Index

Tickner, Lisa

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Index

Lisa Tickner

Modern Life & Modern Subjects: British Art in the Early Twentieth Century

Index

Author

Lisa Tickner

PublisherPaul Mellon Centre

Stable URL: https://aaeportal.com/?id=-22906

Index

abstraction xii, 80, 208

aesthetic emotions 125–6, 269nn24, 25

Aitken, Charles 2–4

Albert Hall Picture Ball (1913) 81, 214, 215

Alhambra music hall 88, 94, 257n44

Aliens Act (1905) 154, 284–5n59

Allied Artists’ Exhibition, Albert Hall (1913) 186–7

Allinson, Adrian 280n27

Anderson, Benedict 236n109

Anderson, Perry 300n8

anti-modernism 64, 246n46

anti-Semitism 162

apache

dance 83–7, 85, 86, 88, 256nn36, 37

Parisian gangs 83–5, 255nn28–34

Austen, Jane: Sanditon 128, 270–71n42

avant-garde

fashionability 80, 82, 95, 254n21, 254nn18, 19

Jewish 144–6, 162

and modernism 187–8, 302nn22, 26, 28

Bakst, Léon, Décor for Scheherazade 108

Ballets Russes 80, 100, 104, 106, 108, 261n91

Bantock, Granville 104, 261n93

Barnett, Henrietta 4–5, 7, 146, 221–2n9

Barnett, Samuel 4–5, 222nn10, 12, 223n14

Baron, Wendy 12, 23, 228n42, 229n30, 229n49, 237n126

Barrett, Michéle 196

Bateman, H. M. 87, 88

Baudelaire, Charles 35, 63, 206, 245n43

Bauman, Zygmunt 162, 290–91n97

Baxandall, Michael 210, 311–12n150

beach see seaside

Beerbohm, Max: Significant Form 127

Bell, Clive

Art xii–xiii, 1, 8, 125–6, 141, 268–9n22

on dancing 80, 253n10

on Lewis 253n5

at Studland 118, 119, 120

significant form 125–6, 141, 269nn24, 25

Bell, Julian 118, 119

Bell, Vanessa

appearance of 140, 275–6n97

Byzantine influences 139, 275n93

depression of 138, 274n83

and feminism 197–8, 268n21

and Fry, Roger 137–8, 274n83

and gender relations 194, 196

holidays at St Ives 135, 272n66

holidays at Studland Bay 117–18, 128–9, 133, 138, 271n46

maternal themes 137–9

and modernism 189

and modernity 192, 304n48

and the New English Art Club 199

painting method 122, 124, 267–8n12, 273n77

photographs by 119, 120, 267n5

on Post-Impressionists 124, 268n17

relationship with her mother 135, 137–8

reputation of 212

Studland beach paintings 117–24, 266n3, 267n6, 271n46

WORKS

The Bathers, Studland Beach 118, 121, 122, 267n9

The Beach, Studland 118, 121, 123

Children’s Nursery, Omega Workshops showroom 136, 195

Composition 213

Figure on the Beach, Studland Bay 118, 118

Julian and his Nanny 136

Nativity 137, 273n78

Nursery Tea 136, 273n77

The Red Dress 275n96

Studland Beach 116, 117, 121–2, 124, 136, 138–9, 141, 266–7n4, 274n86, 304n48, 311n148

Woman and Baby 137, 137, 273–4n79

Ben Uri Art Society 163, 292n106

Benjamin, Walter 45

Bennett, Arnold 191

Bergson, Henri 111, 112, 264n110

Binyon, Laurence 188, 246n56, 301n15, 306n64

Bion, Wilfred 312n151

Birnberg, Clara (Clare Winsten) 146, 157, 158, 159, 219, 280n27, 288n76, 289n81

Blast xii, 193, 220n1, 302n22

on dance 111, 114

image of 187

Manifesto 79, 252n1

and popular culture 79, 252n3

primitivism 206, 305n55

Rebel Art Centre 99

on women 197, 204

Bloch, Frieda 247nn61, 62

Bloomsbury group 7, 188, 193–6, 303n31, 305n62

blue, importance of colour 138–9, 275nn92, 93, 95

bohemianism, John, Augustus 49, 52, 54

Bomberg, David 296n148

education 279n25

and Futurism 174–6

Jewish Chronicle interview 145, 158, 179, 277n8

Jewish Chronicle review of 160

Jewish Education Aid Society grant 149, 152, 280n30, 280–2n31, 283nn50, 51, 284n55

