Photograph Credits

Pon, Lisa

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Photograph Credits

Lisa Pon

Description: Raphael, Dürer, and Marcantonio Raimondi: Copying and the Italian Renaissance...

Raphael, Dürer, and Marcantonio Raimondi: Copying and the Italian Renaissance Print

Photograph Credits

Author

Lisa Pon

PublisherYale University Press

Stable URL: https://aaeportal.com/?id=-20889

Photograph Credits

Graphische Sammlung Albertina, Wien: 35, 50, 51, 71, 72

Art Resource: 15, 44, 46, 54, 90

Museum Boijmans van Beuningen, Rotterdam: 58

Civici Musei Veneziani d’Arte e di Storia, Venice: 29

Research Library, Getty Research Institute: 2, 3, 8, 9, 10, 11, 12, 63, 91, 92

Photographic Services © President and Fellows of Harvard College, Harvard University Art Museums: 6, 19, 20, 22, 33, 38, 39, 40, 69

Kallsen, Katya © President and Fellows of Harvard College, Harvard University Art Museums: 33

Ashley Hoffman: 62, 63

By permission of the Houghton Library, Harvard University: 27, 28, 32, 36, 37

Istituto Nazionale per la Grafica, Rome: 31

The Metropolitan Museum of Art, New York: 5, 18, 49,

Lisa Pon: 25, 26, 74, 75, 76, 77, 78, 79, 82, 83, 84, 85, 86, 87, 88, 89; courtesy of the Biblioteca Corsiniana: 23 and 24; and courtesy of Tom Rassieur: 30.

Photo © Reunion des Musées Nationaux: 59

The Saint Louis Art Museum: 16

Bonnie Solomon, courtesy of Henri Zerner: 43, 48

Soprintendenza per I Beni Architettonici e per il Paesaggio per il Patimonio Storico, Artistico e Demoetnoantropologico di Arezzo: 17

Szépmüvészeti Muzeum, Budapest: 81

Warburg Institute © University of London: 34, 66,

Photo Vatican Museums: 42, 56

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Book details

BOOKRaphael, Dürer, and Marcantonio Raimondi: Copying and the Italian Renaissance Print

Lisa Pon

https://doi.org/10.37862/aaeportal.00231

Stable URL: https://aaeportal.com/?id=-20878

In early sixteenth-century Italy, works of art came to be understood as unique objects made by individuals of genius, giving rise to a new sense of the artist as the author of his images. At the same time, the practice of engraving, a medium that produced multiple printed images via collaborative processes, rapidly developed. In this book, Lisa Pon examines how images passed between artists and considers how printing techniques affected the authorship of images.

Pon focuses on the encounters between the engraver Marcantonio Raimondi and three key artists: Albrecht Dürer, Raphael, and Giorgio Vasari. She reevaluates their work in light of the tensions between possessive authorship and practical collaboration in the visual arts.

*This eBook is available exclusively on the A&AePortal*

Author

Lisa Pon

PublisherYale University Press

Print publication date February 2004 (out of print)

Print ISBN 9780300096801

EISBN 9780300260137

Illustrations 93

Print Status out of print

Publisher (out of print)

WorldCat

Google Books

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