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Index
Callie Angell
Description: Andy Warhol Screen Tests: The Films of Andy Warhol Catalogue Raisonné, Vol. 1
Andy Warhol Screen Tests: The Films of Andy Warhol Catalogue Raisonné, Vol. 1
Index
Author
Callie Angell
PublisherYale University Press
Copyright© 2006 Callie Angell
Stable URL: https://aaeportal.com/?id=-22139
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Index
Individual Screen Tests are indexed under last name of subject.
Page numbers in bold refer to main entries on Screen Test subjects.
Endnotes are denoted by lower case “n”: for pages 300, 308–9, further delineation occurs before the colon to indicate page section.
A
a a novel (book), 49, 149
Aberg, Charles, 26
Charles Aberg (ST1–3), 26, 27, 66, 149, 291, 293
Actors Studio (New York), 50, 54, 109, 125, 189
Adorno, Olga. See Klüver, Olga
Afternoon, 149, 181
Agenoux, Sören, 149
Alan Marlowe/Diane di Prima, 292, 294
Albee, Edward, 118
Allen, 82, 121, 126, 149
Allen and Apple, 301n40, 304n212, 305n281
Allen in Restaurant, 49
America, Paul (Paul Johnson), 26, 29, 89, 194
in My Hustler, 98
Paul America (ST4), 26, 27, 280, 282, 288, 289, 294
America, Steve, 29
Steve America (ST5), 27, 29, 295
Andersen, Eric, 16, 29
Eric Andersen and Debbie Green (ST7), 28, 29, 294
Eric Andersen (ST6), 28, 29, 295
The Andy Warhol Diaries, 141
Andy Warhol Film Project, 299
Andy Warhol Films, Inc., 137, 251
Andy Warhol Films Jack Smith Filming “Normal Love,” 185
The Andy Warhol Foundation for the Visual Arts, Inc., 8, 189, 245, 292, 299
The Andy Warhol Museum (Pittsburgh), 7, 8, 41, 49, 194, 299
opening of (1994), 8, 85
Andy Warhol’s Index (book), 69, 302n94, 304n213
The Andy Warhol Story, 90, 161, 162, 182
Andy Warhol Up-Tight, 58, 69, 169, 265, 290, 291, 306n326
See also Exploding Plastic Inevitable; Uptight films
Angeletti, Louisa, 194
Angell, Callie, 7, 299
Anthology Film Archives (New York), 7, 90, 126
Antoine (Pierre Antoine Muracciolo), 29–30
Antoine (ST8), 28, 29-30, 106, 153, 291, 295, 300n2:11
Archie, 30, 295
Archie (ST9–11), 30, 31, 287
Ari and Mario, 134, 145, 305n40
Ari (son of Nico). See Boulogne, Ari
Arman, 30
Arman (ST12), 15, 30, 32, 85, 186, 260, 295
Armstrong, Tom, 299
Artisans’ Gallery (New York), 210
Ashbery, John, 33, 150, 202, 309nA:11
John Ashbery (ST13), 32, 33, 33, 288, 289, 294, 309nA:14
Aspen (pub.), 58, 186, 289
assemblage art, 122, 170
Auricon camera, 17, 74, 129
auteur theory, 173
The Avatar (pub.), 150
B
background reels, 22, 266
for The Chelsea Girls, 19, 30, 133, 214, 287
See also EPI Background; Screen Test Poems
backgrounds, Screen Test, 14
types of, 16, 61, 122, 149
Bailey, David, 97
Ballon, Steve, 33–34, 300n2:19
Steve Balkin (ST14), 33–34, 35, 249), 290, 293
Banana, 17, 20, 30, 74, 265
Banes, Sally, 12
Barbara and Ivy, 49, 304-5n232, 304n193
Barbara and Ivy I, 150, 308n389
Barzini, Benedetta, 34, 77
Benedetta Barzini (ST15–17), 34, 34, 35, 280, 285, 286, 288, 289, 300–301n23
Marcel Duchamp and Benedetta Barzini (ST81), 34, 64, 66, 275
Batalov, Aleksei, 251
Batman Dracula, 17, 20, 110, 153, 165, 186, 250
and cast, 34, 54, 73, 82, 97, 109, 121, 125, 126, 134, 141, 217, 274, 304n230
Dracula/3 Most (ST365d), 78, 251, 257, 257, 259, 266
as Warhol/Smith collaboration, 86, 134, 185
Batman Dracula: Jack Smith and Beverly Grant, 266, 276
Battcock, Gregory, 34, 37, 201,
Gregory Battcock (ST18), 34, 35, 37, 247, 259, 262, 293
Baum, Timothy, 37
Timothy Baum (ST19), 35, 37, 289, 293, 309nA:12
The Beard, 121, 213
Beat poets, 45, 82, 138, 209
Beauties, 243, 308n4:1
See also L’Amour
Beauty #1, 181, 193, 209, 307n344
Beauty #2, 121, 154, 181, 193, 209
Beck (recording artist), 89
The Bed, 193, 265
Before and After (painting), 69
Bellamy, Pochard, 62, 178, 209
Benjamin, Jerry, 85, 198, 300nI:2
Berenson, Marisa, 37
Marisa Berenson (ST20–21), 35, 36, 37, 274, 280, 282, 288, 289, 291
Berlin, Brigid (Polk), 149, 170, 202, 300nI:2
Berman, Wallace, 90, 209
Berrigan, Ted, 37–38, 259
and poetry, 62, 150, 202
Ted Berrigan (ST22), 36, 37–38, 42, 263, 288, 289, 290, 305n259, 309nA:14
Betty Lou, 38
Betty Lou (ST23), 38, 39, 255, 294
Bike Boy, 98, 197
Billy Klüver (silent film, 1963), 85, 110
Birdie, Binghamton (Richard Stringer), 38, 57
Binghamton Birdie (ST24–25), 16, 16, 38, 39, 290, 294
Bitch, 118, 121, 130, 181, 198
Black Fag (rock band), 89
Black Tie, 46
Blood for Dracula, 137
Blow Job, 17, 37, 41, 118, 170, 185, 245, 308n4:8
Blum, Irving, 13, 38, 300nI:3
Irving Blum (ST26), 16, 38, 39, 294
See also Ferus Gallery
The Bob Dylan Story, 41, 49, 69, 161, 304–5n232
Bob Indiana, Etc., 85, 122
Bockris, Victor, 49, 161
Bolex camera, 18, 126, 153, 166, 169
acquired by Warhol, 13, 17, 78, 290
Bolger, Sean, 141, 304n230
Bookwalter, DeVerne, 38, 41
DeVerne Bookwalter (ST27), 38, 39, 41, 247, 294
Bottomly, Susan (International Velvet), 30, 41, 130, 162, 197, 301n40
Susan Bottomly (ST28), 40, 41, 288, 289, 291, 295
Boulogne, Ari, 134, 145, 305n40
Bourdon, David, 74, 190, 245
Bourscheidt, Randall, 41
Randy Bourscheidt (ST29–30), 40, 41, 245, 280, 285, 295
Boy, 42
Boy (ST31), 13, 42, 43, 246, 294
Boys in Bed, 78, 162, 193, 307n351
Brainard, Joe, 42, 150, 202
Joe Brainard (ST32), 42, 43, 290, 295
The Brass Bed, 206
Brillo Soap Pads Boxes (sculptures), 130, 189, 201, 201
Stable Gallery exhibition (1964), 58, 85, 105
Browne, Jackson, 146, 161, 266
Buchanan, Ann, 45
Ann Buchanan (ST33–34), 43, 44, 45, 252, 281, 283, 288, 289, 294, 295
in Most Beautiful Women series, 251, 252, 257, 258, 258
Buckley, Tim, 146
Buffer in, 121, 150
Bufferin Commercial, 97, 121, 134, 141, 150, 206, 213
Burgess, Anthony, 165
Burn, Walter, 45
Walter Burn (ST35), 44, 45, 249, 294
C
C: A Journal of Poetry I (pub.), 37, 62, 301n31
Caen, Debbie (Debbie Drop-Out), 45–46
Debbie Caen and Gerard Malanga (ST37), 16, 17, 17, 44, 45–46, 122, 295
Debbie Caen (ST36), 44, 45, 280, 283, 284, 288, 289, 293
Café au Go Go, 33, 300n19
Café Bizarre, 49, 158, 166, 169
Caffe Cino, 149, 193, 213
Cage, John, 46, 301n52
Cale, John, 46, 49, 61, 245, 281
and Eat/Kiss: Music for the Films of Andy Warhol, 49, 205
in EPI Background reels, 18, 264, 265, 269, 269, 270, 271, 272, 273, 291
John Cale (Eye) (ST39–40), 46, 47, 49, 264, 265, 269, 269, 273, 294, 295
John Cale (Lips) (ST41), 46, 47, 49, 158, 269, 294
John Cale (ST38, 42–44), 46, 48, 49, 114, 270, 271, 272, 280, 286, 295
and Nico, 49, 145, 146
camera original, defined, 22
cameras, 16, 17, 117, 129, 130, 243
See also Auricon; Bolex
camerawork, 15–16, 18, 22, 129
and candid photography, 15, 30, 85
and credits, 17, 22, 304n226
and Dan Williams, as influence, 18, 146, 158, 192
experimental techniques in, 26, 105, 161, 173
and framing, 14, 16, 161
and in-camera edits, 18, 20, 26, 29, 70, 105, 146
and single-framing, 130, 133
and technical problems (see technical problems [camera])
“traveling typewriter shot,” 173
Camp, 97, 190, 194, 265
and cast, 118, 121, 134, 185, 186
“camp” (term), 190, 307n340
Campbell, Joe (Sugar Plum Fairy), 49, 158
Joe Campbell (ST45), 48, 49, 294
Campbell Soup Can paintings, 38, 101, 303n139
Campbell, Susanna (Tinkerbell), 49–50
Susanna Campbell (ST46–47), 48, 49–50, 295
Carnegie Hall Cinema (New York), 251, 290
Carnegie Institute, 299
Casey, Lawrence, 50
Lawrence Casey (ST48), 16, 17, 50, 57, 61, 249, 293
Cass, “Mama.” See Elliott, Cass
Cassady, Neal, 45
Cassidy, Dan, 50, 53, 138
Dan Cassidy (ST49–51), 50, 51, 53, 259, 265, 280, 281, 282, 288, 289, 293, 294, 309nA:13, 309nA:14
Castelli, Leo, 105
See also The Leo Castelli Gallery
