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List of illustrations

  • Luigi de Cesaris (1961–2011) and Adriano Luzi (1957–2003), Monastery of St. Paul
  • Architectural polychromy and a saint within a niche
  • Painted interior, detail of net pattern with confronted faces
  • Coptic priest praying in the eastern lobe of the triconch, Red Monastery church, Sohag, Egypt
  • Red Monastery church, Sohag, Egypt, looking east
  • Icon of Shenouda, Bishay, and Bigol (Shenoute, Pshoi, and Pcol)
  • Pope Tawadros II and Father Antonious al-Shenoudi in the Red Monastery church, Sohag, Egypt
  • Sanctuary facade wall, looking south, with a view into the triconch
  • Reconstructed ground plans of the White (left) and the Red (right) Monastery churches, to the same scale
  • Architectural polychromy, curtain, and deer
  • Northern lobe reinforced with mud-brick walls
  • Northern lobe
  • Map of Egypt showing locations of monasteries and triconch basilicas
  • Map of Egypt showing the region around the Red and White Monasteries as of 2005
  • Shenoute, the most famous leader of the White Monastery Federation
  • White Monastery church from the southwest
  • Red Monastery church from the northwest
  • Isometric drawing showing the current condition of the Red Monastery church, Sohag, Egypt
  • Triconch (eastern and southern lobes) and the area in front of its facade wall
  • Red Monastery church and tower from the southwest
  • Peacock below a circle pattern with ornament remnants
  • Bird on an aedicule containing a cross, northern nave wall
  • Phases and Approximate Dating of Painting in the Red Monastery Church
  • Nave of the church filled with houses, looking southwest
  • View of the northern lobe before conservation
  • View of the three semidomes after the first test cleanings
  • View of the three semidomes after conservation
  • Red Monastery team with members of USAID, ARCE and the MoA, at the eastern end of the nave of the church, Sohag, Egypt
  • Adriano Luzi completing the first test cleanings, northern semidome, Red Monastery church, Sohag, Egypt
  • Conservators on scaffolding in the eastern semidome, Red Monastery church, Sohag, Egypt
  • East-west section of the triconch, looking north
  • Father Maximous El-Antony in the northern lobe of the triconch, Red Monastery church, Sohag, Egypt
  • Members of the Red Monastery team, northern lobe of the triconch, Red Monastery church, Sohag, Egypt
  • Athanasios, patriarch of Alexandria
  • Theophilos, patriarch of Alexandria, with architectural polychromy
  • Northern lobe of the triconch
  • Spoliate pharaonic lintel with an early Byzantine inscription
  • Pshoi, the founder of the Red Monastery
  • Shenoute and Pcol, the founder of the White Monastery, with architectural polychromy
  • Besa, the successor of Shenoute as leader of the White Monastery Federation
  • Unidentified donor
  • Roofless nave of the White Monastery church, looking east
  • Gold coin hoard from the White Monastery church, Sohag, Egypt
  • Reverse half of an early Byzantine unofficial coin die
  • Burial chamber of the tomb of Shenoute, looking east
  • Sanctuary facade wall
  • Sanctuary facade wall
  • Painted architectural sculpture of monastic figures
  • Southern lobe of the triconch
  • Basil, bishop of Caesarea, with architectural polychromy
  • Triconch sanctuary
  • Mshatta Palace, Jordan, plan, detail
  • Western and eastern triconchs, Cemetery of Callixtus, Rome
  • Triconch Memorial of Moses, Mount Nebo (Siyagha peak), Jordan
  • Basilica Nova of Paulinus of Nola, Cimitile (Nola), Italy, reconstructed section
  • Triconch basilica, Knossos, Crete (Greece), plan
  • Triconch basilica, Betika, Croati, plan
  • Triconch basilica, Iulia Concordia, Italy, plan
  • Triconch basilicas in Egypt, reconstructed ground plans to common scale
  • Pilaster capital under the arch of the south apse, Dayr Anba Bakhum, Egypt
  • Sanctuary of the church of Dayr Abu Fana, Egypt, looking east
  • Eastern and Southern lobes of the triconch
  • Nymphaion
  • Plan of the Red Monastery church and tower, Sohag, Egypt
