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Description: Painting and Private Life in Eleventh-Century China: Mountain Villa by Li Gonglin
Index
PublisherPrinceton University Press
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Index
Ackerman, James, 126n.3
agrarian life, 35
agriculture, 61
allusion, 9
An Fensou, 24–25
An Lushan, 73
architecture, 57
art market, 16–17
ascending a height (deng gao), 84
autobiography, 6–8, 30, 66, 67, 86–87, 92, 107–108, 124n.80
Avatamsaka Sutra, 35
bamboo, 7, 17
banishment, 13, 23, 25, 48, 73
baohua, 42
Bare Tree, Bamboo, and Rocks (Su Shi), 4
Barnhart, Richard, 20, 92, 101
Berenson, Bernard, 33. See also Mountain Villa
Bizang quan (Explanation of the secret treasure) (Song Taizong), 99–100
Bo Juyi, 51, 53, 54, 57
Book of Changes, 94
Boya, 83
Brilliant, Richard, 68
Brotherton, Elizabeth, 55
Buddhism, 99
Chan, 44, 64
Flower Garland (Huayan) Sect, 35, 58
and Li’s paintings, 20, 37, 39–42, 44–45, 58, 64–65, 75, 102, 129n.64, 131n.38
and painting, 28
and Wang Wei, 75
Buddhist temples, 51
Cahill, James, 118
Cai Zhao, 22, 23
calligraphy, 5, 22, 60
Canglang Pavilion, 48
cartouches, 129n.62
caves, 38
Chao Buzhi, 5–6, 26, 54–56, 61, 63–64, 108
Chao Yuezhi, 13
Chen Shidao, 24
Classic of Filial Piety (Li Gonglin), 29–30, 101–102, 115
illustrations of, 20, 76, 115
Classic of the Yellow Court, 22
clerical script, 78
cliff carvings, 129n.62
cliffs, 76
clouds, 102, 134n.29
Cloudy Mountains (Mi Youren), 6
collaborative painting, 22
colophons, 27–28, 38, 89, 114
commemorative painting, 111
Comprehensive Mirror for Aid in Government, 51
Confucius and Confucianism, 57–58, 59
Cosgrove, Denis, 60
court artists, 14–16
Court of Imperial Sacrifices, 15
cranes, 60
Cui Bo, 14, 15
Dabie Mountains, 61
Daniels, Stephen, 60
Daoism, 28, 60, 63, 83, 84
deception, 6–7
“Deming,” 116
Deng Zhongchen, 75
Dong Kai, 135n.13
Dong Qichang, 69, 71, 74, 85, 113–14, 135n.10
Dong You, 79
Dong Yu, 15
Dong Yuan, 18, 92
Dragon Cavities of the Nine Stars (Jiuxing longxue), 95
dragons, 34, 40, 61
Dream Brook, 48
Du Fu, 6, 22
Du Mu, 53, 54
Du Xian, 114–15
Dunhuang, 94, 98, 103
dust, 36
Dwelling in the Qingbian Mountains (Wang Meng), 110
Early Spring (Guo Xi), 15, 91, 110
Eastern Garden, 47–48
Eastern Slope, 48
Easy Rest (Li Gonglin), 22
“Eight Thrones” (Li Chunfeng), 25
“Eight Views of Xiao and Xiang,” 18
Elegant Gathering in the Western Garden, 23
Emperor Huizong, 19, 29, 30, 49, 108, 116
Emperor Renzong, 12
Emperor Shenzong, 12, 13, 15
Emperor Taizong, 15, 17, 99–100
Emperor Taizu, 71
Emperor Xuanzong, 78
Emperor Yu, 59
Emperor Zhezong, 13
Empress Dowager Xuanren, 13
Encyclopedia of the Yongle Era (Yongle dadian), 95
eremitism, 4, 36, 37, 38, 55, 106, 109–10. See also hermits
examination graders, 26–27
examinations, civil service, 4, 12, 26, 54, 119n.2
exclusivity, 17
factionalism, 19, 31
Fan Kuan, 81
Fan Zhen, 48
Fang Shishu, 111
Fanlong, 113, 135n.14
figures, portrayal of, 65, 101–102
and landscape, 85–86
filial piety, 4, 60
Fishermen’s Village under Snow (Wang Shen), 92