Castle, Frederick C., 141, 305n234
Castle (LA mansion), 146, 202
casts, 22
See also specific titles
catalogue numbers, defined, 21, 22
cataloguing, Screen Tests, 20–23, 292, 299
Celeste Bartos Film Preservation Center (MoMA), 20, 292, 299
censorship, 245, 308n4:8
and Blow Job, 195, 245
and Flaming Creatures (Smith), 166, 185–86, 245
and police repression, 185–86, 245
and Ed Sanders, 193, 306n311
and Warhol mural (1964 New York World’s Fair), 244, 245, 290, 308n4:4, 308n4:8
Chamberlain, Wynn, 90, 126, 186
The Chelsea Girls, 7, 126, 137,
background reels, in, 19, 30, 133, 214, 287
Boys in Bed (Reel 5), 78, 162, 193, 307n351
and cast, 41, 57, 98, 121, 134, 145, 150, 197, 213, 214
Eric Tells All (Reel 9), 133, 287, 309n5:10
The Gerard Malanga Story, 130
Hanoi Hannah (Reel 6), 198, 213, 307n351
The John, 98, 193
The Marie Menken Story, 213
Mario Sings Two Songs, 78, 193
music for, 49, 158
and outtake reels, 307n351, 309n5:10
Patrick, 78
The Pope Ondine Story, 149
and reviews, 34, 173
and Ronald Tavel scenarios, 198, 2I3
Their Town, 30, 198, 214, 287, 312
Childe, Harold. See Stevenson, Harold
Childs, Lucinda, 53, 257
Lucinda Childs (ST52–53), 51, 53, 252, 293, 295
Christmas Carol, 149, 305n249
cinematography. See camerawork
Cinescan machine, 20–21
Cineteca Argentina, 291
City Lights (publisher), 149
Claire, James, 53
James Claire (ST54), 52, 53, 245, 249, 295, 308n392
Clark, Alicia Purchon, 53
Alicia Purchon Clark (ST55–56), 52, 53, 291, 293, 295
Clayton, Roderick, 54, 245
Roderick Clayton (ST57–60), 54, 55, 249, 293, 295
Close, Patrick. See Tilden-Close, Patrick
The Closet, 41, 145, 169
Coda Gallery (New York), 198
collaborations (Warhol), 82, 173, 182, 209
and authorship issues, 17, 288, 300n1:9
Warhol/Benjamin (Soap Opera), 85, 198
Warhol/Dalton (Aspen magazine, Dec. 1966), 58, 186, 289
Warhol/Fremont (Fight), 170
Warhol/Klüver (Silver Clouds), 110
Warhol/LeSueur (Messy Lives), 117, 303n173–74
Warhol/Malanga, 121, 138, 309nA:6
Warhol/Morrissey, 7, 49, 70, 137, 308n4:1, 206
Warhol/Smith (Batman Dracula), 86, 134, 185, 186
Warhol/Tavel (Screen Test No. 1 and 2), 300nI:7
Warhol/Williams (The Bed), 193
Warhol/Young (Lincoln Center installation), 214, 308n394
See also Screen Test Poems; Screen Tests/A Diary
collectors, art, 37, 110, 185, 189, 250, 251
Dennis Hopper, 101, 303n139, 303n140
as Screen Test subjects, 243
Ethel Scull, 166, 178, 250
Holly Solomon, 189
Collins, Rufus, 54, 90
Rufus Collins (ST61–62), 54, 55, 247, 294
color filters, use of, in projection, 19, 69, 166, 291, 306n288
color, Screen Tests in, 21, 22, 182, 296–98
“coloring parties” (Warhol), 114
commercial projects (Warhol), 13, 77, 114, 169, 245
“commercials.” See Screen Tests, as pseudo “commercials”
compilations, Screen Test, 12, 17, 20, 21–23, 58, 214, 292–295
See also specific titles
conceptual series, 22
See also The Thirteen Most Beautiful Women; The Thirteen Most Beautiful Boys; Fifty Fantastics and Fifty Personalities
Conrad, Tony, 46, 61, 86, 158
Constable, Rosalind, 57, 194
Rosalind Constable (ST63), 17, 56, 57, 260, 294
copyrights, film, 8, 299
Corcoran Gallery of Art, 202
Cordier and Ekstrom Gallery, 17, 34, 65, 65, 66
Cornell University, 53
Screen Test Poems premiere at (1966), 280, 288, 291
Couch, 17, 20, 61, 173, 245, 250, 265
and cast, 38, 54, 57, 74, 78, 82, 90, 97, 101, 109, 110, 117, 126, 141, 149, 153, 194, 198, 202
Courtroom, 153, 162
Cowper, Catherine Maxence. See Heliczer, Kate
credits, Screen Tests, 22
and Warhol authorship, 17, 288, 300nI:9
Croland, David, 41
Cubism, 81
Curtis, David, 251
Cutrone, Ronnie, 57
Ronnie Cutrone (ST64), 56, 57, 288, 289
D
Dainwood, Walter, 57
Walter Dainwood (ST65–66), 56, 57, 247, 293, 294
Dale, Julie Schafler, 210
Dalí, Salvador, 57–58, 205
in EPI Background: Original Salvador Dalí, 58, 134, 265, 267, 267, 269, 270, 272, 292, 309n5:2
Salvador Dalí (ST67–68), 56, 57–58, 149, 265, 277, 288, 289, 295, 309nA:13
Dallesandro, Joe, 174, 174, 194, 300nI:2
Dalton, David, 58, 186, 289
Dalton, Sarah, 58
Sarah Dalton (ST69), 58, 59, 255, 290, 295
Dance Movie (or Rollerskate), 93, 288
Darling, Candy, 7, 101, 300nI:2
dates of Screen Tests, 21, 22, 153, 182
by backdrop type, 122, 149
date codes, 22, 25
David, 58
David (ST70), 58, 59, 294
David Bourdon Being Beaten, 245
Davis, Vaginal, 89
Dean, Dorothy, 209, 300nI:2
Death and Disaster paintings, 288
Deegan, Denis, 13, 61, 145, 244, 301n77, 309nA:11–12
Denis Deegan (portrait film), 61, 292, 294, 301n75
Denis Deegan (ST73), 13, 42, 60, 61, 246, 280, 281, 289, 290, 294
Dees, Katha, 61–62
Katha Dees (ST74), 16, 17, 50, 60, 61–62, 293
De Maria, Susanne (Susanna Wilson), 61
in Most Beautiful Women series, 251, 252, 258, 258, 259, 259
Susanne De Maria (ST71–72), 17, 59, 59, 60, 61, 252, 293, 295
De Maria, Walter, 46, 61, 158
Denby, Edwin, 62
Edwin Denby (ST75), 60, 62, 288, 289
and sonnets, in C magazine, 37, 62, 301n31
Denis Deegan (portrait film), 61, 292, 294, 301n75
Dennison, Sally, 62
in Most Beautiful Women series, 251, 253, 258, 258
Sally Dennison (ST76), 60, 62, 253, 295, 301n82
Dentist: Nico, Ivy, Denis, 61
Dia Center for the Visual Arts, 214, 2 99
Dinner at Daley’s, 17, 30
Dino, 62
Dino (ST77), 60, 62, 65, 85, 295
in Peter Goldthwaite (ST119), 84, 85
Di Prima, Diane, 292, 294
distribution, film, 7, 290
See also Film-Makers’ Cooperative; The Museum of Modern Art; Vaughan-Rogosin Films
Dom (New York City), 49, 291
Exploding Plastic Inevitable performance (April 1966), 18, 18, 264, 265
and Nico, with Jackson Browne (1967), 145–46, 161, 266
Donovan (Leitch), 65
Donovan (ST78), 63, 65, 288, 289
Donyale Luna (sound film), 118, 304n193
Double Elvis (painting), 66, 66, 69, 302n92
Double Mona Lisa (painting), 101, 303n140
double-perf. film, defined, 22
Dracula/3 Most (ST365d), 141, 243, 251, 257, 257
and television airing, 78, 302n107, 309n24
Drop-Out, Debbie. See Caen, Debbie
Duchamp, Marcel, 13, 65–66
Marcel Duchamp and Benedetta Barzini (ST81), 34, 64, 66, 275, 291
Marcel Duchamp (ST79–80), 17, 63, 64, 65, 65–66, 263, 291, 295
Duchamp Opening, 38, 66, 121, 126
Dufresne, Isabelle Collin. See Ultra Violet
Dylan, Bob, 66, 69, 169, 202,
Bob Dylan (ST82–83), 16, 19, 66, 67, 69, 166, 280, 283, 291, 292, 309nA:13
and Double Elvis painting (Warhol), 66, 66, 69, 302n92
Warhol on, 66, 69, 302n93
E
Earth Art, 37
East Hampton Beach, 182, 305n249
Eat, 17, 126, 250, 265, 308–9n20
Eating Too Fast, 34, 37
Eberstadt, Isabel, 69–70
Isabel Eberstadt (Feathers) (ST88), 68, 69–70, 260
Isabel Eberstadt (ST84–87), 67, 68, 69–70, 255, 260, 294, 295
in Most Beautiful Women series, 251, 255, 257
Edey, Kelly, 70, 244, 246
Kelly Edey (ST89–90), 13, 42, 68, 70, 71, 290, 294, 295
New York townhouse, 42, 42, 61, 137, 169
Ed Hood, 78, 98
Edie Sedgwick, 182, 305n249
Edith and Ondine, 182, 305n249
Ehrenstein, David, 37–38, 42
Elliott, Cass (“Mama” Cass), 70, 73
Cass Elliott (ST91–92), 70, 71, 72, 73, 73, 295
Elvis at Ferus, 38
Elvis paintings, 38, 66, 66, 69, 90, 101, 126, 302n92
Empire, 7, 20, 34, 66, 126, 265
filming of, 17, 129, 153, 165
EPI. See Exploding Plastic Inevitable
EPI Background: Gerard Begins (ST368), 265, 268, 269, 269-70, 309n5:2
EPI Background: Lost Reel (ST371), 266, 277, 277–79
EPI Background: Original Salvador Dalí (ST367), 58, 121, 134, 265, 267, 267, 269, 270, 272, 292, 309n5:2
EPI Background reels, 18–19, 49, 137, 146, 158, 259, 264, 265–66, 266, 267–79, 291, 309n5:1
and Screen Tests cataloguing, 12, 290
See also specific reels
EPI Background (ST370), 18, 18, 66, 146, 266, 274, 274–76
