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Description: The Red Monastery Church: Beauty and Asceticism in Upper Egypt
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PublisherYale University Press
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Contributors
Elizabeth S. Bolman is Chair of the Department of Art History and Professor of Medieval Visual Culture at the Tyler School of Art, Temple University. She was the Director of the Red Monastery Project between 2000 and 2015.
Andrew Crislip is Associate Professor of History arid holds the William E. and Miriam S. Blake Chair in the History of Christianity at Virginia Commonwealth University.
Stephen J. Davis is Professor of Religious Studies and Master of Pierson College at Yale University, where he also serves as Executive Director of the Yale Monastic Archaeology Project (ymap).
Luigi De Cesaris (d. 2011) was Director of Conservation for the Red Monastery Project, founder of the fine art conservation company De Cesaris, a master conservator, and a onetime teacher at the Istituto Centrale del Restauro in Rome.
Paul C. Dilley is an Assistant Professor at the University of Iowa, with a joint appointment in the Departments of Classics and Religious Studies.
Stephen Emmel is Professor of Coptology at the University of Minister; he has been active in Coptic manuscript and historical studies since the 1970s. He is secretary of the International Association for Coptic Studies and editor in chief of the Critical Edition of the Works of Shenoute.
Michael Jones is the Associate Director at the American Research Center in Egypt, Cairo.
Dale Kinney is Research Professor and Professor of History of Art Emeritus, Bryn Mawr College.
Bentley Layton is the Goff Professor of Religious Studies (ancient Christianity) and Professor of Near Eastern Languages and Civilizations (Coptic) at Yale University.
William Lyster is an independent scholar specializing in Coptic and Islamic visual culture who lives in Philadelphia and Cairo.
Father Maximous El-Antony is a specialist in the conservation, restoration, and documentation of Coptic heritage and a member of the International Council of Museums.
Cédric Meurice is a scientific associate at the Department of Egyptian Antiquities of the Musée du Louvre who specializes in Coptic art and historiography.
Emiliano Ricchi is a cofounder and Director of the fine art conservation company De Cesaris, and he was Director of Conservation for the Red Monastery Project (2011–2012); he also teaches fresco painting techniques at the Institute for the International Education of Students, Rome.
Gerry D. Scott III is Director of the American Research Center in Egypt and a specialist in pharaonic art.
Alberto Sucato was Director of Conservation for the Red Monastery Project (2003–2012) and is a cofounder of the fine art conservation company De Cesaris; he also teaches fresco painting techniques at the Institute for the International Education of Students, Rome.
Mark N. Swanson is the Harold S. Vogelaar Professor of Christian-Muslim Studies and Interfaith Relations at the Lutheran School of Theology at Chicago.
Agnieszka Szymańska is a Ph.D. candidate in the Department of Art History at the Tyler School of Art, Temple University, in Philadelphia, who specializes in early Byzantine visual culture.
Nicholas Warner is an architect and architectural historian with a specialization in historic preservation who has been based in Egypt since 1993.
Father Ugo Zanetti is a monk at the Monastère de Chevetogne, Belgium, as well as a former Bollandist and professor at Louvain University.