  • Site plan of the Red Monastery church, Sohag, Egypt
  • Temple of Hathor, south exterior wall
  • Red Monastery church, west exterior wall
  • Elevations of the Red Monastery church and tower, Sohag, Egypt
  • Blind window with a pointed hood, south wall
  • Northern portal
  • Southern portal, interior view
  • Isometric drawing and plans of the medieval tower, Red Monastery church, Sohag, Egypt
  • Nave, looking west
  • Nave, looking east
  • Red Monastery church, Sohag, Egypt, east-west section looking north
  • Red Monastery church, Sohag, Egypt, elevation of the internal western nave wall
  • Original paving stones, stylobate, and column base at northeastern corner of the nave
  • Reconstruction of the Red Monastery church, Sohag, Egypt
  • Area in front of sanctuary facade
  • Area in front of sanctuary facade, looking north
  • Plan of the sanctuary, Red Monastery church, Sohag, Egypt
  • Reconstruction of the possible diachronic sequence of screens in front of the Red Monastery church sanctuary, Sohag, Egypt
  • Reconstruction of the possible diachronic sequence of screens in front of the Red Monastery church sanctuary, Sohag, Egypt
  • Reconstruction of the possible diachronic sequence of screens in front of the Red Monastery church sanctuary, Sohag, Egypt
  • Elevation of the sanctuary facade, Red Monastery church, Sohag, Egypt
  • Upper zones of the sanctuary facade, looking east
  • Doorway of the north side of the sanctuary facade
  • Northern column of the chancel arch
  • Reconstruction of the nave, looking east, Red Monastery church, Sohag, Egypt
  • Reconstruction of the nave, looking east, Red Monastery church, Sohag, Egypt
  • Plans of the first (left) and second (right) levels of the triconch, Red Monastery church, Sohag, Egypt
  • Elevation of the eastern lobe, Red Monastery church, Sohag, Egypt
  • Flattened elevations of levels I and II, Red Monastery church, Sohag, Egypt
  • View of the column shaft continuing below the collar base
  • Plans, elevations, and sections, Red Monastery church, Sohag, Egypt
  • Schematic plan of the brick construction of the southern semidome, Red Monastery church, Sohag, Egypt
  • North-south section through the sanctuary, looking west, Red Monastery church, Sohag, Egypt
  • Northern long room, looking west
  • Southern long room, looking east
  • Northern square room, looking southwest, during conservation
  • Capitals
  • Capital made specifically for its spoliate column shaft
  • Elements of the Corinthian capital
  • Large capital of level I
  • Large capital of level I
  • Large capital of level I
  • Large capital of level I
  • Large capital of level I
  • Large capital of level I
  • Large capital of level I, right face
  • Large capital of level I, right face
  • Large capital of level I, right face
  • Medium capital of level II
  • Medium capital of level II
  • Medium capital of level II
  • Pilaster capital of level I, left
  • Pilaster capital of level I, left
  • Pilaster capital of level I, right
  • Small capital
  • Small capital
  • Small capital
  • Capital of the chancel arch
  • Capital of the chancel arch
  • Plaster capital of the façade wall
  • Plaster capital of the façade wall
  • Pilaster capital of the facade wall passageways
  • Pilaster capital of the facade wall passageways
  • Pilaster capital of the facade wall passageways
  • Capital west of the sanctuary façade
  • Capital west of the sanctuary façade
  • Capital west of the sanctuary façade
  • Capital west of the sanctuary façade
  • Capital west of the sanctuary façade
  • Capital west of the sanctuary façade
  • Capital west of the sanctuary façade
  • Capital west of the sanctuary façade
  • Composite pediment
  • Composite pediment
  • Composite pediment
  • Slit-modillion cornice on the pediment, detail
  • Fragments of a slit-modillion cornice, presumably from the entablature over the nave colonnade
  • Niche on the sanctuary facade
  • Niche on the sanctuary facade
  • Niche on the sanctuary facade
  • Southern portal, external facade
  • Southern portal, detail
  • Northern portal, external facade