and Fifty Fantastics and Fifty Personalities, 259, 266
EPI Background: Velvet Underground (ST369), 265–66, 268, 271, 271–73, 309n5:2
Eric-Background, 30
Eric Background: Toby Short, 133, 287, 309n5:10
Eric Tells All, 133, 287, 309n5:10
Erotic Art ’66 exhibition (Sidney Janis Gallery), 30
Escobar, Marisol. See Marisol
Ethel Scull 36 Times (silk screen), 177, 177, 178
exhibitions, art (Warhol). See individual exhibitions
exhibitions, film (Warhol), 126, 214, 290–91, 307n347
Andy Warhol: Outer and Inner Space (Whitney Museum, 1998), 299
Andy Warhol’s Video + Television (Whitney Museum, 1991), 299
The Films of Andy Warhol: An Introduction (Whitney Museum, 1988), 299
The Films of Andy Warhol: Part II (Whitney Museum, 1994), 299
on German television, 61, 250, 251, 252, 258, 258, 259, 259, 291
at Institute of Contemporary Art (Boston, 1966), 186, 291
New American Cinema Exposition (Buenos Aires, 1965), 185, 251, 291
New York Film Festival (September 1964), 14, 308n394
retrospective (MoMA, 1989), 7
Exit Film (cinema showcase), 137
Expanded Cinema Festival (New York, 1965), 186
Experiments in Art and Technology (EAT.), no Exploding Plastic Inevitable (EPI), 18–19, 70, 161, 197, 287
at the Dom, 18, 18, 264, 265, 266, 291
formation of, 158
and Paul Morrissey, 137
and performances, chronology of, 290
and performers, 57, 121, 145, 197 (see also specific names)
and props, 121
and Trip performance (Los Angeles club, 1966), 202, 266, 280, 307n65
and Up-Tight events, 69, 169
and Velvet Underground, 264, 265–66
and Velvet Underground (movie), 265
See also EPI Background reels
Eye and Ear Theatre, 62
F
Face, 181, 209
Faces, 265, 266
The Factory (231 E. 47th Street), 11, 12, 15, 24–25, 50, 66, 73, 117, 118, 122, 129, 182
“A-heads” (“opera people”), 38, 57
Bob Dylan visit to, 66
and film storage system, 23
location of (East 47th Street), 121, 122, 290, 304n196
and personnel, as Screen Test subjects, 13, 300nI:2
Screen Test process at, 15, 17 (see also Screen Tests)
Screen Tests screened at, 19
Fagan, Philip, 73–74, 129, 129, 308n3:3–4
Philip and Gerard, 122, 292, 295
Philip Fagan (Apple) (ST96), 72, 73–74, 217
Philip Fagan (Banana) (ST95), 72, 73–74, 217, 290
Philip Fagan (ST93–94), 21, 34, 72, 73–74, 217, 296, 307n366
See also Six Months (ST363)
Fainlight, Harry, 74, 138
and Harlot, 74, 74, 198
Harry Fainlight (ST97), 16, 74, 75, 259, 262, 280, 285, 288, 289, 295
Feigen/Palmer Gallery (Los Angeles), 194, 307n346–7
Feitler, Bea, 77
Bea Feitler (ST98–100), 75, 76, 77, 260, 293, 294
Felieu-Pettet, Rosebud. See Rosebud
Feltrinelli, Giangiacomo, 34, 77
Giangiacomo Feltrinelli (ST101), 22, 76, 77, 288, 289
Ferus Gallery (Los Angeles), 38
Elvis and Liz exhibition (1963), 90, 101, 126
32 Campbell Soup Cans exhibition (1962), 101, 303n139
See also Blum, Irving
Fields, Danny, 70, 73, 300nI:2
Fifteen Drawings Based on the Writings of Truman Capote (Hugo Gallery, 1952), 193
Fifty Fantastics and Fifty Personalities (ST366), 22, 178, 243, 259, 260–63, 266
Fight, 170
Fillmore Auditorium (San Francisco), 161, 291
film credits, Warhol, 17, 22, 137, 288
Film Culture (pub.)
and Warhol award (1964), 93, 129, 245, 290
Film-Makers’ Cinematheque (New York), 58, 137, 150, 169, 291
Film-Makers’ Cooperative (New York), 19, 153, 166, 185–86,
as Warhol film distributor, 126, 245, 251, 257, 290
film rights, 8, 299
films, Warhol, 7, 13, 20, 22, 101, 126, 137, 217
distribution of, 7, 290
effects of censorship on, 185, 245, 308.4:8
and “home movies,” 13, 85
and Rom Palm Hoi (production co.), 153, 165, 306n288
and Warhol Films, Inc., 137, 251
See also Screen Tests; specific film titles
film stock, 20–23, 23, 243
in preservation procedure, 7, 20, 292, 299
See also dates; gauge; reversal original; camera original; single-perf.; double-perf.
film terms, defined, 20–23
Filmwise (pub.), 57, 118
Finch, Julie. See Judd, Julie
Finkelstein, Nat, 17, 69, 266
Fish, Nancy, 78, 110, 302n107
in Most Beautiful Women series, 251, 253, 257, 257, 309n24
Nancy Fish (ST102–103), 78, 79, 251, 253, 257, 293
Fleming, Patrick, 78, 98
Patrick Fleming (ST104), 78, 79, 293
Flesh, 7, 137, 174, 174
Flesh for Frankenstein, 137
Flowers paintings, 33, 93, 101, 130, 173, 198, 306n312
Leo Castelli Gallery exhibition (1964), 93, 288, 309nA:2
Fluxus, 30, 110
Folklore Center (New York), 46
footage, film, 21
defined, 22
Ford, Charles Henri, 78, 118, 121, 130, 177, 309nA:12
Charles Henri Ford (ST105), 17, 22, 78, 79, 288, 289, 293
Ford, Ruth (Ruth Scott), 81, 177, 194
Ruth Ford (Laugh) (ST106–108), 80, 81, 295
Ruth Ford (ST106–108), 17, 79, 81, 255, 262, 288, 289, 294, 295
Fort Hill Commune, 62, 150, 302n86
Foster, Dan, 81
Dan Foster (ST109–110), 80, 81, 293
Found Poem, 85
Four of Andy Warhols Most Beautiful Women (ST365f), 251, 258, 258
* * * * (Four Stars), 12, 19, 114, 130, 141, 304n193, 305n239, 305n249, 307n351, 307n374
Allen and Apple (Reel 19), 301n40, 304n212, 305n281
Allen in Restaurant, 49
Barbara and Ivy (Reel 26), 49, 304–5n232, 304n193
Christmas Carol (Reel 27), 149, 305n249
East Hampton Beach (Reel 43), 182, 305n249
Ed Hood (Reel 47), 78, 98
Edie Sedgwick (Reel 38), 182, 305n249
Edith and Ondine (Reel 41), 182, 305n249
Ivy in Philadelphia (Reel 13), 130, 213, 304–5n232
Ivy Swimming, 130
Katrina Dead (Reel 23), 162
Lil Picard (Reel 79), 126
Nico and Ivy (Reel 10), 114, 304–5n232, 305n239, 307n374
outtake reels of, 305n239, 305n249, 307n351
Rolando (Reel 37), 182, 304–5n232, 305n249
Sally Kirkland (Reel 39), 97, 109, 304n212, 304–5n232, 305n239
Taylor (Reel 78), 126
Ultra (Reel 18), 162, 304n212, 307n374
Viva and Taylor (Reel 70), 126
Fragile—Handle with Care (dress), 58
frame enlargements, making of, 10, 21
frame line, 25
Fred, 81
Fred (ST111), 80, 81, 261, 295
Fremont, Vincent, 8, 170, 299
Fuck You: A Magazine of the Arts (pub.), 173
Fugs (rock band), 173, 185
G
Galerie Ileana Sonnabend (Paris), 22, 33, 244
Garonsky, Steve, 81–82
Steve Garonsky (ST112), 80, 81–82, 110, 194, 295
gauge (film), defined, 21
gay culture (New York), 37, 50, 193, 209
and actors, 26, 110
and “camp” (term), 190
and censorship, 166, 173, 195, 244, 308n8
and homosexual films, 121, 244, 245
and Warhol films, 101, 244, 245, 308n4:8
Geldzahler, Henry, 82, 90, 126, 217, 302n114
Henry Geldzahler (ST113), 80, 82, 266, 275, 293
and Screen Tests/A Diary, 289, 309nA:10
Genet, Jean, 245
The Gerard Malanga Story, 130
Germain, Jean-Paul, 82
Jean-Paul Germain (ST114), 82, 83, 293
Gershuny, Theodore, 213
Gidal, Peter, 251
Ginsberg, Allen, 82, 166
Allen Ginsberg (ST115), 17, 82, 83, 259, 263, 288, 289, 291, 294
and Bob Dylan, 60, 169
and Peter Orlovsky, 149, 169
and poetry, 45, 82, 150, 169, 173, 185, 209
Giorno, John, 85, 109, 302n119
John Giorno (ST116–117), 14, 83, 84, 85, 165, 246, 293, 294
glam rock, 158
Glueck, Grace, 85
Grace Glueck (ST118), 15, 17, 30, 84, 85, 186, 295
Goldthwaite, Peter, 85
Peter Goldthwaite (ST119), 62, 84, 85, 294
Grant, Beverly, 16, 85–86, 198, 306n288
Beverly Grant (Hair) (ST121, 123), 84, 86, 87, 274, 295
Beverly Grant (ST120, 122), 84, 85-86, 87, 254, 293
in EPI Background reels, 274, 276
in Most Beautiful Women series, 251, 254, 257
Green, Debbie, 16
Eric Andersen and Debbie Green (ST7), 28, 29, 294
Green Gallery (New York), 62, 178, 209
Green, Judith, 14
Green, Sam, 62, 300nI:2
Guy, 86
Guy (ST124), 86, 87, 294
H
Haircut, 13, 93, 117, 126
Hal, 86
Hal (ST125), 86, 87, 293
halation (in film image), 108, 109, 154, 170, 171
Hallacy, David, 86, 89
David Hallacy (ST126–127), 86, 87, 88, 89, 248, 293
