Skip to main content Skip to top navigation Skip to site search

Open dialog for my citation options

MLA

Chicago

Export RIS

(For EndNote, ProCite, Reference Manager, Zotero, Mendeley…)

Note: These citations are generated automatically. Please review your references before using since citation formats change over time.
My highlight options
Open dialog for share options

Copy the stable URL below to your clipboard to share this content with others.

Stable URL

https://aaeportal.com/?id=101692

Share via email

Please wait while we complete your search...

Please wait while we complete your search...

Sign in

Sign in to access your account.

Username: Password:

Forgot your Password?

Does your institution already subscribe to the A&AePortal? Members of subscribing institutions do not need to sign in to access the A&AePortal content. If you are using the A&AePortal remotely, log into your institutional VPN or proxy service before accessing the A&AePortal. Find the link to the A&AePortal for your library

This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

I don't have an account

Create an account to save content, highlights, and notes to your personal bookshelf.

If you do not have access to the eBook content on the A&AePortal via an institutional subscription, you can purchase an individual subscription from your account. Learn more about subscriptions.

Purchase a subscription

Reception

Image details

Description: Reception

TitleReception

Creator nameGuys, Constantin

Creator nationality/cultureFrench

Creator rolePainter

Creation date1850–1855

Creation date (description)1850/55

Object typePainting

MaterialsPen and brown ink with brush and watercolor, over graphite, on ivory laid paper

LocationArt Institute of Chicago

https://www.artic.edu/artworks/14833/reception

Accession number1933.524

SubjectsClothing and dress--France--History--19th centuryWomen's clothingParties

Related content: Chapters (1) Images (33)

Select a chapter below to view this image within the text.

Chapter 3: Writing Fashion from Balzac to Mallarmé

Heidi Brevik-Zender

Description: Impressionism, Fashion, and Modernity

Impressionism, Fashion, and Modernity

Anatole France’s tongue-in-cheek claim that fashion magazines say more about humanity than novels suggests a separation between fashion, literature, and human experience that is easily challenged by numerous French literary works of the nineteenth century. For to read French literature produced during the period of the Impressionists is to realize that—for numerous novelists, poets,...

Author

Heidi Brevik-Zender

PublisherArt Institute of Chicago

Copyright© 2012 The Art Institute of Chicago

Related print edition pages: pp.53-62

https://doi.org/10.37862/aaeportal.00356.5

Stable URL: https://aaeportal.com/?id=-23654&redirecttoanchor=101692

Chapter subject tags:Clothing and dress--France--History--19th centuryImpressionism (Art)--FranceBalzac, Honoré de, 1799-1850Mallarmé, Stéphane, 1842-1898Gautier, Théophile, 1811-1872Women's magazines

Note: Some of the images of artworks presented on this platform were not sourced from the original print publication. However, in order to preserve the scholarly record of the print publication, all original image captions and credit lines have been retained on the platform. Learn more about our image policies.

Loading image

For this site to function correctly you need to enable javascript in your browser. .noscript { display: block; text-align: center; padding: 20px; position: fixed; top: 0; width: 100%; z-index: 102; }