Jewish identity 163, 293n108

and Lewis 297nn153, 158, 298n169

and modernism 189

and modernity 192, 304n48

and Omega Workshops 177, 297–8n160

photographs of 142, 144

Slade School education 144, 152–3, 279–80n27, 280n28, 283n51

Whitechapel exhibition (1914) 145, 155, 218

WORKS

Acrobats 158, 173

Head of a Poet 145

In the Hold 9, 158–9, 171–83, 175, 289n85

Jewish Theatre 171, 173, 296–7n150

Ju-Jitsu (Japanese Play) 143, 158–9, 171, 172, 173, 299n181

The Mud Bath 171

Racehorses 160

Self-Portrait 145

Study for In the Hold 174

Study for Ju-Jitsu 172

Study for the Vision of Ezekiel 176

Vision of Ezekiel 159, 297nn153, 158

Bone, Muirhead, Piccadilly Circus 8

Bonnard, Pierre 21, 227n30

Borrow, George 54, 241n15, 241n20

Bourdieu, Pierre 185, 301–2n20

Brighton Art Gallery

English Post-Impressionists, Cubists and Others (1913–14) 221n2, 297nn153, 158

Modern French Artists (1910) 221n2

Brittany, pardons 112, 265nn118, 121

Brodzky, Horace 145, 157, 219, 287n75

Viewing Kermesse 92, 92

Wyndham Lewis 93

Bronfen, Elisabeth 45

Brooke, Rupert 244n38

Brown, Frederick 152–3, 237n131, 283n53

Brownsword, Nora 72, 250n82

Browse, Lilian 228n42

Brzeska, Sophie 298n161

Buber, Martin 162

Burger, Peter 188

Byzantine influences 139, 206, 207, 275n93, 298–9n175, 299n176

cabaret 257n49, 258n54

Cabaret Theatre Club (Cave of the Golden Calf) 89–94, 174, 257n49, 257–8n50, 258n51, 261n89

