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Index
Lisa Pon
Description: Raphael, Dürer, and Marcantonio Raimondi: Copying and the Italian Renaissance...
Raphael, Dürer, and Marcantonio Raimondi: Copying and the Italian Renaissance Print
Index
Author
Lisa Pon
PublisherYale University Press
Copyright© 2004 by Lisa Pon
Stable URL: https://aaeportal.com/?id=-20890
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Index
Albert, Prince Consort, 32, 174 n. 87
Alpers, Svetlana, 103
Ames-Lewis, Francis, 102
Andreani, Andrea, 3–6, 8–10, 3, 4, 9
antique medals, 142
antiquity, 2, 12, 26–8
see also antique medals; Laocoon
Antonio da Trento, 149–50
Antonio de Pasqualibus, 51–2
Arezzo
Casa Vasari
Giorgio Vasari, La Pittura 24, 25, 171 nn. 38–9
Ariosto, Lodovico, 43–4
Armenini, Giovanni Battista, 115–16
Arrighi, Ludovico, 75–7
Augustine, Saint, 114
author
see also Barthes, Roland
artist as, 10–11, 58, 67–8, 84–5, 152, 154
as holding authority bestowed by privilege, 82
of a discourse, 153, 201 n. 87
possessive, 10, 58–9, 64, 68, 152
Baldelli, Francesco, 34
Bandinelli, Baccio, 26, 37–8
Barbari, Jacopo de’, 46–7
Bird’s-eye View of Venice, 45–6, 46
Barthes, Roland
see also author; intertextuality; practical collaboration
death of the author, 10–11
prints as work and text, 7–10
work versus text, 6–7
Bartolomeo, Fra, 109
Bartsch, Adam von
Le Peintre-Graveur, 3, 9, 11, 12, 33
il Baviera, 69–70, 72–3, 148–9, 185–6 n. 18
Baxandall, Michael, 15, 103
Becker, Ernst, 32
Beham, Hans Sebald, 143–4, 144
Bembo, Pietro, 22–3
Benalio, Bernardino, 47–8, 154
Benjamin, Walter, 33
Berlin
Kupferstichkabinett, Staatliche Museen Marcantonio Raimondi and Raphael, Venus and Cupid in a Niche, 117
Bernini, Gianlorenzo, 84
Biondo, Girolamo, 45–6, 48
Blanc, Charles, 30
Blanquart-Evrard, Louis Desire, 29
Bologna, 41–2
Bonasone, Giulio, 79, 142
Borea, Evelina, 33–4
Boston
Museum of Fine Arts
“Premier Engraver” after Mantegna, The Corselet Bearers, 5, 6
Andrea Andreani, Triumphs of Caesar, 3–10, 9
Marcantonio Raimondi and Raphael, Lucretia, 95–8, 96, 102, 120
Jacopo de’Barbari, Bird’s-eye View of Venice, 45–6, 46
Rassieur collection
Marcantonio Raimondi’s Glorification of the Virgin after Dürer, proof state, 62–3, 63
Brown, Horatio, 16
Budapest
Szépmüvészeti Múzeum
Circle of Raphael, Massacre of the Innocents, 130–36
burin, 33, 34, 62, 85, 97, 107–8, 120, 147, 148
see also stylus
Bury, Michael, 28, 49, 88, 152
calco, see stylus tracing
Cambridge, Mass.