Fishing Hut (Diaoyu an), 53
Five Dynasties, 14
Five Horses (Li Gonglin), 20
Flower Garden Meditation Hut, 58, 60
Flower Garland Hall (Huayan tang), 34–35, 64
Flower Garland Sect, 35, 58
Flower Garland Sutra, 28, 44, 65, 103, 126n.36
flowers, 52
Flying Riders Archery Practice (Li Gonglin), 25–26
Fogg Art Museum, 99–100
footwashing, 39, 41
forgery, 81, 113, 135n.10
Four Elders Playing Chess (Li Gonglin), 75
Four Great Masters of Yuan, 109
friendship, 21–23, 48–49
Fu Bi, 48, 50, 51
Further Records of the Geography of Wu Commandery (Wujun tujing xuji) (Zhu Changwen), 47
Gallery of Cloudy Grain Fragrance (Yunxiang ge), 34–35
ganzhi cycle, 94
Gao Fuzhong, 72
Gao Kerning, 14
Gao Wenjin, 14, 15
Gao Yi, 14, 15, 16
Garden of Solitary Enjoyment, 50–54, 56, 58, 108
gardens: of Chao Buzhi, 54–56
definition of, 126n.1
human presence in, 65
of Li Gonglin, 60–66
in Northern Song dynasty, 47–50
and private identities, 49–50
revealing of owner’s character, 8
of Sima Guang, 50–54
as subject of painting, 46–47
of Zhu Changwen, 56–60
genre, 9
Genyue Garden, 49
Geographical Map (Dili zhi tu), 94
geology, 42, 90
geomancy, 9–10, 93–94, 95
Going Up the River at Qingming Festival (Zhang Zeduan), 12–13, 97
Golas, Peter, 61
Grant, Beata, 126n.36
Gu Kaizhi, 20, 98
Guan Tong, 70
Guanyin, 20
Guo Ruoxu, 70, 90
Guo Xi, 14, 18, 21, 70, 91, 92, 110
Guo Xiangzheng, 129n.54
Guo Zhongshu, 72
guwen (ancient literature) movement, 49
Han Gan, 18, 20
Han Kang, 53
handscrolls, 28, 30, 32–33, 98
Hanlin Academy, 15
Hanlin Bureau of Painting, 14
He Yongshao, 105
Henan Province, 78
Hermit of Longmian (Li Gonglin), 31
hermits, 34, 68, 78, 102, 110. See also eremitism
History of the Qin (Qinshi) (Zhu Changwen), 60
Ho, Wai-kam, 122n.43
horses, 18, 19, 20, 27
Hough, Michael, 62
Huaining, Anhui, 24
Huang Gongwang, 109
Huang Jucai, 14
Huang Qian, 14
Huang Shuda, 24
Huang Tingjian: banishment ends, 13
and Buddhism, 64
denounced, 49
garden poetry of, 47
and Li Gonglin, 21–24, 31
and literati painting, 5
and Lu Hong, 79
on painting and poetry, 5–6
and Su Shi, 26
and Wang Wei, 71, 74, 75
Huihong, 121n.31
Huiming, 17
Hut of Master Returning Home, 54–56, 108
Hymes, Robert P., 4
Illustration of Su Shi’s Second Prose Poem on the Red Cliff (Qiao Zhongchang), 116
illustration, textual, 96–101
imperial patronage, 19
Imperial University, Kaifeng, 26
inaccessibility, 17
ink meditation, 45, 65
ink monochrome, 70, 76, 80, 115
ink play (moxi), 5
Ink Pool Discussions (Mochi bian) (Zhu Changwen), 60
Iris and Orchid Chamber (Wang Meng), 110
Jade Hall, 15
Jia Shigu, 113
Jiangnan, 14
Jiaqing emperor, 114
Jing Hao, 70
Jinxiang Prefecture, 55
Joy Garden (Lepu), 56–60
Juran, 14, 15
Kaifeng, 12–13, 14, 16, 30, 47–49, 79, 91
Kohara Hironobu, 101
Kyoto, 100
land, investment in, 61
landscape painting, 90
effect of, on human mind, 40–41
and figures, 85–86
and illustration, 96–101
by literati, 91–93
monochrome, 70, 92
Mountain Villa as, 9–10
Ledderose, Lothar, 74
Li Bo, 6
Li Cheng, 16, 91
Li Chongyuan, 11, 33, 44, 62, 65