Gill bas-relief 96, 96

Lewis designs 90, 91, 97

parodied in fiction 259n66

parodied in Kill that Fly! 94–9

Camden Town Group 7, 19, 224n32, 227n22, 302n22

Camden Town Murder 21–3

paintings of 11–21, 196, 224–5n2

reporting of 21–2, 25, 26–7, 28–9, 38, 39, 40–42, 227n32, 232n82, 234n101

Cameron, Julia Margaret 139, 275n96

Mrs Duckworth, Florence Fisher and Children 140

Campbell, Harry 260–61n87

Cannan, Gilbert 165, 253n5, 259n66

caravanning 77, 243n34, 252n106 see also gypsies

Carfax Gallery: Sickert exhibitions (1911 and 1912) 12–13, 15, 225n8

Casque d’Or (Amélie Hélie) 84, 87, 255n34, 256n40

Cave of the Golden Calf see Cabaret Theatre Club

Cezanne, Paul 7, 221n2, 269n27, 270n40

Chagall, Marc 162–3, 291n102

chamber pot symbolism 37, 233n91

The Chelsea Matinée 49, 50–51, 239–40n6

children, and the seaside 131, 271n54

Clark, T. J. 47

coal scuttle, significant form of 126–7

Cohen, Mrs Herbert 287–8n76

Collier, Beatrice 83, 85, 254n25, 255n29

Collier, John: Sentence of Death 31–2, 31, 231n68

Collins, Bradford 238n139

colour, psychology of 138–9, 274nn88, 89, 275nn92, 95

consumerism, and women 197, 204, 306n74, 310–11n137

Corbett, David Peters 205–6, 238n139, 303n33, 304nn47, 49, 305n54

Corbin, Alain 129, 270n41, 270–71n42, 271n49

Cork, Richard 171, 178, 257n49, 277n4, 296–7n150

Courbet, Gustave: Le Bord de Mer à Palavas 129

Craven, A. E. 96–8, 260n76

Crow, Thomas 188

Cubism

and Jews 143–4, 162, 290n95

parodies of 95–6

Whitechapel exhibition 224n21

Cubist Art Centre see Rebel Art Centre

Cubo-Futurism 87, 102, 106

cultural philanthropy

Jewish Education Aid Society (JEAS) 149–53

Whitechapel Art Gallery 4–7, 146, 222nn10, 12, 222–3n13

Dalcroze, Jacques-Emile 106, 109, 110, 111, 263n101, 264n109

dance

apache 83–7, 85, 86, 88, 256nn36, 37

as artistic theme 99–111

and Futurism 314n10

music-hall ballet 80, 88–9

popularity 100, 101, 102, 262–3n99

ragtime 80, 102, 261n89, 262–3n99

and sexuality 99–100, 108–9, 260–61n87

tango 102, 106, 261n89, 262n99, 314n10

Darwinism 309n117

Davidoff, Leonore 240–41n12

Davies, Randall 8

Davies, W. H. 63, 245–6n45

Davison, William 4, 221–2n9, 223n19

A Day in Paris 83, 85

Dearly, Max 84–5, 86, 87, 256n36

death, representation of 45, 47, 239n142

Degas, Edgar 46, 88–9, 133, 238n134

degenerate art 161–2, 291n99

Denis, Maurice 121, 267n10, 300n6

Soir de Septembre 132

Deslys, Gaby 79, 252n3

detective story genre 38, 233–4n99, 234n102, 234–5n103

Diaghilev, Sergei 80, 106, 261n91, 263n101

Dimmock, Emily 21–2, 32, 36, 38

Dix, Otto: Lustmord 40, 235n106

Doré Gallery: Post-Impressionist and Futurist exhibition (1913) 221n2, 297n153

Drogheda, Countess 313–14n4

Drummond, Malcolm, 19 Fitzroy Street 46

Duncan, Isadora 100, 106, 107, 108, 263nn101, 102, 106, 264n109

Dyce, William: Pegwell Bay 130, 130, 271n51

Eagleton, Terry 114

East End of London, Jewish community in see Jewish community in Whitechapel

education, Jewish community and 149, 279n25

Edwardes, George 252n3

Egg, Augustus: Past and Present 35

Empire music hall 88, 257n44

A Day in Paris 83, 85

English Post-Impressionists, Cubists and Others (1913–14) see Brighton Art Gallery