Harvard University Art Museums
Anonymous fifteenth-century Florentine, Otto Print, 8, 9
Bonasone after Michelangelo, Judith Leaving the Tent of Holofernes, 79, 79
Dürer, Betrayal of Christ, 71
Dürer, Glorification of the Virgin, 39–41, 40
Dürer, Small Woodcut Passion, 70–73
Ghisi, The Dream of Raphael, 80–81, 81
Marcantonio Raimondi after Dürer, Betrayal of Christ, 71
Marcantonio Raimondi after Dürer, Glorification of the Virgin, 39–41, 40, 62–3, 63
Marcantonio Raimondi after Dürer, Small Woodcut Passion, 71–2
Marcantonio Raimondi after Michelangelo, The Climbers, 78, 78, 95
Marcantonio Raimondi and Raphael, Adam and Eve, 120, 120–21
Titian, Submersion of the Army of Pharaoh, 46–7, 47
Houghton Library
Arrighi, La Operina, 75–7
Carpi, La Operina, 75–7
Dürer, Small Passion, 64–5
Lichtenberger, Pronostications, 50–52, 58–9
Zerner collection
Marcantonio Raimondi after Raphael, Dido, 95–8, 96
Marcantonio Raimondi and Raphael, Massacre of the Innocents, 134–5
Marcantonio Raimondi, Orpheus and Euridice, 89–90, 90
Caraglio, Giovanni Jacopo, 149–50
Carocci, Baviero, see Baviera, il
Carpaccio, Vittore, 104–5, 105, 156, 183 n. 113
Carpi, Ugo da, 12, 73–7, 154
and Ludovico Arrighi Vicentino, 75–7, 76
Works
Death of Ananias, 74, 80–82
Diogenes, 77
Carruthers, Mary, 114
Castiglione, Baldassare, 23
Cavalli, Gian Marco, 11
chiaroscuro woodcuts, see woodcuts, chiaroscuro
Chigi, Agostino, 16, 169 n. 6
Clovio, Giulio, 145
collaboration, see practical collaboration
colophons
genealogical, 57–8
visual, 62
Columbini, Giovanni, 53
contrafatto, see counterfeit
copia, 113–4
copying, 12, 22–33, 75–7, 98, 113–15
see also manuscript production; transfer of images
and imitation, 22–5, 79, 176 n. 3
as collaboration at a distance (see also practical collaboration), 58–9
as legal under local regulation, 44–5, 59, 62
as transgression of authorial rights, 48, 58
for patrons, 25–6
in the workshop, 98, 113
of admired works, 25–6, 39, 118
pedagogical, 26
versus “piracy,” 183 n. 103
Cort, Cornelis, see Titian
counterfeit, 28, 141–2, 197 n. 25
counterproof, 111–13, 112
Cranach, Lucas, 75, 187 n. 41
cut-and-paste, 116–18
Damisch, Hubert, 1–2, 191 n. 20
Delaborde, Henri, 30–31
Delessert, Benjamin, 29–32; 173 nn. 69–70
Desiderio da Settignano, 20, 21
digital analysis of drawings, 126–36
digital analysis of texts, 196 n. 7
Dolce, Ludovico, 113–14
“domains of experience” for pictures, 88, 189 n. 90
Domenichi, Ludovico, 36
drawing
see also graphic intelligence; ritrarre; stylus
as process, 101–5, 106, 113–18, 122–36
as “pulling,” 108
Dürer, Albrecht, 7, 15, 98–100, 139
AD monogram of, 40–41, 62, 70, 72
and Marcantonio Raimondi, 39–41, 53, 55, 58–9, 139, 146–7
and Raphael, 7, 98–100, 146–7
as possessive author, 58, 64
Monitum of 1511, 39, 64–6
Works
Apocalypse, 64
Betrayal of Christ, 71
Glorification of the Virgin, 39–41, 40, 62–3
Small Woodcut Passion, 64–5, 70–73
works copied, 39–41, 58–9, 70–72
works displayed, 15, 39
embroidery, 17
Emison, Patricia, 96
enamels, 17
Erasmus, 50
etching, 28
Fantin Latour, Henri, 101
Ferdinand, Archduke of Tyrol, 8
Firenzuola, Agnolo, 36
Fischel, Oskar, 126
framing
interpretive, 6, 10–11, 15, 62, 68, 146
physical, 4–6, 15, 28, 100, 110
printed motifs for, 6, 7, 9
Francia, Francesco, 15, 39, 42, 136
Fried, Michael, 101
gem engraving, 150
Gentili family of maiolica makers, 17–20, 18, 19, 20
Gesuati order, 53–6, 63
Ghisi, Giorgio, 80–81
The Dream of Raphael, 81
GianAntonio da Brescia, 27
Goupil et Compagnie, 29
graphic intelligence, 102–5, 113, 115, 118, 136
Greene, Thomas, 22
hallmarks of metalsmiths, 78
see also signatures
