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Did Joshua Reynolds Paint His Pictures? The Transatlantic Work of Picturing in an Age of Chymical Reproduction
Matthew C. Hunter
Description: Picturing
Picturing
In the spring of 1787, King George III visited the Royal Academy of Arts at Somerset House on the Strand in London’s West End. The king had come to see the first series of the Seven Sacraments painted by Nicolas Poussin (1594–1665) for Roman patron...
Author
Matthew C. Hunter
PublisherTerra Foundation for American Art
Copyright© 2016, Terra Foundation for American Art
Related print edition pages: pp.44-81
https://doi.org/10.37862/aaeportal.00190.002
Stable URL: https://aaeportal.com/?id=-19902
Chapter subject tags:Scandals in artArt and philosophyPainting--TechniquePrints--Technique

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Did Joshua Reynolds Paint His Pictures? The Transatlantic Work of Picturing in an Age of Chymical Reproduction