Epstein, Jacob 149, 155, 206, 219, 291n99

Etchells, Frederick 224n21

The Dead Mole 98

eurhythmics 109, 110, 111, 264n109

exhibitions of modernist paintings 221n2

see also under names of individual galleries

facture, Sickert and 19, 20, 32, 45, 189, 229n53, 232n83

fancy-dress 215–17, 313n3

fantasy, and Augustus John 74

Farren, Fred 83, 85

feminist movement, and Bloomsbury group 197–8, 268n21

Ferenczi, Sandor 202

Fergusson, John 106, 107, 224n31, 263n102

Les Eus 109, 110, 111

Rhythm 111, 264n111

Fildes, Luke: The Doctor 125, 186

film noir 232n85

Finberg, A. J. 8–9

Fisher, John 225–6n11

Fitzroy Group 45, 46, 237n130, 237–8n132

flâneur 53, 63–5, 234n102, 245n42

Fletcher, Pamela 31–2, 33, 231n68

Flitch, J. E. Crawford 83

Fonseca, Isabel 240n10

Forbes, Stanhope: Fish Sale on a Cornish Beach 130, 131, 271n51

Ford, Ford Madox 178, 259n66

Foster, Hal 309n122, 310n128

French artists, exhibited in England 221n2

Freud, Sigmund 38, 70, 74, 234–5n103

Friedrich, Caspar David 130, 276n100

Wanderer above the Sea of Fog 141

Frith, William Powell

Derby Day 186

Life at the Seaside (Ramsgate Sands) 130–31, 132–3, 133, 271n51, 272n57, 276n99

The Railway Station 125, 132

Fry, Roger

on Allied Artists’ Exhibition (1913) 186–7

and Vanessa Bell 137–8, 274n83

on Bomberg 177

on The Chelsea Matinee 240n6

on colour 138, 274n89

on French Post-Impressionists 124

on Augustus John 246n52

on Lewis 92, 259n61

Manet and the Post-Impressionists exhibition (1910) 1, 2, 221n2

Omega Workshops 195

and primitivism 309n112

on ‘proto-Byzantines’ 270n40

on Sickert 12, 19

on significant form 124–8, 268n18

at Studland 120, 121, 267n5

Studland Bay 125, 125, 268n20

Fuller, Jean Overton 229n55

Fuller, Loie 99

Futurism 304n44

Bomberg and 174–6

Cabaret Theatre Club 89–94, 174

Cubo-Futurism 87, 102, 106

and dance 314n10

fashionability of 80, 82, 215–17, 314n8

Jewish 162, 277n8

and women 203–4

Futurist exhibition (1912) see Sackville Gallery

Gadamer, Hans-Georg 311–12n150

Gage, John 139

Gaudier-Brzeska, Henri 108, 207, 209, 219, 263–4n107, 309n121

Head of Ezra Pound 208–10, 209, 219

Gauguin, Paul 121, 221n2, 267n10, 270n40

gender divisions 131, 196–206

geometric art 176–83, 299n178

Gertler, Golda 166, 294–5n132, 295n138

Gertler, Mark 145, 164, 279n22

Jewish Chronicle interview (1912) 151, 282n45, 283n53

Jewish Education Aid Society grant 151, 282nn42, 45

Jewish paintings 163–5, 293n116, 293–4n118, 294n121

money problems 165, 294n124

and Rothenstein, William 150, 282n41, 293n114

at the Slade School 144, 277n4, 279–80n27, 280n28

social position 166, 171, 294nn126, 129

Whitechapel exhibition (1914) 159, 160, 218, 290n90, 315n2

WORKS

The Artist’s Mother 170, 218, 282n44

Jewish Family 146, 160, 166–9, 167, 218

Jews Arguing 150, 151, 163, 293n113

The Rabbi and his Grandchild 168, 169

The Return of Jephtha 163, 164

Gervex, Henri: Rolla 30, 231n63

Gill, Eric: Study for Bas-Relief of Calf in the Cave of the Golden Calf 96, 96

Ginner, Charles

Oil Study for Tiger-Hunting Mural in the Cave of the Golden Calf 97

Piccadilly Circus 95–6

Gioli, Francesco: Ring Dance on the Tyrrhenean 100

Giotto 138, 139, 275n94

Goldring, Douglas: The Tramp 54, 58, 242–3n28

Goldstein, Morris 149, 158, 159, 280n28, 289n79, 290n89

Gore, Spencer 89