imitation, 12
see also copying
intertextuality, 5–6
Johannes of Speyer, 43
Kamuf, Peggy, 73
Klebekorrektur, 118
Koerner, Joseph, 100, 141
Kolb, Anton, 46
Lacan, Ernst, 29–30
Lafrery, Antonio, 48, 139, 143
Lampsonius, Domenicus, 142–5
Landau, David, 28, 69–70
Laocoon, 26–7
Leo X, 74, 80–81, 88
Lichtenberger, Johann, 50–52, 58–8
lira da braccio, 86, 89, 190 n. 104
lithography, 28
Loewenstein, Joseph, 10
see also author, possessive
London
British Museum
Marcantonio Raimondi after Raphael, Mercury Descending from the Sky, 92, 93
Marcantonio Raimondi after Raphael, Parnassus, 73, 79, 86, 86–94
Marcantonio Raimondi and Raphael, Judgment of Paris, 1–3, 2, 36, 88, 191 n. 20
Marcantonio Raimondi and Raphael, Massacre of the Innocents, 69, 88, 118–36, 119, 138, 194–5 nn. 71, 74
Marcantonio Raimondi, Portrait of Giovanni Filoteo Achillini, 121
Raphael, Compositional Study for the Massacre of the Innocents, 124, 124–36
Raphael, Study for Venus, 116, 117
Los Angeles
Getty Research Institute
Andrea Andreani, Triumphs of Caesar, 3, 3–10
Antonio Tempesta, Moses Ordering the Israelites to Attack the Ethiopeans, 17, 18, 19, 19
Bosse, Manieres de graver en taille-douce, 113
Portrait of Marcantonio Raimondi, 139
Portrait of Raphael, 149
J. Paul Getty Museum
Carpaccio, Standing Christ, 104–5, 105
Michelangelo, Holy Family with John the Baptist, 108, 109, 192 n. 36
Raphael, Figure Studies for the Disputa, 114, 115
Raphael, St. Paul Rending His Garments, 104, 104, 117
Lowry, Martin, 49
maiolica, 17–20
Malpizzi, Bernardo, 5
Malvasia, Carlo Cesare, 118–20
Manet, Eduard
Déjeuner sur l’herbe, 2
Mantegna, Andrea, 5, 94
as peintre-graveur, 11–12
prints after
Cavalli, Gian Marco, 11–12
“Premier Engraver,” 5–6
see also Andreani, Andrea
manuscript production
see also peciae; printing, 22, 169 n. 8
Manutius, Aldus, 42–3
and clients, 50–52
Monitum of 1503, 45
privileges obtained, 44
Marcantonio Raimondi
and Dürer, 39–41, 53, 55, 58–9, 139, 146–7
and Raphael, 67, 69, 82–3, 102, 118–36, 137, 146–7, 148
independent efforts, 27, 83
lack of archival documentation, 15
landscapes in his engravings, 95, 120–21
monogram MAF, 15, 78, 80, 136
portrait of, 137, 139
signatures of, 15, 69, 77–78, 136
“school of,” 2, 72, 186 n. 27
Works
Adam and Eve, 120, 120–21
Betrayal of Christ, 71
The Climber, 80
The Climbers, 78, 95
Deposition, 121
Dido, 95–8, 96
Glorification of the Virgin, 39–41, 40, 62–3, 63
Judgment of Paris, 1–3, 2, 36, 88, 191 n. 20
Last Supper, 121
Lucretia, 95–8, 96, 102, 120
Martyrdom of St. Lawrence, 37–8
Massacre of the Innocents, 69, 88, 118–36, 119, 138, 194–5 nn. 71, 74
Mercury Descending from the Sky, 92, 93
Orpheus and Euridice, 89–90, 90
Parnassus, 73, 79, 86, 86–94
Portrait of Giovanni Filoteo Achillini, 121
Triumph of Scipio, 83
Venus and Cupid in a Niche, 117
Vulcan, Venus, and Eros, 121
A Young Man Protected by Fortune, 62
Marco Dente da Ravenna, 27, 30, 147, 148
see also Marcantonio Raimondi, “school of”
metal plaquettes, 17
metalpoint, 103–4
see also stylus
Michelangelo, 23–6, 67–8, 79, 80, 90, 102
Works
Battle of Caseina, 95
Holy Family with Infant Saint John the Baptist, 108, 109
Libyan Sibyl, 24
mines, 43
Monbeig-Goguel, Catherine, 106
monograms, see signatures
monographic conflation of artist and oeuvre, 68
Morigia, Paolo, 53, 55, 63
New York
Metropolitan Museum of Art
Marcantonio Raimondi and Baccio Bandinelli, Martyrdom of St. Lawrence, 37, 37–8
Rosselli, Francesco, Ornamental Panels for a Frame, 5–6, 7
School of Raphael, Lucretia–Dido, 97, 97
Niccolò and Domenico Sandri dal Jesus, 16, 41, 51–2, 154, 155–65
