Photography Credits

Barbour, Daphne; Gifford, E. Melanie

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Photography Credits

Daphne Barbour (Editor), E. Melanie Gifford (Editor)

Facture: Conservation Science Art History Volume 2: Art in Context

Photography Credits

Author

Daphne Barbour (Editor), E. Melanie Gifford (Editor)

PublisherNational Gallery of Art

Stable URL: https://aaeportal.com/?id=-20073

Photography Credits

The Creation of Giotto’s Madonna and Child: New Insights

Figs. 1, 6, 10a, Greg Williams, Department of Imaging and Visual Services, NGA; fig. 2, Elisabeth Ravaud – C2RMF; figs. 3–5, 7–9, 10b, Scientific Research Department, NGA.

Riccio in Relief: Documented Sculpture as a Technical Context for The Entombment

Figs. 1, 2, 4, 22a, Lee Ewing, Department of Imaging and Visual Services, NGA; figs. 3, 6–10, 12, 15–18, 22b, Object Conservation Department, NGA; fig. 5, Dylan Smith, Object Conservation Department, NGA; figs. 11, 13, 14, photos by © Giorgio Deganello/Archivio Messaggero S. Antonio Editrice, Padua; fig. 19, © RMN-Grand Palais/Art Resource, New York, photo by Daniel Arnaudet; fig. 20, © RMN-Grand Palais/Art Resource, New York; fig. 21, © RMN-Grand Palais/Art Resource, New York, photo by Martine Beck-Coppola.

Auguste Rodin’s Lifetime Bronze Sculptures in the Simpson Collection

Fig. 1, © Musée Rodin; photo by Ouida Grant; figs. 2–5, 7, 13, 16, 19, 20, 22, 23, Lee Ewing, Department of Imaging and Visual Services, NGA; fig. 6, Phillip Charles, Department of Imaging and Visual Services, NGA; fig. 8, © estate of Malvina Hoffman, in Heads and Tales (Garden City, NY, 1943), 87; figs. 9, 14, 15, 17, 18, Object Conservation Department, NGA; fig. 10, © estate of Malvina Hoffman, in Sculpture Inside and Out (New York, 1939), 303; figs. 11, 21, © Musée Rodin, photos by Jérome Manoukian; fig. 12, Dylan Smith, Object Conservation Department, NGA.

Movements in Paint: The Development of John Marin’s Watercolor Palette, 1892–1927

Fig. 1, Katherine S. Dreier Papers/Societé Anonyme Archive, Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library; figs. 2, 3, 5–10, 15, 16, 18, 19, Erica Abbey, Department of Imaging and Visual Services, NGA; fig. 4, Joseph W. Lovibond, An Introduction to the Study of Colour Phenomena, Explaining a New Theory of Colour Based Entirely on Experimental Facts with Applications to Scientific and Industrial Investigations (New York, 1905), 31, pl. VII; fig. 11, Paper Conservation Department, NGA; figs. 12, 13, Scientific Research Department, NGA; fig. 14, Alfred Stieglitz/Georgia O’Keeffe Archive, Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library, © 2015 Georgia O’Keeffe Museum/Artists Rights Society (ARS), New York; fig. 17, Gallery Archives, NGA; fig. 20, Kenneth Fleisher, Department of Imaging and Visual Services, NGA.

Mark Rothko’s Multiforms, 1946–1950: Transforming the Painted Surface

Fig. 1, courtesy The Collections of Kate Rothko Prizel and Christopher Rothko; figs. 2–4, 8, 9, 15, table nos. 1, 2, 4, 7, 11, 14, 15, Department of Imaging and Visual Services, NGA; figs. 5, 10–14, 16, 17, 19, Painting Conservation Department, NGA; fig. 6, San Francisco Art Institute Archives, photo by William Heick; fig. 7, table nos. 3, 5, 6, 8, 9, 10, 12, 13, Greg Williams, Department of Imaging and Visual Services, NGA; fig. 18, image courtesy the Aaron Siskind Foundation.

Sfumato and Sheen: Bernardino Luini’s Lady in Black

Figs. 1, 3, 4, 11–13, Greg Williams, Department of Imaging and Visual Services, NGA; fig. 2, Erich Lessing/Art Resource, New York; figs. 5, 8, 10, Painting Conservation Department, NGA; figs. 6, 7, Scientific Research Department, NGA; fig. 9, Albertina Museum, Vienna.

Andy Warhol’s Early Paint Mediums

Fig. 1, image courtesy Acquavella Galleries, © 2015 The Andy Warhol Foundation for the Visual Arts, Inc./Artists Rights Society (ARS), New York; fig. 2, Greg Williams, Department of Imaging and Visual Services, NGA, Courtesy of the Board of Trustees, NGA, Washington, © 2015 The Andy Warhol Foundation for the Visual Arts, Inc./Artists Rights Society (ARS), New York; fig. 3, Axel Schneider, Frankfurt am Main, © 2015 The Andy Warhol Foundation for the Visual Arts, Inc./Artists Rights Society (ARS), New York; fig. 4, Foto: © Rheinisches Bildarchiv Köln, © 2015 The Andy Warhol Foundation for the Visual Arts, Inc./Artists Rights Society (ARS), New York.

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