Hanhardt, John G., 7, 299
Hanoi Hannah, 198, 213, 307n351
Hansa Gallery, 209
Hansen, Bibbe, 89, 114
Bibbe Hansen (ST128–129), 88, 89, 256, 293, 294
Happenings, 33, 89, 110
Harlot, 134, 265
and cast, 73, 74, 74, 117, 121, 198, 217
Harold, 194, 307n346–47
Harper’s Bazaar (pub.), 34, 58, 77, 118, 141, 174, 303n181
Harron, Mary, 49, 65
Hartford, Huntington, 182, 209
Hartley, Pat, 89
Pat Hartley (ST130), 88, 89, 293
Hayward, Brooke, 89–90
Brooke Hayward (ST131–133), 17, 88, 89–90, 91, 253, 261, 294, 295
in Most Beautiful Women series, 251, 253, 258, 258, 259, 259
Heat, 7, 49
Hedy, 49, 158, 198, 251, 265
and cast, 41, 53, 54, 121, 134, 185, 186, 197, 198, 213, 245
Heide, Bob, 300nI:2
The Bed, 193
Heliczer, Kate (Catherine Maxence Cowper), 90
Kate Heliczer (ST134), 17, 90, 91, 254
Heliczer, Piero, 90, 162, 166, 185
Piero Heliczer (ST135), 17, 90, 91, 263, 280, 282, 288, 289, 295
Helmut, 93
Helmut (ST136), 90, 91, 93, 248, 293
Henry Geldzahler, 17, 82, 153, 250, 308-9n20
Henry in Bathroom, 82
Herko, Freddy, 93
Freddy Herko (ST137), 91, 92, 93, 122, 245, 245, 28l, 282, 288, 289, 290, 295
suicide of, 93, 288, 290, 302n129
Hochman, Sandra, 93
Sandra Hochman (Lips) (ST138), 92, 93, 294
Holden, Steve, 292, 295
Holly Solomon Gallery (New York), 189
Holly Solomon (painting), 14, 186, 189
Holzer, Jane, 16, 94, 97–98, 129, 129, 217, 275, 281, 283 309nA:12
Jane Holzer (ST139–146, 148), 94, 95, 96, 97, 253–54, 258, 280, 284, 288, 289, 293, 294, 295
Jane Holzer (Toothbrush) (ST147), 96, 97, 275, 295
in Most Beautiful Women series, 178, 245, 250, 251, 253–54, 257, 258, 258
“home movies” (Warhol), 13, 85
Hood, Ed, 78, 98, 169
Ed Hood (ST149–152), 96, 98, 99, 289, 291, 295
Ed Hood (ST151), 16, 16, 98, 295
Hopper, Dennis, 90, 98, 101
Dennis Hopper (ST153–155), 17, 98, 99, 101, 248, 293
Horse, 198
and cast, 34, 53, 114, 154, 181
Houseman, John, 61
Hughes, Fred, 6, 8, 129, 299
Hugo Gallery (New York), 193
Hujar, Peter, 101–2, 105
Peter Hujar (ST156–159), 16, 99, 100, 101-2, 247, 293, 294, 295
I
I, a Man, 141, 145, 197, 206
I. Miller, 114
Imitation of Christ, 69
and cast, 126, 133, 145, 146, 149, 202, 206
Imu, 102, 257
Imu (ST160–161), 102, 103, 255, 293
in Life magazine (March 1965), 102, 250, 250, 251, 290, 291
Imu and Son, 102
in-camera edits, 18, 20, 26, 29, 105
Indiana, Robert, 85, 122, 193–94, 300nI:3
Ingrid and Richard, 161
Institute of Contemporary Art (Boston), 186, 291
Institute of Contemporary Art (Philadelphia), 62, 181
International Velvet. See Bottomly, Susan Interview (pub.), 121, 174
Intransit: The Andy Warhol-Gerard Malanga Monster Issue (pub.), 121, 138
Iolas, Alexander, 193
Isabel Wrist, 70
Ivy, 114, 304–5n232
Ivy and Denis I, 61 Ivy and Denis II, 61
Ivy and Don McNeil, 49, 150
Ivy in Philadelphia, 130, 213, 304–5n232
Ivy Swimming, 130
J
Jackie paintings, 130
Jacobs, Ken, 186
Jacoby, Roger, 149
Jail, 198
James, Cathy, 102
Cathy James (ST162–164), 21, 102, 103, 291, 293, 295, 296, 307n366
James, David, 126
Jane and Darius, 97, 304n230
Jane Heir (or Jane Eyre Bare), 182, 198, 209, 265
Janis, Sidney, 30, 122, 193–94
Jannsen, Barbara, 102
Barbara Jannsen (ST165), 102, 103, 289, 295
Jarr, Cliff, 105
Cliff Jarr (ST166–168), 16, 104, 105, 294
Jill and Freddy Dancing, 93
Jill Johnston Dancing, 53
John and Ivy, 141
and cast, 153, 304n230–31
The John, 98, 193
Johns, Jasper, 106, 110
Johnson, Betsey, 30, 146
Johnson, Paul. See America, Paul
Johnston, Jill, 53, 93, 300nI:2
Jones, Brian, 145, 146, 305n244
Judd, Julie (Julie Finch), 105
Julie Judd (ST169), 17, 104, 105, 252
Judson Dance Theater, 53, 109
Judson Poets Theater, 198, 209, 308n383
Junker, Howard, 117, 141, 153
K
Karen, 105
Karen (ST170), 104, 105, 295
Karp, Ivan, 33, 58, 105–6, 209
Ivan Karp (ST171–172), 17, 105-6, 107, 260, 294
and Leo Castelli Gallery, 105, 106, 166
Karp, Marilynn, 106
Marilynn Karp (ST173), 17, 106, 107, 253, 293
Katrina Dead, 162
Katz, Paul, 106, 309nA:12
Paul Katz (ST174), 106, 107, 153, 288, 289, 293, 300n2:11
Kellie (Kellie Wilson), 106, 303n149
Kellie (ST175–176), 24–25, 26, 106, 107, 293
Kenneth King and Dancers (dance troupe), 109
Kerouac, Jack, 45, 82, 150
King, 106
King (ST177–178), 106, 108, 295
King, Kenneth, 109, 129, 129
Kenneth King (ST179–180), 108, 109, 247, 293
Kirkland, Sally, 109–10
in Most Beautiful Women series, 62, 251, 255, 257, 257
Sally Kirkland (ST181–182), 78, 109–10, in, 250, 25–5, 289, 295
Kirkland, Sally, Sr.
and The Thirteen Most Beautiful Women screening, 109, 210, 250, 290, 308–9n20
Kishida, Kyoko, 110
Kyoko Kishida (ST183), 110, 111, 138, 261, 293
Kiss (film), 13, 20, 126, 251, 265
and cast, 54, 93, 97, 113, 121, 122, 153, 166, 173, 194, 300nI:3
Kiss flip book (Aspen mag.), 186
Kiss (publication), 149
Kiss the Boot, 121, 213, 309n5:2
Kitchen, 34, 162, 181, 198, 251
Klein, Sheila. See Oldham, Sheila
Klüver, Billy, 85, 110, 300nI:2
Klüver, Olga (Olga Adorno), 110
in Most Beautiful Women series, 254, 257
Olga Klüver (ST184–185), 16, 17, 110, 112, 254, 295
Kraushar, Howard, 113
Howard Kraushar (ST186), 82, 110, 112, 113, 113, 194, 248, 294
Kraushar, Leon, 82, 110, 113, 113, 194, 194
Kreeping Kreplach (Foundation), 169
Krieger, Harold, 101
Kuchar, George, 114, 186
Kulchur Press, 280, 288
Kupferberg, Tuli, 169, 173
Kurz, Vivian, 113–14
Vivian Kurz (ST187–189), 113–14, 114, 115
L
L’Amour, 70, 137, 308n4:1
Lane, Kenneth Jay, 49, 114, 283
Kenneth Jay Lane (ST190), 114, 116, 280, 284, 289, 295
Portrait of Kenneth Jay Lane with Butterflies (Warhol), 114, 303n164
Large Kiss (sculpture), 54
Large Sleep (sculpture), 85
La Rod, Rod, 130
Latreille, Larry, 114
Larry Latreille (ST191), 114, 116, 249, 294
leaders, film (Screen Tests), 20, 23, 185
Leitch, Donovan. See Donovan
The Leo Castelli Gallery, 105, 106, 110, 166
Flowers exhibition (1964), 93, 288, 309nA:2
LeSueur, Joe, 117, 202
Joe LeSueur (ST192), 116, 117, 249
Levine, Naomi, 126, 198
Lichtenstein, Roy, 106, 110, 189, 193–94, 259
Life magazine (pub.), 198
and Imu, 102, 250, 250
and Ivy Nicholson, 141, 141, 250, 250
“Underground Clothes” article (March 1965), 102, 109, 141, 141, 250, 250, 251, 291, 308–9n20
The Life of Juanita Castro, 130, 173, 198, 205
lighting (Screen Tests), 14–16, 34, 81
and backlighting, 216, 217
and credits, 17, 22
and halation effect, 108, 109, 154, 170, 171
“half-moon,” 102, 103
and Six Months, 17, 216, 217, 218, 218, 219
Lil Picard, 126
Lima, Frank, 117, 303n174
Lincoln Center, Warhol/Young installation at (1964), 214
Linich, Billy (Billy Name), 38, 41, 69, 117–18, 281, 309nA:6, 309nA:12
Billy Linich (ST193–194), 116, 117–18, 247, 260, 280, 285, 288, 289, 293, 294
and Harlot, 74, 74, 198
on Most Beautiful series, 245, 250
on Screen Test subjects, choice of, 97, 243, 245, 250
as Warhol assistant, 17
Living Portrait Boxes, 14
The Living Theatre (New York), 33, 54
Liz paintings, 38, 90, 101, 120
Lonesome Cowboys, 7, 137, 245
and cast, 126, 133, 306n329
The Loves of Ondine, 137, 141, 149, 182, 197
Ludlum, Charles, 198, 206, 213
Luna, Donyale, 118
Donyale Luna (ST195–196), 6, 7, 16, 116, 118, 119, 276, 293, 294
Lupe, 117, 182
Lyman, Mel, 62, 150, 302n86
M
Maas, Willard, 118
Willard Maas (ST197), 17, 118, 119, 288, 289, 293
MacLise, Angus, 61, 158, 205
Malanga, Gerard, 24–25, 26, 61, 65, 114, 118, 121–22, 161, 194
Andy Warhol: Portraits of the Artist as a Young Man (film), 206, 308n378
Archiving Warhol: An Illustrated History, 34, 122, 206, 207
and Benedetta Barzini, 34, 77
Debbie Caen and Gerard Malanga (ST37), 16, 17, 17, 44, 45–46, 122, 295
at Elvis and Liz exhibition (Ferus Gallery, 1963), 90, 126