Li Chunfeng, 95
Li Deyu, 51
Li Gefei, 47, 50, 51
Li Gonglin: appearances in Mountain Villa, 33, 39, 44
artistic processes of, 93–104
autobiographical painting by, 66, 67
biography of, 11–14
and Chao Buzhi, 54
distaste for professionalism, 20
family of, 62
frequents art market, 16
Five Horses, 20
and friendship, 21–23
homestead of, 94
illustrates Flower Garland Sutra, 44
Illustrations of The Classic of Filial Piety, 20, 76, 115
ink monochrome style, 20
and literati painting, 5
in Longmian Mountains, 61
and Lu Hong, 68, 80–81, 84–87
and meditation, 65
on painting and poetry, 6
painting style of, 49
Pasturing Horses, 8
poetry by, 75
Portrait of Vimalakirti, 75
portrayal of figures by, 101–102
and Qiao Zhongchang, 135n.13
Qin and Crane, 25
relation of paintings to life of, 21–27
as scholar-artist, 18–21
self-reference in painting by, 4, 7–8
Sketch of Wang Wei Returning to Mt. Song, 75
Sketch of Wang Wei Watching Clouds, 75
site names used by, 62–65
and Su Shi, 8, 21, 22–23, 26, 122n.46
and Tao Qian, 55
technique of, 91
and Thatched Hut, 68
Three Horses, 22–23
and Wang Wei, 18, 22, 74–78, 93, 108
and Wangchuan Villa, 68
Yang Pass, 21, 24, 75, 76
and Zhu Changwen, 57
Li Jie, 11, 33, 61, 62
Li Rihua, 85
Li Shi, 62
Li Tang, 14
Li Xuyi, 12
Li You, 16–17
Liang Kai, 113
Liang Shicheng, 29
Liao dynasty, 99
Lin Yanxiang, 80, 81, 82
lingering by waters (lin shui), 84
Literary Gathering at a Yangzhou Garden (Fang Shishu and Ye Fanglin), 40
literati painting (wenren hua), 5, 79, 91–93
Liu Anshi, 51–52
Liu Chenweng, 69, 117
Liu Congyi, 122
Liu Guan, 69, 76, 114, 115
Liu Jingwen, 25
Liu Kezhuang, 81
Liu Tuo, 49
Liu Zili, 79
Lohans (Fanlong), 135n.14
Longmian Mountains, 61
Lotus Society, 75
Lotus Sutra, 99, 103
Lu Dian, 24
Lu Hong, 68, 78–82
and Li Gonglin, 84–87, 108
on Mount Song, 82–84
and Wang Wei, 79, 85
Lü Huiqing, 19
Lü Yashan, 111
Luoyang Elders Club, 48, 51
Luoyang, 16, 48, 49, 50, 51–53
Ma Hezhi, 114, 116
Ma Yueguan, 111
Ma Yuelu, 111
Map of Imperial Domains (Yuji tu), 94
Map of Pingjiang Prefecture (Pingjiang fu tu), 94
maps, 93–94
Master Returning Home (Guilai zi) (Chao Buzhi), 55–56
Mawangdui, 93, 94
meditation, 62, 64
Mei Yaochen, 47
Mencius, 52
Meng Haoran, 6
Mi Fu, 5, 17, 18, 20, 23, 49–50, 71, 79, 80, 91–92, 118
Mi Youren, 18, 80, 92, 134n.29
Milin, 59
Ming dynasty, 75, 110–11
Ministry of Punishments, 15
modeling techniques, 91
monks, 16–17
Mount Dadi, 79–80
Mount Song, 78, 82–84, 85
Mountain of Accumulated Gems (Baoji shan), 43
Mountain Villa (Shanzhuang tu): and actual topography, 89–90
and artist’s life, 8–9
Berenson copy, 34, 36, 91, 116–17, 118, 136n.15
Cave of Extending Blossoms (Yanhua dong), 38, 63, 86
Chamber of Perching Clouds (Qiyun shi), 37, 63, 100, 102, 115
Chenpeng Torrent (Chenpeng ji), 43, 99, 101
Cleveland Museum of Art copy, 33, 118
described, 3
Discovering Truth Embankment (Fazen wu), 35, 62, 77
formats and media of, 29–30, 32–33
garden as subject of, 46–47
Guanyin Cliff (Guanyin yan), 40, 64, 65
Hall of Ink Meditation (Mochan tang), 34, 43–44, 62, 65, 77, 99, 131n.38
