List of Illustrations

Harrist Jr., Robert E.

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List of Illustrations

Robert E. Harrist Jr.

Painting and Private Life in Eleventh-Century China: Mountain Villa by Li Gonglin

List of Illustrations

Author

Robert E. Harrist Jr.

PublisherPrinceton University Press

Stable URL: https://aaeportal.com/?id=-23821

List of Illustrations

1.1–12. Copy after Li Gonglin. Mountain Villa. 12th cent. Handscroll. Ink on paper. 27.7 × 513 cm. Palace Museum, Beijing. Photo: Palace Museum, Beijing.

1.1. Discovering Truth Embankment, Lodge of Fragrant Reeds, Necklace Cliff, Chamber of Perching Clouds

1.2. Hut of Mysterious Completion, Cave of Extending Blossoms, Valley of the Pure Prime

1.3. Raining Blossoms Cliff

1.4. Lingling Valley

1.5. Jade Dragon Gorge, Guanyin Cliff

1.6. Suspended Cloud Bank

1.7. Surpassing Gold Cliff

1.8. Precious Blossom Cliff

1.9. Chenpeng Torrent, Peak of Accumulated Gems

1.10. Hall of Ink Meditation

1.11. Magpie Stream

1.12. Colophons by Ye Longli, Wang Ao, and Dong Qichang

2. Zhang Zeduan. Going up the River at Qingming Festival. Early 12th cent. Handscroll. Ink and colors on silk. 24.8 × 528 cm (section). Palace Museum, Beijing. Photo: Palace Museum, Beijing.

3. Guo Xi. Early Spring. 1072. Hanging scroll. Ink and light colors on silk. 158.3 × 108.1 cm. National Palace Museum, Taipei. Photo: National Palace Museum, Taipei.

4. Su Shi. Bare Tree, Bamboo, and Rocks. 11th cent. Handscroll. Ink on paper. 23.4 × 50.9 cm (section). Shanghai Museum. Photo: Shanghai Museum.

5. Zhao Lingrang. Summer Mist along the Lake Shore. 1100. Handscroll. Ink and colors on paper. 19.1 × 163.3 cm. Museum of Fine Arts, Boston, Keith McLeod Fund. 57.724. Photo: Museum of Fine Arts, Boston.

6. Mi Youren. Cloudy Mountains. 12th cent. Ink on paper. 27.3 × 57 cm. Metropolitan Museum of Art, gift of J. Pierpont Morgan, by exchange. 1973.121.1. Photo: Metropolitan Museum of Art.

7. Wang Shen. Fishermen’s Village under Snow. 11th cent. Handscroll. Ink and light colors on silk. 44.5 × 219.5 cm (section). Palace Museum, Beijing. Photo: Palace Museum, Beijing.

8. Li Gonglin. Pasturing Horses, copy after a painting by Wei Yan (act. late 7th–early 8th cent.). 11th cent. Handscroll. Ink and colors on silk. 46.2 × 429.8 cm (section). Palace Museum, Beijing. Photo: Palace Museum, Beijing.

9.1–3. Li Gonglin. Illustrations of “The Classic of Filial Piety.” Ca. 1085. Handscroll. Ink and light colors on silk. 21.9 × 475.5 cm (sections). Metropolitan Museum of Art, P. Y. and Kinmay W. Tang Family collection, promised gift of Oscar L. and Jack C. T’ang. L.1990.3.1. Photo: Metropolitan Museum of Art.

9.1. Chapter 7

9.2. Chapter 10

9.3. Chapter 12

10. Li Gonglin. Five Horses. Before 1090. Handscroll. Ink on paper (section). Collection unknown. Photo: Far Eastern Seminar, Princeton University.

11. Copy after Li Gonglin. Mountain Villa. Undated. Handscroll. Ink on paper. 29.9 × 364.6 cm (section). National Palace Museum, Taipei. Photo: National Palace Museum, Taipei.

12.1–11. Copy after Li Gonglin. Mountain Villa. 13th–14th cent. Handscroll. Ink and colors on silk. Height, 27.8 cm. Former Bernard Berenson Collection. Villa I Tatti, Settignano. Photo: The Harvard University Center for Italian Renaissance Studies.

12.1–2. Opening scene of riders entering the Longmian Mountains

12.3. Lodge of Establishing Virtue

12.4. Discovering Truth Embankment, Lodge of Fragrant Reeds, Necklace Cliff, Chamber of Perching Clouds

12.5. Raining Blossoms Cliff

12.6. Jade Dragon Gorge, Guanyin Cliff

12.7. Suspended Cloud Bank

12.8. Precious Blossom Cliff

12.9. Chenpeng Torrent, Peak of Accumulated Gems

12.10. Hall of Ink Meditation

12.11. Magpie Stream

13. Copy after Li Gonglin. Mountain Villa. Undated. Handscroll. Ink and colors on silk. Height, 25.5 cm. Musée Cernuschi, Paris. Photo: Musée Cernuschi.

14.1–5. After Wang Wei. Wangchuan Villa. Undated. Handscroll. Rubbing based on an engraving cut on stone in 1617. 30.4 × 492.8 cm. Far Eastern Seminar, Dept. of Art and Archaeology, Princeton University. Photo: Far Eastern Seminar, Princeton University.