  • Internal facade of the northern portal, detail
  • Capital from the basilica at Hermopolis Magna (Ashmunayn)
  • Capital from the basilica at Hermopolis Magna (Ashmunayn)
  • Architectural polychromy
  • Decorative frieze, south wall
  • Ornament and birds, south wall, east end
  • Doe with patterns, exposed by plaster loss
  • Beam-and-plank scaffolding, Red Monastery, Sohag, Egypt
  • Ornament and three saints, east wall of the clerestory
  • Architectural polychromy, southeastern corner of the clerestory
  • Christ in the burning bush
  • Fruit-bearing trees visible in areas of paint loss
  • Stephen, the first martyr, with architectural polychromy
  • Eastern lobe as well as parts of the north and south lobes
  • Architectural polychromy, showing an additional marbled panel
  • Eastern lobe
  • One of two saints covered by marbling in the niche
  • Southern lobe, showing architectural polychromy with Mark and Iohannes
  • Theonas, patriarch of Alexandria, with architectural polychromy
  • Northern lobe, showing architectural polychromy with depictions of leaders of the White Monastery Federation in the niches
  • Braid patterns and other ornament
  • Western half of the southern lobe, seen from the eastern lobe, with an unidentified saint, Joannes and Theonas
  • Southern lobe, showing architectural polychromy with Basil, Mark and Joannes
  • Vine scrolls and other ornament
  • Northern lobe, showing architectural polychromy with Anthanasios, Cyril and Theophilos in the niches
  • Western half of the northern lobe, seen from the eastern lobe, with Athanasios, Besa, and Shenoute
  • Ornamented panel
  • Niche head decorated with crow's steps and other ornament
  • Horn, vine, and cloverleaf pattern with other ornament and a later face
  • Fan pattern added to the central roundel of an ornamental panel
  • Ornamental patterns on the outer face and soffit of the southern semidome arch
  • Black-and-white pattern painted over figural and ornamental subjects
  • Semidome and level II of the eastern lobe
  • Architectural polychromy
  • Eastern lobe, level II, before conservation
  • Tomb of the Palmettes, detail
  • Caesar Gallus in a toga picta
  • Templon column, Hagios Polyeuktos, Constantinople
  • Orthodox Baptistery
  • Architectural polychromy on the first two levels of the southern lobe
  • Dionysiac textile, detail
  • Architectural polychromy
  • Virgin Mary with angels in a colonnade, detail
  • General view of the northern (conserved) and eastern (mostly unconserved) lobes
  • Southeastern corner of the triconch
  • Ascension and three depictions of Christ in Majesty, painted one over the other in the eastern semidome
  • Eastern lobe, with part of the northern and southern lobes and the clerestory
  • Western wall
  • Unidentified standing saint
  • Eastern semidome from the south
  • Flaming wheels and wings with eyes, details from two of three versions of Christ in Majesty
  • Christ in Majesty above the Virgin and Child, apostles, and local saints
  • Moses receiving the law
  • Moses and the burning bush
  • Angel with a Eucharistic flagon
  • Angel with Eucharistic implements
  • Entablature frieze, eastern and southern lobes, with baskets of bread
  • Peacock and antelope, with architectural polychromy
  • Eastern and southern lobes
  • Cyril, patriarch of Alexandria, with the ghost of an earlier standing figure, probably also Cyril
  • Archangel Michael
  • Archangel Gabriel
  • Northern semidome with Virgin and Child
  • Arcades and lamps, with Joseph at the left, detail
  • Virgin Mary nursing the Christ Child
  • Western side of the northern semidome, showing Elijah, Ezekiel, Jeremiah, and Peter
  • Eastern side of the northern semidome, showing Paul, Isaiah, Daniel, and Moses
  • Southern semidome showing fruit trees above Christ
  • Christ as Logos
  • Eastern side of the southern semidome, showing Peter I, John, Mark, and John the Baptist
  • Western side of the southern semidome, showing Zachariah, Luke, Matthew, and Dioskoros
  • Dioskoros, patriarch of Alexandria
  • Angel
  • Prophet Daniel
  • Christ and two angels, underpainting