Flying at Hendon 190, 304n40

Goya, Francisco de 238–9n141

Grafton Galleries

Manet and the Post-Impressionists (1910) 1, 2, 98, 121, 161, 188, 221n2, 267n10, 301n18, 304n48

Second Post-Impressionist Exhibition (1912) 49, 98, 124, 126, 165, 269n25, 283n52, 294n120

Grant, Duncan 307–8n98

Greek sculpture 208

Greek-style dance 106, 108

grid method 176–83, 298n173

Grossmith, George 252n3

Grosvenor, Lady Arthur 54, 55, 62, 241n19

Grosz, George 40, 235n106

Guevaro, Alvo 280n27

gypsies 53, 54–62, 77, 240nn9, 10

see also caravanning; tramps

Gypsy Lore Society 54, 58, 58, 241nn14, 15, 243n29

H. L., response to Whitechapel exhibition 161

Hallam, Basil 252n3

Harris, José 191

Harrison, Charles xiii, 45, 140, 192, 210, 238n133, 269–70n27, 276n98, 301n10, 302n21

Harrison, Jane 60, 244n38

Hart, Solomon 154

Harvey, T. E. 218, 315n2

hats 200–02

Hélie, Amélie see Casque d’Or

Herkomer, Hubert von: The Council of the Royal Academy 199, 200

Hind, C. Lewis 45, 237–8n132

Holland, Clive 243n34

Holmes, Charles 65

Holmes, Sherlock 38, 234n102

Holroyd, Michael 247n58, 251n92

homosexuality

of dancers 108

heterosexual masquerade 202

Hulme, T. E. 181–3, 298–9n175, 299nn176, 182, 184, 310n133

idealisation, and Augustus John 74–5

Illustrated Police Budget: Camden Town Murder 19, 25, 28–9, 39

Illustrated Police News: Camden Town Murder 19, 25, 26–7

Impressionists, beach scenes 133

Ingres, Jean-Auguste-Dominique: Louis-François Bertin 67

International Society: Exhibition of Fair Women 65–6, 246n51, 246–7n57

Israels, Jozef 155

Jack the Ripper 22–3, 24–5, 36, 229n52, 229n55, 230n56

Jenkins, David Fraser 250n83

Jensen, Robert 185

Jewish art 143–7, 154–63, 276n2, 285–6n70, 291–2n103, 292n105

Jewish Art and Antiquities exhibition (1906) see Whitechapel Art Gallery

Jewish Chronicle

assimilationist views 148

Bomberg interview 145, 158, 179, 277n8

Gertler interview 151, 282n45, 283n53

review of Whitechapel exhibition 160

Jewish community in Whitechapel 144–6, 147–9, 148, 277n7, 277–8n13, 278nn14, 16, 17, 18, 279n21

appeal to outsiders 169, 296n143

assimilation 154–5

educational institutions 149, 279n25

family relations 169, 295nn137, 138

occupations of 279n20

paintings of 150, 163–5

philanthropic institutions 149, 279n24

repatriation 148, 279n22

Jewish Education Aid Society (JEAS) 149–53, 279–80n27, 280nn28, 30, 280–81n31

grant to Bomberg 149, 152, 280n30, 280–81n31, 283nn50, 51, 284n55

grant to Gertler 151, 282nn42, 45

Jewish identity 154, 284n57

Jewish World: ‘Jews and Cubism’ 142, 143

John, Augustus

clothing 200, 245n43, 247n63

on difficulty of painting gypsies 62, 245n41

extended family 72–3

gypsy lifestyle 54, 59–62, 77, 241nn13, 14, 244n39

Italian influences 250n86

on Lewis 93

and modernism 189, 303nn32, 33

and modernity 192, 304n48

mourning for Ida 75, 77

photographs of 59, 61, 64

reputation of 49–54

sense of identity 68, 247n58

supposed Romany origins 244n40

WORKS

Caravan at Dusk 52, 53

The Childhood of Pyramus 249n79

David and Dorelia in Normandy 62

Decorative Group (Family Group) 75, 76

The Flute of Pan 248n72

Forza e Amore 248n72

Gypsy Encampment 53, 53

Ida 77

Ida in the Tent 60

Lyric Fantasy (The Blue Lake) 48, 53–4, 70–77, 71, 192, 248n72, 249n80, 250n87, 250nn83, 86, 251n96, 304n48