and hermits, 68
human presence in, 65
Hut of Mysterious Completion (Biquan an), 37–38, 62, 64, 100, 115
ink monochrome draft, 76
Jade Dragon Gorge (Yulong xia), 40, 64
Lingling Valley (Lingling gu), 39–40, 63, 64, 86
Lodge of Establishing Virtue (Jiande guan), 34, 42, 43, 62, 61, 63–64, 77, 93–96, 117
Lodge of Fragrant Reeds (Xiangmao guan), 35–36, 62, 64, 77
Magpie Stream (Que quan), 45
Musée Cernuschi copy, 117, 118, 129n.54, 13
National Palace Museum (Taipei) copy, 33, 35, 42, 76, 114–15, 125n.35
Necklace Cliff (Yingluo yan), 36–37, 63, 64, 100, 103
origins and significance of, 27–31, 105–12
Palace Museum (Beijing) copy, 34, 36, 42, 48–49, 114–15, 135–36n.14
Peak of Accumulated Gems (Baoji feng), 43, 99, 104, 129n.64
Precious Blossom Cliff (Baohua yan), 42–43, 62, 64, 90
preface to, 118
Raining Blossoms Cliff (Yuhua yan), 39, 62, 64, 101, 102
as self-representation, 61
site names in, 62–65, 103, 114
spatial organization in, 101
Su Shi’s colophon, 107
Surpassing Gold Cliff (Shengjin yan), 41–42, 62, 65
Suspended Cloud Bank (Chuiyun pan), 41, 64
technique in, 91
Valley of the Pure Prime (Chengyuan gu), 38
Villa I Tatti copy, 34, 36, 91, 116–17, 118
and Wang Wei, 75
and Wangchuan Villa, 93, 100
mountains, 76
artificial (jiashan), 49
muktahara (necklace), 37
Muller, Deborah Del Gais, 102–103
murals, 20
Murck, Christian, 68
Musée Cernuschi, 33. See also Mountain Villa
music, 60
Nanzenji, 100
National Palace Museum, Taipei, 33, 80–81. See also Mountain Villa
naturalism, 90
naturescapes, 110
necklaces, 124n.10
Needham, Joseph, 90
Nelson, Susan E., 110
Ni Zan, 109
Nine Songs (Li Gonglin), 29–30, 102
Niu Sengru, 51
Northern and Southern Schools, 70–71
Nymph of the Luo River (Gu Kaizhi), 98
Office of Municipal Water Affairs, 15
Osaka Municipal Museum, 80
Ouyang Xiu, 47, 49
Owen, Stephen, 30, 31, 86–87
painters: court, 14–16
literati, 5, 79, 91–93
professional, 18–19
scholar-artists, 17–21
Palace Museum, Beijing, 32–33, 80–81. See also Mountain Villa
Pan Zhengwei, 116
panel paintings, 15
“Parable of the Illusory City,” 98, 99
Pasturing Horses (Li Gonglin), 8
Pasturing Horses (Wei Yan), 115
patronage, 8–9, 15, 16, 19
Pavilion for Playing with Water (Nongshui ting), 53
Pavilion for Watering Flowers (Jiaohua ting), 53
pavilions, 109
Pei Di, 51, 69
Pillowing Mist Court, 18
pingdan (blandness), 49–50
Pingquan Villa, 51
plain drawing (baimiao), 20
Plot for Picking Herbs (Caiyao pu), 53
poetry: farewell, 24–25
on gardens, 4, 53
illustrations of, 22
by Li Gonglin, 75
lyric verse, 6 –7
and painting, 5–7
shi, 6–7
by Su Che, 34–45
themes of, 84
political alliance, 48
ponds, 52, 62, 83
Portrait of Vimalakirti (Li Gonglin), 75
“Preface and Twenty Poems Written on Li Gonglin’s Mountain Villa” (Su Che), 28–29
Presenting Credentials (Li Gonglin), 25
privacy, 4
Puchi Temple, 79
Qian Baoguang, 22
Qian Xuan, 109, 114
Qian Yuanliao, 57
Qianlong emperor in a Garden, 41
Qianlong emperor, 85, 112, 114, 135n.10
Qiao Zhongchang, 100–101, 116, 135n.2, 135n.13