  • Angel, underpainting
  • Apostle, underpainting
  • Apostles and fragments of Christ in Majesty scenes
  • Angel with elements of Christ in Majesty scenes
  • Apostle
  • Roman official
  • Nude infant
  • Oedipus killing Laios
  • Angel of Annunciation
  • Standing angel, drapery, detail
  • Roundel of the Virgin Mary with an interlacing circle pattern
  • Apostle or evangelist
  • Apostle or evangelist
  • Gazelle and architectural polychromy
  • Mark the Evangelist
  • Archangel, presumably Michael
  • Virgin Mary
  • Tyche of Constantinople, detail
  • Virgin Mary Galaktotrophousa with an angel, west wall
  • Apa Theona, the Archbishop of Alexandria
  • Apa Elijah the Tishbite
  • Connections between paintings in the northern lobe, Red Monastery church, Sohag, Egypt
  • Peter the Apostle in Shenoutean federation dress
  • Connections between paintings in the southern lobe, Red Monastery church, Sohag, Egypt
  • Biological connections in paintings in the northern lobe, Red Monastery church, Sohag, Egypt
  • Pshoi and Stephen, flanking the eastern lobe
  • Inscriptions, detail of wall painting
  • Dipinto of Matthew, detail
  • Two identifying inscriptions, details, showing The Holy Apa . . . the Archdeacon and The Holy Stephanos
  • Shallow dome showing an archangel, possibly Michael, painted over grapevines and a yellow eagle
  • Shallow dome, reconstruction of iconography
  • Shallow dome showing rays of jeweled light, eagles, and grapevines, with archangels and busts of evangelists in roundels
  • Domed vestibule with eagles in the pendentives
  • Southern long room looking northeast into the southern square room
  • Christ and adoring angels, south wall, northern square room
  • Mary and Pshoi (?), west wall, northern square room
  • Ornamental pattern, perhaps stylized loaves, northern side of the archway between the northern square room and the northern long room
  • Coptic inscription
  • Christ in Majesty
  • White and Red Monastery churches, circa 1798
  • Medieval cross
  • Orant
  • Shenoute depicted on a manuscript page
  • Cross roundel framed by a guilloche arrangement containing knot patterns, after partial test cleaning
  • Surviving portion of a cross in an aedicule and a later equestrian saint
  • Area of the facade wall above the portal leading into the northern long room
  • Medieval cross decorated with elaborate interlace
  • Cross decorated with interlace
  • Cross decorated with interlace and surrounded by animals, from Encomium on St. Theodore Stratelates
  • Equestrian saint
  • Trilobed entrance portal and medieval figures painted on the columns of the sanctuary platform
  • Christ in Majesty, detauk showing zodia, the Virgin Mary, the evangelists Matthew and Mark, and Armenian inscriptions
  • Key inscribed with the names of Shenoute and monks of the White Monastery
  • Archangel, during test cleaning
  • Virgin and Child
  • Archangel Michael, detail
  • Cross with angels, the Virgin Mary, and John the Baptist
  • Coptic inscription
  • Silver cross, undated and now lost
  • Dedicatory inscription of Deacon Paul
  • Walter Crum, Josef Strzygowski, Somers Clarke, and Max Herz outside the northern portal of the Red Monastery church, Sohag, Egypt
  • Earliest surviving depiction of the White Monastery church
  • Plan and section of the White Monastery church, also showing Coptick Font from the Red Monastery
  • Sanctuary, looking east, Red Monastery church, Sohag, Egypt
  • Paintings in the southern semidome, Red Monastery church, Sohag, Egypt
  • Exterior of the sanctuary, Red Monastery church, Sohag, Egypt
  • Pages from field notebooks showing various views and details of the Red Monastery church, Sohag, Egypt
  • Composite plan of the Red Monastery church's boundary wall
  • Red Monastery church, Sohag, Egypt, from the southeast, showing walled village
  • Triconch, looking southwest, Red Monastery church, Sohag, Egypt
  • Medieval squinch below the sanctuary dome, Red Monastery church, Sohag, Egypt
  • Northern and eastern lobes of the sanctuary after restoration, Red Monastery church, Sohag, Egypt