in EPI Background reels, 213, 265, 267, 268, 268, 269, 269, 270, 270, 272
in Exploding Plastic Inevitable performances, 18, 121, 265, 266, 291
Gerard Malanga: Screen Tests, Portraits, Nudes, 1964–1996, 76, 77, 122
Gerard Malanga and Mary Woronov (ST355–356), 122, 210, 211, 212, 213, 281, 286, 308n392
Gerard Malanga (ST198), 119, 121–22, 149, 246, 293, 304m 96
Gerard Malanga (ST199), 120, 121–22, 293
Gerard Malanga (ST200), 21, 121, 121–22, 289, 296
Gerard Malanga (ST201), 120, 121–22, 270, 289
In Search of the Miraculous, 34, 122, 300–301n23
introduced to Warhol, 78
in The Match Girl (Meyer), 113
in Philip and Gerard, 122, 292, 295
and poetry, 15, 22, 33, 53, 62, 169, 281, 288, 289
Pre-Raphaelite Dream (film), 162
Screen Test Poems, 280–81
Screen Tests/A Diary, 288–89
as Screen Tests cameraman, 15, 17, 22, 77, 78, 121–22, 129, 169, 206, 306n303
and Thermofax poems, 288, 309nA:6
in Uptight: Susskind Show, 173
and the Velvet Underground, 158, 169
as Warhol assistant, 17, 26, 34, 121, 137, 288, 289, 303n191
in Warhol films, 57, 90, 117, 121, 186, 213
The Marie Menken Story, 213
Mario Banana, 74, 134
Mario Montez Dances, 134
Mario Sings Two Songs, 78, 193
Marisol (Escobar), 122, 257
in Kiss, 13, 122, 194, 300nI:3
Marisol and Man (ST203), 122, 123, 304n199
Marisol (ST202), 120, 122, 252
Marisol—Stop Motion, 122
Markopoulos, Gregory, 109, 186, 217, 304n208
Markowitz, Richard (Richie), 125
Richie Markowitz (ST204–205), 110, 123, 125, 194, 248, 293, 294
Marlowe, Alan, 292, 294
Martinez, Louis, 125
Louis Martinez (ST206–207), 124, 125, 294
Mary and Richard II, 150, 304n193
Mary I, 150, 158, 162, 301n40
McClure, Michael, 209, 213
McDermott, John D., 125
John D. McDermott (ST208), 125, 127, 263, 295
McMaster University (Canada), 291
McShine, Kynaston, 7
Mead, Taylor, 90, 101, 125–26, 206
Taylor Mead (ST209–210), 125–26, 127, 248, 261, 294, 295
Meehan, Thomas, 190
Mekas, Jonas, 118, 126, 129, 150, 165, 166, 186, 259
and Award Presentation to Andy Warhol, 109, 129, 129, 217, 304n208
Jonas Mekas (ST211), 126, 128, 129, 289, 294
Mela Foundation (New York), 214
Menil, François de, 129–30
François de Menil (ST212–214), 17, 128, 129–30, 131, 249, 293, 295
Menken, Marie, 118, 130
Marie Menken (ST215), 17, 130, 131, 288, 289, 293
Messy Lives, 62, 117, 150
Meyer, Andrew
The Match Girl, 113, 114, 115
Michael, 130
Michael (ST216), 130, 131, 295
Midgette, Allen, 130, 133, 198, 301n40, 304n212
Allen Midgette (ST217), 130, 131, 133, 245, 288, 289, 294
and Warhol impersonations, 133, 304n213
Miles, Barry, 45
Miles, Sylvia, 170
Milk, Harvey, 49, 301n54
Millaway, George, 133
George Millaway and Mary Woronov (ST360–361), 133, 213–14, 215, 287
George Millaway (Peanut Butter) (ST220), 132, 133, 287
George Millaway (ST218–219), 16, 131, 132, 133, 294
Miller, Fritzie, 169
Minimalism, 13, 154, 178
in Screen Tests, 12, 19, 20
in Warhol’s cinema, 70, 217
MoMA. See The Museum of Modern Art
Monck, Chip, 133
Chip Monck (ST221), 132, 133, 294
Montez, Mario (Rene Rivera), 130, 134, 185, 186, 198
and Hedy, 41, 197
Mario Montez (ST222), 11, 11, 134, 135, 174, 304n221
in More Milk Yvette, 134, 174, 304n221
More Milk Yvette, 69, 134, 174, 265, 304n221
Morrison, Jim, 146, 202
Morrison, Sterling, 134, 137
in EPI Background reels, 265, 266, 267, 267, 270, 277, 278
Sterling Morrison (Smoking) (ST225), 134, 136, 137, 158, 278, 295
Sterling Morrison (ST223–224), 134, 135, 136, 137, 265, 267, 270, 277
in the Velvet Underground, 18, 46, 49, 134, 158, 205, 265
Morrissey, Paul, 11, 11, 121, 137, 169, 206, 213, 309nA:12
and Exploding Plastic Inevitable, 49, 146, 158, 265, 280, 285
and Heat, 7, 49, 194
and L’Amour, 70, 137, 308n4:1
Paul Morrissey (ST226), 136, 137, 288, 289, 294
in Uptight: Susskind Show, 173
as Warhol film assistant, 17, 137, 202, 304n226
Most Beautiful Women (Film-Makers’ Coop version) (ST365C), 251, 257, 291
Most Wanted Man No. 12: Frank B. (silk-screen), 245, 245
Mrs. Warhol, 161, 305n277
Mundy, Sophronus, 137
Sophronus Mundy (ST227), 136, 137, 246, 294
Muracciolo, Pierre Antoine. See Antoine
Murray, David, 138
David Murray (ST228), 136, 138, 213, 280, 281, 284, 288, 289, 294, 309nA:14
The Museum of Modern Art (MoMA)
Celeste Bartos Film Preservation Center, 20, 292, 299
Circulating Film Library, 292, 299
and Screen Tests preservation, 7, 19, 20, 290, 292–95, 299
My Hustler, 26, 29, 98, 117, 137, 209
and cast, 49, 125, 181
My Hustler: In Apartment, 49
My Hustler: Ingrid, 26, 197
My Hustler (Out of Focus), 185
My Hustler II, 89, 121
N
Nail Clipping, 266, 272
Nakaya, Noboru, 138
Noboru Nakaya (ST229), 110, 138, 139, 261, 295
Name, Billy. See Linich, Billy
Nancy (comic strip character), 42
Nancy Fish and Rodney, 78, 194
Naomi and John, 85
Naomi and Rufus Kiss, 54
Neuwirth, Bob, 69, 182
New American Cinema program (1965), 185, 251, 291
The New Realists exhibition (Sidney Janis Gallery, 1962), 193–94
Newsweek (publication), 97
New York City Police Department, 185–86, 245
The Thirteen Most Wanted (brochure), 13, 13, 244, 244
New Yorker Theatre (New York), 93, 245, 290
New York Herald Tribune (pub.), 45, 109, 210, 250, 290
New York Post (pub.), 134
New York (pub.), 57, 97
New York School of Poetry, 202
New York Times Magazine (pub.), 190
New York Times (pub.), 85, 134
Nicholson, Ivy, 16, 129, 129, 130, 138, 141–42, 288, 289, 305n234, 305n247
and children, 17, 141, 153 (see also specific names) Ivy Nicholson (ST230), 138, 139, 141–42, 255, 255, 295
Ivy Nicholson (ST231), 78, 110, 138, 139, 141–42, 253, 255
Ivy Nicholson (ST232–234), 138, 140, 141–42, 293, 294
Ivy Nicholson (ST235), 12, 12, 15, 75, 140, 141–42
in Life magazine (March 1965), 141, 141, 250, 250, 251, 290, 291
in Most Beautiful Women series, 141, 251, 253, 255, 257, 257, 258, 258
in Warhol films, 117, 141, 150, 153, 274, 304–5n232
Nico and Ivy, 114, 304–5n232, 305n239, 307n374
Nico/Antoine, 30, 41, 145
Nico (Christa Päffgen), 16, 29, 49, 61, 69, 130, 142, 145–46, 197, 245, 309nA:12
at the Castle (Los Angeles), 146, 202
in EPI Background reels, 266, 267, 267, 271, 276, 277, 277, 279
as Exploding Plastic Inevitable performer, 18, 161, 265
Nico (Beer) (ST243), 144, 145–46, 277, 294
Nico (Coke) (ST244), 58, 144, 145–46, 278, 291, 295
Nico (Eyes and Mouth) (ST242), 145–46, 265, 291
Nico (Hershey) (ST245–246), 58, 59, 145–46, 147, 278, 279, 291, 294, 295
Nico (ST236), 140, 142, 145–46, 295
Nico (ST237), 142, 143, 145–46, 265, 267, 267
Nico (ST238), 18, 18, 142, 143, 145–46, 259, 266, 276, 288, 289, 294, 309nA:12
Nico (ST2 39-241), 143, 144, 145–46, 271, 295
and son (Ari Boulogne), 145, 305n240
and The Velvet Underground, 49, 61, 145, 205, 264, 265, 291
in Warhol films, 30, 41, 114, 145, 265, 304-5n232, 305n239, 305n240, 307n374
Night Owl (pub.), 161, 266
98 Greene Street Loft, 189
notations, film, 23
on film boxes, 16, 21, 193, 217–18, 245
Nouveaux Realistes (art movement), 30, 170, 193
a a novel (book), 49, 149
The Nude Restaurant, 49, 126, 133, 197
O
O’Hara, Frank, 37, 62, 117, 126, 130, 202
and Amorous Nightmares of Delay, 117, 303n174
O.K. Harris Gallery (New York), 106
Oldenburg, Claes, 186, 193–94
Oldham, Andrew Loog, 145, 146
Oldham, Sheila (Sheila Klein), 146
Sheila Oldham (ST247), 17, 146, 147, 294
Olivo, Robert. See Ondine
The Omega Man, 41
Ondine Dead, 162, 304–5n232
Ondine (discotheque), 26, 102
Ondine #1, 82
Ondine (Robert Olivo), 38, 46, 57, 149, 206
and a a novel (Warhol book), 49, 149
on Bob Dylan, 69
Ondine (ST248), 148, 149, 295
Ondine (ST249), 148, 149, 288, 289, 293, 308n392