Qin and Crane (Li Gonglin), 25
Qin Guan, 72, 74, 75, 80
qin, 60, 83, 132n.59
Qing dynasty, 75, 111
Qingyuansi, 71
Qiu Chong, 114
Qiu Shoumai, 114
Qiu Ying, 111
Qu Ding, 14, 90, 92, 97
Qu Yuan, 36
Reading Hall (Dushu tang), 53
Record of the Brush (Bifa ji) (Jing Hao), 70
“Record of the Elegant Gathering in the Western Garden” (Mi Fu), 118
“Record of the Garden of Solitary Enjoyment” (Dule yuan ji) (Sima Guang), 51–53
“Record of the Joy Garden” (Lepu ji), 57–59
Record of the Famous Gardens of Luoyang (Luoyang mingyuan ji) (Li Gefei), 47, 51
Red Cliff, 100
restaurants, 17
“Returning Home” (Guiqu lai xi ci) (Tao Qian), 20, 55
Returning Home Garden, 63
rivers, 76
rocks, 7, 17, 49
role playing, 6–7
Sakyamuni, 103
scale, 82
Schirokauer, Conrad, 4
scholar-artists, 17–21
scholars and scholarship, 4, 5, 11, 47–48
Science and Civilization in China (Needham), 90
screen paintings, 15, 20
“Second Prose-poem on the Red Cliff” (Su Shi), 100
“Seeing Off Yuan the Second on His Mission to Anxi” (Wang Wei), 24
self-reference, 4, 7
Sensabaugh, David, 109–10
Shangu Temple, 24
Shansi Province, 99
Shanzhuang tu. See Mountain Villa
Shen Gua, 48
Shen Zhou, 111
shi poetry, 6–7
Shi Rongzhong, 80
Shoso-in, 94
Shu kingdom, 14
Sima Guang, 12, 48, 50–54, 56, 58, 60–61, 63–64, 108
Siren, Osvald, 117
site names, 52–53, 56, 63–65, 103, 114, 129n.62
Sketch of Wang Wei Returning to Mt. Song (Xie Wang Wei gui Song tu) (Li Gonglin), 75
Sketch of Wang Wei Watching Clouds (Xie Wang Wei kan yun tu) (Li Gonglin), 75
Snow Hall, 48
social encounters, 23–24
solitary enjoyment, 52
Song dynasty, 80
garden culture of, 47–50
intellectual life of, 5
landscape painting in, 90–93
social life during, 4
Yuanyou era, 13, 31
Song Lao, 116
Song Lian, 114, 118
Song Taizong, 99–100
Song Zhiwen, 71
Songs of Chu, 36, 39
Southern Garden, Wuxing, 49
space cells, 73
spatial coherence, 90
spatial conventions, 97
sporting events, 25–26
Stele of the Yuanyou Party, 55
Stone Table Garden (Sun Kehong), 111
stonework, 62
streams, 76, 83
Studio for Planting Bamboo (Zhongzhu zhai), 53
style name, 50
Su Che: banishment ends, 13
and Li Gonglin, 8, 22
and Lu Hong, 79
on Mountain Villa, 28–29, 106–107
poems of, 33, 34–45, 47, 48, 64, 114, 116
Su Shi, 19, 68–69
banishment of, 48
and Buddhism, 64
and Chao Buzhi 54–55
colophon by, 27–28, 89, 107
denounced, 49
as exam administrator, 26
garden poetry of, 47
and Li Gonglin, 8, 21, 22–23, 26, 122n.46
and literati painting, 5
and Lu Hong, 79
and Mountain Villa, 106–107
on painting and poetry, 5–6, 7
paintings by, 17
poems by, 27, 45, 74
praises Guo Xi’s screen, 15
at Red Cliff, 100
and Wang Wei, 74, 79
on Wen Tong, 123n.7
and Zhu Changwen, 57
Su Shunqin, 48
Sullivan, Michael, 121n.31
Summer Mist along the Lake Shore (Zhao Lingrang), 92
Summer Mountains (Qu Ding), 90–91, 92, 97
Sun Chengze, 116
Sun Kehong, 111
Sun Sihao, 17
Suzhou, 48, 56–60
Tang dynasty, 14, 51, 53, 73, 79, 82
Tang Yin, 111
Tao Qian, 6, 20, 22, 53, 54–56, 57, 59, 128n.50
temple painting, 15–16