  • Somers Clarke, Max Herz, and others standing in front of the medieval enclosure wall, Red Monastery church, Sohag, Egypt
  • Plan showing the condition of the Red Monastery church in 1908 and the distribution of the houses in the nave
  • Red Monastery church's nave, looking north, after the partial clearance of domestic structures
  • Medieval brick building and trilobed entrance in front of the sanctuary, Red Monastery church, Sohag, Egypt
  • Plan showing the condition of the Red Monastery hurch after completion of the 1909–1910 Comité project
  • Sanctuary facade and protective roofs seen from the west, Red Monastery church, Sohag, Egypt
  • Elevation of the Red Monastery church sanctuary facade showing the Comité interventions of 1909
  • Sanctuary facade, northern end, after restoration, Red Monastery church, Sohag, Egypt
  • Sanctuary facade, southern end, after restoration, Red Monastery church, Sohag, Egypt
  • October 1962 plan of the Red Monastery church showing the inlaid marble paving in the sanctuary and the wall in the nave
  • Mahud Ahmad (left) and an anonymous figure in the northern lobe of the Red Monastery church, Sohag, Egypt
  • Western facade of the church and tower, Red Monastery church, Sohag, Egypt
  • Rubble enclosure wall incorporating the medieval trilobed portal, Red Monastery church, Sohag, Egypt
  • Peter I to the left of John and Mark, detail of test cleaning
  • Face of Vigrin Mary, detail of 2002 test cleaning
  • Detail of conservation in progress
  • Detail of a face visible beneath a later painting of a cross during cleaning
  • Photographic section showing the brick vault, the clay and red hematite preparatory layer, and three layers of plaster
  • Detail of placement marks under a preliminary sketch
  • Diamond pattern exposed by the loss of plaster, detail
  • Braid pattern with three horizontal guidelines (battitura di filo), south wall, northern long room
  • Imitation masonry
  • Pilaster capital with trompe l'oeil sculpting on the left face
  • Cross painted over the remains of prophets holding scrolls
  • Inscription painted over an ornamental pattern
  • Orange and purple paint applied on top of black to enhance the color range
  • Eastern semidome, detail
  • Virgin orans above a medieval cross in the niche
  • Palimpsest showing a checkerboard pattern, an angel, and a medieval cross roundel
  • Pink and green encaustic paints, detail
  • Photographic section showing green encaustic paint on plaster
  • Graphic documentation of the Red Monastery church, Sohag, Egypt
  • Church before conservation, detail
  • Niche above the chancel arch before conservation
  • Geometric pattern, exposed by the loss of later plaster, on the soffit of the southern arch
  • Alberto Sucato reattaching loose plaster with liquid mortar, Red Monastery church, Sohag, Egypt
  • Head of an apostle from the Ascension, detail
  • Ghost of encaustic paint used in the Ascension, detail
  • Emiliano Ricchi applying acqua sporca to the painting of Besa, Red Monastery church, Sohag, Egypt
  • Female bust in a wreath during conservation, detail
  • Female bust in a wreath after conservation, detail
  • Eastern semidome before the aesthetic reintegration of Christ
  • Eastern semidome after the aesthetic reintegration of Christ
  • Luigi de Cesaris applying trateggio, west wall, northern long room, Red Monastery church, Sohag, Egypt
  • Facade wall, chancel arch, and triconch, looking east
  • Angel, detail
  • Northeastern corner of the triconch, detail of third and fourth levels
  • Besa and Shenoute in niches with architectural polychromy
  • Isaiah, detail
  • Medieval bird in a guilloche pattern
  • Chiara Di Marco applying acqua sporca, Red Monastery church, Sohag, Egypt
  • Test cleanings of two angels, Red Monastery church, Sohag, Egypt
  • Sanctuary facade wall, looking south, with a view into the triconch
  • Paschal computus in Coptic, nave, west wall
  • Facade wall with location numbering, Red Monastery church
  • Triconch plan with location numbering, Red Monastery church
  • Triconch elevation with location numbering, Red Monastery church
