanced himself from the paintings and drawings he had created before the summer of 1941, the time when he said his mature works began. (“I date my career beginning the summer Matta and I went to...
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Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)

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Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
This comprehensive list includes all exhibitions in which paintings, collages, and paintings on paper by Robert Motherwell were shown. It is organized chronologically, with solo and group exhibitions listed separately within each year. When applicable, we identify our source of information about each exhibition by stating (in parentheses) whether it was...
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Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
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Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
List of Exhibitions (Part 2)
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Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
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Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
List of Exhibitions (Part 3)
Author
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
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Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
Bibliography, Writings by the Artist, and Filmography (Part 1)
Author
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
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Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
Bibliography, Writings by the Artist, and Filmography (Part 2)
Author
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
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Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
Bibliography, Writings by the Artist, and Filmography (Part 3)
Author
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
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Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
Index of Titles and Alternative Titles (Part 1)
Author
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
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Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
Index of Titles and Alternative Titles (Part 2)
Author
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
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Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
Index of Owners
Author
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
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Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
Concordance of Catalogue Raisonné and Studio Inventory Numbers (Part 1)
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Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
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Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
Concordance of Catalogue Raisonné and Studio Inventory Numbers (Part 2)
Author
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
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Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
Photo and Text Credits
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Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
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Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
About the Authors
Author
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
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Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
This concise key to the catalogue raisonné entries has been condensed from the “Usage Guide to the Catalogue Entries” in volume 1, to which the reader should refer for a more detailed treatment of the issues that are addressed here.
Author
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
Paintings on Canvas and Panel, P1-P199
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Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)

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Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
Paintings on Canvas and Panel, P200-P399
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Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)

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Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
Paintings on Canvas and Panel, P400-P599
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Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
Paintings on Canvas and Panel, P600-P799
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Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
Paintings on Canvas and Panel, P800-P999
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Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
Paintings on Canvas and Panel, P1000-P1209
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Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
Collages, C1-C199
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Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
Collages, C200-C399
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Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
Collages, C400-C599
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Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
Collages, C600-C799
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Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
Collages, C800-C889
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Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
Paintings on Paper and Paperboard, W1-W199
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Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)

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Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
Paintings on Paper and Paperboard, W200-W399
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Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
Paintings on Paper and Paperboard, W400-W599
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Description: Robert Motherwell: Paintings and Collages (A Catalogue Raisonné,...
Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)
Paintings on Paper and Paperboard, W600-W7220
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Jack Flam (Editor), Katy Rogers (Editor), Tim Clifford (Editor)

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Robert Motherwell: Paintings and Collages (A Catalogue Raisonné, 1941–1991)
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