General Index

Crowther, Paul

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General Index

Paul Crowther

The Language of Twentieth-Century Art: A Conceptual History

General Index

Author

Paul Crowther

PublisherYale University Press

https://doi.org/10.37862/aaeportal.00150.017

Stable URL: https://aaeportal.com/?id=-15437

General Index

A

Abrioux, Y. 246n

Abstract Expressionism 152

abstract-real 129–48

action painting 120–22

Adorno, T. W. ix–x, 4, 175, 222, 235n

aesthetic object 18–23, 83, 133–4, 169–71, 173, 186, 199, 232–3

aesthetic responses 18–23, 133–4, 165, 173–6, 232–3

ahistoricality ix—x, 168, 232–3, 246n

Ahlberg, L.-O. x

Altieri, C. 230–33, 246n

analogy 63–6 Anderson, T. 239n

antagonism see: contradiction Aristotle 130, 133, 209 Arp, H. 88

art history ix, 1–3, 165, 168, 186, 233

Art-Language 180

Atkinson, T. 177–9, 244n

automatism 101, 111, 112–28

B

Bainbridge, D. 177

Balakian, A. 240n

Baldwin, M. 178–9

Baljeu, J. 242n

Balla, G. 57

Barthes, R. 1, 235n

Baudrillard, J. 189–202, 245–6nn

Beardsley, M. 18

becoming 51–2, 74–84, 141–2

Bell, C. 18, 175

Benjamin, A. x, 236n

Benjamin, W. 204, 246n

Bergson, H. 4, 32, 51–70, 85, 87, 238–9nn

Bernard, E. 34

biomorphic abstraction 125, 152, 155

Boccioni, U. 51, 56–69, 238–9

Bois, Y.-A. 3, 149, 162–3, 235n, 237n, 244n

Bolland, G. 130, 133

Boltanski, C. 213

Bramley-Moore, M. xi

Braque, G. 26, 32–48, 127, 166, 237–8nn

Breton, A. 89, 90, 99–112, 113–18, 122–8, 167, 240–42nn

Bryson, N. 1, 235n

Bulatov, E. 219

Burgin, V. 1, 2, 235n

Burke, E. 149, 154, 243n

C

Carmean, E.J. 243n

Caro, A. 174

Carra, C. 57, 58, 60

Cassirer, E. 4, 236n

Cézanne, P. 5, 33, 34–8, 174

Chadwick, W. 180, 245n

Champa, K. S. 242n

Cheetham, M. 236n, 242n, 243n

Christo 179

Conceptual Art 164, 171–86, 215, 225–6, 227, 246n

contingency 84, 94–5, 99, 101, 107–8, 110, 114, 120–22, 127, 147, 143, 145–6, 167, 179, 196–7, 202, 211–12, 220–27

contradiction 87–8, 91–2, 95–9, 101, 102, 111–12, 114–16, 123–4, 138–42

Courbet, G. 23, 171

Crary, J. 1, 235n

Cubism 25, 26, 32–48, 51, 62–3, 127, 129, 134, 153, 166, 174, 194, 237–8nn

Cubo-Futurism 74–6

D

Dadaism 87–8, 153

Dalí, S. 88–9, 112, 113, 118, 124

Danto, A. 2, 235n

David, J.-L. 38

deconstruction 10, 183, 203–12

definition of art 2, 183–4, 185–6, 234

Delacroix, E. 149

Deleuze, G. 233–4, 246n

Derrida, J. 1, 4, 10, 203, 235n, 236n, 245n

dialectic 87–128, 129–48

Dickie, G. 2, 235n

Diderot, D. 149

discourse 203

disinterestedness 22

Dissanayake, E. 3, 235n

Doesburg, T. van 242n Douglas, C. 239n

Duchamp, M. 2, 40–41, 171–8, 212, 244nn

duration 51–6

Durning, L. xi

Duve, T. de 3, 235–6n

E

eclecticism 189, 218

economic determinism 98, 99, 123

Eddy, D. 194

embodiment 3–4, 11–12, 17, 23, 24

emotional associationism 27–8, 145–6, 155–7, 168–9

empathy 22, 170–71, 233–4

Engels, F. 90, 95–128, 241nn

Erjavec, A. x, 246n

Ernst, M. 112, 118

Estes, R. 194

existential phenomenology 44–6, 83–4, 103, 107

existential subconscious 14–15, 24–5, 29, 103, 123, 125–8, 147–8, 164–71, 190, 200, 21314, 228–30, 241n

experiment 177–8

expressive qualities 27–8, 38–9, 83, 155–7, 168–9; see also: emotional associationism