Lyric Fantasy cartoon 72, 73

The Mumpers 248n72

The Smiling Woman 65, 66, 67–8, 70, 246nn50, 51, 52, 56

The Way Down to the Sea 75, 76, 249–50n81

Wyndham Lewis 93

John, Dorelia see McNeil, Dorelia

John, Gwen 9, 204–6, 224n31, 308n108

La Chambre sur la Cour 205

The Student 68, 69, 247–8n66

John, Ida 53, 59–60, 60, 72, 75, 77, 244n37

John, Pyramus 53, 72, 75, 244n36

John, Robin 53

Joseph, Lily Delissa 287–8n76

Kandinsky, Vasily 221n2, 309n121

Kellogg, Shirley 79, 252n3

keyhole view 46, 238n134

Kill that Fly! 94–6, 94, 259n67, 260n69

Kisling, Moïse 149, 155, 159, 219, 315n5

Klein, Melanie 75, 251n97

Klepac, Lou 19, 226n15

Knight, Stephen 229n55

Konody, Paul 45, 98, 175

Kramer, Hilton 226n13

Kramer, Jacob 145, 149, 157–8, 219, 280n27, 280–81n31, 288n78, 290n89

Krauss, Rosalind 180, 298n173

Kristeva, Julia 138, 274n88, 274n95

Lamb, Euphemia 72, 249–50n81

Lane, Hugh 70, 248n72, 249n74

Leftwich, Joseph 163, 287–8n76, 290n89, 294n123

Leonardo da Vinci, Mona Lisa 70

Lewis, Wyndham

Albert Hall Picture Ball 215, 313–14n4

appearance of 201–2, 201

on the Ballets Russes 263n104

and Blast 114, 193, 206, 297n158, 305n55

and Bloombsbury Group 194, 305n62

and Bomberg 297nn153, 158, 298n169

Cabaret Theatre Club decorations 89–94, 90, 91, 97, 97, 102, 257–8n50, 261n90

depictions of dancers 99–111, 264n112

fashionability 82, 254n19, 254n21

on Augustus John 68, 247n62

and modernism 189, 192, 303n33, 304n48

portraits of 92, 93, 114

Tarr 112, 113, 265n127

and Mary Borden Turner 314–15n16

views of 186

The Wild Body 111–12, 265n118

and women 112, 114–15, 265nn125, 127, 266n139

WORKS

Abstract Design 102

Composition 104, 261–2n94

Creation 80, 253n6

Dancer 102

The Dancers (?Study for Kermesse) 103, 104

Design for a Programme Cover – Kermesse 102, 104

Kermesse (lost) 79–80, 92–4, 192, 253n4, 253nn7, 8, 258–9n60, 259n65

Kermesse (Yale) 78, 90, 102, 104, 105, 258–9n60, 262nn96, 97, 314n10

Lovers 83, 84, 87, 89, 102, 254nn22, 23

Mother and Child 80, 253n6

The Vorticist 112, 113

A Wall Decoration in the Cave of the Golden Calf 102, 104

Lilly, Marjorie 20, 24, 225n3

Lipchitz, Jacques 163, 292n105

Lissitzky, El 291–2n103

Lombroso, Cesare 22, 228n45

London Docks 178

London Group 181, 183, 291nn98, 99, 298n161

Lowinsky, Thomas 280n27

Lowndes, G. R., Gypsy Tents and How to Use Them 57, 57

Löwy, Ruth 280n27

Lustmord 40, 40, 235n106

Maccabeans 149, 282–3n48

MacCarthy, Desmond 120, 269n25

MacCarthy, Molly 120

Machmadim 163, 292n104

McNeil, Dorelia 53, 59, 62, 65, 68, 72, 244n36, 247n58, 247–8n66

Maginnis, Hayden 126

Manet, Edouard 133, 221n2, 300–01n9

Olympia 34, 34, 36–8, 44, 233nn93, 94

Manet and the Post-Impressionists (1910) see Grafton Galleries

Marc, Franz 207

Marinetti, Filippo Tommaso 174, 191, 204, 216–17, 304n41, 314n10

Marriott, Charles, Subsoil 98, 259n66, 262–3n99

Marsh, Edward 80–81, 169, 215, 216, 295–6n142

Marshall, Barbara 197

masculinity

and modernism 111–15, 199–202

and primitivism 209–10

masquerade 202

maternal influences, in paintings 137–9, 275n95

Matisse, Henri

Back III 124

La Danse 99, 100

Pastorale 76, 77

Meninsky, Bernard 149, 157, 159, 219, 288n77

Millar, Gertie 252n3

Mistinguett 85, 86, 87, 256nn36, 39

Modern French Artists (1910) see Brighton Art Gallery

modernism

anti-modernism 64, 246n46

avant-garde 187–8, 302nn22, 26, 28

British 192–6, 304n49

classification of xii, 7, 223n20

definitions of 7–8, 184–90, 300nn2, 3, 5, 6, 8, 301n10

and gender 196–206

hysterical response to 161, 186

ideology 269–70n27

and masculinity 111–15, 199–202

and modernisation 184–5

and nostalgia 191–2

reviews of 8–9, 161–2, 224n32, 251n90

and women 140, 276n98

modernity 190–92

Modigliani, Amedeo 146, 149, 155, 159, 286n71, 287n73

Caryatid 156, 219

Head 156, 219

Monet, Claude-Oscar: The Beach at Trouville 133, 134, 272n58

Moore, G. E. 269n24

Morris, Margaret 106, 107, 108

Morwood, Vernon 243n29

mother-child relationship 137, 274n80

Moulin Rouge 84–5, 256nn36, 37

mourning 75, 77, 191–2

Mozart, George 79, 252n3

murder 38–40

Murray, John Middleton (JMM) 9, 224n32

music halls 79–80, 88–9, 252n3

apache dance 83–7, 85, 86, 88, 256nn36, 37

and Futurism 216–17

revue 94–5, 259–60n68, 260n70

see also Cabaret Theatre Club

Nadelman, Elie 149, 155, 219, 315n5

Napley, David 22

narrative

in Sickert’s pictures 18–19, 30–3, 225n10, 226n16, 235n105

in Victorian paintings 5–6, 35, 132–3, 140, 186

Neo-Pagans 244n38

Nevinson, Christopher 82, 144, 217, 254n18, 277n4, 279–80n27, 280n28

Waiting for the Robert E. Lee 82, 253n11, 254n20

New English Art Club 3, 82, 161, 199, 200, 204–5, 283n53, 302n22

newspapers

photographs in 81–2, 253–4n13

reporting of Camden Town Murder 21–2, 25, 26–7, 28–9, 38, 39, 40–42, 227n32, 232n82, 234n101

significance of 41, 235–6n108, 236nn109, 111

Nijinsky, Vaslav 80, 81, 261n91, 263n105

the nude, in Camden Town Murder paintings 33–5, 45–7

Omega Workshops 193–4, 302n22, 305n59

and Bomberg 177, 297–8n160

and Fry 195, 270n29

and Lewis 194

nursery design by Vanessa Bell 136, 195

at Whitechapel exhibition 223–4n20

Orwell, George 227n32

Paget, Lady Muriel 80–81, 216, 313–14n4, 314–15n16

Panofsky, Erwin xiii, 312–13n153

Paris

apache 83–5, 255n28–34

Jewish artists 155, 163, 286–7n72, 287n73

Pascin, Jules 145, 149, 155, 219, 315n5

Pater, Walter 70

Pavilion Theatre, Mile End Road 165, 171, 173, 292n106

phallic aesthetics 114, 115, 266n134

philanthropy, cultural 4–7, 222nn10, 12, 222–3n13

photography, in newspapers 81–2, 253–4n13

Picasso, Pablo 305n61

Pots et Citron 267n4

Piero della Francesca

Madonna del Parto 139, 139

Madonna della Misericordia 123, 124

Nativity 73, 250n86

Pitman, Hugo 70, 73, 249n75, 250n87

Podro, Michael 247n58

Poe, Edgar Allen 38, 234n100

Poggi, Christine 236n109

Pollock, Griselda 197, 306n73

Post-Impressionist exhibitions (1910 and 1912) see Grafton Galleries

Post-Impressionist and Futurist exhibition (1913)