14.1. Huazi Hill, Meng Wall Cove

14.2. Wangkou Villa

14.3. Grained Apricot Lodge, Clear Bamboo Range, Magnolia Enclosure

14.4. Dogwood Bank, Sophora Path

14.5. Bamboo Lodge

15.1–11. After Lu Hong. Thatched Hut. 12th–13th cent. Handscroll. Ink on paper. 29.4 × 600 cm. Scenes reorganized in the order recorded by Zhou Mi in Yunyan guoyan lu. National Palace Museum, Taipei. Photo: National Palace Museum, Taipei.

15.1. Thatched Hut

15.2. Leafy Shade Lodge

15.3. Canopy of Green Court

15.4. Understanding Truth Chamber

15.5. Awaiting Immortals Steps

15.6. Cloud Brocade Torrent

15.7. Soothing Rapids

15.8. Gold Jasper Pond

15.9. Reflections Terrace

15.10. Pillowing Mist Court

15.11. Colophons

16. Anonymous. Playing Chess under Trees. 8th cent. Painted plectrum guard. Lacquer on wood. Shōsō-in, Nara. Photo: Shōsō-in Treasure House.

17. Detail of figure 1.4, Lingling Valley

18. Detail of figure 15.9, Reflections Terrace

19. Attributed to Qu Ding. Summer Mountains. 11th cent. Handscroll. Ink and light colors on silk. 45.3 × 115.29 cm. Metropolitan Museum of Art, gift of the Dillon Fund. 1973–120.1. Photo: Metropolitan Museum of Art.

20. Map from tomb 3, Mawangdui, Hunan. 2nd cent. B.C. Ink and colors on silk. 98 × 78 cm (detail). Photo: Wenwu.

21. Map of Tōdaiji, Nara. 756. Ink on hemp or ramie cloth. Shōsō-in, Nara. Photo: Shōsō-in Treasure House.

22. Map of Pingjiang Prefecture. 1229. Rubbing from a stone engraving. Photo: Wenwu.

23. Diagram from a woodblock-printed almanac for the year 877, discovered at Dunhuang (detail). British Library, London. Photo: The British Library.

24. Detail of figure 12.3, Lodge of Establishing Virtue

25. Attributed to Li Chunfeng (7th cent.). “Eight Thrones,” from Dragon Cavities of the Nine Stars. Woodblock print. Reprinted in Yongle dadian.

26. Attributed to Yang Yunsong (9th cent.). Diagram for a “condensed site,” from Twelve Methods of Arrangement. Woodblock print. Reprinted in Gujin tushu jicheng.

27. Anonymous. The Parable of the Illusory City. 8th cent. Wall painting. Cave 217, Dunhuang, Gansu Province. Photo: Lo Archive, Princeton University.

28. Copy after Gu Kaizhi. Nymph of the Luo River. Undated. Handscroll. Ink and colors on silk. 24 × 310 cm (section). Freer Gallery, Washington, D.C. 14.53–1. Photo: Freer Gallery.

29. Anonymous. Frontispiece to chapter 4 of the Lotus Sutra. Ca. 983–1012. Woodblock print. Discovered at Fogong Temple, Yingxian, Shanxi. Photo: Wenwu.

30. Anonymous. Illustration for chapter 13 of Bizang quan. 1108. Woodblock print. 30 × 52.7 cm. Fogg Art Museum, Harvard University. Louise H. Daly, Anonymous, and Alpheus Hyatt Funds. Photo: Harvard University Art Museums.

31. Anonymous. Illustration for chapter 13 of Bizang quan. 12th cent. Woodblock print. Nanzenji, Kyoto. Photo: Nanzenji.

32. Qiao Zhongchang. Illustration of Su Shi’s Second Prose Poem on the Red Cliff. Early 12th cent. Handscroll. Ink on paper. 29.5 × 560.4 cm (section). Nelson-Atkins Museum of Art, Kansas City, Missouri. F80–5. Photo: Nelson-Atkins Museum of Art.

33. Detail of figure 1.1, Chamber of Perching Clouds

34. Detail of figure 1.3, Raining Blossoms Cliff

35. Anonymous. Frontispiece for the Lotus Sutra. 12th cent. Handscroll. Gold ink on indigo sutra paper. 24.2 × 78.7 cm (detail). Cleveland Museum of Art, John L. Severance Fund. 1970.64. Photo: Cleveland Museum of Art.

36. Detail of figure 1.1, Necklace Cliff

37. Anonymous. Water and Moon Guanyin. 10th cent. Sculpture. Loquat wood. Height, 15.1 cm. Cleveland Museum of Art, gift of Mrs. Dean A. Perry. 1965–556. Photo: Cleveland Museum of Art.

38. Wang Meng. Iris and Orchid Chamber. 14th cent. Handscroll. Ink and colors on paper. 27 × 85 cm (section). National Palace Museum, Taipei. Photo: National Palace Museum, Taipei.

39. Sun Kehong. The Stone Table Garden. 16th–17th cent. Handscroll. Ink and colors on paper. Height, 31 cm (section). Asian Art Museum, San Francisco. Photo: Asian Art Museum.

40. Fang Shishu and Ye Fanglin. Literary Gathering at a Yangzhou Garden. 1743. Handscroll. Ink and colors on silk. 31.7 × 201 cm (section). Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund. 1979.72. Photo: Cleveland Museum of Art.

41. Anonymous. The Qianlong Emperor in a Garden. 1753. Handscroll. Ink on paper. Palace Museum, Beijing. Photo: Palace Museum, Beijing.

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