F

Fauvism 23

feeling 83–4; see also: aesthetic response, empathy finality 122

Finlay, I. H. 184–5, 219

formalism 3, 18, 22, 129, 149, 166, 168, 172, 173–6, 215

Foster, H. 88, 240nn, 241n

Foucault, M. 1, 203, 245–6n

fourth dimension 71–6

Freud, S. 88, 89, 90, 100, 109, 110, 120–21, 122, 240nn

Fried, M. 3, 24, 235n

Fry, R. 18

Futurism 24, 25, 48, 51–70, 87, 127, 146, 166–7, 194, 238–9nn

G

Gadamer, H.-G. 4, 36

Gamwell, L. 237n

Gardiner, P. x

genealogical reductionism ix, 1–3, 232–3

geometric abstraction 29–30, 79–86, 129–48, 151–2

German Expressionism 5, 87

Gleizes, A. 32, 238n

Golding, J. 39–40, 238n

Goodman, N. 236n

Gormley, A. 219

Green, M. 240n

Greenberg, C. 3, 18, 34, 160, 174, 226, 229, 235n, 237n, 244n

Gržinič, M. 246n

Guattari, F. 233–4, 246n

H

Halley, P. 194–6, 201, 245n

Harkness, M. 111

Harrison, A. x, 236–7nn

Hatoum, M. 180–82

Hegel, G. W. F. 4, 33, 90–128, 133, 138, 142–4, 175, 221, 237n, 240–41nn, 243n

Heidegger, M. 45

Hess, T. 149

historical change 93–9, 132, 215–20

historical mediation x, 5, 19–20, 81, 168, 182–3, 215–18, 231–3

historicity ix, x, 2, 19–20, 164, 169–71, 231–4

Hockney, D. 194

Hofmann, H. 120

Hoyland, J. 174

Huelsenbeck, R. 87–8, 240nn

Husserl, E. 44

hyperreal 191–2

I

ideograph 152

imagination 9–15, 15–23, 55–6, 70, 125–8, 164–5, 236n, 237n

Impressionism 23

infinity 78, 123–4, 155–7

Ingres, J.-A. 39

installation and assemblage art 206–14

intuition 55–6, 67, 78

Irwin 216

Iser, W. 236n

iterability 4, 9–15, 20, 24, 42, 46–8, 69–70, 84–6, 124–8, 145–8, 157, 162–3, 164–71, 186, 190, 198, 228–9, 232–3

J

Jakše, M. 218

Judd, D. 160, 183, 244n

Jungianism 119, 120

K

Kahnweiler, D.-H. 32, 237n

Kandinsky, W. 9, 26, 27–31, 84, 125, 129, 146, 168, 237n

Kant, I. 4, 17, 44, 149, 150, 154, 175, 221, 222, 236n, 237n, 244n

Kemp, M. x, xi

Kline, F. 244n

Koons, J. 194, 207, 213

Kosuth, J. 164, 171–86, 244–5

Krauss, R. 1, 2, 235n, 236n

Kruger, B. 180

L

Lacan, J. 235n

Lambert, G. 20

Latham, J. 220

Le Witt, S. 183

lines of force 60–63, 166

Lodder, C. x, 237n

logocentrism 203

Louis, M. 174

Lyotard, J.-F. 189, 190, 204–5, 245n

M

Mach, D. 207, 213, 219

Magritte, R. 112–18, 123, 124

Malevich, K., 25, 29, 71, 86, 125, 127, 146, 167, 168, 189, 239–40nn

making 170–71

Mallarmé, S. 65

Malraux, A. 33

Manet, E. 23, 174

mannerism 217–20

Man Ray 112, 118

Marinetti, F. 51, 56, 65

market values 179–83

Martin, J. 160

Marx, K. 7, 110, 118

Masson, A. 112, 125

Mathews, J. H. 240n

Matisse, H. 5

Matta 112

meaning x, 9–11, 23–4, 26, 31, 40–41, 203–4

memory 12–14, 36, 54–5, 70, 164–5

Merleau-Ponty, M. ix, x, 4, 29, 39, 45–6, 85–6, 162–3, 175, 229, 235n, 236n, 238n