and religious prints, 59–63
and the Gesuati, 55–7, 62–3
heir of, 61
see also Piero di Niccolò dal Jesus
works published
Andrea Corvo, Chiromantia, 59
Dante, Lo amoroso convivio, 56–7
Lichtenberger, Pronosticatione, 50–52, 57–8
Marcantonio Raimondi, Life of the Virgin after Dürer, 53, 62–4
Vorágine, Legendario di Sancti, 53, 54
Oberhuber, Konrad, 28, 83, 130
oeuvre, artist’s, 68
Otto prints, 8, 9
Panofsky, Erwin, 63, 99–100, 105
paper
see also drawing; metalpoint; stylus
as a support for printing, 7, 112
torn no, 122–3, see also cut-and-paste
Paris
Louvre
Raphael, Study for the Figure for Christ, 110, 110–11
Parmigianino, Francesco, 15, 77, 139, 148–51
peciae, 22
Le Peintre-Graveur, see Bartsch, Adam von
Petrucci, Armando, 96
photography, 29–33
Piccolomini, Alessandro, 35
Pico della Mirándola, Giovanni Francesco, 22–3
“pictorial intelligence,” 103, 191 n. 21
Piero di Niccolò dal Jesus, 61, 162–3
pinpricking, see spolvero
poison gas, 43
“possessive author,” see author, possessive
pouncing, see spolvero
practical collaboration, 8–11, 12–3, 15, 102
“Premier Engraver,” 5–6, 6
Primaticcio, 25–6
printing
in color, 3, 5, 7, 53–4, 74–5
press, 16, 43, 112–3
versus manuscript production, 16, 169 n. 8
printmakers’ contracts, 11, 168–9 n. 38
printmaking
see also etching; lithography; woodcuts
transfer of images, 15
prints
reproductive, see reproductive engraving
translational, 12
privileges
for high-tech projects, 43
for printed books, 16–7, 43–8
for printed pictures, 45–8
versus copyright, 17, 43
publisher
and clients, 50–52
as a modern category, 48–9
functions of, 48–50, 59, 72
period terms concerning, 48–9, 77
profession of, 48–9
Raimondi, Marcantonio
see Marcantonio Raimondi
Raphael, 1, 7, 80–82
see also graphic intelligence
and Dürer, 7, 98–100, 146–7
and Marcantonio Raimondi, 67, 69, 82–3, 102, 118–36, 137, 146–7, 148
portrait of, 149
portrait of Marcantonio Raimondi, 102, 137, 138
Vatican Stanze of, 67–8, 83, 99
Works
Adam and Eve, 120, 120–21
Battle of Ostia, 98–100, 113
Compositional Study for Massacre of the Innocents, 124, 125, 124–36
Death of Ananias, 74, 80–82
Expulsion of Heliodorus, 137, 138, 138
Figure Studies for the Disputa, 114, 115
Figure Studies for the Massacre of the Innocents, 122, 123
Fire in the Borgo, 74
Galatea, 102
Judgment of Paris, 1–3, 2, 36, 88, 191 n. 20
Liberation of Peter, 91
Loggia of Psyche, 92–3
Massacre of the Innocents, 69, 88, 118–36, 119, 138, 194–5 nn. 71, 74
Mercury Descending from the Sky, 92, 93
Monteluce Coronation of the Virgin, 118
Oddi altarpiece, 117–8
Parnassus, 73, 86–94, 190 n. 104
School of Athens, 102, 106
St. Paul Rending His Garments, 104, 104, 117
Study for Receive Ye the Holy Ghost, 110–13, 111
Study for Poetry, 106–7, 107
Study for Pythagorus and his Students, 101, 101–2, 116–17
Study for the Judgment of Solomon, 122, 123
Study for Venus, 116, 117
Study of Two Nude Men, 98–100, 99
Venus and Cupid in a Niche, 116–18, 117
workshop of, 28, 69, 72–3, 82–5, 98, 113, 116, 142, 154
Rembrandt, 7
reproduction
biological, 5
photomechanical, 28
reproductive engraving, 5, 12, 27–33, 87, 167 n. 13
Richardson, Jonathan, 86, 89–91
Ripanda, Jacopo, 83
ritrarre and derivatives, 25, 26, 142, 171–2 n. 48, 197 n. 34
Rome, 26–7, 67
Calcografia Nazionale, 63
Biblioteca Corsiniana
Vorágine, Legendario di Sancti, 53–4
Villa Farnesina
Raphael, Mercury Descending from the Sky, 92, 93
Rosselli, Francesco
Ornamental Panels for a Frame, 5–6, 7
Rotterdam
Museum Boijmans van Beuningen
Fra Bartolomeo, Study for a Sacre Conversazione, 109
Rubin, Patricia, 138
Ruland, Carl, 32
Saint Louis
Saint Louis Art Museum