in Warhol films, 57, 82, 149, 150, 197, 198, 202, 305n249
Original Salvador Dalí. See EPI Background: Original Salvador Dalí
Orlovsky, Peter, 149–50, 169
Peter Orlovsky (ST250), 17, 82, 148, 149–50, 259, 263, 291, 295
Outer and Inner Space, 182
P
Pacific Film Archive, 7
Padgett, Ron, 37, 150
and poetry, 42, 62, 202
Ron Padgett (ST251), 150, 151, 280, 281, 284, 288, 289, 295, 305n259
Päffgen, Ari Boulogne. See Boulogne, Ari
Päffgen, Christa. See Nico
Page, Ronna, 62, 149, 150, 153, 169
Ronna Page (ST252), 106, 150, 151, 153, 289, 300n2:11
Palmer, Gunther Ethan, 141, 153, 304n231
Palmer, John, 17, 117, 153
Ciao! Manhattan (film), 29, 89, 98, 153, 154, 182, 209, 283, 309nA:12
John Palmer (ST253–254), 15, 152, 153, 248, 280, 284, 289, 294, 295
and Ivy Nicholson, 141, 153
and Rom Palm Hol (production company), 153, 165
Palmer, Penelope, 153
Penelope Palmer (ST255), 17, 141, 152, 153, 291, 294
Paraphernalia, 41, 305n244
Paraphernalia (boutique), 30, 146, 305n244
Parkinson, Norman, 61
Parsons, Betty, 57
Pasternak, Boris, 77
Patrick, 78
Peace Eye Bookstore (New York City), 173, 306n311–12
Persky, Lester, 61, 82, 300nI:2
Phelps, Buffy (William W. Phelps), 154
Buffy Phelps (ST256), 152, 154, 293
Philadelphia Museum of Art, 130
Philadelphia Stable, 49, 117
Philip and Gerard (double-portrait film), 122, 292, 295
photobooth pictures, 13, 37, 161, 217, 300nI:9
for silk-screened portraits, 13–14, 178
of Holly Solomon, 186, 189
photography, film. See camerawork
photography, still, 13–14, 117
of Screen Tests, 21
Pincus-Witten, Robert, 154
Robert Pincus-Witten (ST257–258), 154, 155, 245, 248, 294
Piserchio, Gino, 154, 281
Gino Piserchio (ST259), 154, 155, 283, 289, 295
Playhouse of the Ridiculous. See Theatre of the Ridiculous
Plymell, Charles, 45
Poetry (publication), 157
Poleon, Darius de, 141, 304n230
Polk, Brigid. See Berlin, Brigid
Poor Little Rich Girl, 209
Poor Richard’s (Chicago), 291
The Poor Little Rich Girl Saga, 181
Pop, Iggy, 130
Pop art, 57, 110, 122, 178, 190, 193
The Pope Ondine Story, 149
POPism, 41, 170, 308n387
Portrait of Kenneth Jay Lane with Butterflies, 114, 303n164
portraits (Warhol), 8, 12, 16, 114, 243
and assistants, 174, 217, 288
Before and After, 69
and book cover art, 62, 106, 150, 173
Double Elvis, 66, 66, 69, 302n92
Double Mona Lisa, 101, 303n139, 303n140
Elvis, 38, 90, 101
Ethel Scull 36 Times, 177, 177, 178
Holly Solomon, 14, 186, 189
Liz, 38, 90, 101
made from photographs, 217, 243
Most Wanted Man No. 12: Frank B., 189, 245, 245
and Screen Tests, as influence on, 14, 16, 19
and silk-screened portraits, 12, 13–14, 90, 98, 101, 106, 177, 186, 217, 243, 245
Sontag on, 190
Thirteen Most Wanted Men, 242, 243, 244
use of photobooth pictures, for, 13–14, 178
See also Thirteen Most Wanted Men mural (1964 World’s Fair)
posers (Screen Tests). See subjects
Post, Michael, 182
preservation, Screen Tests, 7, 20–22, 292–95, 299
Price, Clarice. See Rivers, Clarice
Prima, Diane di, 117, 303n173
The Primitives (rock band), 46, 61, 158
prints, film, 22, 189, 299
and catalogue number, 22, 122
and internegatives, 20, 22
and “release negative,” 292, 299
and third-generation prints, 251
Printz, Neil, 178, 245
Prison, 89, 130
projection, film (Screen Tests), 20–23, 265, 290–91
at Exploding Plastic Inevitable performances, 18, 18–19, 259, 265, 266, 280
projection speeds, 21
with colored filters, 19, 69, 291
See also EPI Background reels; exhibitions (films); Screen Tests, screenings of
R
Rago, Henry, 157, 259
Henry Rago (ST260), 156, 157, 263, 294, 309nA:13
Rago, Juliet Maggio, 157
Raid the Icebox (Rhode Island School of Design, 1969), 129
Reed, Lou, 16, 46, 145, 157–58, 161, 245
in EPI Background reels, 267, 267, 270, 271, 272, 277, 278, 279
and Exploding Plastic Inevitable performances, 18, 18, 266, 291
Lou Reed (Apple) (ST268), 158, 159, 161, 266, 279, 295
Lou Reed (Coke) (ST269), 58, 158, 159, 161, 277, 295
Lou Reed (Eye) (ST265), 18, 18, 156, 157-58, 159, 161, 278, 295
Lou Reed (Hershey) (ST270–271), 58, 158, 159, 160, 161, 278, 279, 291, 294, 295
Lou Reed (Lips) (ST264), 156, 157–58, 161, 265, 272, 295
Lou Reed (ST261), 156, 157–58, 294
Lou Reed (ST262), 156, 157–58, 265, 267, 267, 270
Lou Reed (ST263), 156, 157–58, 278, 288, 289, 294
Lou Reed (ST266–267), 157–58, 159, 161, 271, 272, 294
and the Primitives (rock band), 46, 61, 158
and The Velvet Underground, 18, 49, 134, 158, 265
registration, loss of, 30, 106, 153, 161, 300n2:11
“release negative,” in film preservation, 292, 299
rental, Screen Tests
from MoMA, 292–95, 299
Restaurant, 89, 149, 181, 209
restoration, film, 292, 299
See also preservation, Screen Tests
reversal original, defined, 22
Rheem, Richard, 161–62, 300n2:11
Richard Rheem (ST272–275), 4, 4, 106, 153, 160, 161–62, 163, 245, 295
Rhode Island School of Design (Providence), 129, 291
Ricard, Rene, 162, 162, 182, 280,
Rene Ricard (ST276), 162, 288, 289, 309nA:14
Richard and Mary, 161, 308n389
Richard and Mary II, 161
Rick, 54
Rivera, Rene. See Montez, Mario
Rivers, Clarice (Clarice Price), 162
Clarice Rivers (ST277), 17, 162, 163, 170, 262, 295, 302n114
Robin, 162
Robin (ST278), 162, 164, 294
Rolando, 182, 304–5n232, 305n249
Rolling Stones, 17, 45, 118, 133, 145, 146
Romney, Henry, 153, 165
Henry Romney (ST279–280), 164, 165, 261, 294, 295
Rom Palm Hol (production company), 153, 165, 306n288
Rose, Barbara, 165
Barbara Rose (ST281–282), 14, 16, 17, 164, 165, 252, 257, 294
in Most Beautiful Women series, 251, 252, 257
Rosebud (Rosebud Felieu-Pettet), 165–66
Rosebud (ST283), 164, 165–66, 255, 294
Rosenquist, James, 166, 193–94, 259
in EPI Background reels, 266, 274
Jim Rosenquist (ST285), 166, 167, 260, 293
Twist Jim Rosenquist (ST284), 16, 166, 167, 266, 274, 293
Rotten Rita, 38
Rubin, Barbara, 166, 169, 259, 280, 288, 309nA:12
Barbara Rubin (ST286), 166, 168, 262, 281, 289, 293
at Bob Dylan’s Screen Tests, 66, 69
and Exploding Plastic Inevitable, 49, 158, 265
Uptight: Susskind Show, 50, 173
and The Velvet Underground, 158, 166, 169
Rudow, Bruce, 169
Bruce Rudow (ST287), 153, 168, 169, 246, 293
running time, film, 20, 22–23
defined, 21
Russell, Phoebe, 169
Phoebe Russell (ST288), 17, 22, 168, 169, 245, 289, 306n303
Rydell, Charles, 169–70
Charles Rydell (ST289–291), 169–70, 171, 293, 294
S
Saint Phalle, Niki de, 170
Niki de Saint Phalle (ST292), 162, 170, 172, 262, 295
Sally Kirkland, 97, 109, 304–5n232, 304n212, 305n239
Salvador Dalí. See EPI Background: Original Salvador Dalí
Sanders, Ed, 169, 173
Ed Sanders (ST293–294), 170, 172, 173, 259, 262, 294, 295
and the Fugs, 173, 185
obscenity charges against, 173, 306n311
San Diego Surf 126, 197
Sao Remo coffee shop, 38, 149
Sarah-Soap, 58, 77
Sarris, Andrew, 173–74
Andrew Sarris (ST295), 173–74, 175, 261, 294
Satie, Eric
Vexations, 46, 301n52
Scavullo, Francesco, 174
Francesco Scavullo (ST296), 174, 175, 289, 294
Schmidt, Richard, 174
in More Milk Yvette, 134, 174
Richard Schmidt (ST297), 134, 174, 175, 293
Scott, Ruth. See Ford, Ruth
Scott, Zachary, 174, 177, 259
Zachary Scott (ST298–299), 17, 174, 176, 177, 262, 295
screenings. See exhibitions (films)
Screen Test No. 1, 73, 198, 217, 218, 300nI:7
Screen Test No. 2, 34, 134, 198, 218, 300nI:7
Screen Test Poems (ST372), 17, 121, 213, 281–86, 309n5:6
and cast, 206, 280, 288
premiere of (1966), 206, 280, 288, 291
Reel 1, 122, 206, 269, 281, 281–82
Reel 2, 283, 283–84
Reel 3, 122, 214, 280, 285, 285–86
as Warhol/Malanga collaboration, 280, 288
Screen Tests, 8, 12–15, 17, 105–06, 182, 265, 292
artistic goal of, 13–14, 20, 101