Metzinger, J. 32, 238n

Michelangelo 152

Minimal Art 183, 245n

Miro, J. 124–5

Modernism 23–4, 51, 67–8, 108, 134, 144, 171, 216

Modernity see: Modernism

Mondrian, P. 27, 29, 84, 129–48, 167, 242–3nn

Morley, M. 200–01

Morris, R. 183

N

Nadeau, M. 240n

Nash, J. 42, 238n

nature 134–5, 136–42

Nazism 144

necessity 84, 99, 120, 202, 211–12, 220–27

negation see: contradiction Neo-Geo 194–6, 201

Neue Slowenische Kunst 216–18

Newman, B. 25, 144, 149–63, 167, 168–9, 189, 201, 243–4nn

Nietzsche, F. 4, 32, 42, 56–7, 87

O

objective chance 89, 110–11, 118, 241n

objective humour 107, 108–10, 118

Oblak, M. 220–27, 239n, 246n

Olitski, J. 174

Ontological Argument, the 240–41n

Oppenheim, M. 118

Osborne, H. 18

Ouspensky, P. 71–6, 239n

Overy, P. 242–3n

P

Panofsky, E. 218

papier-colle 42–3

Papini, G. 57

paradigms 215–20, 226–7

paranoiac-critical 88–9

Parker, C. 209–14, 219, 246n

Picasso, P. 26, 32–48, 127, 153, 166, 237n

pictorial representation 15–23, 24, 27–8, 164–5, 228–9, 236–7nn

planar flatness 3, 37, 40, 136

Podro, M. x

Pogačar, T. 218

Poggi, C. 238n

political correctness 180–83, 205

Pollock, G. 1, 235n

Pollock, J. 112, 113, 119–27, 159, 176, 242nn

Pop Art 193

Postmodernism 189–202, 203–14, 217, 219

Potrč, M. 218

primitive art 33–9

Pusenkoff, G. 219

R

reciprocal relations 20, 23, 24–5, 28–9, 47–8, 84–6, 123–4, 125–8, 130, 140–41, 146–8, 162–3, 165, 199–200, 211–12, 228–30, 246n

reciprocity x, 3–4, 4–5, 11–12, 14, 18–19, 23–6, 28–9, 32, 47–8, 51, 103, 125–8, 140–41, 146–8, 155–7, 164–71, 202, 205–7, 215, 220–27, 228–30

Reinhardt, A. 183

Reynolds, Sir J. 149, 171

Richardson, J. x

Rimbaud, A. 65

Robbe-Grillet, A. 193

Robert, B.-H. 240n

Rosenberg, H. 149

Rosenblum, R. 149, 243n

Rothko, M. 153, 229–31

Rubin, W. 38, 237n

Ruisdael, J. van 20

Russolo, L. 60

S

Salmon, A. 33, 237n

Sartre, J.-P. 39, 45–6, 238n

Schier, F. 236n

Schnabel, J. 218

Schopenhauer, A. 71, 76–86, 132, 133, 175, 239n

sculpture x, 106

self-consciousness 9–15, 17, 53–5, 74, 164–5, 167, 173, 207–8, 233–4

self-referentiality 175–8

Severini, G. 57, 63–5, 68, 239n

Sherman, C. 219

Shiff, R. 236n

simulation 189–202

simultaneity 39–40, 67–8

Siqueiros, D. 120

Slovenian mannerism 217–18

Sobel, J. 120

Soffici, A. 57

Soviet Communism 81, 83, 144

state, the 98–9, 104–5, 118

Still, C. 201

Strawson, P. F. 236n, 237n

sublime, the 149–63

substance 207, 208

Super Realism 194, 200–01

Suprematism 78–86, 226

Surrealism 24, 84, 87–128, 143, 226

system 220–27

T

Tanguy, Y. 112, 118, 124–5

Teasdale, G. 235n

temporality 12, 15, 19, 39–40, 41–2, 51–70, 71–6, 116, 127, 147–8, 166–7

Theosophy 129, 146

Titian 15

tragedy 130–32, 134, 141–2

transcendental 22, 237n

Transcendental Mannerism 220–27

transhistorical/transcultural 2, 230–34

U

uncanny, the 240n, 241n

unconscious, the 120–22

V

Van Gogh, V. 161

VSSD 207–9, 213, 218

W

Walton, K. 236n

Ward, J. 160

Warhol, A. 2, 194, 198–200

Watteau, A. 161

Weiss, J. 237n

Welsh, R. 242n

Whistler, J. M. 175

Wilde, C. x

will, the 76–84

Z

Zeno of Elea 55

Žižek, S. 218, 235n

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