see Doré Gallery

Post-Impressionists 49, 98, 221n2

Potts, Alex 311–12n150

Pound, Ezra 185–6, 208, 209, 263–4n107, 299n181, 301n15

Pre-Raphaelite themes 159, 290n88

primitivism 206–10, 308–9n111, 310n128

prostitution 23, 33–4, 35–8, 42, 44, 46–7, 233n86, 237n121, 238n136

and music halls 88, 257n44

Puvis de Chavannes, Pierre 70, 74, 248n72, 249n76

The Pleasant Land 71

Quinn, John 248n72, 253nn7, 8, 258–9n60

ragtime see dance

Rainey, Lawrence 216, 314n10

Ramsay, Gilbert xii, 1, 2, 4, 6–9, 70, 145, 221–2n9, 223n20, 249n76

Raverat, Jacques 126

Read, Herbert 291n99

Rebel Art Centre 7, 98–9

reparation 75, 251n97

revue 94–5, 259–60n68, 260n70

Rhythm magazine 106, 107, 108–9, 111, 302n22

Rice, Ann Estelle 106, 263n105

Rich, Adrienne 137, 274n80

Richmond, Sir William Blake 45

Ricketts, Charles 186

Riviere, Joan 202

Roberts, Harry: The Tramp’s Handbook 54, 56–7, 242n27

Roberts, William 144, 277n4, 279n27

Robey, George 79, 252n3

Robins, Anna Gruetzner 12, 225n8

Robinson, Joyce Henri 250–51n89

Rodker, John 1, 288n76, 296–7n150

Romantics, seaside 129–30

Rosenberg, Harold 276n2

Rosenberg, Isaac 279n25, 287–8n76

at the Slade School 144, 149, 157, 277n4, 279–80n27, 280n28

Pre-Raphaelite influences 159, 290n88

Whitechapel Exhibition (1914) 145, 159, 219, 315n6

WORKS

The Artist’s Father 170

Self-Portrait 200–01, 201, 307n93

Ross, Robert 125, 268n20

Rothenstein, Albert 104, 261n93, 285n63

Rothenstein, John 167, 171

Rothenstein, William 281n37

and Gertler 150, 282n41, 293n114

Jewish Art and Antiquities exhibition (1906) 285nn63, 67

Jewish Education Aid Society (JEAS) 149

paintings of Jewish community 150, 158, 281n36, 281–2n38

works:

Jews Mourning in a Synagogue 150

Reading the Book of Esther 151, 293n114

Royal Academy 199, 200

Rückenfigur 140, 276n100

Russell, Richard 128, 270n41, 271n54

Rutter, Frank 158, 176

Sackville Gallery: Futurist exhibition (1912) 89, 90, 174–6, 185, 258n52, 301n18

Sadler, Michael 109, 111, 264n109

Salome dances 104, 261n92

Sampson, John 54, 241n13

Sands, Ethel 22, 229n46

Sargent, John Singer 150, 152, 281n35, 283n49

Sassoon, David 280n27

Schéhérazade 106, 108, 263n105

Schepeler, Alick 65, 68, 246n49, 247nn61, 62

Schloss, Hubert 146, 158, 159, 219, 280n27, 289n80, 290n89, 316n10

sculpture

Greek 208

primitive 208–10

seaside

and children 131, 271n54

gender divisions 131

as Impressionist subject matter 133

resort development 128–35, 270n41

Segal, Naomi 204

Selwood, Mabel 118, 119

Severini, Gino 175–6, 190, 297n153

The Blue Dancer 90

The Boulevard 174, 176

The Pan-Pan Dance at the Monico 82, 90, 175–6, 254n20, 258n52, 297n154

sex-crimes 23, 25, 230n58, 235n106

sexuality, and dance 85–9, 99–100, 108–9, 260–61n87

Shaw, Bertram 21, 228n43

Shelley, Percy Bysshe 130

Shiff, Richard 309n114

Shone, Richard 23, 229n49

Shopping 115

Sickert, Walter 24

on Cubism 177

facture 19, 20, 32, 45, 189, 229n53, 232n83

interest in murder 38, 233n98

and Jack the Ripper 24–5, 229n52, 229n55

on Lewis 93

locations of pictures 225n3, 238–9n141

and modernism 189, 303n33

and modernity 192

music-hall influences 88–9

narrative of pictures 18–19, 30–33, 225n10, 226n16, 235n105

on the nude 34–5, 232n80, 232n83

titles of pictures 12–13, 18–19, 225n9, 225–6n11, 226n14

Whitechapel exhibition review 7, 224n22

and Woolf, Virginia 33, 232n75

working method 24–5, 176, 229nn53, 54

WORKS

L’Affaire de Camden Town 12, 17, 18–19, 20, 46–7

Camden Town Murder 44

Camden Town Murder: La Belle Gatee (‘Persuasion’) 13, 16, 22

The Camden Town Murder or What shall we do for the Rent? 10, 12, 13, 14, 19–20, 23, 36, 227n25