cataloguing of, 20–23
and collectors, as Screen Test subjects, 243, 250
in color, 21, 22, 296–98, 307n366
credits for, 17, 22, 137, 217, 288, 304n266
first shooting of, 290
as influence on Warhol’s portraiture, 14, 16, 19
inspiration for, 13, 17, 300nI:9
lighting of. See lighting (Screen Tests)
as Living Portrait Boxes, 14
preservation of, 7, 20–22, 292–95, 299
prints of, 20, 34, 37, 122, 213, 214, 265
procedure for, 14–17, 18, 21, 81, 154, 198, 201
and props, 58, 265
as pseudo “commercials,” 58, 146, 161, 265
screenings of, 12, 19, 20, 290–91 (see also projection, film [Screen Tests]; exhibitions [film])
as real screen tests, 182, 202
rental of, 292–95
and shooting locations, 42, 137, 169
storage of, 7, 20, 23, 243, 292, 299
style of, 15–16, 18, 26, 29, 34, 105, 146, 161, 265
and subjects, choice of, 12–13, 16–18, 85, 300nI:2 (see also subjects [Screen Tests])
Screen Tests/A Diary, 22, 206, 280, 288–89
and selections for, 289, 309nA:10
cover of, 121, 121, 122, 296
as Warhol/Malanga collaboration, 77, 121, 206, 280, 288–89, 309nA:11
and Warhol Screen Test, 206, 289
Scull, Ethel, 177–78
as art collector, 166, 250
Ethel Scull (Glasses) (ST300), 176, 177–78
Ethel Scull (ST301–304), 176, 177–78, 179, 250, 253, 294
and Ethel Scull 36 Times (silk screen), 14, 177, 177, 178
in Most Beautiful Women series, 250, 253, 257
Scull, Robert, 166, 178
Sedgwick, Edie, 16, 21, 26, 97, 178, 181–82, 194, 197, 202, 280, 305n247, 306n326, 309nA:12
in Ciao! Manhattan (Palmer/Weisman film), 29, 98, 153
departure of, from Factory, 69, 182, 197
Edie Sedgwick (ST305–307), 178, 179, 181–82, 255, 256, 276, 293, 294, 309nA:13
Edie Sedgwick (ST308), 179, 181–82, 283, 288, 289, 294
Edie Sedgwick (ST309), 180, 181–82, 256
Edie Sedgwick (ST310–313), 22, 181–82, 183, 184, 296, 297, 298
in The Thirteen Most Beautiful Women (ST365), 182, 255–56
with The Velvet Underground, 182, 306n324
with Warhol, as Pop couple, 181, 182, 306n324
in Warhol films, 29, 89, 130, 154, 181, 182, 193, 198, 209
and Chuck Wein, 181, 182, 209
Segal, George, 110, 178, 209
serial portraiture. See Six Months (ST363)
Sex, 70
The Shopper. See Hedy
Shore, Stephen, 24–25, 26, 70, 142, 142, 300nI:2
Short, Bobby, 14
Shoulder, 53
Sidney Janis Gallery, 30, 122, 193–94
Silver Clouds, 110
Since
and cast, 41, 57, 82, 117, 149, 161, 182, 197, 213
single-perf. film, defined, 22
Sitney, P. Adams, 185, 251
sitters (Screen Tests). See subjects
Six Months (ST363), 73, 216, 217–23, 218, 224–41, 290
and Fagan, as subject, 217, 218
and film box notations, 17, 217–18, 218, 219, 220, 221, 223, 228, 233, 234
and lighting technique, 81, 217, 218, 218, 222, 237
Philip #9, 217, 219, 225
Philip #10, 217, 219, 225
Philip #18, 74, 219, 227
Philip #39, 217, 221, 231
Philip #71, 217, 222, 237
Philip #77, 218, 223
and poses, 74, 217, 219, 221, 225, 231
Screen Tests, 224–41
and title, source of, 218, 308n3:5
Six of Andy Warhol’s Most Beautiful Women (ST365b), 19, 251, 257, 290
Sleep, 7, 13, 20, 23, 58, 85, 118, 126, 150, 217, 265
as “camp,” 190
Smith, Harry, 166, 182
and the Fugs, 173, 185
Harry Smith (ST314), 16, 182, 184, 185, 261, 294
Smith, Jack, 69, 90, 185–86, 198,
and Batman Dracula, 86, 185, 186, 276
and “creatures” (actors), 134, 174, 185
in EPI Background reels, 274, 276
Flaming Creatures, 46, 166, 185–86, 209, 214, 245
Jack Smith (ST315), 185–86, 187, 261, 294
Normal Love, 46, 86, 185
Smith, Michael, 149
Smith, Patrick, 37, 154, 245
Smith, Philip (“Fu-Fu”), 265
Smith, Rupert, 174
Soap Opera, 17, 20, 82, 85, 198
and cast, 34, 54, 97, 121, 141, 153, 165
Solanas, Valerie, 65, 137
Solomon, Alan, 78, 186
Alan Solomon (ST316), 15, 30, 85, 186, 187, 260, 294
Solomon, Holly (Hollis Dworkin), 186, 189
Holly Solomon (portrait), 14, 186, 189
Holly Solomon (ST317), 186, 187, 189, 261, 295
Sonbert, Warren, 45–46, 162
Sonnabend Gallery (Paris). See Galerie Ileana Sonnabend
Sontag, Susan, 16, 17, 101, 189–90, 193, 201, 250
Susan Sontag (ST318–322), 188, 189–90, 190, 191, 193, 255, 261, 293, 294
Susan Sontag (ST323), 190, 191, 193, 259, 261, 266, 276, 295
Susan Sontag (ST324), 190, 191, 193, 262, 294
Sotheby’s (auction house), 30, 113, 166, 178, 189
Space, 137, 181, 198
and cast, 29, 154, 181
splices, film, 20, 23, 292
and conceptual series, 22, 243
Spoerri, Daniel, 30
sprocket holes, 23
Stable Gallery (New York), 105, 122, 201
Brillo Soap Pads Boxes exhibition (1964), 58, 85, 105
Stagg, Kipp, 193, 307n344
Kipp Stagg (ST325–326), 191, 192, 193, 293, 294
Stahel, Urs, 101
Stanley the Turtle, 38
Star of the Bed, 193
Star of the Bed (ST327), 192, 193, 249, 294
Steve Holden Drunk, 292, 295
Stevenson, Harold, 26, 57, 193–94, 280
in Harold, 194, 307n346–47
Harold Stevenson (ST328), 192, 193–94, 286, 289, 294
in Kiss, 13, 122, 194, 300nI:3
Stevie, 194
Stevie (ST329), 194, 195
“Stillies,” Screen Tests as, 7, 8, 15, 30, 46, 69, 300nI:7
and Joe LeSueur (ST192), 116, 117, 249
Stockhausen, Karlheinz Originale, 110
Stoller, James, 93, 245
Stone, Steve, 194, 194, 197
Steve Stone (ST330–331), 110, 194, 195, 197, 248, 295
“stop-action” (single-framing), 130, 133, 161–62
storage, film, 7, 23, 243
at MoMA, 20, 292, 299
Stringer, Richard. See Birdie, Binghamton
subjects (Screen Tests), 15
and camerawork, 14–17, 18, 21, 26, 81, 150, 154, 198, 201
choice of, by Warhol, 12–13, 16–18, 243, 250, 300nI:2
filmed candidly, 15, 30, 85, 186
filming process for, 15, 17, 85, 198
leaving the frame, 69, 74
multiple rolls shot of, 16, 26
and oral activities, in poses, 16
and posing, 14, 15–16, 34, 45, 81, 98, 109, 210
in triple portraits, 85
See also specific names
Sugar Plum Fairy. See Campbell, Joe
Suicide, 198, 302n129
Sullivan Street Theater (New York), 193
“sun-gun” lights, use of, 16
Sunset, 129
Superboy, 41, 98, 213
Superstar, Ingrid (Ingrid Von Scheven), 26, 69, 197, 307n351, 309nA:14
as Edie Sedgwick replacement, 182, 197
Ingrid Superstar (ST332), 14, 14, 196, 197, 295, 300
Ingrid Superstar (ST333), 196, 197, 294
Susan-Space, 41, 161
Susskind, David, 50, 173
sync-sound camera (Auricon), 17, 74, 129
T
Talbot, Harold, 13, 42, 244, 290
Tarzan and Jane Regained, Sort Of . . . , 38, 61, 126, 130, 170, 198
and cast, 90, 101, 121, 126, 198
Taubin, Amy, 197–98
Amy Taubin (ST334–335), 196, 197–98, 199, 254, 293
Tavel, Harvey, 198
Tavel, Ronald, 74, 117, 174, 198, 201, 304n226
on Larry Latreille, 114
Ronald Tavel (ST336), 198, 199, 201, 288, 289, 290, 295
and Six Months, 218, 308n3:5
and Theatre of the Ridiculous, 186, 198
and Warhol films, 30, 74, 74, 137, 186, 209, 304n226
as Warhol film scriptwriter, 172, 181, 182, 198, 213, 217
Taylor, 126
Taylor and John, 85, 126
Taylor and Me, 126
Taylor Mead’s Ass, 17, 121, 126
technical problems (camera)
and experimental techniques, 161
and exposure, 22, 102
and flickering, 133
and focus, 153, 161, 217
and halation, 108, 109, 154, 170, 177
and light flares, 118, 154, 170
loss of registration, 30, 106, 153, 161, 300n2:11
as Screen Test dating method, 106, 153
Theatre of Eternal Music, 214
Theatre of the Ridiculous, 86, 134, 149, 186, 198
Their Town, 30, 198, 214, 287, 312
Thek, Paul, 37, 101, 201
Meat Piece with Warhol Brillo Box, 201, 201
Paul Thek (ST337–338), 199, 200, 201, 247, 293, 294
Thermofax paper, use of, 150, 288, 309nA6
Thirteen Most Beautiful series, 15, 18 See also specific series
The Thirteen Most Beautiful Boys (ST364), 13, 18, 22, 41, 101, 244–45, 246–49, 308n4:1
and screenings, 245, 290
and subjects, choice of, 243, 250
The Thirteen Most Beautiful Girls, 97, 250. See also The Thirteen Most Beautiful Women