  • Triconch flattened elevation of levels I and II, with location numbering, Red Monastery church
  • Facade wall showing phases of painting, Red Monastery church
  • Northern lobe showing phases of painting, Red Monastery church
  • Northern lobe showing phases of painting on levels III through V, Red Monastery church
  • Northern lobe showing phases of painting on levels I and II, Red Monastery church
  • Northern lobe showing phases of painting in the niches of levels I and II, Red Monastery church
  • Eastern lobe showing phases of painting, Red Monastery church
  • Eastern lobe showing phases of painting on levels III through V, Red Monastery church
  • Eastern lobe showing phases of painting on levels I and II, Red Monastery church
  • Eastern lobe showing phases of painting in the niches of levels I and II, Red Monastery church
  • Southern lobe showing phases of painting, Red Monastery church
  • Southern lobe showing phases of painting on levels III through V, Red Monastery church
  • Southern lobe showing phases of painting on levels I and II, Red Monastery church
  • Southern lobe showing phases of painting in the niches of levels I and II, Red Monastery church
  • Inner western sanctuary wall showing phases of painting, Red Monastery church
Free
Description: The Red Monastery Church: Beauty and Asceticism in Upper Egypt
Contents
Author
PublisherYale University Press
Free
Description: The Red Monastery Church: Beauty and Asceticism in Upper Egypt
This book presents, in a comprehensive and multidisciplinary manner, an extraordinary monument, the richly painted early Byzantine Red Monastery church at Sohag, Egypt (fig. 1). The church holds a unique place in world heritage as the best surviving triconch basilica. Most remarkable is the extent of its decoration, its interior surfaces completely...
PublisherYale University Press
Free
Description: The Red Monastery Church: Beauty and Asceticism in Upper Egypt
In Egypt the care of all historic heritage, including ancient churches currently in use, is the responsibility and prerogative of the State, specifically the Ministry of Antiquities (MoA). While the Coptic Orthodox Church is able to use historic churches, official procedures and the complex and frequently restrictive regulations enforcing them have encouraged both clergy and local populations to...
PublisherYale University Press
Free
Description: The Red Monastery Church: Beauty and Asceticism in Upper Egypt
The Red Monastery has undergone a tremendous change in the last ten years. Not only has its ancient church been conserved, which has revealed the beauty of its unique wall paintings, but the monastery itself has been repopulated for the first time since the middle ages. It has been transformed from a dilapidated and unoccupied archaeological site into a...
PublisherYale University Press
Free
Description: The Red Monastery Church: Beauty and Asceticism in Upper Egypt
Monumental buildings physically manifest human imagination and desire. These two intangibles begin the long process of architectural creation, which involves many different people and a wide range of...
PublisherYale University Press
Free
Description: The Red Monastery Church: Beauty and Asceticism in Upper Egypt
~It has been an extraordinary privilege to have spent the last fifteen years working on one of the great monuments surviving from the early Byzantine Empire. Projects such as this one, involving extensive site work and...
Author
PublisherYale University Press
Free
Description: The Red Monastery Church: Beauty and Asceticism in Upper Egypt
Part I
Author
PublisherYale University Press
Description: The Red Monastery Church: Beauty and Asceticism in Upper Egypt
The past several decades have been transformative for the historiography of early Byzantine Egypt, and its bibliography is now enormous.See Bagnall 2007. In this chapter I restrict my comments to aspects of the region and period that pertain most directly to the Red Monastery: Egyptian ecclesiastical and monastic...
PublisherYale University Press
Related print edition pages: pp.3-9
https://doi.org/10.37862/aaeportal.00359.1