Camden Town Nude: Conversation 12, 16

Cocotte de Soho 37, 233n92

Dawn: Camden Town 11

La Hollandaise 20, 20, 229n55

Mornington Crescent Nude, Contre-Jour 18–19, 18

The Poet and his Muse 42, 236n118

The Studio: The Painting of a Nude 42, 43, 236n118

Study for L’Affaire de Camden Town 16, 37, 238–9n141

Study for The Camden Town Murder (‘Consolation’) 13, 14, 15, 238–9n141

Summer Afternoon or What shall we do for the Rent? 12, 13, 238–9n141

significant form 117, 124–8, 141, 161, 182,211

Silverman, Kaja 226n14

Simmel, Georg 191, 310n127

Sims, George 35, 232n82

The Sketch

Albert Hall Picture Ball (1913) 214, 215

Apache Dance 86

on Augustus John 50–51

Slade School

clothing of students 307–8n98

Jewish students 149, 157–8, 279–80n27, 280n28

picnic 144, 277n4

traditional style 7

women students 198

Smith, Paul 64–5, 246n48

Smith, Terry 300n2

Solomon, Simeon 155

Solomon, Solomon J. 149, 152, 162, 282–3n48, 291n101

spectatorship 45–6

Spencer, Stanley 144, 277n4, 279n27

Spielmann, Isidore 149, 281n34

Spielmann, Marion H. 145, 149, 154, 281n34, 285n64

Stables, Gordon, The Cruise of the Land Yacht ‘Wanderer’ 54, 56, 56, 242n23

Stafford Gallery: Cézanne and Gauguin exhibition (1911) 192, 221n2

Steer, Philip Wilson

beach scenes 133, 272n59

Boulogne Sands 134

Stein, Gertrude 197

Steiner, Wendy 312n152

Stephen, Julia 135–6, 137–8, 273nn71, 72, 275n96

Stephen, Leslie 135, 136

Stephen, Virginia see Woolf, Virginia

Stevens, May 212, 311n148

Steyn, Juliet 155, 161–2, 277n5, 284–5n59

Strachey, Marjorie 120

Strang, William 8

Strindberg, Mme Frida Uhl 89, 90–91, 98, 257n49, 259n65, 260n85

suffragettes 197, 204, 308n107

Swanick, Helena 233n95

Symbolists, dance 99, 260–61n87

tango see dance

The Tatler

on Futurism 216, 314n8

‘Lady Arthur Grosvenor Goes A-Gipsying’ 55

‘Terpsichorean Terrors’ 101

‘A Vision of the Apache Dance’ 88

technological modernity 190–92, 330n36

theatre

Jewish 163, 165, 173, 173, 292n106

see also Cabaret Theatre Club; music halls

Tichborne Claimant 24, 229n52

Tillyard, Stella 225n10, 233n91

titles of pictures see Sickert, Walter

The Tramp magazine 54, 59, 242–3n28

tramps 54–9, 63–5, 243n30

see also gypsies

Turner, Mary Borden 217, 314–15n16

Twentieth Century Art: A Review of Modern Movements (1914) see Whitechapel Art Gallery

Twenty Years of British Art (1910) see Whitechapel Art Gallery

urbanisation 56, 242n22

Vauxcelles, Louis 46–7, 238n136

Victorian paintings, narrative 5–6, 35, 132–3, 140, 186

visual semiotics 312n152

Vorticism 112–13, 189, 211, 220n1, 254n21

Whitechapel exhibition (1914) xii, 2, 7

and women 203–4

Votes for Women 120, 121, 267n5

voyeurism 46–7

Waley Cohen, Robert 149, 281n33, 284n55

Waley, Hubert Schloss see Schloss, Hubert

Watney, Simon 226n14

Watts, George Frederick

Found Drowned 35, 36

Time, Death, and Judgement 5, 5, 223n14

Webb, Beatrice 164, 293n117, 295n134

Weiner, Mark 149, 158, 159, 219, 289n79, 315–16n9

Weiner, Martin 242n22

Weininger, Otto 204, 308n105

Weinstein, Samuel 288n76

Weiss, Jeffrey 216

Welchman, John 225–6n11

Weldon, Harry 79, 252n3

Whistler, James 13, 18, 30, 200, 307n89

Symphony in White, No. 3 44

Whitechapel, Jewish community see Jewish community in Whitechapel

Whitechapel Art Gallery 2, 3, 6

cultural philanthropy 4–7, 146, 222nn10, 12, 222–3n13

Jewish Art and Antiquities (1906) 144–5, 154–5, 277n5, 284n58, 285nn60–63, 65, 67

Jewish Section of 1914 exhibition xii, 144–6, 158–63, 218–19, 290n89

Twentieth Century Art: A Review of Modern Movements (1914) xii, xiv, 1–9, 188, 223–4n20, 224n26, 249n76, 251n90, 273n79

Twenty Years of British Art (1910) 3, 8, 145

Wilenski, R. H. 34, 232n77

Williams, Raymond 311n144

Winsten, Clare see Birnberg, Clara

Wollen, Peter 109, 194, 306n65

Wolmark, Alfred 145, 155, 157, 158, 159, 218, 287n75

Decorative Still Life 156

women

appearance of 140, 276n98

as artists 198–9

at art exhibitions 301n18

consumerism 197, 204, 306n74, 310–11n137

and dance 260–61n87

and modernisation 196–9, 203–6

and the seaside 131–2, 271–2n55, 276n99

Women’s International Art Club 199

Wood, Robert 21, 22, 23, 23, 39, 228n37, 228n43, 228n44, 231n70

Woolf, Virginia 33, 119, 135, 232n75, 272n66, 273n77, 305n60

To the Lighthouse 131–2, 133, 135–6, 141, 212, 272n64

Worringer, Wilhelm 207–8, 309–10n123

Yates, Dora 241n15

Yiddish culture 163, 292n106

Zola, Emile 44, 237n122

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