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Yale University Press
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Fountain

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Description: Fountain
Related content: Chapters (4) Images (45)

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Description: Eisenman Inside Out: Selected Writings, 1963–1988
An examination of recent developments in architecture, its present commitment to a social and technological polemic notwithstanding, would reveal that aspects of painting and sculpture, especially in the domain of what is loosely called...
PublisherYale University Press
Related print edition pages: pp.10-27
Description: How Photography Became Contemporary Art: Inside an Artistic Revolution from Pop to...
Because a great deal of postminimal art was inaccessible or ephemeral, artists photographed it to show what it looked like and to preserve its memory. The photodocumentation soon came to be thought of as integral to the work itself—a kind of trace of the real thing or event and a real work of art in its own right.
PublisherYale University Press
Related print edition pages: pp.53-65
https://doi.org/10.37862/aaeportal.00262.005
Description: Art of the United States, 1750–2000: Primary Sources
At the end of the nineteenth century, philosopher John Dewey was astonished by the transformations wrought in the span of a lifetime. The United States had gone from being a respectable manufacturing nation to an industrial powerhouse, surpassing the production of Britain, France, and Germany combined. In an 1899 lecture, published the next year in The School and Society, Dewey listed the...
PublisherTerra Foundation for American Art
Related print edition pages: pp.252-289
https://doi.org/10.37862/aaeportal.00199.007
Description: The Sculptural Imagination: Figurative, Modernist, Minimalist
Modernist sculpture, which could roughly be defined chronologically as work produced after Rodin and before the shake-up of sculptural practice in the 1960s and early 1970s, had in its own time, and continues to have, an oddly uncertain status. There is no denying the pervasiveness of the modernist desire to create a new kind of object that would offer a radical alternative to the classicising and monumentalising tendencies of traditional sculpture, and would parallel the rethinking of picturing …
PublisherYale University Press
Related print edition pages: pp.103-144
https://doi.org/10.37862/aaeportal.00156.007

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