Photo Credits

Marciari, John; Albendea, Carmen; McClure, Ian

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Photo Credits

John Marciari, Carmen Albendea, Ian McClure, Anikó Bezur, Jens Stenger, Benito Navarrete Prieto

The Young Velázquez: The Education of the Virgin Restored

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Author

John Marciari, Carmen Albendea, Ian McClure, Anikó Bezur, Jens Stenger, Benito Navarrete Prieto

PublisherYale University Art Gallery

https://doi.org/10.37862/aaeportal.00167.009

Stable URL: https://aaeportal.com/?id=-19541

Photo Credits

Every effort has been made to credit the artists and the sources; if there are errors or omissions, please contact the Yale University Art Gallery so that corrections can be made in any subsequent editions.

Photograph © The Art Institute of Chicago: Marciari, fig. 5

Image © The Metropolitan Museum of Art. Image source: Art Resource, N.Y. Photo: Malcolm Varon: Marciari, fig. 4

Minneapolis Institute of Arts: pl. 3; Navarrete Prieto, figs. 4–5

Cliché Musée des Beaux-Arts d’Orléans: Marciari, fig. 7

Courtesy Museo de Bellas Artes de Sevilla/© José Morón Borrego: pl. 2

Photograph: A. Roy, courtesy of National Gallery, London: Albendea, McClure, Bezur, and Stenger, fig. 4

Scottish National Gallery: Marciari, fig. 3

Photograph © The State Hermitage Museum. Photo by Vladimir Terebenin, Leonard Kheifets, Yuri Molodkovets: Marciari, fig. 1

Yale University Art Gallery Archives, New Haven, Conn.: Marciari, fig. 10

Yale University Art Gallery, New Haven, Conn., Visual Resources Department: pl. 1; Albendea, McClure, Bezur, and Stenger, figs. 1, 3, 12; Navarrete Prieto, fig. 9

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Book details

BOOKThe Young Velázquez: The Education of the Virgin Restored

John Marciari, Carmen Albendea, Ian McClure, Anikó Bezur, Jens Stenger, Benito Navarrete Prieto

https://doi.org/10.37862/aaeportal.00167

Stable URL: https://aaeportal.com/?id=-19532

Donated to the museum in 1925, the Yale University Art Gallery’s Education of the Virgin—depicting Saint Anne teaching a young Virgin Mary to read—was long considered to be a work by an unknown Spanish artist. Considerably damaged, the painting was relegated to storage and never carefully studied until 2005, when John Marciari reattributed the work to Diego Velázquez (1599–1660), the most significant painter of the Spanish Golden Age. The extraordinary narrative of this painting and its reattribution is chronicled here, accompanied by a detailed description of the painting’s conservation campaign and thoughtful analysis of the artist’s technique.

*This eBook is available exclusively on the A&AePortal*

Author

John Marciari, Carmen Albendea, Ian McClure, Anikó Bezur, Jens Stenger, Benito Navarrete Prieto

PublisherYale University Art Gallery

Print publication date November 2014 (in print)

Print ISBN 9780300207866

EISBN 9780300254440

Illustrations 38

Print Status in print

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