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Description: The Red Monastery Church: Beauty and Asceticism in Upper Egypt
Literary and material evidence indicates that a fourth-century ascetic named Pshoi founded the Red Monastery (fig. 2.1). Pshoi’s institution was a cenobium, that is, a communal monastery with an all-powerful abbot, collective worship and common food service, a rigid schedule of work and worship, an elaborate, walled...
PublisherYale University Press
Related print edition pages: pp.11-15
https://doi.org/10.37862/aaeportal.00359.2

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Description: The Red Monastery Church: Beauty and Asceticism in Upper Egypt
Making the desert a city, an often quoted phrase from Athanasios’s Vita Antonii, draws attention to new centers of ascetic activity...
PublisherYale University Press
Related print edition pages: pp.17-25
https://doi.org/10.37862/aaeportal.00359.3

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Description: The Red Monastery Church: Beauty and Asceticism in Upper Egypt
Lawrence A. Hoffman has defined liturgy as “acts and scripts of worship” as well as “similarly ritualized phenomena” found in a variety of religious (and even sometimes nonreligious) settings...
PublisherYale University Press
Related print edition pages: pp.27-35
https://doi.org/10.37862/aaeportal.00359.4

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Description: The Red Monastery Church: Beauty and Asceticism in Upper Egypt
Defined by its configuration of three apses or exedrae on two perpendicular axes...
PublisherYale University Press
Related print edition pages: pp.37-47
https://doi.org/10.37862/aaeportal.00359.5

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Description: The Red Monastery Church: Beauty and Asceticism in Upper Egypt
The Red Monastery lies between the cultivated lands of the Nile Valley and the high escarpment of the...
PublisherYale University Press
Related print edition pages: pp.49-77
https://doi.org/10.37862/aaeportal.00359.6

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Description: The Red Monastery Church: Beauty and Asceticism in Upper Egypt
The architectural sculpture of the Red Monastery church—comprising capitals and entablatures, niche frames, and two elaborate doorways—is the only such ensemble from early Byzantine Egypt that...
Author
PublisherYale University Press
Related print edition pages: pp.79-93
https://doi.org/10.37862/aaeportal.00359.7

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Free
Description: The Red Monastery Church: Beauty and Asceticism in Upper Egypt
Part II
Author
PublisherYale University Press
Description: The Red Monastery Church: Beauty and Asceticism in Upper Egypt
Perhaps the most remarkable aspect of the early Byzantine paintings in the Red Monastery church is the lavish...
PublisherYale University Press
Related print edition pages: pp.97-117
https://doi.org/10.37862/aaeportal.00359.8

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Description: The Red Monastery Church: Beauty and Asceticism in Upper Egypt
One of the rarest and most dramatic aspects of the Red Monastery church triconch is its painted skin...
PublisherYale University Press
Related print edition pages: pp.119-127
https://doi.org/10.37862/aaeportal.00359.9

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Description: The Red Monastery Church: Beauty and Asceticism in Upper Egypt
Virtually everything in the intentional communities of early monasticism was charged with meaning, especially the church. In this building, monastics worshipped God, consumed the means of sharing everlasting life with Christ (the Eucharist), honored the saints, and commemorated their ancestors. Liturgical prayers encapsulated biblical and church history and mapped out the path to salvation offered through the incarnation and resurrection of Christ...
PublisherYale University Press
Related print edition pages: pp.129-149
https://doi.org/10.37862/aaeportal.00359.10

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Description: The Red Monastery Church: Beauty and Asceticism in Upper Egypt
The Red Monastery triconch, with its stratigraphically clear phases of painting, provides an excellent opportunity to explore the variety of styles chosen for a single church in relatively quick succession. The monastic authorities had the triconch painted three times within about a century, and minor...
PublisherYale University Press
Related print edition pages: pp.151-163
https://doi.org/10.37862/aaeportal.00359.11

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Description: The Red Monastery Church: Beauty and Asceticism in Upper Egypt
According to his Life, Shenoute, when still a young boy, went to visit Pcol, the founder of the White...
PublisherYale University Press
Related print edition pages: pp.165-173
https://doi.org/10.37862/aaeportal.00359.12

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Description: The Red Monastery Church: Beauty and Asceticism in Upper Egypt
The Red Monastery church provides a unique opportunity to study the early Byzantine epigraphic habit in its Christian context.This...
PublisherYale University Press
Related print edition pages: pp.175-181
https://doi.org/10.37862/aaeportal.00359.13