13 Most Beautiful Women in the World (Vaughan version) (ST365e), 251, 258, 258
and German television airing, 61, 251, 258, 258, 291
The Thirteen Most Beautiful Women (Kirkland version) (ST365a), 109, 210, 250, 257
screening of, at Sally Kirkland Sr. party, 109, 210, 250, 290, 308–9n20
and “Underground Clothes” article (Life magazine, 1965), 250, 250, 251, 291
The Thirteen Most Beautiful Women (ST365), 18, 22, 110, 243, 245, 250–51, 252–59
cataloguing of, 292
and poses, 37
screenings of, 243, 245, 250, 290, 291
and subject choice, 15, 243, 250
versions of, 250-51 (see also specific versions; Dracula/3Most)
The Thirteen Most Beautiful Women (ST365b), 178, 250
The Thirteen Most Wanted (police department brochure), 13, 13, 244, 244, 300nI:9
Thirteen Most Wanted Men (canvases), 244
Thirteen Most Wanted Men mural (1964 World’s Fair), 13, 242, 243, 244, 245, 245, 290, 308n4:4, 308n4:7–8
32 Campbell Soup Cans paintings exhibition (Ferus Gallery, 1962), 38, 101, 303n139
Three, 57, 121, 149, 245
3 Min. Mary Might, 30, 214, 287, 309n:10
3 Most Beautiful Women. See Dracula/3 Most (ST365d)
Tiger Hop, 90, 162
and cast, 82, 158, 162, 162, 304n40, 304–5n232, 308n389
Tiger’s Place, 150, 161, 305n239, 307n351
Tilden-Close, Patrick (Patrick Close), 201–2, 307n364
in Imitation of Christ, 69, 149
Patrick Tilden-Close (ST339–340), 21, 200, 201–2, 298
Tina, 202
Tina (ST341), 202, 203, 293
Tinguely, Jean, 162, 170
Tinkerbell. See Campbell, Susanna
titles, film, 21, 22, 245
Topper Club (Cincinnati), 291
Towle, Tony, 202, 205, 281,
Tony Towle (ST342), 202, 203, 205, 247, 280, 286, 293
“traveling typewriter shot” (camerawork), 173
triple portrait film, Screen Test as and Peter Goldthwaite (ST119), 62, 84, 85, 294
Trip (Los Angeles club)
Exploding Plastic Inevitable at (1966), 202, 266, 280, 291, 307n365
Trudeau, Roger, 300nI:2
Tub Girls, 126, 206
Tucker, Maureen, 205
Maureen Tucker (ST343–344), 203, 204, 205, 270, 295
in The Velvet Underground, 18, 49, 61, 158, 205, 265
Tulsa School of Poetry, 150
Tusi, Virginia, 205
Virginia Tusi (ST345), 204, 205, 255, 293
Two of Andy Warhol’s Most Beautiful Women (ST365g), 251, 259, 259
U
UCLA Film and Television Archive (Los Angeles), 299
Ultra, 162, 304n212, 307n374
Ultra Violet (Isabelle Collin Dufresne), 130, 205–6, 289
in * * * * (Four Stars), 307n374
Ultra Violet (ST346–348), 149, 204, 205–6, 207, 295
“Underground Clothes” (article, Life mag., March 1965), 102, 109, 141, 141, 250, 250, 251, 291, 308–9n20
Universal Limited Arts Editions (ULAE), 202
Up-Tight films, 59, 169, 306n300, 306n326.
Uptight: David Susskind, 50, 173
See also Andy Warhol Up-Tight
V
Vacarro, John, 149, 198, 213
Variety (pub.), 121, 304n195
Vaughan, Jimmy, 251
Vaughan-Rogosin Films, Ltd., 251, 291
The Velvet Underground, 58, 173, 265, 291
and band members, 46, 49, 61, 134, 158, 205
at Café Bizarre, 158, 166, 169
and EPI (See Exploding Plastic Inevitable)
and Paul Morrissey, 137, 202
and performances, chronology of, 290
and performers, with, 57, 61, 182 (see also specific names)
reunion tour (1993), 49, 134, 158, 205
at the Trip (Los Angeles, 1966), 70, 202, 266, 280, 307n365
and Up-Tight events, 69, 169
and Warhol, as manager, 18, 49, 158
The Velvet Underground and Nico, 265
and cast, 49, 134, 145, 158
The Velvet Underground and Nico (album), 49, 145, 158
The Velvet Underground (1966 film), 49, 134, 135, 158
The Velvet Underground in Boston, 49
The Velvet Underground Tarot Cards, 265
and cast, 41, 49, 134, 145, 158, 197, 213
Vibrations, 141
Village Voice (pub.), 53, 117, 126, 173, 198
Vinyl, 165, 198
and cast, 114, 121, 125, 149, 181, 265
Violet, Ultra. See Ultra Violet
Viva and Taylor, 126
Vogue (pub.), 61, 97, 141
Von Scheven, Ingrid. See Superstar, Ingrid
Vreeland, Diana, 61
W
Ward, Eleanor, 105, 122
See also Stable Gallery (New York)
Warhol, Andy, 29, 42, 134, 161, 166, 206, 217, 244
Andy Warhol (ST349), 14, 29, 42, 206, 207, 244
as art collector, 105, 166
assassination attempt on (1968), 137, 141
and authorship, 17, 288, 300nI:9
in Award Presentation to Andy Warhol (Mekas), 129, 129
collaborations with others (see collaborations)
and commercial art, 13, 77, 114, 169, 245
and commissions, 62, 129, 178 (See also Thirteen Most Wanted Men mural (1964 World’s Fair))
death of, 7, 8, 85, 299, 302n120
exhibitions of art (see individual exhibitions)
exhibitions of film by (see exhibitions, film [Warhol])
and Film Culture award (1964), 93, 126, 245, 290, 304n208
films of (see specific film, titles)
impersonated by Midgette, 133, 304n213
in The Match Girl (Meyer), 113, 114
in Normal Love (Smith), 185
photographs of, 11, 24–25, 65, 66, 73, 114, 142
publications of (see specific publications)
and studios, 121 (see also Factory)
work as a portraitist (see portraits [Warhol])
works of (see specific titles of works)
Warhola, Julia, 161
Warhol Film Collection, 20, 299
and Screen Tests not found in, 22, 162
Warhol Films, Inc., 137, 251
Wee Love of Life, 85
See also Soap Opera
Wein, Chuck, 26, 89, 182, 206, 209
Chuck Wein (ST350), 206, 208, 209, 288, 289, 295
as Warhol assistant, 137, 181, 209, 304n226
Weisman, David, 98
Ciao! Manhattan (film), 29, 89, 98, 153, 154, 182, 209
Wescott, Glenway, 89
The Whippets (rock band), 89
Whips I and II, 213
shown during Exploding Plastic Inevitable, 265, 268, 268, 269, 270, 272, 309n5:2
White Dove Review (pub.), 150
Whitman, Walt, 82
Whitney, David, 62, 78, 300nI:2
Whitney Museum of American Art and Andy Warhol Film Project, 299
Andy Warhol: Outer and Inner Space exhibition (1998), 299
Andy Warhol’s Video + Television exhibition (1991), 299
and cinema programs, 7
The Films of Andy Warhol: An Introduction exhibition (1988), 299
The Films of Andy Warhol: Part II exhibition (1994), 299
and Thek installation, The Tomb-Death of a Hippie, 201
Whitridge, Arnold, 244
Wieners, John, 209, 308n83–84
John Wieners (ST351), 19, 19, 208, 209, 288, 289
Williams, Dan, 18, 29, 53, 98, 182, 209
at Andy Warhol Up-Tight, 169
and The Bed, 49, 193
and Exploding Plastic Inevitable, 49, 158, 265
Harold Stevenson, 26, 194
Lester Persky I & II, 37
Uptight: Susskind Show, 50, 173
as Warhol film assistant, 17, 49, 69, 137, 146, 158, 304n226
Wilson, Jane, 209–10
Jane Wilson (ST352), 208, 209–10, 254, 257, 294
Portrait of Andy Warhol, 210
Wilson, Kellie. See Kellie
Wilson, Susanna. See De Maria, Susanne
Wirtschafter, Buddy, 137, 300nI:2
Withering Sights, 50, 198, 265
and cast, 26, 174, 197
Wittenborn, Paul, 210
Paul Wittenborn (ST353–354), 210, 211, 293
Wojnarowicz, David, 101
Wolf, Reva, 206, 288, 289
Women in Revolt, 114
Women’s Wear Daily (pub.), 69
World’s Fair (New York, 1964), 13, 245, 308n4:8
See also Thirteen Most Wanted Men mural
World Theater (theater company), 33, 300n2:19
Woronov, Mary, 130, 138, 198, 206, 210, 213–14, 245, 267, 309nA:12
in EPI Background reels, 268, 268, 269, 269, 270, 272
in Exploding Plastic Inevitable performances, 18, 121, 213, 265, 266
George Millaway and Mary Woronov (ST360–361), 133, 213–14, 215, 287
Gerard Malanga and Mary Woronov (ST355–356), 122, 210, 211, 212, 213, 269, 269, 280, 281, 286, 308n392
Mary Woronov (ST357), 122, 149, 210, 212, 213–14, 288, 289, 291, 293, 300, 309nA:12
Mary Woronov (ST358), 210, 212, 213–14, 295
Mary Woronov (ST359), 213–14, 215, 280, 286
in Richard and Mary, 161
Wynn Geny Claes, 186
Y
Yaffa Café (New York), 153
Young, La Monte, 17, 46, 61, 214
and Lincoln Center installation (1964), 214, 308n394
Z
Zazeela, Marian, 46, 185, 214, 308n393
Marian Zazeela (ST362), 17, 214, 215, 254, 293