Giorgio Vasari, Judith Beheading Holofernes, 24, 25, 171 n. 38
santini, 59–61, 159–60
Sauerländer, Willibald, 105
Schongauer, Martin, 78–9
self-portraiture, 100–02
Shearman, John, 102, no, 113, 114
Shoemaker, Innis, 95
signatures, 1, 68–9, 73, 185 n. 13
see also hallmarks of metalsmiths
as indicators of absence, 69, 185 n. 16
authorial, 73, 94, 99
autographic, 69, 73
commercial brand versus personal sign, 1, 68–9
contractual, 69, 73, 78, 84
monograms 53, 55, 70–73, 78–9, 136
blank tablet, 70–73
monogram AD, 40–41, 62, 70
monogram G, 61
monogram MAF, 15, 53, 77–8, 80
monogram NDFS, 62
monogram yhs, 53, 55
multiple, 1, 13, 53, 69, 73, 92, 136
printed, 77–82
seal, 73
solander box, 3, 166 n.6
spolvero, 17, 19, 20, 25, 125–30
Strada, Giovanni, 143, 151
Stradano, Giovanni, see Strada, Giovanni
style, 99, 105
stylus
see also wax tablets
blind (on unprepared paper), 106–12
engraver’s burin as, 106–7
on prepared paper, 103–4
tracing (calco), 20, 25, 107
sua mano, 84–5, 99
substitute cartoon, 19–20
Tempesta, Antonio
Moses Ordering the Israelites to Attack the Ethiopians, 17, 18, 19, 19
“thick description,” 88, 189 n. 89
Titian, 15, 26, 102
and Cornelis Cort, 48, 145–6
application for a privilege, 48
copying for patrons, 26
Works
La Gloria, 48
Portrait of Empress Isabella, 26
Portrait of Isabella d’Este, 26
Sacrifice of Isaac, 47
Submersion of the Army of Pharaoh, 46–7
Toscanella, Oratio, 35
transfer of images, 15, 17, 19–20, 111–13, 112
translation, 33–8
see also prints, translational
and Marcantonio Raimondi, 34, 36–8
as a trope for categorizing prints, 33–4
sixteenth-century, 34–6
van der Straet, Jan, see Strada, Giovanni
van Mander, Karl, 146–7
Vasari, Giorgio, 13, 23–5, 61, 87
and prints, 137–54
Libro delle Ricordanze, 142
Northern sources for, 143–4
redoing Life of Marcantonio Raimondi, 137–8
Vite de’ più eccellenti pittori, scultori, e architettori (Lives of the Artists) 26, 37–41, 95, 137–54
Works
Judith Beheading Holofernes, 24, 25, 171 n. 38
La Pittura, 24, 25, 171 nn. 38–9
Vatican City
Apostolic Palace
Raphael, Expulsion of Heliodorus, 137, 138
Raphael, Liberation of Peter, 91, 91
Raphael, Parnassus, 86–94
Raphael, School of Athens, 107
Veneziano, Agostino, 30, 70, 82, 96, 148
see also Marcantonio Raimondi, “school of,” 96
Venice, 41–66
see also Manutius, Aldus; Johannes of Speyer
Biblioteca Correr
Girolamo Grandi, Christ with Angels, 60, 61
Bird’s-eye View of Venice, 7, 45–6
Gesuati order in, 55–6
Jacopo de’Barbari, 46–7
Marcantonio Raimondi’s arrival in, 41–2, 60
Merceria, 42–3, 61
Rialto Bridge, 51–2
Santa Maria del Bon Gesú, 55–6, 56
Santa Maria della Vistazione
see Santa Maria del Bon Gesù
Scuola di Santa Maria Maggiore, 60, 155–6
Scuola di Sant’Anna, 161
Scuola di Sant’Ursola, 60, 156–8, 159–60
Vicentino, Lodovico Arrighi
see Arrighi, Lodovico
Vico, Enea, 44, 142, 145
Vienna
Graphische Sammlung Albertina
Ugo da Carpi, Death of Ananias, 74, 80–82
Raphael, Figure Studies for the Massacre of the Innocents, 122, 123
Raphael, Study for Pythagorus and his Students, 101, 101–2, 116–17
Raphael, Study for the Judgment of Solomon, 122, 123
Raphael, Study of Two Nude Men, 98–100, 99
Vorágine, Jacopo de, 53–4
wax tablets, 103
Wickhoff, Franz, 27–8, 33
Windsor
Royal Library
Raphael, Compositional Study for the Massacre of the Innocents, 125, 125–36
Raphael, Study for Receive Ye the Holy Ghost, 110–13, 111
Raphael, Study for Poetry, 106–7, 107
woodcuts
chiaroscuro, 3–5, 7, 74–5, 77
for pilgrims (see also santini), 7
Zentai, Lorand, 130, 135
Zerner, Henri, 84, 90, 96, 134–5, 169 n. 4
Zuccaro, Federigo, 115–16