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Description: The Red Monastery Church: Beauty and Asceticism in Upper Egypt
Early Byzantine paintings from phases 1, 3, and 4 survive in the pairs of rooms flanking the triconch, irregularly...
PublisherYale University Press
Related print edition pages: pp.183-189
https://doi.org/10.37862/aaeportal.00359.14

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Description: The Red Monastery Church: Beauty and Asceticism in Upper Egypt
Part III
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Description: The Red Monastery Church: Beauty and Asceticism in Upper Egypt
In their excellent entry on the history of the Red Monastery in The Coptic Encyclopedia, René-Georges Coquin and Maurice Martin made the astute comment that “this monastery always remained in the shadow of its celebrated neighbor [the White Monastery], so much so that its history is somewhat eclipsed...
PublisherYale University Press
Related print edition pages: pp.193-201
https://doi.org/10.37862/aaeportal.00359.15

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Description: The Red Monastery Church: Beauty and Asceticism in Upper Egypt
The White Monastery Federation continued to thrive well beyond the early Byzantine period, as Mark Swanson and Paul Dilley show in Chapters 15 and 17, drawing on the written record. Material evidence complements their accounts. Massive...
PublisherYale University Press
Related print edition pages: pp.203-215
https://doi.org/10.37862/aaeportal.00359.16

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Description: The Red Monastery Church: Beauty and Asceticism in Upper Egypt
The Monastery of Apa Shenoute, popularly known as the White Monastery, is one of only a few major ascetic communities across the Mediterranean world to have existed continuously from late antiquity through the medieval period...
PublisherYale University Press
Related print edition pages: pp.217-229
https://doi.org/10.37862/aaeportal.00359.17

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Description: The Red Monastery Church: Beauty and Asceticism in Upper Egypt
At the very end of the nineteenth century, the English architect and antiquarian Somers Clarke...
PublisherYale University Press
Related print edition pages: pp.231-241
https://doi.org/10.37862/aaeportal.00359.18

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Description: The Red Monastery Church: Beauty and Asceticism in Upper Egypt
In 1909 the church of the Red Monastery was subjected to the first documented restoration project in its history, which was carried out by the Comité de Conservation des Monuments de l’Art Arabe (fig. 19.1). This body, established by Khedive Tawfiq (r. 1879–1892) in...
PublisherYale University Press
Related print edition pages: pp.243-259
https://doi.org/10.37862/aaeportal.00359.19

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Description: The Red Monastery Church: Beauty and Asceticism in Upper Egypt
The possibility of working at the Red Monastery was first discussed in 1999 during the final stage of our wall painting conservation project in the Old Church at the Monastery of Saint Antony near the Red Sea, when Elizabeth Bolman showed us photographs...
PublisherYale University Press
Related print edition pages: pp.261-279
https://doi.org/10.37862/aaeportal.00359.20

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Description: The Red Monastery Church: Beauty and Asceticism in Upper Egypt
Before the start of the ARCE-USAID project at the turn of the twenty-first...
PublisherYale University Press
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Description: The Red Monastery Church: Beauty and Asceticism in Upper Egypt
Very few of the inscriptions in the Red Monastery church, which are all dipinti, had been published, or even identified, before the ARCE conservation work...
PublisherYale University Press
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Description: The Red Monastery Church: Beauty and Asceticism in Upper Egypt
~This numbering system is meant to assist in locating general areas on the facade wall and in the triconch, and is not intended to give a number to every painted, sculpted, and architectural element in the church (figs. A2.1–A2.4).
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Description: The Red Monastery Church: Beauty and Asceticism in Upper Egypt
Abbreviations
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Description: The Red Monastery Church: Beauty and Asceticism in Upper Egypt
Bibliography
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Description: The Red Monastery Church: Beauty and Asceticism in Upper Egypt
Contributors
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Description: The Red Monastery Church: Beauty and Asceticism in Upper Egypt
Illustration Credits
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Description: The Red Monastery Church: Beauty and Asceticism in Upper Egypt
~Page numbers in italics indicate images. Abbreviations: P1-P5 = phases 1–5; PMed = medieval phases; PU = phase unknown.
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The Red Monastery Church: Beauty and Asceticism in Upper Egypt
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