Ten Views from a Thatched Hut. See Thatched Hut
Terrace for Viewing Mountains, 53
Terrace of Viewing Mountains (Jianshan tai), 52
thatched buildings, 52, 109
Thatched Hut (Caotang tu) (Lu Hong), 78–82
Awaiting Immortals Steps, 83
Cloud Brocade Torrent 83
Gold Jasper Pond, 84
Leafy Shade Lodge, 82
Canopy of Green Court, 82
and Li Gonglin, 68
and Mountain Villa, 9
Pillowing Mists Court, 81, 84
Reflections Terrace, 84, 86
Soothing Rapids, 83
Understanding Truth Chamber, 83, 86
and Wangchuan Villa, 85
Three Horses (Li Gonglin), 22–23
Three Lis of Longmian, 11, 86
Tōdaiji, 94
Tongcheng District, 89
towers, 52
trees, 7, 17, 40, 42, 61
Twelve Methods of Arrangement (Shi’er zhangfa) (Yang Yunsong), 95
Vairocana Buddha, 64, 124n.10
Van Gulik, Robert H., 125n.35
viewing public, 17
Villa I Tatti, 33. See also Mountain Villa
Vimalakirti, 39
Vinograd, Richard, 109
“Visiting the Eastern Garden of [Fan] Jingren” (Su Che), 48
Wagner, Marsha, 75
walled enclosures, 77
Wang Anshi, 12, 19, 24, 48, 51
Wang Ao, 114
Wang Huizhi, 53
Wang Meng, 109, 110
Wang Shen, 7, 18, 23, 92
Wang Wei, 9, 18, 68–73
and Li Gonglin, 18, 22, 74–78, 93, 108
and Lu Hong, 79, 85
“Zhongnan Retreat,” 131n.32
Wang Xianzhi, 92
Wang Xizhi, 92
Wang Zhi, 116, 136n.16
Wangchuan (river), 71
“Wangchuan Collection” (Wangchuan ji), 69, 73, 77–78
Wangchuan Villa (Wangchuan tu) (Wang Wei), 126n.2, 131n.38
Bamboo Lodge, 77
Grained Apricot Lodge, 77
Meng Wall Cove, 77
and Mountain Villa, 9, 29, 68–74, 93, 100
Sophora Path, 77
and Thatched Hut, 85
Wangkou Villa, 77
Water and Moon Guanyin, 37
waterfalls, 76
Wei Yan, 19
Weintraub, Karl J., 30, 67, 124n.80
Wen Tong, 17, 20, 123n.70
Wen Yanbo, 51, 71
Wen Zhengming, 80, 111
Weng, Wanggo, 126n.1
Whitman, Christina, 4
wineshops, 17
woodblock prints, 9–10, 98–100
Wu Daozi, 16, 18, 70
Wu Hufan, 69
Wu Lü, 69, 114, 115
Wu Qizhen, 117
Wu Sheng, 136n.15
Wu Ting, 114
Wu Yuanyu, 14
Wu Zhen, 109
Wu Zi, 126n.2
Wu Zongyuan, 14, 16
Wu, Madam, 57
Wu-Yue Kingdom, 57
“Written after Li Boshi’s Mountain Villa” (Su Shi), 27–28
Xiangguo Temple, 15–16
Xie Songzhou, 114, 116
Xu Bangda, 81, 115
Xu Hao, 89
Xuanhe Painting Catalogue (Xuanhe huapu), 18, 48, 64, 69–70, 79, 85, 113
Xuantong emperor, 114
Yan Guang, 53, 59
Yan Su, 15, 16
Yan Wengui, 14, 15, 16, 80
Yang Ningshi, 81
Yang Pass (Li Gonglin), 21, 24, 75, 76
Yang Yunsong, 95
Yanzi, 52, 57–58
Ye Fanglin, 111
Ye Longli, 114, 117, 118
Ye Mengde, 19, 79–80, 125n.36
Yi Yuanji, 14
Yingxian, 99
Yu Ji, 103
Yuan dynasty, 69, 80, 109, 114
Yuanyou Party Stele, 49
Zhan Ziqian, 18
Zhang Cheng, 29
Zhang Chou, 109
Zhang Ji, 136n.14
Zhang Shunmin, 25
Zhang Wu, 114
Zhang Xian, 48–49
Zhang Yanyuan, 70
Zhang Zeduan, 13
zhangyuan (manor), 61
Zhao Bian, 25
Zhao Guang, 135n.2
Zhao Lingrang, 18, 92
Zhao Mengfu, 114
Zhao Mengjian, 135n.13
Zhe school, 111
Zhejiang Province, 79–80
“Zhongnan beiye” (Zhongnan Retreat) (Wang Wei), 131n.32
Zhou Bida, 29, 30, 69, 81
Zhou Fang, 18
Zhou Mi, 69, 82, 114
Zhu Changwen, 47, 56–60, 61, 63, 64, 80, 128n.50
Zhu Jingxuan, 71
Zhuangzi, 63
Zong Bing, 45